- 3 hours ago
The Matrix meets Superbad meets Parks and Recreation, or perhaps Keanu Reeves, Seth Rogen and Aziz Ansari just happened to rendezvous at the Whitby Hotel in New York and GQ were invited? Watch as the Good Fortune trio shoot the breeze over their cinematic lore, from the Freaks and Geeks comedic actor tree to Keanu’s off-the-charts likability—because the Baba Yaga can’t do any wrong, right?Credits:Director: Kristen DeVoreDirector of Photography: Jack BelisleEditor: Robby MasseyTalent: Aziz Ansari; Keanu Reeves; Seth RogenSenior Producer: Michael BeckertLine Producer: Jen SantosProduction Manager: James PipitoneProduction Coordinator: Elizabeth HymesTalent Booker: Lauren MendozaProduction Assistant: Jayden BierPost Production Supervisor: Jess DunnSupervising Editor: Rob LombardiAssistant Editor: Justin Symonds
Category
🛠️
LifestyleTranscript
00:00I saw Speed in a drive-in movie theater in Albany, New York.
00:04Was the car moving the entire time?
00:19I'm Aziz Ansari.
00:20This is Seth Rogen, Keanu Reeves.
00:22We're here at our press junket day for the film Good Fortune.
00:26Thanks for joining us.
00:27Thanks for coming.
00:28Thanks for watching this content.
00:29Keanu, my first exposure to you.
00:32It sounds weird in that context.
00:33It does sound weird to say.
00:34It sounds like I'm being exposed to COVID-19.
00:36My first exposure to Keanu, we're basically the same age.
00:40I was born in 1982, yeah.
00:42Yeah, and I'm 83.
00:43So for me...
00:44He was Bill and Ted's excellent name.
00:45I remember Bill and Ted.
00:47Oh, I remember it very much.
00:48My big Keanu thing was Speed, though, because I had the Speed VHS.
00:52I was in so much earlier than you.
00:55With all due respect.
00:57I was really into Bill and Ted.
00:59I was in South Carolina, so Bill and Ted maybe just didn't make it down there.
01:03I remember kids on the playground standing in circles and screaming, excellent.
01:08And that was, to me...
01:09Excellent!
01:10It was maybe one of the first, like, cultural times I saw a movie, like, affecting my direct
01:15culture and my friend groups.
01:17And it was like, oh, this is a big thing.
01:19And it was awesome.
01:20And then I stayed.
01:21I saw Speed at a birthday party.
01:23What year did Speed come out?
01:24I have no idea.
01:25Maybe 91 or something like that?
01:2692, yeah.
01:27So my friend's ninth birthday party, we all went and saw Speed in the theater together.
01:33And it was amazing.
01:34It was okay?
01:35Oh, it was incredible.
01:36Are you kidding?
01:36Blew our minds.
01:37I saw Speed in a drive-in movie theater.
01:38Whoa, that's pretty cool.
01:39In Albany, New York.
01:41With the car moving the entire time.
01:43Yeah, we're like, whoa.
01:44I think it's the only time I've ever been to a drive-in.
01:46It was a doubleheader.
01:47True lies.
01:48What?
01:48True lies finished.
01:49Whoa.
01:49And then Speed, I didn't know what Speed was about.
01:51I thought it was about, like, drugs.
01:53Like, the drug speed.
01:54And I thought it was going to be awkward because I was with my aunt and uncle.
01:56And I was like, this is going to be this weird drug movie.
01:58But then Speed started and I was like, holy shit.
02:00Because it's such a good, like, one of the best.
02:02Was Point Break after Speed?
02:03Point Break is first.
02:05Yeah.
02:05No, yeah.
02:06I was also big on Point Break.
02:07That was a big movie in my household because Patrick Swayze.
02:10No, like, because of Dirty Dancing was a huge movie in my household.
02:14And so anything Patrick Swayze did.
02:16And my parents loved action movies.
02:17Oh, yeah?
02:18Oh, yeah, yeah, yeah.
02:18I watched, like, more action movies as a kid.
02:22Like, I used to always watch Terminator 2.
02:24That was, like, my favorite.
02:26I was a big Arnold guy as a kid.
02:28Yeah.
02:28Can we tell the story when we saw James Cameron?
02:30Yeah, we saw James Cameron and Catherine Bigelow together having dinner.
02:34Wait, we got to frame this.
02:36So we were sitting in this hotel lobby.
02:40And then we were like, can we go outside and sit outside?
02:43They're like, sure.
02:44And we went out there.
02:45And there was only two people sitting there.
02:46It was a small outdoor area.
02:48Like, smaller than this space we're in right now.
02:50Pretty narrow.
02:51Yeah, pretty narrow.
02:52Maybe held eight people total.
02:53And we'd go back there.
02:54And there was, like, oh, OK, we can have this conversation.
02:56We were talking about work stuff.
02:57And we're like, oh, there's nobody back there.
02:59And then I walk out there.
03:00I'm like, there's two people that look like James Cameron and Catherine Bigelow.
03:03Yeah, sitting literally, like, three feet behind us.
03:05To the point that we couldn't even be like, holy shit.
03:08It's that we were, like, texting each other, literally.
03:10We were just, like, smiling at each other, like, having drinks and being like, is that
03:15James Cameron and Catherine Bigelow?
03:16And holy fuck, I think it is James Cameron and Catherine Bigelow.
03:19And you were like, go talk to them.
03:20And I was like, fuck you.
03:21You go talk to them.
03:22I'm like, what am I going to say to them?
03:23We were like, we got to say something.
03:24We were such big fans.
03:25We did have to.
03:26Yes, it seemed almost impossible not to say something.
03:29But then James Cameron came over and said hi to us and was very nice and totally geeking
03:36out as, like, you know, young as these.
03:38He allowed us to geek out on him.
03:40And I was like, Terminator 2!
03:41As Catherine Bigelow stood, like, 15 feet away, kind of standoffishly, being like, I
03:47don't want to talk to these guys.
03:49No, she's kind of shy.
03:50She seemed shy.
03:51Seemed a little shy.
03:52But we told her that we'd done the movie.
03:53We had just worked with you.
03:54Oh, yeah?
03:55That was our in.
03:56James Cameron, I said something about Terminator 2 and he's like, first 10 pages, wrote them
03:59on Exascade in two days.
04:01I was like, is it true you wrote the Terminator 2 script in six weeks?
04:04Because that's, like, one of my favorite factoids.
04:06Maybe or maybe not while on Exascade.
04:08Yeah.
04:09He had a vision.
04:10He had a vision.
04:11He knew how to get there.
04:12What was your first exposure to Mr. Rogan here?
04:17I'm trying to think the first thing.
04:18I mean, maybe.
04:19I was just always there.
04:20Would it have been 40-year-old Virgin, I think?
04:22Probably.
04:22I think I eventually got into Freaks and Geeks from Netflix, like DVDs and stuff, and obviously
04:29loved that as well.
04:30And then we worked together pretty early on.
04:32We did work together.
04:33In 2007 or something.
04:35What was it?
04:35The Observe and Report.
04:36The Report, yes.
04:37I wonder how that's aged.
04:39I wonder how our work in that film is.
04:41I don't know.
04:41At this point, it might have actually come back around to be completely acceptable again.
04:46There's a whole group of people that are really into it for the wrong reasons.
04:50Exactly.
04:50Yeah.
04:51It's like the Punisher.
04:52But I remember whenever I first saw your stuff, and you were doing so many things.
04:57Like, you were in 40-Year-Old Virgin.
04:59You were writing Superbad.
05:00And I remember looking up how old you were.
05:03And you were like a year older than me.
05:04And I was like, this is a mistake on IMDb.
05:06This guy cannot be.
05:08This guy looks way older than me.
05:09No, he cannot be this successful at doing all this stuff.
05:12And I'm still, like, trucking away, doing whatever I was doing, open mics or whatever.
05:17You know, I was like, wow, this is incredible.
05:20This guy's done all this stuff.
05:21But then we worked together soon after that and have always been a kind friend ever since.
05:26Yeah.
05:26What was your exposure to Aziz?
05:28First day of set.
05:29Exactly.
05:30Day three of shooting.
05:32Is this?
05:32No, we were the director.
05:33When you came over to me, we were like, who is this?
05:36I would say it was probably Parks and Recreation, probably.
05:40Yeah.
05:40A good one.
05:41Yeah.
05:41And then going into seeing stand-up stuff.
05:45Yeah.
05:45And what about, what was your exposure to Seth?
05:50Wasn't there like a, I don't know the order, Superbad?
05:56Yeah, maybe Superbad.
05:57Yeah, that was early.
05:58But when's that, like 2007, I think?
06:032007, I think.
06:03So I got to Seth Rogen late then.
06:06Because when was Freaks and Geeks?
06:071999.
06:08Wow.
06:09Right.
06:09There was like four years of unemployment there.
06:11So you weren't missing much.
06:13Oh, okay.
06:13I caught all that stuff on DVD afterwards.
06:16Yeah, yeah.
06:16Everyone did.
06:17That's why it was canceled.
06:18What's funny is that Freaks and Geeks was canceled really fast.
06:21And there's like 17 episodes of it.
06:23Is it an hour-long show?
06:24Yeah.
06:24And at the time, there was cutting edge.
06:26I know my goddaughter was just like, you should watch Freaks and Geeks.
06:30Oh, it's really good.
06:30It holds up, I think.
06:31People still like it.
06:32Yeah, I think it's incredible.
06:34Isn't there a big kind of like comedic writer, actor tree that comes out of Freaks and Geeks?
06:39Yeah, a lot of.
06:40Jake Kasdan was directed the pilot of Freaks and Geeks.
06:43Bill Pope shot the pilot of Freaks and Geeks.
06:46And The Matrix came out the day Freaks and Geeks wrapped.
06:49Wow.
06:49Really?
06:50And so, to me, they're inextricably linked to one another.
06:53And the whole time we were shooting Freaks and Geeks, Bill Pope was the DP.
06:56And the whole marketing campaign was everywhere.
06:58And the whole thing was, what is The Matrix?
06:59What is The Matrix?
07:00Yeah.
07:00And we'd always come into work and be like, Bill, what is The Matrix?
07:04And he'd be like, I'm not going to tell you.
07:06But I remember one day, he's like, I'll just tell you this.
07:09The scene where you see what it is is like one of the coolest things I've ever seen in a movie.
07:14And I was like, you see what it is?
07:16Like, what?
07:17Like, even that blew my mind.
07:18And then the day the show wrapped, me and Jason Segel drove to a movie theater in the Valley,
07:22smoked weed out of a glass bong in his car for like 45 minutes,
07:26and then went and saw The Matrix.
07:27And it was a mind-blowing experience.
07:29And then a few weeks later, I went to Vancouver and did a ton of shrooms and saw The Matrix again.
07:33And it was an even more mind-blowing experience.
07:35But the scene where your mouth, I was with my friend.
07:37The scene where your mouth ran away, I was with my friend,
07:40and he got up and ran out of the theater.
07:42He was just like, fuck this.
07:44We might need to give the home audience a minute,
07:47because I'm sure they're all in shock that you got high before you saw The Matrix.
07:50Exactly.
07:50They probably just take a minute.
07:51The fact that we took a glass bong with us.
07:53A glass bong.
07:54We were really going for it.
07:56We knew it was going to be a big thing.
07:57Aficionado.
07:58Yes, exactly.
08:00Aziz, what was it like working with Keanu?
08:02It was an incredible experience.
08:05And, you know, I was very, you know, we were talking about The Matrix,
08:08and I was just, you know, Keanu's such an icon,
08:12and these movies mean so much to me.
08:14I remember, like, when I first sent the script to you,
08:17I was like, whoa, like, could you imagine, like, you get a script,
08:20and you're like, okay, like, Seth, we want you to be in this movie.
08:22We want you to play Neo.
08:23And you read the script.
08:24There's all this stuff.
08:25And then you get to, like, the last page,
08:27and it's like, music, Rage Against the Chief, wake up.
08:31I fly away.
08:32Fly into the screen, the end.
08:35Holy shit, I'm in.
08:36And now you're reading my lighthearted comedy.
08:41You're like, do I fly into the sky?
08:43You gave me wings.
08:45You gave me wings.
08:46You gave me wings.
08:48You are him.
08:49You got to make him fly.
08:50Yes, but your script shared an ambition,
08:52and it has a vision.
08:54Oh.
08:55Good Fortune, a comedy, and it's a comedy, and.
09:02Yeah.
09:03And it has a lot of heart.
09:06It really does.
09:09Speak to that.
09:11Do you want to speak to it first?
09:12I mean, you wrote it.
09:13You speak to it first.
09:14Well, I think, look, when I look at, you know, your films,
09:19they're very funny, but you do care about the characters,
09:23and it's so important.
09:24And there is heart to it.
09:26When we started making comedies, that was sort of a revolutionary idea
09:29in some ways, I think.
09:30Because we were really coming off the heels,
09:33and these are some of my favorite movies,
09:34of like Dumb and Dumber and Something About Mary,
09:37and these movies like that were big and funny,
09:41but like not really making any attempt to like actually connect with you
09:45on like an emotional level.
09:46Yeah.
09:46Or have any like reality to them in a lot of ways.
09:49When it got to that scene where, you know,
09:51the characters like emotionally connecting,
09:53which all these movies have, just those scenes, they're really silly.
09:56Yeah.
09:56And we were like, oh, what if the tone is like such
09:58that by the time you get there, those scenes aren't silly,
10:00and they sort of feel like real scenes,
10:02and actually people talking to one another.
10:04Yeah.
10:05And that's all based on Judd and Freaks and Geeks and Jim Brooks and like.
10:07Yeah, yeah.
10:08I was thinking of broadcast news when I said that.
10:10Yeah, broadcast news.
10:10I mean, there's sort of like waves of tone, I think.
10:12But like.
10:13How much did you guys collaborate,
10:15or what was the discussions between the two of you?
10:18Like was it before the script was written?
10:20Was it post?
10:21Was it like, what was the.
10:23I think it was an idea you actually told me like years and years
10:25and years and years and years ago.
10:27Like 15 years ago.
10:28Well, we had this idea of, I don't think it was an angel,
10:32but it was like a guy being like,
10:33I'm going to show you this lesson.
10:35And then the guy being like, no.
10:36You essentially pitched us the movie, Mr. Destiny.
10:39Yes.
10:39I remember, which is a Jim Belushi movie.
10:43I remember you hadn't heard of that movie.
10:46And then Evan afterwards was like, this is Mr. Destiny.
10:48Yes, and as you were pitching it to us, we're like, this is great.
10:51It's also the movie, Mr. Destiny, which is a good movie.
10:54It was just that core idea of like a character like Gabriel saying,
10:58I don't even think it was an angel.
11:00It was just like a guy saying like.
11:01Yeah, it was like a guy.
11:02It was a destiny man.
11:03The movie was called Destiny Man.
11:04The Destiny Man.
11:04And you were going to be the destiny man.
11:07And like, I was a guy who like could have been in on like Instagram.
11:11And I like said, no, I'm going to do this internship.
11:14And my whole life, I feel like if I just been part of this.
11:17It was like sliding doors kind of.
11:17It was like sliding doors.
11:18And you were the destiny man.
11:20Which is what Mr. Destiny is about.
11:21I started writing this movie about like these two guys.
11:25Like the idea of these two guys.
11:26Yes.
11:26One guy that's been like screwed by the last 20 years,
11:29works two to three jobs, burdened by student debt, sleeping in his car.
11:32And then there's the other guy who's just like blessed by the last 20 years.
11:35Yep.
11:36Living in a giant house, made all his money, blah, blah, blah, blah.
11:38What happens when their worlds collide?
11:40But I had like a rough draft.
11:42And we were working on another film called Being Mortal that got shut down.
11:47And it was this whole thing.
11:48And the day that like broke in the news, everyone's texting me.
11:51I was, he's so sorry.
11:52I was like, I can't be in this place.
11:55And then you went into like a manic frenzy and wrote the script very fast.
11:57No, I had it written.
11:59And I said it to you because you were supposed to work that day.
12:02Yes.
12:02And I said, hey, you know this is a bad day for me.
12:05If you want to help me.
12:06Instead of working, read this.
12:08No, you were supposed to work.
12:09We were supposed to shoot.
12:10So I was like, I know you're free, so do me a favor if you'll read this.
12:13You couldn't get out of it.
12:15He called me like two hours later.
12:16It's the fastest anyone's ever read a script and called a director back.
12:20He called me two hours later and said, I'll do it.
12:22And when I originally sent it to you, I thought you would be the angel.
12:25Yeah.
12:25And then we'd find a guy to be this rich guy.
12:29And then we could, I could never find someone.
12:32Because I was like, the Jeff guy needs to be like funny.
12:34Like you've got to still enjoy this guy.
12:36Threading a needle with that guy.
12:37Yeah.
12:38Even though he's kind of.
12:38You do.
12:39That you, Jeff.
12:41Yes.
12:41So then we said, hey, let's make you Jeff.
12:44And then we're like, who do we get to be the angel?
12:47And then you come up and we're like, whoa, this is all coming together in a great way.
12:52We spent a lot of time rehearsing.
12:53I remember we were in my house reading some of the scenes and some of the biggest laughs
12:57in the movie are things we came up with together in those times.
13:01But to go back to your original question, obviously Seth is like one of the greatest writers alive.
13:08So to have him be a collaborator is such a blessing.
13:11And you're one of the few people that's pulled off what we're trying to do with this.
13:15Like make a funny comedy that has heart that gets people in the theater.
13:17So I always really respect your feedback.
13:20That's so nice.
13:21It was a great idea right off the bat.
13:22If you had to give yourself your own angel duty, what would it be?
13:27My own angel duty.
13:29What does that mean?
13:30Yeah, like my task as an angel.
13:32The texting while driving thing is pretty good, I gotta say.
13:36Wait, you're telling me I have a budget guardian angel?
13:39Kind of.
13:39He's not that psyched about it.
13:41And I get why on the grand scale of angel tasks.
13:43But on a tangible day-to-day level, you're probably saving a lot of lives.
13:46I mean, that's part of my arc is that I realize the importance of what I do.
13:52I mean, you helped me with scripts and stuff.
13:54I'd be a script angel.
13:56You're already doing that.
13:57You just, hey, maybe look at this character's arc.
14:00Maybe he needs a little more here.
14:02An archangel.
14:04Oh, my God.
14:05There you go.
14:07You did it, guys.
14:08I mean, it's funny.
14:09You guys are both sitting here, and you both are angels in my life, you know.
14:13We're green light angels.
14:15Yeah, you're green light angels.
14:16Whoa, you got Keanu?
14:17You get more money.
14:18Exactly.
14:19Your budget just went up.
14:20Does he have a gun?
14:21Does he have a gun?
14:22No.
14:23Wings.
14:23Okay.
14:24Trenchcoat.
14:25That's why it was a fairly low budget.
14:29All right, Keanu, what are your angel duties?
14:32You've already done it in the movies.
14:33I mean, there's so much to do.
14:34I mean, people think you're an angel in real life.
14:36Do you find you feel, I mean, you seem very naturally great, but do you feel pressure to be even, like, you know people view you as so great.
14:43Right.
14:44Do you think that helps you be nice all the time?
14:47I mean, yeah, I think sometimes.
14:50Yeah.
14:50There's certain situations where, yeah.
14:52People tend to live up to what people think of them.
14:54Yeah, a little bit.
14:55Yeah, for sure.
14:56Yeah.
14:56That's a good thing to live up to, though, was just being a nice dude.
14:59Yeah.
15:00Being a super nice, chill dude.
15:02Yeah.
15:02How nice do people think, like, me and you are?
15:05They just think we're just, like, I feel like we're nice people as well.
15:09Yeah.
15:09But not like him.
15:10No, not like him.
15:11It's not a thing.
15:12Which is funny, because all you do is kill people.
15:14I know, right?
15:15Your whole thing is shooting people.
15:17Just, just.
15:18It's not all you do, but it's a lot of what you do.
15:20Hey, man, there's some, like, be excellent to each other.
15:23Yeah, that's true.
15:23You also have that.
15:24You probably have this, too.
15:25And party on, and vaya con Dios.
15:27Yes.
15:28Some people like it, some people don't.
15:30Maybe that's why it's so easy to watch you kill people in some way.
15:34It's because you know deep down that it's, like, it's not.
15:36Make believe.
15:37You thread the needle of being incredibly likable and killing tons of people, which is a really hard needle to thread, honestly.
15:43Killed my dog.
15:44That is a real, that is a real thing.
15:46When we met Catherine Bigelow that time, she was talking about how, you know, you'd never done action before Point Break.
15:54No, it was the first one, yeah.
15:55And that led you into that.
15:57For sure.
15:57I remember reading some interview with you, it was before you'd done that stuff, and they were talking about, like, you were talking about the stuff you were getting offered, and it was stuff where you were very nice, and, you know, sometimes playing characters that have this naivete.
16:12Sure.
16:13We have to mention Parenthood.
16:14Oh, yeah.
16:15Which we talked about a lot when we talked about you doing this.
16:18And then I just worked with Ron Howard, and we talked about you so much, because I had just worked with you.
16:23And to me, that was also one of all time, like, it's such a funny performance.
16:27It's so great movie.
16:29Slapping the salami.
16:29I was just going to say, it's all about slapping the salami, which is, like, truly one of the great line reads of all time.
16:37Yeah, that and, you know, the Bill and Ted stuff, like, it was interesting to kind of use that palette to, you know, whenever.
16:44Oh, tone-wise?
16:44Yeah.
16:45Yeah, to find Gabriel, and I remember, like.
16:47Oh, yeah.
16:47Oh, yeah.
16:47You told me, you gave me that vermouth of bringing some of that frisante of the innocence of the kind of Bill and Ted and Todd.
16:56You referenced Bill and Ted.
16:57Yeah.
16:58And Todd.
16:59Because there's, yeah, there's such a sweetness to those guys and all the humor of their night of the day.
17:03I thought also, too, the energy of that, like, the kind of the frisante, the kind of, kind of moving forward.
17:11Yeah, yeah.
17:12That kind of, like, thing.
17:13Very Gabriel, yeah.
17:15The question of, like, what do we think an angel, what is an angel excited?
17:19Do they have sex?
17:20I mean, yeah.
17:20They'd probably be excited about having sex.
17:23Why would an angel?
17:25Are they puritanical?
17:26Would sex be repulsive to an angel?
17:28Because are they religious?
17:29Are they, are they, are they Christian?
17:31Angels?
17:31What kind of angels are we talking about?
17:32Yeah, Catholic angels?
17:33You don't seem like a particularly religious angel.
17:37I don't, yeah.
17:38Archetypal.
17:38It's more just like, as an angel, you couldn't experience those things rather than you.
17:43Like, you never got to eat food and stuff.
17:45Like, that was all.
17:45Right.
17:46I mean, that was very much, obviously, influenced by Wings of Desire and the whole idea of just, like, the human experience of even just, like, in my head, Gabriel never got to just hang out with guys and, like, you know, laugh.
17:57And just kind of consistently live as a person and have a job and all these things.
18:01And, you know, what I love about your character is that, you know, he becomes friends with us, but also Felipe, the guy that he washes dishes with.
18:10Yeah, Felipe.
18:10And he's never danced before.
18:12Like, I remember writing that scene and being like, oh, like, that's something fun.
18:15Like, that's cool.
18:16And then you took-
18:18Well, I'm working hard.
18:19You know what I mean?
18:20Yeah.
18:21I'm just in-
18:22You're on rooftops.
18:23You're in cars.
18:23I'm just-
18:24I'm just keep working.
18:25They can hear music, I guess, already.
18:27Stuff like that.
18:28But they just can't dance.
18:29I think you can hear music because of when you're in the car with a text, you can drive and you hear the music.
18:33But dancing, I don't think Gabriel ever dance.
18:34Eating would draw me a bit.
18:35Yeah, but they probably don't-
18:36I mean, do they have metal up in heaven?
18:38Yeah.
18:38There's a certain music that they don't hear, but they're on earth a lot also.
18:41What, like heavy metal?
18:42Well, they hear it.
18:43Yeah, so they might appreciate it.
18:44Do they have Pankerun, Fugazi in heaven?
18:46Fugazi.
18:47Yeah.
18:48Food, sex, drugs.
18:50Driving cars.
18:52That'd probably be fun.
18:53Driving motorcycles, I imagine.
18:54Yeah, yeah.
18:55How about doing shit then and you don't die?
18:57Yeah.
18:58You know what I mean?
18:59Like, really go for it.
19:00Just fucking jump out of an airplane.
19:02That'd be cool.
19:02Like, just fucking throw yourself off a mountain.
19:04That'd be fun.
19:05Drown yourself.
19:06Like, go down.
19:07Just keep swimming.
19:08Just keep going.
19:10Just hold a bowling ball.
19:11Just keep going.
19:11Just keep going.
19:13Like, so then you could even push the human experience.
19:16Yeah, that's true.
19:17Set yourself on fire.
19:18That'd be cool.
19:19The whole Groundhog Day element of it.
19:21Yeah.
19:22Electrocute yourself.
19:23You could read all you.
19:24Just keep learning.
19:25Yeah.
19:25All the learning you could do.
19:27I'd learn piano.
19:28Learn one song.
19:29I did learn one song for a movie.
19:31What did you learn?
19:31A months ago.
19:32A Thelonious Monk song.
19:34You did?
19:34You actually did it pretty well.
19:35And you played it on piano?
19:36I played it on piano.
19:37And my teacher was very impressed.
19:39Just clear that ecstasy story with Jim Cameron's people.
19:41Yeah, exactly.
19:43I'm sure he's cool.
19:44All right.
19:45All right.
19:45All right.
19:45All right.
19:46All right.
19:47Just keep going.
19:47All right.
Recommended
1:03
|
Up next
2:22
1:34
1:34
0:21
10:55
14:11
0:30
Be the first to comment