- 13 hours ago
Engsub Shelter In The Mafia
Category
🎥
Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? Honey, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're death thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plea, but I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:00:59No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:10You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:16I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:22A word of advice for the future?
00:01:24Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:32Security! Security! We have a vagrant in the lobby, and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:54Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:58I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:04But at least you're guaranteed to be alive in 10 years. In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:11Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:22Man, what the fuck you got me here for then? Shit.
00:02:26Shit!
00:02:41Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:49Said it was, like, collateral for a loan.
00:02:52Of course, I made the call and arranged everything. My pleasure.
00:02:59You despicable trash.
00:03:01You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kinda suits you. So, enjoy.
00:03:13Go to hell.
00:03:22Miss?
00:03:23Just go away, alright? I don't need your cheap sympathy right now.
00:03:27Miss, your friend's gone. I just want to offer my cab services.
00:03:33Yeah, I'm sorry. A cab is gone. I just want to offer my cab services.
00:03:40Yeah, I'm sorry. A cab is just what I need right now.
00:03:43Alright, great. Come on board.
00:03:44Alright, great. Come on board.
00:03:45I'm sorry. I'm sorry. A cab is just what I need right now.
00:03:48Alright, great. Come on board.
00:03:49Oh, look, go get it.
00:03:50Get off the car.
00:03:51Goodbye, come on board.
00:03:55Hades, get off the car.
00:03:57Thank you guys.
00:03:58I'm sorry. I don't need your cheap sympathy right now.
00:04:01Miss? Your friend's gone.
00:04:02I just want to offer my cab services.
00:04:03Yeah, I'm sorry. A cab is just what I need right now.
00:04:06Alright, great. Come on board.
00:04:18Sorry, I... I don't have any cash right now, um...
00:04:31Give me a minute. I'll go grab some from inside.
00:04:34Here. Just proof I'm not trying to skip out on the fair.
00:04:48You have some nerve coming back here.
00:04:50I never wanted my son to marry you in the first place.
00:04:53And now that he's finally come to his senses and kicked you to the curb,
00:04:57you think that you can just waltz right back into his house?
00:05:01His house?
00:05:03My father left me this house.
00:05:06And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:14I always knew you were a nasty little hussy.
00:05:18Who the hell are you?
00:05:24This is a personal matter, so you should really mind your own business and stay outside.
00:05:28Actually, this is my boyfriend.
00:05:33So if it's a personal matter for me, it's a personal matter for him.
00:05:37Okay.
00:05:38What? You think your son's the only one capable of having secrets?
00:05:48Hey, thanks again for today.
00:05:59I know that's a weird position to put you in.
00:06:03It's all right.
00:06:03It is really nice to know that there are still good people out there that would help a total stranger.
00:06:13Have a good night.
00:06:14All right.
00:06:14You too.
00:06:14You too.
00:06:36Where's my necklace?
00:06:59Here.
00:07:01Just proof I'm not trying to skip out on the fair.
00:07:06How does a fancy broad like you find yourself in a place like this?
00:07:34Who the hell are you?
00:07:35Get out now!
00:07:37All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:45I'm calling the police!
00:07:49How about I give you a better idea?
00:07:51You and I are going to have some good old-fashioned fun tonight.
00:08:02If I ever see you around here again, you're dead!
00:08:13Get out of here!
00:08:14I'm so glad you're here.
00:08:22I'm so glad you're here.
00:08:25Where did you get this necklace?
00:08:28My father gave that to me.
00:08:34You better not be lying to me.
00:08:35I'm not lying.
00:08:36He made that with his own hands.
00:08:40It has my name on the back.
00:08:42It's really you?
00:08:44It's really you.
00:08:59Hey.
00:09:01How you feeling?
00:09:03How did...
00:09:05How did you...
00:09:07You left your bag in my car.
00:09:10How did you know where to find me?
00:09:14I have my ways.
00:09:17Hey, listen.
00:09:19I know it's none of my business.
00:09:20But it's not safe for you here.
00:09:22With everything that's happened in the last 24 hours, this is...
00:09:25all I can afford.
00:09:30Listen, I have an extra room at my place.
00:09:32Maybe you can just come stay with me.
00:09:34I have an extra room at my place.
00:09:55Welcome home.
00:09:55I really feel like my luck's starting to change.
00:10:05I mean, you've literally rescued me over and over today.
00:10:09I know what it's like.
00:10:11I've been rescued before.
00:10:13I'm sorry.
00:10:13I don't think I can make rent right away.
00:10:17But you could sell this ring and then
00:10:22you should cover me for a few months.
00:10:23At least until I'm back on my feet.
00:10:26I thought he was a really rich guy.
00:10:28Why did he get you such a small diamond?
00:10:32It's not a very good cut either.
00:10:35Okay, never mind.
00:10:37I can just...
00:10:39No, it's fine.
00:10:40I'm just saying.
00:10:42You deserve a better reign than this.
00:10:53No, babe.
00:11:11Stop.
00:11:12It's late.
00:11:12Okay?
00:11:14You're still thinking about her.
00:11:16Who, Tasha?
00:11:17Are you kidding me?
00:11:20Then why are you wearing the wedding ring?
00:11:22Did you forget what she and her father did to you?
00:11:24I will never forget what she and her father did to me.
00:11:28But that has nothing to do with you.
00:11:30So why don't you stop mouthing off about
00:11:32shit that you know nothing about
00:11:33and let me handle my own affairs.
00:11:43I will never forget what she and her father did to me.
00:12:09Mary?
00:12:09What?
00:12:17Hey, what's going on?
00:12:18My daughter's missing.
00:12:19What?
00:12:32Tasha, you shouldn't have barged in like this.
00:12:35If Carl finds out...
00:12:36No, I don't care about Carl right now, okay?
00:12:39Where's my daughter?
00:12:40Where's Anna?
00:12:41I sent her away.
00:12:44No.
00:12:46You have no right.
00:12:48Actually, as Carl's new wife and Anna's legal guardian,
00:12:52I have all the rights to do whatever I want with my stepdaughter.
00:12:58What?
00:12:59We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:07You think you're getting custody?
00:13:09Are you dreaming?
00:13:10You're dreaming.
00:13:12On one hand, we have a mother drowning in debt with no place to live.
00:13:19On the other hand, we have a wealthy and well-respected father who happens to be the CEO
00:13:26of the world-renowned pro-group.
00:13:29Who do you think the court will side with?
00:13:39Oh, what's going on?
00:13:40Oh, Carl.
00:13:42Carl, it's okay.
00:13:43Tasha was understandably upset about the situation.
00:13:45You know, I don't blame her for what happened.
00:13:48You trespass on my property, assault my wife in her own home?
00:13:53Tasha, I have put up with your outrageous behavior for years,
00:13:55but don't you dare subject Reyna to that kind of abuse.
00:13:59You don't understand.
00:14:00Reyna sent Anna away.
00:14:02She did what any good mother would.
00:14:04I want to know where my daughter is right now.
00:14:07New Zealand.
00:14:08Getting medical care from one of the best cardiology departments in the world.
00:14:12And remind me, what have you done for your daughter lately?
00:14:17Abandon her?
00:14:18To go shack up with some cab driver boyfriend?
00:14:20You idiot!
00:14:22I found those cardiologists in New Zealand.
00:14:25Scheduling those appointments was the last thing I had Reyna do when she was still my assistant.
00:14:29Tasha, Tasha, you disgust me.
00:14:31Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:36I'm going to make sure Anna stays far, far away from you,
00:14:39so there's no possibility of her ever becoming anything like you.
00:14:48You backstabbing, homewrecking bitch.
00:14:55I advise you stay far away from my daughter and I.
00:14:59By the way, the deeds still list me as the rightful owner to this house,
00:15:07so the two of you have no right to keep me from coming back here.
00:15:11Do you understand?
00:15:11Calm down.
00:15:12You can forge my signature, you can take my money, take my house,
00:15:17but you will never have a shred of the intelligence that I have.
00:15:21Tasha, you have made your point.
00:15:23I think it'll be-
00:15:23Ah!
00:15:25You deserve that too!
00:15:27You should have told me about Anna a long time ago.
00:15:32Oh, don't stop at my account.
00:15:35Please, continue.
00:15:37Miss Big Shot, don't you forget that you still owe 200 million dollars.
00:15:43And 20 millions of that is owned to me personally.
00:15:47In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:15:50you're never going to see your daughter ever again and you'll end up in debtor's prison.
00:15:57Ciao.
00:16:01Go ahead and check it out.
00:16:02But after your accountant, make sure this is all legit.
00:16:04I don't want you two jackasses counting my girl for money ever again.
00:16:07Got it?
00:16:13Oh, and by the way, we're going to go ahead and take Anna in the future too.
00:16:19Don't worry, Carl.
00:16:20I'll be a better father to her than you ever can be.
00:16:23Tasha, you'll regret this.
00:16:30Thanks again for today.
00:16:32For pretending to be my boyfriend.
00:16:42Was all that money real?
00:16:44As real as it comes.
00:16:45Where'd you get all that money?
00:16:48I robbed a couple of jewelry stores before I came to find you.
00:16:51Are you serious?
00:16:54No, I'm just joking.
00:16:55It was my dad's.
00:16:57Don't worry, it wasn't stolen or robbed or anything.
00:16:59But hey, listen.
00:17:01From now on, I want you to think of me as your creditor.
00:17:04Okay?
00:17:05I don't want you to worry about owing money to those scumbags.
00:17:08From now on, you'll just owe money to me.
00:17:11As long as you're okay with that?
00:17:13I could be okay with it.
00:17:15As long as you can satisfy one small request.
00:17:20What kind of request?
00:17:21My only request is that you just relax.
00:17:33Okay?
00:17:34I want you to take a load off.
00:17:37I want you to start by telling me a story, you know, about the last time it was when you were happy.
00:17:51You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:18:04I have nothing.
00:18:07Well, I mean, you always have me and, you know, other things.
00:18:14I can't hear you.
00:18:18You're whispering.
00:18:19I didn't tell you.
00:18:29Okay.
00:18:59You know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:05That bitch.
00:19:07Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:19:11I'm telling you, forget about the Fitz Gallery, okay?
00:19:14The people who are running it are crooks.
00:19:17But I want my paintings to be showcased in the most prestigious venue possible.
00:19:22I know, I know.
00:19:23And I said I would help you find other galleries.
00:19:26Remember?
00:19:27Just stop nagging me about it.
00:19:29Okay?
00:19:30Okay.
00:19:34You're a little angel.
00:19:35It's okay to sleep in.
00:19:56Well, this is certainly going to make things more complicated.
00:20:08So you want to pretend last night never happened?
00:20:10I thought we had a good thing going on between us.
00:20:18I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:22Yeah, but that was just something I said to make my husband jealous.
00:20:27You mean your ex-husband?
00:20:30Yeah.
00:20:31Ex.
00:20:32Yeah.
00:20:35But I mean, you and I, I...
00:20:37You know I can't start a new relationship right now.
00:20:41So everything you said last night?
00:20:46We were just caught up in the heat of the moment.
00:20:50Heat of the moment.
00:20:51So it was all just bullshit.
00:20:54Why?
00:20:54To get me into bed with you?
00:20:57Just to have a one night stand?
00:21:00Because you miss being with your damn husband?
00:21:02So everything you said last night?
00:21:21Get older yourself.
00:21:25You just got divorced.
00:21:28You're not going to play mind games with men anymore.
00:21:30I wasn't sure what you like, so I just made a little bit of everything.
00:21:41You made all this?
00:21:42Yeah.
00:21:50So what do you think?
00:21:54It's delicious.
00:22:00I mean, you deserve to have some of your awesome breakfast, too.
00:22:04But hey, you're not going to make me sit here and eat this alone, are you?
00:22:13You've got some sauce right here.
00:22:14All that for some sauce, huh?
00:22:23Are you kidding me?
00:22:30Hello?
00:22:31Mommy, I miss you so much.
00:22:34Anna.
00:22:35Mommy, I miss you so much.
00:22:36Anna, honey?
00:22:37What?
00:22:38What's going on?
00:22:38Anna...
00:22:39Okay.
00:22:43Both of your resumes look excellent.
00:22:46I have a question.
00:22:50If you spilled a glass of milk in the ocean, how would you get it back?
00:22:54What does that question have to do with our work?
00:22:57Well, I suppose you could contain the section of the ocean with the spilled milk and then
00:23:06collect that sample, add a centrifugal force, and there's probably a good chance of separation.
00:23:12So at our company, we are always trying to make the impossible possible, and for that we need
00:23:19people who can think on their feet, derive solutions, no matter how outlandish the task
00:23:28at hand may seem.
00:23:33Hello?
00:23:34Uh-huh.
00:23:41Okay.
00:23:50Congratulations, Ms. Michaels.
00:23:51Welcome to the Eastwood Corporation.
00:23:52If you don't mind me asking, why didn't I get the job?
00:24:10Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you
00:24:17start to look for work again.
00:24:18We don't want to make enemies with the Crow Group.
00:24:35So I guess you didn't get it?
00:24:39I just don't understand why Carl hates me so much.
00:24:43I mean, he doesn't want me to work for his company, but he doesn't want me to work for
00:24:46any other company either.
00:24:48Look, you don't need that corporate job anyways.
00:24:51Yeah?
00:24:52What else can I do?
00:24:55I mean, I thought you were an artist, now a painter.
00:24:58What did you know about that?
00:24:59You brought an easel.
00:25:05It's just a hobby.
00:25:07I gave it up.
00:25:08I don't paint anymore.
00:25:10Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:21I haven't painted in years.
00:25:24I'm sure it'll be just like riding a bike.
00:25:26Once you start, it'll all come back to you.
00:25:28That's my account.
00:25:35Why are they assigning it to someone else?
00:25:37Fine, fine.
00:25:38Just get me some damn answers and give me a call back soon, okay?
00:25:44Carl, this took me three months.
00:25:46I'm sorry, I just, I got some bad news at work.
00:25:50It's ruined now.
00:25:52Fine.
00:25:53Start over.
00:25:53You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:03You're a remarkable woman, Tasha.
00:26:05Okay?
00:26:06And if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:12If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:17And then you could put whatever paintings you want in them, right?
00:26:21Painting's my passion.
00:26:23What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:32Because together, we, we'd be unstoppable.
00:26:37And right now, I am drowning.
00:26:40Your dad and his partners have no faith in these.
00:26:45I need you.
00:26:47Look, you love me, don't you?
00:26:53Of course I did.
00:26:57Okay, just do this one thing for me.
00:27:01This one little thing.
00:27:03Please.
00:27:04Fly away with me, take you high, I'm sorry, to smile, it's my only dream.
00:27:25Staying out into the sea.
00:27:31Finished.
00:27:32Yep.
00:27:34That is amazing.
00:27:42I honestly never thought I'd paint again.
00:27:45Well, that would have been a shame.
00:27:46You're easily one of the most talented artists I've ever met.
00:27:48We're honored that you chose our gallery to showcase your work.
00:28:10I am curious about one thing, if you don't mind me asking.
00:28:15The subject in your paintings, your muse, is he your lover?
00:28:18Oh, no, uh, he's just a friend of mine.
00:28:26But his gaze, the way he looks out to you in these paintings, there's so much tenderness
00:28:32and affection in his eyes.
00:28:35Is Ken really in love with me?
00:28:41He's so young though, at his age he probably doesn't even know what love is.
00:28:46Oh, uh, sorry, you're in the way.
00:28:50Actually, you're in my way.
00:28:53Actually, you're in my way.
00:28:55I'm trying to get into my home.
00:28:58Is this your new girlfriend?
00:29:01I've never seen you with anyone like this before.
00:29:05Ken's my roommate.
00:29:06Now, if you'll please step aside so I can get in.
00:29:13Call me again if you need anything, okay?
00:29:15Bye.
00:29:16Hey, what are you doing home so early?
00:29:20Are they gonna showcase your work?
00:29:22Sorry if I interrupted something, but as your roommate I don't really think I need to tell
00:29:27you if I'm coming or going.
00:29:28So, if you have something private to do, just do it in your room.
00:29:31I never said you need to tell me when you're coming or going, I'm just saying.
00:29:34Fine.
00:29:35You don't need to explain.
00:29:36Just, I just want to be alone.
00:29:41What?
00:29:44I'm so sorry, sir, she just barged in without permission.
00:29:51It's okay.
00:29:52Ms. Roberts, please, grab a seat.
00:29:55We signed a contract.
00:29:57Why can't you show my paintings now?
00:29:59I'm afraid I don't have the answers you're looking for.
00:30:02If you want to know what happened, ask Karl Krohm.
00:30:06I want my paintings back.
00:30:09Right now.
00:30:11Well, they're probably somewhere in the warehouse.
00:30:15They haven't been thrown away yet.
00:30:29You've already searched the entire warehouse ten times.
00:30:43If you haven't found what you're looking for, it's not here.
00:30:46You better hope I find what I'm looking for.
00:30:48Or I'm going to make this entire gallery compensate me.
00:30:51And then I'm going to sue you.
00:30:53And you'll be the first to lose your job.
00:30:55Yeah, that's great, lady.
00:30:56Go ahead and sue.
00:30:57I'm sure things will go exactly the way you described it.
00:31:27You really care about her?
00:31:28Shh, shh, shh.
00:31:29Keep your voice down.
00:31:30She's had a long day.
00:31:31Also, you can't just come over here so casually in the future.
00:31:32Casually?
00:31:33Are you kicking me out?
00:31:34You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:31:38Look.
00:31:39You men are cold as hell.
00:31:40I think my lucky star is I'm a lesbian.
00:31:41Look.
00:31:42I just can't have her finding out about the work that we do.
00:31:43Okay?
00:31:44Are you serious about her?
00:31:45Are you serious about her?
00:31:46Yeah.
00:31:47Yeah.
00:31:48Have you thought about the consequences if your dad finds out?
00:31:49No.
00:31:50Have you thought about the consequences if your dad finds out?
00:31:51No.
00:31:52No.
00:31:53No.
00:31:54No.
00:31:55No.
00:31:56No.
00:31:57No.
00:31:58No.
00:31:59No.
00:32:00No.
00:32:01No.
00:32:02No.
00:32:03No.
00:32:04No.
00:32:05No.
00:32:06No.
00:32:20Yeah.
00:32:21No.
00:32:22You and I have been best friends for over 20 years.
00:32:24Okay?
00:32:25And my dad has taught me everything that I know.
00:32:28I think maybe it's time I just figured things out on my own.
00:32:31And you know exactly what I went through last time.
00:32:35I'm not gonna lose her again.
00:32:40Don't worry, Anna.
00:32:42Mommy's gonna find a way to bring you home soon.
00:32:51All the evidence is here.
00:32:53It's exactly what you thought.
00:32:56Let me know if you want me to find out more.
00:33:01Carl, let's meet.
00:33:22Oh, wow.
00:33:24It's not every day a famous painter comes to visit.
00:33:29To what do I owe the pleasure?
00:33:30The company I supposedly borrowed money from.
00:33:36It's a shell company owned by you.
00:33:40So what?
00:33:41All our operations are legal.
00:33:43You signed the documents.
00:33:44You borrowed the money.
00:33:46All you can do now is pay it back.
00:33:50You know, I don't think you actually want me to pay back the loans.
00:33:58You were just looking for an excuse to have me back in your life.
00:34:03You're obsessed with me.
00:34:06This is just your sick way to dominate me and make me surrender to you.
00:34:10I'm just getting even.
00:34:12For the years.
00:34:13For the years I spent in your father's shadow.
00:34:16The years of belittlement and him treating me like a clown.
00:34:19My father hired you when no one else would.
00:34:23What?
00:34:24Not my fault that your insecure petty took his support as belittling.
00:34:33I wouldn't upset me if I were you.
00:34:36Remember, I'm your creditor now.
00:34:39Two months.
00:34:41That's all I can give you to pay me back the remainder.
00:34:43180 million.
00:34:44What are you doing here?
00:34:55I was just in the neighborhood.
00:34:57Thought I'd give you a ride home.
00:35:01Hi.
00:35:03Um.
00:35:04Hey.
00:35:05Who is this?
00:35:09This is Ken's roommate.
00:35:11We're gonna be dropping them off before we head home.
00:35:15Yeah, hey listen.
00:35:16I didn't introduce you last time.
00:35:17But this is my best friend Nell and her girlfriend Maria.
00:35:25Nell and I have been nothing more than friends since we were kids.
00:35:28She's not into men.
00:35:29She never has been.
00:35:31And her and I are nothing more than just platonic friends.
00:35:34Alright?
00:35:36I'm sorry.
00:35:37I jumped to conclusions the other day.
00:35:39It's okay.
00:35:40I just didn't want you to get the wrong idea.
00:35:47Look, I...
00:35:49I appreciate it.
00:35:50I really do.
00:35:51I just...
00:35:53I still think you and I are better off just as friends.
00:35:58Just...
00:36:00Why?
00:36:06Why?
00:36:07Maybe because I'm just getting over a failed marriage.
00:36:13Because I owe an unthinkable amount of money and I have no idea how I'm gonna pay it back.
00:36:20I also have no idea how I'm gonna get my daughter back.
00:36:25And getting into a relationship with you, that's just something I can't do right now.
00:36:29Liv has brought me nothing but pain, okay?
00:36:32So just...
00:36:33Please...
00:36:34Just...
00:36:35Leave it.
00:36:36Do you have any other paintings?
00:36:37Do you have any other paintings?
00:36:53Yeah.
00:36:54I have several.
00:36:55What are you looking for?
00:36:56I would like to buy them all.
00:36:57I love your painting style.
00:36:58It is so unique.
00:36:59I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:00Thank you for your kind words about my paintings.
00:37:01But...
00:37:02I've been in some trouble lately and it's probably best if I don't involve your gallery.
00:37:03I would like to establish a long-term collaboration with you.
00:37:06None of this matters to me.
00:37:07None of this matters to me.
00:37:08I have several.
00:37:09I have several.
00:37:10What are you looking for?
00:37:11I would like to buy them all.
00:37:12I love your painting style.
00:37:13It is so unique.
00:37:14I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:19Thank you for your kind words about my paintings, but...
00:37:24I've been in some trouble lately and it's probably best if I don't involve your gallery.
00:37:30None of this matters to me.
00:37:35If someone wishes to cause me trouble, well, I just let them try.
00:37:46I mean...
00:37:48It has to be a mistake.
00:37:50Or a prank.
00:37:52Or a cruel practical joke.
00:37:55I mean, it seems pretty authentic to me.
00:37:58It has their seal and your name and address are clearly written on it, so...
00:38:04It looks authentic.
00:38:07But how would they have seen my paintings?
00:38:11I don't know.
00:38:13Maybe one of those auction sites that you've been posting your work on?
00:38:16I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:27I own a large gallery and I would love to establish a long-term collaboration.
00:38:31It's him.
00:38:33It's him.
00:38:34It's him.
00:38:35The guy who's been on my paintings.
00:38:37He must be the owner of the Fitz Gallery.
00:38:39Well, in that case, we better get going.
00:38:41Where?
00:38:42Gotta go get you a dress.
00:38:44Can't have you showing up to the Fitz Gala in rags.
00:38:51Babe?
00:38:52Which one do you like more?
00:38:54This one?
00:38:55Or this one?
00:38:56I need to be the hottest girl at the Fitz Gala.
00:39:01Everything just looks so good on you, honey.
00:39:04So, um, just pick whichever one you want.
00:39:07I gotta take a call, okay?
00:39:10Wrap this up, you twitch.
00:39:11I'll take them both.
00:39:20Wow.
00:39:21I used to buy dresses like this all the time without even thinking about the money, but...
00:39:26I can't afford something like this now.
00:39:28You know what?
00:39:31Consider it a congratulatory gift for me.
00:39:34Alright?
00:39:35And when you make it big in the art world, you can just pay me back.
00:39:40Oh, hi. Excuse me.
00:39:41Yeah, my, uh, friend would like to try on this dress.
00:39:44Oh, your friend has amazing tastes.
00:39:46This dress is actually a limited edition.
00:39:48Each one handcrafted by hand and therefore entirely unique.
00:39:51Truly a work of art.
00:39:53Well, how fitting that's gonna be worn by a very talented artist.
00:39:55I'll have someone on the team bring it out to you.
00:40:00Veronica, please bring the limited edition.
00:40:06What limited edition?
00:40:09Tasha?
00:40:11Do you really think you can afford this dress?
00:40:16You can afford this dress?
00:40:20Please.
00:40:21Reyna, I don't think you need to worry about Tasha's finances.
00:40:24Okay?
00:40:25We established that last time.
00:40:28Hey, you.
00:40:29Get over here.
00:40:31I'm gonna pay twice what it's worth.
00:40:33But I want this dress.
00:40:35Ma'am, this dress is $4,000.
00:40:37Did I ask you how much it cost?
00:40:38You pluritarian scum.
00:40:40Just shut your mouth and add it to my bill.
00:40:42She's willing to pay double.
00:40:44I'll double her offer and I'll pay $16.
00:40:47Okay, sir. Sold.
00:40:49$32,000.
00:40:51You know what?
00:40:53If she wants to dress so bad, let her have it.
00:40:56You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:00I'll show you who's a pigeon, you little bitch.
00:41:03How dare you assault me?
00:41:05Tasha, are you okay?
00:41:06What is going on here?
00:41:10What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:14I swear to God, they're all lying.
00:41:16I never touched her.
00:41:18I saw everything.
00:41:19This gentleman and his girlfriend were very nice and politely inquired about a dress and suddenly your wife appears and attacks her for no reason.
00:41:25Shut your mouth, you little lying asshole.
00:41:27You know what?
00:41:28Why don't you just call security before this crazy maniac hits somebody else?
00:41:31Wait a second, Reyna.
00:41:32What actually happened here?
00:41:34What's going on?
00:41:35Why don't you believe me?
00:41:36I told you.
00:41:37Don't just call 911.
00:41:40Are you blind?
00:41:41Oh Tasha, can you stop this bullshit?
00:41:43You know what Reyna, can you just stay away?
00:41:45Can I get someone down here?
00:41:46Room A122?
00:41:47No, no, that's not necessary.
00:41:48We are leaving right now.
00:41:49Let's go.
00:41:51Okay, you've embarrassed us both enough for one day, okay?
00:41:54Let's go.
00:41:57Wherever Reyna goes, trouble's sure to follow.
00:42:04It is nice to see a good taste of her own medicine though.
00:42:09Yeah.
00:42:10It's a shame though.
00:42:11You would've looked really great on that dress.
00:42:14Don't worry about that.
00:42:17I have a solution.
00:42:27What are you going to do with all this stuff?
00:42:30I'm going to design my own dress and wear it to the gala.
00:42:33Are you sure there's enough time?
00:42:34Have some faith in me.
00:42:36I graduated with honors in design and fine art.
00:42:40I got this.
00:42:42Alright.
00:42:43How do I look?
00:42:44How do I look?
00:43:01How do I look?
00:43:02How do I look?
00:43:05How do I look?
00:43:12What?
00:43:13Is something wrong?
00:43:15Is it too much?
00:43:16Should I change something?
00:43:18No.
00:43:19No.
00:43:20No.
00:43:21No.
00:43:22No.
00:43:23You look.
00:43:24That dress.
00:43:25That is one of the most beautiful dresses I've ever seen.
00:43:30But there's something missing.
00:43:34Should I resell the beads?
00:43:37No.
00:43:39I have a gift for you.
00:43:41Something to complete the whole look.
00:43:50Destroy harder you idiot!
00:43:51Mrs. Crow.
00:43:52I am doing everything I can.
00:43:54I don't know what more I can do.
00:43:57You're calling me fat?
00:43:58Of course not.
00:44:00You're not fat at all.
00:44:01It's the dress.
00:44:02It's not made for a woman's body.
00:44:05Just shut up and do it!
00:44:08Babe.
00:44:09Just put on another dress.
00:44:11You're gonna be late.
00:44:13I spent so much money on this dress.
00:44:15I am wearing this dress!
00:44:31I can't.
00:44:32It's...
00:44:33It's too much.
00:44:34No.
00:44:35It was made for you.
00:44:36I can't wait to see what you've brought to the auction.
00:44:38Can we have a little hint?
00:44:39Well, actually, I brought some of my very own paintings to auction tonight.
00:44:49What's wrong?
00:44:50She's Tasha Roberts.
00:44:51My husband's dreadful ex-wife.
00:44:52I'm tired of seeing her sorry face everywhere.
00:44:53You know, she's also a horrible ex-wife.
00:44:54I can't wait to see what you've brought to the auction.
00:44:55I can't wait to see what you've brought to the auction.
00:44:56Can we have a little hint?
00:44:57Well, actually, I brought some of my very own paintings to auction tonight.
00:45:02What's wrong?
00:45:03She's Tasha Roberts, my husband's dreadful ex-wife.
00:45:12I'm tired of seeing her sorry face everywhere.
00:45:16You know, she's also a horrible person.
00:45:20If it isn't everyone's favorite white collar criminal turned homeless vagrant, Tasha Roberts.
00:45:28So, the other day, when you were trying to buy this dress with that working-class thug boyfriend of yours,
00:45:35you were trying to come here?
00:45:37Are you sure you were even invited?
00:45:43I'm sorry, are you working the security details?
00:45:46Do I need to show you my invitation?
00:45:48Honey, I'm just trying to look out for you, okay?
00:45:51I want to spare you the embarrassment of being kicked out when everybody finds out that you were not invited.
00:45:58You mean like how you were kicked out of the mall?
00:46:00I see.
00:46:01You still quite don't understand your place in the world.
00:46:05You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:10But don't worry.
00:46:12I'll help you figure it all out.
00:46:16What's wrong with you?
00:46:17You can't just see people are walking through.
00:46:20Reena, this time you've gone too far!
00:46:22Stop shouting, you dreadful O.
00:46:24These were supposed to be auctioned tonight!
00:46:26Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:33Now you can go and cry to your fairy gut mother.
00:46:37Loser.
00:46:39Oh, I think the auction's starting.
00:46:42Well, I'll see you there.
00:46:43Toodles!
00:46:44For our first auction item, I'd like to welcome Ms. Reena Crowe to the stage with her collection of original paintings.
00:46:59As you can see, Ms. Reena Crowe's style is very unconventional.
00:47:19Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost playful quality about them,
00:47:29as depicted here through the bold use of a duck as a central figure.
00:47:34It's a dog.
00:47:35What?
00:47:36It's a dog, not a duck, you buffoon!
00:47:38Oh yes, of course!
00:47:40A dog!
00:47:42Seen through a very unique prism.
00:47:45Portrayed as only an artist of Reena's caliber could possibly portray it.
00:47:50Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:47:55The starting price will be $50,000.
00:47:58Do I hear $50,000?
00:47:59$50,000?
00:48:01Anyone?
00:48:03$50,000!
00:48:04Do I hear $60,000?
00:48:08Anyone?
00:48:09$50,000 going once, $50,000 going twice.
00:48:14Sold!
00:48:15Sold for $50,000!
00:48:22And now we'll invite our second artist for the evening, Ms. Tasha Roberts,
00:48:26who will also be presenting a series of paintings.
00:48:38Ms. Tasha Roberts, where are your paintings?
00:48:41I don't have my paintings tonight, but I will be auctioning off this dress.
00:48:56Oh!
00:48:59Wow!
00:49:01It's beautiful!
00:49:03Stupendous!
00:49:04I've never seen a dress so beautiful!
00:49:10Oh, stupendous!
00:49:11I've never seen a dress so beautiful!
00:49:14A stunning work of art, indeed.
00:49:17There's no need for me to say another word about this masterpiece.
00:49:19Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.
00:49:24Let's start the bidding at $50,000.
00:49:27$55,000!
00:49:28$75,000!
00:49:30$90,000!
00:49:31$100,000!
00:49:33$150,000!
00:49:35$250,000!
00:49:37$250,000 going once, $250,000 going twice.
00:49:44Sold!
00:49:45This beautiful dress was sold for $250,000!
00:49:48Is that the heart of some necklace that sold for $200 million a few months ago in a bid now?
00:50:01Impossible.
00:50:02How can that lowly peasant possibly afford it?
00:50:05It must be a fake.
00:50:06Thank you so much for your bid, Ms. Winslow.
00:50:11I'm gonna design a few custom pieces in your size and design them to your elegance and style.
00:50:19Have you ever considered creating your own clothing brand?
00:50:23I mean, your creations are so extraordinary.
00:50:27You should really share your talent with the rest of the world.
00:50:30Thank you. I never considered it, but I certainly will now.
00:50:35Hi.
00:50:36I'd be careful if I were you.
00:50:38I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:50:45What are you talking about right now?
00:50:47This woman is a phony and a con artist.
00:50:50For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:50:56And let me make it clear.
00:50:58For everybody that wants to do business with this woman,
00:51:01they won't be allowed to do business with the Crowe Group.
00:51:05Is that so?
00:51:09Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts
00:51:13because of the baseless rumors and lies being spread by Ms. Raina Crowe,
00:51:17you will no longer be welcomed back to the Fitz Gallery.
00:51:21That's the curator of the Fitz Gallery.
00:51:23Not just the curator, he's also the director of the Fitz Foundation.
00:51:31The curator?
00:51:32Is he the man who bought my paintings?
00:51:35Why does he seem so familiar?
00:51:40Ms. Tasha Roberts is my guest of honor tonight.
00:51:42Alright, I invited her personally.
00:51:44So if anybody treats her with the slightest bit of disrespect,
00:51:47they'll be asked to leave and never again invited back to the Fitz Gallery.
00:51:50As the director of this esteemed organization, am I interested to know that your guest of honor is wearing a cheap replica of a priceless work of art.
00:52:01She is not to be trusted.
00:52:03I'm assuming you mean her diamonds.
00:52:06What evidence do you have to prove that it's not real?
00:52:08Well, the real heart of the sun has the initials of the craft man engraved in the joint between the gemstone and the pendant.
00:52:17So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?
00:52:25This was just given to me by a friend. I never claimed it was the real heart of the sun.
00:52:32I don't want to embarrass him by having people pour over it for imperfections.
00:52:37So it's a forgery. You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:44Miss Roberts. You're so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:54Miss Roberts, you have nothing to fear from this woman. Just show her the necklace.
00:52:59And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.
00:53:04And the question has to be asked whether it is the true heart of the sun.
00:53:09See, just like... What? How is this possible?
00:53:28I do say, this engraving looks entirely authentic to me. This is indeed the one and only heart of the sun.
00:53:37Well, that settles it then. This necklace is authentic.
00:53:40From now on, no one will be permitted to question or harass my guest of honor.
00:53:45Now, if everyone is satisfied, can we please get back to tonight's festivities?
00:53:58Ken, you have a lot of explaining to do.
00:54:02Okay, what's wrong?
00:54:04I can't accept this necklace. And I can't give you what you want.
00:54:09Do you even know what I want?
00:54:11I don't want to know. We can just be friends, nothing more.
00:54:16Tasha, you're just afraid. You're just afraid of going after what your heart truly desires.
00:54:21And I just think you're afraid of just being true to yourself.
00:54:26You're the last person that should be lecturing anybody on the truth.
00:54:33Who are you?
00:54:35What do you do? Is this even your house? I mean...
00:54:39How do you own a necklace that's 200 million dollars?
00:54:45I just...
00:54:46See, you... you don't even respect me enough to tell me the truth.
00:54:51What, you... you expect me to jump into a relationship with you?
00:54:56You could be a total stranger.
00:54:59I have no idea who you are.
00:55:02Tasha, I want to tell you. I do. But...
00:55:06I just can't right now.
00:55:08Alright? Like, maybe in the future when we can sit down and...
00:55:11Ken, there is no future for us.
00:55:14Not if you can't tell me one thing about yourself that isn't a lie.
00:55:19When you find someone that you really love and trust,
00:55:23you let them in.
00:55:30But that person won't be me.
00:55:41Are you okay?
00:55:48Director Fitz, I had a wonderful time at the gala.
00:55:54Thank you for supporting me and standing up for me.
00:55:58I wasn't bothered by the way the other guests treated me.
00:56:01I've endured far worse.
00:56:04Lovely. I'm glad to hear it.
00:56:05I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:15Think of it as a sort of artist's residency.
00:56:18Would you be interested in such an opportunity?
00:56:28This dress is every bit as exquisite as I expected it to be.
00:56:32Thank you, my dear.
00:56:35You're very welcome.
00:56:37Have you given any more thought to my proposal?
00:56:40If you wish to start a clothing brand,
00:56:43I would be more than happy to invest whatever you require to get started.
00:56:48It's a very gracious offer, but...
00:56:51I just... I have to ask.
00:56:52I mean, there are so many other talented designers.
00:56:55Why do you have such faith in my abilities?
00:56:58It's not just me, you know.
00:56:59The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:06And everyone in attendance was certain that the only reason he chose to make an appearance was because of you.
00:57:13His guest of honor.
00:57:17That was his first appearance ever?
00:57:19Indeed.
00:57:20His very first and only time to appear in the flesh.
00:57:24Before this, he was a figure of myth and mystery.
00:57:28Many people doubted he existed at all.
00:57:31But all because of you, he chose to grace us with his presence last night.
00:57:37Seems like a marvelous young man, don't you think?
00:57:40He certainly had a charm about him.
00:57:43Oh, undoubtedly.
00:57:45You know, many people flock to the Fitz Gallery for more than just the art.
00:57:50They want to learn all about the enigmatic young curator.
00:57:54Really? I mean, what's so interesting about him?
00:57:57Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections to become the top venue for fine art in just two years?
00:58:10I mean, I heard rumors, something about foul play, but I always just assumed they were baseless.
00:58:16Those rumors have quite a bit of truth to them.
00:58:20Seems like the Miller crime family is actually behind the Fitz Foundation.
00:58:26The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:35He seems like such a gentleman. I just, I find it hard to believe that he ever was involved in something so sordid.
00:58:41You must never judge a Brooklyn's cover, my dear girl.
00:58:46Even people close to us may be harboring many secrets.
00:58:51We never really know what's going on inside.
00:58:54You got that right. I learned that lesson the hard way.
00:58:58Let me be frank. I have tremendous faith in you.
00:59:03Thank you, Mr. Winslow, but I think it's dear.
00:59:06All my friends call me Laura.
00:59:08This is a good shack.
00:59:12For five million dollars.
00:59:14It should help you get your clothing brand started.
00:59:19Shall we become business partners in addition to being friends?
00:59:22Director Fitz, I'd like to work with you.
00:59:39It would be my honor, Miss Tasha Roberts.
00:59:42Song Song
00:59:45Fly away with me
00:59:48Take you high, soaring
00:59:52See you smile, it's my only dream
00:59:59Staring out into the sea
01:00:03Waves come crashing up to me
01:00:06up to me. My toes slip into the sand, dream that I'm with you. Staring up into the sea, waves come crashing up to me. My toes slip into the sand, dream that I'm with you.
01:00:36Congratulations, Miss Roberts. We expect a huge success from your art exhibition. Thank you. Thank you.
01:00:50You're looking at her. You're obsessed with her. Didn't she humiliate me enough the other night at the gala?
01:01:09Oh, no. Now I have to watch my husband stare at her picture. Well, maybe if you didn't give her the opportunity to humiliate you.
01:01:19So it's my fault now? Oh, wait, let me guess. Maybe it's my fault, too, why the two of you broke up.
01:01:23Okay. Raina, I've been thinking. I don't think this is working. I want a divorce.
01:01:32You used me to push Tasha out of your company, take her property, and now you cast me aside like what, a used piece of garbage?
01:01:44I won't allow this. Mark my words, Karl Kroh. You will regret this.
01:01:51I'm spending too much time around Ken. He's dominating all my thoughts. I have to distance myself from him for my own sanity.
01:02:12I know you're lonely, but this song will last me down.
01:02:24As if nothing can do to get you to stay.
01:02:30I'm sorry, but no.
01:02:35You and I, our relationship, we'll just keep going in circles.
01:02:42But thank you for everything you've done for me.
01:02:46I have a little bit of money now, so you should be able to pay off your loan soon.
01:02:50And long talks, an awkward silence, wait nights, walking through the garden, running, with your hand in mine.
01:03:09And some...
01:03:10This is what happens when you steal from the billers.
01:03:24Please, let me go.
01:03:29I promise you'll never see me again.
01:03:31I got here.
01:03:38I'm ready to see where you are.
01:03:41Boss!
01:03:43I found this one peeking around the corner.
01:03:45Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:03:54Don't worry, boss.
01:03:55I got a knife with her name on it.
01:03:57We can dump her body with the other guy.
01:03:58No, let her go
01:04:04What? Didn't you hear what I said?
01:04:07She's seen everything
01:04:07Let her go before I rip off your fucking arms
01:04:10and throw them in the river
01:04:11Walk away
01:04:21This doesn't mean anything to you
01:04:22Is this what you couldn't tell me about?
01:04:26Boss, you know this woman?
01:04:28You're gonna kill him
01:04:31Call the police then
01:04:33See if they can save his life
01:04:34No, don't call the police
01:04:36You stupid bitch
01:04:37My world is more cruel than you can possibly imagine
01:04:41Since you didn't want to get involved
01:04:43Just walk away
01:04:58Hey, babe
01:05:07What do you want for breakfast?
01:05:09My world is more cruel than you can possibly imagine
01:05:24My world is more cruel than you can possibly imagine
01:05:34Since you didn't want to get involved
01:05:36Just walk away
01:05:38I never imagined that Ken could be such a dangerous and violent man
01:05:43There must be something or someone forcing him to do all of this
01:05:46Even people close to us may be harboring many secrets
01:05:52We never really know what's going on inside
01:05:55Forget it
01:05:57This has nothing to do with me
01:05:59I decided to leave Ken
01:06:00So I have to do my best not to look back
01:06:03Tasha, let's talk
01:06:19Your pro-magnet boyfriend
01:06:27Is he not joining us?
01:06:30It's all over
01:06:31I'm not with him anymore
01:06:32Where's Reyna?
01:06:35Reyna was a mistake
01:06:37That's all over too
01:06:39Tasha
01:06:41I want you back
01:06:45I can't stop thinking about us
01:06:49You were right
01:06:50You belong in my life
01:06:52So if you just sign those documents
01:06:57Then you can come back to me
01:06:59Come back to the house
01:07:01We can carry on like none of this ever happened
01:07:03I can give you your old job back
01:07:06That'll be fun
01:07:07Working together again
01:07:08And then all that debt you owe me will be wiped clean
01:07:10You, uh, need a pet?
01:07:18You think I'd get back with you after everything you put me through?
01:07:22Here is
01:07:26A hundred million dollars
01:07:29I'll pay the rest on time
01:07:31And
01:07:32For your agreement
01:07:34Take these documents
01:07:40And
01:07:41Shove them right up your ass
01:07:44You disgust me, Carl
01:07:47You should think about Anna
01:07:49Do you really want her growing up without a mother?
01:07:53With all her health problems
01:07:54She could really use your support
01:07:55Don't you dare talk about Anna
01:07:57She'll be with me soon
01:07:59Then I'll never let her out of my sight again
01:08:01She needs her mother and her father
01:08:03Not a father like you she doesn't
01:08:05She'd be better off with no father at all
01:08:07I'm sorry, am I interrupting?
01:08:19Are you texting a new boyfriend already?
01:08:22Can it wait?
01:08:24I'm not done talking here
01:08:27You're pathetic, Carl
01:08:29Hey, Tasha
01:08:31Ta-
01:08:32Tasha
01:08:34Hey, Tasha
01:08:37Tasha, come back
01:08:40Where are you going?
01:08:41This place is disgusting
01:08:42Ta-
01:08:43Come on, Tasha
01:08:44Don't you remember the happy times?
01:08:46Come on, we can have that again
01:08:48Think of Anna
01:08:49Think of me, please
01:08:50I la-
01:08:51Hey, hey, hey
01:08:52Hey
01:08:53Sorry, folks
01:09:11It's the end of the line for you
01:09:15No hard feelings
01:09:18But
01:09:20We gotta do what the people who pay us tell us to do
01:09:23Who's paying you?
01:09:24Hm
01:09:25I'll give you a hint
01:09:27A very beautiful woman paid us a small fortune to make sure you two would
01:09:32Make sure you two don't make it
01:09:35Raina
01:09:37That fucking bitch
01:09:38Do you know who I am?
01:09:41I'm Carl Crow
01:09:42The CEO of the Crow Group
01:09:45What if she's paying you?
01:09:47I'll pay double, okay?
01:09:48Yeah
01:09:48I'll pay me double
01:09:49I guess you haven't heard the news, buddy
01:09:51See, I don't think you have the means to outbid your pretty little friend
01:09:56Oh, that back-stepping slut
01:10:01Please, pick up the phone
01:10:04You trying to phone a friend?
01:10:07That's a big no-no, sweetheart
01:10:08That's breaking the rules
01:10:10Sweetie
01:10:14Don't waste the little time you have left trying to call for help
01:10:18It won't do you any good
01:10:20No one
01:10:22They're gonna help you now
01:10:25Three hours, where's Tasha?
01:10:30Hey, Nell
01:10:32Hey, listen, I need you to do me a favor
01:10:34Yeah, I need you to pull out the city surveillance system in the area
01:10:38And find all the footage
01:10:40Yeah, no, something's wrong
01:10:42What are you doing?
01:10:55Well, you have to get out of here
01:10:57You should just go
01:11:09Save yourself, leave me
01:11:12It's what I deserve
01:11:14I'm not gonna leave you
01:11:18I'm not that type of person
01:11:21Come on, let's go
01:11:28Come down here
01:11:31Wait until they come in
01:11:33Hey, Tasha
01:11:39I'm so sorry
01:11:43Now's not the time for that
01:11:48All in
01:12:13Looks like we got ourselves a suicidal prick here, fellas
01:12:17I can't think of any other reason why somebody would kick in a door
01:12:20That's got Vincent Santorelli on the other side of it
01:12:23Oh, shit
01:12:26Boss
01:12:28I didn't realize it was you
01:12:31These your guys?
01:12:36Where the fuck are they?
01:12:38You better find them
01:12:39Quick
01:12:40Now it's your turn
01:12:56Pretty little thing like you
01:13:18I was gonna make it painless
01:13:19But I guess you didn't want that
01:13:21All the same
01:13:22Hey, who's this fucking monkey?
01:13:26Lower your fucking gun
01:13:27Vinny, what the fuck is going on?
01:13:29You fucking down
01:13:30Yo, lower your fucking gun
01:13:31Are you
01:13:32Are you Ken Miller?
01:13:35How can that be?
01:13:36What the fuck is going on?
01:13:38Ken Miller
01:13:39The one and the same
01:13:42Miller crime family
01:13:44That monopolizes all the underground trade
01:13:46In all of North America
01:13:48It's you
01:13:51You know what you have to do
01:13:59Boss
01:14:02Please
01:14:03He's my brother
01:14:05Rules are rules
01:14:08I was pushing you away as Ken
01:14:24And
01:14:24Growing closer to you as Fitz
01:14:27I'm sorry Tasha
01:14:31But
01:14:32There's just nothing I can do
01:14:34That will make you happy
01:14:36And I just
01:14:38I just can't win over your heart
01:14:39Is Ken Miller always this loving with
01:14:47The hostages he rescues
01:14:49Or is
01:14:50It's just special treatment
01:14:51Reserved for his lovers
01:14:52Tasha, I love you
01:14:56My heart has belonged to you
01:14:58And only you
01:14:59For the past 15 years
01:15:0115 years?
01:15:08No, we just met a few months ago
01:15:09We met 15 years ago
01:15:13You went to Marr Middle School
01:15:18Yeah
01:15:20And you saved my life there
01:15:26Stand up, chicken
01:15:31And hit us back
01:15:32Isn't that what your dad does for a living?
01:15:35Beat people up?
01:15:37I'm not my dad
01:15:38You and your father are both scum
01:15:41Let's teach this little and thug a lesson
01:15:43Yeah, idiot
01:15:44Get up and show us what you got
01:15:46Hey
01:15:48Hey, hey, hey, hey, hey
01:15:52Stop
01:15:52That's enough, that's enough
01:15:53It's none of your business, Robert
01:15:55Get out of here, Robert
01:15:56Hey, stop, go home
01:15:58I'll call your parents, go
01:15:58Oh, crap
01:15:59I'm so scared
01:16:07Ever since I saw you that night in the cab
01:16:14With that necklace on
01:16:15I just, I knew I found you
01:16:18Look, this isn't just some feeling
01:16:22For me, okay
01:16:24This is, this is everything to me
01:16:26Like, you are everything to me
01:16:29No matter what happens between us
01:16:31I will always care about you
01:16:34And maybe one day we can
01:16:38Make it work in a different way
01:16:41I just need some time to process this
01:16:57Okay
01:17:00And after that
01:17:02Maybe we can pick up where we left off
01:17:06That first night you spent here
01:17:07Maybe
01:17:10I play your cards, right?
01:17:28Does everything look good to you, my artist?
01:17:29Yeah
01:17:32Thanks for everything
01:17:34That doesn't sound very convincing
01:17:37Is there anything you want to change?
01:17:39No
01:17:39I just, I never got around to asking
01:17:42Why you wanted to start an art gallery in the first place
01:17:45Honestly?
01:17:47Just to get to you
01:17:48See, I thought if I own the world's greatest art museum
01:17:51That one day you might find your way in here
01:17:53And, I don't know, that I might find you
01:17:55But let me see
01:17:56You're welcome
01:17:56And, I don't know what I need
01:18:01I have a few instances
01:18:04Where you are
01:18:05Who areing for you
01:18:06Your identity
01:18:07And, I don't know
01:18:09What you are
01:18:09I know
01:18:10What about you
01:18:19I know
01:18:19What you can do
01:18:20You have nothing
01:18:21What?
01:18:25I want to see what kind of woman this is that has ensnared my son.
01:18:36I doubt she's worthy of joining a Miller family.
01:18:40As you wish, sir, I will make the arrangements.
01:18:46Honestly, just to get to you.
01:18:49See, I thought if I owned the world's greatest art museum that one day you might find your way in here.
01:18:53And I don't know, that I might find you.
01:18:57Okay, okay.
01:18:59Just concentrate on painting.
01:19:01Don't think about him.
01:19:19Who are you?
01:19:22Miss Tasha Roberts.
01:19:24Mordover Miller would like to speak with you privately at his home.
01:19:29Come here.
01:19:31Take a look.
01:19:36She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:42She's young, beautiful, well-educated.
01:19:47I think she'll make a fine wife for my son, Ken.
01:19:50With all due respect, sir.
01:19:56I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:19:59Choose you.
01:20:04Not a chance.
01:20:06You're no match for my son.
01:20:08Now, you owe money to the Crow Group.
01:20:17I'm going to pay your debt.
01:20:22And in return, you will agree to never see my son again.
01:20:31It's our decision whether we want to be together or not.
01:20:36Your son and I love each other.
01:20:38There's nothing in this world that can keep us apart.
01:20:42Tasha, do you want us to be together?
01:20:47It's impossible.
01:20:49Father.
01:20:49I forbid it.
01:20:51Father, this is the love of my life.
01:20:53I can't lose her again.
01:20:54I'd rather leave the family business.
01:20:58Then leave if you wish.
01:21:00But she will never have my approval, ever.
01:21:03And she'll never be a part of the Miller family as long as I live.
01:21:07You'll come running back.
01:21:09Without the Miller family power, money,
01:21:14you'll accomplish nothing.
01:21:16You're making a big mistake.
01:21:20Choosing this old hand instead of family.
01:21:34Ken, where are you?
01:21:36Why aren't you back yet?
01:21:41Oh, you're still awake?
01:21:46Who did this to you?
01:22:01Don't worry about me.
01:22:02I'm fine.
01:22:03There's nothing out of the ordinary.
01:22:16Hey, babe.
01:22:18Yeah, no, I'm just right outside.
01:22:23You son of a bitch.
01:22:25You're making me cut my own brother's hand.
01:22:28Now you think you can betray the Miller family,
01:22:31walk away scot-free?
01:22:33Not a fucking chance.
01:22:36This guy means nothing to the Miller family now.
01:22:39He's worthless.
01:22:41Helpless.
01:22:42He's absolutely nothing now.
01:22:44Let's make him feel the pain
01:22:46that my brother felt.
01:22:49Come on, boys.
01:22:50Stop.
01:23:14Stop hurting him!
01:23:17Stupid bitch.
01:23:18Stop!
01:23:20Stop!
01:23:42Stop at once,
01:23:44you insolent fools!
01:23:45Stop!
01:23:48Stop!
01:23:53Son,
01:23:54you know how hard it is for me to admit
01:23:59that I made a mistake?
01:24:03But today the two of you have proved me wrong
01:24:06beyond a shadow of a doubt.
01:24:09Tasha,
01:24:10you are the perfect woman for my son.
01:24:14Go.
01:24:14Go.
01:24:15Be together.
01:24:16You approve?
01:24:17You have my blessing.
01:24:21From this day onward,
01:24:23you have nothing more to do with the legal activities of the family.
01:24:27But,
01:24:27you'll always be a miller.
01:24:28You'll always be a miller.
01:24:39Yes, will she.
01:24:40You'll always be a miller.
01:24:41Yes, will she.
01:24:42Get off me!
01:24:55You...
01:24:55Stop!
01:25:05Get off me!
01:25:07You useless, impotent man-child!
01:25:11The crowd group is bankrupt!
01:25:13Getting involved with you is the worst decision I could have made in my life!
01:25:17Get off! This is all your fault!
01:25:19You spent every single thing that we had!
01:25:21Now we have nothing left!
01:25:23No company, no house, no money, not even a dime!
01:25:27And it's all because of you, you greedy cow!
01:25:29Don't you? Don't!
01:25:31Hey, hey, hey!
01:25:33The late Mrs. Miller was a beautiful woman, sir.
01:25:41Yes.
01:25:45Back then, my wife protected me from every danger that befell our family.
01:25:53And today, my son found the perfect woman that I said I'd do the same for him.
01:26:01He's a lucky man.
01:26:03He's a lucky man.
01:26:17Wow, you look so beautiful.
01:26:19No, you can't be here right now!
01:26:21Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:25Kim, can you promise me one thing?
01:26:29I can promise you two if you'd like.
01:26:31I'm serious.
01:26:33I want you to walk away from the family business.
01:26:39There's a city called Ostia.
01:26:43It's on the southwest side of Rome by the ocean.
01:26:45What?
01:26:47You know what I found over there?
01:26:49I found you an art teaching job out of public school.
01:26:53I would do tickets, maybe even in the morning.
01:26:57You're sending me away?
01:26:59No.
01:27:01I opened my own restaurant.
01:27:03It's just down the street.
01:27:05Oh, one more thing.
01:27:07I enrolled Anna at the school they're going to be teaching at.
01:27:11I think she's going to really live it over there.
01:27:13So you really are walking away?
01:27:17Yeah.
01:27:23You got some socks.
01:27:47That I'm sorry I got you.
01:27:48There's some socks that you wear?
01:27:49That I do get with that.
01:27:50I'm just laying there together.
01:27:51I'm looking for their own Louisiana means,
01:27:52You're looking for your own plenty.
01:27:53You're looking for your own plenty.
01:27:54While I already handling it at times,
01:27:55while you're now looking for your own memory .
01:27:57The other people get so inflammation is wearingatura.
01:27:58You're looking for your breath,
01:27:59Any better ways for you.
01:28:00You're looking for hoş studentations,
01:28:02Häuser,
01:28:15The other people get so難しい.
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