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00:01Shit!
00:02Carl Deacon, we want to talk to you about a shooting earlier this afternoon.
00:05Guernica, you got a backup plan?
00:07We just told the lunacy we have a plan.
00:09Yep, we need a plan, don't we?
00:11With a restoration team in there that rules us out going in at night.
00:14Dos mujeres de cuarenta y tantos años, ojos marrones, iban vestidas de monjas.
00:19Estoy buscando a Roberta Mancini, que la tenemos registrada aquí.
00:21Está muy enferma, con gante.
00:23The security guard.
00:25I sort of kept in touch with him, but now we've got a requirement for an inside man at the museum.
00:29¿Tiene hora?
00:30¡Eh! ¡Eh! ¡Pero!
00:32Roberta, are you mad with mother?
00:35Should the mother be mad with you?
00:37Why?
00:38Because I went off to live my life.
00:39What about what I was owed for having you being dumped on me?
00:43I know you want a relationship with your mom.
00:46But you can't get in between them.
00:47She doesn't need special treatment.
00:49I'll be the judge of how I treat Kayla.
00:50I can't end up in prison like Bert did.
00:52She took the rap because it was her rap to take.
00:54Your decision to contact us has been key to our investigation.
00:59You could have killed her, you prick.
01:03It was wild.
01:05I am calling the police.
01:06No.
01:07You deserve that, yeah?
01:09I did the right thing.
01:10Sam.
01:12Yeah, you did.
01:13I need to speak to Jackie.
01:16No, Bert.
01:17Not now.
01:18She's at the hospital.
01:19Just need to get this back.
01:20Yeah.
01:21What if she blabs to the police?
01:22Just give her some space.
01:23Look, take it home.
01:24Get some sleep.
01:25Where are you going?
01:26To check on Caitlin.
01:28Oh, you're welcome.
01:29Oh, no.
01:30I'm sorry.
01:31Did you get back to the police?
01:32I saw you.
01:33Oh, no, no.
01:34Oh, no.
01:35Oh, no.
01:36Oh, no.
01:37Oh, yeah.
01:38You're right.
01:39Oh, no.
01:40Oh, no, no.
01:41Oh, no, no.
01:42Oh, no, no.
01:43Oh, no, no, no.
01:44Oh, no, no.
01:45Oh, no.
01:47Oh, no, no!
01:48Oh, no.
01:49You've reached Jackie.
01:58Leave a message.
02:06Come on, Jackie.
02:08You've reached Jackie.
02:09Leave a message.
02:11Okay.
02:16Is it going to be okay?
02:17He has suffered a head trauma and we had to put him in an induced coma to avoid the risk of bleeding on the brain.
02:24He's recovering well, but the next 12 hours are very important.
02:28Okay?
02:31You're a bloody idiot, Craig.
02:35Jackie.
02:36No!
02:37I was still rewriting what happened.
02:38Look, I was defending you.
02:40What are you playing at?
02:41You cannot be here.
02:43What do you want me to do?
02:44Do you want me to say sorry?
02:45I'm sorry.
02:46Miss, you can't be here.
02:49Next of kin only.
02:50Yeah.
02:51When you are ready, the police would like to speak with you.
02:58Just remember why you left him.
03:01Yeah.
03:01Hey.
03:18Hey.
03:19Hey.
03:20It's really hurt, isn't it?
03:23What the hell was that?
03:24Is she going to be a problem?
03:25It was a lot, I know.
03:27But this is what it's like with Bert.
03:29It's exciting, but it always gets out of hand.
03:32Sam, we don't have much time.
03:34We can keep it in track.
03:36Can't we?
03:37Hey.
03:37We can make this work.
03:43Yeah, we can.
03:47And if for some reason it doesn't work, we make sure our fingerprints are not on this job.
03:52What if Jackie talks to the police?
03:54She won't.
03:55She just needs to cool off.
03:58I think she's out.
04:00There is a version of this where we don't go through with the job.
04:03No, there isn't.
04:04Sam, think of the life we could have.
04:07It's three days away.
04:10I can manage this.
04:11I'll go see Jackie.
04:12Okay.
04:14What do you need from me?
04:15Nothing for now.
04:17You relax.
04:18Yeah.
04:18Mm-hmm.
04:33Sam?
04:36All right.
04:42Hello?
04:45It's Sam.
04:46Leave a message.
04:47Where are you?
04:52Where is the controlling cow?
04:55No.
04:57I don't know, Bert.
04:58They're all fucked up.
05:02Oh.
05:03How have they now?
05:21It's Sam.
05:21Leave a message.
05:30Someone answered their fucking phone!
05:33Yeah?
05:38Bert, it's Blas.
05:39Where the hell have you been?
05:41There's a problem.
05:44The robber of the clocks.
05:47I understand that the man in question has escaped from our officials.
05:50Yes, we're working on it.
05:52Well, it's not work.
05:55Carlos Pérez called me this morning before I wake up.
05:57It's the type of person who will not let him be.
06:00And as a result, we're not going to let him be.
06:02Yeah, it's the type of person.
06:03I don't know.
06:03Yeah.
06:04No.
06:04Is it?
06:04Yes, ma'am.
06:05It's the type of person.
06:07It's the type of person.
06:07Yes, ma'am.
06:07I don't know.
06:09Yes, ma'am.
06:09Jackie, Jackie, hey Jackie, you know Bert was here, telling me she was defending me, didn't
06:27want to know and then the police turned up and you told him it was Bert, no, I said I
06:34didn't want to talk right now, please don't talk to the police, I haven't decided what
06:38I'm gonna do but one thing I do know, I'm out, without you this whole thing falls apart,
06:45we need you, don't want to do it, I can keep her on track, no you can't, if you could you'd
06:51have done it years ago.
06:58Oh, fuck.
07:15Hello? She's out. She can't be. What the hell are we gonna do?
07:36Maybe I'll contact Celine by some more time.
07:38And look weak, no, I'll, I'll finish the rig, I'll be the lookout, whatever it takes.
07:45I'm sorry, I just...
07:47We need you on the inside.
07:49If anything we need more of a distraction, not less, but don't worry I'll work it out.
07:53Fine, then let me handle Jackie.
07:57Okay, okay.
08:12Hiya, Mum.
08:13How long until you can come home, Bilal?
08:16Not long now, I'm nearly finished.
08:19And I'll be on the first flight out of here.
08:21Can I see it?
08:22Of course.
08:23Imagine being paid to copy a painting.
08:26Oh, Bilal, it is beautiful.
08:30Yeah, it's all in the blazing with Dali.
08:34Give over, never mind Dali.
08:36You did that.
08:39Bilal, you can do anything you set your mind to.
08:43Thanks, Mum.
08:53All right?
08:57The watch you gave me, the police chased me to question me about it.
09:00Well, if you'd have given it to Maria like I asked, then no one would chase you anywhere.
09:04If you hadn't given me a stolen watch, then I wouldn't have been trying to sell us.
09:07Do you think I got it out of a Christmas cracker?
09:10It's too risky for me at the museum right now.
09:14What's wrong?
09:15You.
09:16You're what's wrong.
09:17Hanging around here, you're embarrassing yourself like a dog with its dick out now.
09:20Put it back to the reign of Sophia.
09:22Don't talk to me like that.
09:23Or what?
09:26Or I'll let some know that you're lying.
09:28Yeah?
09:31Or the authorities.
09:32Yeah.
09:33Then I'll let the authorities know that you helped me lie about cancer.
09:37So you knock yourself out.
09:38Maybe it's me that should give someone a call and knock you.
09:40You do that, you'll end up back in prison.
09:43You think I'd give a shit about that?
09:46I'll tell you someone who wouldn't fare well in prison.
09:49You.
09:50See, they love X screws inside.
09:53You think about all that lovely attention you'd get.
09:55Mm.
09:56Stop crying and get back to work.
09:58Hey!
09:59You need to rein it in.
10:00What?
10:01Jackie's out.
10:02We still don't have a distraction.
10:03And Blast just called.
10:04What did he want?
10:05The police are on to him.
10:06Yeah.
10:07I spoke to him.
10:08I spoke to him.
10:09Well, we can't expect him to manage it.
10:10Yeah, okay.
10:11Well, you manage Jackie and I manage Blast.
10:13No, you need to let me deal with everyone.
10:14How am I?
10:15Cheers for asking.
10:16I got into a fight defending our mate.
10:17I wonder how I am.
10:18I got into a fight defending our mate.
10:19I wonder how I am.
10:20How am I?
10:21Okay.
10:22What?
10:23Hello.
10:24Oh my.
10:25Really?
10:26I'm on to, you know, with a ship.
10:27Yeah.
10:28I'll come in.
10:29It's okay, it was up.
10:30It was a good thing.
10:31What is my fire carrying on?
10:32Hey, look.
10:33I'm in.
10:34What?
10:35Well, Jackie's out, we still don't have a distraction, and BLAST just called.
10:37What did he want?
10:38The police are on to him.
10:39Yeah, I spoke to him.
10:40Well, we can't expect him to manage it.
10:41Yeah, okay.
10:42Well, you manage Jackie and I manage BLAST.
10:43I got into a fight defending our mate. I wonder how I am.
10:53You all right? How are you?
10:55I'm OK. But then I'm always OK, aren't I?
10:59Right, let's go together to stop Lass out, yeah?
11:05Yeah.
11:06Right.
11:13You go in there in your front, are you?
11:25You don't mess this up cos you can't tell a white lie about a nicked watch.
11:29Whatever they say, deny, deny, deny.
11:34OK.
11:39We'll wait on the next street over.
11:43Yeah, yeah, yeah.
12:01Hi.
12:08Have you slept?
12:09You have had an enormous shock, and this could be a long road.
12:16The best advice I have is go home and do something,
12:20even if it's just for 20 minutes, that is just about you.
12:25OK.
12:26Enough.
12:28Huh, fuck.
12:30On the next guest?
12:32Yes.
12:35What...
12:38...
12:39That...
12:41...
12:45...
12:46Thank you for bringing us this, and for doing the interview.
13:07I want to clarify one thing.
13:10I didn't go away because I didn't have anything bad.
13:13I went away because they were chasing me.
13:15I'm here to cooperate.
13:18How did you find the reloj?
13:20A part of the cards.
13:23We didn't have names, or anything like that.
13:26I didn't know what he was robbing.
13:29You can't leave me at this point.
13:34Are you women?
13:38No.
13:40Are you sure?
13:42Because we're looking for two women in connection with this reloj and a religious religion.
13:51Is that your face of poker?
13:55I'm surprised that you won't win.
14:00Look, I don't know anything about these two women, what they do and what they do.
14:05But in that game we're all men.
14:10If you're going to accuse me of something, let me go.
14:13But I don't do anything bad.
14:25I need all the data for if I have more questions.
14:38Hello?
14:39That's great.
14:40We'll go together.
14:41Meet at mine.
14:42Jackie's agreed to meet Caitlin.
14:43I'll take you back to the house.
14:44Get out your hair.
14:45We're looking for two women in connection with the watches.
15:10And the theft of a holy relic.
15:12Did they get a description?
15:14You need to go back to Madrid and stick to the plan.
15:17Police are looking for you. Are you mad?
15:19We're still doing this.
15:20We're so close. We need to make this happen.
15:22Then we can all disappear.
15:24But I think we should split up.
15:25That's convenient.
15:27It's just said that there's a description of two women.
15:30It makes sense to split up.
15:32Also, you're sick. You need to rest to be ready for the big day.
15:34I don't think you want me to have a rest.
15:35I think you want a rest from me.
15:37I'm taking you back.
15:38I'll keep you informed of everything that happens, okay?
15:44I don't think you want me to have a rest from me.
16:15I need to get home.
16:16And you, Obi-Wan Kenobhead, are my only hope.
16:20Me?
16:21That little shit crack's been making moves on my patch in Bratford
16:24while I've been banged up.
16:26He's going to lose his marbles when he finds out what's happened to his cousin, Kyan.
16:30Wait, what has happened to Kyan?
16:32Is he not okay?
16:33Never mind all that. Listen.
16:36Seeing as you're the reason I were banged up in the first place,
16:39you're going to help me get out of Spain.
16:41I can't exactly jump on the 345 bar of Alicante here, can I?
16:44Can't Rocky help you?
16:46Can't get in touch with him.
16:48And even if I could, he hasn't robbed a massive bag of money off me, has he?
16:52Deeds, look, I can't. I'll get in trouble.
16:55Do you know how much trouble you're going to get in if you don't?
16:57I need that money today.
16:58And what about my mum?
17:00I'd just have a lovely little chat with her.
17:02So, do this for me.
17:04Your mum will be sweet, your desk will be cleared.
17:06Me and you are back to square one, yeah?
17:08Old buddy, old pal.
17:09Go on, then. Let's have a look at that painting.
17:12I know you're making a copy.
17:15Come on, then.
17:16Chop, chop.
17:21It's proper good, that, Bilal.
17:23Who did it originally?
17:25Salvador Dali.
17:27Did it?
17:30Dirty bastard.
17:32It's good, that.
17:33All right, then. I'll see you in a bit, yeah?
17:37Get us that money, you prick.
17:38I'll see you in a bit.
18:08Where are you going?
18:11I need you to do something.
18:13I need you to do it now, and if you don't let me,
18:15I can't finish the picture.
18:17What?
18:17Deigs is out. He needs this money.
18:19That massive lump. Bilal?
18:20He said if I do it, you'll clear my debts.
18:23If I don't, how do I ever go back to Bradford?
18:24How do I ever go home?
18:26I don't know, but I do know that you're going back in the house
18:27and finishing that picture.
18:29Got your money. It's a pain.
18:31What are you doing? Get up.
18:33It needs to be finished by tomorrow.
18:35No.
18:36If you don't let me go, I won't finish it.
18:38I don't care if you shoot me.
18:41Get your phone out.
18:42No.
18:43Just get your phone out.
18:44Why?
18:45Get back in the house. We're going to sort this out.
18:47You've got no mates your own age to phone.
18:59I wanted to see if you needed anything.
19:02You've been sent on a charm, offensive.
19:04Firstly, I wanted to see how you were doing.
19:06Secondly, how your husband is.
19:08You don't care how my husband is.
19:11Do you?
19:13Listen, when I met you, you were not only doing something you loved,
19:16but something you were good at.
19:19Why do you want this job so badly?
19:21I'm just a huge fan of art.
19:25And I'm sick of being broke.
19:26Look, my place is so small, I can touch the toilet from the end of my bed.
19:31Bloody hell.
19:32Handy if you want to wait.
19:35Look, I just want you in, man.
19:37You seem straight up.
19:38You know, for a crook.
19:40Hmm?
19:40You know what to say to a girl.
19:44Listen.
19:44Those two are full of shit.
19:48My husband is lying in there because of them.
19:51It does sound like he went pretty nuts, though.
19:53That's not the point.
19:55I'm still fucking raging with Bert.
19:58It's so much money, though.
20:00And I know that money isn't everything,
20:03but money buys you the time
20:04to decide how far away from this life you want to be.
20:09Hmm.
20:11So are you in?
20:14Jackie?
20:17Yes.
20:18But my foot will be on the pedal,
20:20and I am in charge of when we leave
20:22and who gets left behind with the misbehaving.
20:27Entienders?
20:37Well done.
20:39You said what Bert and I couldn't.
20:43She so isn't happy.
20:44Oh, well, the money she's going to make from this job
20:46will put a spring in her step.
20:49So our next problem,
20:51the distraction of the museum.
20:52Yeah, we're working on that.
20:54Look, I didn't want to mention it
20:56because, you know, we've got enough on our plate,
20:58but Bert's in a volatile place.
21:02Okay.
21:02I mean, she consents me managed a mile off,
21:04so she has to think that she isn't being,
21:06else we run the risk of the wheels completely coming off.
21:08Thank you for trusting me.
21:14It's okay.
21:16Come on.
21:213pm.
21:23Yeah, that's right, yeah.
21:24Er, I'll be there.
21:26With the money.
21:27That's it.
21:29Good boy.
21:30You know all you have to do.
21:31Stay here.
21:33And finish this.
21:35I'm nearly there.
21:38Bloody hell, Bilal.
21:40I'm not just a pretty face.
21:46No, you're a good'un.
21:48Just don't cock it up at the final hurdle.
21:51Or I'll bet on you.
21:53Right.
21:54I'm off to see a man about a dog.
22:20Oh, for fuck's sake, fucking spare me.
22:36Where's Bilal?
22:38What's what Bilal for?
22:40I thought you just wanted the money.
22:43I do.
22:47I'll get it, then.
22:50Just drop the bag and piss off.
23:12Why are you down there?
23:20I'll get it, then.
23:23Enhorabuena, detective.
23:26He oído que el reloj ha sido devuelto al señor Pérez.
23:30Y está muy contento.
23:33Creo que hay un enlace aquí.
23:36No solo con este robo,
23:37sino entre la clona de espinas y el traje de torero.
23:40Creemos que dos mujeres están detrás...
23:42No, no, no.
23:42No gastemos recursos, encorazonada.
23:44Pero que creemos que estamos cerca.
23:45¿Cerca de qué?
23:46Dos mujeres robando cosas y devolviéndolas.
23:51Ni hablar.
23:53Dejadlo.
23:53No.
24:09No.
24:13Teh este robo de mi cabeza.
24:15No.
24:15No.
24:15Yeah, okay, because you've got such a lovely way with words.
24:42Hey, Bert?
24:45Well, that's got him to pay off Deeks.
24:49What?
24:50Whoa, whoa, just wait.
24:52Let me explain.
24:56What are you doing?
24:58Where are we?
25:03Here we are.
25:09Move.
25:10Where the fuck am I?
25:20Ah, mocking uncle.
25:24Ah, mocking uncle.
25:28Quick down.
25:29Alright.
25:30Ah, ah.
25:34Yeah.
25:36Ah, Jesus.
25:39Your mum must have dropped you on your head or something, I swear to God.
25:42Shut up.
25:43Stay.
25:44You fucking mental.
25:51Alright.
25:52Fuck.
25:53Fuck.
25:55Fuck.
25:57Fuck.
25:59Fuck.
26:02What do you want, Jack?
26:04Want you to stay out of my business?
26:07Yeah, well that's not gonna happen, is it?
26:10Yeah, I've heard you've got Bilal forging a Dalai painting for you.
26:14I reckon I've known why you're doing that.
26:17That sounds like fun.
26:19I fucking knew it.
26:23Fuck.
26:29You burst my eardrum!
26:30Yeah?
26:31I think I've caught your ear there as well, Mr. President.
26:37What do you want?
26:38Just tell me what you want and I'll do it.
26:40You gonna leave Bilal alone?
26:41Yeah, I'll leave him alone.
26:42I'll leave him alone, just let me go.
26:43Yeah, the thing is, if I take you back with me, I don't think you're gonna behave,
26:46because I don't think you're capable of behaving, are you?
26:49Hmm?
26:50Sorry.
26:53I'd lick that up if I were you.
26:55That's all you're gonna get for two days, because I'm leaving you here.
26:57You're fucking not!
26:58Oh yeah, yeah, I am.
27:01And if you keep using all your energy to get free,
27:03then you're gonna get sweaty and knackered and really fucking thirsty.
27:08That'll bring your need for water up to, what in this here, a day and a half.
27:12So maybe you're wriggle free.
27:14Maybe you make it to the next town, which is about three hours away on foot.
27:20But in which direction?
27:22So that's the decision you're gonna have to make.
27:25Or you sit there like a good little boy, and in two days time,
27:28someone's gonna come, pick you up, give you your money,
27:30and then after you fuck on your merry way.
27:33Fuck you!
27:34Just leave me alone, you nightmare!
27:50And if you need a little wee-wee, you'll have to do that in your knickers.
27:53Gah!
27:54Gah!
27:55Gah!
27:56Gah!
27:57Gah!
27:58Gah!
27:59Gah!
28:00Gah!
28:01Gah!
28:02Gah!
28:03Gah!
28:04Gah!
28:05Gah!
28:06Gah!
28:07Gah!
28:08Gah!
28:09Gah!
28:10Gah!
28:11Gah!
28:12Gah!
28:13Deeks!
28:14Why didn't you tell me?
28:15Oh, I'm disobeying the boss.
28:18Where did you go?
28:19Out of the way, because you said I couldn't mind my own business.
28:22She gets like this, your mum.
28:27What happened to him?
28:28Where is he?
28:30I'm finished.
28:31I've done my bit.
28:33Have you done yours?
28:34Yep, but you won't hear a peep out of Deeks,
28:36and you're on the last plane out of here tonight.
28:38So, go on, show us the goods.
28:40Right, wait there.
28:46Right, gently now.
28:52Yeah?
28:53Yeah.
28:54Yeah.
28:55Yeah.
29:02Wow, it's beautiful.
29:03It's perfect.
29:04Take him to the airport, Caitlin.
29:09Oh!
29:10Oh!
29:11Oh, well done.
29:13Thanks.
29:16Yeah?
29:17Good luck, guys.
29:21You don't have to look at her like that.
29:22Like what?
29:23Like you're a team and you're edging me out.
29:25I'm not edging you out, Bert.
29:26I'm trying to help.
29:27Where is Deeks?
29:29Probably in a puddle of his own piss.
29:31But we don't have to worry about him anymore.
29:43Where are you going now?
29:44Out.
29:45Out?
29:46Okay?
29:47I need time to think.
29:48I need time to think.
30:11Hey.
30:13Hello.
30:14To what do I owe the pleasure?
30:20We're doing a job.
30:23But I...
30:24Big money.
30:26I think you'd make a great addition to the team.
30:30There's no team in I'm.
30:34What's the job exactly?
30:37Huh?
30:38You need a babysitter for birth.
30:40That's not what's required.
30:41That's always what's required.
30:43So, what's the job?
30:45A heist in two days.
30:47Cutting it to buy an auntie?
30:49Well, we need someone who can cause a mistake-sized distraction long enough for us to get in and out.
30:54Whole differences aside, you're the perfect person.
30:56What did you pay him?
30:58A million euros.
31:02What are you stealing?
31:04The crown jewels?
31:05I only share that information with my team.
31:12Give me the address and my job description, and I'll be there.
31:17Well, we're going to need you before that.
31:21Of course you do.
31:24This one million euro job, why don't we wait?
31:27No, she's dying.
31:30Wait until she's gone.
31:32Then we do it.
31:34We get a larger cut.
31:36No.
31:38It's her dying wish.
31:40Still sentimental.
31:42Well, play your cards right.
31:43You might get it anyway.
31:44She's always had a soft spot for you.
31:45So, are you in?
31:50Can I trust you?
31:51Well, as much as anyone can trust Bert.
31:54That's not what I asked.
31:56Can I trust you?
32:09Did he get on his plane?
32:11Yeah, and now that we've got Jackie back on our side, we're winning.
32:14Don't get mad, but I'd invite someone to help lighten the load.
32:18For a good time.
32:20No, absolutely not.
32:21I don't want her involved.
32:22It was you who wanted her here in the first place.
32:24Yeah, now I don't.
32:26Well, Caitlin can't be the only distraction.
32:28It won't be big enough.
32:30And what is more distracting than this?
32:32Oh, give it a rest.
32:32You've been knocking out the same shtick for years.
32:34We don't want your help.
32:36That's not what you said when you came to see me.
32:38We do need the help.
32:41From anyone but her.
32:42But it's you and I with 30 seconds to switch a painting.
32:47We have to have all eyes away from us.
32:50We need someone who can make sure everyone leaves the masturbator room.
32:54Someone skilled enough to turn the crowd to our advantage.
32:57Control the crowd and we control the space.
32:59Come on, Roberta.
33:04Let's all work together.
33:06You don't have to worry.
33:08I put on a show to end all shows.
33:11Nobody will be remotely interested in you two.
33:14Yeah.
33:14Oh, nice ambush.
33:30Well, it'd only been an ambush if you hadn't already been back-channelling to her.
33:32I wanted to see her because of everything that was happening with me.
33:34And she was just shit.
33:37Well, you were right.
33:38We do need her.
33:39Yeah, what's she going to do?
33:39Jump out of a cake?
33:40Or have everyone trip over on her bingo bowls?
33:43Well, we haven't discussed the details yet.
33:45Who?
33:45You and Caitlin?
33:46No.
33:47Me and Mistake or me and you, Bert?
33:49You're worrying me.
33:50You don't have to worry about me.
33:51Well, you're acting out.
33:52Yeah?
33:53Fuck.
33:54Fuck.
33:55How's your hand?
33:56Fine.
33:56I scraped it.
33:58Did you?
33:59So, you're Sam's daughter.
34:05Mm-hmm.
34:06I see it.
34:08It's the eyes.
34:10So how are you finding being back with your mother?
34:12Good.
34:13I'm glad.
34:15I don't think she's natural mother material.
34:18But then who among us is, really?
34:19Mm.
34:29What's going to happen?
34:30Mm?
34:31When all this is done, are you going to come back, nurse me,
34:34or are you going to sail off into the sunset with Caitlin
34:36and just leave me?
34:38I told you I'd take care of you.
34:40It gets messy towards the end, though.
34:41What do you want me to do?
34:45Are you even sad that I'm dying?
34:48Of course.
34:49How long do you hope it's going to be until I actually die, though?
34:51What sort of question is that?
34:53Because you want rid of me, don't you?
34:54As soon as possible.
34:55Yeah, yeah, yeah, yeah, you do.
34:56You've wanted rid of me all day.
34:58You can't even let me in on my own job.
34:59Because let's remember, this is my job.
35:01I know.
35:04Oh.
35:08This is nothing compared to what I'm capable of.
35:12Getting in and out of a museum and stealing a painting
35:15is a piece of piss compared to what I can get out of.
35:20What prison?
35:23You got yourself out of prison.
35:25How?
35:28You haven't got cancer, have you?
35:35It's took you this long to even think about working that out.
35:38Why would you lie about that?
35:43Oh my God, you're deranged.
35:44No, I'm not.
35:45I'm small.
35:45I am so much smarter than you.
35:47I worked out how to pay for a cancer patient's records and then I lined up all the people
35:53inside prison.
35:54I took pills so that you thought that I was sick, which made me sick and actually that was really fucking inconvenient at times.
36:00I played the long game and I played the long game and I played the long game and here I am.
36:04I had so much better than any con that you could go.
36:07I put you to bed.
36:09We drank to life.
36:10I'll admit that you're a little bit impressed.
36:12And anyway, I'm not dead now.
36:14So, aren't you happy?
36:16To life.
36:17Why?
36:18There are worse things that I could have done.
36:21What's worse than pretending you're dying of cancer?
36:27Wearing a wire for the police like a nasty little grass.
36:33I didn't.
36:33Yeah, you did.
36:35And then you watched as they dragged me out of that club and you pretended that we were in it together.
36:40And I never once gave them your name.
36:44And then I wrote to you and I said you can't live your life.
36:49But you betrayed me, hadn't you?
36:56I didn't have a choice.
37:00They were coming for you and you were wild.
37:02We were going to end up dead.
37:03So you put me inside!
37:04You put yourself inside!
37:06The police came to my door because you put us on their radar.
37:10I didn't have a choice!
37:13We always have a choice!
37:14Not with you, Bert.
37:15Because you push and you push until you're in a corner and that is what you're doing now!
37:19You only wanted nothing without me!
37:21You were just some knocked-up little teen working in a shitty little club in the middle of nowhere.
37:26You think I don't hate myself?
37:29No.
37:30I'd have preferred to serve a sentence than live with this guilt.
37:36You said you were my friend.
37:37And then you took away ten years of my life.
37:50You're going to fuck me over, aren't you?
37:52Huh?
37:52Do you know the only thing that we can both know is that we need this money so that we can never see each other again.
38:08And aren't you fucking lucky that trumps me putting you in prison?
38:11But how do I know that I can trust you?
38:18Because I'm doing this for Caitlin.
38:20And she needs this.
38:22Fuck you.
38:23You're doing it for you because you're a con through and through.
38:25And when this is done,
38:27I'm gone.
38:28Fuck you.
38:52Fuck you.
38:53I haven't got cancer.
39:23Well that's good news.
39:32I had to do something to get out.
39:36I made friends with a prison nurse and she needed the money so I saw an opening.
39:45So why keep up the light?
39:48Because it's the only way I could get Sam to see me.
39:52And because I wanted her to feel it when I hurt her.
39:58Because I wanted her to pay.
40:02For what?
40:05For putting me in prison.
40:12She was a police informant I found out when I was inside.
40:18So this is all revenge.
40:27It didn't need to be.
40:27I turned that around in my head.
40:33I was going to split the money with her.
40:37She's just used me like she always did.
40:40I'm sorry.
40:54I should have stayed with you.
40:57You're the only person that's ever really understood me.
41:03How do you know she's not planning to do the same thing again?
41:07Because she's doing it for Caitlyn.
41:14Roberta, we said some hurtful things to one another.
41:28Yeah.
41:29I need you to know that this isn't just about the money.
41:37But you are hard to love.
41:40But Mateo and I, we care deeply for you.
41:51Is the job real?
41:54Yeah.
41:57Is the money real?
42:00Very.
42:03Can I be sure that I can trust you?
42:09Pinky promise.
42:16I will watch your back.
42:20But anything to do with you and Sam...
42:24...not my problem.
42:26You understand?
42:27Yeah, I understand.
42:29Yeah, I understand.
42:30Are you going to be okay?
42:59I only agreed to do this job because I thought she'd be dead by the end of it.
43:02Now I'm stuck with her.
43:03When this is done, we need to leave.
43:06We'll have enough money we can go anywhere.
43:08Why would she lie like that?
43:10Because she was born a liar.
43:12I'm just sorry you got pulled into all this.
43:16Look, I know you believed in her, but you cannot trust a single word that she says.
43:23Can we trust her to do the job?
43:25Yeah, because without this, she really does have nothing left.
43:29Will you stop moving?
43:40Ow!
43:41That hurts.
43:43Well, hold still, Dad.
43:45My mum never does my hair.
43:49When's she coming back?
43:51She's not.
43:52But you're okay here with me, aren't you?
44:00Yeah.
44:00Well, I'm going to go to the showtime.
44:45Trust nobody, kid.
45:15Trust nobody, kid.
45:45You don't really want any love from me
45:49To make things right
45:51You need someone to hold you tight
45:54And who think love is to play
45:57Well, I'm sorry I don't play that way
46:01What's irate to you?
46:04I'm right
46:05Yeah, I love playing
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