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00:00The 1980s heroin epidemic that seized Leeds and Bradford catapulted Keith Eckersley to the top of the criminal underworld.
00:09Bound by blood and fuelled by violence, Eckersley and his four sons built an illicit empire that would give the Eckersley name
00:16a currency all of its own in the shadow economy of West Yorkshire.
00:20Tales of murder, extortion, international drug trafficking and the disappearance of two serving police officers
00:26sealed Eckersley's formidable reputation far beyond the city in which he operated and a dark secret was rumoured to lurk inside the walls of the Eckersley Family Club.
00:36In 1990, Eckersley's wife of 18 years, Janet, disappeared without trace, leaving behind her four adult sons and a nine year old daughter.
00:45Excuse me.
00:47Hey, can I see something about my hand please?
00:50Can you tell me what's happened?
00:52I have, erm, hit something, somebody. It happened about two, three hours ago.
00:56Can I take your name and date, Bert?
00:57Yeah, it's Catherine Eckersley, 16th of February, 1981.
01:01Alright.
01:06Address?
01:08It's Upper Crofting Hall, Green Lane, Rippenden. HX690i.
01:13Okay, thank you. Take a seat please.
01:22Is Nisha gonna be alright?
01:24What have you done?
01:25Oh, I better bust me under.
01:27How?
01:28Hit someone.
01:30What for?
01:33Alright?
01:39What were you doing?
01:40Is Nisha gonna be alright?
01:42Well, she's still in resource, but still don't know anything.
01:47What happened?
01:48You know, I've got a criminal record, don't you?
01:50Because you told Jess...
01:51If she was giving you a job, I thought she should know.
01:53So what happens if I just smack this fella in the mouth?
01:56Okay.
01:59Wait.
02:00Wait.
02:01Wait.
02:03Wait.
02:04Wait.
02:05Wait.
02:06Wait.
02:08Wait.
02:10Wait.
02:11Wait.
02:12Wait.
02:13Wait.
02:14Wait.
02:15Wait.
02:16Wait.
02:17Hang on.
02:18This is Tom's wife's dad?
02:19Yeah.
02:20I walked away once, but you followed me.
02:21To presume to tell me?
02:23his father is when he knows nothing about it. Like, it's that simple.
02:37I was 12 years old, Holly. I was 12 years old and I was fucked repeatedly for months
02:46by three blokes, one of whom is Tom's dad. How could you tell someone that your father
02:52is one of three folks who would fuck a 12 year old? I haven't even told Beth. How could
03:00I tell her that? That's why this boy that she loves, that she spent years of her life
03:06bringing home came from. I mean, it would break her heart, wouldn't it? And what would
03:12it do to him if he do that? And then this fella, she just glimply says that like I haven't
03:19even thought about it. It's a sandwich between whether he would like to fuck me or not.
03:32So, do you want to talk about what happened when you were 12?
03:36No.
03:37OK.
03:39Well, I think it sounds like this Graham would be pretty stupid to report what's happened
03:45to the police because...
03:46Yeah, but if he does, he'll stuff, don't he? Because I've got previous.
03:52Did anyone else hear what he said to you?
03:55No. Everyone saw him be smacking one though, but no. He said it so no one else would hear him.
04:00Oh, hey, my God. Do I look like someone who wants to get fucked by some slimy old shitbag?
04:08I must do.
04:09It's not about you though, is it? When men say things like that, it's about whatever deluded
04:13crap goes on inside their tiny minds.
04:16What does he think happened to Exxar?
04:17He doesn't...
04:19He just thinks we're going to carry on being one big happy family.
04:21I'm tempted to say, I think you did the right thing.
04:23Except what he did isn't a criminal offence, whereas what you did could be.
04:29It is. It's assault.
04:32But look, if it did go to court, the first thing they'd ask is,
04:35why did you hit him?
04:37And then you tell them, and then when he's challenged with it,
04:39he either says, yes, I did say it, makes himself look like a creepy old tosser,
04:42or he purges himself.
04:44And middle class people don't like purjuring themselves, Kitty,
04:48because it frightens them.
04:49The whole thing reflects much worse on him than it does on you.
04:53That's all he'll care about.
04:55He's not going to report it to the police, Kitty.
04:58Oh, for fuck's sake.
05:00Go away, Rudy.
05:07Is that you?
05:09No.
05:11Oh, I think it is.
05:13Yeah, I think that is you.
05:15What's your name?
05:16Jesus Christ.
05:17Do you know her?
05:19Is she a friend of yours?
05:20I need a way.
05:21You sleep back down.
05:22You're under arrest.
05:23What's her name?
05:26Kitty Eckersley.
05:29Oh, you're so funny, Holly.
05:31She is.
05:32She's Kitty Eckersley.
05:33Check on your briefing.
05:34Well, the guy said it was a random attack.
05:36Said he didn't know who she was.
05:38So what is your name?
05:39I fucking well knows who I am.
05:41Right.
05:42You're under arrest.
05:43Do you understand?
05:44I'm arresting you on suspicion of criminal damage.
05:46You don't need to cuff her.
05:47You can see how badly hurt she is.
05:49Just shut out, Holly.
05:52You're not in the job anymore, okay?
05:54You're irrelevant.
05:55Do you not have to say anything?
05:56It may harm your defence if you do not mention one question or something you're late to the
06:04line in court.
06:05Anything you do say, make a given in evidence.
06:079837, I've got a 112 criminal damage.
06:10Crime number...
06:11...
06:12...
06:17...
06:18It's not a riot.
06:20We won't be quiet.
06:22A riot we've been gonna set this cold on fire.
06:26And on that brutal day, police constable Powell was targeted.
06:43Beth.
06:44...
06:45...
06:46I'm used to tell you to...
06:47...
06:48...
06:49...
06:50...
06:51...
06:54...
06:55...
06:57...
06:58...
07:02...
07:03...
07:04...
07:05...
07:06She's washed up Gavin's car.
07:21When?
07:22Weeks ago.
07:23Just before you met...
07:25Probably just before you heard her singing in that pub.
07:28I can't believe that Graham would say that to her.
07:31Oh, I think she could handle the lewd comments.
07:33It was more him telling her that she really ought to tell Tom who his father is.
07:38That got up her nose.
07:40Yeah.
07:42She's...
07:43Well, she's never wanted to talk about that.
07:47I haven't wanted to push her.
07:50Well...
07:52I guess...
07:54You know, she was 12.
07:58That's rape, whichever way you look at it.
08:02Says, er, she's just gone into triage.
08:04And, er, so that'll be, er, another couple of hours until they sort her out.
08:07And then we'll be another, what, three hours at the police station.
08:11So I'll wait with her and then I'll drop her off when, er, when she's been processed, alright?
08:15Well, that's very kind of you, Holly.
08:17Yeah, it's so fucking ironic.
08:19It's not, it was brilliant.
08:23Oh, my God, that song.
08:26And you wrote it.
08:28And the way she sings it.
08:31And us all managing to play together.
08:35And at that speed.
08:36And the audience, and it was all...
08:39I don't know, it's...
08:41It's like a little bit of a magic.
08:46Holly's found her.
08:51Who's Holly?
08:53I'm...
08:54I'm gonna have to go, Holly.
08:56Yeah, sure, sure.
08:57Sorry.
08:58Poor Nisha.
08:59Give her my love.
09:00Yeah, I will do.
09:01Yeah, if I get to see you.
09:02I mean, we still don't know what's going on, so...
09:04Well, let us know when you can.
09:06Yeah, I will.
09:07Bye.
09:08Bye.
09:09Bye, love.
09:10Bye-bye.
09:15She's in A&E.
09:17She...
09:18broke her hand when she hit him.
09:21And apparently what Graham said was...
09:25I'd really like to...
09:28Fuck you.
09:30And when she made it clear that that wasn't on the cards,
09:33he said, I...
09:34I wouldn't fuck you anyway, darling.
09:36Not for any amount of money.
09:38With his wife...
09:40And his daughter...
09:42And you.
09:43Standing...
09:44What?
09:45Two feet away?
09:47Graham wouldn't say that.
09:49Why would she lie?
09:50Did you listen to that podcast?
09:51She's nothing like them.
09:52She...
09:53She was mentioned in passing.
09:54She's barely a footnote, if that.
09:56Yeah, but she is like them.
09:58You can see that she's like them the second she opens her...
10:00Before she opens her mouth.
10:02I don't believe for a second that Graham would say anything like that to anyone.
10:06Well, I know she's not perfect.
10:08But she wouldn't hit someone.
10:11Not without some provocation.
10:13Do you think that you see too much in her?
10:15Do you think that you see things that aren't really there?
10:18No.
10:19I don't.
10:21I could say the same about you.
10:22You're Graham.
10:23Graham and Trisha are good people.
10:26They're kind.
10:27They're interesting.
10:28They engage with the world.
10:29She...
10:30Oh my God.
10:31It is like she's brainwashed you.
10:32Like she's inveigled away into your life, into your house.
10:36She'll have you changing your will next.
10:38For God's sake.
10:39Do not tell Ferdinand she said that about her dad.
10:42Of course I am not going to.
10:43What a disgusting thing to say.
10:45Making out like he's some kind of...
10:47Creep.
10:49Seriously, Mum.
10:50I don't think this woman should be in our house.
10:52This woman?
10:56This woman is your mother.
10:58No.
10:59You're my mother.
11:00Yes.
11:01And I appreciate you saying that.
11:03It feels like at no point have you actually stopped and thought about what any of this
11:06is like for me.
11:07I think about nothing but what is best for you.
11:10That's not true.
11:12You've been that obsessed with this talent contest.
11:14Do you know, finding out that someone like that gave birth to you is a shock.
11:19It's disturbing and the way that you have just presented her.
11:23I tried to phone you the day before and you never answered any of my calls.
11:27Right, because you will never do.
11:28I should have been able to choose if and when and where I got to see her and instead
11:31it has just been like, oh, here she is.
11:34Your new best friend living in our house.
11:38And suddenly you are so...
11:41God, I don't even know who you are anymore.
11:43Well, I'm so...what?
11:44N.F.Y.
11:45She's not your friend.
11:46Happy.
11:47I know that you think she is, but she's not.
11:48Why would you say that?
11:49She's nothing like you.
11:50Look at you.
11:52With your stupid tattoos and this.
11:55Whatever this is.
11:56For God's sake, it's just a bit of fun.
12:00We're on stage.
12:01That clip's on.
12:03So is that not a proper tattoo?
12:05No, that is.
12:07I've always fancied a tattoo.
12:08No, you haven't.
12:09Yes, I have.
12:11I was in a very dark place before we started this band.
12:15And I...
12:17And I won't say how dark, but...
12:21I was...
12:23I was pretty low.
12:26And...
12:28Now all that's gone.
12:31It's vanished and I do not want to go back there.
12:33Look.
12:34I know that it's been fun for you with the band and writing the songs and everything, but it's just far too complicated.
12:43Fun?
12:44It saved my life.
12:45It saved my life.
12:58Come on.
13:02You think...
13:03One day...
13:10You think you're going to find this person...
13:14Who has the key...
13:18To who you are to...
13:20All of these odd little things that you've never understood about yourself.
13:30And then you meet them.
13:37I don't like her.
13:40I can't cope with her.
13:43She makes me feel...
13:45Grubby and...
13:47Ridiculous and wrong.
13:50What's she even doing, Kia?
13:55I want you to be my mum.
13:57Not her.
14:00She doesn't belong, Kia.
14:20I'm more...
14:21She's supposed to be the king's goldeniejep.
14:28Lauren?
14:30I've not been your mum.
14:31She's not an illtone.
14:33Let G fuck you.
14:39führen to this.
14:40Do you know what show?
14:44jeease?
14:45I've been the only one.
14:46All done, Deryn. Cheers.
14:50You can get up on your break.
14:52There you go. Check and sign.
14:58On the pad.
15:05What could've got the bus?
15:07It's Sunday. You couldn't.
15:09Not up to where you live.
15:13Under the duty solicitors, then.
15:15Oh, it's just about making counter-allegations against him.
15:20Gavin.
15:21For knocking me a bell.
15:23Good.
15:26See you, Arlie.
15:38Have you turned your phone on?
15:39No. Why?
15:41Oh, just there was a message from Cam a couple of hours ago.
15:44Nisha's, er, fractured her pelvis and broken her collarbone,
15:47but they didn't need to take her to Leeds, so that's something.
15:53They'll give you a court date.
15:56Eight weeks.
15:57You all right?
16:09Yeah.
16:10Yeah.
16:19Is anybody private?
16:25Is everything sacred?
16:29Is everybody out to show?
16:34Everyone wants to see me naked.
16:38And everyone's out for dark.
16:42And everyone's out for dark.
16:44And everyone's out for dark.
16:46And everyone's out for dark.
16:49And everyone's out for dark.
16:51You can drop me off the top if you want.
16:52For sure?
16:53Yeah.
16:54I can't unfasten this.
16:55There you go, look.
16:56Did you say out to Beth about what I told you about when I were 12?
17:15No.
17:16Did you say out to Beth about what I told you about when I were 12?
17:21No.
17:26Did she never been in prison?
17:28Not from me.
17:34Kitty.
17:35What?
17:36Look after yourself.
17:38A voice.
17:44Moneyもう一回
17:53When you were 12 weeks old.
17:58See you later.
18:00You seemed to like to be a good if it was one of four.
18:05I loved yourself.
18:06Give it up, give it up to everybody
18:12I dare until you fade
18:16Give it up, give it up everybody
18:24I dare until you fade
18:28Give it up, give it up to everybody
18:36I dare until you fade
18:54Give it up everybody
18:59Give it up everybody
19:04She got around okay
19:18Hello
19:27I shouldn't have hit your dad for then I'm sorry
19:33Why did you?
19:41I'm thinking I ought to get my stuff and find somewhere else to live
19:44What did he say to you, Kitty?
19:51Do you want some tea?
19:54I think I ought to just go
19:55What did he say to you, Kitty?
19:57I don't want to repeat it
20:03You don't want to repeat it
20:05Because it's not true
20:07What?
20:11You don't want to repeat it because he didn't say it
20:13What did he say?
20:22He didn't
20:22Okay, so what did he not say?
20:27Well, if that's what you want to believe, I've got other stuff to worry about now
20:30Beth, can I get me things?
20:31I don't think you should leave
20:32I think you should get some sleep
20:33I think she should
20:34She hasn't got anywhere else to go
20:35What did he not say?
20:39Why won't one of you tell me?
20:42Well
20:42According to Kitty
20:47And I think it probably says more about her than it was about Graham
20:51He intimated that
20:53What?
20:57That he would like to have sex with her
21:01Don't worry
21:05We both know that your dad wouldn't say something like that to anyone
21:08Least of all
21:12Could you
21:16Could you have
21:18Misheard him?
21:20Could you
21:21I'll get my things
21:51Kitty
21:55I don't think you should leave
21:56Not like this
21:57I think you should rest
21:59You was right
22:00You know what I'm here, I'm trouble
22:01I've kept telling you don't know me
22:03You've kept on not
22:03Listen
22:04I picked you up in a bar when you were three sheets to the wind
22:06And I'd know where to live
22:07I knew you weren't Princess Diana
22:09And I know all about your family
22:10I've listened to a podcast about them last night
22:13And I also know you are not like them
22:16Yeah, do you though?
22:17I've been in prison twice
22:18What for?
22:21For salt
22:21You broke like shit
22:23I mean, it was a long time ago
22:24I was a kid
22:24I was an idiot
22:25But
22:25Okay, well, that's
22:26I don't care
22:27I mean, I do care
22:28I hope you didn't hurt anyone
22:30Assault?
22:31I did
22:31If it's a long time ago
22:33Yeah, I'm a mitigating circumstances
22:35Yeah
22:35I was pissed
22:36No
22:37I'm not sure that that is
22:39Anyway, you wouldn't do something like that now, would you?
22:43Yeah, Beth, I just did
22:44No, he was provoking you
22:45That is mitigating circumstances
22:48Well, anyway, Tom's decided I'm lying
22:49And you think I might misheard him
22:51But the whole thing is just a fucking big mess now, sir
22:53And I was
22:54I was just asking the question for his sake
22:57When I've been charged with criminal damage
22:58I assume Holly's told you
22:59So chances are I'll be back inside in two months' time
23:01So you won't need to worry about me anymore
23:02And you can all forget I was ever here
23:04You can all forget I ever existed at all
23:06I wish I could
23:07Don't say that, Kitty
23:09You know, I didn't see you people out
23:14You saw me out
23:16I had dealt with all this
23:18I had forgotten about it
23:19Literally
23:19It had gone
23:21And then I get that letter off the adoption service
23:23Just stirring it all back up again
23:24That's what I was doing
23:26Trashing that pub when I met you
23:28I picked a fight with Gavin about him
23:31Leaving his wife, basically
23:32Because I was trying to bend my head around all that
23:34Misery again
23:35And you're right
23:36I'm not like my family
23:38Just out of interest
23:39I am a lot of useless
23:42Idiotic things, Beth
23:44But I am not evil
23:46I know what evil is
23:48I have lived with it
23:49And I am not that
23:51And I don't need you
23:53Or anybody
23:54To tell me
23:55And I'm not a liar either
23:56I mean
23:57I am
23:59I can be
24:00But not this
24:02I said misheard
24:04Dorky
24:05Not lied
24:06Kitty
24:08Kitty, please
24:10Kitty, where will you go?
24:13Who fucking cares?
24:14I don't
24:15Tom
24:20Is this really what you want?
24:22Kitty
24:23Come on, let me help you
24:24I can drive the car
24:25Kitty
24:26Kitty
24:28Kitty
24:30I can't be leaving that fucking day anymore
24:33Kitty
24:34Kitty
24:34I tell you what
24:36You leave me alone
24:37I'll leave you people alone
24:38Alright
24:39We need to think about getting back to Sheffield
25:03I'll leave you alone
25:04I'll leave you alone
25:05I'll leave you alone
25:06I'll leave you alone
25:06I'll leave you alone
25:07I'll leave you alone
25:07I'll leave you alone
25:08I'll leave you alone
25:08I'll leave you alone
25:09I'll leave you alone
25:09I'll leave you alone
25:10I'll leave you alone
25:10I'll leave you alone
25:11I'll leave you alone
25:11I'll leave you alone
25:12I'll leave you alone
25:12I'll leave you alone
25:13I'll leave you alone
25:13I'll leave you alone
25:14I'll leave you alone
25:14I'll leave you alone
25:15I'll leave you alone
25:15I'll leave you alone
25:16I'll leave you alone
25:16I'll leave you alone
25:17I'll leave you alone
25:17I'll leave you alone
25:18I'll leave you alone
25:18I'll leave you alone
25:19I'll leave you alone
25:20Good morning.
25:35What time is it?
25:43Did you get Granny home properly last night?
25:46Don't ever ask me to do anything like that ever again.
25:48Why?
25:50She didn't even know where we were, Mum.
25:53You do know it was an emergency.
25:54You do know Nisha got very badly beaten up last night.
25:57I think she thought we'd broken in or something.
25:59We kept saying, it's Carl and Adam,
26:01and she just kept going, where's Ollie?
26:03And we explained, but, you know, so we told to lock herself in
26:06and hopefully she managed to get herself to bed and everything.
26:08Well, she didn't try to ring me, so...
26:11Oh, my God.
26:12Hope she's wandered off again.
26:14I'd better get round there.
26:16Oh, erm...
26:18What did you think about the band?
26:20What band?
26:22Our band.
26:23You know, my band.
26:25Oh, yeah.
26:26Yeah, that was embarrassing, wasn't it?
26:28We thought it went quite well.
26:30Yeah?
26:31Well, they were all drunk, weren't they?
26:32They'd have clapped at anything.
26:33Somebody had come on and farted, they'd have clapped.
26:35We came third.
26:36Digustibus non, dispute tandem est.
26:38Sorry?
26:39Oh, what?
26:40Did you not like the song?
26:42What, a load of old women singing about periods?
26:44Yeah, fucking bought the vinyl.
26:46Well, it was the menopause, in fact.
26:48We were all right, weren't we?
26:51We held it together.
26:53We got to the end.
26:54People were happy.
26:55They joined in.
26:56They cheered.
26:57Oh, but they were just doing it because they were drunk, obviously.
27:00Dirt.
27:01Silly me.
27:02Can you get some more milk, if you're going out, please?
27:04Six weeks?
27:05We did that in six weeks?
27:07Yeah.
27:08Well, it showed.
27:09Don't forget the milk, Mum.
27:13Oh, fucking milk.
27:32END
27:39Hello, love.
27:40Oh...
27:42Has Veronica been?
27:43I don't know.
27:44Has she?
27:45Probably.
27:47So was everything all right last night?
27:49Last night?
27:50Yes.
27:51As far as I know.
27:53We were wondering about a little holiday.
27:55Who is?
27:57Me and your dad.
27:59Where were you thinking of going with Dad?
28:03I've always fancied the Caribbean.
28:07Mum, you've never wanted to fly. You haven't got a passport.
28:11Oh, it'll be your Dad telling you that.
28:14You know, he's clipped my wings. I've often fancied abroad.
28:19Right, OK, so...
28:21So you're all all right? You don't need anything?
28:23Oh, you're not stopping?
28:26What are you dressed as?
28:27Who the hell is Jenny Lennox?
28:31Who's that texting you?
28:33Yvonne.
28:34Our Yvonne?
28:35Was she after money?
28:37I don't think so.
28:40Hi, kid.
28:41Who's Jenny Lennox?
28:42Jenny Lennox? That's a fancy name.
28:46Is she talking rubbish? She will be.
28:48She's fluent at that.
28:50But she finds bands to fill local venues.
28:54Really?
28:55Yeah.
28:55And she loved us.
28:57She thought we were the real deal.
28:59Oh, wow.
29:00That sounds made up, that name.
29:03And she thinks people would definitely give us a shot.
29:05Are you kidding?
29:07I ended up dealing with it because Beth did appear because Kitty hit the spell.
29:10Jenny bollocks. That sounds made up.
29:12She's really excited about us.
29:14And she thinks we could do proper gigs if we got enough material together.
29:18She's got a ton of ideas like recording a track and sending it out to people.
29:22What are you laughing at?
29:22Like a calling card.
29:24And she wants to come and talk to us at our next rehearsal.
29:26I said, well, technically we haven't got an extra rehearsal.
29:28So I'm thinking maybe we should try and get everybody together on Tuesday as we have been doing.
29:33Or if she's free this afternoon, maybe she'll try and get everybody together.
29:36Sure.
29:37Well, yeah, yeah.
29:37I'm free.
29:40You laughing?
29:41What are you laughing at?
29:44You at my mother's?
29:47Yeah.
29:48So have you heard all that?
29:50Are we just being a dickhead?
29:52Yeah, I got it.
29:54Right, well, I'll phone around everybody else.
29:58You don't have to do anything.
29:59You just sit on your hands and turn up when required.
30:02OK?
30:03I'll keep you informed.
30:05Yeah, yeah.
30:06Yeah.
30:10I don't know why I bother with them two.
30:12They're both some twats.
30:14It's not bollocks, it's Lennox.
30:21What is?
30:22Jenny Lennox.
30:23The woman who Yvonne was on about.
30:26Well, it was Jenny bollocks then.
30:28No, and you made her up.
30:30Oh.
30:31It was you that said it, wasn't it?
30:34That was the lady you said, wasn't it?
30:37No, I thought you said it to make me laugh.
30:42Said what?
30:44Do you have any bollocks?
30:50I've missed something.
30:54No.
30:56Oh.
30:58OK.
30:59Oh, my God.
31:00I want to go and see how niche her is.
31:02Shit.
31:03Do you love you?
31:04Who?
31:07My colleague, you don't know her.
31:09Bye, love.
31:09Bye.
31:09Bye.
31:14Bye.
31:14Bye.
31:25Bye.
31:31Bye.
31:32Bye.
31:33Oh, my God.
31:33Hey.
31:34Hey! Jessie! Mum, come on!
31:39What's much noise of this? Open the door!
31:43Come on, Grunty needs a wave! Open the door!
31:48Mum, open the door! Jessie! Jessie! Jessie! Jessie! Jessie!
31:55Come on, Mum! The door's locked!
31:58What have we got to look at now?
32:04Oh!
32:26Hello.
32:29Holly.
32:31Just wanted to go and have a look at you.
32:34Do you want a few minutes?
32:37I could stretch my legs and get a cup of tea.
32:40Sure, if that's... Thank you, Grace.
32:43Bye-bye.
32:45How are you feeling?
32:56You will get through this, Nisha.
32:59And when you do, you'll come out the other side and you'll be even stronger, as I know you.
33:05Remember me asking you not to go upstairs?
33:06Complaining to the boss about Rudy?
33:07Well...
33:08Obviously, it did his job properly last night for all his faults.
33:09No.
33:10No.
33:11No.
33:12No, you didn't, Holly.
33:13No.
33:14No, you didn't, Holly.
33:15He took photos of me.
33:16You what?
33:17You took photos of me.
33:18You what?
33:19Remember me asking you not to go upstairs, complaining to the boss about Rudy?
33:26Well, obviously he did his job properly last night for all his faults.
33:32No.
33:37No, you didn't, Ollie.
33:40He took photos of me.
33:44You what?
33:45I had my hands hung off the top of my head and I had my trousers around my ankles and I was stirred six feet off the ground on top of this bin.
33:55And I had this busting noise in my head so bad I could hardly see straight.
34:01You've got yourself into a right pickle here, haven't you?
34:04Yeah, I know. And he stops to take photos.
34:08And he goes.
34:09Telling fucking Holly to go upstairs and squeal to the boss. Smart man.
34:13No.
34:16And he unfastened me.
34:18And he let me fall.
34:21That's how I fractured my pelvis and that's how I'm a collar puncher.
34:25What?
34:26And that weren't them lads.
34:28That was him.
34:30I asked you not to say help.
34:32But you always know best, don't you?
34:34Did you tell that to them? Major Instantine?
34:35Oh, yeah. Make everything even worse.
34:38You'll get done.
34:40They'll just brush it onto the carpet.
34:44And someone upstairs, like you or Tony, will have a word with someone.
34:49You'll have a word with someone else.
34:51By the time it's got to the bottom of the food chain, that someone else will probably just be one of Rudy's mates.
34:58Like Sergeant Arsall.
35:01So it doesn't work, Holly.
35:06Going upstairs never works.
35:09And I knew that even if you didn't.
35:13And whatever happens now, those photos of me will be out there.
35:17So now, I haven't told the major Instantine.
35:29Do you really think I want anyone who cares about me knowing they exist?
35:35Oh, you can go now.
35:38I can't stand to look at you.
35:47You don't buy me or whoever you are.
35:48I can't sort of lie.
35:49Wow.
35:50Oh, my goodness.
35:51I can't stand them silver as you're?
35:52Oh, my goodness.
35:55Oh, my goodness.
35:57Oh, my goodness.
35:59I can't stand from him.
36:09All right.
36:12Oh, my goodness.
36:14Oh, my goodness.
36:45Would you like more tea, Bea?
36:52Would we like more tea, Mum?
36:57No, I think we're all right, thanks.
36:59She's tired herself out.
37:01She was up at three o'clock this morning singing.
37:05What was she singing?
37:06Oh.
37:06La, la, la, la, and a nightingale sang in Barclay.
37:15Yeah.
37:28The joke's on you
37:31Cause you never really knew her
37:36A rebellious suburban badass bitch
37:41Who never for a second would have taken your shit
37:45Rebel with a Sparks card
37:50She's the countdown queen
37:54Gotta go
37:56Don't want to miss the Chelsea flower show
38:01So you met Jess last night
38:20She did
38:21I'm Mary
38:22Oh yeah, she's not in the band, she just lives there
38:24I just own the place
38:26Okay
38:26And that's Holly
38:28You play bae
38:30So can you drop this face business when you say my name
38:34Cause I was not laughing at you
38:36Okay, it wasn't about you
38:37Not everything is about you, Yvonne
38:39It was about Jess
38:40How did you do?
38:42The sisters
38:42All my life I've had this
38:44Oh
38:44Ever since I was a kid
38:45Your little sister
38:46And the woman who professes to be in with her taking the...
38:49Then people wonder why you're bad tempered
38:52Sorry, should we just listen to what Jenny's got to say?
38:56Yes
38:56Sorry, sorry, can I just say
38:59Beth visits her mum on Sunday afternoons
39:02And Kitty has resurfaced apparently
39:04But we can't get hold of her just now
39:06Because, well, I imagine she's asleep somewhere
39:09Cause she was in A&E all night
39:11With a fractured fifth metacarpal after she punched Ferns down
39:13Cam's not here
39:15Cause, well, could you know about Nisha
39:17I mean, things aren't usually this dramatic
39:19Okay
39:20Well, moving forward
39:23I need a support band
39:24For the Ogden Waterbabies
39:26At the Hebden Festival in two months' time
39:28You think you possibly have enough material to do a 30-minute set?
39:32Yes?
39:33Half your own material, half covers
39:34Probably more original stuff than covers, I'd say, but
39:37Yeah
39:39Yeah
39:39So, as well as making a recording of Seeing Red in the next few weeks
39:43This gives you something else to aim for
39:45Seriously
39:46Perform, like
39:48Are you serious?
39:49Yeah
39:50A support band
39:51So, in the eight weeks before the festival
39:53It'll be down to you to keep the passion
39:55And the creativity and the hard work going
39:57Okay?
40:02Yeah
40:02Right, so
40:12So what she wants us to do, first of all
40:14Is a recording of Seeing Red
40:16I mean, a proper recording
40:19In a studio
40:21And she can set that up for us
40:24I mean, we'll have to pay for it ourselves, obviously
40:25And then
40:26Oh, God
40:28She wants us to support the Ogden Waterbabies
40:30At the Hebden Festival
40:31The Ogden Waterbabies?
40:35And she's so excited about us
40:36I mean, she wants to come to the rehearsal next week
40:39And give us some hints and tips
40:41What have we got to lose?
40:43A few quid
40:43A few quid hiring a recording studio
40:46You and me are 60 next year
40:51And you know what comes after that, don't you?
40:5561
40:5570
40:56Kitty, this is our time
40:58This decade's going to go like that
40:59And we need to grasp it
41:01Yeah?
41:02So we just need to get Nisha back on her feet again
41:04And Holly thinks it's very unlikely
41:06That Kitty will get a custodial sentence
41:10For that business of that Gavin's car
41:12So is she in bed?
41:16How is she?
41:18No
41:18No, I'm afraid
41:22She's
41:23She's gone
41:25Gone?
41:30Where?
41:31Well, I had hoped she might come to you
41:32Or Holly
41:33Clearly not
41:35Oh, pass
41:37Are you alright?
41:44Tom doesn't like her
41:45And he doesn't believe that Graham would say something like that
41:49And he hasn't been able to hide how he feels
41:52So she's gone
41:54She was upset
41:56And she was angry
41:58And I
41:59I don't know
42:03He is so disdainful towards her
42:06And it's heartbreaking
42:08Because when I look at her
42:09I just see him
42:10Trisha
42:26Hello, Trisha
42:31Hello
42:32How's Graham?
42:35Are you busy?
42:36No
42:37I, um
42:39Fern rang me
42:43And told me that everything's a bit of a mess
42:46Because
42:47Tom accused Kitty of lying
42:50Because
42:50Graham would never say such a thing
42:53Quite a big mess, actually
42:55Well
42:56I'm sorry to have to tell you
42:59That Graham would say such a thing
43:01Because
43:02Because
43:03He's done it before
43:08On more than one occasion
43:10And probably
43:12More times than I know about
43:15He appears to make something of a habit of it
43:18Um, I forgave him the first time it was drawn to my attention by a well-wisher
43:25And I turned a blind eye on another occasion
43:29And you keep hoping it's happened for the last time
43:35Of course
43:36But now this
43:38Tom's birth, Mum
43:41I mean, you know
43:42What the actual, what the actual fuck
43:44How is Kitty?
43:49She's safe
43:51I miss that song
43:56The one that hurts like something's wrong
44:04Cause even when I'm feeling fine
44:11It's always nice just to remind
44:19So are we assuming that Kitty's not coming?
44:34Oh, she, she, she's just not replied to any of our texts or messages
44:38So, we can do it without her, can't we?
44:41Sorry, you can record Seeing Red without Kitty
44:43How?
44:45Can't we get someone else?
44:46Where?
44:48People who sing like Kitty don't grow on trees
44:50Well, she'll turn up by next Thursday
44:52I can't keep a studio and a sound engineer booked for a whole day
44:55On the understanding that she may or may not turn up
44:57I only got this slot cause someone else had cancelled
45:00And then there's her two days mixing
45:01And you know, this is your money
45:02Where does she live?
45:08Um, she
45:08She
45:09We don't actually know where she is
45:13At the moment
45:14But we do know she's not dead
45:16Because she has read our messages
45:17Well, somebody's read our messages
45:19Oh
45:22So she
45:23Could be
45:24Look, I don't want to be
45:28I wanted to help you
45:31I honestly thought you had something when I saw you on Saturday night
45:33But maybe I just got carried away
45:35The thing is, you know, what you're doing is lovely
45:38But the truth is
45:39And the song
45:40The song is fantastic
45:41You know, you are definitely more than some sad dad band doing cheesy covers
45:45But without Kitty
45:46She really is your secret weapon
45:50What I'm offering you is next level
45:55And this, without her, this isn't enough
45:59Twice now she's not shown up
46:01And clearly there are issues with her
46:03And if she wanted this
46:04She'd be here
46:05So
46:06I'm sorry
46:08But
46:08I'm afraid this isn't for me
46:10Sorry mate
46:13Well where have you been?
46:20I just said
46:21I'm sorry I'm there
46:22What have I missed?
46:25Well, nothing
46:26Because we can't actually do much without you
46:28It turns out
46:30Well I'm here now
46:32So
46:32Kitty, I'm Jenny Lennox
46:35We met briefly on Saturday
46:36So what's happening?
46:39Well, I was just going to
46:40You know what's happening?
46:41We've all been sending you texts and messages for two days
46:44Telling you what's happening
46:45So I was just going to make a little recording of you
46:48Singing Seeing Red on my phone
46:50So I could send it to the sound engineer
46:52At the recording studio
46:53I've got booked in Huddersfield next Thursday
46:54So he's got a rough idea of what the song is meant to sound like
46:58Okay
46:58Cool
46:59But I guess
47:01I need to know that you're committed
47:04Because I'm sensing
47:06You're not as tight as you might be
47:10Tight?
47:12Together
47:13You're 40 minutes late
47:15You've been ignoring everyone's messages for the last two days
47:17So yeah, I have to ask these questions
47:19If I'm putting my time into this
47:21Not to mention all these other ladies' money
47:23A day in a recording studio
47:25With a sound engineer
47:27Then two days in the mix
47:28That's £1,000
47:29Yeah
47:30So we need to know you're not going AWOL
47:33Every five minutes
47:34Kitty
47:35I'm here, aren't I?
47:39Who was that?
47:40That dropped you off?
47:42Why?
47:43So you're doing this or what?
47:50Well, you've
47:51You've not gone back to Gavin
47:54Well, do you know what, Beth?
47:56I didn't have a fat little fucking choice, did I?
48:02So, excuse me for being thick, but
48:04That car that you just got dropped off in
48:07Is that the Jaguar you were up in court for having trashed?
48:11Well, yeah
48:12Well, it's been fixed now, so
48:14Sorry
48:16This is the man who had his mates beat you up that day I arrested you
48:20And you were trying to kill yourself with vodka and painkillers and a carving knife
48:23You've gone back to the man that did that to you?
48:26Like I said
48:26It was either his place or the bus station, Jaguar figure
48:30You arrested her?
48:32Briefly, yes
48:33For her own good, under the Mental Health Act
48:35When?
48:36I told you
48:37No, you didn't
48:37You told me she'd been in prison twice
48:38Well, it would have been the day before Beth picked her up in that karaoke pub
48:42Yeah
48:44That was the first of our memorable nights in A&E together, wasn't it?
48:50And, wow
48:51You've gone back to him
48:53So he's not still taking you to court then, I think
48:56I take it, I take it he's dropped that
48:58Yeah
48:59Yeah, he's going to drop it, yeah
49:02Go into
49:04Oh, what is your problem?
49:06Yes
49:07He's on his way to the police station right now
49:10For that purpose, okay
49:11I'm here
49:13Make the most of it
49:17Shall we rewind half an hour
49:21Pretend you weren't late
49:23Ladies
49:24Bricked it up for you earlier, Kitty
49:32That's good
49:33When you ready
49:35When you ready
49:35When you ready
49:39You're ready
49:41I'm here
49:54I'm here
49:55I'm here
49:56I'm here
49:57I'm here
49:59I'm here
50:00I'm so depressed, I can't get dressed
50:11Having trouble hiding my lack of interest
50:14Last time it was pouring like rain
50:17But I hadn't eaten from breathing all day
50:19My time's waning, feels like I'm fading
50:22Doctor tormentor, stop complaining
50:25If it happens in flux, God only knows
50:28We'll be getting H.R.T.
50:30Am I invisible?
50:33Am I untouchable?
50:36Am I unknowable?
50:39Are you uncomfortable?
50:41And I'm seeing red, red, red, red, red, red
50:45Red, red, red, red, red, red
50:48Red, red, red, red, red, red, red
50:51I'm seeing red, red, red, red, red, red
50:56Red, red, red, red, red, red, red
50:58Red, red, red, red, red, red
51:02Red, red, red, red, red
51:03Red, red, red, red, red
51:04Red, red, red, red, red, red
51:05I'm angry, I'm nice
51:06I'm fine
51:08Right, I'm off
51:10Are you not coming for a drink?
51:11I've got to get back
51:12Oh, basis
51:13Oh
51:14What's that up?
51:16See you, sweetie
51:18Yeah
51:19Kitty
51:20What?
51:20um we need to have a think about how to work on new material for the festival comes flat if you
51:31want to have you got a keyboard no so it would make more sense if you came up to me wouldn't
51:42uh one evening evening's no during the day is better for me when it's at work um I'm at work
51:49during the day as you know so maybe just work on them separately then we need realistically
51:56we need four more songs ready in eight weeks time so that is quite a tall order
52:03shall we talk about this when you're sober
52:09did you get my text about trisha phoning me up yeah
52:19only you didn't reply I didn't need to I know what that creepy old tosspot said to me even if you
52:27didn't believe me I didn't I shouldn't I just shouldn't have said anything I don't know well
52:35I see him so he's not texting me back either come on you know it makes sense
52:44for you to come to me to work on the songs I'm not coming to your house Beth ever again
52:51can somebody help me get the keyboard into the car please yeah me I will
53:04okay I have red wine
53:29thank you John loves it he's just listened to it through twice he's got a few thoughts singer amazing
53:39yeah where is she she left after we finished he'll be that Gavin he doesn't like a stopping
53:48outlet why she gone back to him so nothing about the fabulous drummer and the sublime backing vocals
53:54yeah like I said he's got a few thoughts so this is how it's gonna work next week Beth John wants you
54:01and Kitty there from 8 a.m. because you wrote the song you know you want it to sound Jess you need to
54:05be there then too because they'll want to lay the drum track first so Holly and Yvonne you don't need
54:10to be there till 10 11 you'll do keys and vocals last but you and Kitty will both be there anyway so
54:14what about backing singers oh I get there two three four o'clock whenever you feel like it really
54:20Vino no no I'm gonna love you and leave you I'm up to here it's a slow up music festival next week
54:27exciting times yay well done riot ladies oh thank you see you later see you cheers now thank you
54:35is she a bit of a wanker did she just call us riot ladies we're going to talk about the elephant in
54:43the room what elephant Kitty we're putting all this money in and if the wind's blowing in the wrong
54:50direction she could just not bother turning up again next Thursday I can't believe she's gone back
54:53to that man she's like a right bastard she's chaotic she's flaky and she's not putting any money in
54:58hang on so what are you saying look it's been a blast we've done what we set out to do
55:04we did the talent contest and we did it really well became third but this now with her like that I
55:11think we could be kidding ourselves I'm reluctantly suggesting that we call it a day
55:20and the sky was made of amnesia and all the stars were just like
55:27you should learn when to go
55:33you should learn how to say no
55:39you should learn how to say no
55:42you should learn how to say no
55:44Oh my gosh
55:45it's been a garden
55:46ok
55:47ok
55:49you please
55:50why what's happened
56:00ok
56:01you've got to fly
56:03what's happened
56:04so I had to wait an hour before anyone came to speak to me
56:06I spent another God knows how lot filling in some form saying I was declining to prosecute you
56:11and then I find out that I'm being investigated because of allegations of assault made by you.
56:17Oh yeah, no.
56:19That was a duty solicitor, that was his idea.
56:21I can drop all that if you've dropped that thing against me.
56:24I haven't dropped the charges against you.
56:25I was going to, but then this.
56:27Did you think that I wouldn't find out?
56:28I forgot, it was him, it was that solicitor.
56:31You forgot?
56:33I was exhausted.
56:35I've been in the hospital and I've been arrested, I was in agony.
56:38Do I look stupid?
56:39What?
56:40Do I look stupid to you?
56:41They both go back there together and tell them that neither of us want to prosecute the other one.
56:45You think I'm going to go back there again now, tonight?
56:47You don't just pop in and say, oh by the way, especially not when you're off your tits on vodka.
56:52Don't laugh too because I need those charges dropped.
56:54Oh yeah, yeah, then what are you going to do, eh?
56:55Just disappear and have a big laugh when I get arrested.
56:57You're not obviously your money doing it if you're dropping the charges against me.
57:01No, no, no.
57:02You are going to go and drop these allegations first.
57:04I have got charges against me, pal.
57:06I have got a court date.
57:08I need to know you are going to do what you say you're going to do.
57:10Why, why don't you trust me?
57:12Well, I'd like to trust you, Gavin, but you know, you're the fellow who told me he was divorcing his wife
57:16when in fact you were planning to jet off to paradise to do your marriage vows again, sir.
57:20Just see.
57:21Okay.
57:22All right.
57:23Okay.
57:24All right.
57:25Can you bargain?
57:26So, we're both going to...
57:28Yeah.
57:29Yeah.
57:30Yeah.
57:31Yeah.
57:32Yeah.
57:33Yeah.
57:34Yeah.
57:35Yeah.
57:36Yeah.
57:37Yeah.
57:38Yeah.
57:39Yeah.
57:40Yeah.
57:41Yeah.
57:42Yeah.
57:43Yeah.
57:44Yeah.
57:45Yeah.
57:46Yeah.
57:47Yeah.
57:48Yeah.
57:49Yeah.
57:55Oh, my God!
57:56Oh, my God!
57:57I'm fucking dead!
57:58I've had it!
57:59I've had it up to fucking air away now!
58:02You fucking have it!
58:03No, no, no!
58:04No, no, no!
58:11Oh my...
58:12Oh my...
58:34Oh my...
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