Von Chiwa bis Buchara: Usbekistans Teppichkunst hält Geschichte und Tradition lebendig

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Von Chiwa bis Buchara: Usbekistans Teppichkunst hält Geschichte und Tradition lebendig  Die Kunsthandwerker Usbekistans halten die Traditionen der Seidenstraße lebendig und weben Wolle und Seide zu exquisiten Teppichen, die Geschichte, Farbe und Herz enthalten.  Mit Unterstützung von Agency of Information and Mass Communications of Uzbekistan  LESEN SIE MEHR : http://de.euronews.com/2025/11/04/von-chiwa-bis-buchara-usbekistans-teppichkunst-halt-geschichte-und-tradition-lebendig  Abonnieren Sie! Euronews gibt es in 12 Sprachen.

Transcript

00:00Die Kinder von UlKoz.

00:05Ich weiß, dass ich meine Macht am Zukunft war,

00:09es ist wichtig.

00:11Es gibt so eine Artboard.

00:13Durch die Anstieg, die vor allemして

00:19die Wsten in den Süden aus den Westen berührt haben,

00:23die Stadt von Uzbekistan lernen,

00:24zu sch melden die Erinnerung.

00:26die heute noch immer wieder verändern, wie sie vor Jahren gemacht wurden.

00:30Knoten durch Knoten, patternen durch Knoten,

00:33um die Knoten und Knoten zu einer ruhigen Sprache zu berühren.

00:37Its Knoten erinnert eine Karavan-Kong.

00:40Its Motiv ist ein Zeichen von Empire und Gehen.

00:56In Hiva color is not mixed from tubes, it grows from the soil itself.

01:17Indigo's inner cover is made of yellow.

01:31This is a white color.

01:33I am tinted for four of us.

01:39This is a yellow color.

01:43For other color we have a yellow color.

01:47und die Karte.

01:49Every year, Heiva celebrates the International Carpet Festival,

01:53where master weavers from across Uzbekistan and other countries

01:56gather their works, simmering, like stories retort in color.

02:02In Heiva, weaving is part of daily life, steady, patient and deeply rooted.

02:08The carpets here reflect the land itself, the soft tones of sun and sky,

02:13the precision of tradition and the quiet pride of those who keep it alive.

02:19During Guillaume Largilose, Heiva opens its doors to the world,

02:24showing that this ancient craft still has something new to say.

02:30In Samarkand, silk grows like memory, a bridge between empire and artistry.

02:36With the natural light, you can see the colors better.

02:40And every 15 minutes, you have to make a break,

02:43because it's exactly like you're sitting in a computer.

02:46Because if you don't make breaks, you do mistakes,

02:49and the carpet takes longer to make.

02:51But if you do more breaks, then the carpet takes less time.

02:56This is not only something that we make with our mind.

03:00Heart is more involved in this, because you have to love it.

03:04In every design, echoes of Persia and the steppe meet a dialogue of color that has never ceased.

03:12The time it takes to create a carpet depends on the size and the number of knots per square centimeter.

03:19But music for the eyes workshop manager in Samarkand describes that another important part of creating carpets is employee satisfaction.

03:29Their mood is crafted into the final product.

03:33In Bukhara, threads of tradition meet the colors of today.

03:37Ancient patterns reborn in the hands of a new generation.

03:41When we say a Bukhara carpet, you should always imagine a carpet like this,

03:47which is red color, geometrical pattern made of real silk.

03:52When they've designed this carpet, in Bukhara we had more Zoroastrian people living.

03:58So they used to pray for fire and sun.

04:02This carpet is an old, again, tribal, traditional Zoroastrian pattern, but with new modern colors.

04:12For centuries, Bukhara's carpets have carried the spirit of the Silk Road,

04:17woven with the colors of the desert, the sky and the hands of its people.

04:22In Bukhara, carpet seems to flow like water.

04:25Hands move slowly, deliberately, coaxing wool and silk into rivers of color.

04:31These elongated forms, alive with pattern, are the echoes of caravans that once rested in these walls.

04:40To weave a carpet is to measure time with patience.

04:44To weave beauty from repetition.

04:46To believe that the hands can remember what words forget.

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