Strictly come dancing 2025

Just soaps & reality 2025

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00:00Dancing with Foxtrot, from the movie Swing Time, Valinda Sopal and Julian Cale.

00:16Someday, when I'm awfully low, when the world is cold,

00:27I will feel a glow just in my heart, and away tonight.

00:40Where each world, your tenderness grows, tearing my fear apart.

00:59And then laugh, because your nose touches my foolish heart.

01:14But I believe, I never, never change, to keep that reckless charm.

01:27Won't you please arrange it, because I love you, just the way you look tonight.

01:42Oh, beautiful. That's the magic of the movies right there.

01:51You must have been in your element, Fred and Ginger. Anton?

01:55Oh, be still, my beating heart.

02:00I, you, let me tell you this, you tailor too, too tiny coin a little bit already, because you saw my life.

02:10You were beautiful, and elegant, and sophisticated, and the feel was gorgeous.

02:25And I loved watching it. I just felt lovely.

02:29And your side-by-side work is musical, and free, and romantic, and wonderful.

02:35It's not the same when you get in hold. In hold, you get a little tense, and you get a little hesitant.

02:41And then you do this thing here, where you get a little close to the top, and this all gets a bit too far away.

02:48And then it becomes a little bit, I'm not quite sure which of these I'm supposed to move.

02:52And it's a shame, really, because it's such a beautiful world.

02:56If you can tuck those thighs under, just feel like you roll your thighs under a little bit, you'll get much closer.

03:02And then everything becomes, the irony is, you feel too close, but everything becomes much clearer.

03:07Because you'll be able to feel everything is leading you into.

03:10Because it's a beautiful feel. I don't want you to change anything.

03:13I want you just to connect that base a little bit more to your partner.

03:17But, oh, what lovely dancing that was.

03:20And really, I knew you would love that.

03:25The left shoulder was slightly raised, I noticed.

03:29When you did get into hold, you need to keep that wrist down as much as possible.

03:33I would like seeing just some softer, all the held moments just need to be a little softer and dance through them.

03:40But it was elegant, it had class, it had grace, my darling, and much more confidence.

03:51I honestly feel like you gave that dance personality, you gave that dance life.

03:57You were living it, and that's not something that you should take for granted.

04:03Because you gave it charm, the way you were moving, the little details, attention to music,

04:08all those little tiny highlights within the music that shows what talent you have.

04:13So, a fox shot, we would know for more gliding movement.

04:17And every time I saw a slow, I thought you could go, you know, like singing, like, slow.

04:25Was that okay?

04:29So, if you could feel the music a little bit more.

04:33Sure.

04:34But everything you have, please keep in those competitions, you're great.

04:37You're great.

04:38Yay!

04:39Thank you!

04:40Thank you!

04:52We spoke before about how much you love music, and what I noticed when you were dancing before

04:57is that when you let yourself be led by the music, you became a little freer.

05:02Yeah.

05:03And that's what I watched tonight.

05:04So, everyone was talking about how elegant it is, how much you move with the music,

05:08how lyrical you are, and that is the thing we've been talking about.

05:11Yes.

05:12What did I tell you?

05:13Thank you very much.

05:14I told you to do that.

05:16Because you have a wonderful hold of what music can do to the body.

05:20And when you listen to it, we can see it.

05:23It's really, really, it was, for me, beautiful.

05:25I loved watching you, John.

05:26You loved it.

05:28Shirley.

05:29Last week, the Charleston.

05:30Oh, yes.

05:31Don't go ahead, Julian.

05:32Last week, the Charleston, and this week, the Foxtrot.

05:37Now, I agree with everybody with the grace and the elegance, although at the beginning,

05:42and this will go forward with your other dances, it needs finish at the ends of your

05:46hands and your arms.

05:47And your EF used to say, all ends in the ends of the hands.

05:50So that's beautiful for you to think about when you go.

05:53But when you have a slow, you have a slow.

05:58When you have a quick, quick, it doesn't mean it's two short, small steps.

06:02The footwork for me was by no means very good.

06:06So, hold on, hold on, because I do believe that Valbinder is going to go far.

06:12I believe that.

06:13But she's not going to go far if everything is mushy and cushy, you know.

06:18You're just great.

06:19I wanted to learn something.

06:21I want you to pay attention to a heel turn.

06:24If you're learning in the room and it's a toe, toe, toe flat, it's as good to say that

06:29as toe, toe, heel.

06:30So, heel turn to a miss.

06:32The slows weren't quite there.

06:33The quick, quicks look a bit stuck.

06:36So, I believe with all this beauty and finesse that you have given, you are stunning.

06:43But footwork will need attention because as you move further on into the competition,

06:46you're going to need it for stability.

06:48But I think you're great, like everybody said.

06:51But let's pay attention to those little, small details.

06:55Thank you so much.

06:56Thank you so much.

06:57Lots of feedback to take on.

06:59Well, it was wonderful.

07:01Valbinder and Julian.

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