- 6 weeks ago
Category
😹
FunTranscript
00:00:00He's been sleepy once.
00:00:30Once upon a time, planes sounded. Once upon a time, tanks sounded.
00:00:32These guys always gorge themselves.
00:00:34Here, better.
00:00:35Hi, Marcello.
00:00:37HI.
00:00:38Greetings, guys.
00:00:39But I would tell him, but the salary you like is not enough for you.
00:00:43Eh, but you're always talking about the deaf.
00:00:46And I believe you, they put a bundle of money in your hand and what do you say?
00:00:49No thanks, I've already eaten.
00:00:50Marcello!
00:00:51It is the largest rassinary in Western Europe.
00:00:54Where is he going?
00:00:55Marcello, look what he brought you.
00:00:57A new photo story by Romone.
00:00:58My beautiful love.
00:01:01My beautiful love.
00:01:02No, no, no, no, no.
00:01:32No, no, no, no, no.
00:02:02No, no, no, no, no.
00:02:33Ramon, it's been a long time since I've seen you, but where have you been?
00:02:38In Venice, my beautiful one.
00:02:43Ramon, you promised to take me to Venice when we get married for our honeymoon, is that true?
00:02:47Of course, yes, of course. This time it was for tobacco, for a job, do you understand?
00:02:52For a job. I shot my very own comic photo story.
00:02:55The anonymous Venetian strikes again.
00:02:58Wonderful, my love.
00:03:00And my heart.
00:03:01Besame.
00:03:02Rambo.
00:03:03Besame.
00:03:06Besame.
00:03:07Besame.
00:03:08Besame mucho.
00:03:09Wait.
00:03:10My gambit hurts.
00:03:12How can the river mule be at night?
00:03:15Besame mucho.
00:03:18Besame mucho.
00:03:20May it come to me.
00:03:22Lose you.
00:03:23Lose you.
00:03:24Altravés.
00:03:25No, no, no.
00:03:41Don't you see two guys doing it?
00:03:45You understand, these dirty bastards, they've put themselves in a bad way.
00:03:54Look at this stuff!
00:03:59Where both are present, you will notice.
00:04:09Who is?
00:04:10But who is he? A hunter?
00:04:21But who knows?
00:04:22But you bastard, you scoundrel, I'll show you, he'll act like a dirty guy in the car.
00:04:28Coward!
00:04:29Get down, coward, or I'll kill you!
00:04:32But do you know her?
00:04:34But I met her a few years ago in a church.
00:04:37And you took me to Venice to celebrate our wedding anniversary.
00:04:42So, are you married?
00:04:46Well, for me, a little bit...
00:04:48Yes!
00:04:50No, no, no, no, no!
00:04:51It's not mine!
00:04:52But what...
00:04:53What for...
00:04:53What for...
00:04:55Which one do I go to?
00:04:57But he died killed!
00:04:59No, very much so, it's not a female, it's a velva!
00:05:03But no, not Spilotos!
00:05:05But barefoot, you take advantage of me because I'm small and defenseless.
00:05:10I surrender, beloved bride.
00:05:12And can I explain everything to you?
00:05:13It was a temporary collapse of the six...
00:05:35It was a momentary surrender of me because I know I am small and defenseless.
00:06:05And can I explain everything to you?
00:06:35Daughter, you're like, like a dog.
00:06:40Oh, one day you'll realize all my place.
00:06:45Stop your world, my taxi girl.
00:06:49Taxi, taxi, taxi girl.
00:06:53Black and blue eyes, taxi girl.
00:07:12Taxi, taxi, taxi girl.
00:07:17Black and blue eyes, taxi girl.
00:07:22And no, my line, no, that's not how it works.
00:07:27But does it seem to you that your taxi should earn ten times more than the others?
00:07:31Say, do you know what they say in the palace?
00:07:33I don't know and I don't care to know.
00:07:36All right.
00:07:36Right.
00:07:37Silk, silk.
00:07:39But who spoke?
00:07:40Seto.
00:07:41You said it right.
00:07:42It's a word said by someone like you.
00:07:44It's like a conference.
00:07:46You've been back there since the scandal, yes.
00:07:49You gave him the taxi virus.
00:07:52A beautiful girl like that could find a job at La Rinascente.
00:07:55Marry an accountant.
00:07:57And instead he rides the car all day.
00:08:00Also summoned by telephone.
00:08:02Look, I'm not a masseuse.
00:08:04Oh, right.
00:08:05Silk, silk.
00:08:07Page, my daughter, worse.
00:08:09At least nobody knows those ones.
00:08:11You even know the license plate.
00:08:13I'd like to know who would marry a woman who drives around with license plates.
00:08:16Look, if you marry me there is hope for everyone.
00:08:19Well, I'm leaving.
00:08:20Hi, dad.
00:08:20HI.
00:08:21Hi, ma.
00:08:21HI.
00:08:27Cover your face.
00:08:38Yes.
00:08:51Stop everyone.
00:08:52This is a robbery.
00:08:53See you.
00:08:54See you.
00:08:55Stop.
00:08:55See you.
00:08:56Stop, stop the wall.
00:08:58Standing in the wall.
00:09:01Standing in the wall.
00:09:02Stand still against the wall, stand still.
00:09:02Standing in the wall.
00:09:03Standing in the wall.
00:09:04Standing in the wall.
00:09:05Standing in the wall.
00:09:05Standing in the wall.
00:09:17Standing in the wall.
00:09:18Come down, I'm tall.
00:09:19Oh, stop.
00:09:20Because I did it.
00:09:21That's fine.
00:09:23But I told you, don't ski the kid here.
00:09:26Police, stop everything, hands up
00:09:31Stop, I'm burning
00:09:35Carto, who told you to come in?
00:09:38You don't have to come in now
00:09:39But you came in too early
00:09:41Why would you even have anything to complain about?
00:09:43But what a load of rubbish, on the other hand
00:09:44How did it go, doctor? How did it go?
00:09:46Shitty, but as usual, shitty
00:09:47But where is the production?
00:09:49But innocent, where is he?
00:09:51Everything else where you do I
00:09:52I'll hunt you down
00:09:53But how dare he?
00:09:54How dare I?
00:09:55I am a director, I am a director
00:09:56Look, be careful how you speak.
00:09:58You want to ruin me, you want to ruin me
00:10:00But what are these?
00:10:01And what do I know, but they're making a mess, these bunches
00:10:04But it's the real police
00:10:05The real police, but it would be
00:10:06That I was not to you?
00:10:08But what do you want to soften me up for?
00:10:10But that's why he didn't tell me
00:10:11So, you see it, yes?
00:10:12The police
00:10:12Or who is this?
00:10:14I know the one who called the police
00:10:15Evelina, however
00:10:16Ah, congratulations
00:10:20Good civic spirit
00:10:25Yes
00:10:26Truly exemplary behavior
00:10:31Why doesn't he mind his own business?
00:10:34The report says she caused three police cars to intervene.
00:10:41I was passing by there, I saw those with Mitra
00:10:44And he thought it was a robbery
00:10:45And instead they were shooting the movie
00:10:47Crime is rampant, the police can't take it anymore
00:10:49The production says she caused damages of 18 million
00:10:52What do we want to do?
00:10:53But I don't have a penny, commissà
00:10:55He doesn't have a penny
00:10:56And now let's see what we can do
00:10:58So let's see a little bit
00:10:59Two criminals
00:11:00Three police cars
00:11:01The robbery, the bank
00:11:03Ninety, the fear
00:11:04And now I'll take care of it, go on
00:11:05And Commissioner, what are you reporting me for?
00:11:06No, what complaint?
00:11:07I want to see if I can put together a nice notebook
00:11:09Here it is
00:11:10Do we want to play in society?
00:11:12Eh, why not?
00:11:14Dry for all wheels
00:11:15Dry on Rome
00:11:16Ten thousand
00:11:18Agree
00:11:19Goodbye, Commissioner.
00:11:20Until we meet again
00:11:20Sir,
00:11:21Huh?
00:11:22From five thousand
00:11:23Good evening
00:11:25Hi, do you want it?
00:11:26Hello, Arvato
00:11:27Agi
00:11:29Oh
00:11:29Here you put four flavors of mustard sauce.
00:11:31Why do I have to slap you?
00:11:33Four, I say four mustard flavours
00:11:35Where?
00:11:35Here
00:11:35Hello, Marce
00:11:37HI
00:11:38Hello, Marce
00:11:39HI
00:11:40Oh, beautiful, how are you?
00:11:41Bad
00:11:41Give me the fernet branca
00:11:42But where have you been all this time?
00:11:44Ah, Commissioner
00:11:45But why did something happen to you?
00:11:46All in the name of a crazy director
00:11:48And who is he?
00:11:49He's one of those who makes Rome tremble
00:11:51Frascati cries
00:11:52And Viterbo feels bad
00:11:53You understand the genre, right?
00:11:54Here, you met me the director
00:11:55But you say it like that
00:11:55It could have been an outlet
00:11:57For both of them
00:11:57But what outcome?
00:11:59Well, a career opportunity, right?
00:12:00Yes
00:12:00But can you imagine?
00:12:02Huh?
00:12:02Look, I have the Marlon Brando type, you know?
00:12:05Think what a couple
00:12:06You and me
00:12:06You the little girl of fensa
00:12:08And I the heroic sheriff
00:12:10Who's coming to save you?
00:12:11Think I'm signing
00:12:12Ah, sheriff
00:12:14There is thinking, magna
00:12:16There's a hunger, Marce
00:12:18Mustard is good, though.
00:12:24Good morning
00:12:32Good morning
00:12:32Where are we going?
00:12:34At the airport, soon
00:12:35Quick, quick, young lady
00:12:41My plane leaves in half an hour
00:12:43This is a taxi, not a missile
00:12:45He's right, but if I miss this plane I'm ruined.
00:12:47Where to be in London absolutely by tonight
00:12:50I'll give you one hundred thousand lire if you arrive on time.
00:12:53AND?
00:12:53And he could have told me right away.
00:12:54It also gives doors to her
00:12:56This is how you learn the middle bass
00:13:20Nothing, doctor, nothing.
00:13:37Moffi or the shortcut?
00:14:01And he could have told me right away.
00:14:11And he could have told me right away.
00:14:41Bossa la miseria
00:15:03What fell?
00:15:06No, I always stop like this
00:15:07I was digging in the Hebrew
00:15:10Listen, I don't have time to waste, I'm in a hurry.
00:15:12Yes, I noticed, she is in violation
00:15:15Me in violation? What do I have to do with it? The customer should tell me.
00:15:17Mom, what's wrong? Are you feeling sick?
00:15:21I can't move
00:15:22He can't take it anymore
00:15:25It must be a heart attack
00:15:26That?
00:15:27Soon she gets in the car and takes her to the hospital
00:15:28That my colleague and I act as our escort
00:15:30Excuse me
00:15:31I follow myself
00:15:33Slowly, slowly, calmly
00:15:35Here, she takes him by the legs
00:15:36Place it carefully
00:15:38And please, don't drop it like you usually do.
00:15:41Come on, lift it up, lift it up
00:15:44You are definitely treating us with a brain spasm.
00:15:48With partial paralysis of the limbs
00:15:50Or hemiparesis with suspected concussion
00:15:53Or even fracture of the left ischial bone
00:15:56Adottomano, it could be a herniated disc like a gnatto friend
00:15:58But what hernia, what do you say?
00:16:00I shit myself
00:16:01Oh, but why do I have to take my motorcycle apart?
00:16:07Let's go, good guys, come on
00:16:09Oh
00:16:09How beautiful you both are
00:16:14And I was going
00:16:15Burnt that Tommas miles
00:16:18When they transfer me to the squares it disgusts me
00:16:20He has to go for me
00:16:22Both as much as the gay one is
00:16:23It seems Fabio Testi
00:16:24Yes, you dickhead
00:16:25Given the turn of events, let's put the fine aside for now.
00:16:31Well, I'd like to see
00:16:32Don't believe it, you know, there are some daughters of Bottana with respect to Parlanda
00:16:35It's true that they insist, I beg you.
00:16:37Oh yes, but you can see that he is a very good boy.
00:16:39Too good, however I would be quite interested in her marital status
00:16:43Why? Are you planning to report me?
00:16:45No, when? Is she married?
00:16:47No
00:16:48Fiancée?
00:16:50No
00:16:50And not even flirted?
00:16:52No
00:16:53So it is...
00:16:53Free?
00:16:54Very free
00:16:56Flavia Residence
00:16:59Residence
00:17:00Well, miss, I hope to see you again soon.
00:17:03Sure, good morning and thank you.
00:17:05You're welcome, where is it?
00:17:11Too
00:17:12By the way, did you ever see who was in that taxi?
00:17:17Of course, a dream woman, a wonderful girl
00:17:21But no, the man has his leg in a cast
00:17:23Sedoro, it's my fault that I don't give a damn about men
00:17:25But that's Adonis, the famous mafia boss
00:17:28Adonis?
00:17:28Yes
00:17:28Quick, let's chase him
00:17:30Let's chase him
00:17:30Via
00:17:35And go
00:17:37Hey, where are you going?
00:17:41I'm taking the shortcut
00:17:42How Franco Nero Rebels in the Police
00:17:45Wow, what a luck!
00:17:56Oh, I didn't do anything to myself.
00:17:58Boss, so how are things?
00:18:04Are you calmer, are you redder?
00:18:06Everything's ok Rocco, thank you
00:18:08My leg is full of morphine
00:18:09Eh, I know I have a sharp nose, thanks
00:18:11No, I said my leg is full of morphine
00:18:14And I can't wait to get this weight off my shoulders.
00:18:16Certain
00:18:16I don't feel comfortable walking around Rome dressed like this
00:18:19I'll be stuck with my blonde for a while
00:18:22Did the slingshot break?
00:18:23Eh, right, I shouldn't take up
00:18:25Blonde
00:18:25The slingshot
00:18:26Blonde
00:18:27The bomb
00:18:27Oh, oh, oh, oh, oh, don't pull your leg
00:18:38And what does samba have to do with it?
00:18:39The leg, damned deaf, pays the tax
00:18:41Ficca
00:18:42The samba
00:18:42What are you doing, are you limping too?
00:18:47No, I did it out of solidarity.
00:18:49How much is it?
00:18:511,700
00:18:52Well, 1,000
00:18:532,000
00:18:553,000
00:18:57Thank you
00:18:58Via
00:18:59Emma
00:19:02But what did I do?
00:19:04But that's Adonis Adonis
00:19:05The famous drug courier
00:19:06I know for years that police all over the world have been trying to catch him in the act.
00:19:09But that very clever one
00:19:10And no one has ever figured out how he carries it.
00:19:13Oh, yeah?
00:19:14And instead I understood it
00:19:15Adonis
00:19:16Adonis
00:19:18But try the boss
00:19:20Yes, sir.
00:19:21We know where it goes
00:19:22Ciovasi inside a residence
00:19:24With her little friend
00:19:25Ah, with the little friend, good
00:19:27And above all, Commissioner
00:19:28We found out how it transports
00:19:30The drug
00:19:31The what?
00:19:34The drug
00:19:35When do we have it today?
00:19:3723
00:19:37Oh, 23
00:19:38Lucky number
00:19:39Good, very good
00:19:41I can already smell promotion in the air
00:19:43Tell me where Adonis is
00:19:45And how does he make us look like fools?
00:19:46Commissioner
00:19:47And if I tell him
00:19:48She makes me transfer the team in advance
00:19:49But like us?
00:19:50I'll have you transfer the team in advance
00:19:52Antiforte
00:19:52On the candles
00:19:53On the panthers
00:19:54On elephants
00:19:54It speaks to you in a garden
00:19:55And I am today
00:19:56Comrade, on
00:20:08Soon
00:20:08Let's do it quickly
00:20:09Let's do it quickly
00:20:10Walk, forward
00:20:11Hurry up
00:20:12Come on, up
00:20:13Oh
00:20:30Is there?
00:20:32Police
00:20:32Open
00:20:33In the name of the law
00:20:35A cream for me
00:20:42Break down the door.
00:20:46But okay, I'm going, I haven't changed anything.
00:20:49Maroni, I can't find the nozzle, pull it for me.
00:20:51Maroni, go ahead, come on.
00:20:54But what are you doing? What do you want?
00:20:55Adonis, don't move, you're trapped.
00:20:58Commissioner, do you have a search warrant?
00:21:00We have better.
00:21:02Scordia, acting like a good hammer, right?
00:21:05The hammer?
00:21:06Ready.
00:21:08And what does the hammer have to do with it, Commissioner?
00:21:10Don't worry, I think.
00:21:12Don't worry.
00:21:14No, not the hammer.
00:21:15Yes, yes.
00:21:15The hammer no.
00:21:16Yes, don't be afraid, it's a matter of a minute.
00:21:19Where is it? Here or here?
00:21:20But what? Drugs?
00:21:21But I don't have the drugs, which are here and there, commissioner.
00:21:23Oh, there's no drugs?
00:21:23There are no drugs.
00:21:25But it's beautiful!
00:21:27Look how the actor does it, I act, I act.
00:21:32Here it is.
00:21:33This one fits.
00:21:37So, Commissioner?
00:21:37Leave me alone, miss.
00:21:39Did you get it, Commissioner?
00:21:41Did you see what information I gave him?
00:21:43Becc has decided.
00:21:44Anti-theft or advance?
00:21:45Where do I go?
00:21:46To mudulo.
00:21:50That is a new team?
00:21:52Vidal bath foam, an extract of resin and pine essences
00:21:56which produces a rich and active foam.
00:21:58Vidal bubble bath.
00:21:59Hello, Orva.
00:22:00Oh.
00:22:01Arce.
00:22:02HI.
00:22:02Is there work this morning?
00:22:04No, absolutely calm.
00:22:05I've been here for over an hour.
00:22:06But with the call.
00:22:08Okay, then I'm going to get gas.
00:22:09Go, go.
00:22:21Marcellina, she got up early this morning, huh?
00:22:23Is it usual?
00:22:24Yes, yes.
00:22:24Golden Cup Coffee.
00:22:26He's the best in the world.
00:22:28Golden Cup.
00:22:29The queen of coffees.
00:22:30Yes, yes.
00:22:33I opened it right away.
00:22:36Marcella!
00:22:38To Marcelli!
00:22:40Marcelli!
00:22:40Huh?
00:22:41Mom called just now.
00:22:43The less you mention that, the better I feel.
00:22:45But this is a life-or-death hour.
00:22:46You have to go to the plane trees, to the photo studio.
00:22:49Oh my goodness.
00:22:50And what could have happened to him?
00:22:51And what do I know?
00:22:55To Marcelli!
00:22:56The food!
00:22:59She's arrived.
00:23:00Oh, my divine!
00:23:21Thank you, my beautiful one, for coming here.
00:23:23Ramon, what happened to you?
00:23:25Come, my sweet love.
00:23:26Forward.
00:23:26Can you explain yourself a little?
00:23:27Yes.
00:23:28At that time?
00:23:35What is this matter of life and death?
00:23:37Oh, selle mi vida.
00:23:39Marcelli, give me courage.
00:23:40By the way, what time is it?
00:23:42Oh, yeah?
00:23:43I still have an hour.
00:23:45Let's go to my house.
00:23:46My wife you're out.
00:23:47I want to love you madly.
00:23:48Let's go to bed, Marcelli.
00:23:50Are you stupid?
00:23:51You take our wife to bed.
00:23:52No, you have to be mine.
00:23:54My blood boils.
00:23:55My head is going to explode.
00:23:57And get a doctor, a cure, right?
00:24:00Oh, don't joke, you know?
00:24:02As I told you, it's a matter of life and death.
00:24:05Do you know what this is?
00:24:09A suppository, what is it?
00:24:11No.
00:24:13It is a vial that contains cyanide.
00:24:15It is the most powerful poison there is.
00:24:20If you tell me no, if you don't accept to be mine,
00:24:25I hold it between my teeth and say adios to you.
00:24:29Rome!
00:24:37Rome!
00:24:37My love, talk to me and tell me something.
00:24:40But how is it there?
00:24:41Do you see the tongue?
00:24:42Maybe I have my tongue.
00:24:44And I chase away.
00:24:45But what are you worried about with your tongue?
00:24:46You have a mouth full of poison.
00:24:52You wretch.
00:24:53But this smell of lemons.
00:24:55It's a lemon pill.
00:24:56Yes, indeed, there is vitamin G.
00:24:57But this is how I learned, my sweetheart, that you still love me.
00:25:02But what are you doing, love?
00:25:03Hand!
00:25:03Put, you make me and he makes me, beat!
00:25:05Did they have me?
00:25:05He wants his pussy!
00:25:07But do you always piss me off for you?
00:25:10Stopped!
00:25:11Marcellita!
00:25:12Against the excesses of the masters,
00:25:14against the delegating black violence,
00:25:17we went beyond the factory!
00:25:19Come back to earth strong!
00:25:21Fascism!
00:25:22Come back to earth strong!
00:25:24I'll be back!
00:25:25I will come back and win!
00:25:41Thank you.
00:25:42You're welcome.
00:25:44And this is also sixth hand.
00:25:46And now why did he stop me?
00:26:02You won't tell me that I was going too fast this time too?
00:26:04No, mine is a personal stop.
00:26:07Since I saw her coming,
00:26:08I said to myself Walter,
00:26:10because my name is Walter.
00:26:11Walter, don't you think it's right to stop Miss Marcella and...
00:26:15And say good morning to her?
00:26:17Exactly.
00:26:18Yes?
00:26:18So good morning, huh?
00:26:20As?
00:26:23Yes, yes, he says good morning.
00:26:25As if he didn't understand.
00:26:28Go, go,
00:26:29when the female is cooked,
00:26:31he pretends not to care.
00:26:33And now I'll show you an American-style start,
00:26:35like Bronson,
00:26:36the hero of the flying squad.
00:26:41And now what do you do?
00:26:43Well,
00:26:43I do as in Rome with a gun.
00:26:45They go home and take me for a walk.
00:26:46But what do I care?
00:27:03Now you wait here, yes?
00:27:05All right.
00:27:05Height.
00:27:24Excuse me, Sam,
00:27:40but all these people
00:27:41It has nothing to do with my tax,
00:27:42are these breaking now?
00:27:43To be wives of his grace,
00:27:45Abdullallah,
00:27:46Grand Sheikh of Al-Satah.
00:27:48And who cares,
00:27:49aren't you leaving us out?
00:27:49Attention,
00:27:50he, he is being the great one,
00:27:51very big oil sheik.
00:27:54Oh,
00:27:54Well,
00:27:55Good morning.
00:27:56Salaam.
00:28:23Salaam.
00:28:38Salaam.
00:28:4050 dollars,
00:28:42what's enough for you?
00:28:43Yes,
00:28:44they will only be enough to provide him with shock absorbers.
00:28:46And that, his grace, instructs me to tell you that he has highly valued the efficiency of your vehicle.
00:28:52Thank you, I will refer Abba Cagnelli
00:28:55His Grace, he would like to buy your taxi and he offers you 100,000, 100,000 dollars, understand?
00:29:02What? $100,000?
00:29:06Yes, 100,000
00:29:07Really? He actually said that.
00:29:10Yes, 100,000, I advise you to accept it.
00:29:13Do you want to come back tonight and arrange Bussini's business at nine o'clock?
00:29:19But Marcella, how much is the dollar worth?
00:29:22At 800 at the moment, but it seems to be fluctuating
00:29:24Well, even if it fluctuates, it's still 80,000,000
00:29:28Oh, no? But wait, is this a scam?
00:29:31But do you think they care about you?
00:29:33Ragista, beer!
00:29:34Here you are!
00:29:35Chic people aren't chic, you know?
00:29:37For those there is a need, everything, and platinum washing machines
00:29:39But what about those 80,000,000? The shoes are on the block.
00:29:43But just give him the taxi
00:29:45No, license, eh
00:29:47What are you talking about? Why are you giving the license?
00:29:49Do you think this smart guy is going to start getting taxied now?
00:29:51And why didn't Gaddafi start selling cars?
00:29:53But I'm leaving you, okay? Bye
00:29:55HI
00:29:55But Marcella
00:29:56What is it?
00:29:58Listen, I can sell the taxi.
00:30:00But they got it right, a 125
00:30:02But they go and screw it up, they only give me 30,000 dollars, what do I know?
00:30:06Oh well, now I'll say it, bye
00:30:07Even, hello
00:30:08Oh, Agi
00:30:17But what a Manolo, the Voda bottle
00:30:19Voda
00:30:20Hey, here you go.
00:30:21It was also fresh
00:30:25Salami
00:30:27Salami
00:30:28Now you wear one of these dresses
00:30:31His Grace never receives women dressed in European fashion, on
00:30:33But is he really sure he can buy my tassin for 100,000 dollars?
00:30:37Very safe, as long as you respect palace etiquette
00:30:40$100,000 for a loggerhead taxi
00:30:43You won't find anyone who offers them to you
00:30:44Amina, what is your grace waiting for?
00:30:46Oh, but what will His Grace have to do with this little taxi of mine?
00:30:55Only Allah knows this.
00:30:57Only Allah
00:30:59You only care about dressing as His Grace wishes.
00:31:04You must be dressed in an oriental way both above and below.
00:31:11Beauty of body must be highlighted by sailing and shown without being seen
00:31:20The important thing is that the face is covered
00:31:25Azzassone
00:31:41After you
00:31:51Come forward
00:31:52Don't be afraid
00:31:54What's your name, darling?
00:31:59Marcella
00:32:00Oh, Marcella
00:32:01You will dance for me
00:32:02You will dance the belly dance
00:32:05I actually came to sell my tassin
00:32:08Nose does that thing there
00:32:10He offers you $200,000
00:32:12$200,000?
00:32:15It would be like two badgers
00:32:16Let me explain better, darling.
00:32:18$100,000 for the rates
00:32:20And 200 for Don Zare
00:32:23Whoever pleases Abdullah Allah
00:32:25He will benefit greatly from it.
00:32:27Gladly, but
00:32:28I dance the twist
00:32:30The shake
00:32:32The cha-cha-cha
00:32:33I do the tango
00:32:34But I don't seem to dance
00:32:36I don't know good
00:32:37Psst, psst
00:32:38Ariezi
00:32:39He doesn't make a fuss
00:32:40Imagine that I came to bring a letter
00:32:42But I can't play the Piffer
00:32:44It blows your mind
00:32:44Alright
00:32:46I'll try
00:32:48Play
00:32:53But Pelletieri can't play for me
00:33:23Thank you all.
00:33:53Go away, go away, everyone. Go away.
00:34:01I'll buy you.
00:34:03Please.
00:34:04Buy, buy, pay.
00:34:06Ah, I want to buy rates.
00:34:07But what tax? I couldn't care less about taxes.
00:34:09Thursday bought Ford, Friday bought Fiat, Monday bought Alfa Romeo, today bought you, right?
00:34:15And you want to buy from me?
00:34:17And then all those wives you have aren't enough for you?
00:34:19But my dear lady, every night fifty soups, always the same, tired me.
00:34:26Damn, I'm up all night.
00:34:27Oh yes, always the same fifty.
00:34:31I sign to you, check.
00:34:33But you don't sign anything at all, what do I have to put in your head?
00:34:36What? You dare to make such a great refusal to His Enlightened Grace, Abdu?
00:34:41Oh, you know what I say? Abdu lallà, take this one.
00:34:45But what...
00:34:45Stop!
00:34:46Goodbye!
00:34:47Come here, if you get any.
00:34:49No, wait!
00:34:50Here it is, leave this fat belly to me!
00:34:52Buy rates, and ask for what you want!
00:34:55Greetings!
00:34:55Stop, stop!
00:34:57Salaam!
00:34:57Cut it!
00:34:58I don't want it!
00:34:59So, but who?
00:34:59Do you have a good story?
00:35:00Who is saunità for?
00:35:01Who is saunità for?
00:35:01Who is saunità for?
00:35:01Who is saunità for?
00:35:01Who is saunità for?
00:35:02Who is saunità for?
00:35:03Who is saunità for?
00:35:03Who is saunità for?
00:35:04Who is saunità for?
00:35:05Who is saunità for?
00:35:35You don't do...
00:35:37You don't do...
00:35:39You don't do...
00:35:41Don't fall for it.
00:35:43Look at that...
00:35:45I'm in a hurry like crazy and the highway patrol won't stop me, you know.
00:35:48That barter always gets in my way.
00:35:50Mignotte will have gone.
00:35:53Here you are...
00:35:55The Whores. This is an idea.
00:35:57Forward, forward, move.
00:36:00You don't do...
00:36:02No, no, no, no, no.
00:36:04Hey, princess, you're walking.
00:36:06But what are you doing, art stygian?
00:36:08But we don't go to work.
00:36:10But we don't go to work.
00:36:12We work, but you see my...
00:36:14And where am I...
00:36:18Stop, stop, just a moment.
00:36:20Marcella, Marcella.
00:36:22And then they talk about great love, free love.
00:36:24Then again, I'm not watching the road.
00:36:26No more fuss. Get on, face it.
00:36:28Stop, stop, stop.
00:36:30Marcella, I'm here for Marcella.
00:36:32Leave him, leave him.
00:36:33But you don't know that it's me.
00:36:35You don't know who I am.
00:36:36You don't know who I am or not.
00:36:38You don't know that it's me.
00:36:39You don't know.
00:36:40You don't know.
00:36:41You don't know.
00:36:46This one doesn't remember who he is.
00:36:47Come and get me, kick my ass.
00:36:49But my daughter, Benedetta.
00:36:51But do you want to understand that they are the sheiks of oil?
00:36:53If they get pissed off, they'll send us all packing.
00:36:55Your taxi stops, the Panteras stop, the radio stops, the cinema stops, the planes stop, even the newspapers stop.
00:37:03The homeland is in danger.
00:37:05And all this because I pushed that fat guy.
00:37:08Listen, Commissioner, this story doesn't matter to me at all.
00:37:11If you want to arrest me, but you can stay, okay.
00:37:13But what are you crazy about?
00:37:15But you're not even joking. Today is Friday the 17th, and it's a bad luck charm.
00:37:18I don't even think about it.
00:37:19Cacioppo, bring me two bikers.
00:37:22Now I'll have you walked home because you can't walk around Rome dressed like this.
00:37:26I really don't want to disturb you too much.
00:37:28At your orders.
00:37:29Hey, take the lady to the taxi and then walk her home, you understand?
00:37:33Yes, sir.
00:37:38Amazing things they are.
00:37:40I never imagined I'd be wearing this dress like this here, so right.
00:37:44Why? It doesn't suit me.
00:37:46I'll be frank, she's fine with everything.
00:37:48Listen, I'm taking this opportunity to make you a very important revelation.
00:37:52I was struck by a sudden and overwhelming passion.
00:37:55Talk about her as a person.
00:37:57Intimate question, are you an orphan?
00:37:59No.
00:38:00Does it have regulation pages and spells?
00:38:02Yes, why?
00:38:03Well, maybe you haven't noticed because I've been living on the continent for many years now.
00:38:08and I'm very fluent in the language, but I'm Sicilian.
00:38:11Oh, yeah?
00:38:12And old-fashioned.
00:38:13I would like to have the honor of speaking with his parents.
00:38:15Oh, okay, I'll give him a call.
00:38:18No, but who understood? I want to ask his mother.
00:38:21And she doesn't care about my opinion.
00:38:22But I already know her opinion, she doesn't need to speak.
00:38:25In his eyes I see the flame of love and passion clearly shining.
00:38:28Marcella, I want you.
00:38:30Ah, what cold hands.
00:38:31He's going out.
00:38:32Forward, forward.
00:38:33I have a motorbike.
00:38:34A motorcycle that has the end of the world.
00:38:35Seven beauties.
00:38:36But what grades does he get?
00:38:37Come and see.
00:38:38Namo, come.
00:38:39Come on, eh.
00:38:40Let's go.
00:38:41Oh, but what the hell did I happen to bother you with?
00:38:44I'm going to make out.
00:38:45Oh well, okay, but there's time for these things.
00:38:47Think about the motorbike.
00:38:48Oh, I just picked it up from the garage.
00:38:50All modified.
00:38:51Ground pistons.
00:38:52Stayed down.
00:38:53Abarth muffler.
00:38:54It's a bomb.
00:39:07Gasoline is rising again.
00:39:08And we will go with the carriage.
00:39:09Careful.
00:39:10Oh, tell me first.
00:39:12Ready.
00:39:13What?
00:39:14Who is?
00:39:15But who are you?
00:39:16Ah, because I'm not good to you, eh?
00:39:17Ah, I'm not good, and Marcella is.
00:39:19He's right.
00:39:20Oh, yes, he's right.
00:39:21Marcella, they're going to you.
00:39:22Marcella, she's not at your house, eh.
00:39:24Now that you're done with it.
00:39:25And then they say they always find the phone busy.
00:39:27They're right, yes.
00:39:29But does it seem like I always have to read the moco?
00:39:31And get it over with.
00:39:32Ready?
00:39:33Ramon, what the hell do you want?
00:39:36You know I'm here working, right?
00:39:38It's not enough, I want to talk to you more.
00:39:41I greet you.
00:39:42Oh, wait a minute, for God's sake, don't attack.
00:39:44My Marcellita, soul of my heart.
00:39:47I have wonderful and amazing news for you,
00:39:50that will fill you with joy.
00:39:51I separated from my wife.
00:39:53Really?
00:39:54Of course, my beautiful one.
00:39:55I don't believe it.
00:39:56Yes, I swear, my dear.
00:39:58It is the truth.
00:39:59It's something else.
00:40:00Now my life is all spiritual.
00:40:03I long for you.
00:40:05You don't have to believe me.
00:40:08I'll explain everything to you in person.
00:40:10Yes, tomorrow when I can pick you up at home at half past seven,
00:40:13as soon as I finish working.
00:40:14And is he okay?
00:40:15No.
00:40:16Why not?
00:40:17At eight o'clock.
00:40:19Basins.
00:40:21Goodbye.
00:40:22Marcelli, are you starting again?
00:40:25That's what you want to frame.
00:40:26But since when have you been there?
00:40:27One day I'll stick this under my car.
00:40:30I sanction it all.
00:40:31I'll have it done.
00:40:32Convalescence and equal to chocolate between orta.
00:40:34Oh, wonderful.
00:40:41Gorgeous.
00:40:43This nut head passes it.
00:40:48My divine.
00:40:53Neighbor.
00:40:54After.
00:40:55If you deserve it.
00:40:56I keep the car.
00:40:57You're welcome, senina.
00:41:01Bessame.
00:41:06Bessame.
00:41:07Bessame mucho.
00:41:20Say it with flowers.
00:41:22But they're fucking assholes.
00:41:31Let's go dance.
00:41:46Let's go dance.
00:41:48Smooth tires.
00:42:09Non-regulation antenna.
00:42:14Stamp expired.
00:42:16And probably without a triangle.
00:42:22Inefficient brakes.
00:42:32The license plate is not very visible.
00:42:34Whoever you are.
00:42:36A very great, very faithful, very thoughtful individual.
00:42:40I'll ruin you.
00:42:41On the financial level.
00:42:43For me.
00:43:00You're welcome, this is the best, sir.
00:43:03Blanc de Blanc.
00:43:04Prince of Piedmont.
00:43:05Okay, okay.
00:43:06Leaves.
00:43:07Marcellita.
00:43:08My Marcellita.
00:43:09I feel like I'm back to happy times.
00:43:10Happy times.
00:43:11There is also the courage to speak.
00:43:12I feel like I'm back to happy times.
00:43:13Happy times.
00:43:14There is also the courage to speak.
00:43:15I feel like I'm back to happy times.
00:43:19happy times.
00:43:20Happy times.
00:43:21There is also the courage to speak.
00:43:22And now, by kind request, the Tango Cotenecio.
00:43:24Good, beautiful.
00:43:25Tango.
00:43:26Tango.
00:43:27Tango.
00:43:28Tango.
00:43:29Passionate tango.
00:43:30Tango.
00:43:31Tango.
00:43:32Tango.
00:43:45Passionate tango.
00:43:50Tango.
00:43:51Passionate tango.
00:43:56Let's dive into the tango.
00:43:59Thank you all.
00:44:29Thank you all.
00:44:59Let's follow that couple.
00:45:01Here.
00:45:15Thank you.
00:45:16Now let's make the gaschè.
00:45:28But what's wrong with you now?
00:45:31Thank you all.
00:46:01The Revolution.
00:46:03No, it's so Christmassy.
00:46:05Lack of priority for vacations used for cod fishing.
00:46:09Parking on any military vehicle routes.
00:46:13Stop in an area of heavy air traffic.
00:46:16But is it war?
00:46:18But I understand it.
00:46:19No entendo perché tutti le multas a me e nessuno a noi.
00:46:23Why?
00:46:24Come on, don't worry.
00:46:26I know a guy from the police.
00:46:29Come on, don't be shy, come in.
00:46:43Be quiet if the cat doesn't wake up.
00:46:46Go ahead, please.
00:46:47It's big for just one though, eh.
00:46:51Well, in fact I don't live there alone.
00:46:53With what they cost for rent.
00:46:55No, no, no, two colleagues live here, two actors.
00:46:57Look, their rooms have been called.
00:47:00My room is over here, please.
00:47:03Please come in.
00:47:04This is my bedroom where I live like a little brother.
00:47:11Do you like it?
00:47:12Oh, look how beautiful.
00:47:16This is the boy's room.
00:47:18Ah, yes, yes, yes, yes.
00:47:20It's a child's room.
00:47:22It's my room.
00:47:24But my evening, since you left me
00:47:27I had a very infantile regression.
00:47:30All right, now let's play in Moscow.
00:47:34I'm wearing this magnificent fasso reton.
00:47:39Come on, hurry up, who has it?
00:47:42Marescerita, marescerita, what are you like?
00:47:44Water, water, novel, little adventure.
00:47:46Come on, do it, do it, do it, do it.
00:47:48What are you?
00:47:49Here?
00:47:50Hey, can't you hear me?
00:47:52Marshal, marshal.
00:47:54Ah, I got you, Marshal.
00:47:57And now I would be mine forever.
00:48:00And with you I will forget that scolfa, my scolfa, my mucera.
00:48:05A balsino.
00:48:08Oh!
00:48:09Oh, ugly, the favor of Ice, who is the ungrateful era.
00:48:13Help, I got you, Marshal.
00:48:16Help, I got you with the rooster.
00:48:18Let's kill her!
00:48:18Of course, that Ice, damn it, killed it.
00:48:22Marcella, what do you want?
00:48:24Who are you? But I don't give a damn.
00:48:25Marcella, listen to me, let's talk frankly, man to man.
00:48:29That is, from man to woman.
00:48:31Here, hold on here for a moment.
00:48:33Listen to the voice of my heart.
00:48:34What are they doing, are you listening to me?
00:48:36Come on, come in.
00:48:37Floor.
00:48:37Oh, easy!
00:48:38One moment.
00:48:40Who?
00:48:40Okay, do it yourself, go.
00:48:42Here you are.
00:48:43So so.
00:48:44One moment.
00:48:45I'll be right there.
00:48:46I'll be right there.
00:48:48Marcella, I will make that man disappear from your life forever.
00:48:51If I think about stabbing him in the heart.
00:48:54Actually, two.
00:48:55This is a sentiment that highly honors you.
00:48:57Good.
00:49:00Are you married?
00:49:04Fiancé?
00:49:08Promise?
00:49:12So, kiss me.
00:49:16Brake!
00:49:17Don't be so violent.
00:49:21First the engagement needs to be regularized.
00:49:25It takes a little ruby.
00:49:30Do you like it?
00:49:35Marcella!
00:49:37The tap!
00:49:38The faucet flew!
00:49:40Wait, I'll find it now.
00:49:42But what do I care, kiss me.
00:49:44Make the offer.
00:49:48I am the son of Giova.
00:49:50No, you're a rebottana son.
00:49:52Against the wear and tear of modern life.
00:49:54Health!
00:49:59Truly, my heartfelt congratulations.
00:50:01A lovely house.
00:50:03Nice, welcoming, clean.
00:50:05The bedroom will be all to ourselves.
00:50:07Bathroom, kitchen, living room, the shared one.
00:50:10Be patient, but let's go sleep.
00:50:12The terrace, I observed.
00:50:13I was saying that with little work and little expense
00:50:16we will get a very comfortable little room from it
00:50:18for dad and mom.
00:50:20Sure, we're old and there's something for you.
00:50:23But I also have to sleep, girl.
00:50:24Excuse me, but how much do you earn?
00:50:27Ah, 185 thousand lire.
00:50:29Bite!
00:50:30Oh well?
00:50:31Yes, but family allowances must be added to these.
00:50:33Yes, yes, there are 20 thousand lire for the little wife here.
00:50:37Delicious!
00:50:38Then there are 15 thousand lire for each child
00:50:40doing a calculation for six children.
00:50:42But how come there are six?
00:50:44No, of course not, this was for the first six years.
00:50:46It can if it already goes.
00:50:47But I say, what does Mom give for the wedding expenses?
00:50:50Of course, Dad.
00:50:51And how?
00:50:52So, Marcella and I will contribute with the money
00:50:55proceeds from the sale of badgers.
00:50:57What?
00:50:58I should sell the badgers.
00:51:00And why?
00:51:00Say why?
00:51:02But how come, Marcella Sabedda?
00:51:04Eh, you should figure that out on your own, right?
00:51:06And what do we do?
00:51:07The wife of an honorable taxi guard
00:51:09who goes around in a taxi all day
00:51:11bringing the healthy, unknown into space.
00:51:13Are we laughing, Diego?
00:51:15That seems fair to me.
00:51:17The woman, as they say,
00:51:18he is the angel of the house.
00:51:20She has to wash, iron, think about the children.
00:51:23But, but, but, since we are all feminists now
00:51:26on Sunday she can also go out alone
00:51:28to go to mass.
00:51:29Least of all.
00:51:31What a smell!
00:51:32I can't wait to try it.
00:51:37As?
00:51:39They need a little salt.
00:51:43Taxi, taxi!
00:51:44Stop, stop!
00:51:47Good evening.
00:51:49Where are we going?
00:51:50At the Scribble.
00:51:53Rocco, after Nico, is that guy coming to my house?
00:52:02Who is in agony?
00:52:04Let's hope that's not like the kitchen,
00:52:06the last courier.
00:52:07And what is there to believe?
00:52:08What a dull dream I have?
00:52:09I understood very well.
00:52:11That little guy is starting to get too annoying.
00:52:14But I calmed him down right away.
00:52:15Two lead candies.
00:52:16Caliber 9.
00:52:18What's up?
00:52:19But if, Madame la Nera,
00:52:20he put on his glasses,
00:52:23they're bitter pills.
00:52:25Shall we take her to the beach?
00:52:26Let's go to the sea.
00:52:26In this cold?
00:52:28But come on, you're just a pain in the ass.
00:52:29And what does Lazio have to do with it?
00:52:43Good evening, doctor.
00:52:45Good evening.
00:52:46Hey you, pay, pay.
00:52:48Here you go.
00:52:57I eat the rest.
00:53:05All right.
00:53:06Take it over there, okay?
00:53:07Coco, coco, coco.
00:53:08Cocò, cocò, cocò, cocò, cocò.
00:53:09Cocò, cocò, cocò, coco, crichì, cut your hair, okay?
00:53:15Excuse me, cocò.
00:53:16Well, it seems to me that I wasted his time this time too.
00:53:20No, no, not at all.
00:53:21Aside from the fact that today is the 13th, you see, it's a lucky day.
00:53:25But your information agrees perfectly with that of the Capricorn owner,
00:53:29who among other things works for us.
00:53:31And it was through him that we learned about a large quantity of drugs entering Italy.
00:53:35And that our dear Adonis is trying to buy.
00:53:39Did you understand?
00:53:40And who is that little kitchen girl?
00:53:41And that little kitchen is a Sicilian who tried to buy it.
00:53:44And in fact he took two 9mm confetti in the back.
00:53:48And who is the black lady?
00:53:50Eh, Madame the Black, modestly speaking, it's us.
00:53:52Eh, but those are smart, they're not like that idiot sheikh who made you do the belly dance.
00:53:58By the way, stand up a bit, eh.
00:54:02But...
00:54:03Stand up, let me see something.
00:54:09Tell me something, but men really like you.
00:54:12But I certainly don't disgust him.
00:54:14Well, if you understand, of course.
00:54:16When they see me they look at me with their eyes.
00:54:18At that time.
00:54:19Oh, you too, Commissioner.
00:54:20Oh, no, I'm sorry.
00:54:21Eh, my daughter.
00:54:21Ah, thank goodness.
00:54:22At this moment it is the official who is looking at you, not the man.
00:54:24Well, I'm seeing if you have the physical and psychological aptitude for a possible mission.
00:54:30A possible mission.
00:54:32A mission?
00:54:46But...
00:54:47So, you got it all, right?
00:54:53Do you remember the police number?
00:54:55One, one, three.
00:54:58Yes, yes, I marked it down.
00:54:59One hundred and thirteen.
00:54:59Eh, be careful though, eh.
00:55:02Those are suspicious people.
00:55:04Don't worry, he has the armband above any suspicion.
00:55:08Will be.
00:55:10Well, then I'm going, eh.
00:55:12HI.
00:55:14Oh, Marcella, be careful, because if anything happens to you, I'll have to do the dirty work.
00:55:18It doesn't worry you.
00:55:19HI.
00:55:21Good evening, officers.
00:55:22Coco, Coco.
00:55:23Cocò, Cocò, remove your hair.
00:55:25Coco.
00:55:25Ready?
00:55:26Here, central.
00:55:27Here, central.
00:55:28Do you understand?
00:55:28Everything is fine.
00:55:30Reported to the operations room.
00:55:31The service is ready.
00:55:33The cars are ready to go.
00:55:34They're warming up their engines.
00:55:35Call her back so she doesn't intervene until I take action.
00:55:37Did you understand?
00:55:38Yes, sir.
00:55:40Attention.
00:55:43But hey!
00:55:45Document!
00:55:46And now I don't have them.
00:55:47What are you saying?
00:55:49Commissioner.
00:55:50But what are you doing here?
00:55:51Well, we're on duty.
00:55:52So keep me ready because you'll be going out with me soon.
00:55:55Commissioner, big stuff and you're hungry.
00:55:58Good evening, Mr. Radonis.
00:55:59Hi, Giacomo.
00:56:00Are there people?
00:56:01Enough.
00:56:01Good evening.
00:56:02Have fun.
00:56:02Thank you.
00:56:14Hi, for waxing.
00:56:15Mr. Radonis, good evening.
00:56:16Hello, Giorgio.
00:56:17Give me a bottle of GB, huh?
00:56:18For me too, huh?
00:56:19Hello, doll.
00:56:21See you later, huh?
00:56:22Sorry, go, go.
00:56:22Now to do.
00:56:23So, when does the goods arrive?
00:56:26Oh?
00:56:26Ah, it's coming tonight.
00:56:28It was about time.
00:56:29Where now?
00:56:30Tonight, say?
00:56:31Yes, I understand, I understand.
00:56:35But what are you doing?
00:56:36Are you going alone?
00:56:38What's wrong, hold up?
00:56:40Sedemosa who?
00:56:43Are you telling me or are you asking me?
00:56:44Ah, do you like it, my love?
00:56:51I like it, but who knows how much it costs me.
00:56:53Oh, don't worry.
00:56:55For once we have to celebrate our car too, right?
00:56:58Honey, you always celebrate with my wheat, huh?
00:57:02And here for you, for the first time in Italy, the sexy doll Sheila Bloom.
00:57:14We have to watch out for the Neapolitans for that Bianca match.
00:57:38I don't give a damn about Neapolitans.
00:57:40They don't give a damn about Torpiglione.
00:57:41In Corleone they don't grow moustaches.
00:57:43Look, I'm sick of dancing with a deaf man.
00:57:45Use the hearing aid.
00:57:47I have a croissant with my coffee in the morning.
00:57:49Now shut up, you idiot.
00:58:02Gentlemen, scotch?
00:58:04No, I don't drink scotch.
00:58:06It bothers you.
00:58:08Dos, with lots of ice.
00:58:09Well, gentlemen.
00:58:13Ugly, dirty, wretched.
00:58:27You brought me here to see that shameless girl's ass.
00:58:30But I fulfill you.
00:58:31And who is that?
00:58:34Oh, I must be new.
00:58:37Never seen it.
00:58:38Get informed.
00:58:39Should I bake?
00:58:40But who do you want to bake?
00:58:41I have to wash it.
00:58:42But who said wash?
00:58:43Go and find out.
00:58:44Oh, yes, right away.
00:58:47You have nothing.
00:58:48But don't you want to go to school?
00:58:49But go ahead and make fun of me.
00:58:50No, no, no, it's not very fine, Ornella.
00:58:52Don't get caught up in it.
00:58:54Nice.
00:58:54Judah.
00:58:57Look, dear, I'm not sending you packing because you're a gentleman.
00:59:00Oh, yeah?
00:59:01And then I'll die and you'll pay the bill yourself.
00:59:03When you come home I'll blow you up like a bagpipe.
00:59:06Look, I like yours.
00:59:08Ornella, wait.
00:59:09Don't leave me, my love.
00:59:11They don't have the money for you.
00:59:12Stop.
00:59:13Ornella.
00:59:13What are you doing, copying?
00:59:15Oh, no.
00:59:16Ornella, wait.
00:59:18Are you having fun, ma'am?
00:59:19You have to see.
00:59:20Ornella.
00:59:21And go away.
00:59:21Ornella, wait, dear.
00:59:23But why do you make me suffer?
00:59:24Listen, dear, where are you going?
00:59:26I can't live without you.
00:59:28Ornella, Ornella, I love you.
00:59:31But she at least looks like the dough, right?
00:59:35As?
00:59:39You're welcome, ma'am.
00:59:40Follow that drop.
00:59:41No, no, no, it's out of order.
00:59:42But what are you doing here?
00:59:44And what do you care, huh?
00:59:45Oh, yeah.
00:59:46No, I have to supervise.
00:59:48That?
00:59:48I have to monitor.
00:59:49Oh.
01:00:12No, I have to supervise.
01:00:17Thank you all.
01:00:47Thank you all.
01:01:17Thank you all.
01:01:47Did you lock yourself in? Are you sure? Are you sure? I swear.
01:01:50Good. So, have you found out?
01:01:51Yes, yes, I asked. Who is she? She's one of those locals, a rebel.
01:01:54Better this way. When can I offer them?
01:01:56You do it, Rocco, but remember. Yes. Not too much?
01:01:57No, no, very little. Very good.
01:01:59Give me a cigar. What? Give me a cigar.
01:02:01Oh, yes, right away.
01:02:03So, this cigar? I can't find it, I'm done.
01:02:05Okay, just open one. Can I open it?
01:02:07Just one. Show me. That's fine.
01:02:09Come on, give me the cigar. But how?
01:02:10The cigar.
01:02:11If Marcellita is in danger, then giore mango.
01:02:30But what are you left to do? Isn't it enough that you got her into trouble?
01:02:32Exactly, I feel a moral duty.
01:02:34But what do you feel? What moral duty do you have?
01:02:36Here face there.
01:02:38Look who's got it, Blas. With that face, I'm a fool.
01:02:41About what?
01:02:41Of ass.
01:02:43Did she really like me?
01:02:45Oh, there it is.
01:02:47Below.
01:02:49Good evening.
01:02:58Greetings.
01:03:01Hi beautiful.
01:03:02And what are you waiting for? Go.
01:03:09Now I follow that car.
01:03:10Now follow that machine.
01:03:11What are you doing? Are you repeating that?
01:03:13Let's go.
01:03:14Let's go.
01:03:16Adelante, hospital award.
01:03:18And he's fine.
01:03:23Let's go, let's go, let's go.
01:03:25Don't put it further than your ear.
01:03:26Don't lose sight of her. Adelante.
01:03:28But who is this adelante? My name is Barbaro.
01:03:30But what are these funeral faces?
01:03:33Aren't we here to have fun?
01:03:35Come on, smile, right?
01:03:37Well, of course we'll have fun.
01:03:40At least we hope so.
01:03:41Who's shooting?
01:03:43What a funny guy.
01:03:45Rocco is not funny, he's an idiot.
01:03:47In New York I met a very full of spirit, you know?
01:03:49Oh, yeah?
01:03:50Yes, they had drowned him in a barrel of very old grappa.
01:03:55This one is good.
01:03:56Good, yes.
01:03:57Attention!
01:03:59Are you making it down that small road?
01:04:01Ah, see this.
01:04:02Another hand you made me bang.
01:04:03But who sent it to you?
01:04:04I loved you to say...
01:04:05Yes, here.
01:04:05Oh, how beautiful!
01:04:25How wonderful!
01:04:32Come on in, Pupa.
01:04:33How big it is!
01:04:37So, what do you think of my shack, huh?
01:04:39It's gorgeous!
01:04:41And I believe it, it cost me an arm and a leg.
01:04:44You, Rocco, give me a cigar quickly.
01:04:47So, Rocco, the cigar.
01:04:48As?
01:04:49The cigar.
01:04:51If you wait any longer I'll get over my smoking habit.
01:04:53No, no, no, smoke, smoke.
01:04:54How do you prefer it, Cuban or Tuscan?
01:04:56Cuban.
01:04:58Baby, how did they baptize you?
01:05:00Ah, Sheila.
01:05:01Mmm, northern name.
01:05:04Her name is Sheila.
01:05:05Do you choose?
01:05:06No, I said Sheila.
01:05:07What do you choose?
01:05:07Sheila.
01:05:08Okay, let's simplify.
01:05:11Listen, Rosetta, it's a great evening, you'll see.
01:05:14We're going to have a lot of fun.
01:05:17Actually, two worlds.
01:05:19Rocco, run me a bath.
01:05:22The small one, the big one, the bathroom.
01:05:25The marriage one, you idiot.
01:05:27Ah, why you two?
01:05:28Go, go, go.
01:05:29He understood.
01:05:31Well, and now the two of us, Pupa.
01:05:34Let's get to know each other better.
01:05:38I hear you're new to this scene, right?
01:05:42Oh, yes.
01:05:45Mint.
01:05:46Brand new, you mean.
01:05:48Good, good.
01:05:50Do you know why I'm asking you, Pupa?
01:05:52No.
01:05:52Because your face really looks like I've seen it somewhere before.
01:05:56Ah, well, they say I look like Merley Monroe.
01:06:02Let's go and see who's passing by.
01:06:05Who cares who passes by.
01:06:07Quick.
01:06:08You see, twenty-one.
01:06:18But we have to try to go.
01:06:20Let's go.
01:06:20And let's go.
01:06:25Very quietly.
01:06:26Now, let's go.
01:06:31Now, yes.
01:06:38Hate.
01:06:39There you go.
01:06:40I knew it.
01:06:41Do you know him?
01:06:42I do not.
01:06:43Hey, introduce yourself.
01:06:44Oh, yeah?
01:06:45Pleasure to the giant equal.
01:06:47It was a mess.
01:06:48But does he understand it?
01:06:49He's a Doberman.
01:06:50You have to speak German.
01:06:51Oh, yeah?
01:06:52It was a Volkswagen.
01:06:53Beckenbauer.
01:06:54You don't understand me.
01:06:59But what are you afraid of?
01:07:00No.
01:07:01You're shitting me.
01:07:03So we're going, okay?
01:07:05Oh, the end.
01:07:06Oh, the end.
01:07:07Oh, fine, the admiration.
01:07:08Come on, I'm wrong.
01:07:11Hey, big doll.
01:07:13What do you think of this handsome young man?
01:07:15Very intimate.
01:07:16It's my alcove.
01:07:19Relax, girl.
01:07:21Go to bed.
01:07:22But I'm not sleepy.
01:07:24Listen, are you really that stupid?
01:07:27Or are you trying to be clever?
01:07:28Yes.
01:07:29Why did I bring you here to make you sleep?
01:07:31To bed.
01:07:32And now listen to me carefully, curly girl.
01:07:35I like you too much.
01:07:38And I want to lie down with you.
01:07:40And I'm lying down what does that mean?
01:07:42Making love, maybe?
01:07:43Precisely.
01:07:44You were wrong, my darling.
01:07:46And you had to do it before.
01:07:48Is there any difficulty now?
01:07:49Of course, I take men off myself, Mrs. Donne.
01:07:52Look, I have to lead.
01:08:02I'll fix you, you crawl.
01:08:05Boss.
01:08:07Boss.
01:08:08Ditto.
01:08:09I'm so sorry.
01:08:12Can't you see I was hitting?
01:08:13What do you want?
01:08:14The courier has arrived for you.
01:08:15In the evening?
01:08:16About drugs.
01:08:17Holy crap.
01:08:18Just when the cat was there.
01:08:20The cat was brooding.
01:08:21Rocco.
01:08:22Present.
01:08:23Did he bring the stuff?
01:08:24Yes, but he wants to talk to you.
01:08:25Otherwise he doesn't give up anything.
01:08:27I'll take care of it, okay.
01:08:28You watch the cat.
01:08:30And if by chance he wants to cut the rope...
01:08:33Lead the strong one.
01:08:35I'll take it.
01:08:37You?
01:08:38But when do I fuck?
01:08:40Never!
01:08:42But what a big smile.
01:08:43Ready?
01:08:57Hello, you can't hear it.
01:08:59Hello, Commissioner?
01:09:01I'm ready, are you ready?
01:09:02Ready?
01:09:03Yes, ready.
01:09:04Look, the location of the murder house is as follows.
01:09:06Yeah, okay.
01:09:07Follow state road 8 until it joins two roads.
01:09:11One called 8 bis and the other 8 ter.
01:09:14The latter is a small suburban road located between kilometer 12.6 and 14.1 and port one.
01:09:22Yes, bring it here, okay.
01:09:23But who should I bring?
01:09:24Who should I bring?
01:09:25I'm bringing one, who am I bringing?
01:09:26But I'm not bringing anyone!
01:09:27Oh, what a nice, virile chin.
01:09:49How hot!
01:09:57But where is the boss?
01:10:00He left me all alone in this big bed.
01:10:27Beautiful, beautiful, beautiful, beautiful, beautiful, beautiful.
01:10:52It's a good deep and sensual look.
01:11:01But why don't you speak?
01:11:05Tell me something.
01:11:10He spoke.
01:11:22Oh, oh, wake up!
01:11:34But was there a cafe?
01:11:36Coffee?
01:11:36Pecchino, pecchino, what is it?
01:11:38Listen, what's all this time like?
01:11:40But what are these people doing?
01:11:41But your imagination is short, maybe I...
01:11:44You'll understand, he's telling me.
01:11:46We have, I continue the pestle.
01:11:48You have me whatever comes to you, huh?
01:11:49Don't worry, that...
01:11:51Oh, this one's already asleep, damn it!
01:12:00Oh, do you really think that not even a single policeman has arrived yet?
01:12:10Even the rain was missing.
01:12:12Hello, Commissioner, come right away, I've got the situation under control.
01:12:22Well, what's going on?
01:12:24Stand next to your buddy.
01:12:25But which one appears?
01:12:26Oh, shut up, I'm shooting!
01:12:29But what happened?
01:12:30Hold the bag, you idiot.
01:12:33But how dare you, you're in your own house?
01:12:35Get that gun away!
01:12:36Look at that shot!
01:12:37Oh, yeah?
01:12:38I don't play anymore, I give up.
01:12:41And shoot.
01:12:43Stand still, I'm shooting!
01:12:45And shoot.
01:12:49Oh God, the blood, the blood!
01:12:52But it's water!
01:12:53And this one walks around with a water gun!
01:12:56Idiot, water!
01:12:57The noise bothered me.
01:13:00You idiot!
01:13:01And what does Lazio have to do with it?
01:13:03Let's surround the villa!
01:13:04The police!
01:13:06Let's go!
01:13:07Yes.
01:13:11Come on, follow me!
01:13:12Yes.
01:13:14Stopped!
01:13:15Brake!
01:13:16Come on, let's go!
01:13:17Yes.
01:13:21Do something, wind, open the door!
01:13:24Ah, the Gruyere?
01:13:25Glos hatch!
01:13:27Wind!
01:13:27Yes.
01:13:27Stop!
01:13:33Wind!
01:13:35What a pain!
01:13:36Look!
01:13:37Look!
01:13:41Look!
01:13:44From here, yes, from the eve, yes.
01:13:48I'm from there for something else.
01:13:49They have drugs in the bag.
01:13:50Come on, let's chase.
01:13:51Marcella!
01:13:52Marcella, what happened?
01:13:53But in this must, present, Guidoio, go.
01:13:57Be careful, Marcella, go slowly, the engine is new.
01:14:03I did it again three years ago.
01:14:06The country is full of police.
01:14:08Now we were missing your aunt too.
01:14:10But which aunt?
01:14:10Police!
01:14:11Let's go to your aunt's to act as police.
01:14:13At this time?
01:14:14I do not know.
01:14:15But don't you really understand a damn thing?
01:14:18When does he play?
01:14:19But who?
01:14:20Lazio.
01:14:21Ah!
01:14:25You, damn him I call you.
01:14:26Marcella!
01:14:50Marcellita!
01:14:51My love!
01:14:52Marcellita!
01:14:52Soul of my heart!
01:14:53Marcellita!
01:14:54Ah, this way, where did it come from?
01:14:55We'll understand if I move it.
01:14:56Yes, wait.
01:14:57You go to the left, and I'll go to the other side.
01:14:59Come on, how?
01:15:00Should I get up from this foot?
01:15:01But what is all this hunting?
01:15:03Wait!
01:15:04Oh, no!
01:15:05Don't give us all!
01:15:07But no, the pale one is yours.
01:15:11But do you see that dirty Ramone in the car with that?
01:15:15But I'll catch you, though, you know?
01:15:17Come on, you've got some cartoonist.
01:15:18But do you want to offend me?
01:15:19Yes.
01:15:19But I am a man, I have my soul, I have my pride, my name.
01:15:23Then get out of my way.
01:15:24I know a shadow.
01:15:30Oh, you fool!
01:15:32What the fuck are they?
01:15:36Right!
01:15:37Marcellita!
01:15:38Wait!
01:15:40I was joking!
01:15:41Marcellita!
01:15:41Sea...
01:15:42Hey, first!
01:15:45First, madam!
01:15:52Ouch, Mom!
01:15:53What a chestnut!
01:15:59Ormela!
01:16:00He's unfortunate!
01:16:02I'll kill you, I'll put you under, you know?
01:16:05No, no, no!
01:16:07Before!
01:16:07Police!
01:16:09Help!
01:16:09We inform you live from the headquarters that the entire flying patrol led by Commissioner Angelini
01:16:15is engaged in the pursuit of the famous public danger Adonis Adonis and his right-hand man.
01:16:21Marcella!
01:16:22Marcella, what was the low horn doing in your car?
01:16:26Answer me!
01:16:27Marcella!
01:16:28Come on, speak, you bastard!
01:16:29Stop!
01:16:38Stop!
01:16:39Wait, but Marcella!
01:16:43Stopped!
01:16:44Stopped!
01:16:45Yes, isn't it?
01:16:47But where are you so crazy?
01:16:48But who put this wall there?
01:16:50But where are all the winds?
01:16:51So is there a stop now?
01:16:53Forward, forward!
01:16:55Let's not play!
01:16:56Get on, get on, quickly!
01:16:56Get on, get on, get on!
01:16:57We have to chase them, quickly!
01:16:59Well, I'll stop!
01:17:01How?
01:17:02Milan!
01:17:04Fire!
01:17:05Come on, come on, with plywood!
01:17:07But what are you doing?
01:17:07But kids!
01:17:08Shoot, shoot!
01:17:09Where?
01:17:09To the tires!
01:17:11To the tires!
01:17:13Maronne, but who sent me to whom?
01:17:15You have to shoot the tires of the car!
01:17:28Have you seen how it's done?
01:17:29But, I'll take the click, go on, move!
01:17:31I'm doing it!
01:17:32Attention, plot twist!
01:17:34The commissioner's car is broken, puncture, the tire needs changing!
01:17:37Now, let's time the clock!
01:17:39The record is held by Brigadier Macaluso of the Scrofano Terme team!
01:17:43We work in perfect sync, the bolts are tightened, the record is broken!
01:17:47The car is ready to go again after 18 seconds!
01:17:50Let's go, let's go, let's go, let's go!
01:17:52Go, go!
01:17:56We have to give something!
01:17:58Bring the car closer to Donis!
01:17:59I'll take care of it!
01:18:00Yes!
01:18:01Come on, ready, we're here!
01:18:03Oh!
01:18:03Bobbaccio like Thomas in pissed off Naples!
01:18:05Throw hard, I'm watching!
01:18:06They bossed it!
01:18:20Who is?
01:18:21You are the flying arm of the law!
01:18:25Oh, why are you shooting?
01:18:27Oh, they stole my car!
01:18:40Come on, calm down, Isidoro!
01:18:42Your colleague Walter will avenge you!
01:18:48A black cat!
01:18:52Take it, take it!
01:18:53Wait a moment!
01:18:57Please go!
01:19:00Go!
01:19:00But what's happening?
01:19:01There's a cat!
01:19:02I told you go ahead!
01:19:02No, no, you go first, Commissioner!
01:19:04But how can I get there first if you're the bandit?
01:19:05No, gentlemen, I'm the first one who doesn't want to pass you!
01:19:07No, but what do we want to go now?
01:19:08There's a cat!
01:19:10But go on, there's no cat!
01:19:14Do it to me, Cardo!
01:19:16Hey, did you see that it brings bad luck?
01:19:18And do you want to pass me to me first?
01:19:20And what?
01:19:20But did you take me for a party?
01:19:21You, you, Commissioner!
01:19:23In the century, quickly!
01:19:24But what did we say to you when we were standing still?
01:19:31But Commissioner, I'll take care of it!
01:19:34No, no, no, I'll take it, otherwise goodbye promotion!
01:19:37After a short break, the pursuit resumes with Adonis' Giulia, always first,
01:19:41but in an elegant slalom, the yellow Citroen taxi is now approaching it!
01:19:49My pussy!
01:19:50Stay away!
01:19:51But what do you want?
01:19:57War!
01:20:06But what's ever right?
01:20:08And how do I do it?
01:20:26Adonis still on Giulia in command
01:20:42Followed in order by half a taxi, three police cars
01:20:46But now the Giulia is joined by one of our motorcyclists
01:20:49Come on Adonis, get out of the car
01:20:51I have you now
01:20:52You are in my hands
01:20:54The hand, help
01:20:58Too bad, he gets towed and for this he risks being disqualified
01:21:05You're having fun, huh, big head
01:21:13Now the cars are all in a group
01:21:16The Semita tries to overtake the Giulia inside
01:21:18Attempt failed
01:21:19Oh my God, my God
01:21:21It goes badly
01:21:25Femur, come on, let me down
01:21:28Occella, you're here, give me space
01:21:32Here they are, there they are
01:21:35Adonis Dawn always in command
01:21:42Which now crosses the flying finish line placed at the entrance of the cinema complex
01:21:45The group follows in single file
01:21:48And when the director says action
01:21:50Turn the corner and shoot
01:21:53And when I say shoot
01:21:55It means to shoot
01:21:57Motor
01:21:5723, 8 first
01:22:01Action
01:22:02I caught him, huh
01:22:20Stop
01:22:22Stop
01:22:23But what do these machines have to do with it?
01:22:26But where are you going?
01:22:27Production is not working
01:22:28Where is that innocent fool?
01:22:30Not now the machines
01:22:31Not now
01:22:32And look at this
01:22:33Look at this
01:22:33Look at this
01:22:33Look at this
01:22:34Get up
01:22:34You don't even know how to act like a wounded man
01:22:36Nobody believes it
01:22:38You can't act
01:22:39You're a clown
01:22:40You don't even know how to die
01:22:41Get up
01:22:42This isn't that complicated
01:22:43These machines still here
01:22:46Lend
01:22:47Soon
01:22:48Time is money
01:22:49Let's not waste time
01:22:51Turn
01:22:51Turn
01:22:52We turn everything around
01:22:52Let's go around
01:22:53Let's go around
01:22:53Go
01:22:54Go ahead
01:22:55Keep it up
01:22:57Well
01:23:10And who are you?
01:23:11Many cyclists on horseback
01:23:13Here they are
01:23:14They are coming
01:23:14Let's go around
01:23:18Oh
01:23:18You have the masterpiece of the
01:23:19There he is
01:23:20Let's go around
01:23:21Let's go around
01:23:22Glorious seventh
01:23:23Load
01:23:26Load
01:23:30Load
01:23:30The Seventh Light Cavalry
01:23:41The gates are being crossed
01:23:42Earn money outside the factory
01:23:44And he throws himself into pursuit of the group
01:23:46Even the American cavalry
01:23:48And she's a big whore
01:23:49But who are you talking about?
01:23:51Of the slapper
01:23:52The one that gives
01:23:52But you then
01:23:53He still doesn't understand shit
01:23:54Yes I understood
01:23:55But you said it before
01:23:56What Lazio is playing
01:23:57And that you avenge me for being deaf
01:23:58Here Bologna 19
01:24:03And Marcella who speaks
01:24:04I need you all
01:24:05And in case of emergency
01:24:06Be ready for my orders
01:24:07Received Marcella
01:24:08We'll take care of it
01:24:09But where?
01:24:10You come
01:24:10The cars are now converging towards the centre
01:24:13We can follow them on the light board
01:24:15But look, you want to drive these taxi drivers to me
01:24:19Oh my god another taxi driver
01:24:25And then when they separate you, you don't find one
01:24:28And here is the group that has reassembled
01:24:39They are now tackling the climb up the Janiculum
01:24:41Exceptional
01:24:43The Piaggio Vespa 50
01:24:44Holds its own brilliantly
01:24:45To this exciting duel
01:24:47And if our glorious seventh did it too
01:24:49Long live the seventh
01:24:50Long live the seventh
01:24:51But what my fault
01:24:54But come on, come on
01:24:55Did you understand?
01:24:56You're fingering
01:24:56God
01:25:00We will have to report the disappearances
01:25:07A complaint for the Camlito
01:25:09The calm
01:25:09It's rummo
01:25:10Our light board clearly shows
01:25:28that this thrilling race is about to have its epilogue
01:25:31They are getting closer
01:25:32Take me home I'm not having fun anymore
01:25:37Let me down
01:25:38They are very close
01:25:52We've finally arrived
01:26:08On the ground
01:26:11We got a moccasin
01:26:14Quick, handheld machine
01:26:15Where is the operator?
01:26:16Calm down, calm down
01:26:18But doesn't this horse have a bridle?
01:26:20Don't worry, I'll come.
01:26:21Throw away
01:26:22In Hollywood, these things don't happen.
01:26:24I know Ramon Rodriguez, the famous comic book writer.
01:26:27But who is this?
01:26:27Where did it come from?
01:26:29And who is this?
01:26:31Welcome, don't do it badly
01:26:38Mom
01:26:40Beautiful mommy
01:26:42Come here, let's go
01:26:44But you are the commissioner
01:26:46And who is the father?
01:26:47To be the shot
01:26:48One more time
01:26:49Marcella
01:26:50My love
01:26:51Where are you?
01:26:51Come away
01:26:51Come away
01:26:52Come away
01:26:52Come away
01:26:52Come away
01:26:53Come away
01:26:53Come here
01:26:54Come here
01:26:54Come here
01:26:54Come here
01:26:54Come here
01:26:55Come here
01:26:55Come here
01:26:55Marcella
01:26:56Love
01:26:56Adoni runs away
01:27:03Make way, make way
01:27:04Take off
01:27:04Swollen mountain
01:27:08Load
01:27:16Load
01:27:19Come here
01:27:23Get out of here
01:27:23Stopped
01:27:24Stop
01:27:25Marcella
01:27:26I got you
01:27:28And stop
01:27:29There he is
01:27:30Load
01:27:32Load
01:27:33Stop everyone
01:27:51Oh, no by hand
01:27:51Let's do more
01:27:52Let's shake hands
01:27:53By hand?
01:27:54One, two
01:27:55Oh what a beautiful castle
01:27:57Margotino
01:27:58Tirotello
01:27:59Oh what a beautiful castle
01:28:01Margotino
01:28:01Tirotello
01:28:02There he is
01:28:04Taxi
01:28:05Taxi
01:28:05Taxi
01:28:06Taxi
01:28:07Taxi
01:28:08Girl
01:28:09Driving
01:28:10Maddie
01:28:11Up and down
01:28:13There's a
01:28:15Red light
01:28:16Stop your car
01:28:18If you want
01:28:20To see you
01:28:21Stingy
01:28:22But rolling around
01:28:23Stop your world
01:28:25My taxi
01:28:26Girl
01:28:27Taxi
01:28:29Taxi
01:28:30Taxi
01:28:31Taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi, taxi,
01:29:01Thank you all.
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