- 14 hours ago
Shelter in the Mafia Dramabox
Category
🎥
Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're death thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Your company and your husband both belong to me now.
00:01:03No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:10You know, actually, your debt is mortgaged with your shares, so you actually owe this company about $200 million.
00:01:16I never took out any loans that large.
00:01:19Oh, Tasha. You were always so gallible.
00:01:22A word of advice for the future?
00:01:24Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:32Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:41Look. There's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years. In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:23Man, what the fuck you got me here for then? Shit.
00:02:29Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:49Said it was, like, collateral for a loan. Of course, I made the call and arranged everything.
00:02:56My pleasure.
00:02:59You despicable trash.
00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kind of suits you. So, enjoy.
00:03:14Go to hell.
00:03:15Let's go.
00:03:17I don't know.
00:03:47Miss?
00:03:48Just go away, all right?
00:03:50I don't need your cheap sympathy right now.
00:03:52Miss, your friend's gone.
00:03:54I just want to offer my cab services.
00:03:59Yeah, I'm sorry.
00:04:02A cab is just what I need right now.
00:04:05All right, great. Come on board.
00:04:17Sorry, I don't have any cash right now.
00:04:32Give me a minute. I'll go grab some from inside.
00:04:34Here.
00:04:36Just proof I'm not trying to skip out on the fare.
00:04:38You have some nerve coming back here.
00:04:51I never wanted my son to marry you in the first place.
00:04:53And now that he's finally come to his senses and kicked you to the curb,
00:04:58you think that you can just waltz right back into his house?
00:05:02His house?
00:05:02My father left me this house.
00:05:07And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:15I always knew you were a nasty little hussy.
00:05:17Who the hell are you?
00:05:24This is a personal matter, so you should really mind your own business and stay outside.
00:05:29Actually, this is my boyfriend.
00:05:33So if it's a personal matter for me, it's a personal matter for him.
00:05:37Okay.
00:05:39What?
00:05:40You think your son's the only one capable of having secrets?
00:05:42Hey, thanks again for today.
00:06:00I know that's a weird position to put you in.
00:06:03Sorry?
00:06:05It is really nice to know that there are still good people out there that would help a total stranger.
00:06:11Have a good night.
00:06:14All right, you too.
00:06:15You too.
00:06:41Where's my necklace?
00:07:00Here.
00:07:02Just proof I'm not trying to skip out on the fair.
00:07:04There's a fancy broad like you find yourself in a place like this.
00:07:34Who the hell are you?
00:07:36Get out now!
00:07:37All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:46I'm calling the police!
00:07:49How about I give you a better idea?
00:07:51You and I are going to have some good old-fashioned fun tonight.
00:08:12If I ever see you around here again, you're dead!
00:08:14Get out of here!
00:08:15Get out of here!
00:08:16Get out of here!
00:08:17Get out of here!
00:08:18Hey.
00:08:19Oh, I'm so...
00:08:20I'm so glad you're here.
00:08:21Where did you get this necklace?
00:08:22My father gave that to me.
00:08:23You better not be lying to me.
00:08:24I'm not lying.
00:08:25He made that with his own hands.
00:08:27It has my name on the back.
00:08:29It's really you?
00:08:30It's really you?
00:08:31Hey.
00:08:32You better not be lying to me.
00:08:36I'm not lying.
00:08:40He made that with his own hands.
00:08:42It has my name on the back.
00:08:46It's really you?
00:08:58Hey.
00:09:00How are you feeling?
00:09:04How did...how did you...?
00:09:08You left your bag in my car.
00:09:10How did you know where to find me?
00:09:14I have my ways.
00:09:18Hey, listen. I know it's none of my business,
00:09:20but it's not safe for you here.
00:09:22With everything that's happened in the last 24 hours,
00:09:24this is...all I can afford.
00:09:30Listen, I have an extra room at my place.
00:09:32Maybe...you can just come stay with me.
00:09:34Welcome home.
00:09:40I really feel like my luck's starting to change.
00:09:42I mean, you've literally rescued me over and over today.
00:09:46I know what it's like.
00:09:48I've been rescued before.
00:09:50I know what it's like.
00:09:52I've been rescued before.
00:09:54Um, I'm sorry.
00:09:56I...I don't think I can make rent right away, but...
00:10:00um...
00:10:02You could sell this ring and then...
00:10:04you could sell this ring and then...
00:10:06you should cover me for a few months.
00:10:08At least until I'm back on my feet.
00:10:10I thought he was a really rich guy.
00:10:12I thought he was a really rich guy.
00:10:14Why did he interest us as a small diamond?
00:10:16It's not a very good cut either.
00:10:18Okay.
00:10:19Never mind.
00:10:20I can just...
00:10:21No, it's fine.
00:10:22I'm just saying.
00:10:23You deserve a better ring than this.
00:10:25You deserve a better ring than this.
00:10:55I'll see you later.
00:11:08I'm sorry.
00:11:09I'm sorry.
00:11:10No, babe.
00:11:11Stop.
00:11:12It's late, okay?
00:11:13You're still thinking about her?
00:11:16Who, Tasha?
00:11:18Are you kidding me?
00:11:20Then why are you wearing the wedding ring?
00:11:22Did you forget what she and her father did to you?
00:11:24did to you? I will never forget what she and her father did to me. But that has
00:11:30nothing to do with you. So why don't you stop mouthing off about shit you know
00:11:34nothing about and let me handle my own affairs.
00:11:54Mary? What?
00:12:14Hey, what's going on? My daughter's missing. What?
00:12:22Tasha, you shouldn't have barged in like this. If Carl finds out...
00:12:37No, I don't care about Carl right now, okay? Where's my daughter? Where's Anna?
00:12:42I sent her away.
00:12:45No. You have no right.
00:12:48Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever
00:12:55I want with my stepdaughter.
00:12:59What?
00:13:02We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:08You think you're getting custody?
00:13:11Stai sognando.
00:13:13On one hand, we have a mother drowning in debt with no place to live.
00:13:20On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned
00:13:28pro group.
00:13:29Who do you think the court will side with?
00:13:36Oh, what's going on?
00:13:41Oh, Carl.
00:13:42Carl, it's okay.
00:13:44Tasha was understandably upset about the situation. You know, I don't blame her for what happened.
00:13:49You trespass on my property, assault my wife in her own home?
00:13:53Tasha, I have put up with your outrageous behavior for years, but don't you dare subject
00:13:58Reyna to that kind of abuse.
00:14:00You don't understand.
00:14:01Reyna sent Anna away.
00:14:02She did what any good mother would.
00:14:04I want to know where my daughter is right now.
00:14:07New Zealand.
00:14:09Getting medical care from one of the best cardiology departments in the world.
00:14:13What have you done for your daughter lately?
00:14:16Hmm?
00:14:17Abandon her?
00:14:18To go shack up with some cab driver boyfriend?
00:14:21You idiot!
00:14:22I found those cardiologists in New Zealand.
00:14:25Scheduling those appointments was the last thing I had Reyna do when she was still my assistant!
00:14:30Tasha, Tasha, you disgust me.
00:14:32Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:37I'm going to make sure Anna stays far, far away from you so there's no possibility of her ever becoming
00:14:42anything like you.
00:14:49You backstabbing, homewrecking bitch!
00:14:56I advise you stay far away from my daughter and I.
00:15:03By the way, the deed still lists me as the rightful owner to this house.
00:15:08So the two of you have no right to keep me from coming back here.
00:15:12Do you understand?
00:15:13Calm down.
00:15:15You can forge my signature.
00:15:16You can take my money.
00:15:17Take my house.
00:15:18But you will never have a shred of the intelligence that I have.
00:15:22Tasha, you have made your point.
00:15:24I think it would be-
00:15:26You deserve that too!
00:15:28You should have told me about Anna a long time ago!
00:15:34Oh, don't stop at my account.
00:15:36Please.
00:15:37Continue.
00:15:38Miss Big Shot, don't you forget that you still owe 200 million dollars.
00:15:44And 20 millions of that is owned to me, personally.
00:15:47In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:15:51you're never going to see your daughter ever again and you'll end up in debtor's prison.
00:15:58Ciao.
00:16:02Go ahead and check it out.
00:16:03But after your accountant, make sure it's all legit.
00:16:05I don't want you two jackasses counting my girlfriend money ever again.
00:16:08Got it?
00:16:14Oh!
00:16:16By the way, we're going to go ahead and take Anna in the future too.
00:16:20Don't worry, Carl.
00:16:21I'll be a better father to her than you ever can be.
00:16:24Tasha.
00:16:26You'll regret this.
00:16:31Thanks again, Kerr.
00:16:33Today.
00:16:34For pretending to be my boyfriend.
00:16:40Mm-hmm.
00:16:43Was all that money real?
00:16:45As real as it comes.
00:16:47Where'd you get all that money?
00:16:49I robbed a couple jewelry stores before I came to find you.
00:16:53Are you serious?
00:16:55No, I'm just joking.
00:16:57It was my dad's.
00:16:58Don't worry, it wasn't stolen or robbed or anything.
00:17:01But hey, listen.
00:17:03From now on, I want you to think of me as your creditor.
00:17:05Okay?
00:17:06I don't want you to worry about owing money to those scumbags.
00:17:09From now on, you'll just owe money to me.
00:17:12As long as you're okay with that.
00:17:14I could be okay with it.
00:17:16As long as you can satisfy one small request.
00:17:21What kind of request?
00:17:22My only request is that you just relax.
00:17:34Okay?
00:17:36Why don't you just take a load off.
00:17:38Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:52You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:18:05Now I have nothing.
00:18:08Well, I mean, you always have me and, you know, other things.
00:18:15I can't hear you. You're, you're whispering.
00:18:45Oh, Carl.
00:18:46You know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:06That bitch.
00:19:08Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:19:12I'm telling you, forget about the Fitz Gallery, okay?
00:19:16The people who are running it are crooks.
00:19:18But I want my paintings to be showcased in the most prestigious venue possible.
00:19:23I know, I know.
00:19:24And I said I would help you find other galleries.
00:19:27Remember?
00:19:29Just stop nagging me about it.
00:19:31Okay?
00:19:35You're a little angel.
00:19:42It's okay. Just sleep in.
00:19:43It's okay. Just sleep in.
00:19:44It's okay. Just sleep in.
00:19:45It's okay. Just sleep in.
00:19:46It's okay. Just sleep in.
00:19:52Well, this is certainly going to make things more complicated.
00:19:54So you want to pretend last night never happened?
00:19:55I thought we had a good thing going on between us.
00:19:56I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:19:57Yeah, but...
00:19:58It's okay.
00:19:59It's okay.
00:20:00It's okay.
00:20:01Just sleep in.
00:20:02It's okay.
00:20:03It's okay.
00:20:04It's okay.
00:20:05Just sleep in.
00:20:06It's okay.
00:20:07It's okay.
00:20:08It's okay.
00:20:09It's okay.
00:20:10It's okay.
00:20:11It's okay.
00:20:12Well, this is certainly going to make things more complicated.
00:20:15I thought we had a good thing going on between us.
00:20:18I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:23Yeah, but...
00:20:25That was just something I said to make my husband jealous.
00:20:28You mean your ex-husband?
00:20:31Yeah.
00:20:32Ex.
00:20:33Yeah.
00:20:34But, I mean, you and I...
00:20:38You know I can't start a new relationship right now.
00:20:43So, everything you said last night?
00:20:46We were just caught up in the heat of the moment.
00:20:50Heat of the moment.
00:20:52So, it was all just bullshit.
00:20:54Why?
00:20:55To get me into bed with you?
00:20:57Just to have a one night stand?
00:21:00Because you miss being with your damn husband?
00:21:13You're not going to play mind games with men anymore.
00:21:14Hey.
00:21:15I wasn't sure what you liked, so...
00:21:16I just made a little bit of everything.
00:21:18You made all this?
00:21:19Yeah.
00:21:20You made all this?
00:21:21Yeah.
00:21:22You made all this?
00:21:23Yeah.
00:21:24So, what do you think?
00:21:25What do you think?
00:21:26I'm sorry.
00:21:27I'm sorry.
00:21:28You're not going to play mind games with men anymore.
00:21:31Hey.
00:21:32I wasn't sure what you liked, so...
00:21:34I just made a little bit of everything.
00:21:35You made all this?
00:21:36Yeah.
00:21:37So, what do you think?
00:21:39I just made a little bit of everything.
00:21:42You made all this?
00:21:44Yeah.
00:21:52So what do you think?
00:21:56It's delicious.
00:22:02I mean, you deserve to have some of your awesome breakfast too.
00:22:06But hey, you're not going to make me sit here and eat this alone, are you?
00:22:14You've got some sauce right here.
00:22:22All that for some sauce, huh?
00:22:25Are you kidding me?
00:22:32Hello?
00:22:33Mommy, I miss you so much.
00:22:35Anna?
00:22:36Mommy, I miss you so much.
00:22:37Anna, honey?
00:22:38What?
00:22:39What's going on?
00:22:40Anna?
00:22:44Okay.
00:22:45Both of your resumes look excellent.
00:22:48I have a question.
00:22:51If you spilled a glass of milk in the ocean, how would you get it back?
00:22:55What does that question have to do with our work?
00:22:59Well, I suppose you could contain the section of the ocean with the spilled milk, and then collect that sample, add a centrifugal force, and there's probably a good chance of separation.
00:23:15So at our company, we are always trying to make the impossible possible.
00:23:21And for that, we need people who can think on their feet, derive solutions, no matter how outlandish the task at hand may seem.
00:23:30Hello?
00:23:31Uh-huh.
00:23:32Okay.
00:23:33Congratulations, Miss Michaels.
00:23:34Welcome to the Eastwood Corporation.
00:23:35Hello?
00:23:40Uh-huh.
00:23:42Okay.
00:23:51Congratulations, Miss Michaels.
00:23:52Welcome to the Eastwood Corporation.
00:23:53If you don't mind me asking, why didn't I get the job?
00:24:12Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you start to look for work again.
00:24:23We don't want to make enemies with the Crow Group.
00:24:37So I guess you didn't get it?
00:24:41I just don't understand why Carl hates me so much.
00:24:44I mean, he doesn't want me to work for his company, but he doesn't want me to work for any other company either.
00:24:50Look, you don't need that corporate job anyways.
00:24:52Yeah?
00:24:54What else can I do?
00:24:56I mean, I thought you were an artist.
00:24:58You know, a painter.
00:24:59How'd you know about that?
00:25:01You brought an easel.
00:25:06It's just a hobby.
00:25:09I gave it up.
00:25:11I don't paint anymore.
00:25:12Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:23I haven't painted in years.
00:25:25I'm sure it'll be just like riding a bike.
00:25:28Once you start, it'll all come back to you.
00:25:35That's my account. Why are they assigning it to someone else?
00:25:39Fine, fine. Just get me some damn answers and give me a call back soon, okay?
00:25:43Carl, this took me three months.
00:25:48I'm sorry. I just got some bad news at work.
00:25:52It's ruined now.
00:25:54Why?
00:25:55Start over.
00:25:57You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:02You're a remarkable woman, Tasha.
00:26:07Okay, and if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:13If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:19And then you could put whatever paintings you want in them, right?
00:26:22Painting's my passion.
00:26:26What if we put painting on the side, just for a little while,
00:26:30and you could come join me at the company?
00:26:34If it was together, we'd be unstoppable.
00:26:39And right now, I am drowning.
00:26:42Your dad and his partners have no faith in these.
00:26:47I need you.
00:26:49Look, you love me, don't you?
00:26:57Of course I do.
00:26:58I need you to send you.
00:26:59Okay, then just...
00:27:01Do this one thing for me.
00:27:03This one little thing.
00:27:05Please.
00:27:14Fly away, with me.
00:27:18Take you high, sorry.
00:27:21To smile.
00:27:22It's my only dream.
00:27:24Steering out into the sea.
00:27:26Finished.
00:27:27Yeah.
00:27:28That is amazing.
00:27:32I honestly never thought I'd paint again.
00:27:34Well, that would have been a shame.
00:27:36You're easily one of the most talented artists I've ever met.
00:27:38I'm sorry.
00:27:39I'm sorry.
00:27:40I'm sorry.
00:27:41You're really happy.
00:27:47I honestly never thought I'd paint again.
00:27:48That would have been a shame.
00:27:49You're easily one of the most talented artists I've ever met.
00:27:51We're honored that you chose our gallery to showcase your work.
00:28:12I am curious about one thing, if you don't mind me asking.
00:28:16The subject in your paintings, your muse, is he your lover.
00:28:21Oh, no, he's just a friend of mine.
00:28:27But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:40Is Ken really in love with me? He's so young though. At his age, he probably doesn't even know what love is.
00:28:48Oh, sorry, you're in the way.
00:28:52Actually, you're in my way.
00:28:56Actually, you're in my way. I'm trying to get into my home.
00:29:00Is this your new girlfriend? I've never seen you with anyone like this before.
00:29:06Ken's my roommate. Now, if you'll please step aside so I can get in.
00:29:12Call me again if you need anything, okay? Bye.
00:29:18Hey, what are you doing home so early? Are they gonna showcase your work?
00:29:26Sorry if I interrupted something, but as your roommate I don't really think I need to tell you if I'm coming or going.
00:29:31So, if you have something private to do, just do it in your room.
00:29:34I never said you need to tell me when you're coming or going. I'm just saying.
00:29:36Fine, you don't need to explain. I just want to be alone.
00:29:45What?
00:29:50I'm so sorry, sir. She just barged in without permission.
00:29:53It's okay.
00:29:55Ms. Roberts, please, grab a seat.
00:29:58We signed a contract. Why can't you show my paintings now?
00:30:02I'm afraid I don't have the answers you're looking for.
00:30:05You want to know what happened? Ask Karl Kroh.
00:30:10I want my paintings back. Right now.
00:30:15Well, they're probably somewhere in the warehouse if they haven't been thrown away yet.
00:30:32You've already searched the entire warehouse ten times. If you haven't found what you're looking for, it's not here.
00:30:48You better hope I find what I'm looking for, or I'm gonna make this entire gallery compensate me.
00:30:53And then I'm gonna sue you, and you'll be the first to lose your job.
00:30:57Yeah, that's great, lady. Go ahead and sue.
00:30:59I'm sure things will go exactly the way you described it.
00:31:02Okay.
00:31:04Let's see what's great.
00:31:08Yanis.
00:31:39You really care about her.
00:31:52Shh, keep your voice down.
00:31:54She's had a long day.
00:31:56Also, you can't just come over here so casually in the future.
00:31:59Casually?
00:32:00Are you kicking me out?
00:32:02You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:07You men are cold as hell.
00:32:09I think my lucky star is on the last band.
00:32:11Look, I just can't have her finding out about the work that we do, okay?
00:32:15Are you serious about her?
00:32:18Yeah.
00:32:19Have you thought about the consequences if your dad finds out?
00:32:24Look, no.
00:32:25You and I have been best friends for over 20 years, okay?
00:32:28And my dad has taught me everything that I know.
00:32:30I think maybe it's time I just figured things out on my own.
00:32:34And you know exactly what I went through last time.
00:32:39I'm not going to lose her again.
00:32:44Don't worry, Anna.
00:32:45Mommy's going to find a way to bring you home soon.
00:32:47All the evidence is here.
00:32:57It's exactly what you thought.
00:32:59Let me know if you want me to find out more.
00:33:01Carl, let's meet.
00:33:17Oh, wow.
00:33:27It's not every day a famous painter comes to visit.
00:33:32To what do I owe the pleasure?
00:33:33The company I supposedly borrowed money from.
00:33:39It's a shell company owned by you.
00:33:43So what?
00:33:45All our operations are legal.
00:33:47You signed the documents.
00:33:48You borrowed the money.
00:33:50All you can do now is pay it back.
00:33:55You know, I don't think you actually want me to pay back the loans.
00:34:01You were just looking for an excuse to have me back in your life.
00:34:07You're obsessed with me.
00:34:10This is just your sick way to dominate me and make me surrender to you.
00:34:14I'm just getting even.
00:34:16For the years I spent in your father's shadow.
00:34:19The years of belittlement and him treating me like a clown.
00:34:23My father hired you when no one else would.
00:34:26Not my fault that your insecure petty took his support as belittling.
00:34:36I wouldn't upset me if I were you.
00:34:40Remember, I'm your creditor now.
00:34:43Two months.
00:34:44That's all I can give you to pay me back the remainder of $180 million.
00:34:48What are you doing here?
00:34:59I was just in the neighborhood.
00:35:01Thought I'd give you a ride home.
00:35:05Hi.
00:35:07Hey.
00:35:09Who is this?
00:35:13This is Ken's roommate.
00:35:15We're going to be dropping them off before we head home.
00:35:17Hey, listen.
00:35:20I didn't introduce you last time, but this is my best friend, Nell, and her girlfriend, Maria.
00:35:29Nell and I have been nothing more than friends since we were kids.
00:35:32She's not into men, and she never has been, and her and I are nothing more than just platonic friends.
00:35:38All right?
00:35:40I'm sorry.
00:35:41I jumped to conclusions the other day.
00:35:43It's okay.
00:35:45I just didn't want you to get the wrong idea.
00:35:47Look, I appreciate it.
00:35:54I really do.
00:35:54I just, I still think you and I are better off just as friends.
00:36:02Just as friends.
00:36:02Why?
00:36:08Why?
00:36:09Why?
00:36:12Maybe because I'm just getting over a failed marriage?
00:36:15Because I owe an unthinkable amount of money, and I have no idea how I'm going to pay it back.
00:36:23I also have no idea how I'm going to get my daughter back.
00:36:28And getting into a relationship with you, that's just something I can't do right now.
00:36:33Love has brought me nothing but pain, okay?
00:36:36So just, please, just leave it.
00:36:39Do you have any other paintings?
00:37:01Yeah, I have several.
00:37:10What are you looking for?
00:37:12I would like to buy them all.
00:37:16I love your painting style.
00:37:17It is so unique.
00:37:18I own a large gallery, and I would like to establish a long-term collaboration with you.
00:37:25Thank you for your kind words about my paintings, but I have been in some trouble lately, and it's probably best if I don't involve your gallery.
00:37:38None of this matters to me.
00:37:40If someone wishes to cause me trouble, well, just let me try.
00:37:44I mean, it has to be a mistake.
00:37:55Or a prank, or a cruel practical joke.
00:38:00I mean, it seems pretty authentic to me.
00:38:02It has their seal, and your name and address are, like, clearly written on it, so...
00:38:09It looks authentic.
00:38:11But how would they have seen my paintings?
00:38:16I don't know.
00:38:17Maybe one of those auction sites that you've been posting your work on?
00:38:20I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:31I own a large gallery, and I would love to establish a long-term collaboration.
00:38:36It's him.
00:38:37It's him.
00:38:39The guy who'd been on my paintings.
00:38:41He must be the owner of the Fitz Gallery.
00:38:43Well, in that case, we better get going.
00:38:45Where?
00:38:46Gotta go get you a dress.
00:38:48Can't have you showing up to the Fitz Gala in rags.
00:38:56Babe, which one do you like more?
00:38:58This one, or this one?
00:39:00I need to be the hottest girl at the Fitz Gala.
00:39:05Everything just, uh, looks so good on you, honey.
00:39:08So, um, just pick whichever one you want.
00:39:11I gotta take a call, okay?
00:39:14Wrap this up, you twitch.
00:39:15I'll take them both.
00:39:16I'll take them all the time, but I can't afford something like this now.
00:39:34You know what?
00:39:35Consider it a congratulatory gift for me.
00:39:38Alright?
00:39:39And when you make it big in the art world, you can just pay me back.
00:39:41Oh, hi, excuse me.
00:39:45Yeah, my, uh, friend would like to try on this dress.
00:39:48Oh, your friend has amazing tastes.
00:39:50This dress is actually a limited edition.
00:39:52Each one handcrafted by hand and therefore entirely unique.
00:39:56Truly a work of art.
00:39:57Well, how fitting that's gonna be worn by a very talented artist.
00:40:00I'll have someone on the team bring it out to you.
00:40:04Veronica, please bring the limited edition.
00:40:10What limited edition?
00:40:11Tasha?
00:40:14Do you really think you can afford this dress?
00:40:20You can afford this dress?
00:40:24Please.
00:40:25Reyna, I don't think you need to worry about Tasha's finances, okay?
00:40:29We established that last time.
00:40:32Hey, you.
00:40:33Get over here.
00:40:35I'm gonna pay twice what it's worth.
00:40:38But I want this dress.
00:40:39Ma'am, this dress is $4,000.
00:40:40Did I ask you how much it cost, you pluritarian scum?
00:40:44Just shut your mouth and add it to my bill.
00:40:47She's willing to pay double.
00:40:48I'll double her offer and I'll pay $16.
00:40:51Okay, sir.
00:40:52Sold.
00:40:53$32,000.
00:40:54You know what?
00:40:57She wants the dress so bad, let her have it.
00:41:01You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:04I'll show you who's a pigeon, you little bitch.
00:41:06How dare you assault me?
00:41:09Tasha, are you okay?
00:41:12What is going on here?
00:41:14What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:18I swear to God, they're all lying.
00:41:20I never touched her.
00:41:22I saw everything.
00:41:23This gentleman and his girlfriend were very nice and politely inquired about a dress,
00:41:26and suddenly your wife appears and attacks her for no reason.
00:41:29Shut your mouth, you little lying asshole.
00:41:32You know what?
00:41:32Why don't you just call security before this crazy maniac hits somebody else?
00:41:35Wait a second, Reyna.
00:41:36What actually happened here?
00:41:38What's going on?
00:41:39Why don't you believe me?
00:41:40Don't you?
00:41:41Don't just call 911.
00:41:44Are you blind?
00:41:45Oh, Tasha, can you stop this bullshit?
00:41:46You know what, Reyna?
00:41:47Can you just stay away?
00:41:48Can I get someone down here?
00:41:50Room A122?
00:41:51No, no, that's not necessary.
00:41:52We are leaving right now.
00:41:53Let's go.
00:41:54No, but...
00:41:55Okay, you've embarrassed us both enough for one day, okay?
00:41:58Let's go!
00:42:07Wherever Reyna goes, trouble's sure to follow.
00:42:11It is nice to see her get a taste of her own medicine, though.
00:42:14Yeah.
00:42:15It's the same, though.
00:42:16You would have looked really great in that dress.
00:42:21Don't worry about that.
00:42:23I have a solution.
00:42:31What are you going to do with all this stuff?
00:42:34I'm going to design my own dress and wear it to the gala.
00:42:37Are you sure there's enough time?
00:42:39Have some faith in me.
00:42:40I graduated with honors in design and fine art.
00:42:44I got this.
00:42:46Alright.
00:42:51How do I look?
00:43:09How do I look?
00:43:10What?
00:43:17Is...
00:43:17Is something wrong?
00:43:19Is it...
00:43:20Is it too much?
00:43:21Should I change something?
00:43:22No.
00:43:23No.
00:43:24You look...
00:43:27That dress, like...
00:43:29That is one of the most beautiful dresses I've ever seen.
00:43:31But there's something missing.
00:43:38Should I resell the beads?
00:43:41No.
00:43:43I have a gift for you.
00:43:45Something to...
00:43:46Complete the whole look.
00:43:54Just try harder, you idiot!
00:43:55It's Mrs. Crowe.
00:43:57I am doing everything I can.
00:43:58I...
00:43:59I...
00:43:59I don't know what more I can do.
00:44:01You're calling me fat?
00:44:02Of course not.
00:44:04You're not fat at all.
00:44:06It's the dress.
00:44:07It's not made for a woman's body.
00:44:10Just shut up and do it!
00:44:12Babe.
00:44:14Just put on another dress.
00:44:15You're going to be late.
00:44:17I spent so much money on this dress.
00:44:20I am wearing this dress!
00:44:22I can't.
00:44:41It's...
00:44:42It's too much.
00:44:45No.
00:44:46It was made for you.
00:44:52I can't wait to see what you've brought to the auction.
00:44:59Can we have a little hint?
00:45:01Well, actually, I brought some of my very own paintings to auction tonight.
00:45:09What's wrong?
00:45:11Just Tasha Roberts.
00:45:13My husband's dreadful ex-wife.
00:45:16I'm tired of seeing her sorry face everywhere.
00:45:21You know, she's also a horrible person.
00:45:25If it isn't everyone's favorite white-collar criminal turned homeless vagrant, Tasha Roberts.
00:45:33So, the other day, when you were trying to buy this dress with that, um, working-class thug boyfriend of yours,
00:45:40you were trying to come here?
00:45:42Are you sure you were even invited?
00:45:47I'm sorry, are you working with the security details?
00:45:51Do I need to show you my invitation?
00:45:53Honey, I'm just trying to look out for you, okay?
00:45:56I want to spare you the embarrassment of being kicked out when everybody finds out that you were not invited.
00:46:02You mean, like, how you were kicked out of the mall?
00:46:04I see. You still quite don't understand your place in the world.
00:46:10You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:15But don't worry. I'll help you figure it all out.
00:46:20What's wrong with you?
00:46:22Can't you see? People are walking through.
00:46:25Rena, this time you've gone too far!
00:46:26Stop shouting, you dreadful oaf.
00:46:29These were supposed to be auctioned tonight!
00:46:30Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:37Now you can go and cry to your fairy godmother.
00:46:42Oh, I think the auction's starting.
00:46:46Well, I'll see you there.
00:46:48Toodles!
00:46:49For our first auction item, I'd like to welcome Ms. Raina Crowe to the stage with her collection of original paintings.
00:47:04As you can see, Ms. Raina Crowe's style is very unconventional.
00:47:24Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost playful quality about them,
00:47:34as depicted here through the bold use of a duck as a central figure.
00:47:38It's a dog.
00:47:40What?
00:47:40It's a dog, not a duck, you buffoon!
00:47:42Oh yes, of course, a dog, seen through a very unique prism, portrayed as only an artist of Raina's caliber could possibly portray it.
00:47:55Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:48:00The starting price will be $50,000.
00:48:03Do I hear $50,000?
00:48:05Anyone?
00:48:08$50,000, do I hear $60,000?
00:48:11$50,000 going once, $50,000 going twice.
00:48:18Sold!
00:48:19Sold for $50,000.
00:48:26And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also be presenting a series of paintings.
00:48:41I don't have my paintings tonight, but I will be auctioning off this dress.
00:48:52Oh, wow.
00:49:05It's beautiful.
00:49:08Stupendous.
00:49:09I've never seen a dress so beautiful.
00:49:15Oh, stupendous.
00:49:16I've never seen a dress so beautiful.
00:49:19A stunning work of art, indeed.
00:49:21There's no need for me to say another word about this masterpiece.
00:49:24Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.
00:49:30Let's start the bidding at $50,000.
00:49:32$55,000.
00:49:33$75,000.
00:49:35$90,000.
00:49:36$100,000.
00:49:37$150,000.
00:49:38$250,000.
00:49:40$250,000.
00:49:42$250,000 going once, $250,000 going twice.
00:49:49Gold!
00:49:50This beautiful dress was sold for $250,000.
00:50:01Is that the Heart of Sun necklace that sold for $200 million a few months ago and it did that?
00:50:06Impossible.
00:50:07How can that lowly peasant possibly afford it?
00:50:10It must be a fake.
00:50:15Thank you so much for your bid, Miss Winslow.
00:50:18I'm going to design a few custom pieces in your size and design them to your elegance and style.
00:50:24Have you ever considered creating your own clothing brand?
00:50:29I mean, your creations are so extraordinary.
00:50:32You should really share your talent with the rest of the world.
00:50:36I never considered it, but I certainly will now.
00:50:40Hi.
00:50:41I'd be careful if I were you.
00:50:43I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:50:51What are you talking about right now?
00:50:52This woman is a phony and a con artist.
00:50:55For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:51:01And let me make it clear.
00:51:03For everybody that wants to do business with this woman, they won't be allowed to do business with the Crow Group.
00:51:09Is that so?
00:51:11Well, let it be known that if anybody refuses to work with Miss Tasha Roberts because of the basis of rumors and lies being spread by Miss Raina Crowe, you will no longer be welcomed back to the Fitz Gallery.
00:51:25That's the curator of the Fitz Gallery.
00:51:30Not just the curator.
00:51:32He's also the director of the Fitz Foundation.
00:51:36The curator?
00:51:38Is he the man who bought my paintings?
00:51:40Why does he seem so familiar?
00:51:42Miss Tasha Roberts is my guest of honor tonight, all right?
00:51:48I invited her personally.
00:51:50So if anybody treats her with the slightest bit of disrespect, they'll be asked to leave and never again invite her back to the Fitz Gallery.
00:51:56As the director of this esteemed organization, am I interested to know that your guest of honor is wearing a cheap replica of a priceless work of art.
00:52:07She is not to be trusted.
00:52:10I'm assuming you mean her diamonds.
00:52:12What evidence do you have to prove that it's not real?
00:52:15Well, the real heart of the sun has the initials of the craft man engraved in the joint between the gemstone and the pendant.
00:52:23So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?
00:52:32This was just given to me by a friend.
00:52:34I never claimed it was the real heart of the sun.
00:52:37I don't want to embarrass him by having people pour over it for imperfections.
00:52:42So it's a forgery.
00:52:44You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:52Ms. Roberts.
00:52:53You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:53:02Ms. Roberts.
00:53:03You have nothing to fear from this woman.
00:53:06Just show her the necklace.
00:53:06And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.
00:53:12And the question has to be asked whether it is the true heart of the sun.
00:53:15Ms. Roberts.
00:53:24See, just like...
00:53:26What?
00:53:28How is this possible?
00:53:30I do say.
00:53:35This engraving looks entirely authentic to me.
00:53:39This is indeed the one and only heart of the sun.
00:53:42Well that settles it then.
00:53:43This necklace is authentic from now on no one will be permitted to question or harass my guest of honor
00:53:50Now if everyone is satisfied, can we please get back to tonight's festivities?
00:54:04Ken you have a lot of explaining to do
00:54:08Okay, what's wrong?
00:54:10I can't accept this necklace
00:54:12And I can't give you what you want
00:54:15Do you even know what I want?
00:54:17I don't want to know
00:54:20We can just be friends nothing more
00:54:22Tasha you're just afraid
00:54:25You're just afraid of going after what your heart truly desires
00:54:29And I just think you're afraid of just being true to yourself
00:54:33You're the last person that should be lecturing anybody on the truth
00:54:38Who are you?
00:54:40What do you do? Is this even your house? I mean
00:54:45How do you own a necklace that's two hundred million dollars?
00:54:48I just...
00:54:51See, you don't even respect me enough to tell me the truth
00:54:57What, you expect me to jump into a relationship with you?
00:55:02You could be a total stranger
00:55:05I have no idea who you are
00:55:07Tasha, I want to tell you, I do, but...
00:55:12I just can't right now
00:55:14Like maybe in the future
00:55:16No, Ken, there is no future for us
00:55:19Not if you can't tell me one thing about yourself that isn't a lie
00:55:22When you find someone that you really love and trust
00:55:28You let them in
00:55:35But that person won't be me
00:55:37Are you okay?
00:55:56Director Fitz
00:55:57Yes, I had a wonderful time at the gala
00:56:00Thank you for supporting me
00:56:02And standing up for me
00:56:04I wasn't bothered by the way the other guests treated me
00:56:08I've endured far worse
00:56:09Lovely, I'm glad to hear it
00:56:15I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future
00:56:21Think of it as a sort of artist residency
00:56:24Would you be interested in such an opportunity?
00:56:34This dress is every bit as exquisite as I expected it to be
00:56:39Thank you, my dear
00:56:40You're very welcome
00:56:42Have you given any more thought to my proposal?
00:56:46If you wish to start a clothing brand
00:56:49I would be more than happy to invest whatever you require to get started
00:56:54It's a very gracious offer
00:56:55But I just, I have to ask
00:56:57I mean, there are so many other talented designers
00:57:01Why do you have such faith in my abilities?
00:57:03It's not just me, you know
00:57:05The curator of the Fitz Gallery has never been seen in public before the gala last night
00:57:12And everyone in attendance was certain
00:57:15That the only reason he chose to make an appearance was because of you
00:57:19His guest of honor
00:57:23That was his first appearance ever?
00:57:24Indeed
00:57:26His very first and only time to appear in the flesh
00:57:29Before this he was a figure of myth and mystery
00:57:34Many people doubted he existed at all
00:57:37But all because of you
00:57:39He chose to grace us with his presence last night
00:57:43Seems like a marvelous young man
00:57:45Don't you think?
00:57:45He certainly had a charm about him
00:57:48Oh undoubtedly
00:57:50You know, many people flock to the Fitz Gallery for more than just the art
00:57:55They want to learn all about the enigmatic young curator
00:58:00Really? I mean, what's so interesting about him?
00:58:04Have you ever wondered how the Fitz Gallery has managed to surpass
00:58:09All of the established art collections to become the top venue for fine art in just two years?
00:58:16I mean, I heard rumors
00:58:18Something about foul play, but I always just assumed they were baseless
00:58:22Those rumors have quite a bit of truth to them
00:58:26Seems like the Miller crime family
00:58:29Is actually behind the Fitz Foundation
00:58:32The one and the same Miller crime family
00:58:36That monopolizes all the underground trade in all of North America
00:58:41He seems like such a gentleman
00:58:42I just
00:58:43I find it hard to believe that he ever was involved in something so sordid
00:58:47You must never judge a Brooklyn's cover, my dear girl
00:58:52Even people close to us may be harboring many secrets
00:58:55We never really know what's going on inside
00:58:59You got that right
00:59:01I learned that lesson the hard way
00:59:03Let me be frank
00:59:05I have tremendous faith in you
00:59:08Thank you, Mr. Quindle, but I
00:59:10Yes, dear
00:59:11All my friends call me Laura
00:59:16This is in a shack
00:59:18For five million dollars
00:59:20She'd help you get your clothing brand started
00:59:22Shall we become business partners in addition to being friends?
00:59:41Director Fitz, I'd like to work with you
00:59:45It would be my honor, Miss Tasha Roberts
00:59:52I'd like to work with me
00:59:53Take you high
00:59:55I'm soaring
00:59:58To your smile
00:59:59It's my only dream
01:00:05Staring out into the sea
01:00:09Waves come crashing up to me
01:00:13My toes slip into the sand
01:00:18Dream that I'm with you
01:00:21Staring out into the sea
01:00:26Waves come crashing up to me
01:00:29Soaring
01:00:30My toes slip into the sand
01:00:33It's my only dream
01:00:35Dream that I'm with you
01:00:37I'm with you
01:00:49Congratulations, Miss Roberts
01:00:50We expect a huge success from your art exhibition
01:00:54Thank you
01:00:55Thank you
01:01:07You're looking at her
01:01:10You're obsessed with her
01:01:13Didn't she humiliate me enough the other night at the gala?
01:01:16But no, now I have to watch my husband stare at her picture
01:01:20Well maybe if you didn't give her the opportunity to humiliate you
01:01:24So it's my fault now?
01:01:25Oh wait, let me guess
01:01:26Maybe it's my fault too when the two of you broke up
01:01:29Okay
01:01:31Raina
01:01:32I've been thinking
01:01:34I don't think this is working
01:01:36I want a divorce
01:01:37You used me to push Tash out of your company
01:01:44Take her property
01:01:45And now you cast me aside like what a used piece of garbage
01:01:50I won't allow this
01:01:52Mark my words Carl Crow
01:01:54You will regret this
01:02:09I'm spending too much time around Ken
01:02:11He's dominating all my thoughts
01:02:14I have to distance myself from him
01:02:16For my own sanity
01:02:24As if nothing I can do to get you to stay
01:02:35I'm sorry
01:02:38But no
01:02:41You and I, our relationship will just keep going in circles
01:02:47But thank you for everything you've done for me
01:02:51I have a little bit of money now so
01:02:54You should be able to pay off your loan soon
01:03:24This is what happens when you steal from the millers
01:03:30Please
01:03:31Let me go
01:03:35Promise you'll never see me again
01:03:43I got here
01:03:45Right this way
01:03:47Boss
01:03:47I found this one peeking around the corner
01:03:51Not sure how long this little bitch has been watching but I'm pretty sure she tried to call the cops
01:04:00Don't worry boss I got a knife with her name on it
01:04:02We can dump her body with the other guy
01:04:04No let her go
01:04:10What didn't you hear what I said she's seen everything
01:04:14Let her go before I rip off your fucking arms and throw them in the river
01:04:26Walk away this doesn't mean anything to you
01:04:28It's just what you couldn't tell me about
01:04:32Boss you know this woman
01:04:36You're gonna kill him
01:04:38Call the police then see if they can save his life
01:04:40No don't call the police you stupid bitch
01:04:45My world is more cruel than you can possibly imagine
01:04:48So since you didn't want to get involved
01:04:50Just walk away
01:04:51You're gonna kill her
01:04:52You're gonna kill her
01:04:52You're gonna kill her
01:04:52You're gonna kill her
01:04:53You're gonna kill her
01:05:13Hey babe
01:05:14What do you want for breakfast?
01:05:21My world is more cruel than you can possibly imagine.
01:05:41Since you didn't want to get involved, just walk away.
01:05:45I never imagined that Ken could be such a dangerous and violent man.
01:05:49There must be something or someone forcing him to do all of this.
01:05:55Even people close to us may be harboring many secrets.
01:05:59We never really know what's going on inside.
01:06:03Forget it. This has nothing to do with me.
01:06:05I decided to leave Ken, so I have to do my best not to look back.
01:06:19Tasha, let's talk.
01:06:32You're a pro-magnet boyfriend. Is he not joining us?
01:06:36It's all over. I'm not with him anymore.
01:06:40Where's Reyna?
01:06:42Reyna was a mistake.
01:06:45That's all over too.
01:06:47Tasha, um...
01:06:51I want you back.
01:06:54I can't stop thinking about us.
01:06:56You were right. You belong in my life.
01:06:59So, if you just sign those documents, then you can come back to me.
01:07:06Come back to the house. We can carry on like none of this ever happened.
01:07:10I can give you your old job back.
01:07:12That'll be fun, working together again.
01:07:14And then all that debt you owe me will be wiped clean.
01:07:18You, uh, need that?
01:07:24You think I'd get back with you after everything you put me through?
01:07:32Here is...
01:07:34a hundred million dollars.
01:07:36I'll pay the rest on time, and...
01:07:39for your agreement...
01:07:44take these documents and...
01:07:48shove them right up your ass.
01:07:51You disgust me, Carl.
01:07:54You should think about Anna.
01:07:56Do you really want her growing up without a mother?
01:07:59With all her health problems, she could really use your support.
01:08:02Don't dare talk about Anna.
01:08:04She'll be with me soon.
01:08:06Then I'll never let her out of my sight again.
01:08:08She needs her mother and her father.
01:08:09Not a father like you, she doesn't.
01:08:11She'd be better off with no father at all.
01:08:14I'm sorry, am I interrupting?
01:08:16Are you texting a new boyfriend already?
01:08:18Can it wait?
01:08:20I'm not done talking here!
01:08:22You're pathetic, Carl.
01:08:24Hey, Tasha.
01:08:26Ta...
01:08:28Tasha!
01:08:30Hey, Tasha!
01:08:32Hey, Tasha!
01:08:34Hey, Tasha!
01:08:36Hey, Tasha!
01:08:38Hey, Tasha!
01:08:42Hey, Tasha!
01:08:45Tasha!
01:08:46Tasha, come back!
01:08:47Where are you going?
01:08:48This place is disgusting!
01:08:50T-come on, Tasha!
01:08:52Don't you remember the happy times?
01:08:53Come on, we can have that again!
01:08:55Think of Anna!
01:08:56It's me!
01:08:57Please!
01:08:58Let's go!
01:08:59Ooh!
01:09:00Hey!
01:09:01Hey, Tasha!
01:09:02Hey, Tasha!
01:09:04Ooh!
01:09:05Hey!
01:09:08Oh!
01:09:09Hey, Tasha!
01:09:10Hey!
01:09:12Hey, Tasha!
01:09:13Sorry folks. It's the end of the line for you. No hard feelings. But we gotta do what
01:09:27the people who pay us tell us to do. Who's paying you? I'll give you a hint. A very beautiful
01:09:36woman paid us a small fortune to make sure you two don't make it. Reina. That fucking
01:09:44bitch. Do you know who I am? I'm Carl Crow. The CEO of the Crow Group. What if she's paying
01:09:52you? I'll pay double. I guess you haven't heard the news buddy. See I don't think you have
01:10:00the means to outbid your pretty little friend. Oh that backstabbing slut. Please pick up
01:10:10the phone. You trying to phone a friend? That's a big no no sweetheart. That's breaking the
01:10:16rules. Sweetie. Don't waste the little time you have left trying to call for help. It won't
01:10:25do you any good. No one is going to help you now.
01:10:35Three hours. Where is Tasha? Hey Nell. Hey listen I need you to do me a favor. Yeah I need you
01:10:43to pull out the city surveillance system in the area and find all the footage. Yeah I know.
01:10:48something's wrong. What are you doing? We have to get out of here.
01:11:03You should just go. Save yourself. Leave me. It's what I deserve. I'm not going to leave
01:11:24you. I'm not that type of person. Come on. Let's go. Come down here. Wait until they come
01:11:39in. Hey Tasha. I'm so sorry. Now's not the time for that. I'm so sorry. Now's not the time
01:11:53for that. All in. Looks like we got ourselves a suicidal prick here for me. Looks like we got
01:12:00a suicidal prick here fellas. I can't think of any other reason why somebody would kick in a door that's got Vincent Centerelli on the other side of it.
01:12:07All in. Looks like we got ourselves a suicidal prick here fellas. I can't think of any other reason why somebody would kick in the door that's got Vincent Centerelli on the other side of it.
01:12:16Looks like we got ourselves a suicidal prick here, fellas.
01:12:24I can't think of any other reason why somebody would kick in the door
01:12:27that's got Vincent Santorelli on the other side of it.
01:12:32Oh, shit.
01:12:34Boss.
01:12:36I didn't realize it was you.
01:12:40These your guys?
01:12:42Where the fuck are they?
01:12:45You better find them.
01:12:46Quit.
01:13:02Now it's your turn.
01:13:03Pretty little thing like you, I was going to make it painless, but I guess you didn't want that.
01:13:16All the same.
01:13:29Hey, who's this fucking monkey?
01:13:33Blow your fucking gun.
01:13:34Vinny, what the fuck is going on?
01:13:36You fucking downfield?
01:13:37Lower your fucking gun.
01:13:39Are you...
01:13:40Are you Ken Miller?
01:13:42Vinny, how can that be?
01:13:43What the fuck is going on?
01:13:45Ken Miller.
01:13:46The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
01:13:57It's you.
01:13:58You know what you have to do.
01:14:08Boss, please.
01:14:11He's my brother.
01:14:14Rules are rules.
01:14:15I was pushing you away as Ken and growing closer to you as Fitz.
01:14:34I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:44And I just can't win over your heart.
01:14:46Is Ken Miller always this loving with the hostages he rescues, or is this just special treatment reserved for his lovers?
01:15:02Tasha, I love you.
01:15:03My heart has belonged to you and only you for the past 15 years.
01:15:1215 years?
01:15:13No, we just met a few months ago.
01:15:18We met 15 years ago.
01:15:23You went to Marr Middle School.
01:15:26Yeah.
01:15:27And you saved my life there.
01:15:37Stand up, chicken, and hit us back!
01:15:40Isn't that what your dad does for a living?
01:15:42Beat people up?
01:15:44I'm not my dad!
01:15:46You and your father are both scum.
01:15:48Let's teach this little and thug a lesson.
01:15:50Yeah, idiot!
01:15:51Get up and show us what you've got!
01:15:55Hey!
01:15:57Hey!
01:15:58Hey!
01:15:58Hey!
01:15:58Hey, hey, hey!
01:15:59Stop!
01:15:59That's enough!
01:16:00That's enough!
01:16:01It's none of your business, Robert!
01:16:02Get out of here, Robert!
01:16:03Hey!
01:16:04Stop!
01:16:04Go home!
01:16:05I'll call your parents!
01:16:05Go!
01:16:06Oh, crap!
01:16:06Crap!
01:16:06Crap!
01:16:06Bye!
01:16:07Ever since I saw you that night in the cab with that necklace on, I just knew I found you.
01:16:25Look, this isn't just some feeling for me, okay?
01:16:31This is, this is everything to me.
01:16:34Like, you are everything to me.
01:16:37No matter what happens between us, I will always care about you.
01:16:41And maybe, one day, we can make it work in a different way.
01:16:58Um, I just need some time to process this.
01:17:07Okay.
01:17:08And after that?
01:17:11Maybe we can pick up where we left off, that first night you spent here?
01:17:17Maybe.
01:17:19You play your cards, right?
01:17:35Does everything look good to you, my artist?
01:17:38Yeah.
01:17:40Thanks.
01:17:41For everything.
01:17:43That doesn't sound very convincing.
01:17:44Is, is there anything you want to change?
01:17:46No.
01:17:47I just, I never got around to asking why you wanted to start an art gallery in the first place.
01:17:53Honestly?
01:17:54Just to get to you.
01:17:56See, I thought if I own the world's greatest art museum that one day you might find your way in here.
01:18:00And I don't know, that I might find you.
01:18:02I don't know.
01:18:04I don't know.
01:18:08I don't know.
01:18:10I don't know.
01:18:11I'm a little.
01:18:12I want to see what kind of woman this is that hasn't scared my son.
01:18:42I don't choose worthy of joining a Miller family.
01:18:47As you wish sir, I will make the arrangements.
01:18:54Honestly, it's to get to you.
01:18:57See, I thought if I owned the world's greatest art museum that one day you might find your
01:19:00way in here and I don't know, that I might find you.
01:19:05Okay, okay.
01:19:07Just concentrate on painting, don't think about him.
01:19:12Who are you?
01:19:29Ms. Tasha Roberts, Mortimer Miller would like to speak with you privately at his home.
01:19:37Come here, take a look.
01:19:44She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:50She's young, beautiful, well educated.
01:19:55I think she'll make a fine wife for my son, Ken.
01:19:58With all due respect, sir, I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:07I choose you.
01:20:12Better chance.
01:20:13You're no match for my son.
01:20:16You owe money to the Crow Group.
01:20:25I'm going to pay your debt.
01:20:33and in return you will agree to never see my son again
01:20:41it's our decision whether we want to be together or not
01:20:44your son and i love each other there's nothing in this world that can keep us apart
01:20:51tasha you want us to be together
01:20:55it's impossible father i forbid it father this is the love of my life i can't lose her again
01:21:03i'd rather leave the family business then leave if you wish but you will never have my approval ever
01:21:10and she'll never be a part of the miller family as long as i live you'll come running back without
01:21:17the miller family power money you'll accomplish nothing you're making a big mistake choosing this
01:21:28old head instead of the family
01:21:33ken where are you why aren't you back yet
01:21:44oh you're still awake
01:21:57who did this to you don't worry about me i'm
01:22:09i'm fine it's nothing out of the ordinary
01:22:25hey babe yeah no i'm just right outside
01:22:26you son of a bitch you make me cut my own brother's hand
01:22:36now you think you can betray the miller family walk away scot-free
01:22:40not a fucking chance this guy means nothing to the miller family now it's worthless helpless
01:22:50yeah absolutely nothing now let's make him feel the pain
01:22:54my brother fell come on boys
01:23:06oh
01:23:19oh
01:23:21Stop! Stop hitting him!
01:23:25Stupid bitch.
01:23:28Stop!
01:23:29Stop at once, you insolent fools!
01:23:59Son, you know how hard it is for me to admit that I made a mistake?
01:24:10But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:17Tasha, you are the perfect woman for my son.
01:24:24Go.
01:24:26Be together.
01:24:29You approve?
01:24:31You have my blessing.
01:24:35From this day onward, you'll have nothing more to do with the legal activities of the family.
01:24:42But, you'll always be a miller.
01:24:48As will she.
01:24:59Get off me!
01:25:00You useless, impotent man-child! The crowd group is bankrupt!
01:25:12That's hurt.
01:25:13Getting involved with you is the worst decision I could have made in my life!
01:25:14Get off!
01:25:15This is all your fault!
01:25:16You spent every single thing that we had!
01:25:18Now we have nothing left!
01:25:19No company, no house, no money, not even a dime!
01:25:20And it's all because of you, you greedy cow!
01:25:24Don't you-
01:25:25Don't you-
01:25:26Don't-
01:25:27Hey!
01:25:28Hey!
01:25:29Hey!
01:25:30Hey!
01:25:31Hey!
01:25:32Hey!
01:25:33Hey!
01:25:34Hey!
01:25:35Hey!
01:25:36Hey!
01:25:37Hey!
01:25:38Hey!
01:25:39Hey!
01:25:40Hey!
01:25:41Hey!
01:25:42Hey!
01:25:43Hey!
01:25:44Hey!
01:25:45Hey!
01:25:46Hey!
01:25:47Hey!
01:25:48Hey!
01:25:49Hey!
01:25:50Hey!
01:25:51Hey!
01:25:52Hey!
01:25:53Hey!
01:25:54Hey!
01:25:55Hey!
01:25:56Hey!
01:25:57Hey!
01:25:58He protected me from every danger that befell our family.
01:26:03And today, my son found the perfect woman that I said I'd do the same for him.
01:26:11He's a lucky man.
01:26:25Wow, you look so beautiful.
01:26:28No, you can't be here right now.
01:26:30Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:35Ken, can you promise me one thing?
01:26:37I can promise you two if you'd like.
01:26:40I'm serious.
01:26:44I want you to walk away from the family business.
01:26:49There's a city called Ostia.
01:26:51It's on the southwest side of Rome by the ocean.
01:26:55What?
01:26:56You know what I found over there?
01:26:59I do an art teaching job out of public school.
01:27:03I would do tickets maybe in the morning.
01:27:06You're sending me away?
01:27:07No.
01:27:09I opened my own restaurant.
01:27:11It's just down the street.
01:27:14Oh, and one more thing.
01:27:15I enrolled Anna at the school they're going to be teaching at.
01:27:19I think she's going to really love it over there.
01:27:24So you really are walking away?
01:27:26Yeah.
01:27:27Yeah.
01:27:32They got some socks.
01:27:57Yeah.
01:27:59In the morning we're not going to come face.
01:28:03At last.
01:28:04There was a lot of resources where you are out of public school.
01:28:07And here's a view to stop their life at all.
01:28:08That's where you're all out of the room.
01:28:09That's where you are.
01:28:11That's where you come to.
01:28:13The Mmm-O barbarite cliff,
01:28:16that's theitely.
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