02:11And you were right, he has spent some time in Peru
02:14I've invited him over to make Carlotta feel at home
02:17Go away from here! Murderer!
02:32Murderer!
02:34Murderer!
02:42Do you stop this noise?
03:12No, please.
03:21You upset, baby. Don't you hear?
03:26I'll stop if you let me kiss you.
03:29Kiss?
03:31You kiss me, Jack.
03:36Where?
03:38Where you wish.
03:40On the lips.
03:42On the neck.
03:44On the boot.
03:47You kiss my boot.
03:55Come on.
03:58If you want it so bad.
04:00Come on.
04:06Come on.
04:07Come on.
04:09Go ahead.
04:19Come on.
04:20Guaro, Scorroso!
04:34Mr. Michael.
04:35Thank you, Michael.
04:37We've got a guest coming for dinner tonight.
04:39Yes, sir. Mr. Stockham.
04:50I tell him to stop and he insults me, senora.
05:16Let me.
05:21Jack, stop at once.
05:25Stop!
05:28You dare to deceive me.
05:31Disgraciado!
05:32Let's see who you are in this house.
05:35Give it to me!
05:37Give it to me!
05:38Give it to me!
05:39He frightened the baby!
05:47I did nothing, father.
05:50I hurt you from the yard, boy.
05:53Why are you doing this?
05:56Why?
06:26Why are you doing this to the Pharaoh's
06:56You are all I've ever desired.
06:58I shall die of cold.
07:01No, you won't.
07:03A convivial evening will soon warm your bones.
07:05I'm sorry what happened earlier, but the boy was rude to Dolores, very rude.
07:30You must leave him to me.
07:31Even so, this is for a new violin.
07:34Of course.
07:36Why not?
08:04Why not?
08:06Why not?
08:07Why not?
08:08Why not?
08:09Why not?
08:10Why not?
08:11Why not?
08:12Why not?
08:13Why not?
08:15Why not?
08:16Why not?
08:18Why not?
08:20Why not?
08:21Why not?
08:22Why not?
08:23Why not?
08:24Why not?
08:25Why not?
08:26Why not?
08:27Why not?
08:28Why not?
08:29Why not?
08:30Why not?
08:31Why not?
08:32Why not?
08:33Why not?
08:34Why not?
08:35Why not?
08:36Why not?
08:37Why not?
08:38Why not?
08:39Why not?
08:46Why not?
08:47Why not?
08:48Why not?
08:51Mucho gusto.
08:53You were meant to.
08:55My boy, Jack?
08:57The violinist.
08:59You met each other?
09:00In the village, Father.
09:02We talked about Haydn.
09:05You'll play for us after dinner?
09:10I'm not good enough.
09:13And our pride and joy, my son, Ricardo.
09:20Everything's coming.
09:30You're okay.
09:32You're okay.
09:35What?
09:42You're okay.
09:44I don't want to go.
09:47Holmes?
10:01You all right, old man?
10:07Sorry to have alarmed you, Watson, but your reaction was instructive.
10:11So you believe in that existence?
10:13What?
10:15Vampires.
10:16No, of course I don't.
10:18Your attitudes are just the contrary.
10:20Well, one doesn't have to believe in something to be frightened, Holmes.
10:22It's two different parts of the brain.
10:25Right.
10:27So you rule them out?
10:29Vampires?
10:30The rational part of you insists upon it.
10:32Well, do you believe in them?
10:34Cast your eyes over this.
10:38Forty-six old jury, April 12th.
10:41Re-vampires.
10:42Our client, the Reverend Augustus Meridue of the vicarage Lamberley, has made some inquiry from us in a communication of even date concerning vampires.
10:51As our firm specializes entirely upon the assessment of machinery, the matter hardly comes within our purview.
10:59We have not forgotten your successful action in the case of Matilda Briggs.
11:12What disturbed you?
11:14We have therefore recommended the Reverend Meridue to call on you and lay the matter before you.
11:21We have not forgotten your successful action in the case of Matilda Briggs.
11:24We are, sirs, faithfully yours, Morrison, Morrison and Todd.
11:28This cup and saucer has been here for the last three days.
11:34Matilda Briggs was a ship associated with the giant rat of Sumatra.
11:38The story for which the world is not yet prepared.
11:41You consider, though, that vampires should come within our purview?
11:45No, anything is better than this stagnation.
11:48Really.
11:49We seem to have been switched on to some Grimm's fairy tale.
11:54Well, this, uh, Meridue is a man of the cloth, a man of Christian belief.
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