00:00Subscribe for more than 1x1 comedy videos
00:30I love credit card
00:33collection
00:34Yes, boss
00:37No, I will give all the dealers in all the car
00:41But you will tell us what
00:43Yes, he will call it
00:46The above credit is going to double
00:49Okay, listen
00:51The rest of the other branches
00:53Go to the other branches
00:55You can send all the doctors to the same clothes.
00:57Learn from me. Learn from me.
00:59People don't have money.
01:02Okay? Okay.
01:05Don't phone me.
01:06I am busy.
01:11Tell me, who is the teacher here?
01:13Hey, you, uncle?
01:15Hey, what do you want to take?
01:16You take it off and get off!
01:18My old-fashioned!
01:21I think I'm looking at you when I was in my head.
01:23In the calendar of the 1970s, in 2015,
01:25we will be raised in the sand.
01:27We will be raised more than two.
01:2925% of my commission will be raised.
01:30Let's open.
01:31Hey, what do you say?
01:32Tell me.
01:33Excuse me.
01:34This is a teacher, not a student.
01:36Yes!
01:38I will tell you,
01:39in this tank cover,
01:40in this tank cover,
01:41this girl will be raised.
01:43What do you say?
01:44What do you say?
01:46So, you are the teacher here.
01:50I am here.
01:53You are the teacher.
01:55Talk to me.
01:56Guru, you are the teacher.
01:58I am the teacher.
02:00I have reached the place to help you.
02:02Take this place to the throne.
02:04I am the greatest of the world today.
02:07I am the greatest of the world.
02:09I am the greatest of the life of my life.
02:11I have been the greatest of my money.
02:13But I have come to you today.
02:15I am the greatest of the love of God.
02:17What?
02:18In the name of God,
02:19let me give you my son of God.
02:22God will give you a son of God.
02:24My God!
02:26He is in love!
02:27Yeah, I am in love.
02:29Yes, we are coming.
02:30One minute.
02:32One main car road, please.
02:33Yes.
02:37Are you Hindustani?
02:38Did you go to me?
02:40No.
02:41No.
02:42No.
02:43No?
02:44No?
02:45No.
02:48No.
02:51No.
02:52No.
02:53No.
02:54No.
02:56yeah
02:58yeah
03:00yeah
03:02hey
03:04yeah
03:06yeah
03:08yeah
03:10yeah
03:12yeah
03:14yeah
03:16Your mother was there.
03:17No, my father was there.
03:18We were three happy and happy.
03:20So he jumped with my bike.
03:23Who's the father?
03:24No, the dog!
03:25I can't do anything.
03:27I'm laughing.
03:28My father was driving with his bike.
03:30He jumped behind him.
03:31Who's the father?
03:32My brother!
03:33The dog came behind me.
03:34The dog came behind me.
03:35The dog came behind me.
03:36The dog came behind me.
03:37I'm laughing.
03:38And he fell asleep.
03:39My brother!
03:40My brother!
03:41He drank the police.
03:43The dog came to us.
03:44The dog!
03:45My brother!
03:46And he was killed.
03:47But why did he kill his father?
03:49He was a dog.
03:50He was running away.
03:51He was running away.
03:52My brother!
03:53I'm looking for him now.
03:56The dog?
03:57No, my brother!
03:58It's a great, but your brother was in India.
04:00Why are you looking for him here?
04:01Oh brother, he was running away.
04:02He was a different one.
04:03He was running away.
04:04And he wasn't really shocked.
04:06He was just shocked.
04:07One was a kangaroo and one was a bucket.
04:10Now you know, this bucket is a good place to get a tram.
04:14That's why I took this tram conductor.
04:16I thought, I'll never come here.
04:19And I'll see him.
04:20And I'll get him.
04:21And I'll get him.
04:22Come on.
04:23Your brother?
04:24Your station!
04:25Oh.
04:26Hey!
04:27Hey!
04:28Where is your friend?
04:29What's your friend?
04:30My brother!
04:31Oh!
04:32Oh my brother!
04:33Well he's running the ramp!
04:34Hey!
04:35Hey!
04:36Hey!
04:37Hey!
04:38Who is he?
04:39My father, my father, my father, he's turning my head.
04:44What, me?
04:45No, my father, he, he.
04:52Hey, who is it?
04:56Who? Who is it?
04:59Who is it?
05:03Who is it?
05:05Who is it? Who is it?
05:07Who is it? Who is it? Who is it?
05:10Who is it?
05:11Who is it? Who is it?
05:14Who is it?
05:16Who is it?
05:18You, daddy!
05:20Who is it?
05:22I am Samir.
05:23Who is Samir?
05:24Samir your brother!
05:25Samir!
05:26Your brother?!
05:28My brother?
05:29Yes, my brother!
05:31You have come to America!
05:32Why did you say it?
05:34Surprise! Surprise!
05:36Surprise!
05:37Surprise!
05:38How did he come?
05:43He came up?
05:44He came up and came up?
05:46In the plane, in the plane, in the plane.
05:48Okay, what happened?
05:49He wanted to tell you.
05:50He's coming.
05:53He's writing.
05:54He's talking to someone.
05:56He's calling.
05:57He's calling.
05:58Look at Swadhesh.
05:59He's coming.
06:00Swadhesh?
06:03Swadhesh?
06:05Oh, now leave me my money.
06:07My son has come.
06:09After this years.
06:11Take him.
06:13Come.
06:14Come.
06:15Come.
06:16Come.
06:17Come.
06:18After this years.
06:19Sit.
06:20Sit.
06:21Sit.
06:22Sit.
06:23Sit.
06:24Sit.
06:25Sit.
06:26Sit.
06:27Sit.
06:28Where are you?
06:29Where are you?
06:30I'll take three suits.
06:31Put inside.
06:32Or they're very hungry.
06:34What flight did you come from?
06:37From America.
06:39New York to Goa.
06:41Goa is direct.
06:42You live in Chicago?
06:44It's gone.
06:45It's gone.
06:46It's gone.
06:47It's gone.
06:48It's gone.
06:49Where is it?
06:50Where is it?
06:51It's your...
06:52New York.
06:53It's right.
06:54Where is it?
06:55Where is it?
06:56Where is it?
06:57Where is it?
06:58Where is it?
06:59Where is it?
07:00Uh...
07:01Jhansi Kirani.
07:02Jhansi Kirani.
07:03Jhansi Kirani?
07:04Mashal.
07:05Bala Sahib.
07:06He doesn't have a house.
07:08Uh...
07:09Uh...
07:10Putla.
07:11Putla?
07:12Bata...
07:13Liberty.
07:14Liberty.
07:15Liberty.
07:16Liberty.
07:17Statue of Liberty.
07:18But...
07:19Putla is in the forest.
07:20When?
07:21Always.
07:22That's also moved.
07:23I was enjoying it.
07:25Open the door.
07:26Open the door.
07:27You...
07:28Put...
07:29Put...
07:30Put...
07:31Put...
07:32Put...
07:33Put...
07:34Put...
07:35Put...
07:36Put...
07:37Put...
07:38Put...
07:39Put...
07:40Put...
07:41Put...
07:42Put...
07:43Put...
07:44Put...
07:45Put...
07:46Put...
07:47Put...
07:48Put...
07:49What?
07:50Dadajji, Billy the...
07:51Billy the...
07:52Billy the bell?
07:53Oh...
07:54Billy the Chinese?
07:55Um...
07:56Wait...
07:57Wait a minute!
07:58Talk about your dadajji.
08:00Where has that
08:15Daday?
08:16Now I'm going to make food for now.
08:18Four bowls.
08:18Four bowls?
08:20That's why I'm going to take them three.
08:24That's why I'm hungry.
08:26Three bowls and four bowls.
08:27No, no, no, no.
08:28Four bowls.
08:29In the first bowl, your dad, you and me will eat together.
08:35Okay, quickly.
08:37Why is your voice coming so far?
08:39That's why, dad.
08:40It's empty, right?
08:42That's why the voice is gone.
08:44Gone.
08:46God.
08:46You don't have to tell me your personal address, son.
08:50Listen.
08:52Yes?
08:53Get out of the milk.
08:55Yes.
08:55Go.
08:56Get out of the milk.
08:58Yes, son.
08:59So, the country will be out of the milk.
09:01Otherwise, we have no oil, no milk.
09:12Guys, you will make it all you need to make it all.
09:14What?
09:14What?
09:16What?
09:16How much money will be out of the milk?
09:17How much?
09:17What?
09:17I don't know.
09:18I'm eating, man.
09:19Hurry up.
09:25My God.
09:26It's written here that every two hours you should eat it.
09:33Now, before you eat it, or after you eat it?
09:38Because it's only 2 hours you have to eat it.
09:41Why would you have to eat it again?
09:43In 4 hours, I've eaten it twice.
09:46In so small, I don't know how much food is here.
09:56What are you doing?
10:08What?
10:09Why are you doing this?
10:11What?
10:13You're disgusting.
10:21It's her.
10:22It's her.
10:24Oh, God.
10:26Hurry up.
10:27You must be joking.
10:29You must be joking.
10:35I have no money.
10:37Hurry up.
10:38Hurry up.
10:39Hurry up.
10:40Hurry up.
10:41Go, boy.
10:42Hurry up.
10:43Hurry up.
10:44Hurry up.
10:45Hurry up.
10:46Hurry up.
10:47Oh, God.
10:48Hurry up.
10:49Hello, boy.
10:50Hey!
10:51Hey!
10:52Hey!
10:53Come on.
10:54Hey!
10:55Hey.
10:56Hey!
10:57Hey!
10:58Hey!
10:59Hey, hey.
11:00Hey, hey.
11:01What?
11:02Hey!
11:03Who are you doing?
11:04Hey, hey!
11:05What?
11:06Why are you doing this?
11:07It's pink, man.
11:08What?
11:09What?
11:10Hey, how to tell you?
11:12I don't like him!
11:33I...
11:36Hey! My man!
11:43Shit!
11:46HALO! LELO!
11:50KANDE! LELO!
11:55HALO! LELO!
11:59KAMAL!
12:01KAMAL!
12:02KAMAL!
12:03KAMAL!
12:04One more thing, my friend.
12:05I'm giving a big action to this world.
12:07Keep it up!
12:08Good!
12:09Let's prepare the next shot.
12:11Let's go to the unit.
12:12Okay, let's go.
12:13Wow, brother.
12:16You've done great.
12:18You've made so talented.
12:21Amazing.
12:22Sanjana, you won't say anything.
12:25I thought it would be very difficult to do with you.
12:28But everything will have been so easy.
12:31Look, look, look.
12:33It's a great dialogue.
12:34Say it, say it.
12:35Say it, say it, say it.
12:37In the morning, there's no one aloo vika,
12:40there's no vika,
12:41there's no vika.
12:43Huh?
12:44Huh?
12:45In the morning, there's no aloo vika.
12:47There's no aloo vika.
12:48There's no vika.
12:49There's no vika.
12:50There's no vika.
12:51You've come in which line?
12:53In the film line.
12:54I'm talking about tissue tissue.
13:00You're just made for acting.
13:02Wow.
13:03There's no aloo vika in the morning,
13:05there's no vika in the morning,
13:06there's no vika in the morning.
13:07Half.
13:08Yes, half, half, half.
13:09So, you're calling this shot.
13:10You want to meet the madam?
13:12Which madam?
13:13Your hero and fair.
13:15Come here.
13:16Come here.
13:28You're Miss Isha.
13:29Hello.
13:30Superb.
13:31Mind-blowing.
13:32Fantastic.
13:33I can't think that this is your first film.
13:36And the first day of shooting.
13:38I'm glad to meet you there.
13:40Same. Same here.
13:42Hello.
13:43I hope you don't mind me calling you there.
13:45No.
13:46Not at all.
13:47Madam, you have a short radio.
13:48Hurry.
13:49Hurry.
13:50Yes.
13:51Dekho there.
13:52Bura nahi maana, please.
13:53No.
13:54I had to leave this film.
13:55Why?
13:56Because when I realized
13:57that the director has removed the hero
13:59I wasn't very comfortable, you know.
14:01I know.
14:02But when I saw your acting,
14:04oh my god.
14:05I mean,
14:06the way you said that dialogue,
14:08take a bite, take a bite.
14:10I was your fan.
14:12No.
14:13Just look at the young actor
14:15and try to do it.
14:17I want your autograph.
14:18Oh, yes.
14:31Thanks.
14:32Welcome.
14:33Now we'll have fun working together.
14:35Very.
14:36Welcome.
14:37Bye.
14:38Bye.
14:39Welcome.
14:40Welcome.
14:41Welcome.
14:42Welcome.
14:43Welcome.
14:44Bye.
14:45I think this heroine has fallen into your love.
14:48That?
14:53Bye.
14:54Bye.
14:55What are you doing here?
14:56What are you doing here?
14:57What are you doing here?
14:58What are you doing here?
14:59This is your body body setting.
15:00You're putting all the items of your body.
15:02Don't.
15:03Don't.
15:04Don't.
15:05Don't.
15:06Don't.
15:07Don't.
15:08Don't.
15:09Don't.
15:10Don't.
15:11Don't.
15:12Don't.
15:13Don't.
15:14Don't.
15:15Don't.
15:16Don't.
15:17Don't.
15:18Don't.
15:19Don't.
15:20Don't.
15:21Don't.
15:22Don't.
15:23Don't.
15:24Don't.
15:25Don't.
15:26Don't.
15:27Don't.
15:28Don't.
15:29Don't.
15:30Hon.
15:31Don't.
15:32Don't.
15:33Don't.
15:34Honey, cry.
15:36Madam.
15:37I have no body.
15:38Ladies and gentlemen.
15:39Bitch.
15:40Ah.
15:41Alright Lord.
15:42God.
15:43the god.
15:44Can you skip that?
15:45Your brother?
15:46I keep making my story now.
15:49But, you sure you will manage?
15:50Manage management.
15:52Ok.
15:53Come on, sit down.
16:08Come on. Come on.
16:13Come on.
16:15Boss!
16:17Look at Goa.
16:19Look at this.
16:21Work done.
16:28Police!
16:29Police!
16:30Police!
16:31Police!
16:32Excuse me, madam.
16:33This India is not Australia.
16:34What are you taking?
16:35You are taking a car on the car.
16:37If you want to talk about it, go to the car.
16:39Talk about it.
16:40Talk about it.
16:41I don't understand my problem.
16:43Officer, we are not talking about the car.
16:45They did my car accident.
16:47Please arrest him.
16:49Then you will go to the police station.
16:51Priti.
16:52Why are you wasting time?
16:54Officer, we will take our car back.
16:58Very intelligent girl.
16:59This is the understanding.
17:01I have to buy something.
17:03Try to understand my problem.
17:05Okay?
17:06I'll see you.
17:07When and where?
17:08Shut up!
17:19This...
17:20You?
17:21Yes, I am.
17:22You are some brother?
17:23What?
17:24Do you?
17:25Yes.
17:26Look...
17:27Yes.
17:28Yes.
17:29I got to see you.
17:30Where?
17:31You know...
17:32Where?
17:33You are a tram conductor and you are.
17:34I'm so wrong.
17:35You are talking about the truth.
17:36I already...
17:37I thought...
17:38I thought...
17:40I thought that he was going to be a car-chore
17:44and he was going to be a car-chore
17:46and he was going to be a car-chore
17:49and he was going to run away, and I will catch him.
17:52I thought that I became a traffic police.
17:55Oh, God, why did you become this?
17:58Hey!
17:59What?
18:00No, no, no, no.
18:02Here, here, here.
18:03Go, go, go.
18:05Come, come, come.
18:06One day, last time.
18:08One day, last time.
18:10One day, last time.
18:12One day, last time.
18:13One day, last time.
18:14One day, last time.
18:15One day, last time.
18:16One day, last time.
18:17What happened?
18:18What happened?
18:19I was watching a mangal baan.
18:20I was watching a fool.
18:21I was watching a dream.
18:22I saw that you and you and me are all alone.
18:25It's not done.
18:27But you have to kill me.
18:29Samir.
18:32Samir.
18:34What are you asking for the freedom of the night?
18:37That's...
18:3926th January, right?
18:41He was wrestling.
18:42Ah, 26th January.
18:44He's gone a few days ago.
18:46So, it's 15th August, right?
18:48Ah, 15th August.
18:50Exactly, 15th August.
18:52One thing, tell me.
18:54You're Samir, right?
18:57No.
18:58No.
18:59No.
19:00I'm going to call him.
19:01Why?
19:02I'm Samir.
19:03I'm Samir.
19:04You're Samir.
19:05But why are you asking?
19:06That's why you came from America.
19:09You didn't have asked about the secret.
19:12The secret?
19:14The secret?
19:16Yes, the secret.
19:17Where is the secret?
19:19I forgot.
19:20That's it.
19:21You need to leave from us.
19:23There, he's there.
19:24Hmm?
19:25Think about it.
19:27Think about it.
19:28Think about it.
19:34What is this?
19:35No, no.
19:36It's a fool, Dad.
19:37It's a fool.
19:38He's a fool.
19:39He's a fool.
19:41Yeah, he's a fool.
19:49Don't be ╨┐╤П╤В╤М at it.
19:52Do you have a fool?
19:54Have you a fool?
19:55Mostly.
19:56May God Jai Shri Krishna.
19:57Good night.
19:58Sleep time.
20:00No, this is a stack, I would kill it to him.
20:05Good night.
20:06Good night.
20:07Oh my god, how many names are there?
20:18I'll write a list for three days.
20:20Too many women, I tell you.
20:26Thirty names.
20:29I have only thirty names.
20:32Thirty-one, Hazel.
20:35Richo.
20:37Petty.
20:39Veronica.
20:41Archie.
20:42Archie.
20:43Archie.
20:44Archie.
20:45Archie.
20:46Archie.
20:47Archie would call Archie.
20:48Problem?
20:51Sam.
20:52Sam is the name of the boy.
20:56Samaya Daniels.
20:57He works in the contest.
20:58His number is 555-0000.
21:01I forgot her.
21:02And by the way,
21:04he changed his number.
21:05It's 555-0001.
21:08Number changed.
21:090-2-0-2.
21:10His number then changed.
21:11Now it's 0-2.
21:12And by the way,
21:13she's not in the contest.
21:14Virgin.
21:15She's in Virgin Alliance.
21:16You two didn't tell me why.
21:17Opening Batchman was you too.
21:18After that, he came here.
21:19After that, I came here.
21:20You didn't open it.
21:21One down.
21:22Two down.
21:23Yes.
21:24You are our Sachin Dirlunga man.
21:25Sit.
21:26Okay,
21:33make a foot-award list.
21:34Make a foot-award list.
21:35Make a foot-award list.
21:36Okay.
21:37I'm very proud of you.
21:38I'm very proud of you.
21:39I'm very proud of you.
21:40Now the world is no one who has a foot-award.
21:42We are.
21:48What are you feeling, brother?
21:49You are feeling good, right?
21:50You are a little bit.
21:51What are you doing on shooting?
21:53What are you doing?
21:54Udaybhai.
21:55Hmm.
21:56Today, the meeting was fixed.
21:57Hmm.
21:58Simon Gomi, I've got to call from Singapore.
22:00Hmm.
22:01Today, you have to go.
22:02Yes, we will be back-up.
22:03The last shot.
22:04If we go and meet them,
22:05we will be fine with them.
22:06We will be fine with them.
22:07Huh?
22:08It seems that we will not get married, Rajiv.
22:11Here is a short shot.
22:13And there is a crime film of the brother.
22:15Sanjana,
22:17once you were telling me
22:19that your brother is very scared.
22:21Why?
22:22Who's that horse here?
22:24The director has changed the shot.
22:26What?
22:27You were going to go and ask a girl.
22:28The father's a child.
22:29You were going to go and ask a girl.
22:30You are going to go and ask a girl.
22:31Now, you are going to go to the horse with 25 men.
22:32But...
22:33How do you ask a horse?
22:34They are going to go and ask a horse?
22:35They are going to go and ask a horse.
22:36No.
22:37Our horse is fine.
22:38We are going to go.
22:39This horse is not a horse.
22:40No.
22:41Our horse is fine.
22:42This horse is not a horse.
22:43No.
22:44No problem, brother.
22:45You sit down on top.
22:46The horse will go.
22:47No.
22:48The first shot was good.
22:49I will go and ask her.
22:50Let me explain it.
22:51You are going to explain the director.
22:52Sir, then the man will close the picture.
22:53Do you want to close the picture?
22:54No.
22:55No.
22:56Then?
22:57Do you know which horse will run?
22:58Let me give it.
22:59No.
23:00No.
23:01No.
23:02No.
23:03No.
23:04No.
23:05No.
23:06No.
23:07No.
23:08No.
23:09No.
23:10No.
23:11No.
23:12No.
23:13No.
23:14No.
23:15No.
23:16No.
23:17No.
23:18No.
23:19No.
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