Mia and the Dragon Princess is a thrilling action-adventure film where a plucky barmaid named Mia finds her life turned upside down. She encounters a mysterious, non-English speaking woman on the run from violent thugs, plunging Mia into a dangerous and unexpected journey. Discover this exciting movie that blends mystery, action, and an unlikely alliance.
action adventure thriller mystery full-movie hollywood 2023-film mia-and-the-dragon-princess
#MiaAndTheDragonPrincess #FullMovie #ActionAdventure #NewRelease
action adventure thriller mystery full-movie hollywood 2023-film mia-and-the-dragon-princess
#MiaAndTheDragonPrincess #FullMovie #ActionAdventure #NewRelease
Category
✨
PeopleTranscript
00:00:00Transcription by CastingWords
00:00:30Transcription by CastingWords
00:01:00Our story starts hundreds of years ago, when the only daughter of an 18th century aristocratic family, who was betrothed to Javanese royalty, renounced everything.
00:01:12Her title? Her riches. Much to her family's displeasure, she was Marchanda Damayanti, the Princess Pirate.
00:01:42She fled a life of confinement to live unchained and unfettered, plundering the South China Sea, where she formed a new family.
00:01:59A loyal crew of women she saved from the shackles of servitude or title.
00:02:04It was on the high seas she forged a friendship with the notorious pirate, Red Cat Mildred.
00:02:20Together they ruled the Wraiths, becoming each other's only true ally.
00:02:27But their past was never far behind.
00:02:30Victims of their ravage, hell-bent on tracking them down, wanting retribution and blood.
00:02:36When her pursuers eventually closed in, Marchanda entrusted her share of the riches to Red, who in turn gave her a wrist device that would lead her back to Red and the treasure.
00:02:50She then headed towards the frozen waters of the Antarctic, so desperate to escape that she went somewhere no one would dare follow.
00:03:00But tragically, her ship was lost to the ice.
00:03:05Lost for hundreds of years.
00:03:07Until now.
00:03:08Lost for hundreds of years.
00:03:09Lost for hundreds of years.
00:03:10Lost for hundreds of years.
00:03:11Lost for hundreds of years.
00:03:12Lost for hundreds of years.
00:03:13Lost for hundreds of years.
00:03:14Lost for hundreds of years.
00:03:15Lost for hundreds of years.
00:03:16Lost for hundreds of years.
00:03:17Lost for hundreds of years.
00:03:18Lost for hundreds of years.
00:03:19Lost for hundreds of years.
00:03:20Lost for hundreds of years.
00:03:21Lost for hundreds of years.
00:03:22Lost for hundreds of years.
00:03:23Lost for hundreds of years.
00:03:24Lost for hundreds of years.
00:03:25Lost for hundreds of years.
00:03:26Lost for hundreds of years.
00:03:27Lost for hundreds of years.
00:03:28Lost for hundreds of years.
00:03:29Lost for hundreds of years.
00:03:30Lost for hundreds of years.
00:03:31Lost for hundreds of years.
00:03:32Lost for hundreds of years.
00:03:33Lost for hundreds of years.
00:03:34Lost for hundreds of years.
00:03:35I don't know.
00:04:05I don't know.
00:04:35Okay.
00:04:36Shit!
00:04:37We have one of those.
00:04:50One less again.
00:04:54Get Mr. Walsh down there immediately!
00:05:01Hey!
00:05:05Get all this!
00:05:15Get the boss! Get Mr. Walsh!
00:05:19Daddy, she's hungry!
00:05:27Catch!
00:05:41She did not pay for that spring roll!
00:05:43It's Teaser, Gary.
00:05:49No! No!
00:05:51No!
00:05:53No!
00:05:55No!
00:05:57No!
00:05:59No!
00:06:01No!
00:06:03No!
00:06:05No!
00:06:07No!
00:06:09No!
00:06:11No!
00:06:17No!
00:06:21No!
00:06:23No!
00:06:25No!
00:06:27No!
00:06:29No!
00:06:31No!
00:06:33I'm gonna go.
00:06:37Hey-ya!
00:06:39Hey-ya!
00:06:41Hey-ya!
00:06:43His toilets is blocked again,
00:06:45and I've got a big meeting with this finance tosser of Collins.
00:06:49He's in the bar waiting right now,
00:06:51and the timing's terrible.
00:06:53You know, sometimes I think it's a sign.
00:06:57You know, sometimes I think you want me to lose this bar.
00:07:03Hmm?
00:07:07Fine. I'll do it, you know.
00:07:09Oh, I love the way you unblock a toilet.
00:07:30Sorry, sorry!
00:07:34What does it mean?
00:07:40I don't speak.
00:07:43I'm really sorry.
00:07:44Listen, I don't...
00:07:45I'm recording.
00:07:48Um, do you know I'm recording?
00:07:55You're hiding from someone, is it it?
00:07:58It's going to be a bouquet.
00:08:08Excuse me.
00:08:09Did you sit with a woman and run through this way just now?
00:08:11Lady in the medical gown?
00:08:12Yes.
00:08:13Yes, you shoved me. You went that way.
00:08:14No, no, no, no.
00:08:15She just left. You might still be able to catch her.
00:08:17Thank you, thank you.
00:08:19Marie!
00:08:20That was so exciting. I've never lied to the police before.
00:08:24Oh crap.
00:08:26The Uniscape killer on a violent rampage.
00:08:31Let's just get you inside.
00:08:33There's food inside?
00:08:35Food?
00:08:37I'm hungry.
00:08:38I have an idea.
00:08:40Here.
00:08:41Take this.
00:08:43Catch.
00:08:45Wait, wait, no, no, no, no.
00:08:46I promise. Come here, wait.
00:08:47More?
00:08:48Good, good.
00:08:50Good.
00:08:51Oh, no, no, don't, don't.
00:08:58Catch.
00:08:59Oh, my God.
00:09:02No, it's not the alien.
00:09:03Come on, another one.
00:09:04Here, here.
00:09:05Here.
00:09:06Here.
00:09:07Here.
00:09:08Here.
00:09:10Here.
00:09:11What?
00:09:13You didn't do anything.
00:09:14You skipped big posts.
00:09:17Hey, it's okay.
00:09:18It's okay.
00:09:24Okay.
00:09:25Time to distract Eddie.
00:09:27Eddie.
00:09:28Eddie.
00:09:29Eddie.
00:09:30Eddie.
00:09:31Eddie.
00:09:35Eddie.
00:09:36You wait in there.
00:09:37Skips it.
00:09:38There's holes in rot somewhere about it, won't it?
00:09:39Yeah, yeah, yeah.
00:09:41Oh, careful.
00:09:42Oh, my God, Eddie, come on.
00:09:44Who's in the eye?
00:09:45Who's in the eye?
00:09:46Who's in the eye?
00:09:47Who's in the eye?
00:09:48Who's in the eye?
00:09:49Who's in the eye?
00:09:51Who's in the eye?
00:09:52No, no, no.
00:09:53Who's in the eye?
00:09:54Come on.
00:09:55Oh, my God!
00:10:25LAUGHTER
00:10:36Stay to that shitting bar and make it yourself, did you?
00:10:55Yeah, I like it, too. Skiff's great-great, you know, great-great-great-great-great-great-great-grandfather
00:11:13had it commissioned or something.
00:11:19You all right, buddy?
00:11:25Yeah, can I drop a leaf for another?
00:11:38Yeah, of course. Uh, hey, how sick are you going?
00:11:41Oh, you know.
00:11:43Another day on the right side of the grass and, oh, nothing.
00:11:47Let me keep a spot.
00:11:49Very nice fair dues. Hey, the usual?
00:11:52Oh, yes, please.
00:11:54I think maybe something will discharge the light brigade.
00:11:57Oh.
00:11:58Oh.
00:11:59No worries, leave with me.
00:12:01Come on, I need to get you unhooked from this taser. This is gonna suck, but...
00:12:08Hey.
00:12:09No!
00:12:10No!
00:12:11No!
00:12:12No!
00:12:13No!
00:12:14No!
00:12:15No!
00:12:16No!
00:12:17No!
00:12:18No!
00:12:19No!
00:12:20No!
00:12:21No!
00:12:22No!
00:12:23No!
00:12:24No!
00:12:25No!
00:12:26No!
00:12:27No!
00:12:28No!
00:12:29No!
00:12:30No!
00:12:31No!
00:12:32No!
00:12:33I'm sorry.
00:12:34I think I understood that, and I'm really, really sorry.
00:12:35I'm so sorry.
00:12:36I'm so sorry.
00:12:37Dad!
00:12:38I'm so sorry, Bear Wentz, Bear Wentz, breathe!
00:12:42Let's get you into something a little less conspicuous.
00:12:50Looks good.
00:12:53Let's see.
00:12:58It's amazing what people are using behind in pubs after cube lines, honestly.
00:13:03Well, these supplies will fit, so I'll turn these on.
00:13:08Okay, let's get you some real food, right?
00:13:16What are you fancy? Scampi fries? Beef crisps?
00:13:20Are you vegetarian? Because that's all we have.
00:13:23Order your tea.
00:13:25Right, okay.
00:13:27You might be a mass motor and I'm here asking about your dietary requirements.
00:13:31I'm an idiot. Okay, please stay hidden, right? I'll be right back.
00:13:34Hey, hey! Ready yourselves for another delightful concoction from London's greatest mixologist.
00:13:44I call this one Succo d'Angelo. Angel cheers.
00:13:48Welcome, explorers, to the Smuggler's Tavern.
00:13:52The pirate's private party palace.
00:13:54This is the most historically infamous sordid den of villainy and underworld chicanery that ever was in old London town.
00:14:02And it's here our walking tour of London should pause for refreshments and use of the facilities.
00:14:07Mine's a brandy Alexander if anyone's buying.
00:14:11No?
00:14:12No?
00:14:13Fair enough.
00:14:16No!
00:14:17What are you?
00:14:18Why?
00:14:19No!
00:14:19He's dead.
00:14:21No!
00:14:22Oh, he's dead.
00:14:23I've been the last.
00:14:24No!
00:14:25No!
00:14:26No!
00:14:27No!
00:14:28No!
00:14:29Oh, gross!
00:14:30I'm not a pose sack!
00:14:31I need to talk to Skip about our deal.
00:14:32He's busy.
00:14:33What?
00:14:34You're busy.
00:14:35She's getting there.
00:14:36I just said he's busy.
00:14:38I just said he's busy.
00:14:38I'm so sorry...
00:14:40I'm so sorry.
00:14:41I'm so sorry.
00:14:42Why?
00:14:43What?
00:14:44I'm not selling.
00:15:06Mr. Orchard's offering you a great day.
00:15:09I know it's been in your family for generations, but you need to think about it.
00:15:12I will not change my mind.
00:15:16Fine. Mr. Orchard won't be happy.
00:15:23Hey, look, I know you're really doing everything you can to help out.
00:15:27Is there anything you can do to just help out a little bit more?
00:15:32Well, if he doesn't pay any of you this month, he might just scrape by, but...
00:15:37What will happen this month?
00:15:40Hey, don't worry.
00:15:42You can always be a barmaid somewhere else.
00:15:46It's not the only pub in London.
00:15:47I know.
00:15:48I know.
00:15:49I know.
00:15:50I know.
00:15:51I know.
00:15:52I know.
00:15:53I know.
00:15:54I know.
00:15:55I know.
00:15:56I know.
00:15:57I know.
00:15:58I know.
00:15:59I know.
00:16:00I know.
00:16:01I know.
00:16:02I know.
00:16:03I know.
00:16:04I know.
00:16:05I know.
00:16:06I know.
00:16:07I know.
00:16:08I know.
00:16:09I know.
00:16:10I know.
00:16:11I know.
00:16:12I know.
00:16:13I know.
00:16:14I know.
00:16:15I know.
00:16:16I know.
00:16:17I know.
00:16:18I know.
00:16:19I know.
00:16:20I know.
00:16:21I know.
00:16:22I know.
00:16:23I know.
00:16:24I know.
00:16:25I know.
00:16:26I know.
00:16:27I know.
00:16:28I know.
00:16:29I know.
00:16:30You know.
00:16:31I know.
00:16:32You've always got the right place.
00:16:33But just rentress.
00:16:34I know.
00:16:35Cocktails.
00:16:39Actually, you can find that our listening general knowledge expert
00:16:42knows a lot more than I do.
00:16:44I hear lots of the legends here are true.
00:16:47I miss most mysterious places.
00:16:51Before the Great Fire of 1666.
00:16:55Um, lots of nefarious stuff.
00:16:59And right here, I mean, this bar,
00:17:01it's built right on top of the Lost Rivers
00:17:06and Caves of London.
00:17:08Lost.
00:17:10And they rebuilt by fire.
00:17:13Her name.
00:17:20To reach your destination, you must leave the shore.
00:17:23Ah, yes.
00:17:24The maxim of ferocious pirate, Catherine Morgan, or Red Cat.
00:17:28She was now.
00:17:29Oh, yeah, because she had nine lives.
00:17:39Cat discovered a baby kraken orphaned from its mother.
00:17:42She cared for this crackling,
00:17:44naming her Lucy.
00:17:46A fierce protector of the pirate who raised her.
00:17:52Help!
00:17:53Help!
00:17:54Help!
00:17:55Help!
00:17:56Help!
00:17:57Help!
00:17:58Help!
00:17:59Help!
00:18:00Help!
00:18:01Help!
00:18:02The Alien 공
00:18:20smuggler's tavern, known as a black market for trading pillaged riches. Allegedly, she left a
00:18:28trail of clues should Marshanda return to claim her share, before Kat herself became nothing more
00:18:35than legend. The man being shot by Red Kat in the painting bears a likeness to Skip's forefather,
00:18:46who owned the tavern at the time, leading many to believe Skip's family were more involved
00:18:51in the sordid deeds of this notorious pirate than we know.
00:19:16I hope you enjoy day-long sci-fi sessions with an unwashed flaccid ape-man. He feeds off self-esteem,
00:19:31this one, so look out for that, yeah? Hey, Eddie, please be awesome. Hey, check this out. See this
00:19:35boy over there? Sir. She. Used to date. Him. And it looks like they've dragged new dates to the same place.
00:19:43Why don't you kick this date into phase two and just shit off to Nando's? You shit off to Nando's,
00:19:51you punks. Eddie, the water. Oh, hey, um, they've called down. Delivery's waiting. Been up there
00:20:02for about ten minutes. Ten minutes? Stick your apology.
00:20:13Hey, well done. Another delivery's been nixed. This one's on you, Edward. Oh, come on,
00:20:25don't be like that. Mia. Skip, Eddie, there's no hope. Oh, no.
00:20:31Run! Run! Run!
00:20:37Run, Mia! Run!
00:20:39No, no, no!
00:20:44No, no, no.
00:20:50Ah!
00:20:57No, no, no!
00:20:59What the hell is this?
00:21:29Corey, I'll pay it.
00:21:43I know that, Chris.
00:21:48Are you all right down there, Skip?
00:21:50I think so.
00:21:52Call an ambulance, Eddie.
00:21:59Hey, don't kill him! Don't!
00:22:10Yeah!
00:22:11Yeah!
00:22:16Help!
00:22:17Help!
00:22:18Help!
00:22:19Help!
00:22:20Help!
00:22:21Help!
00:22:29No!
00:22:30No!
00:22:32It's the same Chris as the rest of the next door.
00:22:36Hey, what does this mean?
00:22:39It's about Queen!
00:22:43It's about Queen.
00:22:45Your vocals sound obliterated. That's not healthy.
00:22:48Sounds like you've been doing eight phantoms a week.
00:22:50That's serious.
00:22:51I can fix this.
00:22:54Skip!
00:22:56Oh, hey, you can't be back here.
00:22:57Yep, just knocking together a cheeky vocal tonic.
00:23:00Eddie, they cut the landline before roughing me up.
00:23:03That's another thing an ALF could pay for.
00:23:07Oh, you?
00:23:10See, if I was fifteen years younger, I'd throw you about like an empty tracksuit.
00:23:15What's this?
00:23:19Gunpowder.
00:23:20And this is why you can't be back here.
00:23:24Alright.
00:23:30Hey, you're a political.
00:23:33Maybe you can communicate with her what she's saying.
00:23:35I'll see what I can do.
00:23:37Get some ice on that.
00:23:38There's no signal down there.
00:23:40I know.
00:23:41Right, I can call the police.
00:23:42I don't think the police are gonna help her.
00:23:43What is she looking for?
00:23:44Hey, who are these guys?
00:23:45They're just some people who'd want to cash in on mummy's fortune.
00:23:48I can't even afford to keep the lights on.
00:23:49And they can smell the blood in the water.
00:23:50So I'm gonna have to sell.
00:23:51They're gonna leave my father down.
00:23:52I can help you.
00:23:53I can help you.
00:23:54I can help you.
00:23:55I've been saving up.
00:23:56Oh, me.
00:23:57No, I can.
00:23:58I can't, I can't do that again.
00:24:00Yes, please.
00:24:01want to cash in on mummy's fortune. I can't even afford to keep the lights on. And they
00:24:08can smell the blood in the water. So I'm going to have to sell. They laid my father down.
00:24:19I can, I can help you. I've been saving up. Oh, me. No, I can't, I can't do that again.
00:24:26Yes, please. Yes, you can. It's fine. You can owe me.
00:24:29I can't. Skip, please, it's fine. Mia? No. It's surely a bar. It's our hope.
00:24:41I can't. I can't.
00:24:49It's not you. I'm going to help you.
00:24:54I won't be in this anytime soon. So much for traveling the world.
00:24:59Come on, you.
00:25:02Let you go.
00:25:04Go.
00:25:06Okay, let's see how good this translation happens.
00:25:09You're welcome.
00:25:13Language not recognized.
00:25:19See if you can translate.
00:25:20Do your thing.
00:25:21What's this say?
00:25:26Who are you?
00:25:27Marshanda Damayanti. Marshanda?
00:25:29Marshanda.
00:25:30I'm Mia.
00:25:32Mia.
00:25:33Mia.
00:25:34Yes, Mia.
00:25:35Marshanda.
00:25:36Oh, sod this shithole. Ladies, to Shumpers.
00:25:45The police are on their way.
00:25:50We shouldn't.
00:25:51Danger.
00:25:52Danger.
00:25:52Hey, Lisa could be here in a little bit, and I told my friend to get a job.
00:26:00Can she come with you?
00:26:01Just for a short while.
00:26:02I'll come find her, and drinks will be on me.
00:26:04I have some bloody day, baby.
00:26:08Tell her that she needs to go, and I'll come find her.
00:26:10You can go.
00:26:12Mia will come back to you.
00:26:13Oh, go.
00:26:15Can you, uh, should we stay for that?
00:26:17None of you saw her.
00:26:24Especially you.
00:26:26Don't, don't, you're not supposed to go anywhere until the police...
00:26:30I will buy you shots.
00:26:31I will get you.
00:26:33I can't stop it.
00:26:34You're surprisingly strong.
00:26:37I know.
00:26:37All right, all right.
00:26:39I don't know how to go.
00:26:39All right.
00:26:40Come on.
00:26:43Go on in.
00:26:45My shin, I can't.
00:26:47I can't leave them.
00:26:59What are you doing?
00:27:02No.
00:27:03Did you call the police?
00:27:05Yes.
00:27:06Yes, I did.
00:27:07And they are coming to take statements, so everyone needs to stay here.
00:27:14What about the ambulance?
00:27:15Yeah, ambulance too.
00:27:17We can't have the police coming here.
00:27:19Huh?
00:27:19Why not?
00:27:21Well, Shanda, she might be running for something.
00:27:22I think.
00:27:24Well, for what?
00:27:26What is she looking for?
00:27:27Look.
00:27:29I don't know.
00:27:32Until I figure that one out, let's maybe not throw her under the bus, right?
00:27:36The thing on her wrist.
00:27:41It's crest.
00:27:41What is it?
00:27:42That crest is ancient.
00:27:47And it's been in that building upstairs long before it was a restaurant.
00:27:50They've been trying to buy me out.
00:27:53They've been trying to buy me out.
00:27:56They'll try anything about me.
00:27:59Look.
00:28:00I'm sorry, but I'll keep this quiet.
00:28:03They've got a bid in for this place.
00:28:06It's three times what the place is worth.
00:28:09Maybe she's involved with her.
00:28:10No, no.
00:28:13She's not with them.
00:28:15And keep her out of sight.
00:28:21What makes you think this is going well?
00:28:22No, no, no.
00:28:23It's not a good one.
00:28:25Me and Chloe.
00:28:26You don't get your locket hands off of me.
00:28:28No, no.
00:28:28The police said not to leave.
00:28:32Help me out.
00:28:35Mia.
00:28:38Help me out.
00:28:45Hello, Matt.
00:28:51Mr. Walsh, fancy seeing you here.
00:28:54This is DC Cross.
00:28:56Been a bit of a disturbance in the area.
00:28:58I just wanted to check our lovely neighbours were all right.
00:29:03Come on, go under there.
00:29:04In here, go.
00:29:05In here.
00:29:06Stay at night.
00:29:07You ought to go stay at night.
00:29:08I'm going to keep you out of sight.
00:29:15Well, looks like our suspect committed similar acts on your premises.
00:29:35You scared who is this guy?
00:29:37Theodore Walsh.
00:29:39He inherited the restaurant from his father and also acquired his master for this place.
00:29:43Who me, Ted?
00:29:45As you know, Mr. Walsh, my associate believes our suspect is here.
00:29:52My niece.
00:29:56Your niece?
00:29:59We are just concerned.
00:30:09Well, maybe we should just wait for the police, eh?
00:30:12Sort this all out.
00:30:12There we are, the police.
00:30:16Anyway.
00:30:19You got any ID?
00:30:22Isn't that how you do things here?
00:30:25Come here.
00:30:30Look at my face.
00:30:31This is all the ID you need.
00:30:34Take a good, long look.
00:30:37Every pull.
00:30:38So, your niece, yes.
00:30:48You're a hospital guard, violent, quite the character.
00:30:54Troubled your woman, I have to say.
00:30:56We were in the process of getting her some assistance, psychiatric assistance.
00:31:00She had an episode.
00:31:01She had an episode, run away.
00:31:04Millennials.
00:31:09Your niece.
00:31:15You're her uncle.
00:31:17Yes.
00:31:18And this lot?
00:31:21They're your task force.
00:31:22Uncle.
00:31:22We're also uncle.
00:31:24Also uncle.
00:31:28Big family.
00:31:33More police are on the way.
00:31:35Are they?
00:31:42We were just trying to leave.
00:31:44Hi, we have a schedule to keep...
00:31:46Hey.
00:31:48Don't touch me.
00:31:56Relax.
00:31:58Let's all have some drinks.
00:31:59That's why we're here, right?
00:32:01All we need is the woman.
00:32:04Where is she?
00:32:10She, um...
00:32:11She was here, Mr. Walsh.
00:32:15I, uh...
00:32:16I don't know where she is currently.
00:32:18Whoops.
00:32:23I'll get those up.
00:32:24Let's try and get it.
00:32:45What?
00:32:45What?
00:32:45What?
00:32:48Well, look who it is.
00:32:59Come on, darling.
00:33:00Why were you hiding in there?
00:33:14Why were you hiding in there?
00:33:14I'm hiding in there.
00:33:15Nia, these men are dangerous.
00:33:27No! Stop!
00:33:30Wait, I'm sorry. I'm sorry.
00:33:41Larissa, I'm not who you're looking for.
00:33:44Mr. Walsh?
00:33:48Mr. Walsh, I think I might have seen them going into the toilets together.
00:33:56She might still be in there.
00:34:03Made a new friend today.
00:34:09I wonder what you both talked about.
00:34:14I'm sorry.
00:34:16But don't worry about this.
00:34:18She is dead.
00:34:19It's not even there.
00:34:21I've known anyone.
00:34:23I've known everyone.
00:34:25I've known everyone so much.
00:34:27I've known everyone.
00:34:29Mia!
00:34:45Mia!
00:34:59I told you she was there, boss. That's her.
00:35:11Oh, yes.
00:35:20I want you all out of my bar.
00:35:29Ready? Glass?
00:35:35Ready? Glass?
00:35:47Right now!
00:35:59Now! Now!
00:36:07Do you want to see if this thing works?
00:36:09Do you want to get the fuck out of here?
00:36:14He's back! He's back!
00:36:16Take close to go.
00:36:46No!
00:37:08I've been shot!
00:37:09No!
00:37:12What is this?
00:37:16Sorry.
00:37:19Clint!
00:37:21My browser history!
00:37:27It's gonna be.
00:37:29That's life.
00:37:31Sorry.
00:37:33Bring her to me.
00:37:36No witnesses.
00:37:38Kill them all.
00:37:40No!
00:37:42No!
00:37:44No!
00:37:46No!
00:37:48No!
00:37:50No!
00:37:52No!
00:37:54No!
00:37:56No!
00:37:57No!
00:37:59No!
00:38:01No!
00:38:03No!
00:38:09No!
00:38:10No!
00:38:12No!
00:38:14No!
00:38:20No!
00:38:22No!
00:38:23What is that?
00:38:42This really wasn't what I said centuries ago, you know that?
00:38:45Way out.
00:38:46Yes.
00:38:47Something better than nothing.
00:38:53It looks like a hatch.
00:39:10No, no, Eddie.
00:39:28Stop!
00:39:33No!
00:39:38Stop!
00:39:58I don't know.
00:40:28It's going to be...
00:40:58That's what they want.
00:41:01It's okay. We'll get...
00:41:02We'll get you the keys up.
00:41:03We'll get everything sold.
00:41:04We'll get you the help you need.
00:41:05We are here.
00:41:06There's a way out.
00:41:08There's a way out.
00:41:10No, no, no.
00:41:11I'm not leaving you mine.
00:41:15They are not a river.
00:41:17They are not...
00:41:19What do you mean, the all up river?
00:41:23Skip, no.
00:41:25Run.
00:41:28I'm not leaving you mine.
00:41:58Go see what's in there for me.
00:42:07No, thank you, Mr. Walsh.
00:42:09We should leave.
00:42:14Okay.
00:42:19Come on!
00:42:20Game warfare!
00:42:21There has to be a way out.
00:42:34Hey, you sit with me now.
00:42:35Come on.
00:42:35Come on.
00:42:37She works, David.
00:42:38Come on.
00:42:38Come on!
00:42:39Guys, there's another room back here.
00:42:56Come on, let's go!
00:42:58Hurry, hurry, hurry, hurry, come on, move.
00:42:59Come on, let's go!
00:43:00Come on, let's go!
00:43:05Watch out the car, let's go!
00:43:06Help me!
00:43:08Come on!
00:43:09Come on!
00:43:10Come on!
00:43:11Come on!
00:43:12Come on, Betty!
00:43:13Come on!
00:43:14Come on!
00:43:15Come on!
00:43:29Come on!
00:43:30Come on!
00:43:31Come on!
00:43:32Hey!
00:43:33Please, go on, Dewey!
00:43:51I'm Jing Long.
00:43:52Put the girls in here with me, Mr. Walsh!
00:44:00Why do they want her?
00:44:01I don't know.
00:44:03How long have you worked here and not had access to this room?
00:44:06I had no idea.
00:44:07This was here until a minute ago.
00:44:08Do you think these are access points to fix the pipes?
00:44:11Well, who cares?
00:44:13Let's lock it up.
00:44:14Crowd shooting in.
00:44:16Oh, yeah.
00:44:33You shot me!
00:44:34I need a doctor!
00:44:39How many muskets?
00:44:40Muskets?
00:44:41I need a doctor!
00:44:42How many muskets?
00:44:43Muskets?
00:44:44Yes, muskets!
00:44:45Very bad!
00:44:46What do they want with her?
00:44:47What do they want with her?
00:44:48There's no way to run.
00:44:49You should...
00:44:50You should...
00:44:51Oh!
00:44:52Oh!
00:44:53Oh!
00:44:54Oh!
00:44:55Oh!
00:44:56Call up river.
00:44:57River.
00:44:58River.
00:44:59You think this pipe leads to one of the sunken rivers?
00:45:00All up rivers was since then.
00:45:01What's the same thing?
00:45:02Oh.
00:45:03Oh.
00:45:04Oh!
00:45:05Oh, oh.
00:45:06Oh, oh!
00:45:07Oh.
00:45:08Oh!
00:45:09Oh!
00:45:10Oh!
00:45:11Oh!
00:45:12Oh!
00:45:13Oh!
00:45:14Oh!
00:45:15Oh!
00:45:16Oh!
00:45:17Oh!
00:45:18Oh!
00:45:19Oh!
00:45:20Oh!
00:45:21Oh!
00:45:22Oh!
00:45:23Oh!
00:45:24Oh!
00:45:25Oh!
00:45:26Oh!
00:45:27Oh!
00:45:28Oh!
00:45:29All up river is what Skiv said.
00:45:30You lot need to get your poor at you straight.
00:45:32There is no all up river.
00:45:34Near a sunken river is a tide being or something.
00:45:39Might as well just give it up.
00:45:42All up.
00:45:43All up is the lowest part of the ship where the ropes are calves.
00:45:47Skiv said all up river, but...
00:45:49It could be your way out.
00:45:59Look, is there anything we can do to keep your boss happy?
00:46:11Well they're obviously looking for what?
00:46:16Something Cat Morgan brought down here hundreds of years ago.
00:46:20Red Cat Morgan.
00:46:26Are you talking about Red Cat's treasure?
00:46:29Red Cat Morgan.
00:46:30That's just a myth.
00:46:35Tan-Kan.
00:46:38Tan-Kan.
00:46:43Your phone. Can you translate this?
00:46:48Language not found.
00:46:50It's not language in the app.
00:46:53Maybe you can have her say something and it'll translate that.
00:46:55Can you read this?
00:46:56Do you read this?
00:46:58Read it.
00:47:04Due destination advance.
00:47:07Coast departure urgent.
00:47:08No, no, no, no.
00:47:09I think I get it.
00:47:12It's read some words or written in some coded language.
00:47:16Skips it for the old river and the pipes is all up steel on it.
00:47:19I think Cat, Red Cat must have left that painting for someone and Marciana knows something about it.
00:47:26I bet whatever the artist threw this pipe and Skip realised it when he saw the hatch.
00:47:30Oh, let's try and find it.
00:47:32Oh, let's try and find it.
00:47:34Let's try and find it, yeah?
00:47:35Maybe we can give it to you, boss.
00:47:36Maybe we can throw things over by some time and we can keep running.
00:47:41Okay?
00:47:42You're safe.
00:47:42I'll give it to you.
00:47:43We are safe.
00:47:45Right?
00:47:53Get over, come on, come on, come on.
00:47:58Oh, that away, right?
00:48:10I really can't do this.
00:48:20Save yourselves!
00:48:21Stop showing up!
00:48:28No!
00:48:30Rex!
00:48:32No!
00:48:33No!
00:48:34No!
00:48:35No!
00:48:54Boss, the room's empty.
00:48:56They've disappeared.
00:48:57I need a...
00:49:00Well, well, well.
00:49:02What have we here?
00:49:06Now, what is the deal with that room?
00:49:08Well, how would I know? I've never been in there.
00:49:11And besides, it's way too hench to fit through that shit.
00:49:15You saying I'm not hench enough?
00:49:17It's a fucking hatch. What do you want?
00:49:19Good point. What we want is the girl.
00:49:23More specifically, something she heard is a little wrist device and what she can find.
00:49:27But the chief's concern is where they could have gone because they're not even there.
00:49:33I think this one may be able to work it out.
00:49:36Me? What makes you think that?
00:49:38What do you think that?
00:49:39Call it a hunch.
00:49:48It's not my hat.
00:49:49Come on.
00:49:50Come on.
00:49:51Get home with it.
00:49:52Come on.
00:50:07Come on.
00:50:08Get home with it.
00:50:10Get home with what?
00:50:12Where'd they go?
00:50:17There's a secret door in here or something.
00:50:22Blindings.
00:50:43Keep moving.
00:50:45We're getting there.
00:50:47Getting where?
00:50:49Over the way.
00:50:50We're getting there.
00:50:52The bad guys.
00:50:53Right.
00:50:56Come on!
00:50:57Don't push me!
00:50:58Stop!
00:50:59Stop it!
00:51:00Stop it!
00:51:01Stop!
00:51:02Stop!
00:51:03Get home!
00:51:04Go!
00:51:06Go!
00:51:09No, no, no, no, no!
00:51:20Don't push me!
00:51:22Please!
00:51:23Stop it.
00:51:26Stop it.
00:51:28Stop it.
00:51:37Stop it.
00:51:38OK.
00:51:39Well, shit!
00:51:42Well shit, he's done it, he's found a little escapement.
00:51:53Oh God, stop pushing me!
00:52:04I'm stuck!
00:52:06I'm stuck!
00:52:08Stop!
00:52:10I'm stuck!
00:52:12I'm stuck!
00:52:14I'm stuck!
00:52:16I'm stuck!
00:52:18I'm stuck!
00:52:20I'm stuck!
00:52:22I'm stuck!
00:52:24I'm stuck!
00:52:26No!
00:52:28No, no, no!
00:52:30Hey!
00:52:32What's going on?
00:52:34Why are we stopping my lights out?
00:52:36No!
00:52:38I'm stuck!
00:52:40I'm stuck!
00:52:42No!
00:52:44No!
00:52:46No!
00:52:48No, I'm gonna die!
00:52:50Breathe!
00:52:52Breathe!
00:52:54No!
00:52:56No!
00:52:58No!
00:53:00Breathe!
00:53:02Breathe!
00:53:04I'm stuck!
00:53:06Yes!
00:53:08No!
00:53:10No!
00:53:11No!
00:53:12No!
00:53:14Here!
00:53:16Take this!
00:53:18It's a penis!
00:53:20Take this.
00:53:25It's her penis.
00:53:35She's good.
00:53:38The American girl is good.
00:53:41Hello?
00:53:44Something's coming.
00:53:45Something's coming.
00:53:55We're good.
00:53:57I found a way out.
00:53:59It's a crazy call.
00:54:03It's not mine.
00:54:05Sorry.
00:54:06It doesn't mean anything.
00:54:15I'll be right back.
00:54:16I'll be right back.
00:54:22What?
00:54:23The price went on.
00:54:25We'll get closer.
00:54:26They definitely get this way.
00:54:45Are you home?
00:54:48Are you home?
00:54:54What?
00:54:55What?
00:55:01All this is under the bar
00:55:04Under the bar and so far back
00:55:06where you're no longer in zone.
00:55:08It's like shit.
00:55:10This keeps adapting your guns, please.
00:55:15I heard voices. They're coming.
00:55:22The way out is that way.
00:55:24Well, let's move, yeah?
00:55:26If they catch us, we're dead.
00:55:29Someone's been paying attention.
00:55:32Follow the breeze.
00:55:41Hang on.
00:55:43The way out is that way.
00:55:45Your translation.
00:55:48It's still working.
00:55:49What are you doing? Let's move.
00:55:51We can't hang about.
00:55:52One second.
00:55:53One out, you know.
00:55:55I need to go this way.
00:55:57Oh, no, no, no. We need you out of here. It's too dangerous.
00:55:59Okay.
00:56:00The danger.
00:56:01Wait here.
00:56:08What are you doing?
00:56:09I'm sticking with her, but if you want to go, you can go.
00:56:12I'm still with you guys. It seems safe.
00:56:15We're doing hanging about. Come on.
00:56:17It's that way.
00:56:19You said follow the breeze.
00:56:22The breeze is that way.
00:56:24You're following the echo of the breeze.
00:56:27What?
00:56:28The echo of the breeze.
00:56:29Makes sense to me.
00:56:30The echo of the breeze.
00:56:31It's me.
00:56:48Moshanda! Slow down!
00:56:49Oh, my God.
00:56:55Oh, my God.
00:57:19I'm going to get out of here.
00:57:24I'm going to get out of here.
00:57:27I'm going to get out of here.
00:57:41What's going on?
00:57:49What do I know?
00:57:55My sister, my friend.
00:57:57My friend.
00:57:59My God, she's found her.
00:58:01Found who?
00:58:03Red Cat Morgan.
00:58:07Oh my God.
00:58:09My friend.
00:58:11That thing around her neck,
00:58:13that's what Walsh has been looking for.
00:58:15Walsh's father was a respected historian and archaeologist specializing in 18th century piracy.
00:58:23In particular, Red Cat Morgan and her vast riches.
00:58:29On one of his expeditions, he discovered three small bundles of cloth all decorated with a distinct crest.
00:58:35In one, a pendant.
00:58:38In the other two, nothing.
00:58:41It led him to buy the Dragon Princess restaurant.
00:58:45Thinking the crest was a sign of where the treasure, or at very least, the other two pendants were kept.
00:58:52That's why the symbol on her wrist matches the one in the Dragon Princess restaurant.
00:58:56He was wrong. It was a red herring and there was no treasure. There was no more pendants. He got the wrong place.
00:59:03It was an obsession that spread from father to son.
00:59:09All that spurred them on was that single pendant, which they knew was only one of three.
00:59:16Months ago, a geological expedition stumbled across Marshander's ship.
00:59:22Walsh used all his underground connections to get Marshander's body, and what she wore around her wrist.
00:59:32It was only then he learned what his father never knew.
00:59:36The wrist device contains a compass which locks in on each of the pendants.
00:59:41When all three are brought together and inserted into the wrist device, the compass would guide the wearer to the final treasure.
00:59:48Marshander's pendant guided her to Red Cat.
00:59:53Now it's only Walsh's piece that needs to be added before he can finally get what he wants.
00:59:59I'm younger now. You're safe. I'll take care of you.
01:00:15Sister.
01:00:17You don't have to go right?
01:00:35Which way?
01:00:36Which way?
01:00:46Oh, no, that must look like the wrong way.
01:00:49You said it was that way.
01:00:54Hold on.
01:00:55You go, I fight.
01:00:57Oh, good idea. She should fight.
01:00:59Shut up.
01:01:00She's great at it. What do you want from me?
01:01:02No. What are those?
01:01:03Relax?
01:01:04Yeah.
01:01:05I must have gone down there.
01:01:06I can't leave her.
01:01:08I'll help her.
01:01:28Get them out of bed.
01:01:36Hey.
01:01:40Hey.
01:01:48Hey.
01:01:52Hey.
01:01:53Hey!
01:01:54Hey, hey.
01:01:56Stop them!
01:02:26Let's get your gun.
01:02:49I can't come back.
01:02:50Don't kill Eddie.
01:02:51I'll be busy.
01:02:53I'm going to get help.
01:02:54We need her alive.
01:02:56You do better than the others.
01:02:59Go.
01:03:00Go.
01:03:01All right.
01:03:24Go.
01:03:26Look out!
01:03:27No!
01:03:28No!
01:03:29No!
01:03:30No!
01:03:31No!
01:03:32No!
01:03:33No!
01:03:34I can't do it.
01:03:35Look out!
01:03:36Look out!
01:04:01No!
01:04:02No!
01:04:02No!
01:04:05No!
01:04:06Ah!
01:04:36We've got them all now, boss.
01:04:49They're not going anywhere.
01:04:52Good.
01:04:53I'll go get Mr. Walsh down here.
01:04:57Let's finish this.
01:05:06You're not going to get away with this.
01:05:36Careful.
01:05:46Sorry.
01:05:48What?
01:05:49It's him.
01:05:50I knew I'd find you.
01:05:51Shut up.
01:05:53I thought you were dead.
01:05:55I thought you were dead.
01:05:56We tried to slip a gun off one of them and then these two gave me the old Liam Neeson.
01:06:00Which one of these is loaded?
01:06:01I don't know.
01:06:02Is she going to be all right?
01:06:04She's made up pretty tough stuff.
01:06:05I have to go.
01:06:06We can't get her through that pipe.
01:06:08No, no.
01:06:08She's our call.
01:06:09Worse than that.
01:06:10There's more of them waiting on the other side.
01:06:11We have to go.
01:06:12We need to get out of here.
01:06:12We need to fall in that breeze.
01:06:14Tough guys out there.
01:06:15Yeah, well, we have these.
01:06:27Can we go?
01:06:29Lefty in the car.
01:06:30It's good to be okay.
01:06:53We're going to get out.
01:06:54Hey, you guys.
01:06:56Hey, I found it.
01:06:57All the way out.
01:06:58South Bank.
01:06:59I can see Peter Express.
01:07:01It's this way.
01:07:01Oh, if you wouldn't mind leaving a positive trip advisor of you, I'd be very grateful.
01:07:06Perhaps best not to mention the hostage situation or all of the dead people.
01:07:17Get them out.
01:07:18We're in the police now, buddy.
01:07:19You're not coming.
01:07:20You're right now.
01:07:20Oh.
01:07:23Passcodes 1, 2, 3, 4.
01:07:25Don't check my messages.
01:07:26What are you doing?
01:07:39I just thought we were really good back there.
01:07:42I didn't know.
01:07:42No, not really.
01:07:44No?
01:07:44Don't ever do that again.
01:07:49Right.
01:07:50Sorry, sorry.
01:07:52You're a strange man.
01:07:56Ah, not so fast or a turner faces to suit.
01:08:17All clear.
01:08:21Wonderful.
01:08:23You're all here.
01:08:24Where's Eddie?
01:08:31Resting easy with the dock.
01:08:34Helping restore your little tavern to its home of glorious.
01:08:39There he is.
01:08:44Like playing with rocks, do you?
01:08:51Look at me.
01:08:54No, stop, stop, stop, stop, stop.
01:09:01Put your hands down.
01:09:04Put your hands down.
01:09:09Please.
01:09:11Please.
01:09:13Please don't let your men hurt him.
01:09:15Please.
01:09:15Please.
01:09:16Honestly, we'll help you.
01:09:17Bring me the wrist device.
01:09:40It still works.
01:09:54We found Red's piece.
01:09:56And of course, my Shandos.
01:09:58It's here.
01:10:17Bring our niece and the barmaid to keep her well-behaved.
01:10:22Keep the rest here as a bit of extra collateral.
01:10:26If you behave, they'll live.
01:10:28If she behaves, you'll live.
01:10:36Yeah.
01:10:37Please.
01:10:37Please.
01:10:38Please.
01:10:39Please.
01:10:39Please.
01:10:40Please.
01:10:40Please.
01:10:41Please.
01:10:41Please.
01:10:42Please.
01:10:42Please.
01:10:43Please.
01:10:43Please.
01:10:44Please.
01:10:44Please.
01:10:45Please.
01:10:45Please.
01:10:46Please.
01:10:46Please.
01:10:47Please.
01:10:47Please.
01:10:48Please.
01:10:48Please.
01:10:49Please.
01:10:49Please.
01:10:50Please.
01:10:50Please.
01:10:51Please.
01:10:51Please.
01:10:52Please.
01:10:52Please.
01:10:53Please.
01:10:53Please.
01:10:54Please.
01:10:54Please.
01:10:55Please.
01:10:55Please.
01:10:56Please.
01:10:56Please.
01:10:57Please.
01:10:57Please.
01:10:58Please.
01:10:58Please.
01:10:59Please.
01:10:59Please.
01:11:00Please.
01:11:01Please.
01:11:02Please.
01:11:03Please.
01:11:04Please.
01:11:05Please.
01:11:06Why?
01:11:14Because I can, and he couldn't.
01:11:16Is that worth murdering my friends?
01:11:19Needs must.
01:11:21And I need her.
01:11:36I need her.
01:11:39I need her.
01:11:41And I need her.
01:11:42That's enough.
01:11:44She's here.
01:11:46She's a little pulling.
01:11:48I need her.
01:11:50No.
01:11:53Yeah, I need her.
01:11:56I don't think I can.
01:11:58It's hard to do.
01:12:00No.
01:12:03It's fine.
01:12:04I don't know.
01:12:34Coordinates leading to riches.
01:12:39My riches.
01:12:45Aren't you rich enough?
01:12:47No.
01:12:49I want to be double rich.
01:12:55How do you let me know, Dad?
01:13:00With these scrolls in this particular order,
01:13:04I...
01:13:04You fucker.
01:13:11Do you remember the order they were in?
01:13:14No.
01:13:15That's keep in mind them.
01:13:17Does anyone remember the order they were in?
01:13:21Fuck!
01:13:23Years we've been working on this.
01:13:25Does it say what order they should be in?
01:13:31I can't read this shit.
01:13:32This is some dead pirate code.
01:13:35Mia!
01:13:35Mia!
01:13:40Catch!
01:13:41Mia!
01:13:42Catch!
01:13:42Mia!
01:13:43Catch!
01:13:43Mia!
01:13:43Catch!
01:13:44Mia, catch!
01:13:57That's me.
01:13:59The code.
01:14:09It's inside of this.
01:14:11I hope we open that.
01:14:13Oh, that's a puppy trap.
01:14:16Come on, Mia, come on.
01:14:21Come on, come on.
01:14:22Think, think, think.
01:14:23Come on, Mia, think.
01:14:24Hey!
01:14:42Come on!
01:14:50Come on.
01:14:51Where are you?
01:15:14What do you see?
01:15:22I got the codex.
01:15:33Hey, I don't suppose the goons hold Alfred's hostage will be a problem for you?
01:15:38No.
01:15:40No! You can't leave!
01:15:44I have money!
01:15:46Asshole!
01:15:47You can't leave me!
01:15:52Wait!
01:15:54No!
01:15:56No!
01:15:58No!
01:16:00No!
01:16:01No!
01:16:03No!
01:16:05No!
01:16:07No!
01:16:09No!
01:16:11No!
01:16:13No!
01:16:14No!
01:16:15No!
01:16:16No!
01:16:17No!
01:16:18No!
01:16:19So, head to the toilets, empty those bladders before entering Benny's hatch and crawling through the claustrophobic labyrinth of Sebastian's tunnels.
01:16:27Yarr!
01:16:28Welcome mateys to the underground caves of Soho.
01:16:32Waterproofs are available just through here.
01:16:34It is quite claustrophobic so you have been warned, no refunds.
01:16:38How much do pirates pay for their yearly aids?
01:16:42A buccaneer!
01:16:44Come on this way!
01:16:46Alright Ralph.
01:16:47Alright Ralph.
01:16:50Be careful.
01:16:53Don't fuck the place up, Eddie.
01:16:58Ah, she's getting really good at that.
01:16:59I know, it's the most pertinent sentence.
01:17:02Seriously though, be careful.
01:17:05This into gulnane.
01:17:08In gulnane.
01:17:09Very nice.
01:17:10And I've got pictures on my phone and the cloud, so we've got a plan B.
01:17:14Yo!
01:17:15Go lay my school!
01:17:18Nice.
01:17:20Amy.
01:17:24Thanks.
01:17:25What?
01:17:34Hey!
01:17:38Why are you doing all the hands with that?
01:17:40Ah!
01:17:56Even when you're back holding, we'll let us walk in it.
01:17:57Stop and see!
01:17:58Let's be stuck in it!
01:18:00No!
01:18:02You see...
01:18:17empel,
01:18:21You see...
01:18:23All the parts are still complete,
01:18:24No.
01:18:54I don't know.
01:19:24I don't know.
01:19:54I don't know.
01:20:24I don't know.
01:20:54I don't know.
01:21:24I don't know.
01:21:54I don't know.
01:22:24I don't know.
01:22:54I don't know.
01:23:24I don't know.
Comments