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Welcome to the Garry Kasparov Masterclass Chess Series, your complete guide to mastering the game like a world champion! 🏆 Learn the legendary strategies, openings, and tactics used by Garry Kasparov, one of the greatest chess players in history.

In this series, we break down Kasparov’s most famous games, strategic thinking, positional play, and winning mindset — perfect for beginners, intermediate players, and advanced chess enthusiasts who want to elevate their game.

✅ What you’ll learn:

Garry Kasparov’s opening preparation and attacking style

Grandmaster-level middlegame tactics and strategy

Endgame techniques and positional understanding

Psychological mastery and decision-making under pressure

Subscribe now and start improving your chess with lessons inspired by Kasparov’s genius and timeless mastery. ♟️

📚 Perfect for: Chess learners, competitive players, and anyone who wants to think like a world champion.

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Transcript
00:00I like, you know, old chess saying that goes, tactics is knowing what to do when there is
00:24something to do, while strategy is knowing what to do when there's nothing to do.
00:30Of course, it's a bit of an exaggeration because there's always something to do, but while we
00:36are looking at the tactical solutions, it's something immediate, something almost instantaneous.
00:47We assume it's sharp.
00:49When I say sharp, it's maybe both sacrifices, something that deserves the balance of the
00:54position, and you can see an immediate outcome, it goes one way or another.
00:59Strategies is, of course, it's a long term.
01:02So strategies is actually seeing the outcome of so slow maneuvers and also anticipating,
01:10you know, what you can do to disturb opponents' plans.
01:18Some great positional players of the past that you may even call inaction heroes because they
01:25knew exactly how to paralyze the opponent's activities.
01:28And by doing so, of course, building up step by step, slowly their own advantages.
01:34So that's why when you look at the position, you have to identify, first of all, whether
01:40this position requires tactical solutions or you have to forget about the tactics for a
01:47while, not to push too hard, not to rush and to start, you know, playing positionally, building
01:53it up and, of course, watching for some opportunities if your opponent gives you such a chance.
02:01There is no general strategy for the game of chess because it depends very much on who you are and
02:15who your opponent is.
02:16We're all different.
02:20We could be more comfortable making aggressive decisions, playing, you know, with a big picture,
02:28with dynamic style.
02:30It's more like myself.
02:31We could be more cautious, very vigilant, playing, you know, slower game, gaining small
02:40advantages and waiting for opponent's mistakes, more like carpal's chess.
02:43There's nothing wrong with either approach.
02:46It's very important to realize that no matter what you do, it should fit your personality.
02:52Don't try to play the game that goes against your natural instincts.
02:58This is the most important lesson from the game of chess.
03:02Remember that at the end of the day, game of chess is about making decisions, as anything
03:06in life.
03:07Trying to force yourself to play the game that doesn't fit your natural instincts, your
03:13personality, it's counterproductive.
03:17I would say in many cases, suicidal.
03:19And decision-making, when you play chess, is as unique as your fingerprints or DNA.
03:25And unless you know who you are, it's very difficult to identify what is the best strategy for you,
03:32will be whether at the chess board or elsewhere.
03:37And of course, when you know who you are, when you understand what kind of game you want
03:41to play, you should also look at the opponent.
03:44Because your opponent, that's more difficult to actually understand, because you have to
03:48look at the games your opponent played, certain decisions he or she made before.
03:54But if you can get the best of this knowledge, recognizing the strengths and the weakness of
04:00your opponent, then you can start thinking about designing the game that will be beneficial
04:05for you and will be most annoying for your opponent.
04:10I followed this wisdom when I played Eritory Karpov, and I did well.
04:15I succeeded in almost regularly changing the game to the character of the position that, you know,
04:26fit me better than Anatoly Karpov.
04:30Now, I failed to follow the same logic when I played Vladimir Kramny.
04:36I don't think that in the year 2000, when I lost my title match against him in London,
04:42I was an inferior player.
04:43But in the match, I tried to play his game, and I failed to take myself away from the psychological
04:53trap, playing positions where Kramny was much more comfortable.
04:59I think it's not that I couldn't play them.
05:02Actually, I won one game later on in this endgame against Kramny a year later.
05:07But during the match, when you deal with psychology, one player against another one, you have to
05:14be comfortable, and you have to make your opponent uncomfortable.
05:17And while you never know exactly what your opponent is comfortable or not, because in many cases
05:24when you are talking about sort of amateur chess or a club level chess, your knowledge of your
05:31opponent is highly limited.
05:32But you know exactly who you are.
05:35And if you play the game that is not making you feel comfortable, if you don't enjoy it,
05:42if you don't feel that the game can unleash your creative potential, then you're already on the losing side.
05:51I hear questions about tips all the time.
06:01So what can we do to get better?
06:04So how can we learn this and that?
06:07And at the end of the day, I'm afraid I will be quite conservative in my advice.
06:12I'm not going to reveal any secrets by saying you have to practice.
06:16You keep practicing until learning these patterns becomes intuitive.
06:24Strong chess players, they realize patterns and they can immediately see opportunities because
06:31of these patterns.
06:34I remember that my great teacher Mikhail Batvinnik used to say that the difference between players,
06:40when you look at weak players, stronger players, strong players, top players, world champions,
06:49at the end of the day, it's about number of positions, or you may say number of patterns
06:53he or she can recognize.
06:56Because more patterns you can recognize, so better you can vary the tools at your disposal.
07:02You can immediately see, without wasting your time, that this is something that worked in a
07:08similar position, and if I do it here, you know, with some adjustments, that can work also here.
07:14Realizing these patterns, recognizing, you know, what is the best way to achieve your goals,
07:19that's what gives you an upper hand facing the opposition.
07:29Mikhail Batvinnik, as one of my greatest tutors, former world champion, I remember Batvinnik
07:36kept telling me, Gary, you know, calm down, so this is, just don't rush.
07:42So sometimes, you know, you have to stop, just take a deep breath, and let opponents make a move.
07:48So it's always important to remember that sometimes your opponent can make a mistake,
07:55so you should offer him a chance to make a mistake.
07:57It's a bit naive concept, but I know that, for instance, these days, playing simultaneous
08:03exhibitions, I learned one rule, and that's why I have pretty good results, even being retired,
08:08playing simultaneous exhibitions and not losing since 2001.
08:13If you don't see an immediate, you know, win, an immediate breakthrough, just make a few
08:20quiet moves.
08:21Let your opponent play.
08:23Give them a chance, without creating, of course, weakness on your side.
08:27Give them a chance to weaken their position.
08:30That's one of the lessons from my early days.
08:38You have to see the big picture, but you have to feel what is the right spot where you have
08:43to concentrate.
08:44Also, you have to feel the climax of the game.
08:49That's one of the lessons I remember from Boris Pasky, another great world champion, who
08:54helped me with his unique advices.
08:58His theory was that the strength of the player at the current moment, it's his or her ability
09:04to identify the climax of the game.
09:07Because you have so much time available.
09:10In the good old days, we had two and a half hours for 40 moves.
09:16Now it's less time.
09:18But still, you have X amount of time, hours and minutes, allocated for completing all the
09:25moves.
09:26And you have to understand how to spend this time.
09:28You have to understand what is the right moment for you to spend more time.
09:32Sometimes you have to play fairly quickly, because this moment is not a crucial one.
09:42Because not every move, they have the same value in terms of identifying the course of
09:49the events.
09:50Some of the moments are absolutely vital.
09:52It's like reaching the crossroads.
09:55And if you miss your right turn, it will be like in the roads of Arizona.
10:02The next one will be 50 miles.
10:04So it's very important that you recognize this is the moment.
10:08I have to concentrate.
10:09I have to use more time.
10:11I have to find the move, because this move will decide which way the game goes.
10:15Knowing the right moment of the game, the climax, it could be more than one during the
10:21game, because human games are not that steady.
10:23It's always ups and downs, so you can make a mistake, make an accurate move, and an opponent
10:28can return the favor.
10:30So sometimes the game has few of these vital moments.
10:33And I learned it with my experience.
10:37It's not that I knew it from the very beginning.
10:38I had great intuition.
10:40I could smell, you know, that was the right moment for me just to concentrate.
10:44I'm not sure that even when I won the title, world title in the match against Karpov, I was
10:52comfortable identifying all these right moments.
10:56There's always something for me, something new for me to learn.
10:59But of course, you should remember that you make a move, opponent makes a move, and anything
11:10can change.
11:11So that's another beauty and the danger of the game of chess.
11:15It's not only you who is in charge.
11:19It's you can think you're on the driving seat.
11:21Opponent could have a different opinion.
11:23So you should remember that it's a game that is transparent from both ends.
11:30And if you have your plans, you should try to make sure that opponent doesn't realize
11:36what the danger is coming from too early.
11:41Some of the ideas are quite open and apparent.
11:44Some of them could be hidden.
11:47Sometimes you can make, you know, move on one side of the board by, you know, by disguising
11:52your true intentions.
11:54That's already involved psychology.
11:58Because you have to remember that, you know, some of your plans may not work out if opponent
12:05prevents them from happening.
12:07So that's why maybe having kind of destruction, psychological destruction on the other side
12:12of the board could help you to move forward more effectively.
12:17Even if you waste time by doing something in the secondary front, but destructing your opponent
12:26and subverting his or her attention might be extremely productive.
12:37In many cases, you don't have a winning or losing move.
12:43So you look at the moves that some of them are probably more solid.
12:49They're more up to demand of the position, which means, you know, if you are under pressure,
12:55you better, you know, defend yourself without making aggressive moves.
12:59Because the problem is that some of these moves that are logical and you may call them positional,
13:07they're expected by your opponent.
13:09And if you want to change the nature of the game, if you want to make it sharper, if you
13:15want to create something that's less comfortable for your opponent, then you move on with the
13:23moves that are not perfect by pure chess standards.
13:29One of the greatest experts on such moves was the second world champion, Emmanuel Oskar,
13:35who always believed that chess was a fight.
13:38It was all about winning.
13:40It's all about playing an opponent.
13:43And moves, except those moves that were winning instantly or the moves that were very obvious,
13:50like in the opening.
13:51But in a normal game, in the middle of the game, the choice that you make should be based
13:58exclusively on making your opponent less comfortable, guaranteeing that the type of the position
14:07that you're playing is something your opponent doesn't expect, doesn't feel comfortable of
14:12playing with.
14:13And Lasker was the world champion for 27 years.
14:19And one of the reasons of his longevity on the top of the world of chess was his ability
14:25to adjust his own play to the psychological deficiencies of his opponents.
14:34Sometimes you can probably play against your own instincts to make an opponent even less comfortable.
14:44But when I say against your own instincts, we're talking about very strong players.
14:50Because if I say I'm not comfortable playing positional endgame or quiet position, that means
14:57I'm not as comfortable as Karpov or Kramnik, but I'm still pretty good at that.
15:01So it's a conscious decision.
15:06You have to decide whether you would like to undermine your own strengths by making a opponent
15:14less comfortable.
15:16Maybe you have some interesting ideas in the opening that could take a opponent off the known
15:25path and that it's worth trying, even if this opening is not the one that you like most.
15:34But if we talk about chess on amateurs or semi-professional level, I would not recommend to go against your own instincts.
15:44You know, it's all about you.
15:46What I think is useful, try if you can to solve it at the chessboard, a real one, not at the computer screen.
16:04I know it's difficult because most of the time we spend on the computers.
16:06But if you want to make real improvement, real progress, try to stick with chess pieces.
16:13It's psychologically, it's easier.
16:15Because when you play the game, you play it with real pieces.
16:19And you better just feel them.
16:21Again, it's in pure psychology.
16:25But psychologically, it's more difficult to combine the computer, the knowledge from the screen,
16:33and apply it at the chessboard.
16:35But I also remember another story, so from my own experience, when I played a computer match in 2003,
16:43it was a deep fritz, and I played on the 3D screen in New York.
16:48In the game two of the match, I got a very good position with black pieces.
16:57And looking at this position at the 3D screen, I haven't realized, you know, that it had a very strange effect.
17:05It's not just a computer, but it's 3D.
17:08It looked natural, but it's still not exactly natural.
17:12And at one point, I blundered my central pawn.
17:16Just simply blundered pawn on E5.
17:17And I remember that when we analyzed this game with my coach, say, Yuri Dohojan,
17:23Yuri said, Yuri, here is a position at the chessboard.
17:28No computers, just real chess pieces.
17:31Do you see the geometry?
17:33I said, yes, of course, you cannot do this because your rook on F8 will be hanging,
17:37so that's why the pawn on E5 will be lost.
17:39So the moment I could see the position, touch the pieces, I knew exactly that it's not going to work.
17:46But on the computer screen, I just lost the touch with reality.
17:50So that's why, from my own experience, advice.
17:54You want to learn, you want to improve your chess,
17:56try to make sure that you solve everything at the chessboard.
17:59The same conditions that you will be playing with at the real tournament.
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