- 3 months ago
Category
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MusicTranscript
00:00You mentioned the too.
00:03You see that there were attacks amputable and there was a big guy in the center.
00:09They saved the obviously to the team and sent him the air from the air to the air.
00:16They kept raising the aircraft.
00:19They kept being thrown off the ground when they were reading.
00:23They kept getting in the signal.
00:26So, with an incident, I found a very strong incident.
00:30I found an incident that I had a very strong incident.
00:34I found it that I had to go to the hospital and see what he had done.
00:38So, one day, he kept his financials and was tight.
00:45He said what he was saying to me and he said something about me.
00:48He said that he was locked up.
00:51So, he said that he was fine.
00:53And the same way he was married.
00:55There was a drone for Ganga Gauri.
00:59And a drone for a year.
01:02So there was a drone for me.
01:04There was a drone for 1-2 years.
01:09I thought, there was a drone for me in a composing one or song.
01:13It was a small drone in Germany.
01:16And they said, it is a drone.
01:19They have a drone.
01:21I'd agree with the drone.
01:23And the time I am starting to see is a small company.
01:26He doesn't know what is the name of my job,
01:29It is in the Grand Assam.
01:33He is a D&D 2 months ago.
01:36When the last year I was a busy Nill,
01:40he took the sweet Nill.
01:44He told me I didn't go to that.
01:48He stopped.
01:50When someone gets exposed to it, they say they'll come forward.
01:55No, they don't get into it.
01:58No, they said who's going to come.
02:01They're living in a house.
02:04I already wrote a study.
02:09Why should I give a better chance?
02:13Every house is a customer.
02:15Every house is a client...
02:19Then, I was like that. I had to go with my baby to my husband and I had to go with me.
02:31So, this is what I was wondering.
02:36So, this is what I was wondering, how much money you were going to go to my husband and I was like a customer.
02:42He was after the study.
02:44Even after the last time, they had the first day and two days.
02:47And they were in the study.
02:49Then they were in the study.
02:51So they asked him if I asked myself for a joke.
02:54Yes, he did.
02:55Why did they have to go to a day?
02:58They didn't have any ideas around anything.
03:00So, the idea is not that.
03:02Because I had no objection.
03:03She asked him,
03:04Why did they have to go to a day?
03:07Who said that.
03:08What do you say about the budget?
03:13I know that you have a call
03:18I'm not going to do music
03:21I'm not going to do music
03:25I'm not going to do music
03:31I'm not going to do music
03:35I'm not going to do music
03:36I'm not going to do music
03:41He kept asking me to ask me
03:43He kept asking me for the money
03:45I'm not going to do music
03:48I'm not going to do money
03:51He keeps asking me
03:53I'm not going to do MGR
03:56I can'tありがとう
04:02He was so upset. He was so upset.
04:08Why did you hear the music?
04:14I was just a young person.
04:18I was just a young person.
04:21I was just a young person.
04:23You should have just seen the call sheet.
04:27Why did you say that?
04:30I will talk to you.
04:32I am sorry, if you have a person that is authority.
04:37If you get a taste of what you get, you can get a taste.
04:42If you say that you get a taste of what you get on the right side.
04:47If you get a taste of what you get on the right side.
04:51If you get a taste of what you get, I will be able to get a taste.
04:56When I was doing music, when I was doing music, I would say that I was playing a music director.
05:07G.R.A.M. and K.V.M. and I would say that.
05:14I would say that a music director would say that he would say that he would say that he would say that.
05:23The song will say that even if I could say that, I would say anything.
05:29So in the theater, that would be a good thing.
05:31Everyone would say that in the theater.
05:35Suppose you don't miss or if you don't miss the title.
05:39He would say he did the right job.
05:42A person's audience, a person's VOCAT, who sits in the house?
05:45And the person would say he never wants something.
05:47And the person would say, he would say, he would say, he would say, he would say, hare, he would say.
05:51KVM, this is the KVM.
05:54This is the KVM.
05:57This is the KVM.
05:59This is the KVM.
06:01This is the KVM.
06:05This is the KVM.
06:10That's a very interesting thing.
06:13You've established the KVM.
06:17Be part of what does your job mean by your company?
06:19Or do you want to have more work with your company?
06:23You want to see a problem with your company?
06:27What is your time with your company?
06:33They are different from people to go to the country and then to grow back into the country.
06:39They are different from all that is different from all other people.
06:43They love to know their talents.
06:46That is the same thing.
06:47You say it is a great thing.
06:48I can't tell you.
06:50That is the same thing.
06:53I have a true story.
06:55I have said that there is still some other things.
06:59I have to tell you.
07:00I have told you that.
07:01I have told you about it.
07:03I'm telling you about it.
07:06I have told you.
07:07I have told you about it.
07:09By the way, a director of Bilalakrishna Muthi is a director.
07:11A director of Bilalakrishna Muthi is a director.
07:14He was a sincere man.
07:18He was a student in Balaji.
07:20He was a student in String Director.
07:23He was a student in Balaji.
07:27So, when he asked him,
07:30I am a student,
07:32he asked Balaji.
07:35He asked him to come and get him.
07:38He was a team combination.
07:41after KS, we are not talking about that.
07:42We have to go to KS, another one.
07:43In the beginning, we start talking about KS,
07:46and we are looking at KS.
07:48We are looking at KS,
07:50that is the reading.
07:51In the reading, we are thinking about different ones.
07:55We are not talking about that.
07:58We are talking about that,
08:00we are talking about that.
08:02We are talking about the reading of KS.
08:08He said that he was in Canada or in AC or TV, so he knew that he was going to get a record in the 3rd time.
08:18He was a senior and a music director.
08:24He was also an assistant for me.
08:29He was an assistant for me.
08:34They were all in a record and there were many groups and all the different groups but they were all in a gap.
08:41They were all in a strange way.
08:43They were all in a certain way.
08:48They were all over.
08:51They were all over the time.
08:53They were all over the time.
08:55If you see your own knowledge, you'll see one day, and you'll see one day.
09:01Why are you doing that?
09:03You'll see it in the future.
09:06Then, I went to hell.
09:07Yesudhas told me that he didn't have anything to do.
09:12Yesudhas told me that a voice was a young man.
09:17He was a young man.
09:21And he was able to practice the voice and he was able to see the words that they would be a very good one.
09:28They were able to see the words that they could blow up.
09:31But when the word came out they thought they needed information.
09:38I was인이 angry at that,
09:42I was so angry to my son.
09:45I thought this is not going to come to take down.
09:47They given me a piece of paper.
09:49The producer was a small actor.
09:52He asked me to get an Aarana music.
09:56He said, If you met someone in December.
10:01So, he asked me to speak.
10:05The producer was a member of the MST.
10:10There is an ego.
10:13The producer was a member of the MST.
10:16So, we will see it.
10:19I am going to say,
10:22I am going to come to Tamil,
10:24I am going to come to Tamil.
10:26I am going to come to Tamil.
10:28So, you can tell us a Tamil person.
10:32How are you?
10:36Kulge maayam walve maayam
10:41How are you?
10:43You can understand it.
10:44But I would have to say,
10:47I am a father.
10:48So there are people that are in Malayana,
10:51Maybe there are people that are in Malayana.
10:53No, they are in Tamil.
10:55But they are in Malayana.
10:57In this situation,
10:59I have to say,
11:01I am a mother.
11:04Those are the people I have to say.
11:06I am a father.
11:09I am a father.
11:12My mother, my mother, my mother and my mother
11:17My mother, my mother, my mother
11:19They told me so much
11:21It was that
11:23I was watching that
11:25This song is called
11:27The song is called
11:30The song is called
11:35The song is called
11:37The song is called
11:40Abhinallanam, Abhinallanam, Vyasanam, Kalidasanam, Chekmiyaram, Chelliyam, Chekmiyaram, Abhinallanam, Nelek Abhinallanam, Abhinallanam.
12:02This song? For Itamallanam.
12:10So I kept getting out of the house
12:12And that was the one who said
12:14My father asked me
12:16The one who was being in the house
12:18After that, there was one
12:20And then there was one
12:22That he was sort of
12:24And out of the house
12:26Thank God
12:28He thought
12:30I was telling you
12:32He walked in that moment
12:34And he ended up
12:36And then he went
12:38It was a break-up.
12:40So, this is why,
12:42if you don't know,
12:44if you don't know,
12:46that's what I'm going to do.
12:48That's why,
12:50that's why,
12:52that's why,
12:54that's why,
12:56that's why,
12:58that's why,
13:00that's why,
13:02that's why,
13:04that's why,
13:06it is a small director,
13:08and there's a different,
13:10that's why,
13:12this is all,
13:14that's why,
13:16that's why,
13:18they are the people.
13:20So,
13:22that's why,
13:24the people are now öz呢,
13:26they're also the people,
13:28so,
13:30they are the ones you want.
13:32Do you have any interference with the SP Muthuraman?
13:38Yes, it is.
13:40If you want to know anything about the SP Muthuraman,
13:45it is hard to say that.
13:49One of them said, I was saying something about an incident.
13:54It was a incident.
13:57This incident happened,
14:00As a member of the person in the concert,
14:05that was a friend of mine.
14:08I was lucky to see that they were very scientific.
14:12If they were not aware of that,
14:14That's why the actors are saying,
14:19Vidiya Vidiya!
14:23Vidiya Vidiya!
14:26That's why I said that.
14:28He's a style composer.
14:32Dada Mirasi is a great director.
14:37He's a Hindi director.
14:41He's a great director.
14:48He's a great director.
14:50He's a great director.
14:56Do you remember?
15:00You?
15:04You?
15:23You describe it
15:25the Spirit
15:27You can do everything.
15:30All those parts.
15:31The melon-er-melon-er-maniacs are happy.
15:36Those are characters.
15:38They are the ones that are living in a world.
15:42Now, there is a man called a man called a Philippine.
15:48Music.
15:51I am not sure what the subject is.
15:53All the time, look at the link.
15:56You'll have to see the link.
15:58Look at the link.
16:00That's the link.
16:09Look at that.
16:12Look at the link.
16:13If you look at the link,
16:17there is a link.
16:19This link is a link.
16:20It is a very difficult time to get to the world.
16:24Then, you come and get to the world.
16:27That's why you get to the world.
16:29That's why you get to the world.
16:32It's not a climax.
16:35It's a subject that is developed.
16:40It's a great way to get to the world.
16:43It's a great way to get to the world.
16:46When you got a woman, you can enter the world,
16:51but every time you come in, you get a lot of information.
16:56They dropped the person.
17:01No, they got to the world's attention.
17:05They get to the world's attention.
17:08Everybody gets to the world's attention.
17:11I want to see a woman.
17:14but these were the ones who used to think they were!
17:16Namesha is a friend Ganesha.
17:20The other thing is the one that we lived in the Jove.
17:25Right now now it's a really hard time to think about it.
17:28This is the one that is a prophet.
17:33It's the one who has a friend in that book.
17:38༼�ུད ༱ུབ� ཧྱ དནལ གརིད སྴེནས བྱུནས ཏེསྭ ནའེད བྱུས སྴབྲད རྟེསས ཞེེས དདགུད ནུས རེབ ཏགསྭས�
18:08She was a toad for the old children, but it was important to have mother.
18:15But she did not live in the last year, but she did not have birth.
18:22Because of her, it was different from her.
18:24She was a wonderful director and received her to learn from the first one.
18:28She knew she was the only person.
18:31She was the husband.
18:35is the combination then that he is able to join the combination ofенные his conductors
18:42then the next shantash paran
18:45he had so many HIITS
18:50he was ready on earth
18:53Neth A.J. just like shown next son
19:00everybody understand and found it
19:04There are a few stories in the world and they have some stories
19:11I told them to tell them
19:14I would like to tune them to something
19:17I would like to tune them to something
19:19I would like to tune them to something
19:21This is the scene that we can come along and teach.
19:31You're so good to see that this is the scene.
19:35I'm asking that your mom and dad should say hello.
19:40God is back.
19:42What the hell is going to say?
19:43I will try to test one.
19:45Jesus is found a nice thing.
19:47It's a stage which is Gandhi J.
19:50When students visit here, they need to break up이어 DOWN.
19:55When students come to us, we made people out of which years,
20:00even people come to not talk aboutym paint.
20:20Do you know the tune of this song?
20:24I don't know.
20:25Please, ask me a question.
20:27Do you know the tune of this song?
20:32No.
20:34Do you know the tune of this song?
20:37I don't know.
20:39That's it.
20:40Love is Parindal in Ragu Padiragava Rajaram
20:46Padita Pavan Sitharan
20:49Annanarur Kasapukosannadidheavagavan
20:54Annanararadaradzhan
20:57Love is.
20:58That's what he said.
21:00He said he came.
21:02He was the king.
21:04He said he's on the walk.
21:06That's why I'm saying,
21:07If I were just like a song.
21:10The tune of the song is on the air.
21:12I'm going to record that song.
21:14Go.
21:15If you know a person, that's not a person, but you can't get a person, and you can't get it.
21:22There's a person, and someone has a person.
21:25Then, one director, and I'll tell you who's going to tell you.
21:29When you're in the middle of the day, you're in the middle of the day.
21:37You're in the middle of the day.
21:41KAKKARU SAJANI KAYENA VALUVAH
21:48KAKKARU SAJANI KAYENA VALUVAH
21:53That's how I can do it.
21:56Now, I will tell you about this one.
22:01I will tell you about this one.
22:03I will tell you about this one.
22:05I will tell you about this one.
22:09K.Baggirajan is also a good director.
22:13Sundararajan.
22:15All Sundararajan.
22:17Saranalyam, Sukamana Rahangal,
22:20Gala Raja, I will tell you about this one.
22:24Oh, oh.
22:26If you tell me about Ramanan,
22:29I will tell you about Ramanan taste.
22:34I will tell you about Ramanan.
22:36I will tell you about Ramanan.
22:38So, what is the difference?
22:42I will tell you about Ramanan.
22:44I will tell you about Ramanan.
22:46What is the difference?
22:47He is also a good character.
22:49He will tell you about Ramanan.
22:52I am going to tell you about K.P Sundarabal.
22:55I will tell you about Ramanan.
22:56That's why I am going to tell you about the director.
23:00But you can tell me about the director.
23:03I am a director.
23:07I am a director.
23:11But that's what I am saying.
23:13Sudhrambal, he was a musician.
23:18He was a musician.
23:21He was a musician.
23:25He was a musician.
23:27He's also in the same mood a combination fight.
23:34He would be a composer with a record and he would have composed a record coincidentally.
23:40The music was going through.
23:43A part of the composition was composed.
23:49By the composition of these components they would have composed.
23:53And composites the composition.
23:57He presented more and he said,
24:02Leigh. A 1 tune.
24:03That's how we co-hosted.
24:05or any other thing we could come to do.
24:07But for the amount of those things he said,
24:08He said, he did not do this.
24:10Then he said, he is the one manar from the audience.
24:13He has a tune.
24:15He has a tune.
24:19You read the data of the audience.
24:22People who come here and come here and come to the house.
24:27You must say, I'll accept you not.
24:31You must say, there are also 5 4, 5, 3 , and 3, and 3, and 3, and 7, and 6, and 7, and 6.
24:51One of the tunes is 6th of tune.
24:55All of the tune is 6th of tune.
25:01That's 6th of tune is 1st of tune.
25:06I am not going to be 6th of tune.
25:11That's why I am going to be 1st of tune.
25:16One of the tunes is the first one.
25:21They will come in the next one.
25:24They will come in the next one.
25:29That's why I am not going to be the next one.
25:36I am not going to be the next one.
25:41That's why I am not going to be the next one.
25:43It's an ordinary tune.
25:45It's an ordinary tune.
25:49That's the one director.
25:51The other director is the one.
25:55The other director is the one.
25:59The first situation is the one.
26:05It's an Arun.
26:07It's an Arun.
26:09The second situation is the one.
26:13It's a valid one.
26:17But it's a valid one.
26:19There's a new school of thought.
26:21That's the one.
26:23That's how Ramana's father lived.
26:25Ramana's father did music.
26:29Is there any music?
26:31It's a hit.
26:33Some people asked him that
26:35they had to go to a church.
26:37There is a lot of tension and there is a lot of tension in the pocket of Ramana.
26:48There is a lot of tension in the pocket of Ramana.
26:53It is a very great direction.
26:56There is a lot of tension in the pocket of Ramana.
27:11There is a lot of tension in the pocket of Ramana.
27:16There is a lot of tension in the pocket of Ramana.
27:28I said,
27:36I was told you and said,
27:39I told you and then you will die,
27:44so that's not the type of dude.
27:48That's why he was.
27:51If you look at inspiration,
27:54There is a top sequence in the natural matter.
28:00Kulandayum, Devon.
28:04There is a song.
28:07I think so.
28:10There is a song called The Kutti Pappi.
28:14The Kutti Pappi.
28:17The Kutti Pappi.
28:23The Kutti Pappi.
28:26All of them are growing.
28:28No one is growing.
28:31The Kutti Pappi.
28:33The Kutti Pappi is coming to Tthe.
28:37The Kutti Pappi is coming to Hindi.
28:39She has a model of the Kutti Pappi.
28:42The Kutti Pappi is the one who is an artist.
28:45He is the one who is a great writer.
28:49What are you telling the question?
28:51Sahil Ujjani.
28:53The return now was the survivor.
28:56When I say that I went to the memory of the spiritual path.
28:59I talked about this, except for the before.
29:02I am the only one term.
29:04But I don't have the second term.
29:06I don't know why I came to India.
29:10It's difficult to change everything.
29:12Because I like that.
29:14Because there's no meaning.
29:15You don't have that question.
29:19We got to come to learn that it is very useful.
29:23The second song is playing in the show.
29:27The last song is playing in the show.
29:32The dance music is played in the show.
29:34The dance music is played in the show.
29:40The dance music is played.
29:46In the 20th century, there was a book on the book.
29:53Their names, their names, their names, their names, their names, their names, their names.
30:00In the 20th century, there was a silver jubilee.
30:05In that function, they came to talk.
30:10In the 21st century, im been chatting.
30:20Their names, their names, their names, their names, their names, and share.
30:30That was me.
30:32When I was able to 기록 a few different from me.
30:34I don't know.
30:36I drink my drink.
30:38I drink chicken.
30:40He's got my drink.
30:42That's great.
30:44That's good.
30:465 minutes,
30:486 seconds to Italy.
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