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Shelter in the Mafia #Dramabox
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00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're death thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Your company and your husband both belong to me now.
00:01:03No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:10You know, actually, your debt is mortgaged with your shares, so you actually owe this company about $200 million.
00:01:16I never took out any loans that large.
00:01:19Oh, Tasha. You were always so gallible.
00:01:22A word of advice for the future?
00:01:24Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:32Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:41Look. There's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years. In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:23Man, what the fuck you got me here for then? Shit.
00:02:29Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:49Said it was, like, collateral for a loan. Of course, I made the call and arranged everything.
00:02:56My pleasure.
00:02:59You despicable trash.
00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kind of suits you. So, enjoy.
00:03:14Go to hell.
00:03:15Go, go.
00:03:18Go, go.
00:03:20Go.
00:03:21Miss?
00:03:48Just go away, alright?
00:03:50I don't need your cheap sympathy right now.
00:03:52Miss, your friend's gone.
00:03:54I just want to offer my cab services.
00:03:59Yeah, I'm sorry, a cab is just what I need right now.
00:04:05Alright, great, come on board.
00:04:07I'm sorry, I don't have any cash right now.
00:04:16Sorry, I don't have any cash right now.
00:04:31Give me a minute, I'll go grab some from inside.
00:04:34Here.
00:04:35Just proof I'm not trying to skip out on the fair.
00:04:39You have some nerve coming back here.
00:04:51I never wanted my son to marry you in the first place.
00:04:53And now that he's finally come to his senses and kicked you to the curb,
00:04:57you think that you can just waltz right back into his house?
00:05:01His house?
00:05:03My father left me this house.
00:05:06And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:14I always knew you were a nasty little hussy.
00:05:22Who the hell are you?
00:05:24This is a personal matter, so you should really mind your own business and stay outside.
00:05:28Actually, this is my boyfriend.
00:05:32So if it's a personal matter for me, it's a personal matter for him.
00:05:37Okay.
00:05:38What?
00:05:39You think your son's the only one capable of having secrets?
00:05:44Hey, thanks again for today.
00:05:59I know that's a weird position to put you in.
00:06:03Sorry?
00:06:05It is really nice to know that there is still good people out there that would help a total stranger.
00:06:13Have a good night.
00:06:14Alright, you too.
00:06:35Where's my necklace?
00:06:43Here.
00:06:44Just proof I'm not trying to skip out on the fair.
00:06:48Where's my necklace?
00:07:00Here.
00:07:02Just proof I'm not trying to skip out on the fair.
00:07:18How does a fancy broad like you find yourself in a place like this?
00:07:35Who the hell are you?
00:07:37Get out now!
00:07:38All I'm trying to do is introduce myself and you're treating me like some dog shit you found
00:07:42stuck to your shoes.
00:07:45I'm calling the police!
00:07:48How about I give you a better idea?
00:08:00You and I are going to have some good old fashioned fun tonight.
00:08:04If I ever see you around here again you're dead!
00:08:15Get out of here!
00:08:17Hey.
00:08:18Oh, I'm so glad you're here.
00:08:23Where did you get this necklace?
00:08:26My father gave that to me.
00:08:29You better not be lying to me.
00:08:30I'm not lying.
00:08:31He made that with his own hands.
00:08:32It has my name on the back.
00:08:36It's really you?
00:08:37Hey.
00:08:38How are you feeling?
00:08:39How did...
00:08:40How did...
00:08:41How did you...
00:08:42How did you...
00:08:43You left your bag in my car?
00:08:44How did you know where to find me?
00:08:45How did you know where to find me?
00:08:50I have my ways.
00:08:51Hey, listen.
00:08:52I know it's none of my business.
00:08:53But it's not safe for you here.
00:08:54It's not safe for you here.
00:08:55Is there anything that's happened in the last 24 hours?
00:08:56How did you know where to find me?
00:08:57I have my ways.
00:09:02Hey, listen.
00:09:03I know it's none of my business, but it's not safe for you here.
00:09:04With everything that's happened in the last 24 hours, this is all I can afford.
00:09:05How did... how did you...
00:09:08You left your bag in my car.
00:09:10How did you know where to find me?
00:09:14I have my ways.
00:09:18Hey, listen. I know it's none of my business,
00:09:21but it's not safe for you here.
00:09:23With everything that's happened in the last 24 hours,
00:09:25this is... all I can afford.
00:09:30Listen, I have an extra room at my place.
00:09:32Maybe you can just come stay with me.
00:09:55Welcome home.
00:10:02I really feel like my luck's starting to change.
00:10:05I mean, you've literally rescued me over and over today.
00:10:09I know what it's like.
00:10:11I've been rescued before.
00:10:13Um, I'm sorry, I...
00:10:15I don't think I can make rent right away,
00:10:17but, um...
00:10:19You could sell this ring and then...
00:10:22You should cover me for a few months.
00:10:24At least until I'm back on my feet.
00:10:26I thought he was a really rich guy.
00:10:28Why did he choose such a small diamond?
00:10:31It's not a very good cut, either.
00:10:34Okay.
00:10:36Never mind.
00:10:37I... can just...
00:10:39No, it's fine.
00:10:40I'm just saying.
00:10:41You deserve a better reign than this.
00:10:44I am just amazed.
00:11:11No, babe, stop. It's late, okay?
00:11:15You're still thinking about her.
00:11:17Who, Tasha?
00:11:19Are you kidding me?
00:11:21Then why are you wearing the wedding ring?
00:11:23Did you forget what she and her father did to you?
00:11:25I will never forget what she and her father did to me.
00:11:29But that has nothing to do with you.
00:11:31So why don't you stop mouthing off about shit that you know nothing about,
00:11:34and let me handle my own affairs.
00:11:41I'm sorry.
00:12:09Mary?
00:12:12What?
00:12:17Hey, what's going on?
00:12:19My daughter's missing.
00:12:20What?
00:12:33Tasha, you shouldn't have barged in like this.
00:12:36If Carl finds out-
00:12:37No, I don't care about Carl right now, okay?
00:12:39Where's my daughter?
00:12:40Where's Anna?
00:12:41I sent her away.
00:12:43No.
00:12:44No.
00:12:45You have no right.
00:12:46Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever
00:12:55I want with my stepdaughter.
00:12:58What?
00:12:59We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:08You think you're getting custody?
00:13:10I'm dreaming.
00:13:11On one hand, we have a mother drowning in debt with no place to live.
00:13:18On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned pro group.
00:13:29So, who do you think the court will side with?
00:13:39Oh!
00:13:40What's going on?
00:13:41Oh, Carl!
00:13:43Carl, it's okay.
00:13:44Tasha was understandably upset about the situation.
00:13:46You know, I don't blame her for what happened.
00:13:49You trespass on my property?
00:13:51Assault my wife in her own home?
00:13:53Tasha, I have put up with your outrageous behavior for years, but don't you dare subject
00:13:58Raina to that kind of abuse.
00:13:59You don't understand.
00:14:00Raina sent Anna away.
00:14:02She did what any good mother would.
00:14:05I want to know where my daughter is right now.
00:14:07New Zealand.
00:14:09Getting medical care from one of the best cardiology departments in the world.
00:14:13And remind me.
00:14:14What have you done for your daughter lately?
00:14:16Hmm?
00:14:17Abandon her?
00:14:18To go shack up with some cab driver boyfriend?
00:14:21You idiot!
00:14:22I found those cardiologists in New Zealand.
00:14:25Scheduling those appointments was the last thing I had Raina do when she was still my assistant!
00:14:30Tasha, Tasha.
00:14:31You disgust me.
00:14:32Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:37I'm going to make sure Anna stays far, far away from you so there's no possibility
00:14:41of her ever becoming anything like you.
00:14:49You backstabbing, homewrecking bitch!
00:14:56I advise you stay far away from my daughter and I.
00:15:00By the way, the deed still lists me as the rightful owner to this house.
00:15:08So the two of you have no right to keep me from coming back here.
00:15:12Do you understand?
00:15:13Calm down.
00:15:14You can forge my signature.
00:15:16You can take my money.
00:15:17Take my house.
00:15:18But you will never have a shred of the intelligence that I have.
00:15:22Tasha, you have made your point.
00:15:24I think it would be-
00:15:26You deserve that too!
00:15:28You should have told me about Anna a long time ago!
00:15:31Oh, don't stop at my account.
00:15:36Please.
00:15:37Continue.
00:15:38Miss Big Shot.
00:15:40Don't you forget that you still owe 200 million dollars.
00:15:44And 20 millions of that is owned to me, personally.
00:15:48In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:15:52you're never going to see your daughter ever again and you'll end up in debtor's prison.
00:15:57Ciao.
00:16:02Go ahead and check it out.
00:16:03After your accountant, make sure this is all legit.
00:16:05I don't want you two jackasses counting my girl for money ever again.
00:16:08Got it?
00:16:14Oh!
00:16:15By the way, we're going to go ahead and take Anna in the future too.
00:16:19Don't worry, Carl.
00:16:21I'll be a better father to her than you ever can be.
00:16:24Tasha.
00:16:26You'll regret this.
00:16:31Thanks again, Kerr.
00:16:33Today.
00:16:35For pretending to be my boyfriend.
00:16:40Mm-hmm.
00:16:43Was all that money real?
00:16:45As real as it comes.
00:16:46Where'd you get all that money?
00:16:48I robbed a couple jewelry stores before I came to find you.
00:16:52Are you serious?
00:16:54No.
00:16:55I'm just joking.
00:16:56It was my dad's.
00:16:58Don't worry, it wasn't stolen or robbed or anything.
00:17:01But hey, listen.
00:17:02From now on, I want you to think of me as your creditor.
00:17:05Okay?
00:17:06I don't want you to worry about owing money to those scumbags.
00:17:09From now on, you'll just owe money to me.
00:17:12As long as you're okay with that.
00:17:14I could be okay with it.
00:17:16As long as you can satisfy one small request.
00:17:21What kind of request?
00:17:22My only request is that you just relax.
00:17:34Okay?
00:17:35Why don't you just take a load off.
00:17:38Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:52You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:18:05Now I have nothing.
00:18:08Well, I mean, you always have me and, you know, other things.
00:18:16I can't hear you. You're, you're whispering.
00:18:46I can't hear you.
00:19:00Carl.
00:19:02You know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:06That bitch.
00:19:09Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:19:12I'm telling you, forget about the Fitz Gallery, okay?
00:19:15The people who are running it are crooks.
00:19:18But I want my paintings to be showcased in the most prestigious venue possible.
00:19:23I know, I know.
00:19:24And I said I would help you find other galleries.
00:19:27Remember?
00:19:29Just stop nagging me about it.
00:19:31Okay?
00:19:35You're a little angel.
00:19:42It's okay. Just sleep in.
00:19:43It's okay. Just sleep in.
00:20:05Well, this is certainly going to make things more complicated.
00:20:07So you want to pretend last night never happened?
00:20:16I thought we had a good thing going on between us.
00:20:18I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:23Yeah, but that was just something I said to make my husband jealous.
00:20:27You mean your ex-husband?
00:20:31Yeah. Ex.
00:20:33Yeah.
00:20:35But I mean, you and I...
00:20:38You know I can't start a new relationship right now.
00:20:42So everything you said last night?
00:20:45We were just caught up in the heat of the moment.
00:20:50Heat of the moment.
00:20:52So it was all just bullshit.
00:20:54Why? To get me into bed with you?
00:20:57Just to have a one night stand?
00:21:00Because you miss being with your damn husband?
00:21:03So everything you said last night?
00:21:19Get older yourself.
00:21:21You just got divorced.
00:21:25You're not going to play mind games with men anymore.
00:21:28Hey.
00:21:30I wasn't sure what you liked, so...
00:21:33I just made a little bit of everything.
00:21:35You made all this?
00:21:36Yeah.
00:21:37So what do you think?
00:21:53It's delicious.
00:21:58I mean, you deserve to have some of your awesome breakfast too.
00:22:02Hey.
00:22:03You're not going to make me sit here and eat this alone, are you?
00:22:14You've got some sauce right here.
00:22:22All that for some sauce, huh?
00:22:25Are you kidding me?
00:22:26Hello?
00:22:33Mommy, I miss you so much.
00:22:35Anna.
00:22:37Mommy, I miss you so much.
00:22:39Anna, honey? What...
00:22:40What's going on? Anna...
00:22:44Okay.
00:22:46Both of your resumes look excellent.
00:22:48I have a question.
00:22:51If you spilled a glass of milk in the ocean,
00:22:53how would you get it back?
00:22:56What does that question have to do with our work?
00:22:59Well, uh...
00:23:01I suppose you could contain
00:23:04the section of the ocean with the spilled milk,
00:23:07and then collect that sample,
00:23:10add a centrifugal force,
00:23:12and there's probably a good chance of separation.
00:23:15So at our company,
00:23:17we are always trying to make the impossible possible.
00:23:19And for that, we need people who can think on their feet.
00:23:23Derive solutions.
00:23:25No matter how...
00:23:28outlandish the task at hand may seem.
00:23:35Hello?
00:23:41Uh-huh.
00:23:43Okay.
00:23:50Congratulations, Ms. Michaels.
00:23:52Welcome to the Eastwood Corporation.
00:24:06If you don't mind me asking,
00:24:08why didn't I get the job?
00:24:12Mrs. Roberts,
00:24:14maybe you should focus on fixing your own family problems first,
00:24:18before you start to look for work again.
00:24:23We don't want to make enemies with the Crow Group.
00:24:25So I guess you didn't get it?
00:24:39I just don't understand why Carl hates me so much.
00:24:43I mean, he doesn't want me to work for his company,
00:24:46but he doesn't want me to work for any other company either.
00:24:49Look, you don't need that corporate job anyways.
00:24:51Yeah?
00:24:53What else can I do?
00:24:55I mean, I thought you were an artist.
00:24:58You know, a painter.
00:24:59How'd you know about that?
00:25:01You brought an easel.
00:25:06It's just a hobby.
00:25:08I gave it up.
00:25:10I don't paint anymore.
00:25:14Okay, well,
00:25:16if you don't love to paint anymore,
00:25:17then why bring an easel with you?
00:25:22I haven't painted in years.
00:25:24I'm sure it'll be just like riding a bike.
00:25:27Once you start,
00:25:29it'll all come back to you.
00:25:35That's my account.
00:25:36Why are they assigning it to someone else?
00:25:38Fine, fine.
00:25:39Just get me some damn answers
00:25:41and give me a call back soon, okay?
00:25:43Carl, this took me three months.
00:25:48I'm sorry, I just got some bad news at work.
00:25:52It's ruined now.
00:25:54Why?
00:25:55Start over.
00:25:57You know, it kills me
00:25:59to see you squander your intelligence and talent
00:26:02on these useless paintings.
00:26:04You're a remarkable woman, Tasha.
00:26:06Okay, and if the charlatan snobs in the art world can't see that,
00:26:11then screw them, okay?
00:26:13If you put your focus elsewhere,
00:26:16we could be rich enough to buy ten art galleries.
00:26:19And then you could put whatever paintings you want in them, right?
00:26:22Painting's my passion.
00:26:26What if we put painting on the side,
00:26:30just for a little while,
00:26:32and you could come join me at the company?
00:26:33If it was together, we...
00:26:37we'd be unstoppable.
00:26:39And right now, I am drowning.
00:26:42Your dad and his partners have no faith in these.
00:26:47I need you.
00:26:49Look,
00:26:53you love me, don't you?
00:26:57Of course I did.
00:26:58I need you to send you.
00:26:59Okay, then just...
00:27:01Do this one thing for me.
00:27:03This one little thing.
00:27:05Please.
00:27:15Fly away, with me.
00:27:18Take you high, I'm sorry.
00:27:21My glory.
00:27:23To smile.
00:27:25It's my only dream.
00:27:30Steering out into the sea.
00:27:33Finished.
00:27:35Yep.
00:27:40That is amazing.
00:27:44I honestly never thought I'd paint again.
00:27:46Well, that would have been a shame.
00:27:48You're easily one of the most talented artists I've ever met.
00:27:50We're honored that you chose our gallery to showcase your work.
00:27:56I am curious about one thing, if you don't mind me asking.
00:28:01The subject in your paintings, your muse, is he your lover?
00:28:07Oh.
00:28:09No.
00:28:11He's just a friend of mine.
00:28:13But his gaze, the way he looks, the way he looks, the way he looks, the way he looks.
00:28:17out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:39Is Ken really in love with me?
00:28:42He's so young though.
00:28:43At his age, he probably doesn't even know what love is.
00:28:48Oh, sorry, you're in the way.
00:28:52Actually, you're in my way.
00:28:56Actually, you're in my way.
00:28:58I'm trying to get into my home.
00:29:01Is this your new girlfriend?
00:29:04I've never seen you with anyone like this before.
00:29:07Ken's my roommate.
00:29:08Now, if you'll please step aside so I can get in.
00:29:13Call me again if you need anything.
00:29:17Okay?
00:29:18Bye.
00:29:22Hey, what are you doing home so early?
00:29:24Are they gonna showcase your work?
00:29:26Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:32So, if you have something private to do, just do it in your room.
00:29:34I never said you need to tell me when you're coming or going, I'm just saying.
00:29:36No, it's fine.
00:29:37You don't need to explain.
00:29:38Just...
00:29:40I just want to be alone.
00:29:46What?
00:29:47I'm so sorry, sir. She just barged in without permission.
00:29:54It's okay.
00:29:56Miss Roberts, please. Grab a seat.
00:29:59We signed a contract. Why can't you show my paintings now?
00:30:03I'm afraid I don't have the answers you're looking for.
00:30:06You want to know what happened? Ask Karl Kroh.
00:30:07I want my paintings back. Right now.
00:30:14Well, they're probably somewhere in the warehouse if they haven't been thrown away yet.
00:30:37You've already searched the entire warehouse ten times. If you haven't found what you're looking for, it's not here.
00:30:49You better hope I find what I'm looking for, or I'm going to make this entire gallery compensate me.
00:30:54And then I'm going to sue you, and you'll be the first to lose your job.
00:30:58Yeah, that's great, lady. Go ahead and sue. I'm sure things will go exactly the way you described it.
00:31:07How about what it brings out.
00:31:09Do you have any ideas?
00:31:12How about everyone's蹲り sitting there?
00:31:15No doubt...
00:31:17In fact, whatשaf ook sticks something else.
00:31:20Where do you experience life i am?
00:31:22When you arrive in peace
00:31:25You always find someone who is a neighbor's temple.
00:31:27It's a grandfather.
00:31:29Oh shit...
00:31:31From where he sits.
00:31:33How about chaque Khánh
00:31:35you really care about her keep your voice down she's had a long day also you can't just come
00:31:56over here so casually in the future casually are you kicking me out you didn't mind my coming over
00:32:04so casually when you had me digging through your body for bullets you men are cold as hell I think
00:32:09my lucky stars on the last man look I just can't have her finding out about the work that we do
00:32:13okay are you serious about her yeah have you thought about the consequences if your dad finds
00:32:21out look no you and I have been best friends for over 20 years okay and my dad has taught me
00:32:29everything that I know I think maybe it's time I just figured things out on my own and you know
00:32:35exactly what I went through last time I'm not gonna lose her again don't worry Anna mommy's
00:32:46gonna find a way to bring you home soon all the evidence is here it's exactly what you thought
00:32:58let me know if you want me to find out more
00:33:01Carl let's meet
00:33:17oh wow it's not every day a famous painter comes to visit to what do I owe the pleasure
00:33:34the company I supposedly borrowed money from
00:33:37it's a shell company owned by you so what all our operations are legal you signed the documents
00:33:48you borrowed the money all you can do now is pay it back you know I don't think you actually want me
00:34:00to pay back the loans you were just looking for an excuse to have me back in your life you're obsessed
00:34:08with me this is just your sick way to dominate me and make me surrender to you I'm just getting even
00:34:15for the years I spent in your father's shadow the years of belittlement and him treating me like a clown
00:34:22my father hired you when no one else would not my fault that insecure petty took his support as belittling
00:34:34I wouldn't upset me if I were you remember I'm your creditor now two months that's all I can give
00:34:45you to pay me back the remainder 180 million
00:34:52what are you doing here I was just in the neighborhood thought I'd give you a ride home
00:35:02hi um hey who is this
00:35:09this is Ken's roommate we're gonna be dropping them off before we head home
00:35:17yeah hey listen I didn't introduce you last time but this
00:35:21is my best friend Nell and her girlfriend Maria
00:35:23Nell and I have been nothing more than friends since we were kids
00:35:31she's not into men and she never has been and her and I are nothing more than just platonic friends
00:35:37all right I'm sorry I jumped to conclusions the other day
00:35:43it's okay I just didn't want you to get the wrong idea
00:35:46look I appreciate it I really do I just I I still think you and I are better off just as friends
00:36:00just why
00:36:04why
00:36:09maybe because I'm just getting over a failed marriage
00:36:15because I owe an unthinkable amount of money and I have no idea how I'm gonna pay it back
00:36:22I also have no idea how I'm gonna get my daughter back
00:36:27and and getting into a relationship with you that's just something I can't do right now
00:36:33love has brought me nothing but pain okay so just please just leave it
00:36:39do you have any other paintings
00:37:01yeah I have several what are you looking for
00:37:12I would like to buy them all I love your painting style it is so unique
00:37:18I own a large gallery and I would like to establish a long-term collaboration with you
00:37:23thank you for your kind words about my paintings but
00:37:27I have been in some trouble lately and it's probably best if I don't involve your gallery
00:37:34none of this matters to me if someone wishes to cause me trouble
00:37:41well just let me try
00:37:44I mean it has to be a mistake
00:37:53or a prank or a cruel practical joke
00:37:59I mean it seems pretty authentic to me
00:38:01it has their seal and your name and address are like clearly written on it so
00:38:07it looks authentic
00:38:11but how would they have seen my paintings
00:38:15I don't know maybe one of those auction sites that you've been posting your work on
00:38:20I mean you're incredibly talented so anybody who's seen your work would automatically recognize it
00:38:25I own a large gallery and I would love to establish a long-term collaboration
00:38:35it's him
00:38:37it's him
00:38:38the guy who's been on my paintings
00:38:40he must be the owner of the Fitz gallery
00:38:42well in that case you better get going
00:38:45where?
00:38:46gotta go get you a dress
00:38:48can't have you showing up to the Fitzgala in rags
00:38:50babe?
00:38:56which one do you like more?
00:38:58this one
00:38:59or this one?
00:39:00I need to be the hottest girl at the Fitzgala
00:39:03everything just looks so good on you honey
00:39:08so just pick whichever one you want
00:39:11I gotta take a call, okay?
00:39:14wrap this up you twitch
00:39:15I'll take them both
00:39:16wow
00:39:24I used to buy dresses like this all the time without even thinking about the money
00:39:28but
00:39:28I can't afford something like this now
00:39:31you know what
00:39:34consider it a congratulatory gift for me
00:39:37alright
00:39:38and when you make it big in the art world
00:39:40you can just pay me back
00:39:41oh hi
00:39:44excuse me
00:39:45yeah my friend would like to try on this dress
00:39:47oh your friend has amazing tastes
00:39:50this dress is actually a limited edition
00:39:52each one handcrafted by hand
00:39:54and therefore entirely unique
00:39:55truly a work of art
00:39:57well how fitting that's gonna be worn by a very talented artist
00:39:59I'll have someone on the team bring it out to you
00:40:02Veronica
00:40:04please bring the limited edition
00:40:05thank you
00:40:06what limited edition?
00:40:11Tasha
00:40:13do you really think you can afford this dress?
00:40:19you can afford this dress?
00:40:24please
00:40:24Reina
00:40:25I don't think you need to worry about Tasha's finances
00:40:28okay
00:40:29we established that last time
00:40:30hey you
00:40:33get over here
00:40:34I'm gonna pay twice what it's worth
00:40:37but I want this dress
00:40:39ma'am this dress is $4,000
00:40:40did I ask you how much it cost?
00:40:42you pluritarian scum
00:40:43just shut your mouth and add it to my bill
00:40:46she's willing to pay double
00:40:48I'll double her offer and I'll pay $16
00:40:50okay sir
00:40:52sold
00:40:53$32,000
00:40:54you know what
00:40:55she wants to dress so bad
00:40:59let her have it
00:40:59you can put all the jewels you want on a pigeon
00:41:02but it'll never be a peacock
00:41:04I'll show you who's a pigeon
00:41:05you little bitch
00:41:06how dare you assault me
00:41:09Tasha
00:41:09are you okay?
00:41:12what is going on here?
00:41:14what's going on is that your crazy bitch wife
00:41:16pushed Tasha to the ground
00:41:17I swear to god
00:41:19they're all lying
00:41:20I never touched her
00:41:21I saw everything
00:41:22this gentleman and his girlfriend were very nice
00:41:25and politely inquired about a dress
00:41:26and suddenly your wife appears and attacks her for no reason
00:41:29shut your mouth
00:41:30you little lying asshole
00:41:32you know what
00:41:32why don't you just call security
00:41:33before this crazy maniac hits somebody else
00:41:35wait a second
00:41:36right now
00:41:36what actually happened here?
00:41:38what's going on?
00:41:39why don't you believe me?
00:41:40don't you?
00:41:41don't just call 911
00:41:42are you blind?
00:41:45oh Tasha
00:41:45can you stop this bullshit?
00:41:46you know what
00:41:47Reina
00:41:47can you just stay away?
00:41:48can I get someone down here?
00:41:50room A122
00:41:51no no that's not necessary
00:41:52we are leaving right now
00:41:53let's go
00:41:54oh but
00:41:54okay
00:41:55you've embarrassed us both enough
00:41:57for one day
00:41:57okay
00:41:58let's go
00:41:59wherever Reina goes
00:42:08trouble's sure to follow
00:42:09it is nice to see you get a taste of road medicine though
00:42:13yeah
00:42:14it's a shame though
00:42:16you would have looked really great on that dress
00:42:18don't worry about that
00:42:22I have a solution
00:42:24what are you going to do with all this stuff?
00:42:33I'm going to design my own dress and wear it to the gala
00:42:36are you sure there's enough time?
00:42:38have some faith in me
00:42:40I graduated with honors in design and fine art
00:42:43I got this
00:42:45alright
00:42:47how do I look?
00:43:06how do I look?
00:43:10what is
00:43:17is something wrong?
00:43:19is it
00:43:20is it too much?
00:43:21should I change something?
00:43:22no
00:43:23no
00:43:23you look
00:43:25that dress
00:43:27like
00:43:27that is one of the most beautiful dresses I've ever seen
00:43:31but there's something missing
00:43:36should I resell the beads?
00:43:41no
00:43:42I have a gift for you
00:43:44something to
00:43:46complete the whole look
00:43:47just try harder you idiot
00:43:55Mrs. Crow
00:43:56I am doing everything I can
00:43:58I don't know what more I can do
00:44:00you're calling me fat?
00:44:02of course not
00:44:04you're not fat at all
00:44:06it's the dress
00:44:07it's not made for a woman's body
00:44:09just shut up and do it
00:44:12babe
00:44:13just put on another dress
00:44:15you're going to be late
00:44:16I spent so much money on this dress
00:44:20I am wearing this dress
00:44:22I can't it's
00:44:41it's too much
00:44:44I can't wait to see what you've brought to the auction
00:44:59can we have a little hint?
00:45:01well
00:45:01actually
00:45:02I brought some of my very own paintings
00:45:05to auction tonight
00:45:07what's wrong?
00:45:10just Tasha Roberts
00:45:12my husband's dreadful ex-wife
00:45:16I'm tired of seeing her sorry face everywhere
00:45:20you know she's also a horrible person
00:45:24if it isn't everyone's favorite white collar criminal
00:45:29turned homeless vagrant
00:45:31Tasha Roberts
00:45:32so the other day
00:45:34when you were trying to buy this dress
00:45:36with that working class thug boyfriend of yours
00:45:40you were trying to come here?
00:45:42are you sure you were even invited?
00:45:44I'm sorry
00:45:48are you working with the security detail?
00:45:51do I need to show you my invitation?
00:45:53honey
00:45:53I'm just trying to look out for you
00:45:55okay
00:45:55I want to spare you the embarrassment of being kicked out
00:45:59when everybody finds out
00:46:00that you are not invited
00:46:02you mean like how you were kicked out of the mall?
00:46:05I see
00:46:05you still quite don't understand your place in the world
00:46:09you think you're fucking Cinderella or something
00:46:12and life is a fairy tale
00:46:14but don't worry
00:46:16I'll help you figure it all out
00:46:19what's wrong with you?
00:46:22you can't just see people are walking through
00:46:24Rina this time you've gone too far
00:46:26stop shouting you dreadful oaf
00:46:28these were supposed to be auctioned tonight
00:46:30well if it is of any consolation
00:46:32I don't think the wine has reduced their value of very much at all
00:46:36now you can go and cry to your fairy gut mother
00:46:41oh I think the auction is starting
00:46:45well I'll see you there
00:46:48toodles
00:46:49for our first auction item
00:46:58I'd like to welcome
00:46:59Ms. Rina Crow to the stage
00:47:00with her collection
00:47:02of original paintings
00:47:04as you can see
00:47:21Ms. Rina Crow's style is very unconventional
00:47:24certainly these works defy easy categorization
00:47:28and yet there are touches of whimsy
00:47:31and an almost playful quality about them
00:47:34as depicted here through the bold use of a duck
00:47:36as a central figure
00:47:38it's a dog
00:47:39what?
00:47:40it's a dog not a duck you buffoon
00:47:42oh yes of course
00:47:44a dog
00:47:45seen through a very unique prism
00:47:49portrayed as only an artist of Rina's caliber
00:47:52could possibly portray it
00:47:54now that we have familiarized ourselves with the art and the artist
00:47:59let's start the bidding
00:48:00the starting price will be $50,000
00:48:02do I hear $50,000?
00:48:05anyone?
00:48:08$50,000 do I hear $60,000?
00:48:12anyone?
00:48:14$50,000 going once
00:48:16$50,000 going twice
00:48:18sold!
00:48:19sold for $50,000
00:48:21and now we'll invite our second artist for the evening
00:48:30Ms. Tasha Roberts
00:48:31who will also be presenting a series of paintings
00:48:34Ms. Tasha Roberts where are your paintings?
00:48:44I don't have my paintings tonight
00:48:48um but
00:48:49I will be auctioning off this dress
00:48:52it's beautiful
00:49:06stupendous
00:49:09I've never seen a dress
00:49:10so beautiful
00:49:11oh stupendous
00:49:16I've never seen a dress
00:49:17so beautiful
00:49:19a stunning work of art
00:49:20indeed
00:49:21there's no need for me to say another word about this masterpiece
00:49:24everyone in the audience can clearly see
00:49:26the extraordinary talent
00:49:27and extraordinary artistry
00:49:29let's start the bidding at $50,000
00:49:31$55,000
00:49:33$75,000
00:49:34$90,000
00:49:36$100,000
00:49:37$150,000
00:49:40$250,000
00:49:42$250,000 going once
00:49:46$250,000 going twice
00:49:49gold
00:49:50this beautiful dress was sold for $250,000
00:49:53$250,000
00:49:55is that the heart of Sun necklace that sold for $200,000,000 a few months ago and it did that?
00:50:05impossible
00:50:06impossible
00:50:07how can that lowly peasant possibly afford it?
00:50:10it must be a fake
00:50:11thank you so much for your bid Miss Winslow
00:50:17I'm gonna design a few custom pieces in your size and design them to your elegance and style
00:50:23have you ever considered creating your own clothing brand?
00:50:28your creations are so extraordinary
00:50:32you should really share your talent with the rest of the world
00:50:35thank you I never considered it but I certainly will now
00:50:38I know
00:50:40hi
00:50:41I'd be careful if I were you
00:50:43I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry
00:50:49what are you talking about right now?
00:50:52this woman is a phony and a con artist
00:50:55for as long as I worked with her she's done nothing but the fraud and cheat the people she's done business with
00:51:01and let me make it clear for everybody that wants to do business with this woman
00:51:06they won't be allowed to do business with the crow group
00:51:10is that so?
00:51:14well let it be known that if anybody refuses to work with Miss Tasha Roberts
00:51:18because of the baseless rumors and lies being spread by Miss Raina Crowe
00:51:22you will no longer be welcomed back to the Fitz Gallery
00:51:26that's the curator of the Fitz Gallery
00:51:28not just the curator he's also the director of the Fitz Foundation
00:51:35the curator?
00:51:37is he the man who bought my paintings?
00:51:40why does he seem so familiar?
00:51:45Miss Tasha Roberts is my guest of honor tonight
00:51:47alright? I invited her personally
00:51:49so if anybody treats her with the slightest bit of disrespect
00:51:52they'll be asked to leave and never again invite her back to the Fitz Gallery
00:51:56as the director of this esteemed organization
00:51:59am I interested to know that your guest of honor
00:52:02is wearing a cheap replica of a priceless work of art
00:52:07she is not to be trusted
00:52:10I'm assuming you mean her diamonds
00:52:12what evidence do you have to prove that it's not real?
00:52:15well the real Heart of the Sun has the initials of the Craftman
00:52:18engraved in the joint between the gemstone and the pendant
00:52:21so Tasha would you indulge us all and show us if what you're wearing is a genuine article
00:52:28or a cheap knockoff
00:52:31this was just given to me by a friend
00:52:34I never claimed it was the real Heart of the Sun
00:52:38I don't want to embarrass him by having people pour over it for imperfections
00:52:42so it's a forgery
00:52:45you were so happy to have everyone believe it was the real thing until I challenged you and called your bluff
00:52:52Miss Roberts
00:52:55you were so happy to have everyone believe it was the real thing until I challenged you and call your bluff
00:53:02Miss Roberts, you have nothing to fear from this woman
00:53:05just show her the necklace
00:53:06and I'll personally see to it that there are no despairing comments about its craftsmanship or quality
00:53:12and the question has to be asked whether it is the true Heart of the Sun
00:53:23see just like
00:53:25what?
00:53:27how is this possible?
00:53:28how is this possible?
00:53:33I do say
00:53:35this engraving looks entirely authentic to me
00:53:38this is indeed the one and only Heart of the Sun
00:53:42well that settles it then
00:53:44this necklace is authentic
00:53:46from now on no one will be permitted to question or harass my guest of honor
00:53:50now if everyone is satisfied can we please get back to tonight's festivities
00:53:54thank you
00:53:55cheers
00:54:03Ken, you have a lot of explaining to do
00:54:07ok, what's wrong?
00:54:09I can't accept this necklace
00:54:12and I can't give you what you want
00:54:15do you even know what I want?
00:54:17I don't want to know
00:54:19we can just be friends nothing more
00:54:21Tasha you're just afraid
00:54:24you're just afraid of going after what your heart truly desires
00:54:27and I just think you're afraid of just being true to yourself
00:54:32you're the last person that should be lecturing anybody on the truth
00:54:36who are you?
00:54:39what do you do?
00:54:41is this even your house?
00:54:43I mean
00:54:45how do you own a necklace that's 200 million dollars?
00:54:48I just
00:54:50see
00:54:52you
00:54:54you don't even respect me enough to tell me the truth
00:54:56you
00:54:58you expect me to jump into a relationship with you?
00:55:01you could be a total stranger
00:55:04I have no idea who you are
00:55:07Tasha I want to tell you
00:55:09I do but
00:55:11I just can't right now
00:55:13alright?
00:55:14like maybe in the future
00:55:16no Ken there is no future for us
00:55:19not if you can't tell me one thing about yourself that isn't a lie
00:55:23when you find someone that you really love and trust
00:55:28you let them in
00:55:35but that person won't be me
00:55:44are you okay?
00:55:54director Fitz
00:55:57I had a wonderful time at the gala
00:56:00thank you for supporting me
00:56:02and standing up for me
00:56:04I wasn't bothered by the way the other guests treated me
00:56:07I've endured far worse
00:56:09lovely
00:56:13I'm glad to hear it
00:56:15I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future
00:56:20think of it as a sort of artist residency
00:56:23would you be interested in such an opportunity?
00:56:25this dress is every bit as exquisite as I expected it to be
00:56:38thank you my dear
00:56:40you're very welcome
00:56:42have you given any more thought to my proposal?
00:56:45if you wish to start a clothing brand
00:56:48I would be more than happy to invest whatever you require to get started
00:56:52it's a very gracious offer
00:56:55but I just I have to ask
00:56:57I mean there are so many other talented designers
00:57:00why do you have such faith in my abilities?
00:57:03it's not just me you know
00:57:05the curator of the Fitz Gallery
00:57:08has never been seen in public before the gala last night
00:57:11and everyone in attendance was certain
00:57:14that the only reason he chose to make an appearance was because of you
00:57:18his guest of honor
00:57:19that was his first appearance ever?
00:57:24indeed
00:57:26his very first and only time to appear in the flesh
00:57:29before this he was a figure of myth and mystery
00:57:33many people doubted he existed at all
00:57:36but all because of you
00:57:38he chose to grace us with his presence last night
00:57:42seems like a marvelous young man
00:57:44don't you think?
00:57:46he certainly had a charm about him
00:57:48oh undoubtedly
00:57:50you know many people flock to the Fitz Gallery
00:57:53for more than just the art
00:57:55they want to learn all about the enigmatic young curator
00:57:59really? I mean what's so interesting about him?
00:58:03have you ever wondered how the Fitz Gallery has managed to surpass
00:58:07all of the established art collections to become the top venue for fine art in just two years?
00:58:15I mean I heard rumors something about foul play but I always just assumed they were baseless
00:58:22those rumors have quite a bit of truth to them
00:58:24seems like the Miller crime family is actually behind the Fitz Foundation
00:58:32the one and the same Miller crime family that monopolizes all the underground trade in all of North America
00:58:39he seems like such a gentleman
00:58:42I just I find it hard to believe that he ever was involved in something so sordid
00:58:47you must never judge a Brooklyn's cover my dear girl
00:58:50even people close to us may be harboring many secrets
00:58:55we never really know what's going on inside
00:58:57you got that right
00:59:00I learned that lesson the hard way
00:59:03let me be frank
00:59:05I have tremendous faith in you
00:59:08thank you, Mr. Wendlow, but I think it's dear
00:59:11all my friends call me Laura
00:59:16this is a check
00:59:18for five million dollars
00:59:20she'd help you get your clothing brand started
00:59:22shall we become business partners in addition to being friends?
00:59:41Director Fitz, I'd like to work with you
00:59:45it would be my honor, Miss Tasha Roberts
00:59:47fly away with me
00:59:53take you high, soaring
00:59:57to your smile
01:00:00it's my only dream
01:00:05staring out into the sea
01:00:09waves come crashing up to me
01:00:13my toes slip into the sand
01:00:17dream that I'm with you
01:00:18dream that I'm with you
01:00:21staring out into the sea
01:00:25waves come crashing up to me
01:00:29take you high, soaring
01:00:30my toes slip into the sand
01:00:33dream that I'm with you
01:00:35dream that I'm with you
01:00:37I'm with you
01:00:49congratulations, Miss Roberts
01:00:51we expect a huge success from your art exhibition
01:00:53thank you, thank you
01:00:54thank you, thank you
01:01:08you're looking at her
01:01:10you're obsessed with her
01:01:12didn't she humiliated me enough the other night at the gala?
01:01:15but no, now I have to watch my husband stare at her picture
01:01:19maybe if you didn't give her the opportunity to humiliate you
01:01:24so it's my fault now?
01:01:25oh wait, let me guess
01:01:26maybe it's my fault too when the two of you broke up
01:01:28okay
01:01:30Reina
01:01:32I've been thinking
01:01:34I don't think this is working
01:01:36I want a divorce
01:01:37you
01:01:42you used me to push Tush out of your company
01:01:44take her property
01:01:46and now you cast me aside like what?
01:01:47a huge piece of garbage?
01:01:49I won't allow this
01:01:52Mark my words, Karl Crow
01:01:54you will regret this
01:02:08I'm spending too much time around Ken
01:02:11he's dominating all my thoughts
01:02:14I have to distance myself from him
01:02:16for my own sanity
01:02:30is there nothing I can do to get you to stay?
01:02:33I'm sorry
01:02:37but no
01:02:40you and I, our relationship
01:02:42we'll just
01:02:44keep going in circles
01:02:47but thank you
01:02:49for everything you've done for me
01:02:51I have a little bit of money now
01:02:53so you should be able to pay off your loan soon
01:02:55I have to make pretty Nuke
01:03:01We hope you guys will need to recognize
01:03:03that the city is going to oblique
01:03:04you
01:03:05to the city
01:03:07about each other
01:03:09and a slander
01:03:10with an idea
01:03:12for private urban
01:03:13and other energy
01:03:15he'll carry out
01:03:18his partner
01:03:20for two years
01:03:22his Dosne
01:03:22This is what happens when you steal from the millers.
01:03:30Please, let me go.
01:03:35I promise you'll never see me again.
01:03:43I got here.
01:03:45Right this way.
01:03:47Boss!
01:03:49I found this one peeking around the corner.
01:03:51I'm not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:04:00Don't worry, boss. I got a knife with her name on it.
01:04:03We can dump her body with the other guy.
01:04:09No, let her go.
01:04:11What? Didn't you hear what I said? She's seen everything.
01:04:14Let her go before I rip off your fucking arms and throw them in the river.
01:04:21Walk away. This doesn't mean anything to you.
01:04:29Is this what you couldn't tell me about?
01:04:32Boss, you know this woman?
01:04:36You're gonna kill him.
01:04:38Call the police then. See if they can save his life.
01:04:40No! Don't call the police, you stupid bitch!
01:04:45My world is more cruel than you can possibly imagine.
01:04:48So since you didn't want to get involved, just walk away.
01:04:52Okay.
01:04:52Hey babe, what do you want for breakfast?
01:05:11What do you want for breakfast?
01:05:15My world is more cruel than you can possibly imagine.
01:05:36So since you didn't want to get involved, just walk away.
01:05:45I never imagined that Ken could be such a dangerous and violent man.
01:05:49There must be something or someone forcing him to do all of this.
01:05:52Even people close to us may be harboring many secrets.
01:05:59We never really know what's going on inside.
01:06:03Forget it. This has nothing to do with me.
01:06:05I decided to leave Ken, so I have to do my best not to look back.
01:06:09You're a pro-magnet boyfriend. Is he not joining us?
01:06:36It's all over. I'm not with him anymore.
01:06:38Where's Reyna?
01:06:41Reyna was a mistake.
01:06:44That's all over too.
01:06:46Tasha, I want you back.
01:06:53I can't stop thinking about us.
01:06:56You were right. You belong in my life.
01:06:59So if you just sign those documents, then you can come back to me.
01:07:05Come back to the house. We can carry on like none of this ever happened.
01:07:10I can give you your old job back. That'll be fun, working together again.
01:07:14And then all that debt you owe me will be wiped clean.
01:07:17Do you think I'd get back with you after everything you put me through?
01:07:27I'll pay the rest on time and for your agreement, take these documents and shove them right up your ass.
01:07:50You disgust me, Carl.
01:07:53You should think about Anna.
01:07:55Do you really want her growing up without a mother?
01:07:58With all her health problems, she could really use your support.
01:08:01Don't dare talk about Anna.
01:08:03She'll be with me soon.
01:08:05Then I'll never let her out of my sight again.
01:08:07She needs her mother and her father.
01:08:09Not a father like you, she doesn't.
01:08:12She'd be better off with no father at all.
01:08:24I'm sorry, am I interrupting?
01:08:27Are you texting a new boyfriend already?
01:08:30Can it wait?
01:08:31I'm not done talking here.
01:08:34Pathetic, Carl.
01:08:36Hey, Tasha.
01:08:39Tasha.
01:08:43Hey, Tasha.
01:08:45Tasha, come back.
01:08:46Where are you going?
01:08:47This place is disgusting.
01:08:49Come on, Tasha.
01:08:51Don't you remember the happy times?
01:08:52Come on, we can have that again.
01:08:54I can think of Anna.
01:08:55It's me, please.
01:08:56I love-
01:09:01Sorry, folks.
01:09:20It's the end of the line for you.
01:09:23No hard feelings.
01:09:26But we gotta do what the people who pay us tell us to do.
01:09:30Who's paying you?
01:09:32I'll give you a hint.
01:09:34A very beautiful woman paid us a small fortune to make sure you two don't make it.
01:09:42Raina.
01:09:43That fucking bitch.
01:09:45Do you know who I am?
01:09:47I'm Carl Crow, the CEO of the Crow Group.
01:09:52What if she's paying you?
01:09:53I'll pay double, okay?
01:09:54Yeah, yeah.
01:09:54You're gonna pay me double.
01:09:56I guess you haven't heard the news, buddy.
01:09:59See, I don't think you have the means to outbid your pretty little friend.
01:10:05Oh, that back-stepping slut!
01:10:09Please, pick up the phone.
01:10:11You trying to phone a friend?
01:10:13That's a big no-no, sweetheart.
01:10:15That's breaking the rules.
01:10:19Sweetie, don't waste the little time you have left trying to call for help.
01:10:24It won't do you any good.
01:10:27No one is gonna help you now.
01:10:35Three hours, where is Tasha?
01:10:36Hey, Nell.
01:10:40Hey, listen, I need you to do me a favor.
01:10:42Yeah, I need you to pull out the city surveillance system in the area and find all the footage.
01:10:48Yeah, no, something's wrong.
01:10:49What are you doing?
01:11:00We have to get out of here.
01:11:03You should just go, save yourself, leave me.
01:11:20It's what I deserve.
01:11:21I'm not gonna leave you.
01:11:26I'm not that type of person.
01:11:33Come on, let's go.
01:11:37Come down here and wait until they come in.
01:11:39Hey, Tasha.
01:11:49I'm so sorry.
01:11:52Now's not the time for that.
01:12:09All in.
01:12:20Looks like we got ourselves a suicidal prick here, fellas.
01:12:24I can't think of any other reason why somebody would kick in the door that's got
01:12:27Vincent Santorelli on the other side of it.
01:12:32Oh, shit.
01:12:34Boss.
01:12:34Boss, I didn't realize it was you.
01:12:40These your guys?
01:12:43Where the fuck are they?
01:12:45You better find them, quick.
01:13:02Now it's your turn.
01:13:04Pretty little thing like you, I was gonna make it painless, but I guess you didn't want that.
01:13:28All the same.
01:13:31Hey, who's this fucking monkey?
01:13:32Lower your fucking gun.
01:13:34Vinny, what the fuck is going on?
01:13:35You're fucking deaf.
01:13:36Yo, lower your fucking gun.
01:13:39Are you...
01:13:41Are you Ken Miller?
01:13:42How can that be?
01:13:43What the fuck is going on?
01:13:45Ken Miller.
01:13:47The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
01:13:55You know what you have to do?
01:14:08Boss, please.
01:14:11He's my brother.
01:14:14Rules are rules.
01:14:15I was pushing you away as Ken and growing closer to you as Fitz.
01:14:34I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:44And I just can't win over your heart.
01:14:46Is Ken Miller always this loving with the hostages he rescues?
01:14:56Or is this just special treatment reserved for his lovers?
01:14:59Tasha, I love you.
01:15:03My heart has belonged to you and only you for the past 15 years.
01:15:1215 years?
01:15:15No, we just met a few months ago.
01:15:16We met 15 years ago.
01:15:24You went to Marr Middle School?
01:15:26Yeah.
01:15:28And you saved my life there.
01:15:37Stand up, chicken, and hit us back!
01:15:40Isn't that what your dad does for a living?
01:15:42Beat people up?
01:15:44I'm not my dad!
01:15:46You and your father are both scum!
01:15:48Let's teach this little and thug a lesson!
01:15:50Yeah, idiot!
01:15:51Get up and show us what you've got!
01:15:55Hey!
01:15:57Hey!
01:15:58Hey!
01:15:58Hey, hey, hey, hey!
01:15:59Stop!
01:15:59That's enough!
01:16:00That's enough!
01:16:00It's none of your business, Robert!
01:16:02Get out of here, Robert!
01:16:03Hey!
01:16:04Stop!
01:16:04Go home!
01:16:05I'll call your parents!
01:16:05Go!
01:16:05Oh crap!
01:16:06Crap!
01:16:16Go home!
01:16:17Go home!
01:16:17Go home!
01:16:18Go home!
01:16:19Go home!
01:16:19Ever since I saw you that night in the cab with that necklace on, I just, I knew I found you.
01:16:28Look, this isn't just some feeling for me, okay?
01:16:31This is, this is everything to me.
01:16:34Like, you are everything to me.
01:16:37No matter what happens between us, I will always care about you.
01:16:41And maybe one day we can make it work in a different way.
01:17:00I just need some time to process this.
01:17:07Okay, and after that?
01:17:11Maybe we can pick up where we left off that first night you spent here?
01:17:17Maybe.
01:17:19You play your cards, right?
01:17:35Does everything look good to you, my artist?
01:17:38Yeah.
01:17:39Thanks for everything.
01:17:43That doesn't sound very convincing, is there anything you want to change?
01:17:46No.
01:17:47I just, I never got around to asking why you wanted to start an art gallery in the first place.
01:17:53Honestly, just to get to you.
01:17:56See, I thought if I own the world's greatest art museum that one day you might find your way in here,
01:18:00and, I don't know, that I might find you.
01:18:02I don't know, I thought I might find you.
01:18:03I don't know, I thought I might find you.
01:18:07I don't know.
01:18:12I don't know.
01:18:13I don't know.
01:18:14I love you.
01:18:14I don't know.
01:18:16I want to see what kind of woman this is that has ensnared my son.
01:18:41I don't choose worthy of joining a Miller family.
01:18:47As you wish, sir, I will make the arrangements.
01:18:53Honestly, it's to get to you.
01:18:57See, I thought if I owned the world's greatest art museum that one day you might find your
01:19:00way in here, and I don't know, that I might find you.
01:19:05Okay, okay.
01:19:07Just concentrate on painting, don't think about him.
01:19:14Who are you?
01:19:29Miss Tasha Roberts, Mortimer Miller would like to speak with you privately at his home.
01:19:36Come here.
01:19:38Take a look.
01:19:40She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:50She's young, beautiful, well-educated.
01:19:54I think she'll make a fine wife for my son, Ken.
01:19:59All due respect, sir.
01:20:02I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:08I choose you.
01:20:12Better chance.
01:20:14You're no match for my son.
01:20:20Now you owe money to the Crow Group.
01:20:27I'm going to pay your debt.
01:20:33And in return you will agree to never see my son again.
01:20:41It's our decision whether we want to be together or not.
01:20:44Your son and I love each other.
01:20:47There's nothing in this world that can keep us apart.
01:20:50Natasha, do you want us to be together?
01:20:54It's impossible.
01:20:56Father.
01:20:57I forbid it.
01:20:58Father, this is the love of my life.
01:21:00I can't lose her again.
01:21:02I'd rather leave the family business.
01:21:05Then leave if you wish.
01:21:07But she will never have my approval, ever.
01:21:10And she'll never be a part of the Miller family as long as I live.
01:21:14You'll come running back without the Miller family power and money.
01:21:21You'll accomplish nothing.
01:21:24You're making a big mistake choosing this old hag.
01:21:31Instead of family.
01:21:41Ken, where are you?
01:21:43Why aren't you back yet?
01:21:45Oh, you're still awake?
01:21:50Who did this to you?
01:22:08Don't worry about me.
01:22:09I'm fine.
01:22:10I'm fine.
01:22:11It's nothing out of the ordinary.
01:22:25Hey, babe.
01:22:26Yeah, no, I'm just right outside.
01:22:31You son of a bitch.
01:22:32You make me cut my own brother's hand.
01:22:35Now you think you can betray the Miller family?
01:22:38Walk away scot-free?
01:22:40Not a fucking chance.
01:22:42This guy means nothing to the Miller family now.
01:22:45It's worthless.
01:22:47Helpless.
01:22:49You're absolutely nothing now.
01:22:51Let's make him feel the pain that my brother felt.
01:22:56Come on, boys.
01:22:57Come on, boys.
01:22:58Stop!
01:22:59Stop hitting him!
01:23:08Stupid bitch.
01:23:12Stop! Stop hitting him!
01:23:24Stupid bitch.
01:23:27Stop!
01:23:42Stop at once, you insolent fools!
01:24:01Son.
01:24:05You know how hard it is for me to admit that I made a mistake?
01:24:08But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:17Tasha, you are the perfect woman for my son.
01:24:24Go.
01:24:27Be together.
01:24:29You approve?
01:24:30You have my blessing.
01:24:35From this day onward,
01:24:38I've got nothing more to do with the legal activities of the family.
01:24:42But,
01:24:45you'll always be a miller.
01:24:48As will she.
01:25:08Get off me!
01:25:16You useless, impotent, man-child!
01:25:20The crowd group is bankrupt!
01:25:22That hurt.
01:25:23Getting involved with you is the worst decision I could have made in my life!
01:25:26Get off!
01:25:27This is all your fault!
01:25:28You spent every single thing that we had!
01:25:31Now we have nothing left!
01:25:32No company,
01:25:33no house,
01:25:34no money,
01:25:35not even a dime!
01:25:36And it's all because of you, you greedy cow!
01:25:38Don't you-
01:25:39Don't-
01:25:40Hey, hey, hey!
01:25:44The late Mrs. Miller was a beautiful woman, sir.
01:25:52Yes.
01:25:56Back then, my wife protected me from every danger that befell our family.
01:26:03And today, my son found the perfect woman that doesn't do the same for him.
01:26:08He's a lucky man.
01:26:24Wow, you look so beautiful.
01:26:27No, you can't be here right now.
01:26:30Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:35Ken, can you promise me one thing?
01:26:37I can promise you two if you'd like.
01:26:40I'm serious.
01:26:44I want you to walk away from the family business.
01:26:49There's a city called Ostia.
01:26:51It's on the southwest side of Rome by the ocean.
01:26:55What?
01:26:55You know what I found over there?
01:26:59I do an art teaching job at a public school.
01:27:03I would do tickets, maybe in the morning.
01:27:05You're sending me away?
01:27:07No.
01:27:09I opened my own restaurant.
01:27:11It's just down the street.
01:27:14Oh, and one more thing.
01:27:16I enrolled Anna at the school they're going to be teaching at.
01:27:20I think she's going to really live it over there.
01:27:21So you really are walking away?
01:27:27Yeah.
01:27:32I got some socks.
01:27:33A'm going from her, please.
01:27:35I know.
01:27:35I'm tired.
01:27:38You're worthy.
01:27:40Yeah.
01:27:41Yeah.
01:27:42Hello.
01:27:42Hello.
01:27:45Hello.
01:27:47Hey, you dead.
01:27:52Oh, my God.
01:27:52Are we going to be a new one here?
01:27:53Are you?
01:27:54Come on.
01:27:54Oh, my God.
01:27:56First, let us go, brother.
01:27:57I'm sorry.
01:27:58Can you imagine what the world came with you?
01:28:00Oh, my God.
01:28:01No.
01:28:01Transcription by CastingWords
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