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Transcripción
00:00Previously on Dead City what was that drawing the one with the fallen skybridge you are nothing without me
00:18Dom's dead use me
00:22Jesus H Christ, you've never really been there. I was Jenny. She okay
00:27King Francis theater, it's the only place I can think of the Herschel might go if he thought she was still alive
00:57Oh
01:07Oh
01:09Oh
01:19Oh
01:21Oh
01:25Oh
01:29Oh
01:31Oh
01:33Oh
01:37Oh
01:41Oh
01:43Oh
02:09You don't like Puccini
02:13Oh
02:19I need you to tell me where my son is
02:21Right now
02:27Don't you bullshit me. I'm not playing your games
02:33Look around
02:35Do you see him?
02:37He has to be here. Where else would he be if you weren't looking for her?
02:41I wouldn't know
02:49You're lying
02:51Tell me where he is
02:53I'll cut off tiny pieces of you
02:57One by one
03:01Starting with your toe
03:03I may be able
03:07I may be able
03:09To help you
03:11And
03:13I may be able
03:15To help you
03:17And
04:49I found what I could.
05:23We're still breathing okay.
05:26It means her body's still fighting the infection, I think.
05:29And once she's better, we can...
05:31Once she's better, she's going straight home.
05:33I found this in an old donation box.
05:48My first wife, Lucille, she had cancer.
05:57I was basically her stay-at-home nurse.
06:00You know, I would wake her up every morning and get her cleaned up, get her dressed.
06:08Towards the end there, I was having to run machines and monitors.
06:14You know what intubation is?
06:18Yeah, me neither.
06:20Until I had to figure out a ventilator.
06:23Sounds like she was lucky to have you.
06:24No, see, I was a selfish piece of shit.
06:29I failed her.
06:33But God, man, he, uh...
06:36gave me a second chance, you know, with a smart, sexy, take-no-shit, grab-me-by-the-balls kind of gal.
06:44You know what I'm talking about.
06:47Yeah.
06:50Annie.
06:52You know, we had a little boy.
06:54Biggest, brightest, mischievous grin you've ever seen.
06:59And when he laughed, oh, my God, he could wait.
07:07I failed her.
07:10I failed them both.
07:14But God, he, uh...
07:18He keeps giving me second chances.
07:22And I got no fucking idea why.
07:35What is this?
07:38That's for burns, I think.
07:40It probably wouldn't help, but I figured...
07:42Where the hell did you get it?
07:44Is this yours?
07:52Yeah.
07:53He said you were looking for medical stuff, so...
07:55What else you got?
07:56I got all this at a hospital, but what I was really looking for was pills.
08:13There's a story.
08:14It's been going around for a while.
08:15All right, let me hear it.
08:16When shit was getting bombed out, the city was kind of crazy.
08:20Some hospital nurse was going around grabbing up all the meds she could find, stash them in the third floor operating room.
08:28Old shit's better than no shit, so...
08:31You're talking like antibiotics, yeah?
08:33Yeah, sure.
08:34Whatever you're looking for, but it's just a story.
08:37All right, what hospital?
08:39Lots of people have gone looking, but no one's ever come back out.
08:43What hospital?
08:45The elevator still works.
09:07Only instead of transporting freight, it's more of a lookout.
09:16You was much nicer from above.
09:19And you figured he would come here?
09:21Well, the dama asked me to restore it for him.
09:25Provide him with his own personal space.
09:28New day, new beginning.
09:37Was that before or after you cut off his toe?
09:42That was for her.
09:43And you just did whatever she asked you to?
09:46I wasn't the only one.
09:49When she explained the reasons for kneading the toe, your son,
09:54he gave it to her, willingly.
09:58You let me cut the toe.
10:09You're tired.
10:12You didn't sleep.
10:15I'm good.
10:16There is another place.
10:30A safe house.
10:31What kind of a safe house?
10:34It's a place only the dama and I knew about, but I showed it to him once.
10:37She had told him to go there.
10:39If the shit ever hit the fan, as you say.
10:41Not that it would be easy.
10:45And what does that mean?
10:48We'll see when we get there.
10:52You're sure about this?
10:54Yeah.
10:55Look, just check her lungs, her vitals.
10:59And if she wakes up, she is not going to know where she is or who you are, so you be ready.
11:04It's very likely she is going to kick your ass a little.
11:09Oh.
11:10Okay.
11:25Why are you doing this?
11:26Will you just ask me?
11:28I mean, why are you helping me?
11:32Why are you helping her?
11:43I, uh, don't have a lot of experience of the world, of other people.
11:52I'm sure you can tell.
11:53Well, I was ten when it happened, but I don't remember anything from before.
12:03Or anyone.
12:06It's just a big blank.
12:12I guess, even if I don't remember, it's nice to remember.
12:19Remember?
12:19All right, kiddo.
12:35Hey.
12:37I will be right back.
12:41Okay?
12:41I will be back before you know it.
12:44I promise.
12:45I promise.
12:49You take care of her.
13:13Top floor has been furnished with food, water, weapons.
13:17But the bottom floors are insurmountable.
13:21So, in order to get up, we must traverse the bridge.
13:47This can be changed by making it possible.
13:51Just a little bit more, but it's solid.
13:55I'm not going to get busy but this one is a good deal.
13:59Oh, man.
14:03Oh, my God.
14:33Oh, my God.
15:03Another one.
15:04You set all these traps and you don't remember where they're at?
15:33Huh.
15:34It's a lot to remember.
15:36Yeah, too much, it seems like.
15:40Careful.
15:42This one will be taking a little more effort.
15:59Keep still.
16:06They call it the fear of heights.
16:07They call it the fear of heights.
16:14It's not really about the heights.
16:15It's the fear of the heights.
16:16It's the fear of the compulsion to jump.
16:17They call it the fear of heights.
16:18They call it the fear of heights.
16:19They call it the fear of heights.
16:20They call it the fear of heights.
16:21They call it the fear of heights.
16:22They call it the fear of heights.
16:28They call it the fear of heights.
16:29They call it the fear of heights.
16:30They call it the fear of heights.
16:31They call it the fear of heights.
16:32They call it the fear of heights.
16:33But it's not really about heights.
16:34It's the fear of the compulsion to jump.
16:38They call it the fear of heights.
16:41I've always wondered.
16:42Is it genetic?
16:45Or is it shaped by the events of life?
16:49If you've lost someone, everyone, it's only natural to want to follow them down into
16:59the darkness and end the pain.
17:02Or maybe just see them again.
17:08I did say, keep still.
17:28You're telling me that my son got past all this?
17:32You underestimate him.
17:37I know the way.
18:02I know the way.
18:04I don't know the way.
18:12Yeah.
18:14Yeah.
18:20Yeah.
18:26Yeah.
18:27Oh, for that,rainiyo must be playing this game.
18:30Let's go.
19:00Let's go.
19:30Let's go.
20:00Let's go.
20:30Let's go.
21:00Let's go.
21:30Let's go.
22:00Let's go.
22:30Let's go.
23:00Let's go.
23:30Let's go.
24:00Let's go.
24:30Let's go.
25:00My mother never let Croatia.
25:04Perhaps after you and I are finished, I will make the long trip home.
25:09Maybe my mother and I will meet again.
25:15Let's go.
25:45Let's go.
26:15Let's go.
26:45Let's go.
27:15Let's go.
27:45Let's go.
28:15Let's go.
28:45Come on.
28:52Come on.
28:54Come on.
28:55Come on.
28:57Good.
29:04Good.
29:06Good.
29:07Good.
29:08Good.
29:09Good.
29:11Good.
29:12Good.
29:42Good.
29:43Good.
30:12Good.
30:13Good.
30:15Good.
30:21Good.
30:24Good.
30:42I don't know.
31:12No!
31:16Get up!
31:18You need to move!
31:20Now!
31:22There's no time!
31:24Maggie.
31:26Maggie.
31:28Spend yourself out.
31:32You need to wait.
31:36It's like you're on a frozen lake.
31:40You can do it.
31:44That's it.
31:46Just like that.
31:48Okay.
31:50No!
31:52No!
31:54No!
31:56No!
31:58No!
32:00No!
32:02No!
32:04No!
32:06No!
32:08No!
32:10No!
32:12No!
32:14No!
32:16No!
32:18No!
32:20No!
32:22No!
32:24No!
32:26No!
32:28No!
32:30No!
32:32No!
32:34No!
32:36No!
32:38No!
32:40No!
32:42No!
32:44No!
32:46No!
32:48No!
32:50No!
32:52No!
32:54No!
32:56No!
32:58No!
33:00No!
33:02No!
33:04No, no, no.
33:34No, no.
34:04No, no.
34:34No, no.
35:04No, no.
35:06You got me up in the morning.
35:09You washed me.
35:12It wasn't enough.
35:15You got me dressed.
35:18You undressed me.
35:20It wasn't enough.
35:23You got me up in the morning.
35:25I'm going to have to go.
35:27I'm going to have to go.
35:29I'm going to have to go.
35:31I'm going to have to go.
35:33Oh.
35:51True to stare, you know?
35:54Daddy.
36:03Dude...
36:13I failed you.
36:16I don't know what to do.
36:19What do I do?
36:33I don't know what to do.
37:03Come on, come on.
37:33I was shocked I don't know, come on.
37:39I lose my mind.
37:42And that's not how you get excited, actually.
37:48And how am I?
37:53Damn.
37:56AS AL웅
37:58Random.
38:00you said this was a safe house you'd lied to me yes I did
38:15but you knew this place you said all those traps you've been here before
38:28was this a fucking game to you was this a fucking game to you why did you bring
38:39why
38:41why
38:46that's why you brought me here because you're too much of a fucking coward to give
38:59yourself you needed me to do it
39:02or she'll has to be here he has to
39:08said
39:15yeah
39:17yeah
39:18yeah
39:20yeah
39:22I don't know.
39:52I don't know.
40:22And she was gone.
40:26I lived for her for years.
40:30And if fate would have it,
40:33I found her.
40:36Two days after she had passed.
40:40She had been living in Vrapche.
40:47Alone.
40:51Ten kilometers from the house.
40:53So after I ended up on the island,
41:00all I wanted was to join her.
41:06So I climbed up here in the first place.
41:09And traps and maize.
41:12That was all done by others.
41:16How many times did I tell myself?
41:20Jump.
41:21But instead, I kept wandering the streets
41:25until a candle in the window of a theater
41:29drew me in.
41:35I don't blame the Dama.
41:38She read my mind.
41:42Spoke it back to me.
41:43This was her gift.
41:51She saw pain.
41:56And she knew exactly what to do.
41:59You're like,
42:13I didn't know what to do.
42:15Let's go.
42:45This was all I could find.
43:03Listen.
43:06People are going to be coming soon.
43:08And they are coming to kill me, but not just me.
43:11They will kill everyone in the church.
43:13Then we should go.
43:15We can't go.
43:18I can't go.
43:21She stays here just like this.
43:24It's her best chance for recovery.
43:29It's okay.
43:29I know how to protect her now.
43:34I know where I got it wrong before.
43:37Back in the day when I built a sanctuary to protect my people.
43:43I showed mercy.
43:46I showed mercy.
43:49But now...
43:51Now I'm just going to line them all up.
43:57And I'm going to kill them all.
43:59I need the Barazzi, right?
44:06We've got work to do.
44:07I need the Barazzi, right?
44:10We've got work to do.
44:12You're not coming.
44:22You're not coming?
44:25No.
44:27No, this is for you.
44:29And your son.
44:30You are lucky.
44:37No, we done.
44:39No, we pochettach.
44:40No, we've got work to do.
44:41No, we've got work to do.
44:42No, we've got work to do.
44:42No, we've got work to do.
44:43No, we've got work to do.
44:43No, we've got work to do.
44:44No, we've got work to do.
44:44No, we've got work to do.
44:45No, we've got work to do.
44:45No, we've got work to do.
44:46No, we've got work to do.
44:46No, we've got work to do.
44:47No, we've got work to do.
44:47No, we've got work to do.
44:48No, we've got work to do.
44:49I don't know.
45:19I don't know.
45:49I don't know.
46:19I was hoping you'd see our signal.
46:23I'm so sorry about how everything went.
46:43I never meant for it to happen like that.
46:46I know.
46:48Me too.
46:49I mean, I was mad.
46:53I was really angry.
46:54But now that you're here, it's all going to be okay now.
47:03Everything's going to work out.
47:04I was hoping we'd get to meet.
47:19This is about Negan.
47:23I have to finish it.
47:26The show's about to start.
47:29Amy, meany, mighty, mo.
47:33I need you to tell me where my son is.
47:50Or I'll cut off tiny pieces of you.
47:52Starting with your toe.
47:53The end of season one, the Dama presents Negan with Herschel's cut-off toe, and we understand that it's being used as leverage.
48:05And then we see that there was a deeper relationship that developed there, that it wasn't just torture.
48:10When she explained the reasons for needing the toe of your son, he gave it to her, willingly.
48:19Herschel lets the Croat cut his toe off because he's making a promise to the Dama.
48:24It's like a trusting, bonding kind of thing.
48:27I supply a lot of things that I sensed that he was missing from Maggie, and that gives me a way in right away.
48:34This is really a scene about Maggie and realizing that's how connected to the Dama her son became.
48:39And that's how safe he felt with the Dama, that he was willing to make that kind of sacrifice to protect whatever project the Dama and Herschel are working on.
48:50Which means that it's not happening with Maggie, and she's his mom.
48:54That's what that moment is really about.
48:56Isn't this a nice surprise?
48:59Lisa is so good at what she does.
49:02The fact that we get her shocks me sometimes.
49:04The big reason why we were all excited for her to come on the show is because she does not hold back.
49:09And she fully embraces playing the bad guy and doing all these sort of, like, just sinister, wonderful things.
49:14The thing that intrigued me the most about her was that in this weird world, she has so much power.
49:22And she's a killer.
49:25That adds spice to any role.
49:27207 is an episode where Negan goes on a real journey of self-exploration.
49:45So, to me, it was important that he had to kind of face the people who he feels like he let down in life.
49:53And it all started with Lucille.
49:57Lucille.
49:57I think this shows kind of the strain that Negan's under, and kind of how f***ed up he gets towards the end there.
50:06To face her and confront her in his own way, even if it's only a hallucination, it felt crucial to his emotional journey.
50:13I'm sorry.
50:14I'm so sorry.
50:17You got me dressed.
50:20You undressed me?
50:21It wasn't enough.
50:25A lot of the apology has to do with he feels responsible for her dying.
50:30And I think he's apologizing for that.
50:32I think he's apologizing for the man that he became after she died.
50:35He went off on this war path.
50:37And that's good.
50:38It kept him alive.
50:39But it also turned him into a monster for a while.
50:44It was really cool to have Hillary on set.
50:47She's his real-life wife.
50:48They were really emotional together in the scene.
50:50And then they'd cut, and then they'd be these, like, goofballs.
50:53And it was fun to see the two of them actual husband and wife, and then fake husband and wife.
50:57One, I think that everybody looks at her, and they see how great she is.
51:01And it makes up for a lot of my bull**** and how difficult I can be, because she's so the opposite of me.
51:07They're all like, oh, okay.
51:08She's like the good side, you know, as well as Lucille being that for Negan.
51:15And I just, I just f***ing love her, so.
51:21It's rude to stare, you know.
51:23And we've been talking about Annie for two years.
51:28And he spends the better part of this year sacrificing everything to protect Annie and his son Joshua.
51:35So it was important at some point this year that they interact.
51:39I don't know what to do.
51:42But what do I do?
51:44I got to work with her on the same day that I worked with Hillary.
51:48And so I had my two wives, and it was one of my favorite days of the season to shoot.
51:54It was so nice just to have her back.
51:57It reminded me of the last season of Walking Dead, which, of course, I have, you know, very fond feelings of.
52:02And she's not dead yet, so let's see if we can get her back some more.
52:14And she's not dead yet, so let's see if we can get her back.
52:44And she's not dead yet.
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