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00:00This was the first time I was thinking about it.
00:14Look, I have to remember one thing.
00:16Whenever you go to the grocery store,
00:19don't go to the clothes.
00:21There's a grocery store in the plastic store.
00:24What's the difference between the samoso?
00:26It's a very big difference, brother.
00:28If you add a vegetable in plastic,
00:32then the vegetable will grow.
00:34What are they called?
00:36Carbon Mono Oxide.
00:38That would be the same.
00:40We have to eat some samoso.
00:42Okay, then?
00:44This is a kilo of olive oil.
00:46When you buy the olive oil,
00:48you need to buy the olive oil.
00:52And you are seeing the olive oil?
00:54The olive oil?
00:56Yes, there are olive oil.
00:58There are new leaves.
01:00If you look at the olive oil,
01:04you will see the olive oil.
01:06This is the olive oil.
01:08It is the olive oil.
01:10It is the oil oil.
01:12It's the same for the olive oil.
01:14You will see the olive oil.
01:16Yes, my dear.
01:17If you are a chef,
01:18then you will not learn the olive oil.
01:20Now, we will take one kilo of olive oil.
01:22And we will take the olive oil.
01:24This is the olive oil.
01:26Okay, let's take the olive oil.
01:28Let's take the olive oil.
01:30Let's take the olive oil.
01:32Okay, let's go.
01:34Let's take the olive oil.
01:36One kilo of olive oil.
01:37Wow!
01:38You are so familiar.
01:40And what?
01:41Let's take the olive oil.
01:42Let's take the olive oil.
01:44Oh!
01:46Oh!
01:47Oh!
01:48Oh!
01:49Oh!
01:50Oh!
01:51Oh!
01:52Oh!
01:53Oh!
01:54Oh!
01:55Oh!
01:56Oh!
01:57What tied it!
01:58Look at it!
01:59That���овcles came us up too!
02:00Or try this.
02:02Oh.
02:03Oh!
02:04It's all the scallops.
02:05Oh!
02:06I can see it,
02:07what i am sorry?
02:09Oh!
02:10I think about it!
02:11Oh!
02:12But just as if I stayed.
02:14Oh!
02:15I'm so tangled.
02:17Okay.
02:18Look.
02:19Oh, I reached out.
02:21Oh!
02:22Oh.
02:23Oh!
02:24Oh!
02:25Manmutiya, us gali na ja.
02:27Chidha ko.
02:28Haa?
02:31Bhoat masai ki otiya.
02:39Kya ho gaya aapko?
02:40Aap thikta, paani.
02:41Aap thikta ho hai.
02:42Paani!
02:46Mircha hai, mircha hai.
02:48Mircha hai.
02:48Lāye naan jaldi.
02:50Hala, hala, hala.
02:51Hala, hala.
02:51I'm going.
02:55Hala, hala, hala.
02:55Kia ho rai.
02:56Aap thikta.
02:57Ghar chal te.
02:58Olphe.
02:59Olphe.
03:00Olphe.
03:00Olphe.
03:01Olphe.
03:02Olphe.
03:03Olphe.
03:03Olphe.
03:04Olphe.
03:05Nazar niya.
03:06Chashma ka.
03:06Kaya.
03:07Ie rai.
03:07Ie rai.
03:08Aha.
03:08Aha.
03:09Aha.
03:09Aha.
03:10Aha.
03:10Dho bora.
03:11Ie matra kha lu.
03:13Yee 1000 rupaya ka to eke ticket aega.
03:16Aar meera ticket?
03:18Beita apna ticket na khud kamao.
03:20Me lhe ker nai dee raha.
03:22It's very good, Sherry. If you put the paint on a match, then you'll get your money.
03:29Okay, I've got it. But I've got it. I've got it. You've got it.
03:38Do you want to work?
03:39What?
03:40You've got it late. I'll give you a thousand rupees.
03:43What?
03:44You've got it. You've got it.
03:47How do you get it?
03:49I've got it. You've got it.
03:51You've got it.
04:05What happened?
04:06You've left me and left.
04:11I've got it alone in my world.
04:14Sherry, my Sherry.
04:21I've got it alone in my world.
04:24I've got it alone in my world.
04:28What happened, brother?
04:30It's not that one.
04:31And what are you doing with the golden man?
04:34Why?
04:35You're doing good.
04:36You're made it!
04:37I'm the boss you both are.
04:41You're both a bodybuilder.
04:42You're sitting for a body, and then you literally dropped.
04:46And you've die.
04:48Oh, oh, oh, oh, oh.
04:49You're so sad.
04:50You are using your bodybuilders and injections, right?
04:54It's all because of that.
04:56It's so sad, so sad.
04:58You're so beautiful, young people.
05:04Give me some money,
05:06I'll call an ambulance and tell you about it.
05:16Let's go.
05:18Let's go.
05:28Let's go.
05:30You've got money.
05:32Which one?
05:42Just do it, Mirabh.
05:44You've got money.
05:46Sabra babra.
05:48You'll become a third of your daughter, Nasra.
05:52There's no big deal with you.
05:54You'll become a third of your daughter.
05:56You'll become a third of your daughter.
06:00What do you mean?
06:02If you want to listen to your daughter,
06:04then listen to your daughter.
06:06This is Nasra,
06:07which you've become a deputy.
06:08I'm talking about Farid brother.
06:10That's when Bashir brother came.
06:12Okay, so?
06:14So what?
06:15Did you feel bad?
06:16No.
06:17Why would you feel bad?
06:18Why would you feel bad?
06:19Do you feel that you like Farid brother?
06:22Yes.
06:23I mean, they do too.
06:25They do too.
06:26No.
06:27They don't do it.
06:28They love Nasra.
06:30They love you.
06:31And they both are making you alone.
06:33They're making you alone.
06:34My name is my name.
06:36It's so easy to make you alone.
06:38But I and Farid are making Nasra making you.
06:41Yes.
06:42Come on.
06:43Yes.
06:44Sit here.
06:45Look.
06:46What do you feel like Farid is saying Nasra likes you?
06:49Right?
06:50Yes.
06:51I didn't tell him to talk about Nasra.
06:53I don't know who he is.
06:54He's doing this.
06:55He's doing this.
06:56He's doing this.
06:57Oh.
06:58That's what he is.
07:00Yes.
07:01Use your mind.
07:03And so that Nasra will help you.
07:05So we can all meet this baby.
07:08Until they don't forgive themselves,
07:10this fight will end up.
07:11If you make an eastern walk,
07:13then Kashmir and Armenia,
07:16and Saudi Iran will end up the fight.
07:19But we will be able to live alone.
07:21I'm all alone.
07:22I'm all alone.
07:24But the Nasra has done this.
07:28It will be a sacrifice.
07:30And it will be very quickly.
07:35Hmm.
07:36I don't want to say anything about him.
07:38Why?
07:39I'll say it.
07:41Hmm.
07:42Hmm.
07:43Hmm.
07:44Hmm.
07:45Hmm.
07:46Hmm.
07:47Hmm.
07:48But..
07:49Hmm.
07:50Hmm.
07:51Hmm.
07:52Hmm.
07:53Wait a minute.
07:54What the fuck he is talking to?
07:56Oh my god, this is my father's son.
07:58Yes, I'm a big believer.
08:01My last name is called Bushi.
08:04Rizwan, Rizwan, come on.
08:06Who is Rizwan?
08:08My Glota.
08:10Glota, Glota, Glota.
08:12He doesn't understand his son.
08:14He's a very like.
08:16I'll call him that like.
08:18Hey, Bushi, call him.
08:20I'll call him his mother.
08:22I'll call him the last time.
08:24I'll call him the last time.
08:26I'll call him the last time.
08:28What happened to them?
08:30Hari Mirch.
08:32Who was Hari Mirch?
08:34They were trying to speak a bit of philosophy.
08:36Now, the story changed.
08:38So, Hari Mirch has been mined.
08:40And they got hit.
08:42In our time, Mirch has also mined.
08:44If you tell me,
08:46it's my last time to meet me.
08:48Don't punish me.
08:50What happened to you?
08:52They're giving me the sacrifice of Sabra and Babra.
08:56Hey, hey, hey.
08:58Tell me, Fakra.
09:00You've put me in control of the city.
09:02Now, I'll kill you.
09:04Oh, oh, oh, oh.
09:06Oh, oh, oh, oh, oh.
09:08Oh, oh, oh, oh, oh, oh.
09:10Hello, where are you?
09:12When are you coming?
09:14This is Bashir's brother.
09:16He's got hit.
09:17Hurry up.
09:18Here.
09:19Oh, oh, oh.
09:22Hey, give me some fish.
09:23Give me some fish.
09:25Don't put my tongue in the mouth.
09:26Take the tongue out.
09:27You know, Habib.
09:30You didn't understand them.
09:32They told them.
09:34But if this law comes above it.
09:38Above it?
09:39Yes.
09:40Gusha, too.
09:41They were the law.
09:42They were the law to keep you.
09:48We are the law to take you.
09:50What's the law?
09:52Here.
09:53What is your law?
09:55My law is the law that you start to run away.
09:59They cannot...
10:01In a day of power.
10:02Then they will bring you.
10:04What will they do now?
10:06They will give me.
10:07Then they will make you.
10:09Then they will put you on a Tuesday.
10:11That's the law to be done.
10:13Just leave them here.
10:14I'll call you up here and speak.
10:15I'll talk to you immediately.
10:45What's going on, Bashir? What's going on, Bashir?
10:50Oh, Bashir, you've come. You've come.
10:53Otherwise, I'm going to die. I'm alive.
10:57I'm dead. I'm dead.
11:00What's going on?
11:01You and Farid are going to go to the store.
11:04That's the same thing.
11:05I was learning to buy a grocery store.
11:07Then, I had to eat a quick drink.
11:10That's the same thing.
11:15I was able to buy a grocery store.
11:17Then, I didn't realize that the grocery store is going to die.
11:20I don't know who works.
11:23They're coming in front of me.
11:25Oh, oh, oh, oh.
11:27Take them to the doctor.
11:28No.
11:29If they go to the guest room, they'll be fine.
11:31They're fine.
11:32Yes, Bashir, let's go to the guest room.
11:35I'm fine.
11:37Bashir, let's go.
11:39Don't do it.
11:41Okay, let's go.
11:43Take my gifts.
11:45Take my gifts.
11:46Take my gifts.
11:47Let's go.
11:48I'm feeling it.
11:49I'll give you some gifts.
11:51Give me some gifts.
11:52Give me some gifts.
11:53I'll give you some gifts.
11:54Come, come.
11:55When will you keep this home?
11:57What can it happen to you?
11:59Until one year, it will be more than one year.
12:03I knew it.
12:04I knew it.
12:05I knew it.
12:07I can live in my house.
12:09What will happen to you?
12:11This is the venture among us.
12:13The venture, the venture, new��, and you live with Mr. Pavel!
12:18What are we?
12:19Where are we?
12:20You should go.
12:24You should take the house.
12:26You should take the house.
12:28Okay.
12:29Okay.
12:30So, we are a guest in this house.
12:33Right.
12:34You stay here.
12:35Keep it.
12:36Keep it.
12:37Keep it.
12:38Keep it.
12:39Keep it.
12:40Keep it.
12:41Keep it.
12:42Keep it.
12:43We will also think about it.
12:45Why?
12:58You are coming from the house.
13:04Who is going to be the guest room?
13:09Who is going to be the guest room?
13:16No.
13:17No.
13:18No.
13:19No.
13:21No.
13:22No.
13:24No.
13:25No.
13:26No.
13:27No.
13:28I just got it.
13:30It's a bad thing.
13:32Who told you? Who told you to put it in your mouth?
13:36I was talking about the philosophy and I was talking about it.
13:41I got the words.
13:43You were talking about it.
13:45You were talking about it.
13:47You were talking about it.
13:49What do you think?
13:53What are we doing? We've been talking about it.
13:56Hey, son, if we all make four money, then what will happen?
14:00And your question, do you have no problem for that?
14:02Yes.
14:03The question is, what will happen for this girl?
14:05What will happen with this girl?
14:07I'm sorry, sorry, sorry.
14:09I thought I had to keep the clothes.
14:11I thought someone would look for it.
14:13You're okay, brother.
14:15Don't die, die, die.
14:17She was fighting with me.
14:19And this is Mirab's baby.
14:21What is this?
14:23She's fighting with me.
14:25I don't have any idea yet.
14:26She was listening.
14:27I'll show you tomorrow.
14:28Oh, she's a very dangerous girl.
14:30I'm scared of her in the car.
14:32I'm scared of her.
14:33I'm scared of the car.
14:34I've put the car in front of Rizwan's face.
14:38Okay, very good.
14:39Are both of them here?
14:40I don't know.
14:41I'm going to know what to do.
14:42Don't worry.
14:43Don't worry.
14:44I'm going to pick up Rizwan's face.
14:46Listen.
14:47It's true.
14:48It's true.
14:49It's fast.
14:50It's fast.
14:56You've seen it, Sherry.
14:57People just don't insist.
14:58They are not to help them.
15:00But then the bodybuilder
15:01came in a hole
15:03and made a seclusion himself.
15:04How great is it?
15:05How beautiful.
15:06My wife will go to the desert.
15:08I think they will see them again.
15:10They will use it and look to them.
15:11I'll keep it from time.
15:12I'm going to be a good time for 2 minutes.
15:14I'm going to make a good time.
15:15If it's good, it's good.
15:16But let's get back to the first 1000 months.
15:1810,000.
15:2010,000.
15:2210,000.
15:24But, Sherry, this is a small town.
15:26You will be able to die.
15:28You will be able to die.
15:30You will be able to die,
15:32and you will be able to die.
15:34You will be able to die in this town.
15:36We will go.
15:38But...
15:39We will be able to die, Sherry.
15:41Where are we going?
15:43In the streets, in the woods, in the woods.
15:45Where will you get?
15:47Two hours left.
15:49If you come here, I will go.
15:50So, just go.
15:51I will take the busher.
15:55You don't have to be able to die.
15:57She is only Sherry.
15:59Her name is Sherry.
16:01I will take the busher.
16:03You are a good nobody.
16:04You are a good boy.
16:05See you.
16:06See you.
16:07He is a very, very dangerous.
16:09He has done it.
16:11You will be able to die.
16:12You will be able to kill me.
16:13Now, how are you, Mr. Vashir?
16:18Thank you, God.
16:20This was a very dangerous stunt.
16:23God has done it.
16:26Stunt?
16:28Yes, right?
16:29Now, there will be such stunts in the gharilu drama.
16:32Don't try it at home.
16:35And it's easy.
16:37There's nothing in it.
16:39Absolutely.
16:40Don't try it at home.
16:44Be careful.
16:46Actually, he could be a professional actor.
16:50It was a very difficult stunt.
16:52And you're very happy.
16:55The supporting cast is very angry.
16:59I'm not doing it.
17:01I'm just saying that.
17:03I'm genuinely worried for you.
17:06It's a very difficult stunt.
17:08In our times, when we were doing a stunt,
17:12the producer would give me a call.
17:15What's that?
17:16I'm telling you.
17:18I don't want to ask.
17:20Yes, yes.
17:21It's done.
17:23You're doing all good.
17:25But now, we have to submit a story.
17:27It's necessary for the tutor.
17:29Yes, it's necessary.
17:31Look at the small people.
17:33Look at the small people.
17:34They're doing so much time and energy.
17:37Yes, please.
17:38Yes, please.
17:39Look at the same scenes.
17:41Look at the same scenes,
17:43the same scenes,
17:45the same scenes,
17:46the public is getting up.
17:48So, if there will be a new scene,
17:50then the show will be going up.
17:52Yes, please.
17:53As you understand,
17:54they're not staying here.
17:56Look,
17:58my concern is that
18:00it's good for you.
18:01Don't worry about it.
18:03It's going to be a happy ending.
18:05The small people will be going up to the house.
18:07And we'll convert the house to the house.
18:11And if Samya is a shock of cooking,
18:13we'll be busy there.
18:15Yes, okay.
18:16We'll have to keep a place
18:18so that the house will be closed.
18:21And we'll send the house back to the house.
18:24So,
18:25they'll be able to use their political science.
18:28And then,
18:29your house will become a miracle.
18:33It will become a miracle.
18:36So,
18:37let's call the tutor.
18:39Yes, of course.
18:41Yes, of course.
18:42Look,
18:44we need to write an actor for the tutor.
18:48Let's call it.
18:50Yes, of course.
18:52Let's call it.
18:53Yes, of course.
18:54Let's see.
18:55The tutor is in the second half.
18:58So,
19:00Well,
19:01you're not so very interested.
19:03Look,
19:05you should always be a good ending.
19:06Look,
19:07you should be a good ending.
19:09You should become a good man.
19:10You should be a good actor.
19:11So,
19:12you should be a good actor,
19:13and you should be a good actor.
19:14You should be a good actor.
19:15Happy ending.
19:20What have you told me about Bindiya?
19:23You don't, Hurya.
19:24You have to tell me about one number.
19:26I'll tell you about it, Amirav.
19:29Assalamu alaikum warahmatullahi wabarakatuh, Hurya.
19:32You know what?
19:33You have to tell me about one number.
19:35How are you?
19:39Bindiya, you're going to meet Nassar.
19:42You're going to make a man.
19:43Don't do it.
19:44Yeah, I swear.
19:45I swear, I'm going to make a man.
19:47But I've heard about it, Amiravav and Safiyah.
19:49I've heard about it, Amiravav and Safiyah.
19:49I've heard about it, Amiravav.
19:51But the actual situation is Bindiya, Apika.
19:54When she says that he and Faribah and Nassar,
19:57Api can make a man without a man.
19:58So it's going to be like that.
20:01Yeah, it's going to be like that.
20:05But Mirob, these are so many people.
20:09They're going to be like that.
20:11If all are bad, they're not bad.
20:12Amiravav, this is Nassar, Api.
20:15You're going to be like that, Amiravav and Safiyah.
20:16You're going to be like that, Amiravavav and Safiyah.
20:17You're going to be like that, Amiravavav and Safiyah.
20:18Bindiya, Api, you're going to be like that, Amiravavav and Safiyah.
20:22So, Rich, I'm going to be like that, Amiravavavav,
20:25Your brother and your sister will end up with your relationship.
20:29That's why this is all done.
20:31If you don't have a bad feeling,
20:34we'll do this to protect him.
20:37He's not a human being.
20:39He's a shaytan.
20:46My son is going to come here.
20:48Look at him.
20:50He'll put his eyes on the set.
20:53It'll be fun.
20:55Oh!
21:00Oh!
21:07It's been a long time.
21:09Today, I'll sleep from Sukun.
21:12That's why I was telling you.
21:13Why did they stay here?
21:15Abba is a born artist.
21:17He knows exactly how to bring the situation back.
21:21How to bring the story back.
21:23Wow.
21:24What?
21:25That's right.
21:26That's right.
21:27That's right.
21:28That's right.
21:29That's right.
21:30Rizwan.
21:32My brother.
21:34You're acting acting as a brother.
21:35You're acting like a brother.
21:39We all are poor.
21:42Yes.
21:43You're acting too.
21:45Now, you're acting like a brother.
21:46Now, the situation is so gross, so I didn't want to say anything about it.
21:50That's why.
21:51Can I tell you something else?
21:53What?
21:57That's not a real problem.
22:04What are robots?
22:05AI, artificial intelligence.
22:09No, it's a genuine intelligence of God.
22:12Now, you wanted to go home, right?
22:14Yeah, it seems like a big house.
22:16You want to go home.
22:17And whoever comes out, they'll come out and take the small ones.
22:21That's the problem.
22:23Of course.
22:24I said to him that you want to go home.
22:27He said, okay.
22:28They'll take my two daughters, Sabra and Babra, here.
22:32To make a home home.
22:33Okay.
22:35Your daughters?
22:37Now, look.
22:38It's a big impression that you're seeing a big house,
22:41but you don't see a home.
22:43And the writer wants to write a good character,
22:45but no actor wants to do it.
22:48Everyone wants to become a heroine.
22:49You don't want anyone to become a heroine.
22:51Because they're the most vulnerable,
22:52they're in these roles.
22:54Of course.
22:55That's why Abba Ji thought,
22:56that they won't meet the rest of the cast's level.
23:00So, Sabra and Babra told them,
23:02they didn't give them dialogue.
23:04So, they've made Gunga Behera.
23:05They've made Gunga.
23:06They don't have Gunga.
23:07It's like Kenji.
23:09Look, how good they're acting.
23:11He's doing it.
23:12He's doing it.
23:13Well, you don't have to think about it.
23:15Just as Abba Ji said,
23:16you've got attention to your work.
23:18Everything will be right.
23:20Whatever you want,
23:21it will be right.
23:22It will be right.
23:23Hmm.
23:36No, no.
23:37What happened?
23:38That...
23:39Everything happens all day,
23:41that my mind is falling asleep.
23:43I...
23:44I...
23:45You should sleep.
23:46I've kept your clothes in your house.
23:48The shopping,
23:49all of them were kept there.
23:51So, you should come.
23:53Yes, it is.
23:54Yes.
23:55Let's go together.
23:56Yes.
23:57That my heart has been named
23:59Your name
24:01This is my name
24:02This is my name
24:04The name of the name
24:05My name is my name
24:08But my name has been named
24:10My name is your name
24:12This is my name
24:14My name is my name
24:15This is my name
24:16This is my name
24:18This is my name
24:19This is my name
24:20This is my name
24:21I see
24:22Who's the name
24:23This is my name
24:24I see
24:25How are we
24:26The air
24:27Leaves
24:28That's the same
24:29outer
24:30The air
24:31The air
24:32The air
24:33The air
24:34The air
24:36This is the air
24:37This is my name
24:38My husband saw me, but at that time, I felt like a red flag.
24:43They say red flag,
24:44and they lie to me,
24:46all the shadows and shadows of my eyes,
24:47and all the shadows of my eyes.
24:49You had to be a bad-gumani.
24:51What do you mean,
24:53your characters are the same,
24:54then you have to be a kind of a trait.
24:56Yes, go ahead.
24:58I've learned a lot more quickly
24:59about my old friends.
25:02I'm just saying that I have no doubt
25:04about my two of them.
25:08Or we will not have a house that's much bigger and we will pay more money.
25:12Or we will not have a house to do one day.
25:16Or we will not have a house to do another day.
25:18Or we will not have a house to do anything.
25:20And we will not have a house to break.
25:23Or we will not have a house to break the floor.
25:28This is a conversation.
25:31And they both look like their faces.
25:36So, I feel like this is a group of girls.
25:43One group is our group.
25:47And the third group is our group.
25:50I am not aware of that.
25:54Is there anything to do with us?
25:57Is there anything to do with us?
26:00Yes.
26:01We don't have anything to do with us.
26:04We don't have anything to do with us.
26:07And we will not have a house to do with us.
26:09We will not have a house to do with us.
26:11We will not have a house to do with us.
26:13We will not have a house to take our houses.
26:18We will not have a house to break now,
26:19To the kids.
26:20We will not have a house to do with us.
26:22We will tell that the children,
26:24We will not have a house to do with us.
26:25It sounds like we are not all over.
26:26It's so hard that if it's so hard, it's so hard that if it's so hard,
26:34then it can be a special literature.
26:38Let's leave their story.
26:40Let me tell you about the plan that we had already started.
26:43First, tell me about it.
26:45Do you want to give it to me?
26:47What's the relationship between our plans?
26:50It's a relationship.
26:53It's a very close relationship.
26:56Do you want to know?
27:01No.
27:02First, tell me about it.
27:05Look, you know what's going on in his mind and mind.
27:09And I...
27:14I've never been to this girl.
27:17I've never been to this girl.
27:20I've never been to this girl.
27:21I've never been to this girl.
27:23And the girl too.
27:25I've never been to this girl.
27:26I've never been to this girl.
27:28I've never been to this girl.
27:30Never been to this girl.
27:31I've never been to this girl.
27:32I don't think so.
27:33Because I can't find my Person I bet.
27:34My Gambia.
27:35Now you're going to keep going and you're going to hold your hold on to the end of the day.
27:41Not possible.
27:44Have you sent passport for visa?
27:47There's an appointment, so I'll send you something I'll send you.
27:50Good.
27:52There's a story to do,
27:55and there's such a story to do, that people don't understand what happened.
28:00People ask me to ask.
28:05You know, when I collected these CDs,
28:12I would have been interested in the world of Vineda's vision.
28:20You were more than a job.
28:24So, you'll also be different from their shocks.
28:27But, brother, I keep these vines good in all these vines.
28:33Only these vines?
28:35Do you know the meaning of this?
28:39Yes.
28:42The meaning of this is a beautiful woman.
28:47When they know so much, why do you ask this question?
28:53That's it.
28:56Do you hear the meaning of this?
28:59Because tomorrow I don't know how much time will be spent on this house every day.
29:05And ask for a question.
29:07That's right.
29:08That's right.
29:09That's right.
29:10That's right.
29:11You remember me.
29:12He was a friend of mine.
29:14He was a friend of mine.
29:18Come here.
29:29Whogia!
29:34Who Bisporna!
29:39You remember me?
29:42You even remember me?
29:44I'm risque.
29:46How some signs you're feeling?
29:48You look like these signs in the room.
29:50I've got friends to happen.
29:53I'm briefing you, man.
29:56Let's go to the shore, let's go to the shore.
30:26Let's go to the shore.
30:56Let's go to the shore.
30:58Let's go.
31:00Let's go.
31:02Let's go.
31:04Let's go.
31:06Let's go.
31:08Let's go.
31:10Let's go.
31:12Let's go.
31:14Let's go.
31:16Let's go.
31:18Let's go.
31:20Let's go.
31:22Let's go.
31:24Let's go.
31:26Let's go.
31:28Let's go.
31:30Let's go.
31:32Let's go.
31:34Let's go.
31:36Let's go.
31:38Let's go.
31:40Let's go.
31:42Let's go.
31:44Let's go.
31:46Let's go.
31:48Let's go.
31:50Let's go.
31:52Let's go.
31:54Let's go.
31:56Let's go.
31:58Let's go.
32:00Let's go.
32:02Let's go.
32:04Let's go.
32:06Let's go.
32:08Let's go.
32:10Let's go.
32:12Let's go.
32:14What.
32:35Let's go.
32:38But the rest of the people who have closed the room,
32:42now they are left.
32:44They are also in full mood.
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