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00:00:00Oh
00:00:30You're fine, right?
00:00:33Thank you, sir.
00:00:37Maybe my leg fell down below.
00:00:43You're the director Suzuki, right?
00:00:45I'm from Rena Isaka's second planning department.
00:00:49Yes, I'm Suzuki.
00:00:53Thank you for saving me.
00:00:55Maybe my leg fell down below.
00:01:15Nisa.
00:01:19Good morning.
00:01:20Good morning.
00:01:21You're completely different.
00:01:23After the makeover, you're very good.
00:01:25Okay, tell me.
00:01:26It's not too much, right?
00:01:27No, it's not.
00:01:28Perfect.
00:01:29Really?
00:01:30You said that bright colors are good for you.
00:01:31Don't ask.
00:01:32How did you cut your hair?
00:01:33Yesterday's reunion, how did you cut your hair?
00:01:35Why did you cut your hair?
00:01:36I'm asking.
00:01:45Is Mrs. Isaka not here yet?
00:01:47Did you talk about her?
00:01:51Yes.
00:01:56Sumiyoshi.
00:01:57Misa, come here.
00:01:59Yes.
00:02:07What is this?
00:02:09Who will approve this presentation in a meeting?
00:02:11But, sir, what is the problem?
00:02:12Tell me.
00:02:13What is this?
00:02:14Tell me.
00:02:15There's no such product to it.
00:02:16There's no such product to it.
00:02:17There's no trust.
00:02:20But I'm telling you about one problem.
00:02:26Now, I'll tell you.
00:02:28You can't touch your mind or you have eaten.
00:02:31I'm sorry, sir.
00:02:32But if you tell us, we'll...
00:02:33This proposal is a problem.
00:02:34Now, don't forget it again.
00:02:35Don't forget it again.
00:02:36Don't forget it again.
00:02:37Don't forget it again.
00:02:38Don't forget it again.
00:02:39Don't forget it again.
00:02:40Don't forget it again.
00:02:41Don't forget it again.
00:02:42Don't forget it again.
00:02:43Don't forget it again.
00:02:45Oh, you too.
00:02:47This office is not your house.
00:02:48Don't forget it here.
00:02:49Don't forget it again.
00:02:50The meeting is possible this week, right?
00:03:01I was submitted the proposal.
00:03:03So, if I have needed to change it,
00:03:05I'll get a time for him.
00:03:07The manager himself gets the same.
00:03:10What?
00:03:11Nothing.
00:03:13Good morning.
00:03:15Good morning, sir.
00:03:16Forgive me.
00:03:17It's been too long.
00:03:18you are not good at all. How long I'm calling you?
00:03:22Thank you sir. My leg was dead, so I had to go to the hospital.
00:03:27The leg was dead? It's a lot of pain. Don't be afraid of the leg.
00:03:31Don't be afraid to go to the house.
00:03:33No.
00:03:34Okay, do a job here. Come here. Come here.
00:03:37Sorry, I'm sorry.
00:03:38No, don't worry. Come here.
00:03:41Just sit quietly.
00:03:43Thank you sir.
00:03:44I'm probably going to have a compress. I'm going to take it.
00:03:47Okay.
00:03:48Okay, listen.
00:03:49Yes.
00:03:50Lantra de Kefe from Tanae's phone.
00:03:53Lantra de Kefe?
00:03:54Yes.
00:03:58Hello sir. I'm talking in the mouth.
00:04:02In Tanae?
00:04:17Hello?
00:04:18Wow.
00:04:19I'm talking in Tanae.
00:04:20I wouldn't know.
00:04:21What's going on, Mrs.?
00:04:22What are your plans?
00:04:24What am I drinking?
00:04:25Hello.
00:04:26We're also looking for the famous dish.
00:04:27Wow.
00:04:28It's a beautiful dish.
00:04:29This is a beautiful dish.
00:04:31You look very tasty.
00:04:32Then we're the otheré­‚.
00:04:33You're doing this part of the food.
00:04:34Well.
00:04:35this is a famous dish.
00:04:36This is a very tasty dish.
00:04:38Let's finish this whole thing.
00:04:43Do you have a lot of work at lunch?
00:04:45No.
00:04:46There are a lot of people to enjoy.
00:04:48And then you are also a special customer.
00:04:52Let's start eating.
00:04:54Yes, please.
00:05:00It's very tasty.
00:05:02So you are both the owner and the chef here?
00:05:05It's crazy, right?
00:05:07I thought you would become a director or an actor here.
00:05:10Yes, that's right.
00:05:12But the theatre was only until the university.
00:05:14If you didn't make a part-time job,
00:05:16I would make a part-time job.
00:05:18Probably, I would have written this.
00:05:20Your cafe is very good.
00:05:22La Interacte.
00:05:24In French, it means,
00:05:26I wanted to make this place
00:05:28where people can take a break.
00:05:31Okay.
00:05:33A break from work.
00:05:39I had a phone in my company.
00:05:41No.
00:05:42I wanted to talk to you.
00:05:43No.
00:05:44I wanted to talk to you.
00:05:45You sent me the message.
00:05:47Now, I saw you.
00:05:48I didn't give up.
00:05:49I didn't give up.
00:05:50No.
00:05:51No.
00:05:52No.
00:05:53No.
00:05:54No.
00:05:55No.
00:05:56No.
00:05:57No.
00:05:59No.
00:06:00No.
00:06:01So, congratulations and others
00:06:02wanted to find you.
00:06:03Maybe we will connect with you on social media.
00:06:08Yes.
00:06:09I'm using social media very rarely.
00:06:11It's sometimes you use the whole time.
00:06:13I will use it now.
00:06:32Yes?
00:06:33It seems like I should be active in social media.
00:06:38So you will be active?
00:06:40Yes.
00:06:41First of all, follow me on my cafe.
00:06:44Follow?
00:06:45Yes.
00:06:53Do it.
00:06:54Yes.
00:06:55Oh, how good photos are.
00:07:06Sorry, I went like that.
00:07:08Can I sit down?
00:07:19I was thinking about Yotou talking about it.
00:07:22Yes.
00:07:23Yes.
00:07:24Yes.
00:07:25Yes.
00:07:26Yes.
00:07:27Yes.
00:07:28Yes.
00:07:29Yes.
00:07:30Yes.
00:07:31Yes.
00:07:32Yes.
00:07:33Yes.
00:07:34Yes.
00:07:35Yes.
00:07:36Yes.
00:07:37Yes.
00:07:38Yes.
00:07:39Yes.
00:07:40Yes.
00:07:41Yes.
00:07:42Yes.
00:07:43Yes.
00:07:44Yes.
00:07:45Yes.
00:07:46Yes.
00:07:47Yes.
00:07:48Yes.
00:07:49Yes.
00:07:50Yes.
00:07:51Yes.
00:07:52Yes.
00:07:53Yes.
00:07:54Yes.
00:07:55Yes.
00:07:56Yes.
00:07:57Yes.
00:07:58Yes.
00:07:59Yes.
00:08:00Yes.
00:08:01Yes.
00:08:02Yes.
00:08:03Yes.
00:08:04Yes.
00:08:05Yes.
00:08:06Yes.
00:08:07Yes.
00:08:08Yes.
00:08:09Yes.
00:08:10Yes.
00:08:11Yes.
00:08:12Yes.
00:08:13Yes.
00:08:14From now to now, I'm just living with this pachetawa.
00:08:17If it's a pachetawa, then I don't call me in a reunion.
00:08:20But I wanted to give up to you.
00:08:22Maybe I wouldn't be able to forgive you.
00:08:25But I just want to say so.
00:08:29Don't you understand, I'm happy to find you.
00:08:32You're my friend.
00:08:34I can't think so in my dreams.
00:08:45Reena, now do it too.
00:08:51You don't need anything to say.
00:08:54I know exactly what you think.
00:08:59You don't need any tension.
00:09:04Visa.
00:09:05I thought you would end your friendship.
00:09:15I'm not a pain.
00:09:17I'm never gonna forgive you.
00:09:18I'm never gonna forgive you.
00:09:20You and Yuto are really great.
00:09:23I'm not a girl like me.
00:09:26I don't like my friendship.
00:09:28Now, how's your body?
00:09:31How's your body?
00:09:34Yes, when you're going, you're a little pain.
00:09:47Visa, sometimes, I'm happy to say something.
00:09:52I think that my karma has been given me.
00:09:55I love you.
00:09:56My husband gave me a message for one day.
00:09:58She said she was dating her.
00:10:02She's playing with her.
00:10:03She was playing the game with Kameena in time for 3 years.
00:10:08So, if it's so,
00:10:09you should have to break up for her.
00:10:11Or did she?
00:10:12Yes, she did.
00:10:13After that.
00:10:14Last morning.
00:10:16What's the twist coming from this story?
00:10:17The twist coming from me?
00:10:18I won't be with you!
00:10:21Look, Tommy.
00:10:23When I lost my family, I had a lot of fight for both of them.
00:10:30And Ray had a breakup first from Christmas.
00:10:33So then, how did this breakup happen quickly?
00:10:37But I found someone else.
00:10:40Who is he?
00:10:42I'm telling you, it's a shame. How can I tell you?
00:10:45Sometimes it happens that we never thought about it.
00:10:48We love him.
00:10:50So soon love?
00:10:52Tomoya!
00:11:24When you got caught me, I felt like that.
00:11:29Like my whole pain never had.
00:11:34It was just a moment.
00:11:36What happened? I don't understand.
00:11:38I know Rene's old boyfriend.
00:11:40I know Rene's old boyfriend.
00:11:42I didn't know Rene's old boyfriend.
00:11:44In the past life, no one had to give him to his director Suzuki.
00:11:48So how did this happen?
00:11:50Stop!
00:11:52I know Rene's old boyfriend.
00:11:53How did he get lost?
00:11:54No one had to be a little kid.
00:11:55Oh, he's the only one.
00:11:56And Rene's old boyfriend, how did he get lost?
00:11:57How did he get lost?
00:11:58How did he get lost and he got lost?
00:11:59In my heart, when are you feeling about it, if it's true?
00:12:03I don't need to know about them.
00:12:11What's happening all these things?
00:12:16I'm sorry.
00:12:18Please, don't be in this place.
00:12:30Why are you so angry?
00:12:33What do you do? There's no time.
00:12:54Do you want to give a proposal to the Tenggur?
00:12:57So, are you making a proposal again?
00:13:04Miss Misa, if you're going to take care of yourself, it will be better.
00:13:09But her proposal was perfect.
00:13:17I need to help you.
00:13:19But it's a lot of time.
00:13:21Yes, please.
00:13:23Let's start.
00:13:27The Ciao Saus
00:13:30The story of the Tenggur
00:13:36We always leave out.
00:13:38Don't wait for the first time.
00:13:39Let's stop for the first time.
00:13:42Soysa.
00:13:44Soysa sauce?
00:13:50We still have room full of rooms.
00:13:52But we still have to wait for one minute.
00:13:54No, make a hirsue.
00:13:57It's a mess. It's a mess.
00:13:59It's a mess. It's a mess.
00:14:00Let's go here and make a hirsue.
00:14:11We keep making proposals every time.
00:14:13And that's why...
00:14:24It's a mess.
00:14:52Sumiyoshi, ma'am.
00:14:53I'm sorry, but I left you all tomorrow.
00:14:56Tell me, your daughter is okay.
00:14:58She was on the ground.
00:15:01She was red.
00:15:03And the two fingers were broken.
00:15:07Tell me,
00:15:09you gave me a new proposal in the morning.
00:15:12Yes?
00:15:13Yes.
00:15:21It's a mess.
00:15:22I've sent the first proposal to my sir.
00:15:25Sumiyoshi,
00:15:27Misa.
00:15:33Come on, read it.
00:15:34Sorry sir.
00:15:35I'm wrong.
00:15:36Look at the results of my sir.
00:15:37I'm sorry.
00:15:38Look at the results of my sir.
00:15:39Look at the results of my sir.
00:15:40This is a good proposal.
00:15:42I'll call a meeting.
00:15:44I'm sorry.
00:15:45I'm sorry.
00:15:47I'm sorry.
00:15:49How will I make this again?
00:15:53What?
00:15:54I have nothing to do with my sleep.
00:15:57Thanks to my friend.
00:15:58But I don't want to make this again.
00:16:02I don't need to make this again.
00:16:04What?
00:16:05I don't want to make it back.
00:16:07I don't want to make this again.
00:16:10I don't want to make this again.
00:16:11But my manager doesn't have to read any proposal.
00:16:13He doesn't have to read any proposal.
00:16:15I don't have to read any proposal.
00:16:17Just to go to the meeting first, I'll see you once again.
00:16:20What?
00:16:26After the boss, there's nothing going to be done with his efforts.
00:16:30We'll submit this proposal every time.
00:16:32Just change the order of the font and the order of the proposal.
00:16:35What?
00:16:36But if we're stuck, then what?
00:16:38I'll just submit it.
00:16:39This week, we'll leave home for the time.
00:16:42I don't need any trouble.
00:16:44You have to go to school with your daughter.
00:16:46She's a child, she's enjoying it.
00:16:48And if it's because of her, she's hurt her.
00:16:51I'm sorry.
00:16:53She'll be able to save her for a poor man.
00:16:56She won't be able to save her.
00:17:07So, Amita, he's a very old man.
00:17:10She should be able to save her like this.
00:17:14It's all this kind of plan.
00:17:15I didn't know that Misa is so powerful.
00:17:18She'll be able to save her like this.
00:17:19She'll be able to save her like this.
00:17:21That's it.
00:17:32Sumiyoshi, Misa.
00:17:34You both have understood me like this.
00:17:38What?
00:17:41I was asking you guys from the beginning of this kind of proposal.
00:17:44You guys.
00:17:45Look at me.
00:17:46Look at me.
00:17:47Look at me.
00:17:48Look at me.
00:17:49The proposal is pretty good.
00:17:54Okay.
00:17:55I'll call a meeting.
00:17:56Yes.
00:17:57I'll call that.
00:17:58Okay.
00:17:59I'll call one more.
00:18:00Hey, boy.
00:18:01.
00:18:13Here, give it to me.
00:18:14Mommy!
00:18:16You only sent you my sweetocks for, too.
00:18:18.
00:18:20You like the food.
00:18:21It's very good.
00:18:21Thanks.
00:18:22We'll have the party today.
00:18:24We will have to eat, we will go ahead and order.
00:18:27.
00:18:29Let me tell you, the manager didn't come too much?
00:18:34Not much, but he had two fingers on his hand and his fingers.
00:18:47It's a punishment of karma.
00:18:50What?
00:18:55Miss Misa,
00:18:57because of you, it seems that I'm not going to be guilty.
00:19:04Lona.
00:19:08I and Sumiyoshi were just like that.
00:19:13We were in the river, which was in the river,
00:19:16that maybe one day we will get the best of our sins.
00:19:21But no one saw our sins.
00:19:24No one saw us.
00:19:26And people are looking for our benefits.
00:19:32Shine must get approval from the project.
00:19:34And the work will start soon as the sumiyoshi man.
00:19:38This is for you.
00:19:39This is for you.
00:19:40This is for you.
00:19:41This is for you.
00:19:42I'm, I'm tired.
00:19:57Let's go see.
00:19:58Our ideas were done, and the sales were found in the sky.
00:20:02And that product became our knowledge.
00:20:05But...
00:20:08The manager and Reena had all of us.
00:20:14When the project was done,
00:20:16we had to put it on the project.
00:20:18And we both had all the credit.
00:20:28Let's rest and get better.
00:20:31Okay?
00:20:32Go, go, go.
00:20:33Sumiyoshi, ma'am, left the company's poor.
00:20:47I never thought that my post will get someone else.
00:20:58We will not make the balee.
00:21:03What happened?
00:21:04You don't like the mutton?
00:21:05We will make the balee.
00:21:07We will not make the balee.
00:21:08We will not make the balee.
00:21:09We will not make the balee.
00:21:10Whatever you are saying.
00:21:11I am gone.
00:21:15Let's eat.
00:21:20This is ready.
00:21:21You can see the balee.
00:21:23Oh!
00:21:24Oh!
00:21:25This is the stage.
00:21:26Oh!
00:21:28Oh!
00:21:29Oh!
00:21:32See the balee too.
00:21:33How good it's done.
00:21:34We will have fun.
00:21:35And we will have fun.
00:21:51You didn't have to wait too much?
00:21:53No, no.
00:21:55Before, Misa was convinced everyone.
00:21:57But today, she was going to drink with them.
00:22:00Yes.
00:22:01And she didn't ask me too.
00:22:04Today, Misa didn't make anything bad for me?
00:22:08Yes.
00:22:10Yes.
00:22:12Don't ask me how much my mind is wrong.
00:22:15I don't understand anything.
00:22:17Tomoya, you need to keep a little attention.
00:22:21What do you need to keep a little attention?
00:22:23Once you get married,
00:22:25then some girls seem to trust
00:22:27that the person who's going to be like this or not.
00:22:30No, no, no.
00:22:32Misa isn't a girl like this.
00:22:34Excuse me.
00:22:36One highball.
00:22:37Now, sir.
00:22:38Do you know the director of the Strategy Department of Suzuki?
00:22:41Yes.
00:22:42He's a noble son.
00:22:43How do you feel he?
00:22:45And what?
00:22:47Never.
00:22:48Never heard of someone's affair.
00:22:49Never heard of someone.
00:22:50Hmm.
00:22:51I'll tell you something else about them.
00:22:53What's the matter?
00:22:55When did you get interested in that?
00:22:57I'm not asking myself.
00:22:59I'm a friend of mine.
00:23:01I've seen her in the university.
00:23:04I've seen her talk about plants.
00:23:06Maybe she's a vine of Vidyana.
00:23:08What do you know?
00:23:09Never heard of a girl's heart.
00:23:11Yes.
00:23:12Yes.
00:23:13That's true.
00:23:14That's true.
00:23:15That's true.
00:23:16That's true.
00:23:17That's true.
00:23:18That's true.
00:23:19That's true.
00:23:20That's true.
00:23:21That's true.
00:23:22My name is Amir's house.
00:23:23He's so big.
00:23:24I can't run behind the girls.
00:23:27I don't want to go out of his hand.
00:23:30You can't get your order.
00:23:34Let's get into my drink.
00:23:36Cheers!
00:23:37Cheers!
00:23:38no work for you
00:23:45and you won't be able to do the work
00:23:47hmm
00:23:48hmm
00:23:51hmm
00:23:54hmm
00:23:57hmm
00:23:59they will understand the truth and all that we will say all that
00:24:02he will have to take our right to take it before
00:24:04yes
00:24:05We will also build our own strength. We will also make friends in the department.
00:24:09That's right.
00:24:10We have made the money for the project, and when we were going to use the project, we changed the whole project.
00:24:15So, we are not getting so much attention.
00:24:17Now, we didn't get approval for the proposal.
00:24:19I don't think we are fighting the jungle.
00:24:23Forgive me.
00:24:24No, we are not the customers.
00:24:26Oh, yes.
00:24:27I remember Shaheen Muscat Sanggur from Nagano's Chino's Bagheche.
00:24:31Yes, we are very famous.
00:24:32What in the truth?
00:24:33Yes.
00:24:34In the last few years, they received a lot of names from high quality.
00:24:37But before, they have so much demand that they don't need a new contract.
00:24:40I don't think they don't need a contract.
00:24:43Someone told me to get out of knowledge and knowledge.
00:24:46But when I called them, what is this year?
00:24:492015.
00:24:50We will now talk about them.
00:24:53What will we do?
00:24:55They have called them for help.
00:24:58Are you going?
00:24:59I'm going!
00:25:01Okay.
00:25:02Okay.
00:25:03Let's start the work on Shine Muscat Project.
00:25:05We will start all of those.
00:25:06We will start all of those.
00:25:07First, we will contract them with them.
00:25:09Then, we will have promotional camping on social media.
00:25:11And if we increase the speed, we will also have the gift market.
00:25:13Players will also be stuck.
00:25:14We are going back to them.
00:25:16What?
00:25:17Nothing.
00:25:18I was talking about myself.
00:25:19I'm going to start planning on social media promotion.
00:25:22I'm going to make Reels.
00:25:24What does that mean?
00:25:25What does that mean?
00:25:26Nothing.
00:25:27We will put it in love.
00:25:30In 2015, Reels didn't know anyone.
00:25:37I will also take a lot of support for my colleagues.
00:25:41Okay.
00:25:42Madam.
00:25:43Let's see.
00:25:44There's one of those who can take support after I will receive a payment.
00:25:49Who would?
00:25:51This is new.
00:25:56Go ahead.
00:26:00Choose the room.
00:26:02Let's ask her for the work.
00:26:04It's been done by the change,
00:26:10At least,
00:26:11Oh, Lukey?
00:26:41Oh, I'm sorry. But I need my ring.
00:26:49The last time I stopped at home, I forgot about the bathroom.
00:26:53You would send me a message, right?
00:26:55I stopped at home?
00:26:57You are reading my messages.
00:27:01This is the one.
00:27:03You are happy with your heart. This is my favourite ring.
00:27:07When someone gives something, they keep attention.
00:27:11Now, when the next time comes, I'll ask you.
00:27:13And then I'll ask you?
00:27:15Then I'll ask you, there's no need.
00:27:17Aang, you can't talk about love.
00:27:20Oh, my God, why did I give you a gift?
00:27:22Now, let me leave. Let me go.
00:27:37What are you doing here?
00:27:39What are you doing here?
00:27:46I'll give you a gift.
00:27:48Thank you so much.
00:27:49Yes, dear.
00:27:53This proposal is pretty good.
00:27:55The demand for the Shain Muscat and Sanggur has increased in a few years.
00:27:59And the good thing is that it's also increased.
00:28:02I think the demand will increase the time.
00:28:03You have to have the benefit of this opportunity?
00:28:04I don't know the benefit of this opportunity.
00:28:05I don't know the benefit of this opportunity.
00:28:06You're the only one.
00:28:07You have to have the other money.
00:28:08You have to have the other money.
00:28:09My money is very much more than the money.
00:28:10You're the only one.
00:28:11You are the only one.
00:28:12One minute.
00:28:13Is this your boyfriend?
00:28:14No.
00:28:15It's time to take advantage of this moment.
00:28:19I don't know who has taken advantage of this moment.
00:28:22You're living with your 10-year-old employee for 10 years.
00:28:24It's a shame.
00:28:25You'll be smart.
00:28:28One minute.
00:28:29Is this your boyfriend?
00:28:30Yes, no.
00:28:31But it's not like seeing you.
00:28:32It's not like that.
00:28:33If I'm going to go to the bathroom, I'm going to go to the bathroom.
00:28:35No, I was going to go home.
00:28:37Why didn't we get into that day?
00:28:38You're scared of them.
00:28:40Was that a joke?
00:28:42I'm not going to go to the bathroom.
00:28:45I'm not going to go to the bathroom.
00:28:47Miss Kambe.
00:28:49I'm a senior, but you know that I'm from the other department.
00:28:55I don't believe you're going to take advantage of me.
00:29:00Sir…
00:29:01I know that it's not against the rules.
00:29:03There's no doubt.
00:29:04What?
00:29:12I'm going to go home, sir.
00:29:13We'll discuss this over the last two weeks.
00:29:15No, no.
00:29:16Bye, sir.
00:29:17Listen.
00:29:18Thank you so much.
00:29:19You'll keep it in your pocket.
00:29:20Wait.
00:29:21Wait.
00:29:22Wait.
00:29:23Wait.
00:29:24Wait.
00:29:25Wait.
00:29:26Wait.
00:29:27Wait.
00:29:28Wait.
00:29:29Wait.
00:29:30Wait.
00:29:31Wait.
00:29:32Wait.
00:29:33Wait.
00:29:34Wait.
00:29:35Wait.
00:29:36Wait.
00:29:37Wait.
00:29:38Wait.
00:29:39Wait.
00:29:40Wait.
00:29:41Then listen.
00:29:45What do youis like?
00:29:46What kind of cynARA man is sitting behind the domestic girl in his office today?
00:29:52Stop.
00:29:54Never listen to me.
00:29:55Listen to my things.
00:30:11What will you do?
00:30:22When you got caught me, I felt like my pain was destroyed.
00:30:33And now you're back.
00:30:35Never!
00:30:43Good morning, gentlemen.
00:30:46Have you seen a bad dream?
00:30:48You here?
00:30:50You don't even see me today.
00:30:52Please, don't tell me.
00:30:54What was the time I told you?
00:30:56When you got caught, let's go.
00:30:58Did you tell me that I'm busy with the Shine Musket project?
00:31:06Yes.
00:31:08And I'm a sales in charge.
00:31:11You were also a sales in charge.
00:31:14You're going to go to Naganos, right?
00:31:16Who told you?
00:31:17Besides, who will tell you?
00:31:19This is Rina.
00:31:22I'll go with you too.
00:31:24I'm not going to go.
00:31:25We're just going to research.
00:31:27Yes, but I'm also a part of the team.
00:31:30And listen, that Nobleson is also coming on the trip.
00:31:33Director Suzuki will also go?
00:31:35Yes.
00:31:36Rina has also called on the trip.
00:31:40I didn't want to call it.
00:31:41I thought that the girl's mind was broken.
00:31:44We won't be able to do it with Tomoya.
00:31:47Tomoya?
00:31:49Yes.
00:31:50Let's go shopping.
00:31:52That's the day in the cafeteria, you had a shirt on your shirt, right?
00:31:56So I thought, I'll go shopping for tomorrow's trip.
00:31:58What do you need to go to the village in the village?
00:32:01You'll see the rest of the girls.
00:32:03Then you'll see the rest of the girls.
00:32:05Hmm.
00:32:07The girls have a lot of anger.
00:32:10You won't be less than anyone.
00:32:12Hmm.
00:32:13Hmm.
00:32:14Hmm.
00:32:15Hmm.
00:32:16Hmm.
00:32:17Hmm.
00:32:18Ned,
00:32:20And he's waiting for her !
00:32:21Hmm,
00:32:22Hmm.
00:32:23Yup.
00:32:24It's going to be this time that Rina will get out of her.
00:32:27Hmm.
00:32:28Hmm.
00:32:43Wow, what a joke.
00:32:45It's no problem. The other one is with the preparation.
00:32:50There will be no way to take it in front of him.
00:32:53What will I do?
00:33:00I don't like this.
00:33:04This is the same thing.
00:33:06I don't like this.
00:33:10Huh? Director Suzuki?
00:33:12She's already started.
00:33:15Tomoya?
00:33:17Where are we going?
00:33:24Let's see, Misa.
00:33:28What's your phone ringing?
00:33:30Misa?
00:33:37Misa.
00:33:38Look at this.
00:33:45Misa.
00:33:46Look at this.
00:33:47Yes, this is okay.
00:33:49You're saying okay without watching.
00:33:54Okay, listen.
00:33:55Tomorrow you're going to wear this.
00:34:03I'll stay with you tonight.
00:34:05What?
00:34:06Then tomorrow we'll go to work together.
00:34:10I'll go somewhere else.
00:34:14Where do you go?
00:34:16There's another plan in the evening.
00:34:20There's a plan, but you can't go with it.
00:34:25What?
00:34:26You'll find it.
00:34:27You're going to tell me.
00:34:28You'll find it.
00:34:29You'll find it.
00:34:30It's a strange thing.
00:34:31You'll find it.
00:34:33What?
00:34:34We'll keep the same path.
00:34:35We'll keep the same path.
00:34:36We'll keep the same path.
00:34:37We'll keep the same path.
00:34:38We'll keep the same path.
00:34:39But you don't have a trust.
00:34:40You won't have a trust.
00:34:41You said you'll go shopping.
00:34:43So I'll leave the same thing.
00:34:45How can you leave me?
00:34:47How can you do this?
00:34:48Is it not my fault?
00:34:49You always think about yourself.
00:34:50And what do you think?
00:34:51I don't understand anything.
00:34:52I don't understand anything.
00:34:59Let's go.
00:35:01Leave your hands.
00:35:10I can also have some plans.
00:35:12And my life is just...
00:35:15You don't go back to me.
00:35:27Thank you for today.
00:35:30Raina...
00:35:31I wanted to forgive myself.
00:35:32I didn't want to break my heart.
00:35:33But it's true that...
00:35:35I always love you.
00:35:37If I don't remember...
00:35:38This is the last time.
00:35:40The last time?
00:35:41Yes.
00:35:42I want my family, my house...
00:35:43or my girlfriend's family...
00:35:44don't bother me.
00:35:45The wrong place was just mine.
00:35:46Don't give it all.
00:35:47Don't marcaise them all.
00:35:48Don't make them all.
00:35:50Don't make them all, please.
00:35:51Do the last time...
00:35:52I know.
00:35:53Don't make them all...
00:35:54I know.
00:35:55Oh, I love you.
00:35:56I love you.
00:35:57I love you.
00:35:58You are a good friend.
00:35:59See, this...
00:36:00I love you.
00:36:01me
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