- 3 months ago
Impossible Monsters Full Movie
Category
π₯
Short filmTranscript
00:00:00Transcribed by ESO, translated by β
00:00:30Transcribed by β
00:01:00Transcribed by β
00:01:30Transcribed by β
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00:04:59Wow.
00:05:29You look fantastic.
00:05:31Nice to see you too.
00:05:37Great show last night, but I'm ready to see you tackle a bigger fish.
00:05:44Like selling the day show.
00:05:47Well, it's a start.
00:05:49You know, sorry I can't continually create something out of nothing like some factory line crap.
00:05:55I'm not trying to upset you.
00:05:57You're over here first thing in the morning telling me we need to show Fufu's art gallery.
00:06:04Cut the crap.
00:06:07Since you don't care, you can move out of this loft and go back to where I found you.
00:06:15Jeff, I've just been having a hard time sleeping.
00:06:20Do you want some pills?
00:06:21No.
00:06:22I can get you some more.
00:06:23No.
00:06:24They don't work.
00:06:25I'm like a fucking working stiff zombie the next day.
00:06:28Wait.
00:06:29You know what?
00:06:30I have a friend.
00:06:31He works in the university.
00:06:32He specializes in sleep.
00:06:35Why don't you go see him?
00:06:38I don't want to do that.
00:06:41Why not?
00:06:42Because my life is for me and me only, not some fucking quack.
00:06:46You don't have a choice.
00:06:48I just floated you a whole heap of money.
00:06:50You're gonna go and you're gonna be cooperative.
00:06:53I'm leaving.
00:06:55How many of you have had nightmares?
00:07:11How many of those nightmares ever felt real?
00:07:15The Nightmare by Henry Fuseli.
00:07:33It is believed he is illustrating sleep paralysis.
00:07:40Sleep paralysis is a transitional state between wakefulness and sleep.
00:07:44It often occurs with terrifying hallucinations to which one is unable to react.
00:07:51And typically associated with the incubus visitations which are shown in this painting.
00:07:57It has a much higher occurrence of out-of-body experiences.
00:08:02Sometimes involving people from one's past.
00:08:05So like ghosts?
00:08:07Actually, yes.
00:08:08What one would perceive to be ghosts.
00:08:12It's consistently found in trauma victims.
00:08:15Ah, we're out of time.
00:08:17Um, remember we have a test next week.
00:08:22Professor Friedman, I signed up for your research and ethics course next semester.
00:08:26That's great, but attendance is part of the grade.
00:08:29I'm here.
00:08:30It's the beginning of the semester and you've already missed two classes.
00:08:33I know, I work nights.
00:08:36You're going to need 40 hours of research participation at the end of the semester if you want to be in my research and ethics class.
00:08:42I was really hoping to work with you on your new research.
00:08:46I'm not looking for new assistance.
00:08:49I know, but the sleep paralysis we talked about today, I'd like to be your subject.
00:08:56What's happening at night?
00:08:58What's happening at night?
00:09:01What's not happening at night?
00:09:08I'm sorry, I didn't...
00:09:10I didn't mean to sit on your desk.
00:09:13Would it make up for my attendance grade?
00:09:15Okay, come see me next week.
00:09:27Now I know why you became a professor.
00:09:30Jeff!
00:09:31I wanted to see how academic life was treating you and apparently quite well.
00:09:35I've got to go to a meeting.
00:09:36I'll walk with you.
00:09:37Sure.
00:09:38Tell me you didn't get dressed up for me.
00:09:40I got dressed up for you.
00:09:43What's going on?
00:09:44How's the gallery?
00:09:45It's great, it's great.
00:09:47I have this new client.
00:09:48He's really young, but very talented.
00:09:52We're trying to get him to the next level, but...
00:09:55I don't know, I've got this feeling that he's a little...
00:09:57I don't know, blocked.
00:10:00He's having trouble sleeping.
00:10:03And if he can sleep again, he can become unblocked.
00:10:05Exactly, exactly.
00:10:06So I told him I have a friend who might be able to help him out.
00:10:10Isn't that part of the artist's conflict?
00:10:12Well, only if you romanticize it.
00:10:14At the end of the day, it's a business.
00:10:18Hmm.
00:10:19I'm starting a study.
00:10:21If he's willing to be a participant, this could be a win for both of us.
00:10:25Whatever you need.
00:10:26Let me meet with him first, though, okay?
00:10:28Okay, but this is good?
00:10:30I love the suit.
00:10:44Charlie.
00:10:45Rich, how are you?
00:10:47Good.
00:10:48Good to see you.
00:10:49Oh, hey, Alice.
00:10:50Oh, you look lovely.
00:10:52Tonight's a big night.
00:10:53Indeed it is.
00:10:54Both you guys are nominated.
00:10:57Um, hi.
00:10:58Oh, sorry.
00:10:59Rich, this is our good friend Lee.
00:11:01She works with Alice.
00:11:03Uh, congratulations.
00:11:04Oh, thank you.
00:11:06Charlie, we better get in there, huh?
00:11:08Yeah.
00:11:09Nice to meet you.
00:11:10Nice to meet you, too.
00:11:11Come on.
00:11:15First off, let's give a round of applause to both of our nominees,
00:11:18Dr. Charles Engel and Dr. Richard Freeman.
00:11:27Well, it gives me great pleasure to present the Miller Presidential Citation
00:11:31for Distinguished Contributions in Psychology.
00:11:34This year's Presidential Citation goes to Dr. Charles Engel.
00:11:52Congratulations, Dr. Engel.
00:11:53Thanks, Dr. Engel.
00:11:54Oh!
00:11:57Higher education is at a crossroads.
00:12:01More students are attending college.
00:12:04The costs continue to rise faster than inflation.
00:12:07And with government sources increasingly unpredictable,
00:12:11it is our job and responsibility as educators and researchers
00:12:16to find ways to fill that vacuum.
00:12:19So, it is with great pleasure that I announce
00:12:22that we have been invited to compete
00:12:25for the Voris Pharmaceutical Sleep Grant.
00:12:33It's with the support of organizations like theirs
00:12:36that we will be able to fund our cutting-edge research
00:12:39and grow as a university.
00:12:51Can I borrow this car for a second?
00:12:52Of course.
00:12:54Thanks, Bob.
00:12:55Ah, Stephen!
00:12:57What are you doing here?
00:12:59Well, the Alumni Association invited me,
00:13:00but when I saw that my former doctoral candidate was nominated,
00:13:02I figured I'd make the trip.
00:13:04How's Albany?
00:13:05It's great.
00:13:06It's great.
00:13:07I'm working with veterans now.
00:13:08Good for you.
00:13:10Stephen!
00:13:12Nice to see you.
00:13:14Great speech.
00:13:15Charming as always.
00:13:16Thank you, Stephen.
00:13:18But since when did corporate sponsors get invited to university events?
00:13:22Things have changed since your resignation.
00:13:24You know, whenever you need to tell yourself to look in the mirror, I guess.
00:13:30Gentlemen?
00:13:31Wow.
00:13:33Yeah, yeah.
00:13:34She talks about the cost of education.
00:13:36She was made dean.
00:13:38She didn't take a pay cut for her exorbitant salary.
00:13:40She cut jobs.
00:13:41And then she went to Voris to get sponsorship for research.
00:13:45Look at that sniveling little shit.
00:13:49Buying up universities.
00:13:52Anyway, anyway.
00:13:54How are you? Are you happy?
00:13:55Yeah.
00:13:56Good.
00:13:57To tell you the truth, we could use somebody like you.
00:14:00Your sleep work could make a big difference to a lot of the folks you've been treating.
00:14:05So, why don't you come work with me?
00:14:09In Albany?
00:14:10Yes.
00:14:11Well, I know it wouldn't be Dean Gasbeg's grand vision of the future, but you'd be making a difference.
00:14:16And that's what you said you wanted to do in school.
00:14:21I'm flattered, but I'm just caught up in all my work here.
00:14:27No, I figured. I figured.
00:14:29But should you change your mind, Mark?
00:14:30Absolutely.
00:14:34Don't fly too high, Richard.
00:14:36Thanks, Stephen.
00:14:37Good to see you.
00:14:40Hey.
00:14:42Have you, uh, seen Charlie and Alice?
00:14:45They gotta be around here somewhere, right?
00:14:49Do you want to get out of here?
00:14:50Mm-hmm.
00:14:51Yeah.
00:14:52Come on.
00:14:54Thank you for saving me.
00:14:55I don't know who saved who. I was ready to get out of there.
00:14:59Tough break tonight.
00:15:01Charlie?
00:15:03I should have known.
00:15:05The award is named after his mother's father. He's a school legacies.
00:15:10Well, you seem like a very important professor.
00:15:15I am very important.
00:15:16Yeah?
00:15:18So you work with Alice?
00:15:20Yeah, a social worker for the city.
00:15:24We should go out sometime.
00:15:27I like that.
00:15:40Richard.
00:15:42Richard.
00:15:43Come in.
00:15:50What can I do for you?
00:15:56I'm giving it some thought, and...
00:16:00I want to go for the grant.
00:16:02I don't think so.
00:16:04That's reserved for our best and our brightest.
00:16:07I was just nominated at the presidential dinner.
00:16:10But you didn't win.
00:16:12And I want to win the Boris grant.
00:16:15Plus, if you lose, how does that make me look?
00:16:18Like you said, the...
00:16:21the grant would be a windfall for the university,
00:16:25and it would help fund my research.
00:16:28How do you propose winning?
00:16:31By presenting the study based on our findings.
00:16:35No, that does not equal winning.
00:16:38What are you willing to do?
00:16:40We'll win.
00:16:50Get your focus group together by next week,
00:16:52and I'll push it through.
00:16:55And Richard?
00:16:59Don't fuck this up.
00:17:11So, why study sleep?
00:17:13It's the gateway to why we do things.
00:17:16How we consolidate memories.
00:17:19It's one point when our minds are completely uninhibited.
00:17:23We may dream of being able to do things we would never do in real life.
00:17:28Essentially, it's a second world to explore.
00:17:32So, why your study?
00:17:34To help people.
00:17:35By analyzing dreams, I can tailor a therapy to an individual who has experienced some form of trauma.
00:17:44By exploring those dreams, I can, in theory, get to the root of the problem.
00:17:52So, why, um...
00:17:54So, why social work?
00:17:57Honestly, I love my job, but it's a grind.
00:18:01There's just so many terrible situations, and really not all that much that can be done.
00:18:07I'm actually in the process of starting up a non-profit upstate for kids who come from these homes.
00:18:14Good for you.
00:18:16What about your job in the city?
00:18:18Well, the camp would give me the opportunity to affect change in a more positive environment without all the red tape.
00:18:25You're kind of incredible.
00:18:28Just kind of?
00:18:29Seriously.
00:18:40What are you doing?
00:18:42Come on.
00:18:46Come on!
00:18:47Don't be a pussy.
00:18:56What?
00:18:57I don't remember the last time I was on a playground.
00:19:04Yeah, well, I think it might be kind of weird.
00:19:07Single guy hanging out on a playground around children.
00:19:10Do you have kids?
00:19:16No.
00:19:18Do you want them?
00:19:19Eh, part of me wants to adopt.
00:19:22I mean, there's just so many kids who don't have a good home.
00:19:26Don't have a good home.
00:19:33Oh, shit. Come on. Come on. Come on. Come on.
00:19:36Shh.
00:19:37.
00:19:48.
00:19:50.
00:19:52.
00:21:04Hey.
00:21:09What's going on?
00:21:11We were watching a movie and you fell asleep.
00:21:14I'm sorry.
00:21:16You okay?
00:21:17Yeah.
00:21:18I just...
00:21:20There was a man.
00:21:22Where?
00:21:23I just have really intense dreams sometimes.
00:21:31I'm sorry.
00:21:32I should go.
00:21:33Do you want to...
00:21:34Do you want to talk about it?
00:21:35I'm sorry.
00:21:40I'm sorry.
00:21:57FANTASY ABANDONED BY REASON PRODUCES IMPOSSIBLE MONSTERS.
00:22:08Goya's Sleep of Reason.
00:22:11Are you a fan?
00:22:18Dr. Freeman, I'm Otis.
00:22:21Oh, nice to meet you.
00:22:23I'm glad Jeff suggested we meet.
00:22:26Goya unleashes his nightmares for his art.
00:22:30Those who sleepwalk as monsters awake around us.
00:22:37So you're a painter?
00:22:39I am.
00:22:43Do you only paint?
00:22:46I work with a variety of mediums.
00:22:51And what do you like?
00:22:53Well, it's not what I like.
00:22:57It's what I feel.
00:22:59And what do you feel?
00:23:02I'm searching for beauty.
00:23:08Why beauty?
00:23:11Because there's a lot of ugliness in the world.
00:23:17And in your world?
00:23:20I have these nightmares.
00:23:23I'm asleep.
00:23:26I think I'm awake.
00:23:27I'm not.
00:23:29And then it feels like I'm having some kind of a panic attack.
00:23:35Everyone has nightmares.
00:23:39Yeah, but I'm conscious of it.
00:23:42Have you ever seen diffusely painting the nightmare?
00:23:49You know what I'm talking about?
00:23:54Uh, yes.
00:23:55Yes.
00:23:56What about it?
00:23:57Well, the woman, she's pinned to the bed, which makes sense in the painting.
00:24:03You think she should be pinned?
00:24:06Naturally.
00:24:07I mean, one could argue that a relationship is a competition of power between two people.
00:24:14Men or women.
00:24:16In these nightmares, are you in control?
00:24:21Are you in control?
00:24:51Richard, good to see you.
00:25:10Have you met Mr. Stivek of Boris Pharmaceuticals?
00:25:13Nice to meet you.
00:25:14Dean Gaslow's been telling me about your study.
00:25:16We're looking forward to seeing the results.
00:25:19Mr. Stivek had a couple of concerns.
00:25:23Concerns?
00:25:24Boris wants to make sure they have all the potential data when making a decision about
00:25:30the grant winner.
00:25:31I'm always very thorough.
00:25:34I'm not asking you to invent, but what can you bring to the table that would give us
00:25:41a leg up?
00:25:44Tell us about one of your dreams.
00:25:47Well, it always starts outside.
00:25:52It's a beautiful fall day.
00:25:56What about the man?
00:26:02What man?
00:26:06Isn't there a man?
00:26:10No.
00:26:11But you said...
00:26:13You know what?
00:26:14I'm sorry.
00:26:15Excuse me.
00:26:16Well...
00:26:17Lee, where are you going?
00:26:19Why would you ask about the man in my dream?
00:26:28You told me.
00:26:29Yeah, I told you when it was just us.
00:26:30Rich, is this even ethical?
00:26:31Please just come back inside.
00:26:32No.
00:26:33I'm gonna go.
00:26:34No.
00:26:35I'm gonna go.
00:26:36Oh, jeez.
00:26:37Okay.
00:26:38Just come back inside.
00:26:39No.
00:26:40I'm gonna go.
00:26:41No.
00:26:42No.
00:26:43No.
00:26:44No.
00:26:45No.
00:26:46No.
00:26:47No.
00:26:48No.
00:26:49No.
00:26:50No.
00:26:51No.
00:26:52No.
00:26:53No.
00:26:54No.
00:26:55No.
00:26:56No.
00:26:57No.
00:26:58No.
00:26:59No.
00:27:00No.
00:27:01No.
00:27:02Where were we?
00:27:07I'll wake up in the morning, and my jaw hurts, that sounds kinda scandalous.
00:27:17You're probably just grinding your teeth at night.
00:27:21It doesn't feel like grinding.
00:27:25It feels like they're falling out.
00:27:29Teeth falling out is actually a common dream.
00:27:32Your teeth may represent your anxiety about your appearance
00:27:36and how others perceive you.
00:27:39I like how others perceive me.
00:27:43And how is that?
00:27:46With desire.
00:27:49There's a Goya etching, Casa de Dientes.
00:28:01You should check it out.
00:28:11Hey, you.
00:28:12Hey.
00:28:13So what do you think?
00:28:14Have us lab rats?
00:28:16Yeah.
00:28:17Still trying to find my way out.
00:28:47Uh...
00:28:53Aah streamlined a little longer.
00:28:55Right.
00:28:56B Ψ―Ω stretcher
00:28:57Moment...
00:28:58James, I like that one.
00:29:00It's absolutely great.
00:29:01Don't forget that...
00:29:04maneira direct driving to us...
00:29:07Going to do this at the Strip dispositiveness
00:29:09the girl who is burnt in here.
00:29:13Hey, I brought you an afternoon treat.
00:29:33You're such a sweetheart.
00:29:35I figured you could use it.
00:29:41I'm sorry about the other day.
00:29:43It won't happen again.
00:29:44No, I'm sorry.
00:29:46I agreed to be a part of this, and I just really hope that it helps.
00:29:51Oh, hi, Rich.
00:29:53Hey.
00:29:54I see you're taking good care of our girl.
00:29:56Always.
00:29:58He's wonderful.
00:29:59We're really going to miss having her here.
00:30:03I'm going to go grab some lunch.
00:30:05I'll see you guys later.
00:30:08What's she talking about?
00:30:09I haven't said anything yet just because it's not final, but...
00:30:13That non-profit that I want to open upstate, it looks like I may have found a sponsor.
00:30:18That's great.
00:30:20What are you going to tell me?
00:30:21Of course.
00:30:23I just really wanted to see what happened first.
00:30:26Sure.
00:30:30What are you drawing?
00:30:31I don't know.
00:30:31Don't you lose it?
00:30:35Don't.
00:33:07Rich, could I speak to you for a minute?
00:33:10Sure.
00:33:10Excuse us, John.
00:33:11Yeah, of course.
00:33:13Is your final focus group ready?
00:33:15Started the fMRI today.
00:33:17Excellent.
00:33:18Excellent.
00:33:18You need help?
00:33:27You need help?
00:33:45You scared me.
00:33:47Sorry.
00:33:48What are you up to?
00:33:52Actually, I was looking for that etching you mentioned.
00:33:55Oh, the Goya one.
00:33:57Yeah.
00:33:57I...
00:33:58Here, let me help you.
00:34:00Here.
00:34:00Here.
00:34:01Here.
00:34:01Here.
00:34:01Here.
00:34:01Here.
00:34:02Here.
00:34:02Here.
00:34:02Here.
00:34:03Here.
00:34:03Here.
00:34:04Here.
00:34:04Here.
00:34:04Here.
00:34:05There it is.
00:34:13There it is.
00:34:15Wow.
00:34:16So you think I should take a look at this?
00:34:19It's because I have dreams about my teeth falling out.
00:34:23It was your response on how people perceive you.
00:34:26Oh, yeah.
00:34:29Desire.
00:34:31See, the woman in the etching, she's the man's lover.
00:34:35So what?
00:34:36She isn't afraid of being caught.
00:34:38She's afraid of what she's doing to him.
00:34:41She's self-conscious.
00:34:42Even if you're confident in how others perceive you, you're going to be self-conscious in another
00:34:49way.
00:34:52Maybe he wanted to be tied up.
00:34:57Possibly.
00:34:58But he's dead.
00:35:00Then she broke his trust.
00:35:06You ever tied anyone up?
00:35:10Excuse me?
00:35:12You should try it.
00:35:14I think you'd find it exciting.
00:35:19Sorry.
00:35:20I overstepped.
00:35:21No, it's interesting.
00:35:24I've never, um, I've never done anything like that.
00:35:30It is interesting.
00:35:42It's a really nice color, isn't it?
00:35:56See, you're not so bad.
00:35:59I'm glad you came.
00:36:01Me too.
00:36:03I haven't really spent time in the art world.
00:36:07There's a lot of bullshit.
00:36:09Hipster doofuses, artist wannabes.
00:36:13My masters were Picasso and Bacon.
00:36:16I mean, here it's just a parade.
00:36:20Just a few of us trying to turn our work into cash.
00:36:22And here it is.
00:36:36I like how others perceive me.
00:36:59And how is that?
00:37:02With desire.
00:37:03There's a Goya etching, Casa de Vientes.
00:37:08You should check it out.
00:37:13Oh, you look nice.
00:37:16You should see what I've done right here.
00:37:33You should see what I've done right here.
00:37:50I had an attack the other night.
00:38:03I had an attack the other night.
00:38:18Were your teeth falling out?
00:38:20No.
00:38:22This was a different kind of dream.
00:38:27Nothing leaves this room.
00:38:31I began to fantasize.
00:38:33I was walking down the hall.
00:38:40And I came to a room.
00:38:47I laid down on the bed.
00:38:52Then hands were around my neck.
00:38:56And I liked it.
00:38:59But when they tightened, I suddenly was awake in my room, unable to move, and I couldn't breathe.
00:39:09How did you feel?
00:39:10I don't know.
00:39:11I love being touched.
00:39:12But I don't like not being in control.
00:39:13Perhaps you need trust?
00:39:14Perhaps.
00:39:16Perhaps.
00:39:17Perhaps.
00:39:18Maybe you were repressing an aspect of your self-expression.
00:39:23I don't think that's what you're doing.
00:39:24I'm not even sure.
00:39:25I don't know.
00:39:26I love being touched.
00:39:28But I don't like not being in control.
00:39:30Perhaps.
00:39:32Perhaps.
00:39:34Maybe you were repressing an aspect of your self-expression.
00:39:44I don't think that's the problem.
00:39:47I have a notebook here for each of you
00:39:50to record your sleep experiences
00:39:55just after they happen.
00:40:14I don't think that's the problem.
00:40:44I don't think that's the problem.
00:41:14I don't think that's the problem.
00:41:44I don't think that's the problem.
00:41:58Hey, hey.
00:41:59Jesus!
00:42:00What?
00:42:01What do you walk to?
00:42:03I just got off work.
00:42:05I'm going home now.
00:42:05Want me to join you?
00:42:07No, not tonight. I'm really tired.
00:42:11Where you been?
00:42:14Work, school, blowjobs. The usual.
00:42:19Hey, you've been busy with Professor Freeman.
00:42:23That makes sense. I'm in his study.
00:42:26But you already knew that.
00:42:29Professor Freeman. You like him?
00:42:34He's a great teacher.
00:42:37Am I a great teacher?
00:42:40Who do you want?
00:42:52Remember that?
00:42:54How about another night?
00:42:57I've been drinking
00:43:01Making bad decisions
00:43:07Oh, well, maybe I should mention
00:43:10Shouldn't stay in my condition
00:43:12But I'd be wasting all my pain
00:43:16I don't know
00:43:17Do you know?
00:43:18No.
00:43:19No.
00:43:20Well, learn.
00:43:22Let's see.
00:43:26Let's see.
00:43:32Let's see how your angle is.
00:43:34Oh, that's good. Yeah.
00:43:35Oh, that's good. Yeah.
00:43:39It's alright. It's alright.
00:43:41What's your name?
00:43:43Shana.
00:43:44Shana.
00:43:45I can't let go until I lose it all
00:43:49Oh, are you so cruel, baby?
00:43:54I try to forget you
00:43:58To be careful
00:44:01I can't help you
00:44:04I keep it
00:44:05But there's one thing for certain
00:44:08This whiskey ain't working
00:44:10But it's a damn good place to start
00:44:13No matter what I do
00:44:16Do, baby, there's no use
00:44:23Cause I'm meant to be broken
00:44:27Like ice got feet frozen
00:44:30And cold like your motherfucking heart
00:44:33No!
00:44:33Yeah?
00:44:37You're welcome
00:44:43Time is showing now, please, they're outside
00:44:47Beep
00:44:50Beep
00:44:52Beep
00:44:54Beep
00:44:56Beep
00:44:58Beep
00:45:01i heard you were around here oh there he is i was hoping to run into you how you doing i'm well
00:45:14i'm well how are you good good i hear you're running full steam ahead with varus
00:45:20got to pay for my research somehow oh yeah any more thoughts about what albany
00:45:27i'm flattered but why me why do you want me so badly well we had this patient this combat vet
00:45:39who had ptsd and he was having terrible nightmares to the point where he was never sleeping and he'd
00:45:45lost all track of reality and last week he killed himself now i'm not telling you this to guilt you
00:45:54but but when you were my student in the lab i knew that you could make a difference
00:46:00because you weren't brought up like all the other charlies in the world
00:46:03you know how the other half lives i have to see this study through
00:46:12how are you doing with your dreams you're remembering them now pieces
00:46:24why are you always late to my class what are you doing all night i'm a sexual pain exploration
00:46:45specialist i work at a club on 10th ave what is that i help people explore parts of their sexuality
00:46:56they didn't know existed they call me alethea
00:47:05i'm not a whore i don't sleep with anyone for money i didn't say that but you might have been thinking it
00:47:11you're one of my brightest students don't you find that degrading look i enjoy what i do
00:47:23intelligence and sexual enjoyment are not mutually exclusive
00:47:32would you ask the same question to a man
00:47:34so you and charlie i'd just say he likes it too rough
00:47:47rough how
00:47:50he has to be in control physically
00:47:58what about you
00:47:58is there anything you want to explore
00:48:11you know what i write about in my notebook
00:48:15what
00:48:18you and me
00:48:22exploring
00:48:28do i make you nervous
00:48:42no
00:48:58it's okay
00:49:00i guess i'll just be your fantasy
00:49:11you
00:49:12i think i'll just be your fantasy
00:49:14i guess i'll just be your fantasy
00:49:15i guess i'll just be your fantasy
00:49:16Can I help you?
00:49:37Alethea, your sub has arrived.
00:49:40Showman.
00:49:46Take a seat.
00:50:16Stop.
00:50:25I told you to stop.
00:50:35I told you to stop.
00:50:50I told you to stop.
00:50:59I told you to stop.
00:51:05I told you to stop.
00:51:20I told you to stop.
00:51:24I told you to stop.
00:51:39I told you to stop.
00:51:54I told you to stop.
00:51:58I told you to stop.
00:52:05I told you to stop.
00:52:10Transcription by CastingWords
00:52:40CastingWords
00:53:10CastingWords
00:53:40CastingWords
00:54:10CastingWords
00:54:40CastingWords
00:55:10I... I strangled the life out of her.
00:55:29Officers, one of our top forensic researchers, Dr. Charles Engel.
00:55:34Charlie, this is Detective Jacobs and Sergeant Costello.
00:55:37Nice to meet you. Same here.
00:55:39Actually, I worked on a case you did for D.A. Bradley.
00:55:44Yeah, nice work.
00:55:46Happy to help.
00:55:47Nice to meet you guys.
00:55:48All right.
00:55:56So, what can you tell us about Joe Rodney?
00:56:02She's a student of mine in my intro class this semester.
00:56:07She's a good student. What, is she in trouble?
00:56:10She was found dead early this morning.
00:56:14Looks like she was murdered.
00:56:17We found a notebook in her apartment that appears to have been given to her by you.
00:56:24Do you want to tell us anything about that?
00:56:27A notebook.
00:56:28Uh...
00:56:30That's right, I did give her a notebook.
00:56:31She's in my study on nightmares, dreams, and sleep paralysis.
00:56:37I'm sorry, sleep paralysis?
00:56:39Yes. It's like a nightmare, except it happens as you're waking up or falling asleep.
00:56:43So, what, what is that? More like, uh, what, like flashbacks?
00:56:48Sure. It's not uncommon in victims with PTSD.
00:56:52Getting back to Joe, Dr. Freeman, did you ever meet with her outside of the study?
00:56:56She would come to my office?
00:57:02Do you have any idea what she wrote about in her notebook?
00:57:07No. Not really. Uh...
00:57:10We haven't disclosed the information from their notebooks yet.
00:57:14In the study.
00:57:16No or not really?
00:57:18No.
00:57:20There's another girl attacked up in this neighborhood a couple of weeks ago.
00:57:24They're related?
00:57:25I don't know. Could be.
00:57:26Well, we definitely need everyone to, you know, keep their ears and eyes open.
00:57:31Um...
00:57:33It's my card.
00:57:35Feel free to call me if you think of anything else that might be helpful.
00:57:39You're welcome.
00:57:40Dean, thank you for your time.
00:57:50I don't mean to be insensitive.
00:57:54But I need you to finish.
00:57:57I've invested my credibility.
00:58:00And quite frankly, so have you.
00:58:10Well, the woman, she's...
00:58:12She's pinned to the bed, which makes sense in the painting.
00:58:16You think she should be pinned?
00:58:19Naturally.
00:58:22Hey.
00:58:24What's with you tonight?
00:58:26I need to talk to you.
00:58:28Is everything okay?
00:58:31It's serious.
00:58:33What happened?
00:58:35Detectives stopped by my office earlier today.
00:58:37Detectives?
00:58:38They were asking me about Jo.
00:58:40And?
00:58:42She's dead.
00:58:44Wait, what?
00:58:45She was found murdered.
00:58:47What?
00:58:48But Jo was murdered?
00:58:53I feel horrible right now.
00:58:55Hey, this is not your fault.
00:58:59In my last session with Otis, right before the police showed up,
00:59:03he described strangling a woman.
00:59:09What?
00:59:10He said it was just a dream.
00:59:11But still, the timing...
00:59:18He was a foster child.
00:59:20Just because he's in the system, it doesn't make him a murderer?
00:59:22No.
00:59:23That's not what I'm saying.
00:59:25I'm hoping to find out more about him.
00:59:32Detective Jacobs.
00:59:34Roger Engel.
00:59:35Hey.
00:59:36How are you?
00:59:37Good to see you.
00:59:38Uh, are you guys investigating Joe Rodney's murder?
00:59:42You got something you want to tell us, or what's up?
00:59:44Uh, listen, this isn't public knowledge, but Rich Freeman has been known to, you know, cross a line or two with a few of his students.
00:59:53Students like Joe Rodney.
00:59:55Yeah, I mean, one time I did walk into his office and they were, you know, I don't know, in the moment.
01:00:00I mean, I feel bad even saying this, but I feel like I have to.
01:00:04I...
01:00:06Dr. Freeman was with her.
01:00:07I saw them at dinner the night that she was killed.
01:00:11Wow.
01:00:14Anything else, or...
01:00:17I don't...
01:00:18I mean, I've seen some things in his office sometimes.
01:00:22What kinds of things?
01:00:23You know, girls' personal items.
01:00:29Well, uh, thank you for your help.
01:00:32Thank you, Doctor.
01:00:34Appreciate it.
01:00:36Good luck with everything.
01:00:41Let's go pick up Freeman.
01:00:44You think he did it?
01:00:46You don't?
01:00:53Here, I never showed you this.
01:00:54I appreciate it.
01:00:55Where's his history?
01:00:56Beyond the basic stats, it's a sealed file.
01:00:57No, birth record, nothing.
01:00:58And his parents?
01:00:59He was listed as Ward of the State in foster care until he was 18.
01:01:02Who exactly becomes Ward of the State?
01:01:03Well, it could be any number of situations.
01:01:04Parents with drug addiction, in prison, death.
01:01:05Is that his case, officer?
01:01:06Come, have a seat.
01:01:07Thanks for meeting with me.
01:01:08Thanks for meeting with me.
01:01:09So, Otis Bredlin is a patient of yours?
01:01:10Yes.
01:01:11I've been working with him for a few weeks.
01:01:12I've been working with him.
01:01:13He's been working with you, and he's if you are a real person.
01:01:14You're a real person.
01:01:16You're a real person.
01:01:17Yes.
01:01:18I am.
01:01:19So, let me see you.
01:01:20He's just getting a real person.
01:01:21Well, you can't be a real person.
01:01:22You know what?
01:01:23I'm not going to do as a part of an app.
01:01:24Oh, my.
01:01:25I'm not going to be one of my parents, but you're not.
01:01:26Well, I'm not going to be a real person.
01:01:27I'm not going to be one of my parents.
01:01:28Because I'm not going to have a conversation.
01:01:29Just I'm going to go to the wrong personΠΈΡΡ.
01:01:30And I'm going to be an author of a few weeks.
01:01:31I'm not going to be a call.
01:01:33So, Otis Bredlin is a patient of yours?
01:01:38Yes, I've been working with him for a few weeks,
01:01:41and I'm concerned about his emotional well-being.
01:01:45What are your concerns?
01:01:47Well, he hasn't opened up quite yet,
01:01:49and frankly, I'm concerned about his safety.
01:01:55His mother was a prostitute.
01:01:58She did her business inside the apartment.
01:02:02Eventually, she died of a drug overdose.
01:02:05That's when Otis became the responsibility of the state,
01:02:09and I looked over him until he was 18.
01:02:13That's horrible.
01:02:16Yeah.
01:02:19When he was 13, there was a report that Otis had been raped
01:02:23by another boy in foster care.
01:02:26Later, there was a fire, and his foster home burned down.
01:02:31The foster family and two other children died in the fire.
01:02:36Jesus.
01:02:38We could never prove it, but...
01:02:41we think Otis may be responsible for the fire.
01:02:46And how could they never prove it?
01:02:53Rich, just stop.
01:02:55I showed you his file, and now you're just scaring me.
01:02:58You have no idea what's going on.
01:03:00Dr. Freeman. How are you, sir?
01:03:03Detectives.
01:03:04Sorry to disturb you guys.
01:03:06We just have a couple of follow-up questions about Joe Rodney.
01:03:09Sure.
01:03:10Would you like to step aside with us for a moment?
01:03:13No, I'm good. What's going on?
01:03:15Uh, doctor, you mentioned that you and Joe would meet sometimes
01:03:21in your office while she was participating in the study?
01:03:24Yes.
01:03:25Ever been to an S&M club over on 10th Avenue?
01:03:29I don't know what you're talking about.
01:03:34Never been...
01:03:36Never.
01:03:38Good.
01:03:39Well, that's... that's all we got.
01:03:41Okay.
01:03:42Thank you for your time.
01:03:45You guys have a good evening.
01:03:46Nice to meet you, man.
01:03:47You too.
01:03:48Let's go.
01:03:52Yeah.
01:03:53Yeah.
01:03:57Yeah.
01:03:59Okay.
01:04:00Thanks.
01:04:02Shane is out of the coma.
01:04:03We gotta get over to the hospital.
01:04:05You know what?
01:04:06You go.
01:04:07I'm gonna keep my eyes on this good doctor.
01:04:20Hey.
01:04:21How are you?
01:04:22How you doing?
01:04:23You okay?
01:04:24Yeah.
01:04:25Good.
01:04:26You look good.
01:04:27Good.
01:04:28Um, what do you got here?
01:04:42Um, I'm gonna have to take this with me.
01:04:43You look good.
01:04:44Thanks.
01:04:45So this work really balances out some of the lighter and darker elements
01:04:51How do you feel about it?
01:04:56Oh, just excuse me for just one minute.
01:04:59Here he is.
01:05:00The man of the moment.
01:05:01Hey, Jeff.
01:05:02I need to talk to you.
01:05:03One minute.
01:05:04I have to show you something.
01:05:05Please come with me.
01:05:06I have to show you this.
01:05:07You did it.
01:05:08It's all you.
01:05:10You did it.
01:05:11It's all you.
01:05:12good-
01:05:33So what do you think?
01:05:35so what do you think it's definitely different than your earlier work you should stop by my
01:05:42laugh tonight see the rest of the series i haven't even seen them i'd like to show much
01:05:50yeah yeah i'll see you later tonight
01:06:05where are you going to otis's i need to see the paintings why
01:06:12i need to know know what i need to make this right rich stop lying to me why were the police asking
01:06:20you about some s m club that joe worked at i guess she worked there as a dominatrix
01:06:27so why were they asking you about it i have no idea maybe because she was my student
01:06:35you're fucking her what what is it you think you heard don't touch me okay
01:06:43i'm gonna ask you one more time why were the police asking you about joe
01:06:50i was with joe the night she was murdered
01:06:52what do you mean you were with joe we had dinner so then what did you do she kissed me
01:07:02what else
01:07:11lee please what else
01:07:24what else
01:07:32what else
01:07:36is
01:07:38what else
01:10:42Well, in my dream, I strangled life out of her.
01:10:50You can put your hands around my neck.
01:11:18It's okay.
01:13:24We're in control of it now.
01:13:25We're a good team, Rich.
01:13:26We're a good team, Rich.
01:13:27We're a good team, Rich.
01:13:34It's like a nightmare.
01:13:35It's like a nightmare.
01:13:36It happens as you're waking up.
01:13:37It happens as you're waking up or falling asleep.
01:13:38We're a good night.
01:13:39This is where you're at.
01:13:40And he's like, okay, this is what you're doing.
01:13:44We're a good team.
01:13:45Where are you going?
01:14:03I need to get home.
01:14:03I don't think so.
01:14:05I don't think so.
01:14:05You need to go back upstairs.
01:14:06We gotta have a conversation.
01:14:07Hey, if you touch me, let's move back up.
01:14:15We gotta have a conversation.
01:14:45We gotta have a conversation.
01:15:15We gotta have a conversation.
01:15:45We gotta have a conversation.
01:15:49We gotta have a conversation.
01:15:53We gotta have a conversation.
01:15:55We gotta have a conversation.
01:15:57We gotta have a conversation.
01:16:01We gotta have a conversation.
01:16:03We gotta have a conversation.
01:16:07We gotta have a conversation.
01:16:09We gotta have a conversation.
01:16:11We gotta have a conversation.
01:16:13We gotta have a conversation.
01:16:15We gotta have a conversation.
01:16:17Hey, everything we got points to Angle.
01:16:23Angle.
01:16:47Going somewhere?
01:17:04What does it look like?
01:17:08You can't.
01:17:10It'll hurt the university.
01:17:12We can't claim the grant without you.
01:17:15I made you.
01:17:34When you were a student of mine in the lab, I thought that you could really make a difference.
01:17:40I have to see this study through.
01:17:43How are you doing with your dreams?
01:17:48You remembering them now?
01:17:50I have to see this study.
01:18:00I have to see this study.
01:18:02I have to see this study.
01:18:04But I'm not sure.
01:18:05I have to see this study.
01:18:07PIANO PLAYS
01:18:37I have these nightmares.
01:18:40I'm asleep.
01:18:42I think I'm awake.
01:18:44But I'm not.
01:19:07I'm asleep.
01:19:37I've been drinking
01:19:42Making bad decisions
01:19:47Oh, well, maybe I should mention
01:19:52Shouldn't stay in my condition
01:19:54But I'd be wasting all my pain, no
01:19:58I'll never quit, no
01:20:03Even if it's fiction
01:20:06Thought I'd found what I'd been missing
01:20:11That was the only wishful thinking
01:20:14That you'd ever feel the same
01:20:17Oh, girl
01:20:21Yeah, you got my back against the wall
01:20:26I can't let go until I lose it all
01:20:31Why are you so cruel, babe?
01:20:36I try to forget you
01:20:40But, babe, I forget too
01:20:45But there's one thing for certain
01:20:50This whiskey ain't working
01:20:52But it's a damn good place to start
01:20:56No matter what I do
01:21:00Baby, there's no use
01:21:05Cause I'm meant to be broken
01:21:09Like ice got beat frozen
01:21:11And cold like your motherfucking heart
01:21:15I don't know
01:21:15I've been praying
01:21:18But nobody is listening
01:21:23No answers to my questions
01:21:28No hope for my affliction
01:21:31Guess I'm supposed to be in chains
01:21:34Baby, when you say
01:21:38I'm just another cliche
01:21:42It's hard to deny it
01:21:48Though I try to fight it
01:21:50Think I'll always be this way
01:21:53Oh, girl
01:21:57I've got nothing left to do
01:22:02And spend my nights depressing over you
01:22:07Like a fool, baby
01:22:12I try to forget you
01:22:17But, babe, I forget too
01:22:21But there's one thing for certain
01:22:26This whiskey ain't working
01:22:28But it's a damn good place to start
01:22:31No matter what I do
01:22:36Baby, there's no use
01:22:41Cause I'm meant to be broken
01:22:45Like ice got beat frozen
01:22:47And cold like your motherfucking heart
01:22:51No
01:22:52I'm meant to be broken
01:23:22I'm meant to be broken
01:23:52You
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