- 3 hours ago
Shelter In The Mafia
Category
🎥
Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:23What the hell is going on?
00:00:26Do you really think you're that thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce paper sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that, you plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:00:59No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company, are you?
00:01:11You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:17I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years.
00:02:07In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:22Man, what the fuck you got me here for then? Shit.
00:02:41Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:48Ugh. Said it was, like, collateral for a loan.
00:02:53Of course, I made the call and arranged everything.
00:02:57My pleasure.
00:02:59You despicable trash.
00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kinda suits you.
00:03:11So, enjoy.
00:03:14Go to hell.
00:03:18Ms...?
00:03:20Oh, yeah.
00:03:22I'm so sorry.
00:03:24I'm so sorry.
00:03:26I'm so sorry.
00:03:28Miss?
00:03:48Just go away, all right?
00:03:50I don't need your cheap sympathy right now.
00:03:52Miss, your friend's gone.
00:03:54I just want to offer my cab services.
00:03:58Yeah, I'm sorry.
00:04:01A cab is just what I need right now.
00:04:05All right, great.
00:04:05Come on board.
00:04:28Sorry, I don't have any cash right now.
00:04:31Um...
00:04:32Give me a minute.
00:04:33I'll go grab some from inside.
00:04:34Here.
00:04:36Just proof I'm not trying to skip out on the fair.
00:04:38You have some nerve coming back here.
00:04:51I never wanted my son to marry you in the first place.
00:04:54And now that he's finally come to his senses and kicked you to the curb,
00:04:58you think that you can just waltz right back into his house?
00:05:02His house?
00:05:03My father left me this house.
00:05:07And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:15I always knew you were a nasty little hussy.
00:05:17Who the hell are you?
00:05:25This is a personal matter, so you should really mind your own business and stay outside.
00:05:29Actually, this is my boyfriend.
00:05:33So if it's a personal matter for me, it's a personal matter for him.
00:05:38Okay.
00:05:38What?
00:05:40You think your son's the only one capable of having secrets?
00:05:57Hey, thanks again for today.
00:06:00I know that's a weird position to put you in.
00:06:04It's all right.
00:06:04It is really nice to know that there are still good people out there that would help a total stranger.
00:06:14Have a good night.
00:06:15All right, you too.
00:06:34Where's my necklace?
00:06:59Here, just proof I'm not trying to skip out on the fair.
00:07:05There's a fancy broad like you find yourself in a place like this.
00:07:35Who the hell are you?
00:07:37Get out now!
00:07:38All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:47I'm calling the police!
00:07:50How about I give you a better idea?
00:07:52You and I are going to have some good old-fashioned fun tonight.
00:08:13If I ever see you around here again, you're dead!
00:08:15Get out of here!
00:08:16Get out of here!
00:08:18Hey.
00:08:21Oh, I'm so glad you're here.
00:08:26Where did you get this necklace?
00:08:29My father gave that to me.
00:08:36You better not be lying to me.
00:08:37He made that with his own hands.
00:08:43It has my name on the back.
00:08:48It's really you?
00:09:00Hey.
00:09:03How are you feeling?
00:09:04How did...
00:09:08How did you...
00:09:09You left your bag in my car.
00:09:12How did you know where to find me?
00:09:16I have my ways.
00:09:19Hey, listen.
00:09:21I know it's none of my business, but it's not safe for you here.
00:09:24With everything that's happened in the last 24 hours, this is...
00:09:28all I can afford.
00:09:29Listen, I have an extra room at my place.
00:09:34Maybe you can just come stay with me.
00:09:57Welcome home.
00:09:58I really feel like my luck's starting to change.
00:10:07I mean, you've literally rescued me over and over today.
00:10:11I know what it's like.
00:10:13I've been rescued before.
00:10:15Um, I'm sorry.
00:10:16I...
00:10:16I don't think I can make rent right away, but, um...
00:10:21You can sell this ring, and then...
00:10:24You should cover me for a few months.
00:10:26At least until I'm back at my feet.
00:10:27I thought he was a really rich guy.
00:10:30Why did he choose such a small diamond?
00:10:34It's not a very good cut, either.
00:10:37Okay.
00:10:38Never mind.
00:10:39I...
00:10:39can just...
00:10:41No, it's fine.
00:10:42I'm just saying.
00:10:44You deserve a better reign than this.
00:10:46No, babe.
00:11:01Stop.
00:11:02It's late.
00:11:04No, babe.
00:11:13Stop.
00:11:14It's late.
00:11:15Okay?
00:11:16You're still thinking about her.
00:11:19Who?
00:11:19Tasha?
00:11:20Are you kidding me?
00:11:21Then why are you wearing the wedding ring?
00:11:24Did you forget what she and her father did to you?
00:11:26I will never forget what she and her father did to me.
00:11:30But that has nothing to do with you.
00:11:32So why don't you stop mouthing off about shit that you know nothing about,
00:11:36and let me handle my own affairs.
00:11:37Let me handle my own affairs.
00:12:07Mary?
00:12:15What?
00:12:19Hey, what's going on?
00:12:21My daughter's missing.
00:12:22What?
00:12:22Tasha, you shouldn't have barged in like this.
00:12:38If Carl finds out...
00:12:39No, I don't care about Carl right now, okay?
00:12:41Where's my daughter?
00:12:42Where's Anna?
00:12:43Yeah, I sent her away.
00:12:46No.
00:12:48You have no right.
00:12:50Actually, as Carl's new wife and Anna's legal guardian,
00:12:55I have all the rights to do whatever I want with my stepdaughter.
00:12:59What?
00:13:04We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:10You think you're getting custody?
00:13:12Stai sognando.
00:13:14On one hand, we have a mother drowning in death with no place to live.
00:13:22On the other hand, we have a wealthy and well-respected father
00:13:27who happens to be the CEO of the world-renowned pro-group.
00:13:31Who do you think the court will side with?
00:13:40Oh!
00:13:42Oh!
00:13:42What's going on?
00:13:43Oh, Carl!
00:13:45Carl, it's okay.
00:13:46Tasha was understandably upset about the situation.
00:13:49You know, I don't blame her for what happened.
00:13:51You trespass on my property?
00:13:53Assault my wife in her own home?
00:13:56Tasha, I have put up with your outrageous behavior for years,
00:13:58but don't you dare subject Raina to that kind of abuse.
00:14:02You don't understand.
00:14:03Raina sent Anna away.
00:14:05She did what any good mother would.
00:14:07I want to know where my daughter is right now.
00:14:10New Zealand.
00:14:11Getting medical care from one of the best cardiology departments in the world.
00:14:16And remind me,
00:14:17what have you done for your daughter lately?
00:14:20Abandon her?
00:14:21To go shack up with some cab driver boyfriend?
00:14:23You idiot!
00:14:25I found those cardiologists in New Zealand.
00:14:27Scheduling those appointments was the last thing I had Raina do
00:14:31when she was still my assistant!
00:14:32Tasha, Tasha, you disgust me.
00:14:35Trying to take credit for this wonderful woman's kind gesture
00:14:38to your own sick daughter.
00:14:40I'm going to make sure Anna stays far, far away from you
00:14:42so there's no possibility of her ever becoming anything like you.
00:14:46You backstabbing, homewrecking bitch!
00:14:58I advise you stay far away from my daughter and I.
00:15:05By the way,
00:15:08the deed still lists me as the rightful owner to this house.
00:15:10So the two of you have no right to keep me from coming back here.
00:15:14Do you understand?
00:15:15Calm down.
00:15:15Ah!
00:15:16You can forge my signature.
00:15:18You can take my money.
00:15:20Take my house.
00:15:20But you will never have a shred of the intelligence that I have.
00:15:25Tasha, you have made your point.
00:15:26I think it would be...
00:15:27Ah!
00:15:28You deserve that too!
00:15:30You should have told me about Anna a long time ago!
00:15:32Oh, don't stop at my account.
00:15:39Please, continue.
00:15:41Miss Big Shot,
00:15:42don't you forget that you still owe 200 million dollars.
00:15:46And 20 millions of that is owned to me, personally.
00:15:50In fact, I'm going to call my lawyer and see to it
00:15:52that if you don't pay right away,
00:15:54you're never going to see your daughter ever again
00:15:57and you'll end up in debtor's prison.
00:16:00Ciao.
00:16:01Ciao.
00:16:02Go ahead and check it out.
00:16:06But after your accounts,
00:16:07then make sure this is all legit.
00:16:08I don't want you two jackasses
00:16:10hunting my girl for money ever again.
00:16:11Got it?
00:16:17Oh!
00:16:18And by the way,
00:16:19we're going to go ahead and take Anna in the future too.
00:16:22Don't worry, Carl.
00:16:24I'll be a better father to her than you ever can be.
00:16:27Tasha,
00:16:28you'll regret this.
00:16:32Thanks again, Kerr.
00:16:35Today.
00:16:36We're pretending to be my boyfriend.
00:16:43Mm-hmm.
00:16:45Was all that money real?
00:16:47As real as it comes.
00:16:49Where'd you get all that money?
00:16:52I robbed a couple jewelry stores for him to find you.
00:16:54Are you serious?
00:16:57No, I'm just joking.
00:16:59It was my dad's.
00:17:01Don't worry,
00:17:01it wasn't stolen or robbed or anything.
00:17:04But hey, listen.
00:17:05From now on,
00:17:06I want you to think of me as your creditor.
00:17:07Okay?
00:17:09I don't want you to worry about
00:17:09owing money to those scumbags.
00:17:11From now on,
00:17:12you'll just throw money to me.
00:17:13As long as you're okay with that.
00:17:17I could be okay with it.
00:17:18As long as you can satisfy one small request.
00:17:23What kind of request?
00:17:25My only request
00:17:33is that you just relax.
00:17:37Okay?
00:17:38I want you to take a load off.
00:17:40I want you to start by telling me a story,
00:17:43you know,
00:17:43about the last time it was
00:17:44when you were happy.
00:17:45Okay.
00:17:55You know,
00:17:58I just,
00:17:59I never in a million years
00:18:01could imagine that Carl
00:18:03would betray me like this.
00:18:07I have nothing.
00:18:10Well,
00:18:12I mean,
00:18:13you always have me
00:18:15and,
00:18:16you know,
00:18:17other things.
00:18:20I can't hear you.
00:18:22You're whispering.
00:18:25I can't hear you.
00:18:55Carl.
00:19:04You know,
00:19:04Tasha's probably
00:19:05screwing around
00:19:06with that new boyfriend of hers.
00:19:09That bitch.
00:19:11Honey,
00:19:12you know,
00:19:12you promised to put me in touch
00:19:13with the curator
00:19:14at the Fitzgallery.
00:19:15I'm telling you,
00:19:16forget about the Fitzgallery,
00:19:18okay?
00:19:18The people who are running it
00:19:19are crooks.
00:19:21But I want my paintings
00:19:22to be showcased
00:19:23in the most prestigious
00:19:24venue possible.
00:19:25I know,
00:19:26I know.
00:19:27And I said
00:19:28I would help you
00:19:28find other galleries.
00:19:30Remember?
00:19:31Just stop nagging me
00:19:32about it.
00:19:33Okay?
00:19:34Okay.
00:19:38You're a little angel.
00:19:38It's okay.
00:19:59Just sleep in.
00:20:00Well,
00:20:06this is certainly
00:20:08going to make things
00:20:09more complicated.
00:20:12So you want to pretend
00:20:13last night never happened?
00:20:14I thought we had
00:20:19a good thing
00:20:20going on between us.
00:20:22I mean,
00:20:22you've been going around
00:20:23the last couple days
00:20:24telling everybody
00:20:24I was your boyfriend.
00:20:26Yeah,
00:20:26but
00:20:27that was just
00:20:29something I said
00:20:29to make my husband jealous.
00:20:32You mean your ex-husband?
00:20:34Yeah.
00:20:35Ex.
00:20:36Yeah.
00:20:39But I mean,
00:20:40you and I,
00:20:40you know I can't start
00:20:44a new relationship
00:20:44right now.
00:20:47So everything
00:20:48you said last night?
00:20:50We were just
00:20:51caught up in the
00:20:52heat of the moment.
00:20:54Heat of the moment.
00:20:55So it was all
00:20:56just bullshit?
00:20:58Why?
00:20:58To get me into
00:20:59bed with you?
00:21:01Just to have
00:21:01a one-night stand?
00:21:04Because you miss
00:21:05being with your
00:21:05damn husband?
00:21:10So everything
00:21:21you said last night?
00:21:25Get a hold of yourself.
00:21:29You just got divorced.
00:21:32You're not going to
00:21:33play mind games
00:21:34with men anymore.
00:21:36Hey.
00:21:39I wasn't sure
00:21:40what you like,
00:21:40so I just made
00:21:42a little bit
00:21:42of everything.
00:21:45You made all this?
00:21:47Yeah.
00:21:54So what do you think?
00:21:58It's delicious.
00:22:04I mean,
00:22:05you deserve to have
00:22:06some of your
00:22:07awesome breakfast, too.
00:22:09Hey.
00:22:10You're not going to
00:22:11make me sit here
00:22:11and eat this alone,
00:22:12are you?
00:22:17You've got some sauce,
00:22:18right?
00:22:25All that for some
00:22:26sauce, huh?
00:22:28Are you kidding me?
00:22:35Hello?
00:22:35Mommy, I miss you
00:22:37so much.
00:22:38Anna?
00:22:39Mommy, I miss you
00:22:40so much.
00:22:40Anna, honey?
00:22:41What?
00:22:42What's going on?
00:22:43Anna?
00:22:47Okay.
00:22:48Both of your
00:22:49resumes look excellent.
00:22:51I have a question.
00:22:54If you spilled
00:22:55a glass of milk
00:22:56in the ocean,
00:22:57how would you
00:22:57get it back?
00:22:58What does that question
00:23:00have to do with
00:23:01our work?
00:23:02Well,
00:23:03I suppose you could
00:23:05contain
00:23:06the section of the ocean
00:23:09with the spilled milk
00:23:10and then
00:23:10collect that sample,
00:23:13add a centrifugal force,
00:23:14and there's probably
00:23:15a good chance
00:23:16of separation.
00:23:17So, at our company,
00:23:20we are always trying
00:23:21to make
00:23:22the impossible possible.
00:23:23And for that,
00:23:24we need people
00:23:24who can think
00:23:25on their feet,
00:23:27derive solutions,
00:23:29no matter how
00:23:30outlandish
00:23:32the task at hand
00:23:33may seem.
00:23:38Hello?
00:23:43Uh-huh.
00:23:44Okay.
00:23:54Congratulations,
00:23:55Ms. Michaels.
00:23:55Welcome to the
00:23:56Eastwood Corporation.
00:24:09If you don't
00:24:09mind me asking,
00:24:11why didn't
00:24:12I get the job?
00:24:14Mrs. Roberts,
00:24:18maybe you should
00:24:19focus on
00:24:19fixing your own
00:24:20family problems
00:24:20first,
00:24:22before you start
00:24:22to look for work
00:24:23again.
00:24:26We don't want
00:24:27to make enemies
00:24:28with the Crow Group.
00:24:40So, I guess
00:24:41you didn't get it?
00:24:44I just don't
00:24:45understand why
00:24:45Carl hates me
00:24:46so much.
00:24:47I mean,
00:24:48he doesn't want
00:24:49me to work
00:24:49for his company,
00:24:50but he doesn't
00:24:50want me to work
00:24:50for any other
00:24:51company either.
00:24:53Look,
00:24:54you don't need
00:24:54that corporate
00:24:55job anyways.
00:24:56Yeah?
00:24:57What else
00:24:57can I do?
00:24:59I mean,
00:25:00I thought you were
00:25:00an artist,
00:25:01now a painter.
00:25:02What'd you know
00:25:03about that?
00:25:04You brought
00:25:05an easel.
00:25:09It's just a hobby.
00:25:12I gave it up.
00:25:13I don't paint anymore.
00:25:18Okay, well,
00:25:19if you don't love
00:25:20to paint anymore,
00:25:21then why bring an easel
00:25:22with you?
00:25:22I haven't painted
00:25:27in years.
00:25:29I'm sure it'll be
00:25:29just like riding
00:25:30and bike.
00:25:31Once you start,
00:25:32it'll all come
00:25:33back to you.
00:25:38That's my account.
00:25:40Why are they
00:25:40assigning it
00:25:41to someone else?
00:25:42Fine, fine.
00:25:43Just get me
00:25:44some damn answers
00:25:44and give me
00:25:45a call back soon,
00:25:45okay?
00:25:45Okay?
00:25:49Carl,
00:25:50this took me
00:25:50three months.
00:25:52I'm sorry,
00:25:53I just,
00:25:53I got some
00:25:54bad news at work.
00:25:56It's ruined now.
00:25:57Fine.
00:25:58Start over.
00:26:00You know,
00:26:01it kills me
00:26:01to see you
00:26:02squander your
00:26:03intelligence and
00:26:04talent on these
00:26:05useless paintings.
00:26:08You're a remarkable
00:26:09woman, Tasha.
00:26:10Okay?
00:26:11And if the
00:26:11charlatan snobs
00:26:13in the art world
00:26:13can't see that,
00:26:14then screw them,
00:26:16okay?
00:26:17If you put
00:26:18your focus elsewhere,
00:26:19we could be rich
00:26:20enough to buy
00:26:20ten art galleries.
00:26:21And then you
00:26:22could put whatever
00:26:23paintings you want
00:26:24in them, right?
00:26:26Painting's my passion.
00:26:29What if we put
00:26:30painting on the
00:26:32side, just for a
00:26:33little while,
00:26:34and you could come
00:26:35join me at the
00:26:36company?
00:26:37Because together,
00:26:38we, we'd be
00:26:41unstoppable.
00:26:42And right now,
00:26:43I am drowning.
00:26:44your dad and his
00:26:46partners have no
00:26:48faith in these.
00:26:50I need you.
00:26:52Look,
00:26:53you love me,
00:26:57don't you?
00:27:00Of course I do.
00:27:02Okay,
00:27:03just do this one
00:27:05thing for me.
00:27:06This one little
00:27:07thing.
00:27:08Please.
00:27:09Finish.
00:27:16Fly away with me
00:27:22Take you high, sorry
00:27:26To smile, it's my only dream
00:27:32Staring out into the sea
00:27:37Finished?
00:27:38Yep.
00:27:43That is amazing.
00:27:45Thank you, I honestly never thought I'd paint again.
00:27:50Well that would have been a shame, you're easily one of the most talented artists I've ever met.
00:27:54We're honored that you chose our gallery to showcase your work. I am curious about one thing, if you don't mind me asking.
00:28:03The subject in your paintings, your muse, is he your lover?
00:28:12Oh, no. He's just a friend of mine.
00:28:13But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:21Is Ken really in love with me?
00:28:30Is Ken really in love with me? He's so young though. At his age, he probably doesn't even know what love is.
00:28:39Oh, uh, sorry, you're in the way.
00:28:54Actually, you're in my way.
00:28:57Actually, you're in my way.
00:29:00Actually, you're in my way. I'm trying to get into my home.
00:29:03Is this your new girlfriend?
00:29:06I've never seen you with anyone like this before.
00:29:09Ken's my roommate.
00:29:11Now, if you'll please step aside so I can get in.
00:29:18Call me again if you need anything, okay? Bye.
00:29:24Hey, what are you doing home so early? Are they gonna showcase your work?
00:29:29Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:34So, if you have something private to do, just do it in your room.
00:29:37I never said you need to tell me when you're coming or going. I'm just saying.
00:29:40Fine, you don't need to explain. Just, I just want to be alone.
00:29:49What?
00:29:54I'm so sorry, sir. She just barged in without permission.
00:29:58It's okay.
00:30:00Miss Roberts, please, grab a seat.
00:30:03We signed a contract. Why can't you show my paintings now?
00:30:07I'm afraid I don't have the answers you're looking for.
00:30:09You want to know what happened? Ask Karl Krohm.
00:30:14I want my paintings back. Right now.
00:30:17Well, they're probably somewhere in the warehouse. They haven't been thrown away yet.
00:30:23You've already searched the entire warehouse ten times. If you haven't found what you're looking for, it's not here.
00:30:29You better hope I find what I'm looking for. Or I'm going to make this entire gallery compensate me. And then I'm going to sue you.
00:30:35And you'll be the first to lose your job.
00:30:36Yeah, that's great lady. Go ahead and sue. I'm sure things will go again.
00:30:41exactly the way you described it.
00:30:42I'm sure things will go exactly the way you described it.
00:30:47I'm sure things will go exactly the way you described it.
00:30:49I'm sure things will go exactly the way you described it.
00:30:53I'm sure things will go.
00:30:54I'm sure things will go exactly the way you described it.
00:30:57Shh.
00:31:14I'm fine.
00:31:15Oh.
00:31:16I'm notima.
00:31:54You really care about her.
00:31:55Shh, keep your voice down.
00:31:57She's had a long day.
00:31:59Also, you can't just come over here so casually in the future.
00:32:02Casually?
00:32:04Are you kicking me out?
00:32:06You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:11You men are cold as hell.
00:32:13I think my lucky star is on the lesbian.
00:32:15Look, I just can't have her finding out about the work that we do, okay?
00:32:18Are you serious about her?
00:32:21Yeah.
00:32:22Have you thought about the consequences if your dad finds out?
00:32:27Look, no.
00:32:28You and I have been best friends for over 20 years, okay?
00:32:32And my dad has taught me everything that I know.
00:32:35I think maybe it's time I just figure things out on my own.
00:32:38And you know exactly what I went through last time.
00:32:42I'm not going to lose her again.
00:32:43Don't worry, Anna.
00:32:49Mommy's going to find a way to bring you home soon.
00:32:58All the evidence is here.
00:33:00It's exactly what you thought.
00:33:01Let me know if you want me to find out more.
00:33:19Carl.
00:33:19Let's meet.
00:33:21Oh, wow.
00:33:30It's not every day a famous painter comes to visit.
00:33:35To what do I owe the pleasure?
00:33:38The company I supposedly borrowed money from.
00:33:43It's a shell company owned by you.
00:33:46So what?
00:33:49All our operations are legal.
00:33:50You signed the documents.
00:33:52You borrowed the money.
00:33:53All you can do now is pay it back.
00:33:57You know, I don't think you actually want me to pay back the loans.
00:34:05You were just looking for an excuse to have me back in your life.
00:34:11You're obsessed with me.
00:34:13This is just your sick way to dominate me and make me surrender to you.
00:34:17I'm just getting even.
00:34:19For the years I spent in your father's shadow.
00:34:23The years of belittlement and him treating me like a clown.
00:34:26My father hired you when no one else would.
00:34:32Not my fault that your insecure petty took his support as belittling.
00:34:40I wouldn't upset me if I were you.
00:34:43Remember, I'm your creditor now.
00:34:46Two months.
00:34:48That's all I can give you to pay me back the remainder of $180 million.
00:34:56What are you doing here?
00:35:03I was just in the neighborhood.
00:35:05Thought I'd give you a ride home.
00:35:09Hi.
00:35:10Um, hey.
00:35:12Who is this?
00:35:13Uh, this is Ken's roommate.
00:35:19We're going to be dropping them off before we head home.
00:35:23Yeah, hey, listen.
00:35:24I didn't introduce you last time, but this is my best friend, Nell, and her girlfriend, Maria.
00:35:33Nell and I have been nothing more than friends since we were kids.
00:35:36She's not into men, and she never has been, and her and I are nothing more than just platonic friends.
00:35:42All right?
00:35:44I'm sorry.
00:35:45I jumped to conclusions the other day.
00:35:47It's okay.
00:35:49I just didn't want you to get the wrong idea.
00:35:54Look, I...
00:35:56I appreciate it.
00:35:57I really do.
00:35:58I just...
00:36:00I...
00:36:00I still think you and I are better off just as friends.
00:36:05Just friends.
00:36:07Why?
00:36:13Why?
00:36:16Maybe because I'm just getting over a failed marriage?
00:36:21Because I owe an unthinkable amount of money, and I have no idea how I'm going to pay it back.
00:36:26I also have no idea how I'm going to get my daughter back.
00:36:32And getting into a relationship with you?
00:36:35That's just something I can't do right now.
00:36:38Love has brought me nothing but pain, okay?
00:36:40So just, please, just leave it.
00:36:42Do you have any other paintings?
00:37:05Do you have any other paintings?
00:37:12Yeah, I have several.
00:37:15What are you looking for?
00:37:18I would like to buy them all.
00:37:20I love your painting style.
00:37:22It is so unique.
00:37:23I own a large gallery, and I would like to establish a long-term collaboration with you.
00:37:29Thank you for your kind words about my paintings, but...
00:37:32I've been in some trouble lately, and it's probably best if I don't involve your gallery.
00:37:38None of this matters to me.
00:37:44If someone wishes to cause me trouble, well, just let me try.
00:37:54I mean, it has to be a mistake.
00:37:59Or a prank, or a cruel practical joke.
00:38:03I mean, it seems pretty authentic to me.
00:38:06It has their seal, and your name and address are, like, clearly written on it, so...
00:38:13It looks authentic.
00:38:17But how would they have seen my paintings?
00:38:21I don't know, maybe one of those auction sites that you've been posting your work on?
00:38:24I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:30I own a large gallery, and I would love to establish a long-term collaboration.
00:38:40It's him.
00:38:42It's him.
00:38:43The guy who's been on my paintings.
00:38:45He must be the owner of the Fitz Gallery.
00:38:47Well, in that case, we better get going.
00:38:49Where?
00:38:51Gotta go get you a dress.
00:38:52Can't have you showing up to the Fitz Gallery in rags.
00:38:54Babe, which one do you like more?
00:39:02This one, or this one?
00:39:05I need to be the hottest girl at the Fitz Gala.
00:39:09Everything just, uh, looks so good on you, honey.
00:39:13So, um, just pick whichever one you want.
00:39:16I gotta take a call, okay?
00:39:18Wrap this up, you twitch.
00:39:20I'll take them both.
00:39:24Wow.
00:39:29I used to buy dresses like this all the time without even thinking about the money, but
00:39:33I can't afford something like this now.
00:39:38You know what?
00:39:40Consider it a congratulatory gift for me, alright?
00:39:43And when you make it big in the art world, you can just pay me back.
00:39:48Oh, hi, excuse me.
00:39:50Yeah, my, uh, friend would like to try on this dress.
00:39:51Oh, your friend has amazing tastes.
00:39:54This dress is actually a limited edition, each one handcrafted by hand and therefore entirely
00:39:59unique.
00:40:00Truly a work of art.
00:40:01Well, how fitting that's going to be worn by a very talented artist.
00:40:04I'll have someone on the team bring it out to you.
00:40:08Veronica, please bring the limited edition.
00:40:14What limited edition?
00:40:15Tasha, do you really think you can afford this dress?
00:40:24You can afford this dress?
00:40:28Please.
00:40:30Reyna, I don't think you need to worry about Tasha's finances, okay?
00:40:34We established that last time.
00:40:37Hey, you.
00:40:38Get over here.
00:40:38I'm going to pay twice what it's worth.
00:40:42But I want this dress.
00:40:44Ma'am, this dress is $4,000.
00:40:45Did I ask you how much it cost, you pluritarian scum?
00:40:49Just shut your mouth and add it to my bill.
00:40:51She's willing to pay double.
00:40:53I'll double her offer and I'll pay $16,000.
00:40:56Okay, sir.
00:40:57Sold.
00:40:58$32,000.
00:40:59You know what?
00:41:02She wants to dress so bad, let her have it.
00:41:05You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:08I'll show you who's a pigeon, you little bitch.
00:41:11How dare you assault me?
00:41:13Tasha, are you okay?
00:41:17What is going on here?
00:41:19What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:22I swear to God, they're all lying.
00:41:25I never touched her.
00:41:26I saw everything.
00:41:27This gentleman and his girlfriend were very nice and politely inquired about a dress,
00:41:31and suddenly your wife appears and attacks her for no reason.
00:41:34Shut your mouth, you little lying asshole.
00:41:36You know what?
00:41:37Why don't you just call security before this crazy maniac hits somebody else?
00:41:40Wait a second, Reyna.
00:41:41What actually happened here?
00:41:42What's going on?
00:41:43Why don't you believe me?
00:41:44Don't you?
00:41:46Don't you just call 911?
00:41:48Are you blind?
00:41:49Oh, Tasha, can you stop this bullshit?
00:41:51You know what, Reyna?
00:41:51Can you just stay away?
00:41:53Can I get someone down here?
00:41:54Room A, 122?
00:41:55No, no, that's not necessary.
00:41:57We are leaving right now.
00:41:58Let's go.
00:41:59Okay.
00:41:59Oh, but...
00:41:59Okay, you've embarrassed us both enough for one day, okay?
00:42:03Let's go.
00:42:12Wherever Reyna goes, trouble's sure to follow.
00:42:16It is nice to see a better taste of her own medicine, though.
00:42:19Yeah.
00:42:20It's a shame, though.
00:42:21You would have looked really great in that dress.
00:42:23Don't worry about that.
00:42:27I have a solution.
00:42:36What are you going to do with all this stuff?
00:42:39I'm going to design my own dress and wear it to the gala.
00:42:42Are you sure there's enough time?
00:42:43Have some faith in me.
00:42:45I graduated with honors in design and fine art.
00:42:49I got this.
00:42:51Alright.
00:42:53How do I look?
00:43:14How do I look?
00:43:15What?
00:43:22Is...
00:43:22Is something wrong?
00:43:24Is it...
00:43:25Is it too much?
00:43:26Should I change something?
00:43:27No.
00:43:28No.
00:43:29You look...
00:43:31That dress, like...
00:43:34That is one of the most beautiful dresses I've ever seen.
00:43:36But there's something missing.
00:43:43Should I resell the beads?
00:43:46No.
00:43:48I have a gift for you.
00:43:50Something to...
00:43:51Complete the whole look.
00:43:52Just try harder, you idiot.
00:44:00Mrs. Crowe, I am doing everything I can.
00:44:03I don't know what more I can do.
00:44:06You're calling me fat?
00:44:07Of course not.
00:44:09You're not fat at all.
00:44:11It's the dress.
00:44:12It's not made for a woman's body.
00:44:14Just shut up and do it!
00:44:17Babe.
00:44:19Just put on another dress.
00:44:20You're gonna be late.
00:44:22I spent so much money on this dress.
00:44:25I am wearing this dress!
00:44:27I can't.
00:44:46It's...
00:44:47It's too much.
00:44:50No.
00:44:51It was made for you.
00:44:57I can't wait to see what you've brought to the auction.
00:45:04Can we have a little hint?
00:45:06Well, actually, I brought some of my very own paintings to auction tonight.
00:45:14What's wrong?
00:45:16It's just Tasha Roberts.
00:45:18My husband's dreadful ex-wife.
00:45:22I'm tired of seeing her sorry face everywhere.
00:45:25You know, she's also a horrible person.
00:45:30If it isn't everyone's favorite white-collar criminal turned homeless vagrant, Tasha Roberts.
00:45:38So, the other day, when you were trying to buy this dress with that, um, working-class thug boyfriend of yours,
00:45:45you were trying to come here?
00:45:47Are you sure you were even invited?
00:45:49I'm sorry.
00:45:53Are you working the security details?
00:45:56Do I need to show you my invitation?
00:45:58Honey, I'm just trying to look out for you.
00:46:00Okay?
00:46:01I want to spare you the embarrassment of being kicked out when everybody finds out that you are not invited.
00:46:07You mean, like, how you were kicked out of the mall?
00:46:10I see.
00:46:11You still quite don't understand your place in the world.
00:46:15You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:20But don't worry.
00:46:21I'll help you figure it all out.
00:46:26What's wrong with you?
00:46:27You can't just see people are walking through.
00:46:30Rina, this time you've gone too far!
00:46:32Stop shouting, you dreadful oaf.
00:46:34These were supposed to be auctioned tonight.
00:46:35Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:42Now you can go and cry to your fairy gut mother.
00:46:47What is it?
00:46:48Oh, I think the auction's starting.
00:46:51Well, I'll see you there.
00:46:54Toodles!
00:47:02For our first auction item, I'd like to welcome Ms. Rina Crowe to the stage with her collection of original paintings.
00:47:18As you can see, Ms. Rina Crowe's style is very unconventional.
00:47:30Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost playful quality about them,
00:47:39as depicted here through the bold use of a duck as a central figure.
00:47:43It's a dog.
00:47:44What?
00:47:45It's a dog, not a duck, you buffoon!
00:47:48Oh, yes, of course!
00:47:50A dog!
00:47:52Seen through a very unique prism.
00:47:55Portrayed as only an artist of Rina's caliber could possibly portray it.
00:48:00Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:48:05The starting price will be $50,000.
00:48:08Do I hear $50,000?
00:48:11Anyone?
00:48:13$50,000.
00:48:15Do I hear $60,000?
00:48:18Anyone?
00:48:19$50,000 going once, $50,000 going twice.
00:48:24Sold!
00:48:25Sold for $50,000.
00:48:26And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also be presenting a series of paintings.
00:48:47Ms. Tasha Roberts, where are your paintings?
00:48:50I don't have my paintings tonight, but I will be auctioning off this dress.
00:49:10Wow!
00:49:10It's beautiful!
00:49:14Stupendous!
00:49:14I've never seen a dress so beautiful!
00:49:16Oh, stupendous!
00:49:22I've never seen a dress so beautiful!
00:49:24A stunning work of art, indeed!
00:49:27There's no need for me to say another word about this masterpiece.
00:49:29Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.
00:49:35Let's start the bidding at $50,000.
00:49:37$55,000!
00:49:38$75,000!
00:49:40$90,000!
00:49:41$100,000!
00:49:42$150,000!
00:49:44$250,000!
00:49:45$250,000!
00:49:46$250,000 going once, $250,000 going twice.
00:49:54Gold!
00:49:55This beautiful dress was sold for $250,000!
00:49:58Is that the Heart of Sun necklace that sold for $200,000 a few months ago in a big deal?
00:50:12Impossible.
00:50:13How can that lowly peasant possibly afford it?
00:50:16It must be a fake.
00:50:17Thank you so much for your bid, Ms. Winslow.
00:50:23I'm going to design a few custom pieces in your size and design them to your elegance and style.
00:50:29Have you ever considered creating your own clothing brand?
00:50:34Your creations are so extraordinary.
00:50:38You should really share your talent with the rest of the world.
00:50:42I never considered it, but I certainly will now.
00:50:46Hi.
00:50:47I'd be careful if I were you.
00:50:49I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:50:56What are you talking about right now?
00:50:58This woman is a phony and a con artist.
00:51:01For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:51:06And let me make it clear.
00:51:08For everybody that wants to do business with this woman, they won't be allowed to do business with the Crow Group.
00:51:16Is that so?
00:51:20Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts because of the baseless rumors and lies being spread by Ms. Raina Crow,
00:51:28you will no longer be welcomed back to the Fitz Gallery.
00:51:32That's the curator of the Fitz Gallery.
00:51:34Not just the curator, he's also the director of the Fitz Foundation.
00:51:42The curator?
00:51:43Is he the man who bought my paintings?
00:51:46Why does he seem so familiar?
00:51:51Ms. Tasha Roberts is my guest of honor tonight.
00:51:53I invited her personally.
00:51:55So if anybody treats her with the slightest bit of disrespect, they'll be asked to leave and never again invite her back to the Fitz Gallery.
00:52:02As the director of this esteemed organization, am I interested to know that your guest of honor is wearing a cheap replica of a priceless work of art.
00:52:13She is not to be trusted.
00:52:15I'm assuming you mean her diamonds.
00:52:17What evidence do you have to prove that it's not real?
00:52:20Well, the real Heart of the Sun has the initials of the Craft Man engraved in the joint between the gemstone and the pendant.
00:52:28So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?
00:52:37This was just given to me by a friend.
00:52:40I never claimed it was the real Heart of the Sun.
00:52:43I don't want to embarrass him by having people pour over it for imperfections.
00:52:48So, it's a forgery.
00:52:51You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:58Ms. Roberts.
00:53:01You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:53:08Ms. Roberts, you have nothing to fear from this woman.
00:53:11Just show her the necklace.
00:53:13And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.
00:53:17And the question has to be asked whether it is the true Heart of the Sun.
00:53:29See, just like...
00:53:31What?
00:53:34How is this possible?
00:53:39I do say, this engraving looks entirely authentic to me.
00:53:43This is indeed the one and only Heart of the Sun.
00:53:48Well, that settles it then.
00:53:49This necklace is authentic.
00:53:51From now on, no one will be permitted to question or harass my guest of honor.
00:53:56Now, if everyone is satisfied, can we please get back to tonight's festivities?
00:54:01Cheers!
00:54:02Ken, you have a lot of explaining to do.
00:54:14Okay, what's wrong?
00:54:16I can't accept this necklace.
00:54:18And I can't give you what you want.
00:54:21Do you even know what I want?
00:54:23I don't want to know.
00:54:26We can just be friends, nothing more.
00:54:29Tasha, you're just afraid.
00:54:31You're just afraid of going after what your heart truly desires.
00:54:35And I just think you're afraid of just being true to yourself.
00:54:39You're the last person that should be lecturing anybody on the truth.
00:54:44Who are you?
00:54:46What do you do?
00:54:47Is this even your house?
00:54:49I mean, how do you own a necklace that's 200 million dollars?
00:54:57I just...
00:54:57See, you don't even respect me enough to tell me the truth.
00:55:03But you expect me to jump into a relationship with you?
00:55:08You could be a total stranger.
00:55:11I have no idea who you are.
00:55:13Tasha, I want to tell you.
00:55:15I do.
00:55:16But...
00:55:17I just can't right now.
00:55:20Alright?
00:55:20Like, maybe in the future, when we can sit down and...
00:55:22No, Ken, there is no future for us.
00:55:25Not if you can't tell me one thing about yourself that isn't a lie.
00:55:30When you find someone that you really love and trust,
00:55:34you let them in.
00:55:35But that person won't be me.
00:55:58Are you okay?
00:56:02Director Fitz.
00:56:03I had a wonderful time at the gala.
00:56:06Thank you for supporting me and standing up for me.
00:56:10I wasn't bothered by the way the other guests treated me.
00:56:14I've endured far worse.
00:56:19Lovely.
00:56:20I'm glad to hear it.
00:56:22I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:27Think of it as a sort of artist residency.
00:56:30Would you be interested in such an opportunity?
00:56:33This dress is every bit as exquisite as I expected it to be.
00:56:45Thank you, my dear.
00:56:47You're very welcome.
00:56:48Have you given any more thought to my proposal?
00:56:51Bill, if you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:57:00It's a very gracious offer, but I just, I have to ask.
00:57:04I mean, there are so many other talented designers.
00:57:06Why do you have such faith in my abilities?
00:57:09It's not just me, you know.
00:57:11The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:17And everyone in attendance was certain that the only reason he chose to make an appearance was because of you, his guest of honor.
00:57:26That was his first appearance ever?
00:57:30Indeed.
00:57:32His very first and only time to appear in the flesh.
00:57:36Before this, he was a figure of myth and mystery.
00:57:40Many people doubted he existed at all.
00:57:43But all because of you, he chose to grace us with his presence last night.
00:57:49Seems like a marvelous young man, don't you think?
00:57:52He certainly had a charm about him.
00:57:55Oh, undoubtedly.
00:57:56You know, many people flock to the Fitz Gallery for more than just the art.
00:58:01They want to learn all about the enigmatic young curator.
00:58:06Really? I mean, what's so interesting about him?
00:58:10Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections
00:58:17to become the top venue for fine art in just two years?
00:58:22I mean, I heard rumors.
00:58:24Something about foul play, but I always just assumed they were baseless.
00:58:29Those rumors have quite a bit of truth to them.
00:58:32Seems like the Miller crime family is actually behind the Fitz Foundation.
00:58:38The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:46Well, he seems like such a gentleman.
00:58:49I just, I find it hard to believe that he ever was involved in something so sordid.
00:58:53You must never judge a Brooklyn's cover, my dear girl.
00:58:58Even people close to us may be harboring many secrets.
00:59:02We never really know what's going on inside.
00:59:05You got that right.
00:59:06I learned that lesson the hard way.
00:59:09Let me be frank.
00:59:11I have tremendous faith in you.
00:59:14Thank you, Mr. Wendlow, but I think it's dear.
00:59:17All my friends call me Laura.
00:59:22This is a check.
00:59:24For five million dollars.
00:59:26It should help you get your clothing brand started.
00:59:28Shall we become business partners in addition to being friends?
00:59:48Director Fitz, I'd like to work with you.
00:59:51It would be my honor, Miss Tasha Roberts.
00:59:54Fly away with me, take you high, soaring, see you smile, it's my only dream.
01:00:11Staring out into the sea, waves don't crash in up to me.
01:00:19My toes slip into the sand, dream that I'm with you.
01:00:28Staring out into the sea, waves come crashing up to me.
01:00:37My toes slip into the sand, dream that I'm with you.
01:00:44Congratulations, Miss Roberts.
01:00:57We expect a huge success from your art exhibition.
01:01:14You're looking at her.
01:01:17You're obsessed with her.
01:01:19Didn't she humiliate me enough the other night at the gala?
01:01:22But no, now I have to watch my husband stare at her picture.
01:01:27Well, maybe if you didn't give her the opportunity to humiliate you.
01:01:31So it's my fault now?
01:01:32Oh, wait, let me guess.
01:01:33Maybe it's my fault too when the two of you broke up.
01:01:35Okay.
01:01:36Raina, I've been thinking.
01:01:40I don't think this is working.
01:01:43I want a divorce.
01:01:48You used me to push Tash out of your company, take her property, and now you cast me aside
01:01:54like what, a used piece of garbage?
01:01:56I won't allow this.
01:01:59Mark my words, Karl Kroh.
01:02:01You will regret this.
01:02:06I'm spending too much time around Ken.
01:02:18He's dominating all my thoughts.
01:02:21I have to distance myself from him.
01:02:23For my own sanity.
01:02:28I know you're lonely, but this song will have to tell.
01:02:34Is there nothing I can do to get you to stay?
01:02:42I'm sorry, but no.
01:02:47You and I, our relationship, we'll just keep going in circles.
01:02:54But thank you for everything you've done for me.
01:02:57I have a little bit of money now, so you should be able to pay off your loan soon.
01:03:02And long talks, and awkward silence, wait nights, walking through the garden, running, with your hand in mine.
01:03:18This is what happens when you steal from the Millers.
01:03:37Please, let me go.
01:03:42I promise you'll never see me again.
01:03:43What do you got here?
01:03:51Right this way.
01:03:54Boss!
01:03:55I found this one peeking around the corner.
01:03:58Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:04:06Don't worry, boss.
01:04:07I got a knife with her name on it.
01:04:09We can dump her body with the other guy.
01:04:16No, let her go.
01:04:18What?
01:04:18Didn't you hear what I said?
01:04:19She's seen everything.
01:04:21Let her go before I rip off your fucking arms and throw them in the river.
01:04:33Walk away.
01:04:34This doesn't mean anything to you.
01:04:35Is this what you couldn't tell me about?
01:04:39Boss, you know this woman?
01:04:43You're gonna kill him.
01:04:44Call the police then.
01:04:46See if they can save his life.
01:04:47No!
01:04:47Don't call the police, you stupid bitch!
01:04:52My world is more cruel than you can possibly imagine.
01:04:55So since you didn't want to get involved, just walk away.
01:04:57Walk away.
01:04:57Walk away.
01:04:57Walk away.
01:04:59Hey, babe.
01:05:20What do you want for breakfast?
01:05:22My world is more cruel than you can possibly imagine.
01:05:47Since you didn't want to get involved, just walk away.
01:05:52I never imagined that Ken could be such a dangerous and violent man.
01:05:56There must be something or someone forcing him to do all of this.
01:06:01Even people close to us may be harboring many secrets.
01:06:05We never really know what's going on inside.
01:06:10Forget it.
01:06:11This has nothing to do with me.
01:06:12I decided to leave Ken, so I have to do my best not to look back.
01:06:16Tasha, let's talk.
01:06:39You're a pro-magnet boyfriend.
01:06:41Is he not joining us?
01:06:43It's all over.
01:06:44I'm not with him anymore.
01:06:45Where's Reyna?
01:06:48Reyna was a mistake.
01:06:51That's all over, too.
01:06:53Tasha, um...
01:06:56I want you back.
01:07:00I can't stop thinking about us.
01:07:02You were right. You belong in my life.
01:07:06So, if you just sign those documents,
01:07:10then you can come back to me.
01:07:13Come back to the house.
01:07:14We can carry on like none of this ever happened.
01:07:17I can give you your old job back.
01:07:19That'll be fun, working together again.
01:07:21And then all that debt you owe me will be wiped clean.
01:07:24You, uh, need a pen?
01:07:31You think I'd get back with you after everything you put me through?
01:07:39Here is...
01:07:41a hundred million dollars.
01:07:42I'll pay the rest on time, and...
01:07:45and...
01:07:45for your agreement...
01:07:47take these documents and...
01:07:54shove them right up your ass.
01:07:59You disgust me, Carl.
01:08:01You should think about Anna.
01:08:02Do you really want her growing up without a mother?
01:08:06With all her health problems, she could really use your support.
01:08:09Don't dare talk about Anna.
01:08:11She'll be with me soon.
01:08:13Then I'll never let her out of my sight again.
01:08:15She needs her mother and her father.
01:08:16Not a father like you.
01:08:17She doesn't.
01:08:19She'd be better off with no father at all.
01:08:21I'm sorry.
01:08:32Am I interrupting?
01:08:34Are you texting a new boyfriend already?
01:08:37Can it wait?
01:08:39I'm not done talking here.
01:08:41You're pathetic, Carl.
01:08:42Hey, Tasha.
01:08:45Ta...
01:08:45Tasha.
01:08:50Hey, Tasha.
01:08:52Tasha, come back.
01:08:54Where are you going?
01:08:54This place is disgusting.
01:08:56Ta...
01:08:56Come on, Tasha.
01:08:58Don't you remember the happy times?
01:08:59Come on, we can have that again.
01:09:01Think of Anna.
01:09:02Think of me.
01:09:03Please.
01:09:04I love...
01:09:04Hey.
01:09:05Hey.
01:09:06Hey.
01:09:12Sorry, folks.
01:09:27It's the end of the line for you.
01:09:30No hard feelings.
01:09:33But we've got to do what the people who pay us tell us to do.
01:09:37Who's paying you?
01:09:40I'll give you a hint.
01:09:41A very beautiful woman paid us a small fortune to make sure you two would...
01:09:46Make sure you two don't make it.
01:09:50Reina.
01:09:50That fucking bitch.
01:09:52Do you know who I am?
01:09:55I'm Carl Crow.
01:09:56The CEO of the Crow Group.
01:09:59What if she's paying you?
01:10:00I'll pay double, okay?
01:10:02Yeah, yeah.
01:10:02You pay me double.
01:10:03I guess you haven't heard the news, buddy.
01:10:06See, I don't think you have the means to outbid your pretty little friend.
01:10:11Oh, that back-stabbing slut!
01:10:16Please, pack up the phone.
01:10:19You trying to phone a friend?
01:10:21That's a big no-no, sweetheart.
01:10:23That's breaking the rules.
01:10:27Sweetie.
01:10:29Don't waste the little time you have left trying to call for help.
01:10:32It won't do you any good.
01:10:33No one.
01:10:37They can help you now.
01:10:42Three hours, where's Tasha?
01:10:46Hey, Nell.
01:10:47Hey, listen, I need you to do me a favor.
01:10:50Yeah, I need you to pull out the city surveillance system in the area
01:10:52and find all the footage.
01:10:55Yeah, no, something's wrong.
01:10:57What are you doing?
01:11:09We have to get out of here.
01:11:11You should just go.
01:11:25Save yourself.
01:11:26Leave me.
01:11:27It's what I deserve.
01:11:31I'm not going to leave you.
01:11:33I'm not that type of person.
01:11:35Come on, let's go.
01:11:44Come down here.
01:11:45Wait until they come in.
01:11:52Hey, Tasha.
01:11:56I'm so sorry.
01:12:00Now's not the time for that.
01:12:05All in.
01:12:28Looks like we got ourselves a suicidal prick here, fellas.
01:12:31I can't think of any other reason why somebody would kick in a door
01:12:35that's got Vincent Santorelli on the other side of it.
01:12:40Oh, shit.
01:12:42Boss.
01:12:44I didn't realize it was you.
01:12:48These your guys?
01:12:51Where the fuck are they?
01:12:53You better find them.
01:12:54Quick.
01:12:54Quick.
01:13:01Now it's your turn.
01:13:13Now it's your turn.
01:13:27Now it's your turn.
01:13:32A pretty little thing like you, I was going to make it painless.
01:13:35But I guess you didn't want that.
01:13:37All the same.
01:13:40Hey, who's this fucking monkey?
01:13:41Blow your fucking gun.
01:13:42Vinny, what the fuck is going on?
01:13:44You fucking down?
01:13:45Yo, blow your fucking gun!
01:13:47Are you...
01:13:48Are you Ken Miller?
01:13:50How can that be?
01:13:51What the fuck is going on?
01:13:53Ken Miller.
01:13:55The one and the same.
01:13:56Miller crime family that monopolizes all the underground trade in all of North America.
01:14:05It's you.
01:14:13You know what you have to do.
01:14:16Boss, please.
01:14:20He's my brother.
01:14:22Rules are roses.
01:14:24I was pushing you away as Ken and growing closer to you as Fitz.
01:14:43I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:52And I just can't win over your heart.
01:14:55Is Ken Miller always this loving with the hostages he rescues?
01:15:05Or is this just special treatment reserved for his lovers?
01:15:10Tasha, I love you.
01:15:12My heart has belonged to you and only you for the past 15 years.
01:15:1615 years.
01:15:23No, we just met a few months ago.
01:15:26We met 15 years ago.
01:15:32You went to Marr Middle School.
01:15:35Yeah.
01:15:36And you saved my life there.
01:15:37Stand up, chicken, and hit us back.
01:15:48Isn't that what your dad does for a living?
01:15:51Beat people up?
01:15:52I'm not my dad.
01:15:55You and your father are both scum.
01:15:57Let's teach this little and thug a lesson.
01:15:59Yeah, idiot.
01:16:00Get up and show us what you've got.
01:16:02Hey!
01:16:06Hey!
01:16:06Hey!
01:16:07Hey, hey, hey, stop!
01:16:08That's enough, that's enough!
01:16:09It's none of your business, Robert!
01:16:11Get out of here, Robert!
01:16:12Hey!
01:16:12Stop!
01:16:13Go home!
01:16:13I'll call your parents!
01:16:14Go!
01:16:14Oh, crap!
01:16:15Crap!
01:16:15Crap!
01:16:28Ever since I saw you that night in the cab with that necklace on,
01:16:32I just, I knew I found you.
01:16:36Look, this isn't just some feeling for me, okay?
01:16:40This is, this is everything to me.
01:16:43Like, you are everything to me.
01:16:45No matter what happens between us, I will always care about you.
01:16:51And maybe one day we can make it work in a different way.
01:16:57I just need some time to process this.
01:17:14Okay?
01:17:18And after that, maybe we can pick up where we left off that first night you spent here?
01:17:26Maybe.
01:17:28You play your cards, right?
01:17:30Does everything look good to you, my artist?
01:17:48Yeah.
01:17:49Thanks for everything.
01:17:51That doesn't sound very convincing.
01:17:53Is, is there anything you want to change?
01:17:55No.
01:17:56I just, I never got around to asking why you wanted to start an art gallery in the first
01:18:01place.
01:18:02Honestly?
01:18:03It's to get to you.
01:18:05See, I thought if I owned the world's greatest art museum that one day you might find your way
01:18:09in here and, I don't know, that I might find you.
01:18:12I don't know, that I might find you.
01:18:39I want to see what kind of woman this is that has ensnared my son.
01:18:53I doubt she's worthy of joining the Miller family.
01:18:56As you wish, sir, I will make the arrangements.
01:19:03Honestly, it's to get to you.
01:19:05See, I thought if I owned the world's greatest art museum that one day you might find your
01:19:09way in here and, I don't know, that I might find you.
01:19:14Okay, okay.
01:19:16Just concentrate on painting.
01:19:18Don't think about him.
01:19:35Who are you?
01:19:39Miss Tasha Roberts.
01:19:41Mortimer Miller would like to speak with you privately at his home.
01:19:46Come here.
01:19:48Take a look.
01:19:53She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:58She's young, beautiful, well-educated.
01:20:04I think she'll make a fine wife for my son, Ken.
01:20:07With all due respect, sir,
01:20:12I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:19Choose you?
01:20:21Got a chance.
01:20:23You're no match for my son.
01:20:25Now, you owe money to the Crow Group.
01:20:36I'm going to pay your debt.
01:20:42And in return, you will agree to never see my son again.
01:20:50It's our decision whether we want to be together or not.
01:20:53Your son and I love each other.
01:20:56There's nothing in this world that can keep us apart.
01:21:00Tasha, do you want us to be together?
01:21:04It's impossible.
01:21:06Father.
01:21:06I forbid it.
01:21:08Father, this is the love of my life.
01:21:10I can't lose her again.
01:21:12I'd rather leave the family business.
01:21:15Then leave if you wish.
01:21:16But she will never have my approval, ever.
01:21:20And she'll never be a part of the Miller family as long as I live.
01:21:24You'll come running back.
01:21:26Without the Miller family power,
01:21:29money,
01:21:31you'll accomplish nothing.
01:21:34You're making a big mistake.
01:21:37Choosing this
01:21:38old hand
01:21:40Ken, where are you?
01:21:53Why aren't you back yet?
01:21:58Oh, you're still awake?
01:21:59Who did this to you?
01:22:18Don't worry about me.
01:22:19I'm fine.
01:22:20It's nothing out of the ordinary.
01:22:21Hey, babe.
01:22:35Yeah, no, I'm just right outside.
01:22:40You son of a bitch.
01:22:42You're making me cut my own brother's hand.
01:22:45Now you think you can
01:22:46betray the Miller family,
01:22:49walk away scot-free?
01:22:50Not a fucking chance.
01:22:53This guy means nothing to the Miller family now.
01:22:56He's worthless.
01:22:58Helpless.
01:23:00You're absolutely nothing now.
01:23:02Let's make him feel the pain
01:23:04that my brother felt.
01:23:06Come on, boys.
01:23:07Stop.
01:23:31Stop hurting him!
01:23:34Stupid bitch.
01:23:35Stop!
01:23:37Stop!
01:23:59Stop at once,
01:24:01you insolent fools!
01:24:03Stop!
01:24:03Stop!
01:24:03Stop!
01:24:03Stop!
01:24:03Stop!
01:24:04Stop!
01:24:04Stop!
01:24:04Stop!
01:24:04Stop!
01:24:04Stop!
01:24:04Stop!
01:24:05Stop!
01:24:11Son.
01:24:15You know how hard it is for me to admit that I made a mistake?
01:24:21But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:27Tasha.
01:24:29You are the perfect woman for my son.
01:24:34Go.
01:24:34Be together
01:24:37You approve?
01:24:41You have my blessing
01:24:42From this day onward
01:24:46You have nothing more to do with the legal activities of the family
01:24:50But
01:24:53You'll always be a miller
01:24:56As will she
01:25:04Get off me!
01:25:26You useless, impotent man-child
01:25:29The crowd group is bankrupt
01:25:32That hurt
01:25:32Getting involved with you is the worst decision I could have made in my life
01:25:36Get off! This is all your fault!
01:25:38You spent every single thing that we had
01:25:41Now we have nothing left
01:25:42No company, no house, no money, not even a dime
01:25:46And it's all because of you, you greedy cow
01:25:48Don't you? Don't!
01:25:50Hey, hey, hey!
01:25:57The late Mrs. Miller was a beautiful woman, sir
01:26:00Yes
01:26:03Back then, my wife protected me from every danger that befell our family
01:26:11And today
01:26:14My son found the perfect woman that I said I did the same for him
01:26:18He's a lucky man
01:26:22Wow, you look so beautiful
01:26:37No, you can't be here right now
01:26:40Babe, I don't want to rush you, but
01:26:42Everybody's waiting to see you
01:26:44Ken, can you promise me one thing?
01:26:48I can promise you two if you like
01:26:49I'm serious
01:26:51I want you to walk away from the family business
01:26:56There's a city called Ostia
01:27:00It's on the southwest side of Rome by the ocean
01:27:03What?
01:27:05You know what I found over there?
01:27:07I found you an art teaching job at a public school
01:27:11I already took tickets and leave in the morning
01:27:14I leave in the morning
01:27:15You're sending me away?
01:27:17No
01:27:18I opened my own restaurant
01:27:20It's just down the street
01:27:22Oh, one more thing
01:27:25I enrolled Anna at the school they're going to be teaching at
01:27:29I think she's going to really love it over there
01:27:31So you really are walking away?
01:27:35They are walking away
01:27:36Yeah
01:27:41They got some socks
01:28:05They're walking away
01:28:06They got some socks
01:28:07I'm in the middle of the room
01:28:08They got some socks
01:28:09They're walking away
01:28:10They got some socks
01:28:11I'm happy
01:28:13I'm happy
01:28:14They're walking away
01:28:15Got it
01:28:16We'll be walking away
01:28:17I won't be walking away
01:28:18I'm happy
01:28:19I'll leave you off
01:28:20My goodness
01:28:22I made this place
01:28:24I got some socks
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1:28:32
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