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Shelter in the Mafia #Dramabox
Transcript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're death thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Your company and your husband both belong to me now.
00:01:03No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:10You know, actually, your debt is mortgaged with your shares, so you actually owe this company about $200 million.
00:01:16I never took out any loans that large.
00:01:19Oh, Tasha. You were always so gallible.
00:01:22A word of advice for the future?
00:01:24Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:32Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:41Look. There's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years. In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:23Man, what the fuck you got me here for then? Shit.
00:02:29Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:49Said it was, like, collateral for a loan. Of course, I made the call and arranged everything.
00:02:56My pleasure.
00:02:59You despicable trash.
00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kind of suits you. So, enjoy.
00:03:14Go to hell.
00:03:16Sorry.
00:03:19I'll be crying.
00:03:21Let's see.
00:03:23I thought that the city went to beat my house.
00:03:27It was just a saràaffy.
00:03:32And we ate.
00:03:34I had come to hell in that house.
00:03:36miss just go away all right i don't need your cheap sympathy right now
00:03:52miss your friend's gone i just want to offer my cab services
00:03:56yeah i'm i'm sorry a a cab is just what i need right now
00:04:04all right great come on board
00:04:06sorry i i don't have any cash right now um give me a minute i'll go grab some from inside
00:04:34here just proof i'm not trying to skip out on the fair
00:04:38you have some nerve coming back here i never wanted my son to marry you in the first place
00:04:53and now that he's finally come to his senses and kicked you to the curb you think that
00:04:58you can just waltz right back into his house his house my father left me this house and
00:05:07i know you're senile but i'm sure you remember when you practically begged me to let you and
00:05:13carl live here i always knew you were a nasty little hussy
00:05:19who the hell are you this is a personal matter so you should really mind your own business
00:05:28and stay outside actually this is my boyfriend so if it's a personal matter for me it's a personal
00:05:36matter for him okay what you think your son's the only one capable of having secrets
00:05:43hey thanks again for today i know that's a weird position to put you in sorry
00:05:52it is really nice to know that there is still good people out there that would help a total
00:06:10stranger have a good night all right you too
00:06:15uh
00:06:22uh
00:06:30uh
00:06:36uh
00:06:40Where's my necklace?
00:07:00Here.
00:07:02Just proof I'm not trying to skip out on the fair.
00:07:10How does a fancy broad like you find yourself in a place like this?
00:07:35Who the hell are you?
00:07:36Get out now!
00:07:37All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:46I'm calling the police!
00:07:49How about I give you a better idea?
00:08:00You and I are going to have some good old-fashioned fun tonight.
00:08:03If I ever see you around here again, you're dead!
00:08:14Get out of here!
00:08:18Hey.
00:08:20Oh, I'm so glad you're here.
00:08:23Where did you get this necklace?
00:08:29My father gave that to me.
00:08:35You better not be lying to me.
00:08:37I'm not lying.
00:08:40He made that with his own hands.
00:08:42It has my name on the back.
00:08:47It's really you?
00:08:48No.
00:08:48No.
00:08:48No.
00:08:48No.
00:08:48No.
00:08:48No.
00:08:49No.
00:08:49No.
00:08:50No.
00:08:50No.
00:08:51No.
00:08:51No.
00:08:52No.
00:08:52No.
00:08:53No.
00:08:56No.
00:08:59Hey.
00:09:02How are you feeling?
00:09:06How did...
00:09:07How did you...
00:09:08You left your bag in my car.
00:09:11How did you know where to find me?
00:09:15I have my ways.
00:09:19Hey, listen.
00:09:20I know it's none of my business, but it's not safe for you here.
00:09:23With everything that's happened in the last 24 hours,
00:09:26this is all I can afford.
00:09:32Listen, I have an extra room at my place.
00:09:33Maybe you can just come stay with me.
00:09:53Welcome home.
00:10:03I really feel like my luck's starting to change.
00:10:06I mean, you've literally rescued me over and over today.
00:10:11I know what it's like.
00:10:12I've been rescued before.
00:10:14I'm sorry, I don't think I can make rent right away,
00:10:18but we could sell this ring and then it should cover me
00:10:24for a few months, at least until I'm back on my feet.
00:10:27I thought he was a really rich guy.
00:10:29Why did he choose such a small diamond?
00:10:33It's not a very good cut, either.
00:10:36Okay, never mind.
00:10:38I can just...
00:10:40No, it's fine.
00:10:41I'm just saying, you deserve a better ring than this.
00:10:48I don't think so, I'll do my best.
00:10:50It's fine.
00:10:51I don't know.
00:10:52I don't know.
00:10:53I don't know.
00:10:54I'm sorry.
00:11:10No, babe.
00:11:11Stop.
00:11:12It's late, okay?
00:11:15You're still thinking about her.
00:11:17Who?
00:11:18Natasha?
00:11:20Are you kidding me?
00:11:21Then why are you wearing the wedding ring?
00:11:23Did you forget what she and her father did to you?
00:11:25I will never forget what she and her father did to me.
00:11:29But that has nothing to do with you.
00:11:31So why don't you stop mouthing off about shit that you know nothing about
00:11:35and let me handle my own affairs.
00:11:48Mary?
00:12:11What?
00:12:16Hey, what's going on?
00:12:19My daughter's missing.
00:12:21What?
00:12:33Tasha, you shouldn't have barged in like this.
00:12:37If Carl finds out-
00:12:38No, I don't care about Carl right now, okay?
00:12:40Where's my daughter? Where's Anna?
00:12:42I sent her away.
00:12:46Oh, you have no right.
00:12:49Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever I want with my stepdaughter.
00:12:59What?
00:13:01We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:08You think you're getting custody?
00:13:11Oh, you're dreaming.
00:13:14On one hand, we have a mother drowning in debts with no place to live.
00:13:21On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned pro group.
00:13:30Who do you think the court will side with?
00:13:40Oh!
00:13:41What's going on?
00:13:42Oh, Carl!
00:13:43Carl, it's okay.
00:13:44Tasha was understandably upset about the situation.
00:13:47You know, I don't blame her for what happened.
00:13:50You trespass on my property? Assault my wife in her own home?
00:13:54Tasha, I have put up with your outrageous behavior for years, but don't you dare subject Raina to that kind of abuse!
00:14:00You don't understand. Raina sent Anna away!
00:14:03She did what any good mother would.
00:14:05I want to know where my daughter is right now!
00:14:08New Zealand.
00:14:09Getting medical care from one of the best cardiology departments in the world.
00:14:14And remind me, what have you done for your daughter lately?
00:14:17Hmm?
00:14:18Abandon her?
00:14:19To go shack up with some cab driver boyfriend?
00:14:22You idiot!
00:14:23I found those cardiologists in New Zealand.
00:14:26Scheduling those appointments was the last thing I had Raina do when she was still my assistant!
00:14:31Tasha, Tasha, you disgust me.
00:14:32Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:38I'm gonna make sure Anna stays far, far away from you so there's no possibility of her ever becoming anything like you.
00:14:50You...
00:14:52Backstabbing...
00:14:53Homewrecking...
00:14:55Bitch!
00:14:57I advise you stay far away from my daughter and I.
00:15:01By the way, the deed still lists me as the rightful owner to this house.
00:15:09So the two of you have no right to keep me from coming back here. Do you understand?
00:15:13Calm down.
00:15:14You can forge my signature.
00:15:16You can take my money.
00:15:17Take my house.
00:15:18But you will never have a shred of the intelligence that I have.
00:15:23Tasha, you have made your point.
00:15:24I think it would be...
00:15:25You deserve that too!
00:15:28You should have told me about Anna a long time ago!
00:15:31Oh...
00:15:33Oh, don't stop at my account.
00:15:36Please.
00:15:37Continue.
00:15:38Miss Big Shot.
00:15:40Don't you forget that you still owe 200 million dollars.
00:15:44And 20 millions of that is owned to me personally.
00:15:48In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:15:52you're never going to see your daughter ever again and you'll end up in debtor's prison.
00:15:57Ciao.
00:16:03Go ahead and check it out.
00:16:04But after your accountant, make sure it's all legit.
00:16:06I don't want you two jackasses counting my girlfriend money ever again.
00:16:09Got it?
00:16:15Oh!
00:16:16By the way, we're going to go ahead and take Anna in the future too.
00:16:20Don't worry, Carl.
00:16:21I'll be a better father to her than you ever can be.
00:16:25Tasha.
00:16:26You'll regret this.
00:16:32Thanks again, Kerr.
00:16:34Today.
00:16:36For pretending to be my boyfriend.
00:16:41Mm-hmm.
00:16:44Was all that money real?
00:16:46As real as it comes.
00:16:47Where'd you get all that money?
00:16:50I robbed a couple jewelry stores before I came to find you.
00:16:53Are you serious?
00:16:56No, I'm just joking.
00:16:57It was my dad's.
00:16:59Don't worry, it wasn't stolen or robbed or anything.
00:17:02But hey, listen.
00:17:03From now on, I want you to think of me as your creditor.
00:17:05Okay?
00:17:06I don't want you worrying about owing money to those scumbags.
00:17:09From now on, you'll just owe money to me.
00:17:11As long as you're okay with that.
00:17:14I could be okay with it.
00:17:15As long as you can satisfy one small request.
00:17:19What kind of request?
00:17:22What kind of request?
00:17:30My only request is that you just relax.
00:17:35Okay?
00:17:36Why don't you just take a load off.
00:17:38Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:42You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:18:02Now I have nothing.
00:18:07Well, I mean, you always have me and, you know, other things.
00:18:15I can't hear you.
00:18:16You're whispering.
00:18:17I can't hear you.
00:18:18You're whispering.
00:18:19I can't hear you.
00:18:20You're whispering.
00:18:21I can't speak with it.
00:18:22This way.
00:18:23You know what to say.
00:18:24If we regret it sadly.
00:18:26I'm older very often.
00:18:29I'm older especially.
00:18:30I'm younger people at the country.
00:18:34I'm older, I can have a part of my father.
00:18:37You know, I can't hear you but I have a friend.
00:18:39I m pueden take through the town behind me for a two men meeting.
00:18:41I'm older incumpl Texas.
00:18:44So you can see me laying on their children around the country and Iyam.
00:18:47Imagine being a part of my father.
00:18:49Carl, you know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:06That bitch.
00:19:09Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:19:13I'm telling you, forget about the Fitz Gallery, okay?
00:19:16The people who are running it are crooks.
00:19:19But I want my paintings to be showcased in the most prestigious venue possible.
00:19:23I know, I know.
00:19:25And I said I would help you find other galleries, remember?
00:19:29Just stop nagging me about it, okay?
00:19:32Okay.
00:19:35You're a little angel.
00:19:36It's okay.
00:19:57Just sleep in.
00:19:58Well, this is certainly going to make things more complicated.
00:20:10So you want to pretend last night never happened?
00:20:12I thought we had a good thing going on between us.
00:20:20I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:24Yeah, but that was just something I said to make my husband jealous.
00:20:28You mean your ex-husband?
00:20:32Yeah.
00:20:33Ex.
00:20:34Yeah.
00:20:37But I mean, you and I, I...
00:20:39You know I can't start a new relationship right now.
00:20:45So everything you said last night?
00:20:48We were just caught up in the heat of the moment.
00:20:52Heat of the moment.
00:20:53So it was all just bullshit.
00:20:54Why, to get me into bed with you?
00:20:59Just to have a one night stand?
00:21:02Because you miss being with your damn husband?
00:21:18So everything you said last night?
00:21:23Get a hold of yourself.
00:21:24You just got divorced.
00:21:30You're not going to play mind games with men anymore.
00:21:33Hey.
00:21:37I wasn't sure what you like, so...
00:21:39I just made a little bit of everything.
00:21:43You made all this?
00:21:44Yeah.
00:21:52So what do you think?
00:21:54I mean, you deserve to have some of your awesome breakfast, too.
00:22:05But hey.
00:22:07You're not going to make me sit here and eat this alone, are you?
00:22:10You're not going to make me sit here and eat this alone?
00:22:12You're not going to make me sit here and eat this alone?
00:22:15You've got some sauce right here.
00:22:17All that for some sauce, huh?
00:22:21All that for some sauce, huh?
00:22:25Are you kidding me?
00:22:33Hello?
00:22:34Mommy, I miss you so much.
00:22:36Anna?
00:22:37Mommy, I miss you so much.
00:22:39Anna, honey, what?
00:22:40What's going on, Anna?
00:22:45Okay.
00:22:46Both of your resumes look excellent.
00:22:49I have a question.
00:22:51If you spilled a glass of milk in the ocean, how would you get it back?
00:22:56What does that question have to do with our work?
00:22:59Well, I suppose you could contain the section of the ocean with the spilled milk,
00:23:07and then collect that sample, add a centrifugal force,
00:23:11and there's probably a good chance of separation.
00:23:15So at our company, we are always trying to make the impossible possible.
00:23:20And for that, we need people who can think on their feet.
00:23:24Derive solutions.
00:23:26No matter how outlandish the task at hand may seem.
00:23:30Let's get ahead and see you.
00:23:35Hello?
00:23:41Uh-huh.
00:23:43Okay.
00:23:44Congratulations, Miss Michaels. Welcome to the Eastwood Corporation.
00:23:54If you don't mind me asking, why didn't I get the job?
00:24:11Mrs. Roberts, maybe you should focus on fixing your own family problems first,
00:24:19before you start to look for work again.
00:24:24We don't want to make enemies with the Crow Group.
00:24:26So I guess you didn't get it?
00:24:41I just don't understand why Carl hates me so much.
00:24:45I mean, he doesn't want me to work for his company,
00:24:47but he doesn't want me to work for any other company either.
00:24:51Look, you don't need that corporate job anyways.
00:24:53Yeah?
00:24:55What else can I do?
00:24:57I mean, I thought you were an artist.
00:24:58You know, a painter.
00:25:00How'd you know about that?
00:25:02You brought an easel.
00:25:07It's just a hobby.
00:25:10I gave it up.
00:25:12I don't paint anymore.
00:25:13Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:23I haven't painted in years.
00:25:26I'm sure it'll be just like riding a bike.
00:25:28Once you start, it'll all come back to you.
00:25:31That's my account. Why are they assigning it to someone else?
00:25:39Fine, fine. Just get me some damn answers and give me a call back soon, okay?
00:25:46Carl, this took me three months.
00:25:48I'm sorry, I just got some bad news at work.
00:25:53It's ruined now.
00:25:55Why?
00:25:56Start over.
00:25:58You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:05You're a remarkable woman, Tasha.
00:26:08Okay? And if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:13If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:19And then you could put whatever paintings you want in them, right?
00:26:23Painting's my passion.
00:26:26What if we put painting on the side?
00:26:30Just for a little while.
00:26:32And you could come join me at the company.
00:26:35Just together, we...
00:26:37We'd be unstoppable.
00:26:40And right now, I am drowning.
00:26:43Your dad and his partners have no faith in these.
00:26:48I need you.
00:26:50Look.
00:26:53You love me.
00:26:55Don't you?
00:26:58Of course I do.
00:27:00Okay, then just...
00:27:02Do this one thing for me.
00:27:04This one little thing.
00:27:06Please.
00:27:12Yes.
00:27:13I will see you in here.
00:27:14I am Judas.
00:27:15Fly away with me
00:27:19Take you high, I'm sorry
00:27:23To smile, it's my only dream
00:27:33Finished!
00:27:35Yeah.
00:27:41That is amazing.
00:27:43Thank you, I honestly never thought I'd paint again.
00:27:47Well that would have been a shame, you're easily one of the most talented artists I've ever met.
00:27:51We're honored that you chose our gallery to showcase your work.
00:27:59We're honored that you chose our gallery to showcase your work.
00:28:13I am curious about one thing, if you don't mind me asking.
00:28:15The subject in your paintings, your muse, is he your lover?
00:28:21Oh.
00:28:23No.
00:28:25He's just a friend of mine.
00:28:27But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:41Is Ken really in love with me?
00:28:43He's so young though, at his age he probably doesn't even know what love is.
00:28:47Oh, uh, sorry you're in the way.
00:28:51Actually you're in my way.
00:28:53Actually you're in my way.
00:28:57Actually you're in my way.
00:28:59I'm trying to get into my home.
00:29:01Is this your new girlfriend?
00:29:03I've never seen you with anyone like this before.
00:29:07Ken's my roommate.
00:29:09Now, if you'll please step aside so I can get in.
00:29:15Call me again if you need anything.
00:29:17Okay?
00:29:18Bye.
00:29:21Hey, what are you doing home so early?
00:29:23Are they gonna showcase your work?
00:29:25Sorry if I interrupted something, but as your roommate I don't really think I need to tell you.
00:29:29If I'm coming or going.
00:29:31So if you have something private to do, just do it in your room.
00:29:33I never said you need to tell me when you're coming or going, I'm just saying.
00:29:37Fine, you don't need to explain.
00:29:39Just, I just want to be alone.
00:29:47What?
00:29:51I'm so sorry sir, she just barged in without permission.
00:29:54It's okay.
00:29:56Miss Roberts, please, grab a seat.
00:29:58We signed a contract.
00:30:00Why can't you show my paintings now?
00:30:02I'm afraid I don't have the answers you're looking for.
00:30:05You want to know what happened?
00:30:06Ask Karl Kroh.
00:30:10I want my paintings back.
00:30:12Right now.
00:30:15Well, they're probably somewhere in the warehouse.
00:30:18They haven't been thrown away yet.
00:30:19You've already searched the entire warehouse ten times.
00:30:20If you haven't found what you're looking for, it's not here.
00:30:21You better hope I find what I'm looking for.
00:30:22It's not here.
00:30:23You better hope I find what I'm looking for.
00:30:24Or I'm gonna make this entire gallery compensate me.
00:30:25You better hope I find what I'm looking for.
00:30:26Or I'm gonna make this entire gallery compensate me.
00:30:27And then I'm gonna sue you.
00:30:28And you'll be the first to lose your job.
00:30:29You better hope I find what I'm looking for.
00:30:33You'll be the first to lose your job.
00:30:45Yeah.
00:30:46That's great, lady.
00:30:47Go ahead and sue.
00:30:48I'm sure things will go exactly the way you described it.
00:30:50Not one of the most important things.
00:30:52I'm gonna make it to find what I was looking for.
00:30:54No-no-no.
00:30:55I'm sure things will go exactly the way you described it.
00:30:58Not one of the most important things.
00:31:02described it.
00:31:32You really care about her.
00:31:51Shh, keep your voice down.
00:31:54She's had a long day.
00:31:56Also, you can't just come over here so casually in the future.
00:31:59Casually?
00:32:00Are you kicking me out?
00:32:03You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:07You men are cold as hell.
00:32:09I think my lucky star is on the last band.
00:32:11Look, I just can't have her finding out about the work that we do, okay?
00:32:15Are you serious about her?
00:32:18Yeah.
00:32:19Have you thought about the consequences if your dad finds out?
00:32:24Look, no.
00:32:25You and I have been best friends for over 20 years, okay?
00:32:28And my dad has taught me everything that I know.
00:32:32I think maybe it's time I just figure things out on my own.
00:32:35And you know exactly what I went through last time.
00:32:39I'm not going to lose her again.
00:32:40Don't worry, Anna.
00:32:45Mommy's going to find a way to bring you home soon.
00:32:55All the evidence is here.
00:32:57It's exactly what you thought.
00:32:58Let me know if you want me to find out more.
00:33:14Carl.
00:33:16Let's meet.
00:33:17Oh, wow.
00:33:28It's not every day a famous painter comes to visit.
00:33:32To what do I owe the pleasure?
00:33:34The company I supposedly borrowed money from.
00:33:39It's a shell company owned by you.
00:33:43So what?
00:33:44All our operations are legal.
00:33:47You signed the documents.
00:33:48You borrowed the money.
00:33:50All you can do now
00:33:52is pay it back.
00:33:55You know,
00:33:56I don't think you actually want me to pay back the loans.
00:34:02You were just looking for an excuse
00:34:04to have me back in your life.
00:34:07You're obsessed with me.
00:34:10This is just your sick way to dominate me
00:34:12and make me surrender to you.
00:34:13I'm just getting even
00:34:15for the years I spent in your father's shadow.
00:34:19The years of belittlement
00:34:21and him treating me like a clown.
00:34:23My father hired you
00:34:25when no one else would.
00:34:26Not my fault
00:34:29that your insecure petty
00:34:32took his support as belittling.
00:34:36I wouldn't upset me
00:34:37if I were you.
00:34:40Remember, I'm your creditor now.
00:34:43Two months.
00:34:44That's all I can give you
00:34:45to pay me back the remainder
00:34:46$180 million.
00:34:48What are you doing here?
00:34:59I was just in the neighborhood.
00:35:01Thought I'd give you a ride home.
00:35:02Hi.
00:35:07Um...
00:35:07Hey.
00:35:08Who is this?
00:35:12Uh...
00:35:13This is Ken's roommate.
00:35:15We're gonna be dropping them off
00:35:16before we head home.
00:35:19Hey, listen.
00:35:20I didn't introduce you last time,
00:35:21but this is my best friend, Nell,
00:35:22and her girlfriend, Maria.
00:35:23Nell and I have been nothing more than friends since we were kids.
00:35:32She's not into men, and she never has been,
00:35:35and her and I are nothing more than just platonic friends.
00:35:38Alright?
00:35:40I'm sorry I jumped to conclusions the other day.
00:35:43It's okay.
00:35:45I just didn't want you to get the wrong idea.
00:35:46Look, I appreciate it. I really do.
00:35:55I just, I still think you and I are better off just as friends.
00:36:01Just friends.
00:36:03Why?
00:36:09Why?
00:36:12Maybe because I'm just getting over a failed marriage?
00:36:17Because I owe an unthinkable amount of money and I have no idea how I'm going to pay it back.
00:36:23I also have no idea how I'm going to get my daughter back.
00:36:28And getting into a relationship with you, that's just something I can't do right now.
00:36:34Love has brought me nothing but pain, okay?
00:36:36So just, please, just leave it.
00:36:38Okay.
00:36:46Do you have any other paintings?
00:37:01Yeah, I have several.
00:37:10What are you looking for?
00:37:12I would like to buy them all.
00:37:16I love your painting style.
00:37:17It is so unique.
00:37:19I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:23Thank you for your kind words about my paintings, but I've been in some trouble lately and it's probably best if I don't involve your gallery.
00:37:33None of this matters to me.
00:37:40If someone wishes to cause me trouble, well, just let me try.
00:37:44I mean, it has to be a mistake.
00:37:55Or a prank or a cruel practical joke.
00:38:00I mean, it seems pretty authentic to me.
00:38:02It has their seal and your name and address are, like, clearly written on it, so...
00:38:07It looks authentic.
00:38:13But how would they have seen my paintings?
00:38:16I don't know.
00:38:17Maybe one of those auction sites that you've been posting your work on?
00:38:20I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:31I own a large gallery and I would love to establish a long-term collaboration.
00:38:36It's new.
00:38:38It's him.
00:38:39The guy who's been on my paintings.
00:38:41He must be the owner of the Fitz Gallery.
00:38:43Well, in that case, we better get going.
00:38:45Where?
00:38:46Gotta go get you a dress.
00:38:48Can't have you showing up to the Fitz Gala in rags.
00:38:55Babe, which one do you like more?
00:38:58This one or this one?
00:39:00I need to be the hottest girl at the Fitz Gala.
00:39:03Everything just, uh, looks so good on you, honey.
00:39:08So, um, just pick whichever one you want.
00:39:11I gotta take a call, okay?
00:39:14Wrap this up, you twitch.
00:39:15I'll take them both.
00:39:16Wow.
00:39:17I used to buy dresses like this all the time without even thinking about the money, but...
00:39:29I can't afford something like this now.
00:39:31You know what?
00:39:35Consider it a congratulatory gift for me.
00:39:38Alright?
00:39:39And when you make it big in the art world, you can just pay me back.
00:39:41Oh, hi.
00:39:45Excuse me.
00:39:45Yeah, my, uh, friend would like to try on this dress.
00:39:48Oh, your friend has amazing tastes.
00:39:50This dress is actually a limited edition.
00:39:52Each one handcrafted by hand and therefore entirely unique.
00:39:56Truly a work of art.
00:39:57Well, how fitting that's gonna be worn by a very talented artist.
00:40:00I'll have someone on the team bring it out to you.
00:40:04Veronica, please bring the limited edition.
00:40:06Well, limited edition.
00:40:13Tasha?
00:40:14Do you really think you can afford this dress?
00:40:19You can afford this dress?
00:40:23Please.
00:40:25Reyna, I don't think you need to worry about Tasha's finances, okay?
00:40:29We established that last time.
00:40:32Hey, you.
00:40:33Get over here.
00:40:34I'm gonna pay twice what it's worth.
00:40:38But I want this dress.
00:40:39Ma'am, this dress is $4,000.
00:40:41Did I ask you how much it cost, you pluritarian scum?
00:40:44Just shut your mouth and add it to my bill.
00:40:47She's willing to pay double.
00:40:48I'll double her offer and I'll pay $16,000.
00:40:51Okay, sir.
00:40:52Sold.
00:40:53$32,000.
00:40:54Ash.
00:40:55You know what?
00:40:57She wants the dress so bad, let her have it.
00:41:01You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:04I'll show you who's a pigeon, you little bitch.
00:41:06How dare you assault me?
00:41:09Tasha, are you okay?
00:41:12What is going on here?
00:41:14What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:18I swear to God, they're all lying.
00:41:20I never touched her.
00:41:22I saw everything.
00:41:23This gentleman and his girlfriend were very nice and politely inquired about a dress,
00:41:26and suddenly your wife appears and attacks her for no reason.
00:41:29Shut your mouth, you little lying asshole.
00:41:32You know what?
00:41:32Why don't you just call security before this crazy maniac hits somebody else?
00:41:35Wait a second, Reyna.
00:41:36What actually happened here?
00:41:38What's going on?
00:41:39Why don't you believe me?
00:41:40Don't you?
00:41:41Don't just call 911.
00:41:44Are you blind?
00:41:45Oh, Tasha, can you stop this bullshit?
00:41:46You know what, Reyna?
00:41:47Can you just stay away?
00:41:48Can I get someone down here?
00:41:50Room A, 122?
00:41:51No, no, that's not necessary.
00:41:52We are leaving right now.
00:41:53Let's go.
00:41:54No, but...
00:41:55Okay, you've embarrassed us both enough for one day, okay?
00:41:58Let's go!
00:42:07Wherever Reyna goes, trouble's sure to follow.
00:42:11It is nice to see her get a taste of her own medicine, though.
00:42:14Yeah.
00:42:15It's the same, though.
00:42:16You would have looked really great on that dress.
00:42:21Don't worry about that.
00:42:23I have a solution.
00:42:31What are you going to do with all this stuff?
00:42:34I'm going to design my own dress and wear it to the gala.
00:42:37Are you sure there's enough time?
00:42:39Have some faith in me.
00:42:40I graduated with honors in design and fine art.
00:42:43I got this.
00:42:46All right.
00:42:47All right.
00:43:05How do I look?
00:43:06How do I look?
00:43:16What?
00:43:17Is...
00:43:17Is something wrong?
00:43:19Is it...
00:43:20Is it too much?
00:43:21Should I change something?
00:43:22No.
00:43:23No.
00:43:25You look...
00:43:26That dress, like...
00:43:29That is one of the most beautiful dresses I've ever seen.
00:43:31But there's something missing.
00:43:38Should I resell the beads?
00:43:41No.
00:43:43I have a gift for you.
00:43:45Something to...
00:43:46Complete the whole look.
00:43:47Just try harder, you idiot.
00:43:55Mrs. Crowe, I am doing everything I can.
00:43:59I don't know what more I can do.
00:44:01You're calling me fat?
00:44:02Of course not.
00:44:04You're not fat at all.
00:44:06It's the dress.
00:44:07It's not made for a woman's body.
00:44:10Just shut up and do it!
00:44:12Babe.
00:44:14Just put on another dress.
00:44:15You're gonna be late.
00:44:17I spent so much money on this dress.
00:44:20I am wearing this dress!
00:44:22I am wearing this dress!
00:44:24I can't.
00:44:41It's...
00:44:42It's too much.
00:44:45No.
00:44:46It was made for you.
00:44:47I can't.
00:44:49It's...
00:44:50It's too much.
00:44:52I can't wait to see what you've brought to the auction.
00:44:59Can we have a little hint?
00:45:01Well, actually, I brought some of my very own paintings to auction tonight.
00:45:09What's wrong?
00:45:11Just Tasha Roberts.
00:45:13My husband's dreadful ex-wife.
00:45:17I'm tired of seeing her sorry face everywhere.
00:45:20You know, she's also a horrible person.
00:45:25If it isn't everyone's favorite wide-collar criminal turned homeless vagrant, Tasha Roberts.
00:45:33So, the other day, when you were trying to buy this dress with that, um, working-class thug boyfriend of yours,
00:45:40you were trying to come here?
00:45:41Are you sure you were even invited?
00:45:47I'm sorry, are you working with the security details?
00:45:51Do I need to show you my invitation?
00:45:53Honey, I'm just trying to look out for you.
00:45:55Okay?
00:45:56I want to spare you the embarrassment of being kicked out when everybody finds out that you were not invited.
00:46:02You mean, like, how you were kicked out of the mall?
00:46:05I see.
00:46:06You still quite don't understand your place in the world.
00:46:10You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:15But don't worry.
00:46:16I'll help you figure it all out.
00:46:20What's wrong with you?
00:46:22You can't just see people are walking through.
00:46:24Rina, this time you've gone too far!
00:46:27Stop shouting, you dreadful oaf.
00:46:29These were supposed to be auctioned tonight.
00:46:30Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:37Now you can go and cry to your fairy gut mother.
00:46:42What is it?
00:46:42Oh, I think the auction's starting.
00:46:46Well, I'll see you there.
00:46:48Toodles!
00:46:56For our first auction item, I'd like to welcome Ms. Rina Crow to the stage with her collection of original paintings.
00:47:12As you can see, Ms. Rina Crow's style is very unconventional.
00:47:25Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost playful quality about them,
00:47:34as depicted here through the bold use of a duck as a central figure.
00:47:38It's a dog.
00:47:40What?
00:47:40It's a dog, not a duck, you buffoon!
00:47:43Oh, yes, of course!
00:47:45A dog!
00:47:47Seen through a very unique prism.
00:47:50Portrayed as only an artist of Rina's caliber could possibly portray it.
00:47:54Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:48:00The starting price will be $50,000.
00:48:03Do I hear $50,000?
00:48:05No.
00:48:05Anyone?
00:48:08$50,000.
00:48:09Do I hear $60,000?
00:48:12Anyone?
00:48:14$50,000 going once, $50,000 going twice.
00:48:18Sold!
00:48:19Sold for $50,000.
00:48:21And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also
00:48:32be presenting a series of paintings.
00:48:42Ms. Tasha Roberts, where are your paintings?
00:48:44I don't have my paintings tonight, but I will be auctioning off this dress.
00:49:04Wow!
00:49:05It's beautiful!
00:49:08Stupendous!
00:49:09I've never seen a dress so beautiful!
00:49:11Oh, stupendous!
00:49:16I've never seen a dress so beautiful!
00:49:19A stunning work of art, indeed!
00:49:21There's no need for me to say another word about this masterpiece.
00:49:24Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.
00:49:30Let's start the bidding at $50,000.
00:49:32$55,000!
00:49:33$75,000!
00:49:34$90,000!
00:49:36$100,000!
00:49:37$150,000!
00:49:38$250,000!
00:49:39$250,000 going once, $250,000 going twice!
00:49:49Gold!
00:49:50This beautiful dress was sold for $250,000!
00:49:53Is that the heart of Slamicus that sold for $200,000 a few months ago in a bid now?
00:50:06Impossible!
00:50:07How can that lowly peasant possibly afford it?
00:50:10It must be a fake.
00:50:11Thank you so much for your bid, Ms. Winslow.
00:50:18I'm going to design a few custom pieces in your size and design them to your elegance and style.
00:50:24Have you ever considered creating your own clothing brand?
00:50:29I mean, your creations are so extraordinary.
00:50:33You should really share your talent with the rest of the world.
00:50:36I never considered it, but I certainly will now.
00:50:40Hi.
00:50:40I'd be careful if I were you.
00:50:43I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:50:50What are you talking about right now?
00:50:53This woman is a phony and a con artist.
00:50:55For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:51:01And let me make it clear.
00:51:03For everybody that wants to do business with this woman, they won't be allowed to do business with the Crow Group.
00:51:09Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts because of the baseless rumors and lies being spread by Ms. Raina Crowe, you will no longer be welcomed back to the Fitz Gallery.
00:51:25That's the curator of the Fitz Gallery.
00:51:27That's the curator of the Fitz Gallery.
00:51:28Not just the curator, he's also the director of the Fitz Foundation.
00:51:33The curator?
00:51:34Is he the man who bought my paintings?
00:51:35Why does he seem so familiar?
00:51:40Why does he seem so familiar?
00:51:45Ms. Tasha Roberts is my guest of honor tonight.
00:51:47All right?
00:51:48I invited her personally.
00:51:49So if anybody treats her with the slightest bit of disrespect, they'll be asked to leave and never again invited back to the Fitz Gallery.
00:51:55As the director of this esteemed organization, am I interested to know that your guest of honor is wearing a cheap replica of a priceless work of art.
00:52:06She is not to be trusted.
00:52:09I'm assuming you mean her diamonds.
00:52:11What evidence do you have to prove that it's not real?
00:52:14Well, the real heart of the sun has the initials of the craft man engraved in the joint between the gemstone and the pendant.
00:52:22So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?
00:52:31This was just given to me by a friend. I never claimed it was the real heart of the sun.
00:52:37I don't want to embarrass him by having people pour over it for imperfections.
00:52:42So it's a forgery. You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:52Ms. Roberts.
00:52:55You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:53:01Ms. Roberts, you have nothing to fear from this woman. Just show her the necklace.
00:53:06And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.
00:53:11And the question has to be asked whether it is the true heart of the sun.
00:53:23See? Just like...
00:53:26What? How is this possible?
00:53:29I do say, this engraving looks entirely authentic to me.
00:53:38This is indeed the one and only heart of the sun.
00:53:41Well that settles it then. This necklace is authentic.
00:53:44From now on, no one will be permitted to question or harass my guest of honor.
00:53:49Now if everyone is satisfied, can we please get back to tonight's festivities?
00:53:54Cheers.
00:53:55Cheers.
00:54:03Ken, you have a lot of explaining to do.
00:54:07Okay, what's wrong?
00:54:09I can't accept this necklace.
00:54:12And I can't give you what you want.
00:54:15Do you even know what I want?
00:54:16I don't want to know.
00:54:19We can just be friends, nothing more.
00:54:22Tasha, you're just afraid.
00:54:24You're just afraid of going after what your heart truly desires.
00:54:28And I just think you're afraid of just being true to yourself.
00:54:32You're the last person that should be lecturing anybody on the truth.
00:54:36Who are you?
00:54:39What do you do?
00:54:41Is this even your house?
00:54:42I mean...
00:54:44How do you own a necklace that's 200 million dollars?
00:54:50I just...
00:54:51See, you...
00:54:53You don't even respect me enough to tell me the truth.
00:54:56You...
00:54:57You expect me to jump into a relationship with you?
00:55:01You could be a total stranger.
00:55:03I have no idea who you are.
00:55:07Tasha, I want to tell you.
00:55:09I do, but...
00:55:11I just can't right now.
00:55:13Alright?
00:55:14Like, maybe in the future when we can sit down and...
00:55:15No, Ken, there is no future for us.
00:55:18Not if you can't tell me one thing about yourself that isn't a lie.
00:55:23When you find someone that you really love and trust,
00:55:27you let them in.
00:55:34But that person won't be me.
00:55:36Are you okay?
00:55:39Director Fitz, I had a wonderful time at the gala.
00:55:42Thank you for supporting me and standing up for me.
00:55:45I wasn't bothered by the way the other guests treated me.
00:55:49I've endured far worse.
00:55:50Lovely.
00:55:51I'm glad to hear it.
00:55:52I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:55:53Think of it as a sort of artist's residency.
00:55:54I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:55:56Think of it as a sort of artist's residency.
00:55:57Would you be interested in such an opportunity?
00:55:58Would you be interested in such an opportunity?
00:56:00I don't know.
00:56:01I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:08Think of it as a sort of artist's residency.
00:56:09Would you be interested in such an opportunity?
00:56:11Lovely. I'm glad to hear it. I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future. Think of it as a sort of artist residency. Would you be interested in such an opportunity?
00:56:26This dress is every bit as exquisite as I expected it to be. Thank you, my dear. You're very welcome.
00:56:42Have you given any more thought to my proposal? If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:56:53It's a very gracious offer, but I just... I have to ask. I mean, there are so many other talented designers. Why do you have such faith in my abilities?
00:57:03It's not just me, you know. The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:11And everyone in attendance was certain that the only reason he chose to make an appearance was because of you, his guest of honor.
00:57:20That was his first appearance ever? Indeed. His very first and only time to appear in the flesh. Before this, he was a figure of myth and mystery. Many people doubted he existed at all. But all because of you, he chose to grace us with his presence last night. Seems like a marvelous young man, don't you think?
00:57:45He certainly had a charm about him. Oh, undoubtedly. You know, many people flock to the Fitz Gallery for more than just the art. They want to learn all about the enigmatic young curator.
00:57:59Really? I mean, what's so interesting about him?
00:58:03Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections to become the top venue for fine art in just two years?
00:58:15I mean, I heard rumors. Something about foul play, but I always just assumed they were baseless.
00:58:22Those rumors have quite a bit of truth to them. Seems like the Miller crime family is actually behind the Fitz Foundation. The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:40He seemed like such a gentleman. I just, I find it hard to believe that he ever was involved in something so sordid.
00:58:46You must never judge a Brookly's cover, my dear girl. Even people close to us may be harboring many secrets. We never really know what's going on inside.
00:58:58You got that right. I learned that lesson the hard way.
00:59:02Let me be frank. I have tremendous faith in you.
00:59:07Thank you, Mr. Wendlow, but I think it's dear. All my friends call me Laura.
00:59:13This is a check. For five million dollars. It should help you get your clothing brand started.
00:59:24Shall we become business partners in addition to being friends?
00:59:27Director Fitz, I'd like to work with you.
00:59:44It would be my honor, Miss Tasha Roberts.
00:59:48Thank you, Mr. Wendlow.
00:59:49Druston.
00:59:50Druston.
01:00:07to the sea waves come crashing up to me my toes slip into the sand dream that i'm with you
01:00:21staring out into the sea waves come crashing up to me my toes slip into the sand
01:00:33dream that i'm with you
01:00:49congratulations miss roberts we expect a huge success from your art exhibition thank you thank you
01:01:03you're looking at her you're obsessed with her didn't she humiliated me enough the other night
01:01:14at the gala but no now i have to watch my husband stare her picture well maybe if you didn't give her
01:01:22the opportunity to humiliate you so it's my fault now oh wait let me guess maybe it's my fault too
01:01:27when the two of you broke up okay reina i've been thinking i don't think this is working
01:01:36i want a divorce
01:01:42you used me to push tush out of your company take her property and now you cast me aside like what
01:01:47a huge piece of garbage i won't allow this mark my words carl crow you will regret this
01:01:57i'm spending too much time around ken he's dominating all my thoughts
01:02:13i have to distance myself from him for my own sanity
01:02:30is there nothing i can do to get you to stay
01:02:32i'm sorry but no you and i our relationship will just keep going in circles but thank you for
01:02:49everything you've done for me i have a little bit of money now so you should be able to pay off your loan
01:02:55soon
01:03:00and awkward silence wait nights walking to the garden
01:03:09with your hand
01:03:10This is what happens when you steal from the Millers.
01:03:30Please, let me go.
01:03:35I promise you'll never see me again.
01:03:40What do you got here?
01:03:44Right this way.
01:03:46Boss!
01:03:48I found this one peeking around the corner.
01:03:50Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:03:59Don't worry, boss. I got a knife with her name on it.
01:04:02We can dump her body with the other guy.
01:04:05No, let her go.
01:04:10What? Didn't you hear what I said? She's seen everything.
01:04:13Let her go before I rip off your fucking arms and throw them in the river.
01:04:25Walk away. This doesn't mean anything to you.
01:04:27Is this what you couldn't tell me about?
01:04:31Boss, you know this woman?
01:04:35You're gonna kill him.
01:04:36Call the police then. See if they can save his life.
01:04:39No! Don't call the police, you stupid bitch!
01:04:44My world is more cruel than you can possibly imagine.
01:04:46So since you didn't want to get involved, just walk away.
01:04:50Hey, babe. What do you want for breakfast?
01:05:14What do you want for breakfast?
01:05:16Hey, my soul, let go.
01:05:17You are done.
01:05:18You are done.
01:05:23You're done.
01:05:25Oh, my soul, a little
01:05:34You are done.
01:05:35Oh, my soul, a littlegie.
01:05:38My world is more cruel than you can possibly imagine.
01:05:40So since you didn't want to get involved, just walk away.
01:05:43walk away. I never imagined that Ken could be such a dangerous and violent man. There
01:05:49must be something or someone forcing him to do all of this. Even people close to us may
01:05:56be harboring many secrets. We never really know what's going on inside. Forget it. This
01:06:04has nothing to do with me. I decided to leave Ken, so I have to do my best not to look back.
01:06:13Tasha, let's talk.
01:06:32Your pro-magnet boyfriend. Is he not joining us? It's all over. I'm not with him anymore.
01:06:39Where's Reyna?
01:06:40Reyna was a mistake. That's all over too. Tasha, I want you back. I can't stop thinking
01:06:54about us. You were right. You belong in my life. So if you just sign those documents, then
01:07:03you can come back to me. Come back to the house. We can carry on like none of this ever happened.
01:07:09I can give you your old job back. That'll be fun, working together again. And then all
01:07:15that debt you owe me will be wiped clean. You, uh, need a pet?
01:07:19You think I'd get back with you after everything you put me through? Here is a hundred million
01:07:34dollars. I'll pay the rest on time. And if you're agreement, take these documents and shove them right up your ass.
01:07:50You disgust me. You disgust me, Carl. You should think about Anna. Do you really want her growing
01:07:57up without a mother? With all her health problems, she could really use your support.
01:08:01Don't dare talk about Anna. She'll be with me soon. Then I'll never let her out of my sight again.
01:08:07She needs her mother and her father. Not a father. Like you, she doesn't. She'd be better off with no father at all.
01:08:13I'm sorry. Am I interrupting? Are you texting a new boyfriend already? Can it wait? I'm not done talking here.
01:08:33You're pathetic, Carl. Hey, Tasha. T- Tasha. Hey, Tasha. Tasha, come back. Where are you going? This place is disgusting.
01:08:49T- Come on, Tasha. Don't you remember the happy times? Come on, we can have that again. Think of Anna. It's me, please. I love-
01:08:57T- Sorry, folks. It's the end of the line for you. No hard feelings. But we got to
01:09:27do what the people who pay us tell us to do. Who's paying you? Hmm. I'll give you a hint.
01:09:34A very beautiful woman paid us a small fortune to make sure you two... make sure you two don't make it.
01:09:42Raina. That fucking bitch. Do you know who I am? I'm Carl Crow, the CEO of the Crow Group.
01:09:52What if she's paying you? I'll pay double, okay? Yeah, yeah. You're gonna pay me double.
01:09:56I guess you haven't heard the news, buddy. See, I don't think you have the means to outbid your pretty little friend.
01:10:02You're trying to phone a friend? That's a big no-no, sweetheart. That's breaking the rules.
01:10:19Sweetie. Don't waste the little time you have left trying to call for help.
01:10:24It won't do you any good. No one. They can help you now.
01:10:35Three hours. Where is Tasha?
01:10:38Hey, Nell. Hey, listen. I need you to do me a favor.
01:10:41Yeah, I need you to pull out the city surveillance system in the area and find all the footage.
01:10:48Yeah, no. Something's wrong.
01:10:49What are you doing?
01:11:01We have to get out of here.
01:11:03You should just go. Save yourself. Leave me. It's what I deserve.
01:11:23I'm not gonna leave you. I'm not that type of person.
01:11:27Come on. Let's go. Come down here. Wait until they come in.
01:11:44Hey, Tasha.
01:11:49I'm so sorry.
01:11:50Now's not the time for that.
01:12:11All in.
01:12:20Looks like we got ourselves a suicidal prick here, fellas.
01:12:24I can't think of any other reason why somebody would kick in the door that's got Vincent
01:12:28Santorelli on the other side of it.
01:12:32Oh, shit.
01:12:34Boss.
01:12:36I didn't realize it was you.
01:12:40These your guys?
01:12:43Where the fuck are they?
01:12:45You better find them. Quick.
01:12:50Now it's your turn.
01:13:03No, it's your turn.
01:13:13Oh, shit.
01:13:15Oh, shit.
01:13:15Yeah, I'm so scared.
01:13:16No, it's all.
01:13:16Oh.
01:13:17Oh.
01:13:17Oh, shit.
01:13:17Oh, shit.
01:13:17No, it's all.
01:13:18No.
01:13:18Oh.
01:13:18Oh.
01:13:19Now it's your turn.
01:13:24Pretty little thing like you, I was going to make it painless.
01:13:27But I guess you didn't want that.
01:13:28All the same.
01:13:31Hey, who's this fucking monkey?
01:13:33Blow your fucking gun.
01:13:34Vinny, what the fuck is going on?
01:13:36You fucking downfield?
01:13:37Blow your fucking gun!
01:13:39Are you...
01:13:39Are you Ken Miller?
01:13:42How can that be?
01:13:43What the fuck is going on?
01:13:45Ken Miller.
01:13:47The one and the same.
01:13:49Miller crime family that monopolizes all the underground trade in all of North America.
01:13:57It's you.
01:14:04You know what you have to do.
01:14:08Boss, please.
01:14:11He's my brother.
01:14:14Reese and Reese.
01:14:15I was pushing you away as Ken and growing closer to you as Fitz.
01:14:34I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:44And I just can't win over your heart.
01:14:51Is Ken Miller always this loving with the hostages he rescues?
01:14:56Sir, it's just a special treatment reserved for his lovers.
01:15:02Tasha, I love you.
01:15:03My heart has belonged to you and only you for the past 15 years.
01:15:1215 years?
01:15:13No, we just met a few months ago.
01:15:16We met 15 years ago.
01:15:23You went to Marr Middle School.
01:15:26Yeah.
01:15:27And you saved my life there.
01:15:37Stand up, chicken!
01:15:38And hit us back!
01:15:39Isn't that what your dad does for a living?
01:15:42Beat people up?
01:15:44I'm not my dad.
01:15:47You and your father are both scum.
01:15:48Let's teach this little and thug a lesson.
01:15:50Yeah, idiot.
01:15:51Get up and show us what you've got!
01:15:55Hey!
01:15:57Hey!
01:15:58Hey!
01:15:58Hey, hey, hey, hey!
01:15:59Stop!
01:15:59That's enough!
01:16:00That's enough!
01:16:00It's none of your business, Robert!
01:16:02Get out of here, Robert!
01:16:03Hey!
01:16:04Stop!
01:16:04Go home!
01:16:05I'll call your parents!
01:16:05Go!
01:16:06Oh, crap!
01:16:06Crap!
01:16:06Crap!
01:16:09Ever since I saw you that night in the cab, with that necklace on, I just, I knew I found
01:16:25you.
01:16:27Look, this isn't just some feeling for me, okay?
01:16:31This is, this is everything to me.
01:16:34Like, you are everything to me.
01:16:36But no matter what happens between us, I will always care about you.
01:16:43And maybe, one day we can, make it work in a different way.
01:16:48I just, I need some time to process this.
01:17:07Okay.
01:17:08And after that, maybe we can pick up where we left off, that first night you spent here?
01:17:14Maybe.
01:17:15Maybe.
01:17:16Maybe.
01:17:17Play your cards, right?
01:17:18Maybe.
01:17:19Play your cards, right?
01:17:35Does everything look good to you, my artist?
01:17:37Yeah.
01:17:38Yeah.
01:17:40Thanks for everything.
01:17:42That doesn't sound very convincing.
01:17:44Is there anything you want to change?
01:17:46No.
01:17:47I just, I never got around to asking why you wanted to start an art gallery in the first
01:17:52place.
01:17:53Honestly?
01:17:54Just to get to you.
01:17:55See, I thought if I owned the world's greatest art museum that one day you might find your way
01:18:00and, I don't know, that I might find you.
01:18:30I don't know.
01:18:37I want to see what kind of woman this is that has ensnared my son.
01:18:43I don't she's worthy of joining the Miller family.
01:18:46As you wish, sir, I will make the arrangements.
01:18:49Honestly?
01:18:50Just to get to you.
01:18:51See, I thought if I owned the world's greatest art museum that one day you might find your
01:18:56way in here and, I don't know, that I might find you.
01:19:01Okay, okay.
01:19:02Just concentrate on painting.
01:19:03Don't think about him.
01:19:04Who are you?
01:19:05Miss Tasha Roberts?
01:19:06Mortimer Miller would like to speak with you privately.
01:19:07Okay, okay.
01:19:08Just concentrate on painting.
01:19:09Don't think about him.
01:19:26Who are you?
01:19:29Miss Tasha Roberts?
01:19:31Mortimer Miller would like to speak with you privately.
01:19:33at his home.
01:19:36Come here.
01:19:38Take a look.
01:19:43She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:49She's young.
01:19:50Beautiful.
01:19:52Well educated.
01:19:54I think she'll make a fine wife for my son, Ken.
01:19:57With all due respect, sir,
01:20:00I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:10Choose you.
01:20:11Better chance.
01:20:13You're no match for my son.
01:20:15Now you owe money to the Crow Group.
01:20:27I'm going to pay your debt.
01:20:29And in return you will agree to never see my son again.
01:20:41It's our decision whether we want to be together or not.
01:20:44Your son and I love each other.
01:20:46There's nothing in this world that can keep us apart.
01:20:50Natasha.
01:20:51You want us to be together?
01:20:54It's impossible.
01:20:56Father.
01:20:57This is the love of my life.
01:21:00I can't lose her again.
01:21:02I'd rather leave the family business.
01:21:05Then leave if you wish.
01:21:07But she will never have my approval.
01:21:09Ever.
01:21:10And she'll never be a part of the Miller family as long as I live.
01:21:14You'll come running back.
01:21:16Without the Miller family power.
01:21:19Money.
01:21:21You'll accomplish nothing.
01:21:24You're making a big mistake.
01:21:27Choosing this.
01:21:29Old hag.
01:21:31Instead of family.
01:21:41Ken, where are you?
01:21:43Why aren't you back yet?
01:21:48Oh, you're still awake?
01:21:50Who did this to you?
01:22:07Don't worry about me.
01:22:09I'm fine.
01:22:11It's nothing out of the ordinary.
01:22:21Hey, babe.
01:22:25Yeah, no, I'm just right outside.
01:22:30You son of a bitch.
01:22:32You make me cut my own brother's hand.
01:22:35Now you think you can betray the Miller family?
01:22:38Walk away scot-free?
01:22:40Not a fucking chance.
01:22:42This guy means nothing to the Miller family now.
01:22:45He's worthless.
01:22:47Helpless.
01:22:49Be absolutely nothing now.
01:22:51Let's make him feel the pain that my brother felt.
01:22:54My brother felt.
01:22:56Come on, boys.
01:22:57The police.
01:22:58He's fenging.
01:23:07Ah!
01:23:08Ah!
01:23:10Ah!
01:23:12Ah!
01:23:13Oh!
01:23:15Ah!
01:23:16Ah!
01:23:18Uh!
01:23:20Stop.
01:23:21Stop hitting him!
01:23:22You stupid bitch.
01:23:27Stop!
01:23:28Stop!
01:23:50Stop at once!
01:23:51You insolent fools!
01:24:01Son.
01:24:04You know how hard it is for me to admit that I made a mistake.
01:24:10But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:17Tasha.
01:24:17Tasha.
01:24:19You are the perfect woman for my son.
01:24:24Go.
01:24:25Be together.
01:24:29You approve?
01:24:31You have my blessing.
01:24:35From this day onward, you'll have nothing more to do with the legal activities of the family.
01:24:40But, you'll always be a miller.
01:24:46As will she.
01:24:48As will she.
01:24:49As will she.
01:24:50As will she.
01:24:53As will she.
01:24:54As will she.
01:24:57I'm a man.
01:24:58Get off me!
01:25:16Stop!
01:25:17You useless, impotent man-child!
01:25:20The crowd group is bankrupt!
01:25:22That hurt.
01:25:23Getting involved with you is the worst decision I could have made in my life!
01:25:26Get off! This is all your fault!
01:25:28You spent every single thing that we had!
01:25:30Now we have nothing left!
01:25:32No company, no house, no money, not even a dime!
01:25:36And it's all because of you, you greedy cow!
01:25:38Don't you-don't-
01:25:47The late Mrs. Miller was a beautiful woman, sir.
01:25:52Yes.
01:25:56Back then, my wife protected me from every danger that befell our family.
01:26:03And today, my son found the perfect woman that I said I'd do the same for him.
01:26:10He's a lucky man.
01:26:12Wow. You look so beautiful.
01:26:27No, you-you can't be here right now!
01:26:30Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:33Ken, can you promise me one thing?
01:26:37I can promise you two if you'd like.
01:26:40I'm serious.
01:26:43I want you to walk away from the family business.
01:26:49There's a city called Ostia.
01:26:51It's on the southwest side of Rome by the ocean.
01:26:54What?
01:26:56You know what I found over there?
01:26:59I found it an art teaching job.
01:27:00I had a public school.
01:27:02I would do tickets maybe in the morning.
01:27:05You're sending me away?
01:27:07No.
01:27:09I opened my own restaurant.
01:27:10It's just down the street.
01:27:11Oh, and one more thing.
01:27:15I enrolled Anna at the school they were going to be teaching at.
01:27:19I think she's going to really live it over there.
01:27:24So you really are walking away?
01:27:26Yeah.
01:27:31I got some socks.
01:27:41I this week's faisee.
01:27:43It's been a long way for me.
01:27:48I'm not finished.
01:27:49It has been a long time.
01:27:51I'll fill it out.
01:27:52It's a long way for me.
01:27:54I'm not finished with anyформ Irene.
01:27:58You never have to go?
01:28:00You know who you have been able to reach the throne of Mansfield?
01:28:01To be a great attorney, you know?
01:28:05You've made a plan.
01:28:07Want to stay asleep in the next class of your task?
01:28:08Transcription by CastingWords
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