Private Road. (1971 film)

deaddogsdam

Love story between a young depressive girl and a talented young writer and the first steps into their adult life.  Susan Penhaligon - Ann Halpern Bruce Robinson - Peter Morissey Michael Feast - Stephen George Fenton - Henry Robert Brown - Mr. Halpern Kathleen Byron - Mrs. Halpern Patricia Cutts - Erica Talbot Trevor Adams - Alex Marvel Susan Brodrick - Sylvia Halpern (as Susan Broderick) Paul Harper - Clarke Catherine Howe - Iverna Roger Hammond - 1st Advertising Executive John Keogh - 2nd Advertising Executive Bob Sessions - 3rd Advertising Executive (as Robert Sessions) Joanna Ross = Nurse Pamela Moiseiwitsch - Office Secretary Julia Wright - Nurse  Director - Barney Platts-Mills

Transcript

00:00:00Always wanted to be a racing driver, but I never, ever, ever liked the smell of cars.

00:00:22I knew that I'd go far, yeah, I knew that I'd go far.

00:00:30Far enough to see, I'd get there without a car, without a car.

00:00:40Always wanted to be just a little bit more than clever, but I wasn't born underneath a lucky star.

00:00:53I knew that I'd go far, yeah, I knew that I'd go far.

00:01:05Far enough to see, I'd get there without a star.

00:01:09Far enough to see, I'd get there without a car.

00:01:11So far, I'd get there without a car, I'll get there without a car, I'll get there without a car.

00:01:15THE END

00:01:36Sorry to rush you, darling. I've got a meeting at 9.45.

00:01:45The END

00:02:03Oh, Justin, look what that part of the door is.

00:02:07You have run with Stephen, haven't you?

00:02:09Yes.

00:02:10Oh, good morning, Anne.

00:02:12Good morning.

00:02:13How's Daddy?

00:02:15Fine, thank you.

00:02:16Mummy well?

00:02:17Yes.

00:02:18Oh, dear.

00:02:21Hello, dear.

00:02:22Could you be asked to come on Thursday to see Mr Talgrut?

00:02:36Could you ask me to come on Thursday to see Mrs. Talbot?

00:02:38Yes, Thursday tomorrow.

00:02:40Uh-huh. Okay, bye-bye.

00:02:52Come and meet everybody, Peter.

00:02:54Jocelyn, this is Peter Morrissey,

00:02:56a fairly brilliant young writer

00:02:58who we've been lucky enough to sign.

00:03:00Now, I think we should have a buy on him.

00:03:02Have you got time to give Jocelyn it now?

00:03:04Biography? Yes. Oh, no.

00:03:06Um, tomorrow? Yes.

00:03:08We'll fix up some time. It's mutually convenient.

00:03:10Or rather convenient for Mr. Morrissey.

00:03:20Oh, yes. This is little Anne.

00:03:22Hello, little Anne.

00:03:24No.

00:03:26It's better like that.

00:03:36Anne says you're a writer.

00:03:40What do you write?

00:03:42Oh, anything.

00:03:44Have you read that new book?

00:03:48I can't remember the author's name,

00:03:50but it's about this spy

00:03:52who flies a plane to the Arctic

00:03:54to break up...

00:03:55Ice Call.

00:03:56Why can't you remember it?

00:03:58It's absolutely fantastic.

00:04:00Very clever, actually.

00:04:02Written by a chap called Alex Marvel.

00:04:04Do you know him?

00:04:05Oh, yes.

00:04:06And this is Talbot's his agent.

00:04:08Really?

00:04:09The woman I work for.

00:04:10Very clever.

00:04:12They sold the film rights

00:04:13and American paperback rights

00:04:14before it was brought out over here.

00:04:16Really?

00:04:17Hmm.

00:04:18I'll tell you what.

00:04:19I'll have a word with him.

00:04:20I'm sure we can manage something.

00:04:21That's very good of you, sir.

00:04:22That's all right.

00:04:23By the way, my name is George.

00:04:25Oh, I know.

00:04:26Well, you must call me George, then.

00:04:28Thank you, sir.

00:04:30Peter.

00:04:31Have some cake.

00:04:41Sylvia told you about the party.

00:04:43Would you like to come?

00:04:44No, thank you.

00:04:45No.

00:04:46It's perfectly all right for you to come,

00:04:47if you want to.

00:04:48I'm sure, but I...

00:04:49I don't think I will.

00:04:50Oh.

00:04:51Please, you sir.

00:04:52Clark.

00:04:53Morty.

00:04:54Yes, please.

00:04:57You, darling.

00:05:00Well, we just made it.

00:05:01I think we've got a minute or two.

00:05:21Oh, hang on.

00:05:22There's one coming in now.

00:05:24No, it's all right, Arthur.

00:05:25You'll pay the other end, all right?

00:05:27All right, Arthur.

00:05:29Go on, darling.

00:05:30See your guest off.

00:05:32Well, how are you, then?

00:05:33All right.

00:05:34Good.

00:05:42I'm sorry if it's been awful.

00:05:44It was all right.

00:05:47It's a bit of a long journey on your own.

00:05:53Do you want to come?

00:05:59Hello?

00:06:00Spears...

00:06:01Spears Agency.

00:06:02Oh, hello.

00:06:03Yes, okay.

00:06:04Hello?

00:06:05Spears...

00:06:06Spears...

00:06:07Spears Agency.

00:06:08Oh, hello.

00:06:09Yes, okay.

00:06:10Hello?

00:06:11Spears...

00:06:12Spears Agency.

00:06:13Oh, hello.

00:06:14Yes, okay.

00:06:15Hello?

00:06:16Hello?

00:06:17Hello?

00:06:18Hello, Henry.

00:06:19Did you get the supper?

00:06:20Yeah.

00:06:21Oh, hello.

00:06:22Hello?

00:06:23Hello, Henry.

00:06:24Oh, hello.

00:06:25I'm in here.

00:06:26I'm Henry.

00:06:27I'll take that.

00:06:28This is Henry.

00:06:29I've introduced myself.

00:06:30Oh, er...

00:06:51This is Anne.

00:06:52Hello, Anne.

00:06:53Hello.

00:06:54Hello.

00:06:55Hello.

00:06:56Did you get the supper?

00:06:57Hello, Anne. Hello.

00:06:59Did you get the supper? Yeah.

00:07:01Don't screw it up. We've got a guest.

00:07:05Hello. Hello.

00:07:07Who does the cooking? Oh, we take it in turns.

00:07:09Can I help? Yes.

00:07:11No. No.

00:07:13Um, do you want some orange juice?

00:07:15Or milk, if you'd like that.

00:07:17I bought a bottle of wine.

00:07:19I bought...

00:07:27Henry.

00:07:29I'm thinking of giving up the railways.

00:07:31What?

00:07:33You can't do that.

00:07:35I'm going into aviation.

00:07:37Oh, what else?

00:07:39I'm going to be a pilot.

00:07:41Well, I'm busy.

00:07:43I'm busy.

00:07:45I'm busy.

00:07:47I'm busy.

00:07:49I'm busy.

00:07:51I'm busy.

00:07:53I'm busy.

00:07:55I've got to be a steward or something like that.

00:07:59You can't just go and be a pilot.

00:08:01How about I start as a steward?

00:08:03Why?

00:08:04I'll go up to the pilots.

00:08:05See?

00:08:07What about your train?

00:08:09Oh.

00:08:11I think I'd better go and get Anne on her train.

00:08:13Have you got a train?

00:08:1711.32 from Waterloo.

00:08:19Oh, well, you've got plenty of time.

00:08:21Yeah.

00:08:23I'm getting a bit late.

00:08:25Yeah, we'd better try and make it, I think.

00:08:27Well, why don't you stay?

00:08:29Yeah.

00:08:31No, let's go.

00:08:33We'll try and make it.

00:08:35Oh.

00:08:37Oh, Noah.

00:08:43Oh!

00:08:45Oh.

00:08:49Oh.

00:08:51Oh.

00:08:53All right?

00:09:23All right.

00:09:53Oh, good night.

00:09:59Good night.

00:10:23Good night.

00:10:53Are you all right?

00:10:56Yes, I'm fine.

00:10:57Where have you been?

00:10:59What's been going on?

00:11:00I've been with Peter.

00:11:02Peter?

00:11:03Yes, I've had a lovely time.

00:11:05Why didn't you ring us?

00:11:06We'd be terribly worried.

00:11:08We've been up all night.

00:11:09I'm sorry.

00:11:10I would have rung you, but by the time I remembered it, it's a bit late.

00:11:13Well, you might think of us.

00:11:14I'm sorry.

00:11:15Ann, where have you been all night?

00:11:18Where did you sleep?

00:11:18I've been walking.

00:11:21I think I'd better go to bed.

00:11:24One night.

00:11:24What are you going to do?

00:11:34Got to let Eric know.

00:11:36Well, all of that will.

00:11:38Oh, yes.

00:11:39What, you and me and...

00:11:40Oh, yes.

00:11:41I see.

00:11:43Once the...

00:11:44What's your proposition?

00:11:45Once the opening's there, then we're all in.

00:11:48We're all in?

00:11:49Yes.

00:11:49Did you do it?

00:11:51I'm not telling you.

00:11:53No?

00:11:53No.

00:11:55Well, I'll try another tack.

00:11:56Well, I didn't do it, if you want to know.

00:11:57Did you?

00:11:58No.

00:11:59Why not?

00:12:00Because a relationship isn't based on sex.

00:12:02It's not a paltry low affair, the sort of thing that you're used to.

00:12:05It's a pure spiritual...

00:12:09It's love.

00:12:10It's love.

00:12:11I love her.

00:12:12Got a nice pair of tits, though, don't you?

00:12:13Eh?

00:12:15Hello there.

00:12:24Well, what kind of a day, Ann?

00:12:26Oh, fine.

00:12:28Mother wants to know whether you'd like some food.

00:12:32Oh, no, nothing.

00:12:33Are you sure?

00:12:34Mm.

00:12:34No trouble.

00:12:35Let's make a drink.

00:12:39Why, young lady, do you realise that you upset your mother terribly?

00:12:44Why?

00:12:45Oh, darling, staying out all night, the way you behaved this morning.

00:12:49Well, she knew where I was.

00:12:51As far as we were concerned, dear, you were going to the cinema, then probably a drive afterwards.

00:12:56I can't tell you every single move I make, can I?

00:12:59Oh, no, all right.

00:13:00I mean, there wasn't a rail crash or anything, so nothing could have happened to me.

00:13:03Anything could have happened.

00:13:04Well, nothing did.

00:13:06We don't know that.

00:13:08What do you mean?

00:13:09Oh, don't be so silly.

00:13:13That's none of your business.

00:13:16Now, look, Ann, we are still legally responsible for you.

00:13:20Oh, fuck off!

00:13:21I wonder if she's ready to accept me in my Stetson

00:13:35As we scan the list of cinemas and browse through this week's What's On

00:13:40I hope she'll soon relent and understand about my six-gun

00:13:45Because it's a scene that I've been longing to be on

00:13:49And although I tried to fake it

00:13:53I knew one day I'd make it

00:13:55It's a chance and I must take it

00:13:57Now I promised I won't break it

00:13:59I'm the Marshal

00:14:00We were going to the cinema

00:14:05Oh, yes.

00:14:06What time does the show start, then?

00:14:08Ten past seven.

00:14:10You never seem to go anywhere, now, ladies.

00:14:14Ah, what have we got?

00:14:15Uh, whiskey all right?

00:14:17Lovely, thank you.

00:14:19Trust him to be in the bloody ambitious border.

00:14:22Here we are.

00:14:26Ann, why don't you take your car?

00:14:28Do you have a license?

00:14:29Yes.

00:14:30Ann, still got a provisional license.

00:14:34She failed her test.

00:14:37Still, we'll get this for you, won't we?

00:14:39Yeah.

00:14:44Silly old stop.

00:14:45I must hurry round and see what they are doing in the drugstore

00:14:49Because I noticed smoke was rising

00:14:54And I wondered if I could score

00:14:56And I'll just have to

00:15:00Time to catch another episode of gun law

00:15:03And you know, I'm sure she won't be mad about my coat

00:15:09Because I know that when she's seen it

00:15:14She'll want to be between it

00:15:16They're getting home

00:15:17She'll even want to clean it

00:15:18When she knows I really mean that I'm the marshal

00:15:22Ain't no wonder if we can count her

00:15:31That's really good part of me

00:15:31We have to stay true for you

00:15:31Oh, my first one

00:15:32If I can hear her

00:15:32And I'll just have to stay true for you

00:15:34To stay true for me

00:15:36And kiss her

00:15:37Look, if you want to bring her here, bring her here.

00:15:55I don't mind.

00:15:57Someone else to do the cooking for Christ's sake.

00:16:02What do you think?

00:16:05She wouldn't like it or something.

00:16:06Oh, she's very clean.

00:16:10Oh, we can clean up, aren't we?

00:16:13Move in.

00:16:16Hello, Spock.

00:16:17How are you, ladies?

00:16:18How are you?

00:16:19All right.

00:16:19How have you been?

00:16:20On the freight train.

00:16:22On the job?

00:16:23Yeah.

00:16:25That's nice.

00:16:26Letters.

00:16:34Peter Morrissey.

00:16:36All right, think about it.

00:16:44Yeah, see you.

00:16:45All right, see you later.

00:16:46Good morning.

00:16:47That's not bad, is it?

00:16:49All right, dear Mr. Morrissey, I'm glad to check for $500 as payment for the publication rights of your short story.

00:16:59This includes an advance for your projected novel.

00:17:02Yours, Erica Talbot.

00:17:04Good old Miss Talbot, eh?

00:17:07Saucepans.

00:17:08Oh, you need a saucepan.

00:17:09And a frying pan.

00:17:10And a frying pan.

00:17:11And a frying pan.

00:17:13It's a lovely place you've got here.

00:17:15Yes, isn't it?

00:17:16Mm.

00:17:16Why have you got it?

00:17:17So I can be alone.

00:17:19Do you want to be alone?

00:17:21No.

00:17:22You know, you need a bath mat and some lavatory paper, probably.

00:17:27I'm in there.

00:17:28No, no, they're a sauce.

00:17:29Yeah.

00:17:33Nice.

00:17:34Help me straight.

00:17:35Are you in the kitchen?

00:17:36Oh, yeah.

00:17:37Cupboards, oven.

00:17:38Oh, it's good.

00:17:42Pretty nice.

00:17:42Oh, yeah.

00:17:44Well, they're at your place.

00:17:45All right.

00:17:46Pretty nice.

00:17:47I haven't got any plugs for the speakers, either, so you have to get them.

00:17:50Washing up, Mark.

00:17:51Hey?

00:17:51Washing up, Mark.

00:17:52You got this on the list?

00:17:54No.

00:17:55Uh-huh.

00:17:56Tins.

00:17:56Oh, you've got one?

00:17:57Tin open.

00:17:57I've got one.

00:17:58Oh, that's very short-sized of you.

00:18:01You can get all sorts of things in tins.

00:18:04Yeah, you've got a tin opener, you're well.

00:18:05Yeah.

00:18:06Tomatoes.

00:18:08See, what food?

00:18:09Have you got salt and pepper?

00:18:10Well, it's all right.

00:18:11I've got salt for the tin open.

00:18:12We'll need potatoes.

00:18:13Salt.

00:18:14Peppers.

00:18:14Indeed.

00:18:15There you are.

00:18:16Oh, shut up.

00:18:18I can't think.

00:18:19I've got to think of everything, you see.

00:18:24This is a really nice-sized place, the two.

00:18:26Eh?

00:18:28It's just big enough for two.

00:18:29Oh, yeah, when you're moving in.

00:18:32No, I mean you two.

00:18:34No, we've got one or two problems.

00:18:37Huh?

00:18:39I thought that's why you put it in.

00:18:40No, no, no, no, no.

00:18:42It is.

00:18:42It's beautiful.

00:18:42I'm an uncoversed age-for-the-of-beer.

00:18:48Hmm.

00:18:53What?

00:18:53Oh, that?

00:18:55And, er...

00:18:56That.

00:19:04Can I give you a lift?

00:19:05Um, no, I don't think so.

00:19:09There we are.

00:19:10Excuse me.

00:19:23I, uh, I've been thinking.

00:19:27Have you?

00:19:28What about?

00:19:29Oh, I don't, I don't really want to go home.

00:19:33No, it's all right.

00:19:35Look, don't worry.

00:19:40I'm staying the night with Peter.

00:19:43No, I'm not coming home tomorrow either.

00:19:46No.

00:19:47Yes, of course I'm going to work tomorrow.

00:19:49I'm not going mad.

00:19:51All right.

00:19:52Okay.

00:19:54Bye.

00:19:57They're going to ring me at work tomorrow.

00:20:00And you're away from me?

00:20:02Yes.

00:20:05How's the weather?

00:20:14Fine.

00:20:15All right.

00:20:16Yes.

00:20:16What's the matter?

00:20:30Nothing.

00:20:31Nothing.

00:20:31What's the matter?

00:20:49What?

00:20:49Yeah.

00:20:49Oh.

00:20:49You were funny.

00:20:52I've got cramp.

00:20:55You're very funny.

00:20:58Yeah.

00:21:04Bloody fuck.

00:21:07You know what we should do today, don't you?

00:21:10You should get down to Isha. Get your things.

00:21:14No, I'd better go down when my father's not there.

00:21:17Why?

00:21:19Because he might start a row.

00:21:21He's a bit ill, is he?

00:21:22Well, he might.

00:21:24He wouldn't hit me, would he?

00:21:26No, I don't think he'd hit you.

00:21:27Would he strike?

00:21:28He might.

00:21:30Strike me?

00:21:31Yes.

00:21:32Oh, Christ.

00:21:33I'm not going down there, then.

00:21:35No, I'll go down alone and get them.

00:21:37You are my fortune and you're fortunately mine.

00:21:47You're my bank book.

00:21:49I can always make an entry.

00:21:52Your vaults are opened every evening after nine.

00:21:59I'll return in full the credit note you sent me.

00:22:04I'll be your interest.

00:22:08You can credit squeeze me anytime you want to.

00:22:14I don't want to stay from you.

00:22:17And all I'm hoping is that I can catch you anytime that I need to.

00:22:25Do you want to do it here?

00:22:30You're a sexy little beast, aren't you?

00:22:34No.

00:22:35Now?

00:22:36No.

00:22:37Under the table?

00:22:38No.

00:22:39Christ.

00:22:40No, why not?

00:22:42Get off.

00:22:43Oh, my madness.

00:22:45What have you done?

00:22:47It's your fault you're a nymphomaniac.

00:22:49I'm not.

00:22:50Yes, you are.

00:22:51No, I'm not.

00:22:52Peter.

00:22:53Here comes Roy Rogers.

00:22:57He's got trigger with him.

00:23:02Hello, Anne.

00:23:03How are you?

00:23:04I'm fine, thank you.

00:23:05Christ.

00:23:06Alex Marvel.

00:23:07Do you know Anne?

00:23:08Yeah, I've just seen Anne before.

00:23:10Oh, yes.

00:23:11And this is Peter Morrissey.

00:23:12He's a very good writer.

00:23:13Is he?

00:23:14Really, yes.

00:23:15Now, sit behind everybody.

00:23:16I've got a good new seat, Peter.

00:23:19I really haven't.

00:23:20Now, get us a drink, Alex.

00:23:21What would you like?

00:23:22Champagne, I think, to celebrate.

00:23:24Of course you would like champagne.

00:23:25Yes.

00:23:26Would you rather come with me, Clara?

00:23:28Now, you're going to be delighted about this.

00:23:31What?

00:23:32I think we've got a deal with Titan of Munich.

00:23:36Oh, really?

00:23:37Yes.

00:23:38Do you know who they are?

00:23:39No, no, I don't.

00:23:40Well, it's a production company,

00:23:41and they want to buy one of your stories.

00:23:43Are you seeing a lot of Anne?

00:23:45I see enough of that.

00:23:46Oh.

00:23:47Our father phoned me this morning, you know.

00:23:48Really?

00:23:49He's rather worried.

00:23:50Hasn't heard from her.

00:23:51Well, she phones him.

00:23:52Not enough.

00:23:53Well, she phones him.

00:23:54Peter, I know he's none of my...

00:23:55Ah.

00:23:56Here you are, then.

00:23:57No champagne.

00:23:58It's off, dear.

00:23:59Lager for you, a Guinness for you,

00:24:00a lager for you and a Guinness for me.

00:24:02And?

00:24:03Alex, I've got marvellous news.

00:24:06I think I've sold his story to Titan of Munich.

00:24:09And furthermore, they're going to retain him as the writer,

00:24:12which, as you all know, is practically unheard of.

00:24:14Is this the story that Peter wrote for Woman's Own?

00:24:16Yes, it is.

00:24:17Peter, can I tell you something?

00:24:18I thought that story was really very good.

00:24:20Did you?

00:24:21And I don't think you should sell it to Titan of Munich.

00:24:23Now, Alex...

00:24:24And I'll tell you why.

00:24:25Shush.

00:24:26I'll tell you why.

00:24:27Because Titan of Munich, or any other company like that,

00:24:29just ruin anything.

00:24:30And that story had something,

00:24:31and that story should be kept.

00:24:32As it is.

00:24:33Hey.

00:24:34Listen, if he wants to sell to Titan of Munich,

00:24:35he can write rubbish like I write,

00:24:36and he can sell that to him,

00:24:37but not a story like that.

00:24:39I'm sure he doesn't rubbish.

00:24:40Oh, it is, man.

00:24:41Come on.

00:24:42Alex, dear.

00:24:43You are a very good writer.

00:24:45But you're not a very good agent,

00:24:46and I think you should leave that department to me.

00:24:48Don't shut it, Peter.

00:24:49Stick to it, because it's a good style.

00:24:51Well, it's a load of rubbish because...

00:24:54I don't know why I have to justify myself,

00:24:56but it's a load of rubbish because I wanted some time.

00:24:58I wanted to buy a bit of...

00:25:00bit of time.

00:25:01And I could really write what I wanted to write, you know?

00:25:04Yeah.

00:25:05And that is that...

00:25:10I'm...

00:25:12You know, I go out walking somewhere on my own.

00:25:15And just this sort of feel of the...

00:25:19of the...

00:25:21of the...

00:25:22the turf...

00:25:23or the wind, or...

00:25:25bits of twig that I pick up.

00:25:26It's just a sort of tactile thing.

00:25:28I want to get down on paper.

00:25:30And I can't...

00:25:32yet.

00:25:33You can't do it with just...

00:25:36using sort of...

00:25:38But what I want to write about...

00:25:42is...

00:25:43it's not...

00:25:44a story...

00:25:46with people.

00:25:47It's nothing.

00:25:48It's just...

00:25:49getting back to...

00:25:51you know,

00:25:52the beginning.

00:25:53Writing about...

00:25:54what it's like to go out and...

00:25:57jump in a puddle of water.

00:25:59Kind of André Gide stuff.

00:26:00No.

00:26:01Kind of Alex Marvel stuff.

00:26:02But just...

00:26:03without using any flowery...

00:26:05language,

00:26:06or any sort of language whatsoever,

00:26:07except the basics...

00:26:09I jump into a puddle of water.

00:26:10What do you want?

00:26:11Everyone should know what...

00:26:13what it's about.

00:26:14Yeah.

00:26:15Come in.

00:26:39Come on.

00:26:42Come on, wank!

00:27:02Do you think you'll be very honest?

00:27:05That you have the car?

00:27:07We trusted you?

00:27:09To behave like an adult?

00:27:11Look, I thought you and I understood each other.

00:27:14I don't think we do very well.

00:27:15She's very young still.

00:27:18Peter, it's her state of mind that worries me.

00:27:23That's all.

00:27:25But do you think she's happy?

00:27:27No, I don't.

00:27:28I don't see how she can be.

00:27:31What's that?

00:27:33Oh, some of Anne's things.

00:27:36Her mother thought that for one awful moment we were going to move in.

00:27:41Goodbye.

00:27:42Goodbye.

00:27:43And we kept her tryingBBH

00:27:45What was she doing this?

00:27:46Alright, wait, go ahead.

00:27:47Alright, wait, go ahead.

00:27:49Alright, jes워요 you, opiMtam, jesus.

00:27:53Large 500s...

00:27:58Ohgo!

00:27:59Why are you telling me if he doesn't have any money sp 오늘 there,

00:28:30What's that doing there?

00:28:34Better ask your father. He brought it.

00:28:37Was he here?

00:28:38Yes, he was here.

00:28:39When?

00:28:40About an hour ago. Came in, smacked his teeth together and left.

00:28:45I mean, didn't he do anything? I mean, what did he say?

00:28:49Nothing.

00:28:50Just pissed me off, that's all he did.

00:29:00He just won't leave me alone. He was around at the office with Erica the other day.

00:29:05Oh, I'm so fed up with all this.

00:29:09I want to go away.

00:29:12I'll take you anywhere.

00:29:13I think it's a nice idea.

00:29:15Honolulu?

00:29:17Honolulu. No, somewhere, somewhere nice.

00:29:20Greenland?

00:29:21Yes.

00:29:22Mm-hmm.

00:29:22The bicycle's on the end of your titty.

00:29:25Oh!

00:29:29Are we really going?

00:29:48I am.

00:29:50Come in.

00:29:54Come in.

00:31:56I got saucepans.

00:31:59Right.

00:32:08A water bottle.

00:32:09Hey, thanks for bringing me here.

00:32:14Would you like it?

00:32:18Why are you so interested anyway?

00:32:19I'm just interested.

00:32:21You're not going to rush out into the fields, I think.

00:32:24Look for the biggest bull.

00:32:26No, I'm just interested in how they do it, that's all.

00:32:29Well, they do it in a purely conventional way.

00:32:31And, and anyway, I mean, it doesn't really matter because...

00:32:37Why?

00:32:39Well, I mean, you get...

00:32:41You're unsatisfied, aren't you?

00:32:43Yes, I'm just interested.

00:32:45Well, you want to dream about it because I don't know any other things.

00:32:49Have you?

00:32:50Not really.

00:32:52I'm terribly tired.

00:32:56You'd rather have a horse than me, wouldn't you?

00:32:59My big, fat, fat pig.

00:33:01You've got ready for this.

00:33:03Bobbin!

00:33:20Someone's coming.

00:33:22Oh, it's Bill.

00:33:30Elon Bill.

00:33:36Morning. Hello, Burr.

00:33:39Oh, you brought it? Mm-hmm.

00:33:41That's lovely, thank you.

00:33:46Why don't you count it as two, Richard?

00:33:48Have you some bullets?

00:33:49I've been digging potatoes all morning.

00:33:53All right.

00:33:54Come in.

00:33:56Anne!

00:34:00How do you do?

00:34:01Oh, this is Bill, this is Anne.

00:34:03You do.

00:34:04My wife.

00:34:06Mm.

00:34:08Thank you very much.

00:34:09Yes.

00:34:10A bit of Elon malt.

00:34:12Hey, I think it's very nice.

00:34:15Very strong, isn't it?

00:34:16Yes.

00:34:18That's very chilly.

00:34:20No, I'm interested because I want to go hunting, you see.

00:34:22What about rabbits?

00:34:23Are there any...

00:34:24Well, there are some.

00:34:25They're coming back a bit.

00:34:26They come back and then they seem to get this mixed mitosis again

00:34:29when they get sick on the ground.

00:34:31But if I was after a rabbit, say, what would I do?

00:34:35I think that gun that you have would be the best plan.

00:34:40To go, your parents are going to have to be the best plan.

00:34:42To go, I've got to go, be happy.

00:34:44I've got to go, look.

00:34:46People are going to be in a village.

00:34:48I'm going to go, look.

00:34:50Well, I'm going to go, man.

00:34:52You all have to go.

00:34:53I don't have to go, man.

00:34:55I don't have to go, man.

00:34:58I don't have to go.

00:35:00You don't have to go, man.

00:35:01But I'm going to go to the house now.

00:35:02I'm going to go.

00:35:03Yeah, I'm going to go.

00:35:05Hey, where have you been?

00:35:17Hunting.

00:35:19Did you catch anything?

00:35:21No, I thought it might be nice if we had vegetables tonight for a change.

00:35:25Did you catch a thing?

00:35:27Not really, no.

00:35:29You've been out all day.

00:35:31You haven't caught one thing.

00:35:33I've got some eggs.

00:36:03They've had an afternoon.

00:36:05It's just been a day.

00:36:07I've got some eggs.

00:36:09It's just been a day.

00:36:11You haven't got some eggs.

00:36:13You've got some eggs.

00:36:15I'm not hungry.

00:36:17You've got one.

00:36:19I know it's not.

00:36:51Anne?

00:37:09Hello?

00:37:11Hello.

00:37:13Hello.

00:37:15Hello.

00:37:17What would you really like to eat tonight?

00:37:21Eh?

00:37:23Go on.

00:37:25Well, potatoes and bacon and things.

00:37:27That's what I'm making.

00:37:29Don't you want any meat?

00:37:31Because I've got you a rabbit.

00:37:33No.

00:37:35I don't want it.

00:37:37Why not?

00:37:39I don't know what to do with it.

00:37:41Well, cook it.

00:37:43Well, I don't want to.

00:37:45You've got to take all the skin off.

00:37:47Well, you can do that.

00:37:49I don't know how to do it.

00:37:51Oh, no. Take it away.

00:38:11Anyway, I don't know what you're shooting rabbits for when you ought to be writing your book.

00:38:19Oh, Christ.

00:38:23Give us a minute.

00:38:25I'm going in, then.

00:38:31Oh, Christ.

00:38:33Give us a minute.

00:38:35I'm going in, then.

00:38:37I'm going to punish you.

00:38:39Why?

00:38:41Because I'm bloody fed up with you.

00:38:43No, you're not.

00:38:45I am. I'm going to put you in.

00:38:47No, you won't.

00:38:49All right.

00:38:51I'm going to punish you.

00:38:53Why?

00:38:54Because I'm bloody fed up with you.

00:38:55No, you're not.

00:38:56I am. I'm going to put you in.

00:38:58No, you won't.

00:38:59All right.

00:39:01No, I'm not.

00:39:04No, I will never forget you.

00:39:06No, you're not.

00:39:09No, it is not.

00:39:11Ah!

00:39:12Young kid.

00:39:19Legend.

00:39:20I'm bloody fed up with you.

00:39:23You really are.

00:39:24Jesus, don't get him.

00:39:26Let him fed up.

00:39:28I think you take...

00:39:32Go away!

00:39:36You take life far too seriously!

00:39:40Right!

00:39:44Go away!

00:39:58Why don't you turn the light off?

00:40:06I don't want to turn the light off.

00:40:10I want the light off.

00:40:12Well, turn it off yourself then.

00:40:14I'm fed up.

00:40:16Eh?

00:40:18I want to go home. Why?

00:40:20I just want to go home. But it's lovely here.

00:40:22It's not. Of course it is.

00:40:24I want to go back to London.

00:40:28Anyway, you're not working here at all.

00:40:30But we've been through all this already.

00:40:32I don't need to work here.

00:40:33Yes, you do need to work.

00:40:34Why?

00:40:35You need to earn some money for a start.

00:40:37Well, I've got some money.

00:40:39I haven't got enough to live on forever.

00:40:41Well, how much do you want then?

00:40:43I'm not even a dream world.

00:40:44I...

00:40:45I think we can go on and on.

00:40:47Look, we...

00:40:48Can't go on with some potatoes.

00:40:50When do you want to go home?

00:40:53Well, soon.

00:40:54When?

00:40:55Tomorrow.

00:40:56Tomorrow?

00:40:57Yeah.

00:40:58You'd tear off my Rupert books if you couldn't.

00:41:00Can you tell me why I'm traveling where I do not want to go?

00:41:04May I inquire just how much higher I must be?

00:41:09Before I see.

00:41:10Before I see.

00:41:11Before I see.

00:41:12Does it matter if I travel with my feet upon the seat?

00:41:16If I make it white, will it be alright with you?

00:41:17Alright with you.

00:41:18Alright with you.

00:41:19Alright with you.

00:41:20Alright with you.

00:41:21Alright with you.

00:41:22Don't wear me out.

00:41:23Don't wear me out.

00:41:24Don't wear me out.

00:41:25Please.

00:41:26Don't wear me out.

00:41:27Please.

00:41:28Don't wear me too low.

00:41:29Please.

00:41:30Don't wear me too low.

00:41:31There's nothing that I own.

00:41:32There's nothing that I own.

00:41:34You haven't seen.

00:41:35You haven't seen.

00:41:36Or won't be shown.

00:41:37You haven't seen.

00:41:38Or won't be shown.

00:41:39You haven't seen.

00:41:52Can you see.

00:42:08Train go very slowly, helping me to pass the time

00:42:18Sun shines oh so brightly, and I have to shave my eyes

00:42:23Lookin' sideways, I can see an empty tree, and a sparrow on the line

00:42:29Lookin' sideways, I can see an empty tree, and a sparrow on the line

00:42:35Don't wear me out, don't wear me out

00:42:39Please, don't wear me to the bone

00:42:43There's nothing that I own

00:42:46I'm nothing of my own

00:43:02How do you go and see Erica?

00:43:03Yeah, yeah, I will.

00:43:04You ought to

00:43:06I know what I ought to do, Anne

00:43:07What about you? What ought you to do?

00:43:11I don't suppose she'll want to see me

00:43:13I don't suppose she will

00:43:14You've got to get your book published

00:43:18Yes, I know

00:43:20What?

00:43:31Nothing, I'm just trying to get hold of Stephen

00:43:33Why don't you write some more short stories?

00:43:36I don't want to

00:43:36Why? You get a lot of money for them

00:43:39Yeah, but I don't want to

00:43:40I think you're silly

00:43:42You all right, Anne?

00:43:46Yes, of course

00:43:47I mean, you, uh, you don't feel sick or anything

00:43:51No, why should I?

00:43:53Nothing, nothing, I just

00:43:54Anne, you're not, um, you're not pregnant, are you?

00:44:01No, of course I'm not

00:44:02Why do you think that?

00:44:03No reason, I just thought you mean it

00:44:05Well, you don't be

00:44:07I'm just a bit late, Hudson

00:44:10So you are pregnant, aren't you?

00:44:11No, I'm not!

00:44:12I don't know whether I am or not

00:44:15I'm going to have a test tomorrow

00:44:17Hello, love

00:44:30Is there any tea?

00:44:32Oh, I'll get you some

00:44:33Oh, I'll get you some

00:44:34There you are

00:44:35There you are

00:44:37You all right?

00:44:38It's positive

00:44:39That doesn't mean to say that it's definite

00:44:41I mean, if it was negative, it would be definite, but if it's positive, that doesn't mean to say it

00:45:00I see

00:45:01Well, what are we going to do?

00:45:03Nothing, we don't have to do anything, do we? I mean, we just have the thing

00:45:06Do you want it?

00:45:07Do you want it?

00:45:08Of course I want it

00:45:10I thought you wouldn't want it

00:45:12No, I want it, very much

00:45:14Well, there's your tea

00:45:16You want it, don't you?

00:45:20I don't want to make you do anything that you don't want to do

00:45:23Do you want it?

00:45:25If you really wanted it, you wouldn't keep asking

00:45:27Of course I want it

00:45:29It's not a joke, you know, Peter

00:45:31Well, who's making a joke of it?

00:45:32You've got to take it seriously

00:45:34That's Stephen

00:45:37Where?

00:45:38Over there

00:45:40Stephen, how are you?

00:45:43Great to see you

00:45:44Yeah

00:45:47What's the matter?

00:45:48Nothing

00:45:49Are you sure?

00:45:51Yeah

00:45:53What are you doing? You're still in the flat?

00:45:55With Henry, with Henry

00:45:57Yeah

00:45:58Yeah

00:46:01There's the bus

00:46:02Are you coming?

00:46:03No, no, I'm waiting

00:46:05Look

00:46:06Come round and see us

00:46:07You'll be okay

00:46:08Anytime

00:46:09What are you going to do?

00:46:10I don't know

00:46:11What are you going to do?

00:46:12I don't know

00:46:13What are you going to do?

00:46:14I don't know

00:46:15What are you going to do?

00:46:16I mean, you're not going to do anything, are I?

00:46:17Why not?

00:46:18That's the trouble with you

00:46:19You always talk about things

00:46:20And we don't do anything

00:46:21Well, I can't have the bloody baby

00:46:22I mean, that's the trouble

00:46:23No, I know

00:46:24I have to go through with it, don't I?

00:46:25That's all right

00:46:26You're a woman

00:46:27Very easy of you to say that, isn't it?

00:46:28I'm the one who has to suffer

00:46:29I detect a certain air of, um,

00:46:31Amnesty, don't you?

00:46:32Not in a bad mood, are you?

00:46:34No, no, of course I'm not in a bad mood

00:46:35You are in a bad mood

00:46:37You're in a bad mood

00:46:39You're in a bad mood

00:46:40I'm not

00:46:41Why don't we see some people?

00:46:43Who?

00:46:44Who?

00:46:45Who?

00:46:46Who?

00:46:47Who?

00:46:48Who?

00:46:49Who?

00:46:50Who?

00:46:51Who?

00:46:52Who?

00:46:53Who?

00:46:54Who?

00:46:55Who?

00:46:56Who?

00:46:57Who?

00:46:58I don't know anyone.

00:46:59Well, who do you want to see?

00:47:01Just something different, that's all.

00:47:04Are we going to see Henry and Stephen?

00:47:06No, I don't mean that.

00:47:09I was thinking of asking Mummy and Daddy around, actually.

00:47:12Oh, were you?

00:47:13Yes.

00:47:14For dinner.

00:47:16For dinner?

00:47:17What, spam and chips in a back kitchen?

00:47:19Isn't it right?

00:47:20Well, they love that, won't they?

00:47:22There's nothing wrong with asking me around for dinner, is there?

00:47:25No, no, no.

00:47:26All very enjoyable.

00:47:27Yes, it would be nice, won't it?

00:47:31Lovely, lovely.

00:47:35All right, it's in a minute.

00:47:40Hello.

00:47:44Thanks.

00:47:47I've read your novel.

00:47:49Did you?

00:47:50Yes.

00:47:51I think you have a lot of marvellous qualities about it.

00:47:55I really do.

00:47:55She has great sensitivity, awareness, and I think you're going to write a very, very good book.

00:48:01What do you mean?

00:48:02Not this one.

00:48:05Really not.

00:48:07I just know you could do better.

00:48:09But I've spent a year on that book.

00:48:10What do you mean, I could do better?

00:48:11No, Peter, you haven't spent a year on it.

00:48:13It shows it.

00:48:15It needs pruning, cutting, shaping, discipline.

00:48:18That we could do together.

00:48:20If you would...

00:48:21What do you mean we could do together?

00:48:23If you would rely on me, because there are quite a lot of books that I have been...

00:48:27You mean you don't like it?

00:48:29It isn't that I don't like it.

00:48:32It really isn't that I don't like it.

00:48:34It's simply that it's undisciplined and a little old-fashioned.

00:48:39I'm afraid I can't agree with you, because I think it's a very good book.

00:48:43You just carry on publishing your rubbish, all right?

00:48:45Stick to the...

00:48:46Oh, there's our young genius.

00:48:48Hello, Peter.

00:48:49How are you?

00:48:50All right.

00:48:51Good to see you.

00:48:51What's this?

00:48:51A new novel?

00:48:52Yeah, my latest failure.

00:48:53Can I have a look at it?

00:48:54No, I'm afraid you can't, Alex.

00:48:55Why?

00:48:56You just haven't finished it.

00:48:57Yeah, I've finished it, but it's a load of bloody crap.

00:48:58Peter, why don't you phone me when you're going to help me?

00:49:00Yeah, I'll phone you when I feel like it.

00:49:04Sorry about that.

00:49:04When the police were finally able to enter the building, a horde of weapons were found

00:49:10on the second floor.

00:49:1217 youths were charged with defences including possessing dangerous weapons, using threatening

00:49:18behaviour, and resisting arrest.

00:49:22With the present short-term housing sources...

00:49:25You shits.

00:49:26...responsible people will be concerned.

00:49:28Bloody commentator.

00:49:29But these demonstrations can only alienate the sympathy of...

00:49:34Because of the wilderness...

00:49:35I see some figures.

00:49:40Was the steam coming?

00:49:43Yeah, I should be.

00:49:45I'm sorry.

00:49:52I just wanted to watch the programme.

00:49:55Anyway, I've made you a spectacular supper.

00:49:59That's all right.

00:50:00Yeah, in fact, it's probably boiling over.

00:50:02Hold on.

00:50:04Oh, is Henry in? Oh, yes, come in. Oh, Ivana, hello. Come in. Um, this is Anne. Hello. And, uh, this is Peter.

00:50:28I was just burning the supper, actually. Uh, Peter's a writer. What do you write for? Money.

00:50:37Oh, uh, look, I've got those copies of black dwarfs that you want. Oh, thanks. Look, it's great, this article here.

00:50:45There. Oh, yeah. Yeah, I think it's the sort of thing to interest people.

00:50:51What are you going to do with them? I'll distribute them at work.

00:50:57Sugar down like a bomb. Don't you think so?

00:51:02Have you got a revolutionary sell at the agency? Yes, we have.

00:51:06Oh, you know, we print posters and we sent some money to Paris.

00:51:10That's good. Good. What books do you write? Mainly short stories, actually.

00:51:17Oh, really? Well, that's rather difficult, isn't it? There aren't any publishers for them, are there?

00:51:22No, I've had one or two things published in Woman's Own.

00:51:26You think it's easier to write for women?

00:51:29I really hadn't given it much thought.

00:51:32I'd better get back to the stew.

00:51:34Where's Stephen?

00:51:35Oh, God knows. He's often out late.

00:51:41Do you know Stephen?

00:51:43Uh, yes.

00:51:45Don't you like him?

00:51:46What?

00:51:47Don't you like him?

00:51:48Well, he's uncommitted, isn't he? He expects to be carried along.

00:51:53I think he's rather nice.

00:51:55Well, I don't think being nice is what we need now.

00:51:59All right, supper's ready.

00:52:05And the point is, he's bothered to learn the technique. He's a craftsman.

00:52:09Unlike so many of the young painters today.

00:52:11Oh, but he's so much better.

00:52:13I can never understand how some of these students leave college and then they're recognised as geniuses overnight.

00:52:19Well, I don't mind young people getting recognition.

00:52:21Well, it's a bit ridiculous, isn't it?

00:52:23After all, there are many gifted people that have been working at it for years.

00:52:27Well, no, it's a lack of technique that worries me.

00:52:29I don't know what they teach them in the schools today.

00:52:31Self-expression, isn't it?

00:52:33No. Self-expression, true creativity.

00:52:37Well, it's the highest purpose of life.

00:52:41Now, if that was learnt in the schools, fine.

00:52:43You see, what we've got to guard against is self-indulgence.

00:52:47Yes.

00:52:51I didn't realise what a clever cook you were.

00:52:54Oh, let me help you.

00:52:55No, don't worry.

00:52:58May I, Peter?

00:53:20Well, it was a delicious meal.

00:53:27Well, how is she?

00:53:29Fine.

00:53:30Good.

00:53:31But she's not working.

00:53:33No.

00:53:34She doesn't need to work.

00:53:35No, no, of course not.

00:53:36But it's always good to have something to do.

00:53:38Yeah.

00:53:39Well, it doesn't worry you.

00:53:40No, not at all.

00:53:41I mean, she finds plenty to do.

00:53:43Oh, really?

00:53:45Anyway, it's not really my business.

00:53:46I mean, I don't run her life for her, you know.

00:53:49No.

00:53:50No.

00:53:51But you have taken on a responsibility.

00:53:53Well, you don't want me to be responsible.

00:53:55I'm just asking whether you're satisfied about her.

00:53:58Yes, I'm satisfied.

00:54:02Why does she look so tired?

00:54:04More?

00:54:05Oh, no, only coffee.

00:54:06Thank goodness for that.

00:54:07I'm full up, dear.

00:54:09Well, Peter.

00:54:10Who wants the sugar?

00:54:11Ann tells me you've written a novel.

00:54:12Yes.

00:54:13Oh, when's it coming out?

00:54:14Uh, I don't really know.

00:54:15It's a very difficult process, publishing.

00:54:16Erica's very efficient, though.

00:54:17I'm sure she'll get it done as quickly as I can.

00:54:18Erica's not taking it, though, is she?

00:54:19What?

00:54:20No.

00:54:21I didn't know.

00:54:22She didn't like it.

00:54:23When did she see it?

00:54:24Last week.

00:54:25What have you done?

00:54:26Nothing.

00:54:27What do you mean, nothing?

00:54:28Nothing.

00:54:29What can I do?

00:54:30She didn't like it.

00:54:31No.

00:54:32I didn't like it.

00:54:33No.

00:54:34I didn't know.

00:54:35She didn't like it.

00:54:36When did she see it?

00:54:37Last week.

00:54:38What have you done?

00:54:39Nothing.

00:54:40What do you mean, nothing?

00:54:41Nothing?

00:54:42Nothing?

00:54:43What can I do?

00:54:44She didn't like it.

00:54:45Well, I mean, she's not the only agent in London, is she?

00:54:48Well, if she didn't like it, I think...

00:54:52We could improve it, perhaps.

00:54:54Yes.

00:54:55And try it again.

00:54:56She'd take it, wouldn't she?

00:54:57I'm sure she'd like to help.

00:54:58I don't think I want to improve it very much.

00:55:01Perhaps you could have a word with Erica.

00:55:06Hi, Ma.

00:55:07Hello, Stephen.

00:55:08I'm so sorry for the message.

00:55:09It's all right.

00:55:10This is my mother and father.

00:55:11How do you do?

00:55:12I don't know.

00:55:13I just really want to see you.

00:55:14You're seeing us?

00:55:15Yeah.

00:55:16Have you been in the country?

00:55:17Yeah.

00:55:18Have you had a nice time?

00:55:19Lovely.

00:55:20Where have you been?

00:55:21Sussex.

00:55:22On the Downs.

00:55:23Marvellous.

00:55:24Yeah, it's so nice.

00:55:25It's great.

00:55:26It's a bring down to get back to this place, isn't it?

00:55:28Such a drag up here.

00:55:29Well, I think we ought to be going then.

00:55:30Yes.

00:55:31Yes.

00:55:32It's past our bedtime.

00:55:33I'll get your coat.

00:55:35There you go.

00:55:36Goodbye.

00:55:37Goodbye, dear.

00:55:38Goodbye, dear.

00:55:39Goodbye, Mum.

00:55:40Goodbye, Mummy.

00:55:41I'm sorry.

00:55:48Goodbye, dear.

00:55:50Goodbye, Mummy.

00:55:51Goodbye, Mummy.

00:55:52Goodbye.

00:55:54There you go.

00:55:57Well, goodbye.

00:56:05Goodbye, dear.

00:56:07Goodbye, Mummy.

00:56:08I'm sorry.

00:56:09Thank God, thank God.

00:56:12Why didn't you tell me?

00:56:14What?

00:56:14I'm a book.

00:56:15Well, I didn't have an opportunity.

00:56:16And why'd you have to be so rude?

00:56:18Me, rude?

00:56:18He was the one that was being bloody rude.

00:56:20He wasn't.

00:56:20He's bloody well was.

00:56:22Shh.

00:56:22And why did he ever go and stick his nose into my business and tell Erica about my book?

00:56:30I'm sorry I didn't mean to break it all.

00:56:32No, you didn't break anything up.

00:56:34Well, they were going anyway.

00:56:36Who?

00:56:37My parents.

00:56:38Family, too.

00:56:39Can I have some orange juice?

00:56:41Orange juice?

00:56:42Have we got any orange juice?

00:56:43Yeah.

00:56:44Yeah, I'll get you some.

00:56:47Sit down.

00:56:52When are you going to have a baby, then?

00:56:54What?

00:56:55When are you going to have a baby?

00:56:56How did you know?

00:56:57Oh, I didn't.

00:56:58I just thought.

00:57:00Are you going to have a baby?

00:57:01Yeah.

00:57:02Oh, great.

00:57:04Fantastic news.

00:57:05What?

00:57:05Anne's going to have a baby.

00:57:07I know.

00:57:08A few problems.

00:57:09What problems, really?

00:57:12I suppose there aren't really, are there?

00:57:14Just good.

00:57:15You should be pleased.

00:57:16Well, I am.

00:57:17I am, at least.

00:57:20So, how was the country?

00:57:23Oh.

00:57:24All right, great.

00:57:25Fantastic.

00:57:26I was just thinking that when you get back, the noise is so loud after being so quiet in

00:57:31the country, by comparison.

00:57:32Well, I don't know why you live here, do you?

00:57:34I'd live there all the time if I was you.

00:57:38Have you eaten?

00:57:40Um, no.

00:57:41What, do you want something?

00:57:43Stay for some supper.

00:57:45What, here?

00:57:45Yeah, why not?

00:57:46Yeah.

00:57:48Um, okay.

00:57:50It'd be nice.

00:57:51It'd be nice.

00:57:52Yeah, I'm just wondering we can talk.

00:57:53Sorry I broke all that up.

00:57:54No, you didn't break anything up.

00:57:56Really?

00:57:56Um, can I go to the toilet?

00:57:58Yeah.

00:57:59I'll just have my bag.

00:58:01I'll just have my bag.

00:58:14Stephen?

00:58:24Peter, what's he doing?

00:58:26Tell him to get out of there, will you?

00:58:28Tell him to get out.

00:58:31Peter, what's he doing?

00:58:33Get him out, will you?

00:58:35It's all right.

00:58:36Will you please get him out?

00:58:39Please.

00:58:40Look, you must make him stop it.

00:58:41It's all right, darling.

00:58:43Come on.

00:58:43Please, Peter.

00:58:47That's not our business, sweetheart.

00:58:49He can't do that.

00:58:50Well, we can't do anything about it, love.

00:58:52We can't run his life for it.

00:58:53Well, he can't do it here.

00:58:58Please, Peter.

00:59:03The pit left from you.

00:59:12You okay?

00:59:13You don't have to go.

00:59:21You don't have to go.

00:59:21How have you been taking this shit?

00:59:35Well, not long.

00:59:37But why?

00:59:38It's okay.

00:59:39You're crazy.

00:59:41I don't need it, man.

00:59:42Just do it.

00:59:43You're crazy.

00:59:43I'd better go.

00:59:46No, look, you don't have to go.

00:59:47Yeah, I'll go.

00:59:55You frightened him.

00:59:57Oh, don't be so bloody stupid.

00:59:59What are you going to do?

01:00:01What can I do? It's nothing to do with us, love.

01:00:04Well, you must help him.

01:00:07Look, you heard what he said.

01:00:09He's just trying it. There's nothing wrong.

01:00:11Well, you'd better bloody well do something about it, that's all.

01:00:20I like your stuff. Are those more of the pens?

01:00:22Oh, just a few more, yeah. They're not finished.

01:00:26They don't have a great deal of corn for pens as such here.

01:00:29Come in. Come in.

01:00:33Oh, OK.

01:00:36How's you, Jane?

01:00:37Ah, let me see these over, please.

01:00:41That's Morris.

01:00:41Stan asked me to bring the coffee.

01:00:43Ah, sugar?

01:00:45Yeah, two, please.

01:00:49This is Peter, by the way.

01:00:50Peter Morris, that's right.

01:00:51Friend of Henry Howard.

01:00:53Hello.

01:00:53Oh, hi.

01:00:55Peter, so I sent me a nice cheap poem.

01:00:58Well, Roger, that's the latest.

01:01:03It was as far as substance.

01:01:05Yeah, if the objection's glowing warmth, well, why not change it to something like, um, snuggly warm?

01:01:15I mean, it's more colloquial.

01:01:18Yes, I like snuggly warm.

01:01:20Cuddly warm.

01:01:21Well, of course, it's different, right, if we're an esoteric audience.

01:01:29Our work's much more sort of demanding, much more disciplined, you know.

01:01:33Well, I've been working here for about ten years, and I reckon it's only about now that I'm sort of on the right wavelength.

01:01:39Are you?

01:01:39Snuggly's a good word.

01:01:42Bloody Samson.

01:01:44Hey, Roger, got your message.

01:01:46Listen, I want to talk to you about something.

01:01:47Oh, I want you to meet Peter Morris, say.

01:01:50Peter, this is Bob Goody.

01:01:52Hello, Peter.

01:01:53Nice to meet you.

01:01:53Listen, I've just had a feeler.

01:01:55There's a little tinklet from them.

01:01:56They're very happy with the last campaign.

01:01:59I think it's great.

01:02:00So much so that they'd like a new product and a new campaign.

01:02:03Good, last.

01:02:04See you.

01:02:05Within a week.

01:02:07A week?

01:02:10A new dog food in a week.

01:02:13Are you visiting?

01:02:14No, no, I'm here for a job, actually.

01:02:16Oh.

01:02:16Have you ever worked in an agency before?

01:02:18No.

01:02:19Peter's a friend of Henry's.

01:02:20He, um, writes poems.

01:02:22Oh.

01:02:24Well, you'll find that the writing we do here is not geared to an esoteric audience.

01:02:29It requires discipline and very demanding.

01:02:32Wouldn't you say so, Jim?

01:02:33Yeah.

01:02:36A dog food in a week.

01:02:38Yeah.

01:02:40How about, um, chewing gum for dogs?

01:02:42Stephen.

01:02:45How long?

01:02:46Are you still here?

01:02:47What did they say?

01:02:48They said, I'm all right.

01:02:49What do you mean you're all right?

01:02:50You've only been in there a couple of minutes.

01:02:51Oh, no, I had a quick examination.

01:02:53What did they do?

01:02:54Did they give you an injection or anything?

01:02:55No.

01:02:56We had a cup of tea.

01:02:57Then we had a few jellies and cakes.

01:02:58Oh, come on.

01:02:59What did they say?

01:03:00I'm all right.

01:03:00I'm A-OK.

01:03:01I passed out.

01:03:02But you can't be OK.

01:03:03You've only been in there a little while.

01:03:04Look.

01:03:05I know.

01:03:05They gave me a quick one.

01:03:06They're going to write me a letter.

01:03:06Look, I'll come in with you and get it straight away.

01:03:08No, I've been in.

01:03:08No, come on, Stephen.

01:03:09I don't want to go in again.

01:03:12Look, I didn't bring you all the way down here just to hear that load of crap.

01:03:14All right.

01:03:15Push off, then.

01:03:17I was trying to bloody help you.

01:03:18Well, you've helped me.

01:03:19You've brought me down.

01:03:20Now push off.

01:03:25Go on.

01:03:25You've pissed me off.

01:03:29Do you think it's a good idea?

01:03:30What?

01:03:31Work.

01:03:33Well, they've got you.

01:03:34Haven't they?

01:03:35Yeah, I know.

01:03:36Advertising.

01:03:37Don't you like it?

01:03:39It's all right.

01:03:41Money's good.

01:03:42Well.

01:03:46And you can write when you get home in the evenings.

01:03:48Yeah.

01:03:51Well, it's all right, then, isn't it?

01:03:56These are for John.

01:03:57In the post room.

01:03:58Oh, right.

01:03:59I don't know.

01:03:59Look, I'll only be a minute.

01:04:00I'll miss get these off, all right?

01:04:03I'm going to show you this about John Bonneville.

01:04:04I'm going to go to the reception to see it.

01:04:05I know.

01:04:06How was it?

01:04:14Okay.

01:04:15What did they say?

01:04:16Nothing.

01:04:17It's all right.

01:04:18It's all right.

01:04:20It's my boss.

01:04:22When's it going to be?

01:04:24Months.

01:04:25Well, how long?

01:04:27About seven months.

01:04:28Can we go now?

01:04:30Yeah.

01:04:30Come on.

01:04:31Anne, do you want to get married?

01:04:43Because I'm pregnant?

01:04:45No, I...

01:04:46Who didn't want to before?

01:04:48No.

01:04:49So what's the difference there?

01:04:50Well, somehow I think it's right that we should be married.

01:04:53Because I'm pregnant.

01:04:57Peter!

01:04:57Yes, ma'am.

01:05:01Christ!

01:05:04Be careful!

01:05:05I can't be married!

01:05:06Shh!

01:05:07For Christ's sake, what's the matter?

01:05:08There might be somebody in there!

01:05:20It's all right.

01:05:25God, they've taken everything!

01:05:27Oh, well, shut up, Anne. Don't get a stab.

01:05:28But they have not!

01:05:29Oh, well, shut up!

01:05:32They've taken your typewriter in the record, please!

01:05:35I have a pair of eyes, Anne.

01:05:37I can see perfectly well what they've taken.

01:05:39And they haven't taken everything.

01:05:40I've left the bloody bed!

01:05:43Ellen?

01:05:47And you're not asleep, are you?

01:05:49Mm.

01:05:50Mm.

01:06:13Mm.

01:06:14Mm.

01:06:44Well, what we came up with was, um, basically this, uh, vitaminized sweet for dogs.

01:06:52Sweet meaning pudding?

01:06:54Pudding, yes.

01:06:55So, here.

01:06:57But it's South Atlantic you come from.

01:07:00We have pudding, so much for dogs.

01:07:02I mean, sure, I think it's got good a pill.

01:07:04Oh, yeah.

01:07:07Then we have the strategy.

01:07:08And the strategy is simply to convince the dog owners that no form of feeding offers their pet all the minimals,

01:07:14minerals, and vitamins that they need.

01:07:18Therefore, they must have their diet supplemented by our product.

01:07:23Well, let's have a bit of a test, eh?

01:07:24I think it's a good idea, yeah.

01:07:25I'm sick of that bloody job.

01:07:34Do you know what they said today?

01:07:37What's wrong?

01:07:41Hello, Peter.

01:07:45Bye.

01:07:45What's he doing here?

01:07:52Just dropped in.

01:07:53What do you want?

01:07:55See how I want.

01:07:56Lunch.

01:08:13Trog for your dog.

01:08:15This is one of your creations.

01:08:16That's right.

01:08:20There it is.

01:08:21Hold on, here.

01:08:22Just let me finish this.

01:08:23I suppose you haven't seen Stephen, have you?

01:08:30No.

01:08:31Where is he?

01:08:32I don't know.

01:08:32He hasn't been back for a few days.

01:08:35Hasn't he?

01:08:35No.

01:08:36What's he doing?

01:08:37I don't know.

01:08:38I haven't seen him for about a week.

01:08:40Well, have you phoned his work or anything?

01:08:42Well, I don't know where he's working.

01:08:43Well, he's working at the station.

01:08:45No, he's not.

01:08:46Where is he?

01:08:47I don't know.

01:08:48He went to be an airline pilot, and that's the last I saw him.

01:08:50I don't know.

01:08:53You know what he's doing, don't you?

01:08:56I'm the faintest idea what he's doing.

01:08:58Hasn't been home.

01:09:06Anne?

01:09:15Anne?

01:09:16Anne?

01:09:17Anne?

01:09:18Anne?

01:09:19Anne?

01:09:20Anne?

01:09:21Anne?

01:09:22Anne?

01:09:23Anne?

01:09:24Anne?

01:09:25Anne?

01:09:26Anne?

01:09:27Anne?

01:09:28Anne?

01:09:29Anne?

01:09:30Anne?

01:09:31Anne?

01:09:32Anne?

01:09:33Anne?

01:09:34Anne?

01:09:35Anne?

01:09:36Anne?

01:09:37Anne?

01:09:38Anne?

01:09:39Anne?

01:09:40Anne?

01:09:41Anne?

01:09:42Anne?

01:09:43Anne?

01:09:44Anne?

01:09:45Where's Anne?

01:09:46She's not here.

01:09:47But she's not at home.

01:09:48Do you know where she is?

01:09:49She's all right.

01:09:50She came to us for help.

01:09:51What was that?

01:09:52She tried to phone you.

01:09:53Anne is not here.

01:09:54Well, I want to bloody see her!

01:09:55Stop it!

01:09:56Stop it!

01:09:57Stop it!

01:09:58Anne has lost a baby.

01:09:59What?

01:10:00What?

01:10:01What?

01:10:02What?

01:10:03What?

01:10:04What?

01:10:05What?

01:10:06What?

01:10:07What?

01:10:08What?

01:10:09What?

01:10:10What?

01:10:11What?

01:10:12What?

01:10:13Anne has lost a baby.

01:10:15What?

01:10:16She came here for help and she got it.

01:10:18Oh, God.

01:10:20I begged you to be careful, but you took no notice.

01:10:23You went in your own sweet way.

01:10:25She wouldn't have done that.

01:10:28She really wanted that child.

01:10:30She didn't.

01:10:35She would never have been able to cope with the child.

01:10:38Could you?

01:10:40Where is she?

01:10:43She's in the nursing home.

01:10:45She'll be there a few days.

01:10:47Can I see her?

01:10:48Of course.

01:10:49Not tonight.

01:10:50When?

01:10:51Why don't you go and see her tomorrow?

01:11:10Hello.

01:11:11It's all right.

01:11:12I can't stop.

01:11:13I don't take this off.

01:11:14Are you?

01:11:15Oh, Henry.

01:11:16Henry.

01:11:17Are you going to be at home tonight?

01:11:18Yes.

01:11:19We're having a meeting.

01:11:20Can I come around and see you?

01:11:21Well, do you have to?

01:11:24Can I help you?

01:11:25I'm looking for Anne to help.

01:11:27You've come to visit her, are you?

01:11:29Yes.

01:11:30Well, I'm sorry.

01:11:31I'm afraid you can't see her now.

01:11:32But look, I must see her.

01:11:33Well, I'm sorry, but it's way past...

01:11:34Er, what's the matter, sister?

01:11:36Oh, Mr. Huff, but this gentleman wants to see Anne.

01:11:38Oh, but surely.

01:11:40Well, please.

01:11:41It's rather late.

01:11:42Yes, I know.

01:11:43But...

01:11:56Carry on.

01:12:08Hello.

01:12:09How are you?

01:12:10Father's just been here, has he?

01:12:23Mm.

01:12:24That's right.

01:12:29What did he want?

01:12:30Nothing.

01:12:31Well, he must have.

01:12:32Didn't he say anything?

01:12:33Brought those flowers.

01:12:34Lovely.

01:12:35But, er...

01:12:36He had a go at me, I suppose, did he?

01:12:37Just a little...

01:12:38Quick dig in the ribs, was it?

01:12:39No.

01:12:40I...

01:12:41I don't know why you had to go and see him.

01:12:42I mean, why didn't you come and see me?

01:12:43Why didn't you come and tell me?

01:12:44Be quiet.

01:12:45But it has to do with me, isn't it, Anne?

01:12:46Oh, don't be so bloody stupid.

01:12:48I mean, you go running off and you tell him the moment...

01:12:50Something happens.

01:12:51Look.

01:12:52I didn't want the baby.

01:12:53Can you understand that?

01:12:54I don't know why you had to go and see him.

01:12:55I mean, why didn't you come and see me?

01:12:56Why didn't you come and tell me?

01:12:57Be quiet.

01:12:58But it has to do with me, isn't it, Anne?

01:12:59Oh, don't be so bloody stupid.

01:13:06I mean, you go running off and you tell him the moment...

01:13:09Something happens.

01:13:10Look.

01:13:11I didn't want the baby.

01:13:13Can you understand that?

01:13:18Everything happens.

01:13:22I don't know, as you go on.

01:13:24Only when you are home.

01:13:25One of theAudio's husband to come over...

01:13:28Just to go...

01:13:29No, I'm sorry.

01:13:30We're too rich.

01:13:31Fine, fine.

01:13:32Fine, I know.

01:13:33Fine, fine.

01:13:34Fine, fine.

01:13:35Fine, fine, fine.

01:13:36Fine, fine.

01:13:37Fine, fine, I think so, too.

01:13:39Fine, fine, fine.

01:13:41Fine, fine, fine.

01:13:43Fine, fine, fine.

01:13:46Fine, fine.

01:13:47You knew, didn't you?

01:13:49Oh.

01:13:51And didn't tell me.

01:13:53Oh, well, we always were going to.

01:13:59Let me drop you somewhere.

01:14:01No, I've got the car, thank you.

01:14:03Oh, yes.

01:14:07All right, Peter.

01:14:17Hello, Peter.

01:14:23Hi.

01:14:25Tea?

01:14:28You all right?

01:14:30Fine, yeah.

01:14:34Can you look a bit down?

01:14:36No, not really.

01:14:38Hey, I've just been talking to Roger.

01:14:40You know, he's very pleased about that campaign.

01:14:42Good.

01:14:43Yeah, he thinks he handled it really well.

01:14:45Really professional.

01:14:46That's lovely.

01:14:47Do you know what?

01:14:49Hmm?

01:14:50I reckon you can look forward to better things.

01:14:52What, like another telephone?

01:14:54Yeah.

01:14:55Red one.

01:14:56I'll give that.

01:14:58Yeah.

01:14:59Okay, well, you stick at it.

01:15:10I want you to be in bed.

01:15:12I brought you some flowers.

01:15:13Yeah.

01:15:14I'm sorry, darling.

01:15:15Hmm?

01:15:16Oh.

01:15:17Well, I shouldn't have done it.

01:15:18That doesn't matter.

01:15:19I mean, it was right for you to do it.

01:15:20You just weren't ready for it, love.

01:15:23Why did you tell them we were getting married?

01:15:24Why didn't you?

01:15:25I mean, we are old, aren't we?

01:15:26I didn't want them to know.

01:15:27I'm really sick of this place.

01:15:28I mean, if you rest for a couple of days at home, you'll be fine.

01:15:29I don't want to go home.

01:15:31I don't want to go home.

01:15:32Why do you think now?

01:15:33No, thank you.

01:15:36Oh, really?

01:15:37Oh, really.

01:15:38What happened, darling?

01:15:39What happened?

01:15:40Now, my hand, I'm going to go home.

01:15:41I was lying to you, darling.

01:15:42I didn't want them to know.

01:15:43Oh, I didn't want them to know.

01:15:45I'm really sick of this place.

01:15:47I mean, if you rest for a couple of days at home, you'll be fine.

01:15:50I don't want to go home.

01:15:51Why do you think now?

01:15:52Well, thank you.

01:15:53Oh, really?

01:15:54Oh, really? What's happened, darling? Why are you glad I did?

01:15:59Mother, she always...

01:16:01It's one of the things that happens when you have a new member of the family on the way.

01:16:06We're going to call him the ratio, won't we, darling?

01:16:08Oh, no, darling. That's a terrible name.

01:16:10It isn't a terrible name. It's a lovely name.

01:16:12Why don't you call it Jean?

01:16:14Well, we might have a girl, darling.

01:16:17How's the writing going?

01:16:19Very well, thank you.

01:16:20Julia, what's happened about your novel?

01:16:23Nothing at all, really. I've been so busy I haven't had time to do anything.

01:16:26Oh, what a pity. You know, Erica was very impressed by it.

01:16:29Was she?

01:16:31Tell me, did Broxford have a word with him?

01:16:34Yes, he did. I thought him a very pleasant man indeed.

01:16:39Do you know him, do you?

01:16:41Slightly.

01:16:44I suppose what you really want to do is to make a lot of money

01:16:47and then go off and live on a desert island and write a book.

01:16:51I'm working on it.

01:16:53Ten years' time, you might be able to appear on desert island discs.

01:16:55Oh, Claire.

01:16:57I don't think Anne will be much used to you on the desert island, will she?

01:17:00She won't at all.

01:17:01She's on a tour domesticated.

01:17:03It takes hours in the bathroom, less bad tempered at breakfast.

01:17:06On desert island, dear.

01:17:08Oh, wow.

01:17:09She's the most incredible bad partner to have on the tennis court.

01:17:12I don't think they've played tennis, either.

01:17:15Oh, she'd never get that before twelve.

01:17:17No, hardly ever.

01:17:18Don't take any notice.

01:17:21She'll swim beautifully.

01:17:30Good night.

01:17:39Ooh!

01:17:40Oh, for the draught!

01:17:41Down here, I'll catch a cold.

01:17:42Come on.

01:17:43Good morning.

01:17:44Well, good night, Peter.

01:17:45See you tomorrow.

01:17:46Right.

01:17:47Bye-bye.

01:17:48Bye-bye.

01:17:50Nice boy, Peter.

01:17:51He really is.

01:17:56Now, pretty one.

01:17:59What do you want for your wedding present?

01:18:01I don't know.

01:18:02Well, you've got it.

01:18:03A house.

01:18:05Whew.

01:18:061

01:18:071

01:18:082

01:18:090

01:18:100

01:18:120

01:18:130

01:18:140

01:18:150

01:18:170

01:18:180

01:18:200

01:18:220

01:18:230

01:18:260

01:18:280

01:18:290

01:18:300

01:18:310

01:18:320

01:18:330

01:18:34Christ. Neither man's back, is he? Well, that's the money. Welcome. I'll top it off.

01:18:52Where have you been, then? Huddersfield. Huddersfield? Yeah.

01:18:55What for? Sort myself out. I've come back to see you. I was a bit worried about you.

01:19:02Oh, were you? Yeah, I thought what you were doing with Anne and the prospective child.

01:19:07Oh, yeah. Not much to say about that. Still on the junk, are you? No.

01:19:18What do you mean, no? I gave it up. What, just like that?

01:19:23No, not just like that, but I gave it up. Oh, I see.

01:19:28Oh. Shall we, er, go through? Help yourself, yeah.

01:19:39Have you got any gear? Don't know, I think I've got a bit of old shit in there, but it's not much use.

01:19:44Oh, let's try it, eh? Oh, if you like.

01:19:49Let's get really smashed, eh? Really spilt.

01:19:52Yeah. And sugar. Er, yeah, three.

01:19:56He wore no trousers, and I wore no glasses, and we wore no under clothes.

01:20:01And when she caressed me, down here on dress, we wore a plaid, and I won no score blind.

01:20:07And when I went to the doctor, he said, where did you call for us?

01:20:10Down in the old Ken Road. He said, in the center pimple, let's winkle on your winkle,

01:20:15we'll be bigger than a red, red rose.

01:20:18That's really cheered me up.

01:20:22Where's Anne?

01:20:25Where is she at?

01:20:27She's at home.

01:20:29What for?

01:20:30She hasn't been very well, and she went down there to get better.

01:20:34Oh, what's the matter?

01:20:35You got any skins?

01:20:37Oh, I've got a pipe.

01:20:40Nothing, nothing wrong with her. She's getting better.

01:20:43Yeah. What was she wrong? What was her with her?

01:20:46Nothing.

01:20:47There must have been something for her going home.

01:20:49She had an abortion, Stephen.

01:20:51You stupid bastards.

01:20:53It wasn't anything to do with me. I...

01:20:54What was it to do with her?

01:20:56She went down there and saw her father, and...

01:20:58Did he make her have it?

01:20:58No.

01:21:00Well, you made her have it.

01:21:01I don't know.

01:21:03Have you split up?

01:21:06No.

01:21:09We're going to get married.

01:21:11Oh, dear.

01:21:12We're going to get married.

01:21:15She's having an abortion you don't know about, and going down there living with the creatures,

01:21:18and you're going to get married.

01:21:19What do you think that's going to solve?

01:21:22Eh?

01:21:29Guys, I don't go much on this gear.

01:21:31Shocking, isn't it?

01:21:32Yeah.

01:21:32Bloody spade.

01:21:33Shall we go and see if Henry's got any?

01:21:39Henry?

01:21:40Oh, no, I think I'd rather smoke this stuff.

01:21:42Have you seen him recently?

01:21:44Yeah.

01:21:45He's got so bloody miserable.

01:21:46He goes around inventing enemies for himself and wanting to give them all final solutions.

01:21:51And his chick.

01:21:52Oh, Verna.

01:21:53Jesus Christ.

01:21:55Read the word.

01:21:56She really doesn't dig me.

01:21:58No.

01:22:01I wish I'd brought my stuff down with me.

01:22:03I left it with my mum.

01:22:04Your mum turned on?

01:22:05Yeah.

01:22:06Oh, Christ.

01:22:07Did you have that conversation with him about problems and solutions?

01:22:10Not of.

01:22:10I told him I'd rather be part of a problem than a solution.

01:22:13You are a bloody problem, aren't you?

01:22:14Well, he's just got a future in it.

01:22:18No future in making bloody posters.

01:22:20That's all he does.

01:22:21He sits an old bloody day at work doing that.

01:22:24Are you there?

01:22:26Yeah.

01:22:27What work in there?

01:22:28Copywriting.

01:22:29A copywriter?

01:22:31What's happened to your...

01:22:32What do you call it?

01:22:33Your art?

01:22:34My art.

01:22:35Hey?

01:22:35Is it a joke now?

01:22:37Is it?

01:22:38No.

01:22:38I thought you were going to make a lot of money out of it.

01:22:40Well, that's what I thought, but it didn't work out.

01:22:42So we've just given up, have we?

01:22:43No, we haven't.

01:22:44What do we do, then?

01:22:45Well, we're writing at night.

01:22:46Are we?

01:22:47We are.

01:22:48Bloody stupid, isn't it?

01:22:50You know, I'm doing a lot of bloody stupid things recently.

01:22:53Yeah, you are, aren't you?

01:22:55Yes, I am.

01:22:57You think you can't do it before you've got all your money scrimped and scraped on to me?

01:23:01Look, I'm just trying to make a living, right?

01:23:03No, you're not.

01:23:04That would be all right if you were just trying to make a living.

01:23:06Everybody's got to earn their living.

01:23:07That's promotion, all right?

01:23:09All right.

01:23:09You're going up in the world, aren't you?

01:23:10Oh, yeah, I'm going up the ladder.

01:23:11Yeah.

01:23:12Oh, yes.

01:23:12If you were only trying to make a living, that would be fine, but you're not.

01:23:14You're getting your money and building it all around you like a little castle.

01:23:18Oh, am I?

01:23:18Protecting yourself from all the gremlins.

01:23:21Oh, yes, but I've got Anne to think of, haven't I?

01:23:23Have you considered that?

01:23:24Oh, blaming Anne?

01:23:25I'm not blaming anybody.

01:23:27Well, you just blamed Anne.

01:23:28I didn't blame her.

01:23:29I've got to look after her.

01:23:31You've got to protect her.

01:23:33It's Anne and he's protecting.

01:23:34I thought that was her old man scene.

01:23:36You've got to look after her like a little toy, like the rest of the bloody stuff you've

01:23:40got cluttered up around this place now.

01:23:41Yeah, you make me insane.

01:23:44I'm all.

01:23:45Anyway, sod it.

01:23:46I'm off to Spain.

01:23:47I'm off to sleep.

01:23:48All right.

01:23:50Don't hang me up all night.

01:23:51That farting or whatever you get up to.

01:23:53You're right, anyway.

01:24:03Wait.

01:24:04What?

01:24:05I know you're right.

01:24:07Well, don't get up to it.

01:24:23What are you doing?

01:24:45Shh.

01:24:46Go back to sleep.

01:24:48What time is it?

01:24:498.30.

01:24:51Is it?

01:24:51You're up there, aren't you?

01:24:52I've got to go to work.

01:24:54Have you?

01:24:55Yeah.

01:24:58Um...

01:24:58Can you hang on a sec?

01:25:00I'll come with you.

01:25:01Make it snappy because I'm there.

01:25:02All right.

01:25:04Come on, Stephen.

01:25:05It's a bloody plus.

01:25:06I've just got to go in here.

01:25:07Just for a...

01:25:07Just a second.

01:25:08Come on.

01:25:15Mr. Robinson in yet?

01:25:17Oh.

01:25:20It's all early starters.

01:25:22Mr. Robinson, ma'am.

01:25:30Mr. Robinson, ma'am.

01:25:30What for?

01:25:39He's in here.

01:25:40What do you want?

01:25:51You Mr. Robinson's secretary?

01:25:52No.

01:25:55Where's my door open?

01:26:01Here.

01:26:02Can I help you?

01:26:03No.

01:26:04You can go away if you like.

01:26:05What do you want with my typewriter?

01:26:08Put it down.

01:26:11Listen, stick up.

01:26:13Stick them up.

01:26:14Well...

01:26:15Is that all you want?

01:26:30Yeah.

01:26:32We'll take it then.

01:26:33Let's see if it works.

01:26:51Now I'm going to take it back and get another.

01:26:52It's a bargain.

01:26:58It's a present for you.

01:26:59Thanks.

01:27:06Right.

01:27:07Breakfast time.

01:27:10Anything else you want?

01:27:13Yes.

01:27:14Can you tell me why I'm traveling where I do not want to go?

01:27:22May I inquire just how much higher I must be?

01:27:27Before I see.

01:27:29Before I see.

01:27:31Does it matter if I travel with my feet upon the seat?

01:27:36If I make it white, will it be all right with you?

01:27:43All right with you.

01:27:45All right with you.

01:27:48Don't wear me out.

01:27:50Don't wear me out.

01:27:52Please don't wear me to the bone.

01:27:56There's nothing that I own.

01:27:59You haven't seen.

01:28:02What we show.

01:28:03The train go very slowly, helping me to pass the time.

01:28:19The sun shines oh so brightly, and I have to shave my eyes.

01:28:23Look inside, where's I can see an empty tree and a sparrow on the line?

01:28:30Lookin' sideways, I can see an empty tree and a sparrow on the line.

01:28:37Don't wear me out.

01:28:38Don't wear me out.

01:28:40Please don't wear me to the bone.

01:28:44There's nothing that I own.

01:28:48I'm nothing of my own.

01:28:50I'm nothing of my own.

01:29:11I'm nothing of my own.

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