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00:01Fancy seeing you here?
00:02What are the chances?
00:06What if the doctor said?
00:08Cancer. Months, not years.
00:10I want to do one last job with you before I die.
00:14From Ben?
00:15We keep her at the distance.
00:17If your daughter rocks up, what are you going to offer her?
00:19Half a dozen eggs or the chance to be set for life?
00:21Well, let's just say you'll be clear in seven figures.
00:23You gonna do it?
00:24As long as I call the shots.
00:26We are gonna steal the face of the great master mayor.
00:30We together.
00:31And we're all going to take care of the great emprefinden.
00:32I hope hope and hope.
00:33We keep doing something.
00:34We're waiting toiges.
00:35We're waiting.
00:51If you think you would be cautious of the height of your face.
00:55Are you going to take care of everyone,
00:55Ladies and gentlemen,
01:18that the peace of the Lord is with you.
01:21And now, give us the hand in señal.
01:24That the peace...
01:40know in
01:44What will you do now?
01:46What will you do now?
01:54What will you do now?
02:14The body of the Christ.
02:17The body of the Christ.
02:19What's happening?
02:22The body of the Christ.
02:25The body of the Christ.
02:27The body of the Christ.
02:29What's happening?
02:31Meloses!
02:34Meloses!
02:36David, David, a trap, a trap, a trap, quick.
02:38I'm sorry, it's a lot of heat.
02:43It's not a problem.
02:45It's not a problem.
02:49It's hot.
02:51The body of Christ.
02:55The body of Christ.
02:57Amen.
03:01The body of Christ.
03:11The body of Christ.
03:15Míralo.
03:17Míralo.
03:19Escúchame.
03:21¿Sabe quién?
03:27A ver, por favor, vamos.
03:29Que se han llevado la corona.
03:31Que no está ya ahí, ¿eh?
03:33Santa mierda.
03:35La mierda.
03:37La corona.
03:39No puede ser.
03:40You okay?
04:03Is she sniffing his bollocks?
04:07and New York?
04:09Well...
04:10...a genteндيا...
04:11...yó vídeo.
04:12The thing about great art is you see something different every time you look at it
04:15What about then ?
04:17So,こう F颱í a is obsessed by this Russian woman, Gala,
04:21who he would eventually marry
04:23but at the time on this painted she married,
04:25to poet Paul Élyard.
04:27And Elyard jibs off back to Paris on his own.
04:30Some would say a foolhardy decision
04:32on the account of the high chance that Dali was going to knob his missus
04:35if left unattended.
04:36Anyway, he did, and in the process, this was painted.
04:40There's all this goff about his contradictory feelings towards sex,
04:43but I think he saw a woman having a wank and thought,
04:46Oi, oi, where's my paintbrush?
04:48Wow.
04:49You really have learned all there is to know about art.
04:53So, are you jumping down the stairs?
04:56Well, we'll come to that.
04:58First of all, my stroke of genius.
05:01I'm going to execute a swap.
05:04I'm going to get that off the wall and replace it with a copy that's so perfect,
05:08not even the greatest art experts would know it was a fake.
05:11Gone.
05:12I've made contact with the world's greatest forger.
05:15And how does one qualify as the world's greatest forger?
05:19If I could name all of his forgeries, he wouldn't be a very good forger, would he?
05:23Reputedly, a boy genius.
05:25The beauty of all of this is if we can pull this off,
05:28no one need know that a crime is even committed.
05:32How do we get it out?
05:34Oh, the finer details, they're so tedious.
05:36That's why I need you to help me.
05:38Four cameras in each room, minimum two security guards.
05:42The masturbator has a camera trained on a 24-7.
05:45A post-modern, Darlie would love that.
05:47She also sits next door to the Guernica, Spain's most famous painting.
05:52So, scrutiny in this part of the gallery is rather high.
05:55Obviously, we do it all our hours, no ponters.
06:00We'll have to swap the security feed so no one can see us going about our business.
06:05To do that, we'll need a foolproof distraction.
06:08What, like, give them the whole one proof?
06:09No, it's totally 25, I'm not sure.
06:12That still works.
06:13Oh, come on, tits is tits.
06:15All right, so we employ a little more sophistication.
06:20Anyone in mind?
06:25Mistake.
06:27Look, she can pull the attention of the guards when we swap the feed.
06:30Bert, I know you're sick and you think this is a good idea.
06:34But we need someone we can trust and she doesn't trust us.
06:37Therefore, we can't trust her.
06:39I think she would use this to get back at us for leaving her.
06:41She's got a very long memory.
06:43I'm sorry, no mistake.
06:46OK, no mistake.
06:47But we still need to put a team together.
06:49We bring people in, we lose control.
06:51No, we don't bring people in and we fuck up.
06:52No, we need a team.
06:54And we need them in close proximity.
06:56We need to do this right.
06:58I told you I need to make the decisions.
07:01I want this whole thing on a tight lead.
07:03No, you want me on a tight lead.
07:05Yeah, with a muzzle on it, which would be nice.
07:08Oh.
07:09All right, the fake.
07:10Go on.
07:12So, we break in at night and then we go up to the gallery with a fake.
07:16And we wait for our perfect moment.
07:18What, sneak past all the guards in our invisibility cloaks?
07:22Well, I know a woman who can help with that.
07:28Jackie Diamond.
07:33So, Jackie helps us get in undetected?
07:36Yeah.
07:36She'll disable the lasers and help get the painting off the wall.
07:40The alarm is triggered by a change of weight.
07:43So, we need to be deactivated.
07:45Or we counterbalance the painting.
07:47Oh, that's much trickier.
07:49Which is why we need Jackie's expertise.
07:50She's been doing these tricks for 30 years.
07:54And then, if we can pull that off,
07:56we take the real painting to the gift shop,
07:59marked for collection.
08:02Hola.
08:03Le collectio.
08:05The next day,
08:07they unwittingly hand over the real masturbator.
08:09Good day.
08:10Good day.
08:11Good day.
08:11Well, we just walk out of here.
08:33Yep, with the 10 million euro painting under our arm
08:35that no one even knows has been stolen.
08:37It's going to be a lot of work.
08:39We're going to need a plan A,
08:40and if we've learnt anything,
08:41we need a plan B and a plan C.
08:43Yeah, and just in case.
08:44Plan D.
08:45No, what?
08:47You're off your rocker.
08:48Yeah, but you love it though, don't you?
08:50What's not to love?
08:52If we bring anyone in,
08:53they're going to need paying.
08:53Have you got any funds?
08:54I had a Matador costume that was worth 200 grand,
08:57but someone decided to return it.
08:59And the forger needs to pay him before he starts work, so...
09:02Got any bright ideas how we can make some quick money?
09:20100,000 for all.
09:24Do you know anyone else?
09:48He was hit, and he was a long shot.
09:51You haven't got any other contacts?
09:52No, I told you, I don't know anyone.
09:53It's not how I live any more.
09:55I'm just struggling to believe that you woke up
09:57every day for the last ten years
09:59with infinite possibilities stretched out in front of you.
10:02And you thought,
10:02oh, what am I going to do with all my lovely time
10:04and all my love with freedom?
10:05I know, I'm going to go and feed the pigs.
10:10Before I went inside,
10:12you were hell-bent on finding Caitlin.
10:14Don't.
10:14What?
10:15Say her name.
10:18Did you get anywhere?
10:19Oh.
10:22Sorry.
10:22Don't be.
10:23How hard could it be to track her down, though?
10:27What is this, Bert?
10:28Mastermind, specialist subject,
10:29the daughter I gave up for adoption at birth?
10:31Well, if it is your specialist subject,
10:32then you're not very good at it, are you?
10:34It wasn't illegal adoption,
10:35it was through the church, you know that.
10:37I've contacted them,
10:38but there's no way of finding her
10:39because there's no record.
10:41So I've left letters,
10:42so if she wanted to find me,
10:43she would know how,
10:44but it has to be her decision.
10:46So do a DNA test.
10:47Cos then, if you're in the system
10:49and she does one,
10:50you get a notification.
10:52Boom.
10:53Put my fingerprint into a database.
10:55I have more chance of the police turning up
10:57at my door than my daughter.
10:59Well, what if she does rock up?
11:02What is she going to think about you
11:03living like Goat Peter on the side of a mountain?
11:05And maybe I could help you?
11:07No, under no circumstances.
11:11OK.
11:14What about mistake?
11:16It's enough of the job,
11:17but she can sell the jewellery for us.
11:18No.
11:19Well, I know she means a lot to you,
11:21but there's a reason why we left her.
11:23She played mummy when it suited her,
11:24but she's a user.
11:25Fine.
11:27What?
11:28I've just said I'm not going,
11:29so I'm not going.
11:31Still got to sell those, though.
11:33And we're agreed on Jackie, right?
11:35OK.
11:36Let's get her on the hook.
11:37Oh, it's said your vagina could light up a room.
12:00I've got your letter.
12:06Whatever you're planning,
12:07I'm not interested.
12:09How much?
12:11Fuck off money.
12:12Well, that depends on how much value
12:14one puts on fucking off.
12:16Everyone's got a price.
12:17What's yours?
12:18That's not how it works.
12:20You come to me with a price
12:21if you want my services,
12:23and then we talk.
12:24We need to run the numbers.
12:25We'll maybe get your ducks in a row
12:26before you make an approach.
12:28That's not a no,
12:29but this is.
12:30No.
12:31Why?
12:33Well, I'm settled.
12:34I'm happy.
12:36Oh.
12:37And it's too risky.
12:39It always is with you two.
12:42And ten years without a peep
12:43from either of you
12:44has been very peaceful.
12:46Well, you'll be behind the scenes.
12:47If anything happens,
12:48it won't come back on you.
12:50OK.
12:51It's good seeing you.
12:53Stay lucky.
12:55Five hundred thousand.
12:58It's a ballpark figure,
13:00but I guess we'll have to get
13:01some other magician
13:01to build our rig for us.
13:04Oh, shit.
13:09It's still a no!
13:13What do you think our chances are?
13:15She'll buckle.
13:16Sorry the euro signs in her eyes.
13:19Why didn't you tell her you helped in, sir?
13:21I mean, it might have helped.
13:22Act mercenary.
13:23Now.
13:24I don't want everyone to know.
13:26Well, people are going to find out.
13:28I'm feeling stronger now, Mal.
13:30It's easier to manage.
13:32Tiredness comes and goes,
13:33and if it comes,
13:35then I'll just make myself scarce.
13:36It doesn't make you look weak
13:37admitting to it.
13:39I think we both know that it does.
13:42Look, I'll make you a deal.
13:44If it gets too much,
13:44then I'll let you know,
13:45but for now,
13:46let me just live each day as it comes.
13:52Ah.
13:53Crown Jewels,
13:55Forge is landed.
13:56First, we've got an appointment.
13:57With who?
13:58A buyer.
13:59Oh.
14:04Oh.
14:05Oh.
14:11Oh.
14:14Um.
14:15Sorry.
14:20Uh-huh.
14:22Ooh.
14:22I'm a knuckers. Calm my nerves.
14:31I'm sorry.
14:35Got it.
14:43I'm having 150 grams of protein a day.
14:46I set an alarm at 3am.
14:48I have two chops on a plate on my nightstand.
14:51My muscle gains have been off the hook.
14:54I thought you were here to watch and learn.
14:56I am. I'm watching. I'm watching.
14:59Watch.
15:01Being the operative word.
15:06Look who's at the front of the queue.
15:09You're joking, aren't you?
15:13Me?
15:14You never guess who's legged it to Spain.
15:16Go on.
15:17Bilal, that gambler was 100 grand.
15:19Little bastard.
15:21Where's he gone?
15:22Close.
15:23It's close.
15:24Let's go.
15:25Where's he gone?
15:46Close.
15:47You are here to meet Selene?
15:57Yeah.
16:00This can't arrive.
16:02Who is this buyer?
16:04She's a feminist art collector.
16:06Willing to spend millions on a private collection.
16:08Apparently she collects pieces where the muse has been exploited by the artist.
16:12This place is hardly screaming high art, is it?
16:14Where the fuck are we then?
16:44Do kids like pirates?
16:48What?
16:56That's it.
17:04Please sit.
17:27Oh, that's designer.
17:30It's not meant for arse parking.
17:32Okay.
17:34So, why you?
17:47Why don't I just wait for Isabella to leave prison?
17:49Isabella's got years to serve.
17:51I can get you that painting, six weeks tops.
17:54And Isabella wants 50 million, I want 10.
17:57Yeah, but I don't know you.
18:00Certainly don't know you.
18:01She's my partner.
18:02I trust her.
18:05And it's me that's taken all the risk.
18:07We have a plan.
18:08And no one will even know there's been a crime.
18:10But for that, we need to know that the job is ours.
18:1410 million's a lot of money.
18:15Well, stealing your painting's a lot of work.
18:16And risk.
18:18But if we don't have you the painting in six weeks, you can go back to Isabella.
18:21But this way, you have no risk, little outlay, and the painting you've always wanted for two-thirds of the price you were willing to pay.
18:27And if you were in any doubt of our capabilities.
18:35You knit the crown of thorns?
18:36Yeah, right from under everyone's noses.
18:39It's a little gift.
18:40Just to show you that everything you've heard about me is true.
18:42Yeah, well done.
18:46Now every man and his dog from here to Tarifa's looking for it.
18:50Not if it just sits in your private collection.
18:53What, this thing?
18:56Look at it.
18:58It's an eyesore.
18:59Well, the gold itself is worth a small fortune.
19:01Oh, hang on.
19:01Let me get my smelting kit out.
19:03Turn it into sovereign wings, shall I?
19:05Boys down the market will be happy.
19:07Okay, well, we'll get rid of it.
19:09No.
19:11Let's see how you work under instruction.
19:15And real pressure.
19:17Then I'll decide if the job is yours.
19:19You put it back.
19:20Today.
19:24The cathedral isn't open to the public.
19:26Exactly.
19:28It's a perfect little spot for you to show me what you're capable of.
19:31Before I agree to you being my supplier.
19:34Okay?
19:36Off you pop.
19:38I want it back there by six.
19:41Raphael.
19:43Introduce them to nacho.
19:47Shall I open the mind?
20:01You made out like it was a done deal.
20:22It wasn't.
20:22And now we're on the back foot singing for our supper.
20:25Well, we'll return it.
20:26It's fine.
20:27But she knows who we are.
20:28I've pitched her for months.
20:29She's just testing us.
20:30Can I touch on the fact that you stole a relic without telling me?
20:33And for what?
20:33To show off to some woman you don't even know?
20:36Stole a relic to remind you how good I am at this shit.
20:39Prove myself to you.
20:40Oi.
20:47You like my new hat?
20:48For fuck's sake.
20:50We're going to need more than your shit hat.
20:54It's a good job I kept some of our staff.
20:57Did you?
20:57It's the forger.
21:03Shall we go and welcome the talent?
21:05Well, we'd better be quick.
21:06Because if that lunatic says it needs to be put back today, it's today.
21:09I'm not getting strapped to a chair.
21:16Right.
21:17I'm going to hold that.
21:18And then you've got to breathe in.
21:21Four, three, four, hold.
21:24Were you such a pretty nose?
21:27That's it.
21:28Do it one more time.
21:29Right, okay.
21:30I'm going to support you.
21:30Now you've been in.
21:43There's more to this than looking pretty, you know.
21:47You need to treat the equipment with respect.
21:49Put everything away at the end of each show.
21:51Check the safety on each trick before each show.
21:54Isn't that what you're here for?
21:59He does this, you know.
22:01Gets infatuated.
22:03Then he'll start to pick holes in you.
22:06And you'll start to feel like you're not good enough.
22:09But by then, he'll have moved on.
22:11The only person who won't be moving on is you, Jackie.
22:14Because you're the kind of person that lets people pick holes in you.
22:18This is just a stepping stone for me.
22:21Don't talk to me like that, you little madam.
22:24You're still going to be stuck here in 20 years' time.
22:27Looking like a two-pound sausage in a one-pound skin.
22:30You don't know anything about me.
22:32Don't I?
22:33Well, I know when I've touched a nerve.
22:36You're still going to be stuck here in 20 years.
23:06Welcome to España.
23:27Pleased to meet you, Bilal.
23:28I'm Sam.
23:28Hiya.
23:29Um...
23:30Oh.
23:31It's boiling here, isn't it?
23:33Cheers.
23:34I'm sweating cobs.
23:35Er...
23:36It's when I get my money.
23:38Yeah, should we show you around first before we talk turkey?
23:55It's alright for you?
23:57Yeah.
23:59Got all your stuff and your...
24:02beans.
24:13I'll go through a four pack of days.
24:15Yeah, sure.
24:16I will get you some more.
24:17And Wi-Fi.
24:18Need to ring my mum.
24:20Let her know I've got it okay.
24:21She'll be, um...
24:22worrying.
24:23Mm-hmm.
24:24So...
24:26money.
24:28Yeah.
24:32There you go.
24:35Well, this isn't what we agreed.
24:36Need a hundred.
24:37I've got bills.
24:3810K doesn't cover your bills.
24:42We agreed a hundred.
24:44And I never start painting until I got all my money.
24:46I'm sorry.
24:48Yes, I'm sorry.
24:49I'm sorry.
24:51No, no, no, no, no.
24:52No, no, no.
24:53No, no, no.
24:54No, no, no.
24:56No, no, no, no, no!
24:58Can you stop my wimple?
24:59No, no, no, no.
25:01I thought you'd never ask.
25:02Frasca?
25:07Shit, Salim.
25:28Oh, but we're here to meet the...
25:32We...
25:33We're here to meet the people.
25:36No problem, he can come here and talk to you.
25:39We...
25:40We could...
25:41We're behind.
25:43Identity documents, please.
25:45Of course.
25:55Are you French?
25:57Where are you from France?
25:59Where are you from France?
26:00In Britain, in fact.
26:02Señor?
26:03Moi aussi.
26:04A côté de San Brioch.
26:07San Brioch?
26:08Je ne connais pas.
26:09Et qu'est-ce que vous avez ici en Espagne?
26:11Je vais euler les signes en même.
26:18Continuez.
26:19Merci.
26:20Bonne journée.
26:21Merci.
26:22Merci.
26:24Yes!
26:33Hiya, Mum, take a look at this place.
26:35Oh, lovely.
26:36Lovely. I've got some of your school friends here, Brack and Gary.
26:41Wait, what?
26:42Right, but how much?
26:43Lovely gaff, man. Where is it?
26:46Erm, Spain somewhere. I don't know what you two do in there.
26:52I could ask you the same thing, jibbing off to Spain without inviting us.
26:55Mum, you don't have to make these two cups of tea. Why don't you go for a walk or something?
27:00You can't send your mum out in freezing cold while you're sunning it up over there.
27:04Hey, he's got workmanship on that. Give that to you. It's from Dunham.
27:09Oh, I've just thought. You know who's over near you? Tell him.
27:14Big.
27:15You'll have to meet up.
27:16He...he don't want bothering with me.
27:19Oh, I reckon he does. That hundred grand you owe will go a long way.
27:22He's there to invest in the gym in the main plaza.
27:25I'll text you the address. Make sure you see him tomorrow.
27:28Aye, smashing.
27:30See ya.
27:31Ta-ra, Bilal.
27:34Okay.
27:39Hey.
27:43Hermanas, what are they doing here?
27:47Can I speak English?
27:48Yes, no problem.
27:50Well we're visiting and we'd love to pray.
27:52Of course.
27:54Please, sister. Do you prefer a Lady Chapel?
27:56Oh, she does, don't you sister? Yes.
27:58In fact she has a lovely lady chapel herself. There are always people in and out of it.
28:02Okay, follow me, please
28:20What is it about the Virgin Mary, Mother of Christ, doored by millions, pray to you daily?
28:25No, the fact that it's so sacrosanct to be a mother. I mean, any folk can knock out a sprog.
28:33I didn't mean you. Caitlin, I'd be lucky to have you.
28:39Is there anyone you would like me to hold in my prayers?
28:45Yes, there is a family friend. She's dying.
28:49I'm sorry.
28:49She's worried and I don't know what to say to make it better.
28:52Our job is not to make it better. Our job is just to be there.
28:58I find small kindness as help.
28:59She's been cared for by her best friend.
29:03But I do worry about the burden that that places on her.
29:06Her friends.
29:08At the end.
29:09Hail Mary, full of grace. The Lord is with me.
29:14Blessed art thou in one woman. Blessed is the fruit of the womb, Jesus.
29:18Holy Mary, Mother of God, pray for us sinners now and in the hour of our death. Amen.
29:24Please, excuse me. Sister, she gets very emotional.
29:30Father, would you hear my confession?
29:35Bless me, Father. I have sinned, but I have been having very, very bad thoughts.
29:42Thoughts about putting things away.
29:44The wet, wet dreams, Father.
30:07Your appendices didn't hail Mary's and, uh, Mary, Mary B.
30:13The glory, the glory, the Hail Mary.
30:17Bless you, Father.
30:18Bless.
30:43Bless.
30:54Please, sir.
30:58You okay?
30:59Yeah.
31:00Yeah.
31:01One and done, then.
31:03Yeah.
31:04But what a one.
31:13Not a cop, then.
31:26Not a nun, then.
31:29Miguel tells me you handled yourselves with panache.
31:33So do we get the job, then?
31:36I'm only as good as my last job, and if I give it to you,
31:39you're in charge of my reputation.
31:40So am I going to stick my neck out and say yes?
31:48Okay.
31:50You got the job.
31:55Now don't fuck us up.
32:10I'm going to stick my neck out and say yes.
32:16¿Qué tal, Rosa, cariño? ¿Cómo estás?
32:19Después del funeral.
32:20Quiero mi reloj.
32:21Papá, no puedo vivir sin él.
32:23No te preocupes.
32:24Volverás a estar en tu muñequita bien pronto.
32:28Voy a hacer una llamada.
32:28¿Inspectora García?
32:36Sí, estaba esperando una llamada tuya
32:37confirmando que habíais encontrado a los ladrones
32:39que faltaron el respeto en el funeral de mi padre.
32:42Mira, quiero a todos tus oficiales
32:44buscando el reloj de mi hija
32:46y el resto de joyas robadas.
32:48Y a la gente que lo hizo,
32:50la quiero encarcelada.
32:52Inspectora,
32:53no olvides quién te ayudó
32:55a asegurar tu ascenso.
32:57Podría sentirme decepcionada.
32:59De acuerdo.
33:01Era otra visita al cura.
33:04Muchas gracias, señor Pérez.
33:07Por decirme cómo hacer mi trabajo
33:09solo porque tú juegas al golf con el jefe.
33:12Es que...
33:21¿Cuánto tiempo es?
33:22¿Eleven?
33:23¿Qué?
33:24No, no.
33:24I wanted you to get some rest.
33:27Here.
33:30Oh.
33:34What are your wishes, Bert?
33:36We need to talk about it.
33:39Well, I'll tell you what I don't want.
33:40A wick of coffin.
33:41You may as well put me in a waste paper bin.
33:46Okay.
33:47I want a silk line coffin
33:49in the heaviest mahogany
33:50because I want the pallbearers
33:52to buckle at the knees
33:53of which you will be one
33:54at the front first
33:55on the call sheet
33:56wailing and gnashing your teeth.
34:02Oh, I'm not dead yet.
34:04here.
34:07Come on, Jackie.
34:11No, no.
34:11I'll have another runner.
34:13You put your feet up.
34:14I'm also working on a solution
34:16for our money problem.
34:17I found someone
34:18who can break down the jewellery
34:19and sell it separately
34:20as gold and diamonds.
34:21so we can get all the money
34:23we owe, Bilal.
34:24Now get some rest.
34:25All right.
34:34All right.
34:39Zones, if you're a good girl daddy won't shoot.
35:04Oh, what will daddy do?
35:08No, you don't get to cuff me anymore.
35:33Is it because if you rank a husband, you're worth so much more than him?
35:52Yeah, you're right. I'm worth 500,000 euros. And while you're mulling it, I want 10% up front.
36:04How's that for a start? Worth more than 10%, I reckon.
36:18Wow. I can't eat it. I'll flog it if I have to.
36:28Where do I sign?
36:32Woo!
36:34Thanks.
36:36Oh, look who it is as I live and breathe.
36:40It's not 100 grand, but I'll get you the rest tomorrow. And in the meantime...
36:46Look.
36:47Paint this. It's worth a bomb. I painted it.
36:50Big fat naked baby with wings, your second piss.
36:53Stop fanning about painting and get me my cash.
36:55That's why I'm here. In Spain. I'm a painter, right?
36:59And these people, they're paying me enough to pay you back.
37:02Who's paying you enough?
37:03Some hot people.
37:04Would you tell Crack to leave my mum alone?
37:06No one touches mummy if we get our money.
37:09That's you.
37:11I'll get you the money.
37:14Good.
37:15Because if you don't, I'll break your bastard fingers.
37:18How are you fixed for painting with your feet?
37:23Go on, piss off.
37:27Nice.
37:33Well, you just made a dying girl very happy.
37:40Can you give me a lift somewhere?
37:48I think it's a great way.
37:57Nice.
37:58Nice.
38:07Nice.
38:10Nice.
38:15Nice.
38:16So, how are you?
38:39Good, yeah.
38:43Considering.
38:43How are you?
38:46You look well.
38:47Oh.
38:48Fabulous is the word I think you're looking for.
38:53Missed you.
38:58It must have been hard in prison.
39:02And now you're sick.
39:03Mm-hmm.
39:04Cancer?
39:06Yeah.
39:07Started off as a tumour on my liver and now it's...
39:10Go on.
39:13Sorry, are you a doctor now?
39:16Roberta, are you mad with mother?
39:20Shouldn't mother be mad with you?
39:22Why?
39:23Because I went off to live my life.
39:25I took you in when no one else wanted to.
39:28Yeah, so selfless.
39:29Mother Teresa's got fuck all on you.
39:31Should we stop reminiscing now?
39:33You wanted to talk to me about something you mentioned in your letter.
39:36Hmm.
39:37But maybe we save the adult chat for another time.
39:40Just wanna know if you can shift these.
39:47Sorry you're still having to make ends meet like this.
39:50I've moved on.
39:52But I wish you well, though.
40:13Wish me well, do you, you fucking bitch?
40:15Don't be back.
40:17Damn it!
40:19Birds.
40:20Mateo.
40:23I'm so sorry.
40:24Yeah, so am I.
40:26That you stuck with her.
40:28What happened?
40:30I was about to offer her the opportunity of a lifetime, but she never changes, so...
40:35Birds.
40:45Birds.
41:02I won't be here tonight.
41:04Why?
41:05Where are you going?
41:08I'm leaving, Craig.
41:09Leaving?
41:12Leaving me?
41:15Yes.
41:18You can't leave me, Jackie.
41:20I can.
41:22What about a show?
41:24Well, the show must go on.
41:26Get Comet to help.
41:28What's she gonna do?
41:33Everything I do, I do for us.
41:38For you.
41:39You will.
41:40You will.
41:41And this is how you repay me.
41:42Hello?
41:44Hello?
41:45Hello?
41:47Hello?
41:49Hello?
41:51Hello?
41:53Hello?
41:55Hello?
41:57Hello?
41:58Mum!
42:16Fuck yeah!
42:28The diamonds alone are worth thousands. Just see her. Take a look.
42:35Thanks.
42:37Bert?
42:58Who cares?
43:00Stop.
43:04Just keep living.
43:07The diamonds, the diamonds, the gold diamonds, the gold diamonds,
43:12Oh, so beautiful!
43:18You were the poor one, no?
43:20Or you were the poor one.
43:23Nothing!
43:24Oh, my God.
43:54Boom.
43:57You scared me.
43:59I've been thinking about something.
44:02Have you?
44:03You said you'd help me find Caitlin.
44:07Yeah, well, you think it's a good idea, I could.
44:10Where would you start, though?
44:13What do you mean?
44:15I mean, where would you, Bert, go to find out where my daughter is?
44:23I don't know.
44:24You don't know where you'd begin the process of finding her.
44:27Writing to her to establish a relationship.
44:30You don't know how you would do that.
44:32I found the letters.
44:33I asked if you wanted my help to find her, and you said no.
44:36You'd already found her, you fucking psycho!
44:38You keep saying, you've got something for me.
44:56Something you call love, but confess.
44:59You've been a messin' where you shouldn't have been a messin'.
45:06And now someone else is gettin' all your best.
45:12These boots are made for walkin'.
45:15And that's just what they'll do.
45:19One of these days, these boots are gonna walk all over you.
45:24You keep liin' when you oughta be truthin'.
45:39And you keep losin' when you oughta not bet.
45:44If you kill me, she'll hate you.
45:47Take me to my life.
45:49Just what they'll do.
45:52One of these days, these boots are gonna walk all over you.
45:58Did you get my money?
46:00What?
46:01Are you ready, boots?
46:08Done walkin'.
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