لقاء اخير مع موسيقار الازمان فريد  الاطرش لازاعه الشرق الاوسط       بواسطه سوزان مصطفي 1971 - video Dailymotion

susan mostafa

لقاء اخير مع موسيقار الازمان فريد  الاطرش لازاعه الشرق الاوسط       بواسطه سوزان مصطفي 1971

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02:42I don't think I'm going to get into the image of the florence that I gave the florence.

02:49No, it's possible that the florence is also able to use the florence.

02:57But the florence that I gave the florence is the florence.

03:03So the florence is not the florence that I gave the florence.

03:08I want, for example, the imperialist saints who Koj6 in his exotic

03:09are getting the florence that would require resemble the florence.

03:18And there areきます, they allow this florence that is able to rob the florence and meet beautiful switches.

03:24For this florence is not given."

03:28But simply simply, alongside, the pipeline carried out with a florence that looks cement.

03:36and it's going to be on the other side

03:38Mr. Farid, there is a reaction at the moment

03:40with some of the participants

03:42that they make their own

03:44one or a half

03:46what is this reaction?

03:48and there is a reaction

03:50and the reaction

03:52is this one?

03:54Mr. Farid

03:56Mr. Farid

03:58Mr. Farid

04:00Mr Farid

04:02Mr Farid

04:04Mr Farid

04:06Mr Farid

04:08Mr Farid

04:10Mr Farid

04:12Mr Farid

04:14Mr Farid

04:16Mr Farid

04:18Mr Farid

04:20Mr Farid

04:22Mr Farid

04:24Mr Farid

04:26Mr Farid

04:28Mr Farid

04:30Mr Farid

04:32Mr Farid

04:34and peace and peace

04:36the second question is

04:38in the last question

04:40in the last year

04:42we saw an old-year-old

04:44an old-year-old

04:46this is

04:48the

04:50old-year-old

04:52old-year-old

04:54old-year-old

04:56old-year-old

04:58this is what

05:00this time

05:02the last time

05:04is

05:06the

05:08the

05:10the

05:12the

05:14the

05:16the

05:18the

05:20the

05:22the

05:24the

05:26the

05:28the

05:30the

05:32the

05:34the

05:36the

05:38the

05:40the

05:42the

05:44the

05:46the

05:48the

05:50the

05:52the

05:54the

05:56the

05:58the

06:00the

06:02the

06:28and that's what he says is that he is a mean man and a lot of words

06:32is a good man, a good man, a good man, a good man

06:35he is a good man, he is a good man

06:38he is a good man, he is a good man

06:41he is a good man

06:44you see what he says in his culture

06:47and is that there are many of them

06:51that he doesn't have any other one

06:54is he a good woman

06:55This man can be affected by one person

06:59In the case of his and his family to get a big deal

07:04They don't have...

07:07They don't have a level of high level

07:11When I was able to get into one person

07:13Or, I would say that one person could give you one person

07:15Because the comedy can give you one person

07:17That one who can give you one person

07:19That one can give you one person

07:21So the shablin shablin can let's talk and let's talk to us

07:26It's probably possible to make it

07:30so that we can't get into a routine

07:34So we need to get rid of these

07:36We don't get into it

07:37It's only if it's an easy one

07:39It's an easy one but we can't get into this

07:42It's not easy to get rid of it

07:44and we can get rid of it

07:46and then we can get rid of it

07:47I think I can give you a question

07:50So, what's the story about it?

07:56The difference between the voice and the voice and the voice from the voice.

08:06In the beginning of the first one , he is calling from the first one

08:14To talk a few, we found one

08:16He told me he , that he was tzai zahmer

08:19He was tzai lal al-mah-h-hné

08:21By the day he was tzai lal al-mah-han-hu-h-hné

08:23Wohw Mohamad-Sulthana

08:25He was tzai lal al-mah-h-hné

08:27Wohw Levain Chin

08:29Abdelhahlim Hafd

08:31He was tzai lalaf-h-hné

08:33lalal al-mah-h-hné

08:35You are not going to get to the point of this

08:39The situation is that the oppressors will not be able to get more of a sound

08:49and the same kind of a soul, which is different from the other one

08:53If you are not going to be able to get more of a sound

08:55If you are not able to get more of a sound

09:00and you can't make one sound

09:03If you have to eat a lube like this one, take a new one and stay within the daytime

09:11so you can wear a different color

09:13I have to use the nice and loud

09:16and be able to use all the lube

09:17And if you have a lube, then this one would be a new one

09:21so your routine would not be routine or lube one

09:23I can actually use a lube

09:28that as you can give me a lube

09:30is not a good mood

09:32even if you are blind

09:34You can hear

09:3690% of theẻ

09:40and are blind

09:42Everyone is blind

09:44but we are not able to

09:46We have a

09:48cultural

09:49and we can

09:51to be able to

09:52and to be able to

09:54and to be able to

09:55because we have another

09:56because we have a

09:56we don't have a

09:57we don't have a

09:58we don't have a

09:59and that's how you change

10:18the person to change

10:27you can regulate the music

10:32you might have a lot of music

10:36why did you define music

10:36why did you regulate the music

10:39oh my god I want to get a long way

10:43I know that the performance of the man is going to be with an agamemes

10:47I want to tell you that the man is the honest

10:50who is going to engage with the country and the country

10:54more than the eaghanie of the social media

10:56I'd give you a few words in the end of the year, and the text was a huge and low quality, not a lot of people who asked me to do this

11:03When I was in Lebanon, the day I went to the village in the Holocaust, I gave you a day of my life

11:10This was a day of the day

11:12And it was, and it was a day of a day, and I won't show you to come and watch this

11:15It was a day of the day of the night, and the day of the night, and the day of the night, and the day of the day, and the day of the day

11:21And then I gave you a day of the night, and the day of the night, and I gave you a day

11:25That's why I started to deal with it

11:27So I started to give it to me

11:29I think it was boring

11:31I know what is it

11:32That was boring

11:34I can tell you

11:35It was boring

11:37I was going to do

11:39But I have to deal with it

11:41I'm very proud of

11:43My brother

11:44I'm going to be able

11:46By all the art of art and art

11:50But the moment

11:52Don't worry

11:54and they will be bothered by theirulenia

11:56they will be lost by our religion

11:58and the ministry will be lost

12:00and they will die

12:02so that we'll live in this

12:04and in this situation

12:06we are living in a forum

12:08yes we will give fulg

12:10and to the world

12:12we will be the first

12:14who are joining the group

12:16with their political parties

12:18we will be walking with them

12:20and and they will be dead

12:22I don't know.

12:25Do you have to keep in the music?

12:27It's the music scene

12:36KPI

12:39I got a lot on the music

12:42And I got a lot on the music scene

12:46I was in Beirut

12:48And I worked on the film

12:50This film has a far clear

12:54I have a little interpretation in my life

12:58You know I've got a lot of CGI

12:59And it's only now

13:04This is very fast

13:06I'm just so young

13:07I always give a favorite美術

13:10But I have a favorite

13:12You just have seen how many others

13:15I always look at that

13:17And I see

13:19The

13:24Welcome to the

13:32My god

13:36yeah

13:38I'm

13:39I'm

13:42I'm

13:43I'm

13:45I'm

13:46I'm

13:47I'm

13:48I'm going to give you a heart and who is going to die from the heart?

13:53I'm going to give you a heart and give you a heart.

لقاء اخير مع موسيقار الازمان فريد الاطرش لازاعه الشرق الاوسط بواسطه سوزان مصطفي 1971

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