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00:00The stage is set for the Dola Next presents
00:05Kashmir 10th Hum Awards
00:07Powered by Leather Galleria
00:10Luxury Leather Furniture
00:12And Tap Tap Send
00:14Saturday 11th October 2025
00:17At the NRG Arena, Houston, Texas
00:20Be there for your favourite stars
00:23Mahira Khan
00:25Adnan Siddiqui
00:28Bushran Sari
00:30Tajl Ali
00:33Faisal Qureshi
00:35Hania Amir
00:38Bilal Abbas Khan
00:40Sara Khan
00:43Imran Ashraf
00:46Sonia Hussain
00:48Ahaz Raza Meir
00:51Sanam Saib
00:53And Mohit Mirza
00:55Mavera Hussain
00:57And Many More
00:59One Stage
01:01One Night
01:02And Spectacular Celebration
01:05To Get The Group Discount
01:07Book Your Tickets Now
01:09Log On To
01:10www.hum.tv
01:13Or
01:13www.ticketmaster.com
01:16For Sponsorships
01:18Contact
01:18Mr. Naveed Aadam
01:20Hum Network Limited
01:21www.ticketmaster.com
01:39If you want to go, you won't leave us alone.
01:44We don't leave our family at the same time.
01:47And if we leave, we keep our family together.
01:50Now, our family is coming.
01:52I didn't think that we should enter the drama in this way.
01:56I have to ask one question after this.
01:58I have to ask one question before.
01:59What do we ask first?
02:00Fakra and Buchra are my sister.
02:04So, Fakra and Buchra are my sister?
02:10My sister is my sister.
02:12But there is no sister in the stage.
02:15Where are you from?
02:17When she is married,
02:20she is married to the first time.
02:23She is married to her.
02:26She is married to her.
02:28She is married to her.
02:30I mean, pranks?
02:33Yes, pranks.
02:35And very dangerous pranks.
02:36She needs to be banned from them.
02:38And what do you do with her sister?
02:42Oh, she is also very bad.
02:45So, this house is the house of my sister.
02:48And you will stay here until we open your heart.
02:52Yes.
02:53No, this is my sister's sister.
02:55I can't wait for her so much.
02:57Why do you have tension?
02:59I will.
03:00We will stop you.
03:02Yes.
03:03Yes.
03:04Yes.
03:05Do you know about the dress?
03:08I will talk to her with her sister.
03:10Yes, yes.
03:11Yes, yes.
03:12Yes, yes.
03:13We will stop you.
03:14We will stop you.
03:15We need to stop you.
03:16We need to stop you.
03:17We need to stop you very soon.
03:18I do not.
03:19I will.
03:20I will.
03:21I will.
03:22Welcome to the dress.
03:23Hi.
03:24I will.
03:25This is my sister's sister.
03:28You can ring theĺ°ľilian boy.
03:29You can hear my sister.
03:30How many years later?
03:31I will.
03:32After that, I will.
03:33Here, I will.
03:34I swear my sister.
03:35Listen to me, listen to me.
03:37I'm also a son, Rizwan.
03:42She's a son.
03:44She's a son.
03:46She's a son.
03:48She's a son.
03:50I mean, she's a son.
03:52I think she's a son.
03:54Yes.
03:55The fact is that I wanted to say that
03:59Bushra is my oldest daughter.
04:03My heart is my heart.
04:06We are very poor people.
04:10When you have a heart to me,
04:13I can't do this.
04:15My decision is totally true.
04:17We are not in front of you.
04:21This is the same thing.
04:25This is the same thing.
04:27This is the same thing.
04:29This is the same thing.
04:31And that is the same thing.
04:34And that is the same thing.
04:36We are not in front of you.
04:38Overacting.
04:41We are not in front of you.
04:43What are you talking about, Bhaishwira?
04:45This is your biggest thing.
04:46Is that you are so happy,
04:48calm,
04:49calm,
04:50everything you have to understand
04:51and you have to understand
04:52my daughter.
04:53Bhaishan!
04:54Bhaishan!
04:55Bhaishan!
04:56Bhaishan!
04:57What happened?
04:58What happened?
04:59What happened?
05:00What happened?
05:01What happened?
05:02What happened?
05:03Tell me about it.
05:05Bhaishan!
05:07Bhaishan!
05:08Bhaishan!
05:09Bhaishan!
05:10Bhaishan!
05:11Bhaishan!
05:12You are trying to find us here.
05:13I have to tell you.
05:15Yes!
05:16Yes!
05:17Yes!
05:22No!
05:23Okay.
05:24We will stop.
05:25No!
05:26We will have to work.
05:28What will we do?
05:29No work.
05:30Nothing.
05:31No work.
05:32My brother Bashir means that we will increase our happiness with Mirob.
05:36What will we do next? We will stop.
05:39Yay! Bhaviy Zindabad!
05:48Hey, Jazza.
05:51In fact, as you all know,
05:56that this marriage has happened in a situation like this.
06:01The first thing happened was that
06:03Irfan sahab came to us to take some money.
06:07The second thing happened was that
06:10it was very good for us.
06:13The third thing happened was that
06:16Irfan sahab came to us on a date.
06:19The fourth thing happened was that
06:22Irfan sahab came to us to love our daughter.
06:27This is the fourth thing.
06:30It was the fourth thing.
06:32Yes, my brother. I was scared.
06:34I thought that I was afraid of myself.
06:37But then I realized that
06:39that my husband was not married,
06:41that my husband was married,
06:42that my husband was married,
06:44that if my husband was married,
06:46that my husband was married,
06:48that my husband was married,
06:50that my husband was married.
06:53I was afraid of myself.
06:55But I believe that
06:58that today
06:59I will be happy to be with you.
07:01I will be happy to be with you.
07:03I will be happy to be with you.
07:05I will be happy to be with you.
07:06I will be happy to be with you.
07:08I will be happy to be with you.
07:10I will be happy to be with you.
07:12I will be happy to be with you.
07:14I will be happy to be with you.
07:16I will be happy to be with you.
07:18I will be happy to be with you.
07:20I will be happy to be with you.
07:22to be happy to be with you.
07:28My確定 now-
07:38How did you feelful?
07:40How did you feel for that?
07:43I have something to say
07:45to my mentorship
07:47that I gave more than just
07:49that the your behavior
07:51until he will say that I will stay here.
08:03It feels so good.
08:04Today, the happiness of my house,
08:06the colors, all the people,
08:07and the biggest of my sisters are very happy today.
08:13In fact, Irfan Sahib,
08:14my and your story is like this.
08:16You have married in your children's love.
08:21And I can't do this.
08:24Who does this marriage?
08:29It's like a young man.
08:47I'm sorry.
08:51I'm sorry to say that my two brothers are married.
08:56Habib Sahib,
08:57let them go to the guest room.
08:59And Saman,
09:00will you have to ask Saman?
09:02No, we took Saman.
09:04We have to leave the car outside.
09:08We have to leave the car outside.
09:09I'm sorry.
09:10I'm sorry.
09:11I'm sorry.
09:12I'm sorry.
09:13I'm sorry.
09:14I'm sorry.
09:15I'm sorry.
09:16You have to leave the car outside.
09:17I'm sorry.
09:18I'm sorry.
09:19But actually,
09:20don't you have to leave the car outside the car?
09:21Yeah.
09:22I'm sorry.
09:23No.
09:24No.
09:25No.
09:26I'm sorry.
09:27No.
09:28I'm sorry.
09:29No.
09:30No.
09:31I'm sorry.
09:33So that's why they put their own things together so that they can't go anywhere at night.
09:44Come here.
09:45Let me show you the guest room.
09:47This?
09:48This?
09:49This.
09:54What do you start with Neerab?
09:56Neerab is a child.
09:58Children always do fun.
10:00You have to understand her.
10:03Yes.
10:04She thought that we will behave in the truth.
10:06No, don't understand.
10:08It will be in another place.
10:10If there will be something else in this place,
10:12then we will have a divorce later.
10:14What will I do?
10:16When Neerab is a child,
10:19she is a child.
10:21She was sitting in the restaurant.
10:25She was very hungry.
10:27You were making a divorce?
10:29Yes.
10:30We were sitting at the restaurant in the restaurant.
10:33We were so happy.
10:34The last time,
10:35the restaurant was making a divorce.
10:38Well, that was the case.
10:40No.
10:41It was the case,
10:43but the lady asked me to do it.
10:46They called the police.
10:47Really?
10:48What?
10:49What?
10:50What do we have to find out there?
10:51We have to go to the house.
10:52Think about it.
10:53No.
10:54No.
10:55No.
10:56No.
10:57No.
10:58No.
10:59No.
11:00No.
11:01No.
11:02No.
11:03No.
11:04No.
11:05No.
11:06No.
11:07No.
11:08No.
11:09No,
11:26No.
11:27I don't know what to do.
11:29Don't tell me anything.
11:30Nassar is very clear.
11:32He didn't look like Bhai Bashir's head.
11:35No, you see?
11:37Myrub is a little dirty.
11:39He took the firework in his face.
11:41And the photographer was looking at pictures.
11:44But you can't think about the lines.
11:48Why are you acting?
11:50You didn't open all the rules.
11:53Yes, but then I knew Adibad.
11:56Adibad?
11:57Yes.
11:58Nassar is sitting in a restaurant with Burqa.
12:02Burqa?
12:04Yes.
12:05What do you mean?
12:07Neerub's head.
12:09Yes, and they didn't get the police there.
12:11This is a great movie.
12:13If you don't meet Nassar, you can leave Nassar as a vlogger.
12:17Nassar is playing a game.
12:21Myrub is saying something else.
12:24I can't trust you in Nassar.
12:27I can't trust you in Nassar.
12:30It's amazing.
12:32Everything is so perfect.
12:33Bhai Bashir.
12:34It's amazing.
12:35Yes.
12:36But now the tension is that Mirab has stopped at night.
12:39There is no pole open.
12:40I don't do anything.
12:41I don't know.
12:42I know that all of them, I felt that my decision was right.
12:47Yes.
12:48Myrub didn't change.
12:49Yes.
12:50And Mirab was so sweet.
12:51He was so sweet.
12:52He was so sweet.
12:53He was so sweet.
12:54He was so sweet.
12:55He kept his head.
12:56And then the other one, his whole life is strange and abnormal.
13:00Sorry, I have too much.
13:03No, it's just like that.
13:04What do you mean by the way, you're going to see Fakhrar Abba?
13:08Before I have seen him, where will I sing?
13:11Because you can't sleep in the guest room.
13:13Yes.
13:14You will come in the eyes of the girl's eyes.
13:16Oh yes.
13:17You will be there now.
13:20Pahra, I'm going to the guest room a little while ago.
13:24Pahra, I'm going to sleep with you.
13:27Okay.
13:31Koshra, thank you so much.
13:34You have changed my life.
13:38Today, I thought that my mother was the responsibility of me.
13:44I'm going to sleep with you.
13:46My daughter is completely normal.
13:49She is a daughter of every father.
13:52Yes.
13:55She will be committed.
13:57She will be proud of her.
13:59She says that she is a good commitment in her career.
14:04So, we are proud of her.
14:07Before that, I said that you can listen to me.
14:11She says that she cares about you.
14:12Not fucking crying.
14:13But now, I cannot write a verse.
14:14I have to see that she was an old man.
14:16She is a little girl and I'm not even Ned.
14:17It is a little girl.
14:18She is a small girl.
14:19She is a little girl.
14:21I know she is what she is who is who is the only woman.
14:24I am not having a beautiful girl.
14:29But what kind of friendship has given you?
14:43Your love was your, my love
14:50But what kind of friendship has given you?
14:58I'll put your clothes in the morning, I'll put it in the morning.
15:03No, I'm not sure that it's not.
15:07We are doing our own work.
15:09If you have to put your clothes in the morning,
15:12you'll be doing it.
15:14No, I'm not sure that I'm doing it.
15:16I've put water in the morning, and I'll get it in the morning.
15:19So I'll have to change the morning.
15:21I don't have to use a guest room for someone.
15:23So it's a little bit.
15:25But in the bathroom, the boss has a little bit of oil.
15:28It seems that someone has used it for a few hours.
15:31And the clothes are also dirty.
15:33Is there anyone living here?
15:37It's possible that someone's scared.
15:39Okay, if you want something, please tell me.
15:43Chacha, thank you.
15:48What's your house?
15:50What's up?
15:52I don't know if you're anything.
15:53I don't know, I don't know.
15:55Oh, you're so good!
15:56I'm so talented.
15:57You've seen your boss?
15:58What's the difference?
15:59I've been acting, he crossed.
16:00Oh, I've been acting, you've done.
16:01I've been acting too.
16:02I've been acting too.
16:03I've written so many, you've done.
16:04You've done so many dialogue.
16:05Oh, I've done acting.
16:06I've done so many dialogue.
16:07You've done so many dialogue.
16:08Oh my God, how talented you are.
16:13Have you seen your father?
16:15What have you done acting?
16:17You crossed your head.
16:18Over acting, father.
16:20How many dialogues were talked about?
16:22Why were they going to talk about the story?
16:24And tell me, why did you tell me that you were my 133?
16:31I am a little out of practice, right?
16:34And if I don't say this,
16:36in this story, there is a big deal.
16:38Now listen, you are my little girl.
16:40Yes.
16:41Where do you think your brother?
16:44But the story has become very good,
16:46so we don't forget.
16:47There was a deal that they said,
16:49that the generation of other people
16:50was my father's father's father's father.
16:56Let's go, now it's gone.
16:57Listen, tell me, how is it going?
17:02Shondor.
17:03Wow.
17:04This place is so nice and beautiful and beautiful.
17:08And Irfan is so nice.
17:10And I pray that you and Irfan are going to be true.
17:13No, Pa.
17:14Amen.
17:15Irfan's beautiful and beautiful face,
17:18I remember Rizwan's father's father.
17:21Vahasut,
17:22she asked her mother and Rizwan's father's father's father.
17:25They both go there and stay there.
17:28Now, when the child is not finished,
17:30they will not come to the mother's father's father.
17:31Abba, Abba, Abba, Abba, just try to control Rizwan and Mania a little bit.
17:36Now we have to figure out how to play this story.
17:41You're the main cast, you're the main cast, you're the main cast.
17:44We're the guest appearance.
17:48I feel like we've got a shame.
17:51What?
17:52When we came to this room, we were probably sleeping or sleeping.
17:57By the way, Husser Khan gave me his clothes and gave it to Habib.
18:04Nothing happens. It's drama, right?
18:06You'll also know.
18:08In fact, there's not a camera here.
18:12Hmm.
18:15You got your own offer.
18:17We were the same.
18:18There will be a place to keep it in the mouth.
18:22I don't know what he's doing now.
18:25Hmm.
18:27What is this?
18:28He's going to take his clothes and the door.
18:30I'm completely saying it.
18:32What will happen?
18:33Guys, I'm a man.
18:35I'm a man.
18:36I'm a man.
18:37I'm a man.
18:38I'm a man.
18:39I'm a man.
18:40I'm a man.
18:41I'm a man.
18:43I'm a man.
18:44I'm a man.
18:45I'm a man.
18:46I'm sorry.
18:48I'm a man.
18:49I'm a man.
18:51I'm a man.
18:52I'm a man.
18:53I'm a man.
18:54I'm a man.
18:55I'm a man.
18:56I'm a man.
18:57I'm a man.
18:58I'm a man.
18:59I'm a man.
19:00I'm a man.
19:01I'm a man.
19:02I'm a man.
19:03I'm a man.
19:04I'm a man.
19:05I'm a man.
19:06I'm a man.
19:07I'm a man.
19:08You're a man.
19:09What is this?
19:10You've got a lot of fun in marriage.
19:12I've also got a lot of fun.
19:13I've lost my time in the kitchen.
19:14I've lost my time.
19:15And you've got a new father.
19:16I'm a man.
19:18Look, see.
19:19I'm sorry.
19:20You're not good.
19:21I'm a man.
19:22It's good.
19:23What's this?
19:24What is this?
19:25It's a statement.
19:26What is this?
19:27It's not that Bushra she is born.
19:30Oh yeah!
19:31Bushra is a girl?
19:33Oh my God!
19:34It's a miracle!
19:36Look how the girls are born and the girls are born.
19:39How do you know?
19:41Bushra is a girl.
19:43It's not that.
19:44Oh yeah!
19:45Thank you so much.
19:46You have to be scared of me.
19:48What is this?
19:50Bhirpahan sahab Bushra was not in his room.
19:53He was in the guest room.
19:55He used his bed and his clothes were there.
19:58Oh yeah!
20:00That's the first night he fell asleep.
20:03Oh yeah!
20:04Oh my God!
20:06Look, I don't want to understand the story.
20:08If you have something else, you can't understand the story.
20:10What do you want to understand the story?
20:12What do you want to understand the story?
20:13In every third drama,
20:15he takes a girl with a girl with a girl and a girl.
20:17What do you want to understand?
20:18If you have a girl with a girl,
20:19I'll tell you,
20:20I'll give it to someone else's love.
20:21And I'll look to you and buy two houses.
20:24And get the house out on the floor or a guest room.
20:26And I'll look to you now.
20:27What do you think?
20:28Do you understand what?
20:29This is all about the reality conversations with a girl.
20:30Who knows what you know is?
20:31What about the human being able to understand the story of the girl?
20:33I won't know how to tell you.
20:35Not even know you.
20:36Where do you feel?
20:37What to tell your soul with your girl?
20:38Oh my God.
20:41I'm dead, I'm dead.
20:43Oh
20:56Jagtay Rehna Jagtay Rehna Shary Par Mat Rehna Shary Toh Apni Mangater Ka Pahra Na Dede Paaya
21:05Or Woh Ek Kali GhaÚ‘i Me Bait Kar Chalhi Gai
21:09Jagtay Rehna Apne Saman Ki Hifazat
21:12Khud Karna Shary Peh Na Rehna Shary Toh Ak Loser Hai Loser
21:20Jagtay Rehna Amho Halne Walo Shary Peh Mat Rehna Mat Rehna
21:26Pocket Marr Seh Ho Shiyar
21:30Jau Bhai Star Jai Aagaya Sari Musawir Uthar Ga Aap Bhe Uthar Jau
21:37Yaar Aasi Nind Ayiye Na
21:38Aani Nind Ayiye Na
21:40Aadduu Jo Khaethe Bhaangwale
21:48Aap
21:50Aap Kya?
21:52Aap Khaan Jayenge?
21:53GŮ„iyin Damus
21:54Aap Kya Ghaban
21:55persistent
21:56realizama
21:58Ina S Beginay Ad Again
22:00Aana Zayge
22:02Wohj Ali
22:03Aap Kya möye
22:05Aw�� Ghaban
22:06Basha
22:07Aap Kyo
22:08Don't leave a house, don't leave a house with a house
22:12Don't leave a house with a house
22:14What is it?
22:17What is it?
22:18She died
22:19She's destroyed the house
22:21As we are not working on it
22:28The enemy has been here to us
22:32That the end of the kitchen garden has been in front of her
22:34She's been in front of her
22:38The kitchen garden is not there anymore.
22:40I don't know what will happen there.
22:45What happened to you guys?
22:47I'm a big one.
22:49You guys.
22:50You guys.
22:51You guys.
22:52What happened to me?
22:54What happened to you guys?
22:55What happened to you guys?
22:56What happened to you guys?
22:57I wanted to talk to you guys.
22:59You guys?
23:03I mean, you guys.
23:04Nothing happened.
23:05Nothing happened.
23:06Nothing happened.
23:07It happened.
23:08There's a lot happened.
23:09Nassar, you're giving us a shame.
23:11Absolutely a shame.
23:13What does it mean to you guys?
23:16You've become a judge.
23:18Bindiya.
23:19What do you know about the society of the world?
23:22Where do you go?
23:24Tell me that you're a double agent.
23:26What are you saying?
23:29You're a judge.
23:31You're here with us.
23:33You're a judge.
23:34You're a judge.
23:35You're a judge.
23:36You're a judge.
23:38You're a judge.
23:39You're a judge.
23:41You're a judge.
23:42You're a judge.
23:43You're a judge.
23:44You're a judge.
23:45You're a judge.
23:46You're a judge.
23:47You're a judge.
23:48You're a judge.
23:49You're a judge.
23:50You're a judge.
23:51It's a judge.
23:52You're a judge.
23:54You're a judge.
23:56And why do you have came and called us?
24:06You're a judge.
24:08You made us like four people, and you're doing it like that.
24:13You don't understand the wrong way.
24:15This is the right answer.
24:17I'm saying that I'm with them,
24:20and I've already discussed my plans before you.
24:23I don't know.
24:24I don't know, Nassaraphy.
24:26But there's a lot of weird stuff.
24:28So, the brothers have been married first.
24:31And then they've got a couple of guests.
24:35And we're just planning.
24:37Planning.
24:38Planning, you're starting, na.
24:41Look, this change will be done.
24:45I believe you.
24:47Are you our leader?
24:49No, I'm not a leader.
24:51But we're all doing this work.
24:53We're all team.
24:54No, there's no team.
24:56First, you clear your views.
24:59And what were you doing for that?
25:07And then, yeah.
25:08You're some people.
25:09I can't even ask them.
25:10Yes, I can't.
25:11Listen to that.
25:12The last minute.
25:14Now I've seen that.
25:15I didn't know you.
25:16Of course, Nassara.
25:17Yeah.
25:18I'm not sure what you're going to do.
25:19But I don't know who the person is going to be.
25:22But I don't know who the person is.
25:25I don't know who the person is.
25:27I'm not sure what you are.
25:28My goal is clear.
25:30I'm not sure if you're not sure if you're out.
25:35I'm going to take a break.
25:37And I'll do it for you.
25:40I'll do it for you.
25:43But I had to do it for you.
25:46What is it?
25:47I'm done.
25:48We'll be sorry.
25:50What are you doing?
25:53When we take a loan,
25:57the girls' family,
26:01the beauty of the aunties,
26:03they're feeling the anger.
26:06The truth is not that.
26:09No, I will.
26:11I will do it.
26:12Where am I?
26:15With Nassarabe.
26:18You'll find Nassabhi's
26:19and you'll find him.
26:20And he'll find him.
26:22Right?
26:23You're crazy.
26:24Who's he?
26:25You're talking about this.
26:27I'm a big fan.
26:28What?
26:29I'll call you.
26:30I'll tell you.
26:33You'll find yourself.
26:34How do you find him?
26:37You find him.
26:38You get to know.
26:41But
26:42You won't be the result of it.
26:47So what are you going to do with the truth of the truth?
26:52I
27:10Yeah, Allah
27:11I have a great grace, I have a million thousand dollars
27:14Thank God
27:16You have opened my eyes so much
27:18You have opened my eyes
27:20I was living in the morning, and I was living in the forest.
27:25And here, greenery, flowers, and flowers.
27:31God, your 100,000,000 thanks.
27:34Oh, oh, oh, oh, oh.
27:48I had to say something about you.
27:50If I come to the kitchen, you will be very sad.
27:55That's why you will take me to the guest room.
27:59Abba Ji?
28:01Brother Bashier.
28:03Brother Bashier.
28:05He feels very good.
28:08With bread, he feels very good.
28:10And for me, you will have an enda,
28:13lassi,
28:14shahed,
28:15halwa puri,
28:16and tea.
28:18I'll take it.
28:19And Irfan knows what they eat.
28:23I'll cook this omelette.
28:26Hmm?
28:27In...
28:28...
28:29...
28:30...
28:31...
28:32...
28:33...
28:34...
28:35...
28:36...
28:37...
28:38...
28:39...
28:40...
28:41...
28:42...
28:43...
28:44...
28:45...
28:46...
28:47...
28:48...
28:49...
28:50...
28:51...
28:52...
28:53...
28:54...
28:55...
28:56...
28:57...
28:58...
28:59...
29:02...
29:03...
29:04...
29:05...
29:06...
29:07...
29:08...
29:09...
29:10...
29:11...
29:12It's like ours. What happened to this?
29:15Look at this, it's a red color. And what happened to this?
29:19This is a red color.
29:23It's been so long in order. It's a bushra.
29:28It's a bushra that...
29:31When he came to his house, it was with his cock-roach.
29:35Listen to him, we're going to let him go.
29:38We're going to let him know each other.
29:39Then we're going to let him go.
29:41Get up, get up, get up.
29:43The charge will be closed.
29:44You said exactly right.
29:47Bushra never had our team.
29:50Bushra was our team, who is here.
29:55I'm coming, I'm coming.
29:58At the time of the morning, we're all sleeping.
29:59We're going to talk to Abba in the guest room.
30:02I'll take the shower.
30:03We'll take the shower, we'll take the shower.
30:05We'll take the shower and we'll never talk.
30:06Come on.
30:10Sorry.
30:11I'll take the shower.
30:12A'am.
30:13Right.
30:14A'am.
30:15It's so good.
30:16Sorry.
30:17It's so good.
30:17It's so good.
30:18It's so good.
30:20How did you do it outside?
30:27He was talking to people and dogs outside.
30:33What was the need for him to talk to him?
30:37My son, my heart wants to talk to him.
30:41Today, you have to speak very little in front of the camera.
30:46You have to forget several times.
30:50How do you deal with this?
30:53I don't need to teach acting.
30:56I'm a very old actor.
30:59He's called the economy of characters.
31:03If you say to my daughter, then the baby is killed.
31:06If you say to my daughter, then the child is killed.
31:09If you don't have a child, then you know how to become a character?
31:13How?
31:14Very poor.
31:1560 years old.
31:17Be-aulad-radwa.
31:19How bad he feels.
31:20Now, the character is changed.
31:2260 years old.
31:24Chronic bachelor.
31:26Is that right?
31:28I'm saying that right.
31:30It's a challenge.
31:32It's a challenge.
31:33It's a challenge.
31:34It's a challenge for Sherry.
31:36Sherry?
31:37Dr.
31:38You're losing sight of my daughter.
31:39She's losing sight.
31:40You're losing sight.
31:41Yeah.
31:42You're losing sight of taking on her for her.
31:43Let me take a break from her.
31:45What would you call her?
31:47What would you kill me?
31:48What would you do?
31:49What would you do?
31:50What would you do?
31:51It would be a surprise.
31:52What would you do?
31:53Well, we should go.
31:54Oh, I'm happy.
31:56How are you?
31:58I'm happy to be with you.
32:00My mother is here.
32:06You have to think about it.
32:08I'm happy to be with you.
32:10I'm happy to be with you.
32:12I'm happy to be with you.
32:14Just think.
32:16How good you are.
32:18You're just happy to be with them.
32:20I'm happy to be with them.
32:22I need you.
32:24I'm happy to be with you.
32:26It's my husband.
32:28I'm happy.
32:32Oh.
32:34If I could tell you,
32:36if you could tell you it'll be with me.
32:38If I could tell you it'll be hurt.
32:40If I could tell you it'll be very much.
32:42If I could tell you?
32:44I'm happy to be with you.
32:46If you could tell me what's going on.
32:48I'm happy to tell you.
32:50Yeah, it's time to talk to me.
32:55It's time to talk to me and I told you.
32:59Don't listen to me.
33:20It's time to talk to me.
33:27It's time to talk to me.
33:30It's time to talk to me.
33:32It's time to talk to me.
33:34It's time to talk to me.
33:36Don't do it, boss.
33:37It's time to talk to me.
33:39Tell me.
33:41How do you get to eat without money?
33:46Just ask.
33:47Just ask.
33:50But that's the way.
33:51Either we need direct money,
33:53and we need to pay for that money.
33:55Or we need to pay for that money.
34:00Do you know this thing?
34:01Yeah, I'm just saying that
34:03it's good to be in the gym and training.
34:05First, we need to make money.
34:07And now we need to make money.
34:09What's my fault?
34:11No.
34:12That's the jayb cuttree.
34:15I'll leave it.
34:17I'll leave it.
34:18If I get it,
34:19I'll take it.
34:20I'll take it.
34:21I'll take it.
34:22I'll take it.
34:23Okay, the first one.
34:24To kill it?
34:25To kill it?
34:26To kill it.
34:27To kill it.
34:28What?
34:29To kill it.
34:30What?
34:31I'll have to take it.
34:32Hmm.
34:33I must have a drink.
34:34I'll have to eat at night.
34:36I'll have to eat at night.
34:38Your children will live.
34:41God will be able to sin you,
34:43I'll just give this just one second.
34:46I'll have to eat.
34:48Oh, husband!
34:49He keeps giving up.
34:50You have to hold a lot.
34:51I've got a lot of money.
34:52He doesn't want to sell anything.
34:54He keeps giving up a bit.
34:55My baby is not in line.
34:57I don't want to give up.
34:58I don't want to give up.
34:59God, give u just six thousand per cent.
35:02naot, not so seven hundred per cent.
35:04I don't want to give up.
35:05We don't want to give up, but I don't want to give up.
35:14What?
35:15You not drink all this?
35:16Hmm.
35:18I've never eaten anything. I've never eaten anything with my own money.
35:22This is the production market.
35:24And the production market is fun.
35:27I've been eating so many days after the theater.
35:31Don't be afraid!
35:34Okay, but wait for them to wait for them.
35:37Oh my God, stop. It feels bad.
35:39Wait, what feels bad?
35:41What's wrong?
35:42What's Abib saying?
35:43We'll have a scene in the first place, and then we'll have a dance.
35:48I'm going to go, I'm a woman in the real world.
35:51I'm going to say that.
35:52That's what I'm saying.
35:54The feeling of this set is very good.
35:57It's very good.
35:58And the actors, the little girl, it's amazing.
36:02What a joke, Nassaraki.
36:04I mean, these people who give the award,
36:07I have a choice.
36:09They always give the award to hero and heroine.
36:12They actually give the award to the site characters.
36:16They should give the award to the show.
36:19Oh my God, you say fish in water.
36:23They're giving the award to the industry.
36:25They're giving the category of awards.
36:28My God, the fact is that they have to give us back.
36:34The people who know the people,
36:37who give their money,
36:39who give their love,
36:40they're giving the award to the show.
36:42Oh my God, we're going to have to give it to us.
36:44It's our fault.
36:45We're going to have to give it to everyone.
36:48Is it going to happen?
36:49I'm here.
36:50Come on, Nassaraki.
36:52It's hot, it's hot, it's hot.
36:54If we come back, then we'll eat it again.
36:57If we come back, then we'll eat it again.
37:05Here we are.
37:08This is going back.
37:08This is going to happen.
37:09I'm here.
37:11I'm here.
37:11This is going back.
37:13This is going back.
37:15Here we go.
37:16This is going back.
37:18This is going back.
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