- 5 giờ trước
The Repair Shop - Season 15 Episode 2 -
Season 15
Season 15
Danh mục
😹
Vui nhộnPhụ đề
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07:03Cảm ơn các bạn đã theo dõi.
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12:23và một lần sau khi đã tạo ra một chút để tạo ra,
12:27đã tạo ra một chất lượng và đã tạo ra một chất lượng.
12:30Thế nên là một thứ nhất để tạo ra một chất lượng to the crack
12:34và tạo ra một chất lượng bột.
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14:06I'm taking a fraction of the surface off so that I've got a nice parallel pivot.
14:19Now what I need to do is use a very fine polishing paper to finish it and get a really good shine on it.
14:27Once it's in the the pivot hole and lubricated properly, there should be hardly any friction at all.
14:43Great, that's all ready now to pop into the pivot. The present pivot hole, the actual wheel here,
14:51is just too loose and wobbly. Basically I need to push the hole so that the pivot will fit in there nice and snugly.
14:59Now I need to push it in.
15:06Right, that's perfect.
15:11I'll just check that it fits in there nicely, which it does. That'll be good hopefully for another 100, 200 years.
15:21Now the whole mechanism is ready to reassemble and get ticking.
15:33Pete, do you come from a musical family?
15:35No, not at all.
15:37No? No.
15:38What made you get into it then?
15:40Well done art school.
15:41Okay, what did you play the recorder?
15:43I used to get chucked out of recording classes, yeah.
15:47Although recorders didn't work out, musical instrument restorer Pete Woods is a dab hand when
15:53it comes to brass instruments. Natalie Wade and her father Mike are hoping he can bring harmony
16:00back to an item that they treasure.
16:03Hello, welcome.
16:03Hello, welcome in.
16:05Beautiful.
16:07So whose is this then?
16:08This is my late father Dick Wade's baritone saxophone.
16:12It looks like it's been played a lot.
16:14Yes, he had this right the way through his professional and semi-professional career,
16:18from the mid-40s right the way through to the mid-90s.
16:21What kind of bands was your dad playing?
16:24Well, post-war there was a big swing band boom, and they were playing at the big concert
16:29halls that existed at that time.
16:31So he travelled around with the band?
16:32He travelled all over UK with big bands up until the early 50s, and then I think he thought
16:37he'd get a proper job, so he became an engineer. But his passion for music was still there,
16:43so he was semi-professional. He actually had his own band, the Dick Wade Five.
16:48He was mid-70s by the time he retired, and he died in 2004.
16:54I play the piano, and I was lucky enough to play with him for a couple of years, which was
16:59an absolutely momentous time, really inspiring for me to actually play with him.
17:05Yeah, I bet.
17:05And so the musical sort of strain has carried on to yourself. I've got to ask,
17:09did it carry on with you?
17:10It did indeed, yeah.
17:11Oh, I'm glad to hear it.
17:12Yeah, I think a lot of my musical inspiration came from my grandfather.
17:16I used to go around quite regularly, and music just kind of ran through him,
17:21and he would often get his saxophone out and play it for me.
17:25And it was so inspirational, and he was so talented. It really made me want to follow that passion.
17:29Yeah.
17:30When I was 19, I joined the Ron Marines Band Service as a flute and saxophone player.
17:35I particularly loved playing the baritone. We would do big band concerts.
17:40Don't make it worth doing that. Somebody who can get that oomph off out of the baritone.
17:45Yeah, it's as much percussive, the sound, isn't it? It's a great sound.
17:49Yeah, playing the baritone in the big band, you really just give it that oomph and have some fun with it.
17:54Brilliant. What sort of venues did you play?
17:56Probably one of my favourites to perform in is the Ryle Abbott Hall.
18:00Oh, wow.
18:01That was a huge moment.
18:02I bet. Goodness me.
18:04And I just wish that my father could have been there and seen the inspiration that he'd had on
18:11her musical career and her playing. He would have been so proud.
18:14What an amazing thing to sit and see.
18:16Yeah.
18:17Yeah. So, it looks on the surface. It's amazing. There's not a dent on it. What's wrong with it?
18:22I think the pads will probably have seen better days. The key guard has gone off of here.
18:28Um, I love the patina of this instrument. I, I don't want to see it shiny and...
18:33I'm so glad you said that because it just looks beautiful.
18:36It has. It's got his blood, sweat and tears on it.
18:38Absolutely.
18:39My grandad played this instrument throughout his life.
18:42I would just absolutely love to be able to play on this same instrument.
18:45I've seen my father play it and then to see my daughter play it would just be mean the world.
18:51It's been so lovely meeting you both.
18:53It's been a pleasure to be here.
18:54Thanks a lot.
18:55Bye.
18:56Bye-bye.
18:56Thank you.
18:56Cheers.
19:04Well, I hope you can get it working.
19:05So do I.
19:06Good luck.
19:07Thanks.
19:22This Barry Sax, it's a sort of equivalent to the bass guitar in the rock band.
19:27It sort of honks away at the bottom, but it's a nice honk.
19:31It's almost a percussive feel.
19:34First thing that's wrong is the action is terrible, but a lot of that is old oil.
19:39So it needs a good clean.
19:42The pads are showing their age a little bit.
19:45I think we'll replace all of them because they're very important to make it airtight.
19:50There's supposed to be a guard that goes over the top, which stops that going up too far.
19:56So I've got to make one up.
19:59It works in exactly the same way as that one does.
20:03I like the way somebody's put that piece of string on.
20:06Just imagine somebody at a gig.
20:07Oh, whoops.
20:08It's come off.
20:09Bit of string.
20:10Away we go.
20:11Wonderful.
20:13First thing I've got to do now is get all these keys off.
20:17Ah, that's one off.
20:25I need now to get that one out, measure up what's called a cup,
20:30the bit that holds it, and then I can get some more on order.
20:33We've just got to keep going.
20:48The team effort to restore the clock continues,
20:51and Cindy's ready for the critical stage of the dial's restoration.
20:56I've painted the ground paint, I've transferred the pattern on this dial,
21:01and now I'm going to do my favourite part, which is to repaint all of the numerals
21:05and get it looking how Florence Nightingale would have seen it originally.
21:16Some people ask, why not do it with a drawing pen and draftsman's pens,
21:23but you'll never get as fine a line with a draftsman pen as a nice, good quality brush.
21:29Now I've finished all the outline, I've just got to fill in all the numerals freehand.
21:46It's really important to have a good amount of paint on the brush
21:49and really flood out the numeral so you get a really even finish on colour.
21:54I'm just going to work my way around the dial in the same way until all the numerals are painted.
22:12Well, I've finished shaping in that new piece of woodwork,
22:15and I'm going to polish the entire surface to sort of even it all out.
22:20I've got some shellac polish and some methylated spirits.
22:24So this is the satisfying part of this process.
22:29It brings up the lovely colour, it also shows any imperfections,
22:33so if you've missed something, you're going to see it.
22:37Once I've finished polishing this, I'll then move on to the rest of the case,
22:40and I can get it back to Steve.
22:48Angelina's diving in as she prepares to rehydrate Hazel's map.
22:53I was able to really successfully remove the gauze from the back of the map,
22:58and I have prepared a humidification chamber.
23:01The map is sitting on a wetted capillary matting, and this will slowly allow the water to evaporate
23:06and come into the chamber, humidifying the paper nice and gradually.
23:11And once it's nice and soft, I will be able to flatten all of these curly, curly edges,
23:17and it will be nice and ready for me to start lining it.
23:20I will cover it with a plastic sheet just to seal my chamber off.
23:29I'm going to use some clamps just to make sure that all of the nice humidity is staying inside.
23:34It's basically just like a little sauna for them.
23:48I can see that my map is ready. I can see the steam inside, so it should be nice and humidified
24:02for me to start lining.
24:05Everything is looking loose and limp, so this is really, really good.
24:09I am using a Japanese tissue as a lining tissue.
24:16It has really long fibres and it will be an excellent support for the map.
24:22My lining paste is a combination of wheat starch and methyl cellulose.
24:28It's quite wet and it will allow me to move the pieces around as I go.
24:35It is quite a stressful moment for me because I need to make sure that
24:38everything is nice and straight and just make sure that all of these
24:42tiny little edges are nicely adhered.
24:54Mm-hmm.
24:58Oh my word.
25:00That is amazing.
25:01Be pleased.
25:02More than pleased. I can't see where the gap was at all.
25:06Thank you so much.
25:07Pleasure. See you a bit.
25:11Pete has stripped the keys from the saxophone,
25:14ready for a degreasing bath to remove decades of oil and grime.
25:19So we don't want to soak it too much
25:23because I don't want to spoil the lacquer.
25:28Water can disturb the lacquer if it's in there too long.
25:32This really does look as if it's been around a few years
25:37and Mike wanted it to look like that.
25:39It's got to look like his dad's old saxophone,
25:42like he remembered it.
25:44It's most probably originally what they used to call a gold lacquer.
25:48So it's got a tint in it.
25:50It was quite fashionable at one time.
25:57I've got to make sure this is spotless actually
26:00because Natalie wants to play.
26:04I think she's going to enjoy playing it actually.
26:18Using your old bathwaters cleaning?
26:27No, this is a fresh bathwater.
26:28You ought to see it when the old bathwater goes out.
26:32Birthdays and Christmas, Mike.
26:33Angie has completed the painstaking task
26:49of relining the fragmented map.
26:52All of the little areas that were curled up
26:57are now nice and flat
26:58so I can really see where my losses are
27:00and now I can work on filling them up.
27:03I've got my fine felt tip pen
27:06and I'll be using this acetate
27:09to trace my loss on it
27:12because I want it to match as closely
27:14to the loss as possible.
27:24Now that I have my shape
27:25I can just put my paper directly on it.
27:31By using my owl
27:32I'll trace it directly on
27:36which means that it's pretty much getting cut
27:39as I move the owl on top of it.
27:43Now that I have scored my paper
27:46it should be nice and easy to pull it apart.
27:53There we go.
27:56Ah, I'm just going over it
27:59with some wheat starch paste.
28:06Right, moment of truth.
28:11It looks good.
28:13So I'm just using my bone folder
28:16just to make sure that the paper
28:18stays nice and flat
28:20and into the little loss.
28:25So now that this is nice and secure
28:27I'll just put a piece of bondina
28:30blotter and a weight
28:32so it all dries nice and flat
28:34and then I will continue working
28:36through the rest of the map
28:37and then everything will be ready
28:39for retouching.
28:39Hi Steve.
29:05I have something for you.
29:08Oh look at that.
29:09Ready for lots more children
29:11to be looking at it.
29:13Can I have a look?
29:15That is so perfect.
29:16Thank you.
29:17Absolutely perfect.
29:19With all the clock parts now repaired
29:22Steve can start putting it back together.
29:26I would have never have guessed
29:27when I was a child
29:28listening to the stories
29:30about Florence Nightingale
29:32that I'd be working on a clock
29:33that was actually presented by her
29:35and I completely understand
29:38and I completely understand
29:38why it's so important to Bethan
29:40to get this clock working for the school
29:42because she's never seen it working and ticking away.
29:46This once handsome clock had long stopped telling the time
29:53and a well-intentioned facelift
29:55had badly let it down.
29:59Over in the market town of Romsey
30:01it's a big day at Wello Primary.
30:04Head teacher Bethan
30:06and her pupils are hoping to give top marks
30:09to their now restored link to history.
30:12Thank you very much for allowing me
30:17to install this important clock to your school.
30:21How has it been without the clock up on the wall?
30:25It's been strange because it's part of our school
30:28and it's been there for a long time.
30:31Yeah, I completely understand.
30:33Would everyone like to see it now?
30:35Yes.
30:37OK, here we go.
30:42Oh, my goodness.
30:53I've been imagining what it might look like
30:56and it didn't look like this
30:58and it's shiny.
31:00I can't believe it.
31:02The painting looks so much neater than it was before.
31:05Cindy has completely repainted the dial
31:09so real team effort.
31:11It doesn't look 150 years old, does it?
31:15So, would you like to hear it ticking?
31:18Yes.
31:19OK, here we go.
31:20We didn't even know it did that.
31:34It's just one single thing.
31:35It's called a passing strike.
31:37We've done a very good job of it.
31:39Thank you very much.
31:40It's totally beyond my expectations.
31:43It's beautiful.
31:44It's going to be a key part of our celebrations
31:47about being 150 years old
31:49and I think that just sums it up,
31:52that beautiful clock, fully restored.
31:56And it's going to be working for another 150 years
32:01if it's looked after.
32:02I hope so.
32:03There's no let-up for Pete.
32:25He's restored a subtle sheen to the saxophone,
32:28but it's still a long way from performance ready.
32:32Next thing to do is replace this guard.
32:35I've got to make a brand new one.
32:37They're quite important because they do guard the keys.
32:40So I managed to get some hexagonal brass,
32:44exactly the same that's on here for bending.
32:48I've just got to anneal it.
32:50I get it to red hot and it softens.
32:52We don't actually bend it while it's hot,
32:56so we quench it.
32:59That way we can handle it quite quickly.
33:05That's nice and cool now.
33:07That's annealed nicely.
33:08It should bend nicely.
33:10Nice and soft.
33:40It's quite a low melting point solder.
33:50It doesn't cause as much heat damage then.
33:53And it runs nicely.
33:59That's the first one done.
34:01It's made a good bond now.
34:03It's in there.
34:04All I've got to do now is get on with the hours.
34:13Hopefully that'll save Natalie having to do the emergency repairs
34:17like her granddad did, with a bit of string.
34:19Having navigated her way around the gaps in Hazel's map,
34:33Angelina is on the road home.
34:46I'm really pleased with the infills.
34:47I'm really pleased with the infills.
34:49I'm really pleased with the infills.
34:50Everything is really nice and smooth.
34:51Now for the exciting part, it's the retouching.
34:54I have decided to use watercolors.
34:56So I want to start from the greens a little bit, and then I'll move into more of the brown
35:02areas.
35:03This is really one of my favorite parts of my work.
35:12Although I can't fill all of the little details, I can just fill in those sort of gaps into all
35:20of the places that Hazel and her dad had all of their adventures when Hazel was growing
35:24up.
35:25Well, I think this is going really well so far.
35:33I still have quite a lot of work to do.
35:35Then I will be able to mount it and have it ready for Hazel to come pick it up.
35:44This map was a cherished keepsake of Hazel's joyful travels with her father, Ted, an RSPCA
35:52inspector.
35:53Now Hazel has returned, hoping the map for the memories it holds has been revived.
35:59Hello.
36:00Hiya.
36:01Welcome back.
36:02There we go.
36:03How are you feeling?
36:04Really excited to get something back for my dad because it was in a real bad state.
36:12So are you ready to see it?
36:14Oh, you've no idea how ready I am to see it.
36:17I'm so excited.
36:18Here we go.
36:19Good heavens.
36:29That is utterly amazing.
36:33You can't see through that at all.
36:40And everything's stuck down.
36:42My dad would be over the moon.
36:44He'd be so, so happy.
36:46Oh, gosh.
36:51It's back being what my dad owned.
36:54I am so, so happy with it.
36:57It's exactly how I hoped it would be.
37:00Oh, really?
37:01I'm so happy.
37:02I loved working on it and I really feel like I'm part of its history.
37:07Absolutely, you are.
37:08I will get this ready for you, packed up.
37:10Packed up.
37:11I can't wait to get it home.
37:12I really can't.
37:13And I can't thank you enough for doing it for me and doing it for my dad.
37:17Thank you.
37:18You're welcome.
37:19Goodbye.
37:20Bye.
37:211
37:29I'm absolutely amazed at the job that Angelina has done.
37:30She has just brought it back to life.
37:33All the times that my, my dad and I were out with the map in his little van, just
37:38having adventures.
37:41And I couldn't be happier.
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1:23:32
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