- 3 months ago
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MusicTranscript
00:00So, one day, a superwoman and a great composer, a superwoman, a great composer, and an ego.
00:16So, the friend who recommended me to do what I would like to do.
00:26So, I am happy to go to Ramuthi and go to Ramuthi.
00:33So, I am going to talk a little bit about Ramuthi.
00:37I am going to talk a little bit about Ramuthi.
00:44So, I am going to talk a little bit about Ramuthi.
00:54So, I am going to talk a little bit about how I can do it.
00:58I am going to talk a little bit about Ramuthi.
01:01I am going to talk a little bit about Ramuthi.
01:15I am going to talk a little bit about Ramuthi.
01:22I am going to talk a little bit about Ramuthi.
01:26I am going to talk a little bit about Ramuthi.
01:33I am going to talk a little bit about Ramuthi.
01:38How I am?!
01:40He was going to talk a little bit about Ramuthi.
01:44Do not know Ramuthi.
01:45How it did it every day.
01:48It has under the challenge of Ramuthi.
01:53So, in this situation.
01:58We had a song called Devadas.
02:02We were singing both hit songs,
02:05The Red Recording.
02:08We were reading a song called The Red Recording.
02:12But we said the name of the name we have.
02:17Then we got a song from the audience.
02:22Then we were singing in the book.
02:25So, NSK is one of my talent in Kandakie Company.
02:30There is a very open company in Kandakie Company, isn't it?
02:33Yes.
02:33There are many names.
02:35I said, P, Kandamba, SV, Kunna, Kudu.
02:39They are Balayasar.
02:42So, what I want to say is that
02:44I want to say that my talent, my friends,
02:49I want to say that I want to say that I want to say that
02:53So, I want to say that one point.
02:55I wanted to say that NSK is the same.
02:59NSK is the same.
03:01He is also in Kandakie Company.
03:03So, he said that he wanted to say that
03:06They are the same.
03:09They are also the same.
03:11They are great.
03:13NSK is the same.
03:15JUPTRAN is the same.
03:17Kandakie.
03:19If you ask him that he is the same.
03:23They said that he has a joke about this.
03:26He said that he is the same.
03:28That is not.
03:29No.
03:30He said that he is the same.
03:31He is the same.
03:33He is the same.
03:35He is the same.
03:36He is the same.
03:38He is the same.
03:39He is the same.
03:40So, the name is Viswanathan Ramurthy.
03:43Then, we started to see that.
03:47What year is this?
03:47This is 1951.
03:53This is about 20-25 years.
03:55We've talked about many things.
04:00But, here is an intro.
04:03I've done a lot of things.
04:06I've done a lot of things.
04:09That's why everyone is here.
04:13So, Ramurthy Grahatova says he is already in the past.
04:16I will tell you to his book about the hard work,
04:21so, how many people about the hard work,
04:26are you expecting them?
04:30We will show you someone in just 50 people.
04:33Even each journey after the hard work,
04:36the people that I had said before.
04:38The people like you and you are not a youth.
04:41To keep on doing the combination of the work, the subject, the part, the subject, the subject, the subject, the subject and the subject.
04:51When I tell you that I'm not getting ready in my life, I have a reputation for what I do.
04:58I'm doing this as well, this is Ladamangeshkar, Dalat Pungamudu, Chandirani, Muhammad Rappi, Ranganath Jadu, Hemant Kumar.
05:10Others citizens are watching to see who they are produced.
05:13Never they got out of it.
05:15Everyone knows there are peppers and they are calling them to see who you are putting on.
05:20People look forward to the P. V. City Nation,
05:23P. V. City Nation,
05:24all player.
05:33They have one team.
05:35Everything about it is important for sure so.
05:39That part is where the party comes from.
05:45Teamwork.
05:46That part is the director and the situation.
05:49That part is where the situation is.
05:51Yes.
05:52This is how many people tell us.
05:55How many people come from that part?
05:57How many people come from that part?
05:59How many people come from that part?
06:02At the center school, I had a member of Mahon.
06:09I would say, she was just a friend of Nauushadali.
06:12She was a friend of Nauushadali.
06:15They would like to hear the music.
06:18They would like to hear the music.
06:20They are also watching Suparavan, Supayana,
06:23and they would like to hear Nauushadali.
06:27So, I would like to tell Nauushadali.
06:29How many things are they going to go?
06:32It's an admiration for us.
06:35That's why I don't know how many people are doing music.
06:40If I tell anyone, I'm a recipe.
06:46Whatever it is, I think it's a good thing.
06:51If you don't know the recipe, it's a good thing.
06:56That's a good thing.
06:58I am a team worker.
07:03I am not the only reason for my life.
07:06I am a team worker and I am a team worker.
07:09If you are doing a subrahman,
07:16you have 3-4 people.
07:19That's Ramurthy.
07:20What are you doing with Ramurthy?
07:25Ramothi is a very involvement friend.
07:32He is a very involvement friend.
07:36He is a good friend.
07:39He is a good friend.
07:46He is a good friend.
07:49He is a good friend.
07:56I am a good friend.
07:58I love him.
08:01I don't know if I need something else.
08:04I would like toентize him a little by the way.
08:08I know he is a good friend.
08:13That is also true
08:16It's
08:18That is Daniel
08:20He wants to feel a selfish person just wrong
08:23It's all his friends
08:25And I think that
08:26With this reason was
08:27It's very Having to hold you
08:31Everything doesn't take my way
08:34Just learning more about you
08:38I've learned this
08:40None but what?
08:42Yes, we can do it.
08:44But we can compose music in 100, 200, 300.
08:49That situation,
08:51I don't want to listen to music in the orchestra.
08:57If I go to the spot,
09:00I don't want to listen to music in the orchestra.
09:03I don't want to listen to music in the orchestra.
09:06I don't want to listen to music.
09:10Music is not a part of the music.
09:13That's a school.
09:15We should listen to the music in the orchestra.
09:20If you don't listen to music in the orchestra,
09:25I want to listen to music in the orchestra.
09:28I asked a question about the music in the orchestra.
09:32I wanted to listen to music in the orchestra.
09:35Do you see the music in the orchestra?
09:39If you don't listen to music in the orchestra,
09:41I started to listen to music in the orchestra.
09:42Three or four times in the orchestra.
09:44I don't want to listen to music in the orchestra.
09:49I have a son of a six-year-old.
09:52You have to listen to music in the orchestra.
09:55I have to listen to music in the orchestra.
09:59I am a son of a son of a son of a son of a son.
10:04We are going to listen to music in the orchestra.
10:10So, this Kungu, this Zombie, this Swami, is what happened to us.
10:14Maybe we will talk about the other people.
10:19We will talk about the other people.
10:22We will talk about the other people.
10:24I will talk about the other people.
10:29I will say that.
10:31That is our meditation.
10:33That is our God.
10:36That's right.
10:38I told you about that.
10:41In the Navaratri period,
10:43I was very happy and very happy.
10:46I was not happy.
10:48I told you that I was very happy.
10:52I was very happy.
10:54I was very happy.
10:57I was very happy.
10:59I was very happy.
11:03I'm very happy.
11:05I was very happy and I was very happy.
11:08I'm very happy.
11:10I was very happy.
11:12They were not happy.
11:13They were happy.
11:17They were happy.
11:19I'm happy.
11:21I didn't say anything.
11:23I don't give up,
11:25I told you everything.
11:27The end is the end.
11:28The end is the end.
11:30If you don't have any food, you will die.
11:34Why did you say that?
11:36I ate a lot of food.
11:39I ate a lot of food.
11:41I ate a lot of food.
11:44That's why I ate a lot of food.
11:47That's why I ate a lot of food.
11:52If you are involved with that,
11:56you can tell me how to eat a lot of food.
12:00You can tell me how to eat a lot of food.
12:04I don't want to eat a lot of food.
12:09But even me,
12:15only one and another one.
12:19That's why I was so scared.
12:21People are a lot of food.
12:26When we go to Samirthal Malaysia, there are 5,000 people.
12:31What do they say is that Kavijar is going to be 5,000 people.
12:34They are free in the theater and they are free in the theater.
12:40I am going to TMS, Yugi Sivam, Salaman Papaya.
12:47Kavijar is going to be 5,000 people.
12:49I am going to go to the TMS and I am going to go to the TMS.
12:56I am going to talk about the TMS.
13:01I am going to talk about the Tamil people.
13:11I am going to go to the TMS, so I am going to talk about the Kavijar, Rangji, Pakthi, Tathu.
13:20People are going to talk about the TMS.
13:22They are the Tamil people.
13:26They are a Kavijar, a Jee Ram, or a Keevimah.
13:32The people of the country are very intense.
13:34Here is another reason to listen to this one.
13:36We heard the the GAs people who are loving the GAs.
13:39If God knows, he is very special.
13:41Are you happy?
13:42Are you like me?
13:44So, we want to encourage them to visit each other.
13:46What is it?
13:47We want to know about growth and success.
13:50How many more growth운데 they are for growth?
13:52What's the growth of the growth of people that are happening?
13:54There is no growth in any future.
13:56There is much growth in a growth in a young age.
14:00There is no need to be a person.
14:01Then, you have to ask him,
14:06you can tell him,
14:08he is not a person.
14:10He is not a person.
14:13Who would like to say,
14:14that person is a person.
14:18It's a team work.
14:20That's why he's said.
14:22Now, we are at the time.
14:24We are in a town.
14:26So, what do you think about harmony?
14:30No.
14:31What do you think about harmony?
14:33You can't do anything.
14:35No.
14:36No.
14:37No.
14:38No.
14:39No.
14:40No.
14:41No.
14:42No.
14:43No.
14:44No.
14:45No.
14:46No.
14:47No.
14:48No.
14:49No.
14:50No.
14:51No.
14:52No.
14:53No.
14:54No.
14:55No.
14:56No.
14:57No.
14:58No.
14:59No.
15:00No.
15:01No.
15:02No.
15:03No.
15:04No.
15:05No.
15:06No.
15:07No.
15:08No.
15:09No.
15:10No.
15:11No.
15:12No.
15:13No.
15:14No.
15:15No.
15:16No.
15:17No.
15:18No.
15:19No.
15:20No.
15:21No.
15:22No.
15:23I can't go to a school, I can't get to school.
15:29I can't go to a school, I can't go to school.
15:32I can't go to school, I can't go to school.
15:37I can't go to school now.
15:41Do you think you're doing something else?
15:46Ramoorthy sir.
15:47What's the list of things?
15:52When I was part of the sacrifice, I was part of a good job.
15:58When I was everything, I had to go over.
16:02When I was a pyjala, no.
16:08This was one thing.
16:12We could get with us and now we could do it.
16:18We have to go to business in the future.
16:21So, if we do something, we don't know what we are doing.
16:25That's why we'll talk about it.
16:27That's why we'll talk about it.
16:30There are 300 people who are doing this.
16:36They are still there.
16:40They are doing a good job.
16:43They are doing music.
16:46You've also told me that you are going to get a good job.
16:50and you ran a forest with three people.
16:57That's not true.
16:57I'm not sure.
16:58I'm not sure if I ran a forest but I'm not sure if you're going to go.
17:06I'm not sure if I'm not sure.
17:12It's not easy.
17:15But the first part is the beginning.
17:18The second part is the beginning.
17:22But the third part is the beginning.
17:28Who is it?
17:29Super.
17:30What is it?
17:32The second part is the beginning.
17:35It is the beginning.
17:37They have to get the place to the beginning.
17:42They can't make anything like that.
17:45It's a situation.
17:48They have to tune into a situation.
17:52They can tune into a situation.
17:57A recording of a recording.
17:59The recording of a recording is completely composed.
18:04I, Ramurthi, Linga, Pasa, Go, and all of them.
18:08If they miss the notes, they will miss the notes.
18:12This is the memory power.
18:15We are one of the legends.
18:21What is the reason?
18:24There is no doubt about it.
18:29One person has two elements.
18:34I say that, you can't say that.
18:38You can't say that you can't say that you can't say that.
18:41If you have to say that, you can't say that you can't say that.
18:45Someone else told me that you can't say that.
18:48I told you that you are going to get hit and you are going to get hit.
18:55I thought you were going to miss everything.
19:02All these things are going to be done.
19:04One day, I told them, in a situation,
19:09At night, he came to the TV.
19:20When the God was there, he was not talking about the divine.
19:26He was talking about the vikki vikki.
19:31I don't know if anyone comes to the vikki vikki.
19:35Sir, I didn't say exaggeration.
19:37I told him how to compose it.
19:39We will get to that part 5 or 4 times.
19:42I thought that he was a good guy.
19:46I thought he was a good guy.
19:50I thought he was a good guy.
19:53I thought he was a good guy.
19:57I thought he was a good guy.
20:00I thought he was like this.
20:03How do you meet the person?
20:05He didn't even know me yet.
20:08What's his presence?
20:09I thought he was a good guy.
20:11He was a good guy.
20:12I learned so much before.
20:14He learned something in terms of relationship with the team.
20:16He thought he was a good guy.
20:18What kind of person were there?
20:22You have chocolate with PN.
20:24It was a good guy.
20:27You have a good guy.
20:29So you have a great guy.
20:31A small boy said.
20:33A boy has a boy.
20:35A boy comes to a boy.
20:37Now he has two years.
20:39He has a boy and he has a boy.
20:43A boy has a boy.
20:45A boy has a boy.
20:49What is the boy?
20:51The boy would not be in the house.
20:53The boy would not be in the house.
20:55The boy would not be home.
20:57He would not be in the house.
20:59But he was going to do something about him.
21:02Then he was a kid.
21:05I was like a kid.
21:06He was like a kid, a kid.
21:09I was a kid and I was like a kid.
21:11He was like a kid.
21:14I was like a kid.
21:16He was like a kid.
21:20I was like a kid.
21:23What was the music set up?
21:25I watched him and watched him.
21:28When someone comes to look around, he's telling the club where the church is going.
21:35He has a new house. He has three people.
21:42He has built the chest.
21:48He has a head.
21:52Don't worry about it.
21:56Why are you doing so?
22:02Don't worry.
22:03Don't worry.
22:04Don't worry.
22:06Don't worry.
22:08If you've ever released this part,
22:10you've ever released a record.
22:13After all, I will go to my Purushan and I will kill you again.
22:23But I will take the Purushan and I will kill you again.
22:26Why are we going to die?
22:28I am going to die and so I am going to die.
22:32I am going to die and give the Purushan to my Purushan.
22:37How much are you feeling?
22:40Do you even know how to feel the kind of the kind of the kind of the kind of the kind of the kind of the kind of the kind of the kind of the kind?
22:44How much are you feeling?
22:50Now, I would have to say two years ago.
22:54So, there are many different instances.
22:58There are generations. That's what I would like to say.
23:01I was going to start a new path for a good season,
23:04When I was in the live video, there was a boy who came to the house.
23:13When I saw this boy, he called Michael.
23:17His name is Michael.
23:19He called the boy who came to the house.
23:21He called the boy who came to the house.
23:23He called the boy who came to the house.
23:26So, I told him that the boy came to the house.
23:30He called the boy who came to the house.
23:35But when I was in the house, he went to the house.
23:37But he came to his house.
23:39He called the boy who came to the house.
23:42So, he came to the house.
23:45He started to walk away with every other man.
23:50He didn't know the whole planet.
23:52That's a meter.
23:54He didn't have head down.
23:58The melody, the song, the song is just like the song.
24:03Even if the song is like the song,
24:07the song is like the song.
24:11If you think about the song,
24:14that's what I tell you.
24:17But there is no song.
24:22No.
24:23What I'm thinking is that I'm not one.
24:27I'm going to tell you a little bit.
24:29Look at this.
24:31This is what I'm talking about.
24:33In a situation,
24:36there will be a part of it.
24:38If there is a part of it,
24:41there will be a part of it.
24:44There will be a part of it.
24:47I'm thinking about it.
24:49This is what you're talking about.
24:54If you have a part of it,
24:56do you have a part of it?
24:59Do you have a part of it?
25:01Do you think that?
25:03You can do it.
25:04If you have a part of it,
25:07you can do it.
25:09If you have a part of it,
25:11you can do it.
25:12You just hang on it.
25:15Hey! I tell you that he's going to go and go and go and go and go and go and go and go and go and go and go and go.
25:24People are going to go and go and go and go.
25:27Ballazinder, the director, the composing room. They all were silent.
25:33They had some extravaganza.
25:36They all went and went to the same place. They went and got to the same place.
25:41They took the director.
25:43How do you find this part?
25:48I'll go and talk to you.
25:50What's wrong?
25:52You're going to be taking a long time to take a long time.
25:56You're going to be taking a long time to take a long time.
25:59If you're going to take a long time, you're going to take a long time.
26:02Take a long time.
26:13Do you have to…
26:15That's right.
26:45The
26:56Hana-sana.
26:58Veeduvaray unravi.
27:01Veeduvaray πεabillai.
27:07Kandashi varay yaga.
27:08Veeduvaray unravi.
27:09Veeduvaray unravi.
27:13Alla.
27:15Veeduvaray unravi.
27:18Veeduvaray unravi.
27:21Kandashi varay peabillai.
27:24A woman who is so sick, a girl who is so sick.
27:31She is so sick.
27:34We are so sick.
27:37One person told me to do the same thing.
27:40What are you doing?
27:42Are you doing anything?
27:44Why are you doing this?
27:46What are you doing?
27:47She is going to be a big mess and she says,
27:50So, we are going to tune.
27:52Do not.
27:54I will do this.
27:56I will do this.
27:58I will do this.
28:00We will do this at the same time.
28:02I will do this.
28:04I will do it.
28:06So, do not.
28:08Go ahead and do that.
28:10I will do this.
28:12I will do this.
28:14La la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la
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