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Short filmTranscript
00:00I hate it.
00:30Why don't you do it?
00:32It means that the office is wrong.
00:35Mother, now I keep my phone.
00:39There is a lot of work in the office.
00:41Okay, listen.
00:42You don't feel scared to be in the office?
00:44Is it?
00:45What is it?
00:47She was told that you have your office.
00:53Mother, you too.
00:56I don't feel scared yet.
00:58But now it will be.
01:00Okay, keep thinking.
01:02And eat something too.
01:04Okay, ma.
01:05Let's go.
01:06Bye.
01:07Okay, bye.
01:08Okay, take a look.
01:10This is the house.
01:11Okay, take a look.
01:12Okay, take a look.
01:13Who?
01:14Who is there?
01:15Who is there?
01:16Who is there?
01:17Who is there?
01:18Who is it?
01:20Who is it?
01:22Birju, what are you?
01:24Look, whoever is there, come back in front.
01:27I don't like you like this.
01:29Who is it?
01:31Who is it?
01:32Who is it?
01:33Who is it?
01:35Who is it?
01:36Who is it?
01:37Who is it?
01:39Who is it?
01:41Come back in front.
01:42I don't like this.
01:44Who is it?
01:46Who is it?
01:48Who is it?
02:18Your body is completely broken, sir.
02:20Yes.
02:21The visit has been set completely.
02:24Look, his hands, hands, hands, hands.
02:27What do you think, sir?
02:28How many hours are you?
02:30It's 9 p.m.
02:33And when the man is set, it's 8-10 hours.
02:40It means...
02:41Around 12 o'clock?
02:4312 o'clock.
02:4412 o'clock?
02:45I've been waiting in the night.
02:46I've seen let you know the photo.
02:47You're seeing it.
02:48I've seen it.
02:50Come back with the camera.
02:51You're watching it.
02:52No, sir.
02:53How can we do the work with the camera?
02:54I've seen it.
02:55I've seen it in the morning, sir.
02:56I've seen it again before you are watching TV.
02:57How do we take the camera who has turned?
02:59Now, my house is the camera.
03:00The camera is off the camera.
03:02I will tell you a little bit about it.
03:14Why?
03:15I was very shocked to see you in CID.
03:19I was very shocked to work in the police.
03:23But I was able to take care of you here.
03:26You are very powerful. You are a good person.
03:29Do you have any questions?
03:31I worked here with Shah Rukh Khan.
03:33You can see the bio-data.
03:36How is this light on?
03:40Yes, sir.
03:42Whenever there is a person who runs here,
03:44the light starts on itself.
03:46Isn't it, sir?
03:48No, it's not.
03:49It's a motion sensor technology.
03:51Ankar,
03:52the motion sensor light happens when someone runs here.
03:55But no one has gone here.
03:57How is the light on?
03:59I will tell you something.
04:00I will tell you something.
04:01I will tell you something about the blood and blood.
04:03I will tell you something else.
04:04Yes, sir.
04:05But the story is true.
04:06Before this building,
04:07there was a few years ago,
04:08there was a person here.
04:10You must remember.
04:11What did you say?
04:13What did you say?
04:14Sir,
04:15how did you know this story?
04:16How did you know the body?
04:17What did you know the body?
04:18What did you know the body is?
04:19What did you know the body is?
04:20You don't know the body is like a body.
04:21It's like a body of a body.
04:22Ha ha ha.
04:24Any kind of background?
04:26Can you take another camera?
04:27Yes.
04:28Look, sir.
04:29No one can see.
04:31Look, sir.
04:33Look, sir.
04:34She's not seeing any kind of background.
04:36Why did you get any kind of background?
04:38Yes, sir.
04:39Look, sir.
04:40See, sir.
04:41Look, sir.
04:42Look, sir.
04:44I saw no one who's here.
04:46That's not true.
04:47How did you get out of this, sir?
04:49Get out of this, or what happened to you?
04:51With the footage, it's been charged with the footage, right?
04:54Hey, sir.
04:55Today, I haven't done any footage with a girl.
04:57Why would I do this with the footage?
05:01This is the entry point of bullet.
05:03And the bullet...
05:06...is from here, behind the head.
05:08This means, it's gone from the brachia and gallotid.
05:13This is the entry point of bullet.
05:23The exit point...
05:25...is from behind the head.
05:27It means, it's gone from here.
05:29It's gone from here.
05:31The bullet is gone from here.
05:33And it's gone from here.
05:35If any bullet will run, it will run from here.
05:37It's gone from here.
05:39It's not strange.
05:41No.
05:42You're saying it's true.
05:44It's like this is 90% of the cases.
05:46But sometimes, if the bullet will run in front of the bullet,
05:49the bullet will be stuck in some way.
05:51It will also change its path.
05:53Here, you can see that the bullet is under the bullet.
05:57And the bullet is gone from above.
05:59This means, the bullet will be sitting down from the bullet?
06:05Or will it be taken down from the bullet?
06:08The bullet is gone from the bullet.
06:11Sir, according to the trajectory,
06:13there should be a bullet on the bullet.
06:17One minute.
06:18One minute.
06:20Sir.
06:21You should have to go there.
06:22Where are you going from?
06:23What are you doing?
06:24You are coming from here?
06:25I'm not going to go.
06:26Where are you going from here?
06:27Where are you going from here?
06:28Where are you going from here?
06:29Where are you going from here?
06:30Let's go.
06:31My brother, this is a ball.
06:36And I don't see anything from Saluke.
06:39Look at that.
06:41Sir Saluke.
06:43Kamaal Saluke, sir.
06:46But...
06:49Are you sure that this ball is gone?
06:52100%
06:54Sir, it's gone from such a small ball.
06:57It's not possible, sir.
07:01Sir, I have opened my door.
07:05How will I do this at night?
07:07I have to do this at night.
07:09Why will I do this at night?
07:11I have to do this at night.
07:13Sir, who is taking a shower at night?
07:15Who is taking a shower at night?
07:17Who is taking a shower at night?
07:19Sir, sir.
07:21When will I tell you?
07:22Sir, tell me.
07:241...
07:263-6.
07:28The numbers are cold.
07:31It's currently switched off.
07:33What is switched off?
07:34Sir, I think this is a visual word.
07:36Yes, sir.
07:37One number is missing.
07:39It's not even given us.
07:40Yes.
07:41It's okay.
07:42It's the address.
07:43Yes.
07:44Let's go here.
07:45What?
07:46What's the progress of it?
07:47Sir, it's an unusual case.
07:48There are three CCTV cameras.
07:49But in one footage, it's not even seen.
07:50Very strange.
07:51Look, do the video footage.
07:52It's the video footage.
07:53It's the digital forensic laboratory.
07:54You'll know how the video is real.
07:55Or what else is it?
07:56Okay?
07:57No one is showing in the footage.
07:58No one is showing in the footage.
07:59No one is showing in the footage.
08:00No one is showing in the footage.
08:01Now, let's see.
08:02What's coming in this digital forensic report?
08:04I thought I'd give you a shopping update.
08:06But your update is really amazing.
08:09Where will people see anything in footage?
08:10No one is showing in the footage.
08:12No one is showing in the footage.
08:13No one is showing.
08:14Now, let's see what happens in this digital forensic report.
08:16I thought I'd give you a shopping update.
08:19But your update is a lot of shocking.
08:22Why did you tell?
08:23No one is telling.
08:25Well, they were telling.
08:26What?
08:27Thoughts hab.
08:28Yes.
08:29Well, look at this guy.
08:30Whose did we get the shot?
08:32Let's see him.
08:33There's nothing on the footage.
08:35This is the bullet which is murdered.
08:38It's so small.
08:40The .22 caliber looks like a short bullet.
08:43Yes, when there is no bullet,
08:45there is more than 0.45,
08:47there is a 9mm bullet used.
08:49But with such a small bullet,
08:51it's very difficult.
08:53It's difficult, but it's not possible.
08:55Sometimes we think that small bullet
08:57can't do much damage.
08:59Here we are wrong.
09:01Sometimes small bullet
09:03causes a lot of damage.
09:05Like it's happened with it.
09:07Sir, it's possible that this bullet is not another bullet.
09:09The entry mode is very small.
09:11I just wanted it.
09:13It's the only bullet.
09:15Sir, I believe that it's known from the bullet.
09:17But for this bullet,
09:19you have to fire the bullet.
09:21You're absolutely right.
09:23You will fire the bullet.
09:25It's possible to attack the bullet.
09:27But how is it possible?
09:29In the footage,
09:31there is no bullet.
09:33And you're saying,
09:34there is a bullet.
09:35Look, the bullet is this bullet.
09:37And this bullet,
09:38according to my science,
09:39it's about 3 meters away.
09:41But Doc, what is it?
09:42What is it?
09:43No one has seen in the footage.
09:44And then,
09:45the bullet is right before the bullet.
09:47The bullet is right before the bullet.
09:49The bullet is right after the bullet.
09:51The bullet is right after the bullet.
09:52The bullet is right after the bullet.
09:53You should have seen it after the bullet.
09:54One minute.
09:55I'll solve the bullet.
09:56One minute.
09:59Now, come here.
10:04This is a laser beam.
10:05And the bullet is the bullet.
10:07From the bullet is the bullet.
10:08From the bullet.
10:09Three meters.
10:10Three meters.
10:15One,
10:16two,
10:17three.
10:25Two,
10:27three.
10:28One,
10:29two,
10:30three,
10:31three,
10:32two.
10:33Two,
10:34three,
10:35three,
10:36three.
10:38Two,
10:39one,
10:40three.
10:41Two,
10:42three.
10:43Three,
10:44and three.
10:50Two,
10:51Seven,
10:52You didn't see the body of Neha first, right?
10:57Yes, sir.
10:58When I arrived at 8 o'clock in the morning, I saw a dead body there.
11:01And I called you quickly.
11:03And someone didn't hit anything in the crime scene?
11:06No, sir.
11:08You were in the team of Neha.
11:10Yes.
11:11And who are you in the team?
11:12Sir, this is Mehul.
11:14Shruti Sarav.
11:16And what do you exactly do here?
11:18Sir, it's our software company.
11:20We are coding for a medical company to make prosthetic arms.
11:24And what are you doing in the working hours?
11:26Sir, it's a shift for 12 hours.
11:28It's at 8 o'clock at 8 o'clock.
11:30Neha was at 8 o'clock at 8 o'clock.
11:32What was the working hours at 8 o'clock?
11:34We are at 8 o'clock.
11:36But she was working hard for a long time.
11:38So, you have to say that at 12 o'clock,
11:42Neha was not here?
11:44No, sir.
11:45Is there anyone doing here at 12 o'clock at 8 o'clock?
11:49No, sir.
11:50But there was someone who was here at 8 o'clock.
11:53But there was someone who was in the office.
11:55Because it's so easy to come here,
11:57it's not easy to come here.
11:58It's all locked and password protected.
11:59Is Neha a lot of time being done?
12:01Or at some point,
12:03at some point,
12:04working hard for a long time?
12:05Sir, she worked hard for a long time.
12:07Why?
12:08She was slow at work.
12:09No, she was slow at work.
12:11She was very fast.
12:12But Sujit Sir always gives us extra work.
12:14Who is Sujit Sir?
12:15Who is Sujit Sir?
12:16Sir, she was our team manager.
12:18Sujit Sir, Neha was giving us extra work.
12:21And yesterday,
12:22I told you to go to Neha.
12:24Sir,
12:26leave Neha.
12:27She's working hard for a long time.
12:29She's tired.
12:30Go back.
12:31Please.
12:32Now,
12:33you will teach me my work.
12:34Huh?
12:35Shuti?
12:36When will anyone go?
12:37It's not necessary to learn from you.
12:40You can leave now.
12:42Huh?
12:43Please.
12:44I don't know.
12:45I don't know.
12:46I don't know.
12:47I don't know.
12:48I don't know.
12:49I don't know.
12:50If Sujit,
12:51you are going to go here
12:52at the night at 12 o'clock,
12:54then you will tell me
12:57that Pooni's name.
12:59He's like, sir.
13:00He's coming.
13:01Sir,
13:02I was informed him at 8 o'clock.
13:03But now,
13:05the number is coming.
13:06Sir.
13:07Sir.
13:08Tell me,
13:09who was the last location of Sujit?
13:11Sir.
13:12So, Pankaj
13:13took us from the lightship car
13:15to Virju Gadders?
13:16Yes, sir.
13:17He was in the village.
13:18Then,
13:19I and Pankaj
13:20meet him from Virju.
13:21Okay.
13:22I'll take care of Sujit.
13:37Yes, sir.
13:38Yes, sir.
13:39Yes, sir.
13:40Yes, sir.
13:41Yes, sir.
13:42This is very nice, sir.
13:43Sir.
13:44We're going to go to our house
13:45before our house.
13:46How did we go?
13:47How did we go?
13:48How did we go?
13:49The location of the phone is here, right?
13:50Yes, sir.
13:51This is the location of the phone.
13:52But now,
13:53the phone is here.
13:54Sir.
13:55Sir.
13:56Sir.
13:57Yes.
13:58Sir.
13:59Yes.
14:00Yes.
14:01Yes.
14:02Yes.
14:03Yes.
14:04Yes.
14:05Yes.
14:06Alex.
14:07The sound of the car?
14:09Sir.
14:10Yes.
14:11The door closed from open.
14:13The door has closed.
14:14What is the sound of the car and is in the house?
14:16Take care of that.
14:17Hey, I listen while watching,
14:19Merge.
14:20Always fun.
14:21The sound of the car in the house.
14:24Yeah.
14:26Josie, tell me,
14:32yes.
14:33Yes, sir.
14:34Yes.
14:35Sir, I'm scared, sir.
14:37That's not too small, and...
14:39Why are you still there?
14:42There's no sound of soul.
14:44There's no sound of man.
14:45Go inside and see.
14:46This is a very dangerous area, sir.
14:48The people of Chol, you'll understand me.
14:50They'll kill me, sir.
14:52Where are you going to go inside?
14:53I'm not here.
14:54Go inside.
14:55I'll see.
14:57Go.
15:05Chill.
15:36You're going to kill me.
15:40Sir, you're going to kill me inside.
15:43Mirjou, why don't you leave the Chanda, why don't you leave the Chanda?
15:49Chanda is talking about Mama?
15:50Mama's Chanda is not talking about a woman.
15:54Go.
15:55Mirjou.
15:57Chanda, you're not going to go.
15:59Chanda, you're taking a puppy.
16:01Hey.
16:03Who?
16:04Chanda, chanda, chanda.
16:05Chanda, chanda.
16:07Papa, you're taking a puppy.
16:08Your baby is taking a puppy.
16:09Let's go.
16:14Virjou, you got it?
16:16Great.
16:17We're in the car parking lot of Dwyer.
16:21The mobile phone was traced here.
16:26I'll call you later.
16:29Sir, the phone was done at 8 o'clock.
16:32Now it's 11 o'clock.
16:33Sir, in three hours, you'll be left out of the house.
16:35It's possible that he didn't take his car to his hand.
16:39He also got out of the car.
16:41What's your number?
16:42Sir, 8-Line-5-Line.
16:43Maroon Run, Baxter.
16:51Sir, this.
16:52This car.
16:548-Line-5-Line.
16:55It's 8 o'clock.
16:56It's 8 o'clock.
16:56It's 8 o'clock.
16:57Come on, come on.
16:58Take your car.
16:58Come on.
16:59I don't need to stop going.
17:00Watch it.
17:01I've got a selfie.
17:01Move.
17:02Move.
17:02Come on, bro.
17:04Come on.
17:04I have a good selfie with you too.
17:09When I called you to tell you, why did you stop the phone?
17:15Sir, at that time, I was in a place where I couldn't do the phone.
17:20That's why the phone was closed.
17:22Okay. And which place was you?
17:25Sir, there was a visa interview in the consulate.
17:28There is no need to take the phone.
17:30In the truth, there was a visa interview with you.
17:32Sir, you don't have any confidence.
17:34So, let me ask them.
17:36You are supposed to be a girl in the office.
17:39And you have to go to the consulate for the visa interview?
17:44Sir, you are still carrying your ego.
17:48I mean, sir, you have applied for the US visa.
17:54You have waited for 5 months, sir.
17:57Then the date came. How do you leave it?
17:59I think that the phone has been done.
18:01I was planning for the first time.
18:02I didn't have to go to the phone.
18:03If I had planned for the first time,
18:05I would have to get the visa after getting the visa.
18:08They gave me a lot of relief in the office.
18:10They gave me a long time.
18:11They gave me a long time.
18:12They gave me a long time.
18:13They gave me a long time.
18:14And they didn't even go to the house.
18:15Why?
18:16Sir, that's why.
18:17He said to me himself,
18:19give me more work.
18:20Give me more work.
18:21Now,
18:22let me tell you,
18:23if there is any employee so happy,
18:25if there is a job in front of me,
18:26then why would I do it?
18:28Oh, boss.
18:29There is also a limit limit.
18:31Why would there be no person
18:32to give me work for 3-4 hours
18:34so that I can go home?
18:36Exactly.
18:37And that's why I was happy with him
18:40to give him a job in his American franchise.
18:43Yesterday,
18:44there was a visa interview.
18:46There was a lot of money on the job application.
18:48Do you have any evidence of this?
18:50Or are you going to throw it in the air?
18:52Yes, sir.
18:53I kept everything in the official mail.
18:56You can check this out.
18:59Look at this.
19:01There are 5-5 emails from Neha.
19:03He wanted to do extra work, sir.
19:05Without extra income,
19:07over time.
19:08But sir, why would he do this?
19:09Sir,
19:10someone is doing it
19:11when he is in his personal life
19:12and is very worried.
19:14Yes,
19:15or there are many tensions.
19:17And you want to keep you busy with it.
19:21Maybe he will go home
19:23so that he was working hard.
19:26Madam,
19:28give me a phone.
19:31Sir,
19:32one thing
19:34I have told Neha
19:36that she was very difficult from her mother.
19:39Who told me
19:42that my daughter had a problem with me?
19:45Madam,
19:46this is coming to me.
19:48Who told me
19:50that she was very close.
19:51I love my daughter.
19:55I love her.
19:56And she also
19:58I love her.
20:00I love her.
20:01I love her.
20:02Who told me
20:03that she was a joke
20:04in the house
20:05that Neha
20:06told her
20:07more time in the office?
20:08I was telling her
20:09to marry her.
20:10I was telling her
20:11to marry her.
20:12That's why
20:13she was
20:14angry.
20:15she was a woman
20:17to marry her.
20:18So,
20:19she wanted to marry her new marriage?
20:21Not
20:22sir.
20:23She was her son
20:25she was forgiven.
20:26She was very
20:27ashamed.
20:28But in the last year
20:29because she was
20:30she had become
20:31mad.
20:32I was so happy to stay with my wife.
20:35Who was her?
20:37She was only with Varun.
20:39She was a friend of her childhood.
20:41She was a very good girl.
20:43What was the reason for her to break?
20:46I asked her to ask her a few times.
20:49But she didn't answer her.
20:52And she didn't.
20:54Sir.
20:56Is it possible for her to break?
20:58She was working in the office.
21:00Sir.
21:02My sister couldn't come back.
21:05Because you are one of the people.
21:07You will have to give it to her.
21:11You believe that we will not leave her.
21:17First of all, let me know.
21:19Why did this Varun lose her?
21:22Two.
21:25Three.
21:28Four.
21:29Five.
21:31Five.
21:38Come, sir.
21:39Do you also have to learn yoga?
21:41No, no.
21:42We have to talk about yoga.
21:43We have to talk about you.
21:44We have to talk about CID.
21:46CID?
21:47You guys take a break for 5 minutes.
21:50We will continue our class.
21:59CID, sir?
22:00What is the matter?
22:02What?
22:03What?
22:04What?
22:05Who has?
22:06We will know.
22:07Tell us about it.
22:08Tell us about it.
22:09You might understand.
22:11Who is the matter?
22:12Who is the matter?
22:13Tell us about it.
22:14Who has to tell?
22:15I don't want to tell you, but we cannot get away from CID.
22:20but I couldn't hide from CID.
22:24Actually, I was looking for someone else.
22:27Who are you?
22:31I don't know.
22:33When I knew that...
22:35...it has helped me,
22:37...I broke my relationship with him.
22:40Where are you from tomorrow night?
22:42You're sure to trust me, sir.
22:44There are a lot of cases in cases, right?
22:47You're always on my own.
22:50I was on my own.
22:52When did you meet the next time?
22:54That day when we were different, sir.
22:56After that, I didn't meet him for one year.
23:02Sir, in this case, there are more questions and no answers.
23:06And the question is,
23:07...how do you see the dust in the dust?
23:10It will come, Purvi.
23:11The dust will come.
23:13The path of this footage will open
23:15...and now, a digital forensic report will come.
23:17Pankaj,
23:19...you take the dust.
23:21Sir.
23:22Sir, do you have any suspect in the suspects?
23:26Purvi,
23:28...we have no evidence or evidence,
23:31...no witness.
23:33Yes, sir.
23:35You will have to keep someone in the mirror.
23:38Now, let's see what the dust tells you, sir.
23:41Sir.
23:42Purvi.
23:44Purvi.
23:45Purvi.
23:46Come here.
23:47Sit here.
23:49Sit here.
23:51The sleep has opened,
23:52...and I want to drink tea.
23:54No, sir.
23:55Sir, just tell me to know.
23:58I didn't kill him.
23:59Who killed him?
24:01I don't know, sir.
24:02You were on your duty at night,
24:03...and you were on your duty at night?
24:05Sir.
24:06How are you there?
24:07Sir.
24:08We were sitting on the CCTV monitor.
24:10There was no doubt in the office.
24:12No doubt in the office.
24:13No doubt in the office.
24:14No doubt in the office.
24:15Then there was no doubt in the office.
24:16How are you doing?
24:17How are you doing?
24:18In the morning, 6 o'clock.
24:19How are you going to the office?
24:20When are you going to the office?
24:21About 3-4 o'clock.
24:22About 3-4 o'clock.
24:23So, when he didn't get out of the office,
24:25...you didn't have to worry about that time?
24:26Yes.
24:27I thought, perhaps,
24:28...will be more work.
24:29This is why he won't leave the house.
24:30His car was also waiting for the office.
24:33So, what do you do not have to come from the office?
24:36Yes, sir.
24:37It was a fixed car.
24:38So, you will have a fixed car?
24:39Yes, sir.
24:40Yes, sir.
24:41Yes, sir.
24:42Good.
24:43Good.
24:52Good.
25:22Who are you?
25:23We are the one who seems to be the name of the name of the man.
25:26The Muslims seem to cry.
25:29C.I.D.
25:31C.I.D.?
25:33What did I say?
25:34You leave this girl at night with RBX company at night, right?
25:38Yes, sir.
25:40But I didn't do it yesterday.
25:41I was waiting for them.
25:42They didn't have the phone.
25:44And they didn't have the phone at the office.
25:46That's why, because yesterday, someone stole this girl's phone.
25:50What happened?
25:52What did I say, sir?
25:54I was very bad with her.
25:56I was very bad.
25:58What happened, brother?
25:59You're so emotional for a customer.
26:01Sir, I'm not for myself.
26:04I'm for that girl who loved her.
26:08She loved her so much.
26:10She loved her so much.
26:11She loved her all with her.
26:14How much did she do this girl?
26:17Sir, people eat stone in love.
26:19They eat.
26:20They eat.
26:21They eat.
26:22They eat.
26:23They eat.
26:24They eat.
26:25They eat.
26:26So, Neha has killed this girl?
26:28Yes, sir.
26:29One minute.
26:30Let me explain.
26:31Let me explain.
26:32Sir, I left at night at 3 o'clock.
26:35I left Neha from the office.
26:37And this girl was standing in the street.
26:40Where did she go?
26:41I left the street in the street.
26:42Every day?
26:43Every day.
26:44Every day, sir.
26:45Every day, sir.
26:46She would have to believe that Neha Madam will never get away.
26:50And the girl will never die.
26:52She will never die.
26:53She will never die.
26:54She will never die.
26:55She will never die.
26:56She has started.
26:57She has had a heart.
26:58The night, she was angry.
26:59She was angry.
27:01She was angry at night.
27:02She was angry at night.
27:03She was angry at night.
27:04She was angry at night.
27:05She was angry at night.
27:06Yes, sir.
27:07Just think.
27:08Neha Madam will never die.
27:09What will happen to her?
27:11What's the name of this girl?
27:12Sir, I don't know.
27:13Do you remember her face?
27:14No, sir.
27:15Today, she feels like a hero.
27:19Let me see some photos.
27:21Let me see if there is someone from her.
27:23What is it?
27:25Let me see.
27:32This is not a sign.
27:33What was it going up to her?
27:34How long did her do?
27:35For 7 years ago.
27:36This was about 7 months.
27:37You either heard something about them in the face of a story?
27:41Yes, sir.
27:42Within one day, the woman wadhaled babbling.
27:43He was so mad.
27:44Questions.
27:45Someone to come out the face of the face of the face.
27:46Who?
27:47Yes.
27:48This is either the girl.
27:50Which is the girl.
27:51Who killed Neha and Varun.
27:53Who killed the woman.
27:55The woman.
27:56Who killed Varun?
27:57Oh, my God.
28:02It's amazing.
28:06It's broken, but it's not a little love.
28:10You put a photo in the whole house.
28:14We have a lot of results, sir.
28:17But we don't leave our hearts so easy.
28:20Hmm.
28:21You were waiting for a long time to see Neha in the middle of the road.
28:27On the road?
28:28Yes, on the road.
28:30It's 4 o'clock.
28:31What are you talking about, sir?
28:33I didn't get to meet Neha from one year.
28:36Okay.
28:38Let me tell you, who was the one that you got away from Neha?
28:42I actually got a message from his office to me that
28:45he and Neha want another one,
28:47and that's why I need to die from behind.
28:51I got angry, but later,
28:53I knew that that man was talking to her
28:55and Neha had no relationship with him.
28:57When we met you, why did you tell us?
29:00That you don't want to go with that?
29:01Sir, this is a murder case.
29:02I was scared,
29:04that I'm not going to die.
29:05Wow.
29:06Whoever you love to love,
29:08you don't have any interest in your blood.
29:12Who was that guy?
29:14Who had you sent a message?
29:16Shellish.
29:17Very good, officer.
29:18First of all,
29:19you're in trouble with a bad person.
29:22So, you all think that he didn't kill him?
29:24Of course.
29:25Where is he?
29:26There's a twist in the story, officer.
29:28He doesn't work in this company.
29:30In fact,
29:31I had removed him one year ago.
29:33Why?
29:34He didn't work properly?
29:35No.
29:36He was outstanding.
29:37He was very good in his work.
29:39In America,
29:40he was designed for prosthetics.
29:42Then,
29:43why did he get out of his work?
29:44Sir,
29:45he was behind Neha.
29:46He was also in his head of Neha.
29:48He was also in his head of Neha.
29:53How did you send me such a message?
29:55I didn't send you any message.
29:57What did you send me?
29:58What did you send?
29:59This is Salish's number, right?
30:00Listen to me.
30:01Neha, darling.
30:02Neha, darling.
30:03Your engagement is broken.
30:05It's very bad for me.
30:07The happiness that you didn't give me.
30:10I'll give you.
30:11After the party,
30:13you'll meet me in my room.
30:15Of course.
30:16How did you get your courage
30:18to do this with a co-worker?
30:20I didn't send you any message, sir.
30:22Please trust me.
30:23Don't come to the office tomorrow.
30:25You power, just get lost.
30:26Sir, listen to me.
30:27Get lost.
30:28Guys, party is over.
30:29It's all happened,
30:30and you don't need to tell us about this.
30:32Sir, there's no access to the company.
30:35So, how will it be?
30:37No, no, Shruti.
30:38This whole security system
30:40has designed it.
30:42Then, he can hack it easily.
30:44What?
30:45We need all the details of this shellage.
30:47Okay, officer.
30:50Yes, sir.
30:51There was an open diana.
30:53Okay.
30:54How did you know now?
30:56First of all,
30:57you look like everyone's faces.
30:59I don't know, sir.
31:01It's a golden chum.
31:03It's a girl in the night.
31:05It's a girl in the night.
31:06It's a girl in the photo.
31:09Okay.
31:10Okay, Sundar.
31:11Go, then.
31:12You don't need to call.
31:14Yes.
31:15Yes.
31:17Sir, this confirmed
31:18that the man was a shailesh.
31:20But a shailesh
31:21is like a girl
31:22like a girl's head.
31:23Who is missing?
31:24His address, phone number,
31:25all changed, right?
31:26Yes, sir.
31:27When he was released from his job,
31:28he was underground.
31:29There's no doubt about it.
31:30Whatever it is,
31:32Nia Khakun has not done it.
31:36Nia Khakun's love
31:37Nia Khakun's love
31:38has lost his love.
31:40Sir, there is still a mystery
31:41there.
31:42Why does this shailesh
31:44look at anyone?
31:47Hello.
31:48I'm Dr. Harman
31:49from Digital Technologies.
31:51Mr. Harman,
31:52this footage
31:53is a shailesh.
31:54Mr. Harman,
31:55we've checked the footage
31:56a lot.
31:57Mr. Harman,
31:58we've checked the footage
31:59and there's no shailesh.
32:00It's the original footage.
32:03I think
32:04that a person
32:05has done it.
32:06Or there will be
32:07an invisible person.
32:09Pankaj,
32:10then you started.
32:12Mr. Harman,
32:13we have to check this footage
32:14again.
32:15Sure.
32:18Mr. Harman,
32:19sir,
32:20here,
32:21Nia Khakun's love
32:22to zoom in
32:23the back of the
32:24legs.
32:25Sir,
32:26if we zoom in
32:27so much,
32:29the footage
32:30will not be
32:31good for the greens.
32:32But
32:34you have
32:35any software
32:36or tool
32:37to clean the footage
32:38more than
32:39the zoomed-in footage?
32:40Sir,
32:41it's true,
32:42but
32:43it's not 100% effective.
32:44Let's try.
32:481 minute.
32:491 minute.
32:501 minute.
32:51Just rewind.
32:525 seconds before.
32:53Sir.
32:54Yes.
32:55Yes.
32:56Yes.
32:57Yes.
32:58Yes.
32:59Yes.
33:00Yes.
33:01Yes.
33:02Yes.
33:03Yes.
33:04It's a great
33:05scenario.
33:07Yes.
33:09I have to show you
33:10a test.
33:11Flash.
33:12Flash means bullet.
33:14Now, this adrish,
33:16the path of blood is coming.
33:19It was a very long planning.
33:21There was a device made
33:24that the gun was fitted.
33:26And so that someone was looking for it,
33:28that device was camouflaged with the floor.
33:31But, sir, the bullet is going from the gun.
33:34This is a machine.
33:35And the shape of the machine is going from the gun.
33:38And the bullet is going from the gun.
33:40But the gun can also be hit with another device, right?
33:46The moment of this device
33:48and the size of it
33:50seems that it is a robotic vacuum cleaner
33:53that we clean first.
33:55Sir,
33:56we are waiting to see how the blood came and how came
33:59and how the machine came out of its work.
34:03That's why we only got gun powder in the crime scene.
34:06Sir, this floor cleaner has been camouflaged with the floor.
34:09That's why Neha didn't show up.
34:11That's why Neha didn't show up.
34:12And the floor cleaner movement,
34:13because of the floor cleaner,
34:14the upper key lights are on and off.
34:15The motion sensor.
34:16That's why he was looking at it.
34:17That's why he was looking at it.
34:18So,
34:19he had to be a very brilliant and intelligent man.
34:21He has made a kind of device
34:23that could be a vacuum cleaner
34:25that could work with the vacuum cleaner.
34:27That's why he has made a good device
34:28that could be a brilliant engineer.
34:31A brilliant engineer
34:33who had to make a prosthetic for the US,
34:36Salish.
34:37Salish.
34:38We need Salish to arrest Salish.
34:40This case is solved, sir.
34:42I'm going to get Salish's address.
34:44We need to look at Salish's address.
34:50Hello?
34:52What?
34:54Where are you?
35:02Our number is missing, sir.
35:04We are looking at Salish's address.
35:05The neighbors have told us that it's here.
35:07But Pankaj, how did you know that this is Salish's address?
35:20But he didn't say it right.
35:22There's something happened here.
35:24A new photo?
35:28We are looking at Salish's address.
35:30A cigarette.
35:34What?
35:46There?
35:51Or no?
35:52Suicide note.
35:53I love Neha, but he doesn't love me from me.
35:59I'm not doing any work, that's why I'm killing her, and myself.
36:05I hope that in our next life we will be together.
36:10I love Neha, but he doesn't love me from me.
36:12I'm not doing any work, that's why I'm killing her, and myself.
36:17I hope that in our next life we will be together.
36:21The love of the love of Neha has increased, sir.
36:24That's why he killed Neha and now he's dead.
36:28Don't worry about the house, what do you get?
36:40Sir.
36:52Sir, what do you think?
36:54Sir, you can see, this is a gun.
36:58This is a gun.
36:59It's a gun that fits me.
37:01The gun is very powerful.
37:02This is a small gun to get a small gun.
37:05Sir, this is a gun.
37:08The gun is a gun.
37:10So it's a gun.
37:11The gun is a gun.
37:12The gun is a gun.
37:13The gun is a gun.
37:14The gun is a gun.
37:15That's why it's the gun is a gun.
37:16Sir, the gun is the gun.
37:17Sir, the gun is the gun.
37:18Sir, he was telling the gun.
37:19He was a very good engineer.
37:20So it's not a big deal.
37:21After all, there's evidence that a gun is getting up.
37:24Well, it's a gun.
37:25It seems like it's planted.
37:27If it was only a human Cutter,
37:29then it's a large amount of planning to kill Neha.
37:32He used to kill Neha.
37:33He used to kill Neha on two stacks.
37:35He used to kill Neha.
37:36It means that Khooni is another one and is trying to get us into trouble.
37:39This is a suicide note. This is not true.
37:42Sir, is it possible that all of them and their work?
37:45Neha and Shailesh have changed it?
37:47It is possible.
37:51What is this?
37:52What?
37:53Shailesh's job was a year before, in 2014.
37:57What did the company's diary do here in his house?
38:02It means that it's true.
38:04Khooni is another one in the office.
38:16You guys are behind our company.
38:19Now the case has also been solved.
38:21But you guys have no chance.
38:23No.
38:24This case has not been solved.
38:26The picture is left. Sit down.
38:29The villain of this picture is not Shailesh as you are thinking.
38:34There is no one in your house.
38:36And who is who is, will be very quickly.
38:38How will you tell us, sir?
38:40Jadu, you will see a jadu in your life, right? Magic show?
38:46Magic show?
38:47Magic show?
38:49It's the CID's magic.
38:50It's about the čeidity.
38:51I've not raised off the topies in such a kabouter.
38:55It's the name of the Khooni's.
39:00It's the name of the Khooni.
39:02Varun, did you show the message that Shailesh sent to you?
39:08Thanks.
39:12Sir Varun, take care of your work.
39:14Sir, quickly.
39:24Sir, these messages Shailesh have been sent from his number.
39:29But he didn't send these messages from his phone.
39:32No software can install these messages from the computer.
39:36Yes, you guys are here to find Shailesh or to prove the Shailesh innocent.
39:41Wait, wait.
39:43Both of us are interconnected.
39:44Now we'll get to know.
39:46Armanjara, tell me that when Nia died at 12 o'clock at night,
39:50at that time, Kin Kin Noh was connected to the company's Wi-Fi.
39:55Sir, why are you doing this?
39:57What will you get to know from this?
39:59Kooni's name will get to know.
40:02The device that was on the phone,
40:05was connected to the company's Wi-Fi.
40:09And Kooni was operating on his mobile.
40:15You just want to find who's mobile is.
40:18Sir, at the time of Neha's murder,
40:21three devices were connected to the company's Wi-Fi.
40:24First, Neha's mobile.
40:26Second, his laptop.
40:28And third, another mobile,
40:30whose time will be released.
40:32And now it will be released.
40:33And now it will be released.
40:34And now it will be released.
40:35So we'll get to know.
40:36Let's go.
40:37How are you getting to know the,
40:38or if there are any other cameras?
40:39How are you getting to know the phones?
40:40T
40:49T
40:52T
40:53T
40:56T
40:57T
40:59T
41:00T
41:01T
41:02T
41:04S
41:07T
41:08So, Sujit would give Neha.
41:10That's it?
41:11You killed Neha so much?
41:15I could understand Sujit.
41:17I was trying.
41:19But he was not prepared for understanding.
41:21Hold up.
41:22He would give me an insult.
41:23Sir, I have prepared a new updated version of Prosthetic Aan.
41:28With AI features.
41:29Shruti,
41:31you don't have to go on the design.
41:33You understand business.
41:34What is business?
41:36Dhanda.
41:37Pheysha kamaane ke liye kiya jata hai.
41:40Eise fall to ideas leekhe.
41:43Mataya karo meere paas.
41:45Leave now.
41:46Eek meyan mein dho talwaray nahi rahsakti.
41:48Par,
41:49Neha ki hoote hoye meri taraki
41:52na mookki tti.
41:52Toh, tumne lamdi chodi planning ki Neha ko office se nikilwaanye khenge.
41:58Varun ko nakli maseh bhi bheja na?
42:00Muchha laga tha ki
42:03Varun uske baad usse nahkri nahi karne deega.
42:06Sabkuch ulta hua.
42:08Usne to uske saath rishta hi tood diya.
42:10And tootie rishche ke gum se baar nikilnye ke liye,
42:13Neha bishari,
42:15offis me aur wakt gudarne lagi.
42:17Kaam karne lagi late tak.
42:18Or mere plan par paas.
42:21Or phir is baar tumne ek all chaar chali.
42:24Is baar tumne
42:25Shailesh ke mobail se Varun ko nein,
42:28direkktli
42:29Neha ko message phej diya.
42:30Shailesh merah
42:32Acha doosth tha.
42:33Or muchae pata tha ki
42:35Shailesh neha ko pasand karta hai.
42:37Or meinne Shailesh ke dhimaak me ye ghalat faymi đal di ki
42:40Neha bhi usse pasand karta hai.
42:41Mager un dhuno ke saath ho jane se
42:43Tumhara kya fayda hot tha?
42:45Agar wou ek dúsre ko ndate ka tte toh
42:48Kampani ke policy ke agenst hot tha.
42:50Or phir Neha ko naukari se nikaal saktte thai.
42:53Mager hua ulta.
42:56Neha ki naukari toh waisi ke waisi e rahi.
42:58Mager Shailesh ki naukari chali gahi.
43:00Or uske saree project bhi
43:02Neha ko dhe di di hai.
43:04Or isse tumhari parishanye aur padi kai?
43:06Haan.
43:08Pujhe bhot bura laga.
43:10Or sab se zahha bura toh mucha tab laga.
43:13Chabu sujit me Neha ko uuse se bhejni ki baad bhoi.
43:16Or uuse se jaka r project karna mehra sapna tha mehra.
43:20Or apne tute hooe sapne batoni ke wajahe
43:22Tumhne socha ki kiyo na Neha ko hi rafsne se a'tha dhiya jaya.
43:26Or Shailesh ko naukari se nikaalai jane ke baad bhi
43:29Neha ke pyaar mein wou maafi madta raha.
43:32Us bichare ko kya pata tha?
43:35Neha ke murdher ke saath-saath
43:38Tumhne uske maut ki kaahani bhi likh rakhki hai.
43:40Mere paas...
43:41Mera talent vikhanne ka yahi mokata tha.
43:45Mere wiesa same floor cleaner kharidha
43:47Jisa office meh use hoota hai.
43:49Or wiesa same floor mat bhi.
43:52Or dholo cheezo ke jilivani.
43:54Shailesh te ghar kharai.
43:56Apeni ghar nahi.
43:58Taki sara shakt Shailesh par jahe.
44:00Or phir tumhne Neha ko maarne se pahele Shailesh ko maara.
44:04Uske ghar pere.
44:05Tumh jantti thi ke CID uske ghar tak pahuncheigi.
44:08Isse tumhne bade acche se sa saja ke...
44:10Suicide note ko wahan pe rakhdiya.
44:12Pas ee galdi kardi tumhne.
44:14Vahan 24 ke badle tumhne...
44:16Tumhne 2025 ki dairi rakhdi.
44:18Bhoat dhimag lagaya.
44:20Bhoat chala kiki.
44:21Lekin kya fayda?
44:23Apeni bhanai huwe jal meh tumhkud phas kai.
44:27Apeni akal, talent...
44:29Iska sari istimmal kiya hota...
44:31Toh bhoat fayda hota.
44:33Tumhara bhi.
44:34Or hamarai samaaj ka bhi.
44:36Pard nahi.
44:37Tumhne jirm ko chudha.
44:39Or shudhi jirm ka rastata...
44:42Khatm hoota hai...
44:44Haansi ke pande tak jata hai.
44:48Muzikad
44:52Siapastaja
44:54Gatame
44:55ni
44:56ni
44:58ni
45:00ni
45:05siapastaja
45:07ni
45:09ni
45:11ni
45:13ni
45:15ni
45:17ni
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