00:00So Tony, is everything ok with your head?
00:02Is it on your shoulder?
00:05I'll tell you what, no, because I'm jet lagged right now
00:07and it feels a little soupy in there.
00:09Yeah, look, this film was a lot.
00:11It was a lot to take on and it has a lot to say, doesn't it?
00:16But it was really satisfying to make and I had fun.
00:19Yeah, but how was to shoot that particular scene?
00:23Which one?
00:24Oh, right.
00:26Well, I'll tell you what.
00:27The film is very much based, you know, it's not a typical horror film
00:32because there's a lot of it which is very honest and truthful.
00:35It looks at what grief is and how it can change a family.
00:40But the more extreme elements that you might be referring to
00:42seemed so far away.
00:44You can expect it.
00:45From what we'd been doing that it was actually quite fun to shoot.
00:49Yeah, really fun.
00:50I can imagine.
00:52I'm really happy you have fun because you terrify me.
00:56Sorry.
00:56I couldn't sleep last night.
00:58Did you just see it yesterday?
01:00Yeah.
01:00Oh, wow.
01:01Okay.
01:02Amazing.
01:03Oh, good.
01:04Yeah, the film is...
01:04I think Ari Aster is just the real deal.
01:08He's an amazing filmmaker
01:10and I feel chuffed that he chose me to be a part of his first feature
01:13because he's going to have a long and incredible career.
01:16Yeah, it's not a typical horror you said before.
01:19Yeah.
01:19It's something like a psycho familiar horror, something like that
01:25because it's really intense, the connection from the mother and the son and the child,
01:31and the son and the son, even with the husband.
01:33Mm-hmm.
01:34So your character is a woman who lives with the guilt for a family, for a son, even for
01:41the work.
01:42Mm-hmm.
01:42Which kind of woman is Hennie?
01:44What kind of woman is she?
01:47I love that I can't answer that simply.
01:49She is so complicated and that's what I look for when I'm looking to take on a role.
02:01She is so complex and the story is so layered.
02:05She's a lot of things.
02:07So, yeah, I mean, she's a mother, she's a daughter, she's an artist,
02:12she is someone who's really struggling to find her equilibrium in life
02:19and doesn't quite understand why she has this kind of horrible pit in her stomach
02:25and I think her work is her opportunity to explore that.
02:32But, yeah, I also love that as a mother she's obviously been affected by her own relationship
02:38with her mother.
02:38She says something really, really bad to the son,
02:40but I don't know if it was her or maybe she was the mother when she say,
02:45I don't want to have you.
02:46Right.
02:47I think that moment is, I mean, that's a dream sequence, right?
02:52Mm-hmm.
02:52So you're dealing with someone's subconscious.
02:54She never would say that to him in reality and she probably, she might not even be aware
02:59that she feels those things, but when you're in that dreamlike state, there is so much freedom
03:03to tap into what's really going on and that's where that comes from.
03:07And ultimately, you know, she also says, I wanted to save you, right?
03:13Mm-hmm.
03:13So she doesn't understand what's happening and her life feels like a bit of a roller coaster
03:19and a bit of a mess, but this is a story about an awakening and the revelation and the discovery
03:26that she makes helps her to understand why she had these feelings towards her children.
03:31Mhm.
03:32.
03:32.
03:34.
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