'ಕಾಂತಾರ' ಸಿನಿಮಾಟೋಗ್ರಫಿ: ಅದ್ಭುತ ದೃಶ್ಯ ಸೆರೆ ಹಿಡಿದ ಅರವಿಂದ್​ ಕಶ್ಯಪ್ ಜೊತೆ​ ಎಕ್ಸ್​ಕ್ಲೂಸಿವ್​​ ಮಾತು

ETVBHARAT

'ಕಾಂತಾರ ಅಧ್ಯಾಯ 1' ಸಿನಿಮಾ ದೃಶ್ಯಗಳಿಂದ ಸಾಕಷ್ಟು ಶ್ರೀಮಂತವಾಗಿ ಮೂಡಿಬಂದಿದ್ದು, ಅದ್ಭುತ ದೃಶ್ಯಗಳನ್ನು ಸೆರೆಹಿಡಿದ ಕ್ಯಾಮೆರಾಮನ್ ಅರವಿಂದ್​ ಕಶ್ಯಪ್ ಜೊತೆ​ ಎಕ್ಸ್​ಕ್ಲೂಸಿವ್​​ ಮಾತು.

Transcript

00:00In the scene, there is a lot of energy, a lot of mood, etc.

00:04There is almost every day in the gym.

00:08But in a particular scene, there is a lot of mood.

00:14There is a lot of emotion and energy.

00:17So, I appreciate the camera movement and the mood.

00:23Yes, sir. You are talking about the Rishwaf Shetty or Jarni.

00:28Where are you from?

00:32Because there is a lot of emotion.

00:34First of all, there is Lucy Asset.

00:37Lucy Asset is an assistant director.

00:39She is a character artist.

00:42I am a drone operator in the next film.

00:48As a director, I am an assistant cameraman.

00:53The next one is the first film film.

00:56I am a cameraman.

00:59I am not out of it.

01:01I am just doing one film.

01:03I am not out of time for the next film.

01:07I am not out of time for the next film.

01:09I am not out of time.

01:11I am not out of time.

01:13I am out of force.

01:15I am out of time for the next film.

01:19I am a hero member.

01:22I am an actor.

01:24I am a actor.

01:26I have a actor.

01:27I have to shoot for that film.

01:30I am out of time for all those films.

01:34How did you connect Arvind Kashyap with mechanical engineers?

01:40How do you connect?

01:42There's a lot of connections.

01:44Mechanical Engineering and Physics are used to work in our way.

01:47It's a lot of things to do with the Cinematography.

01:49I've experienced the problems in engineering.

01:52It's an engineering setting.

01:54It's an engineering setting.

01:56So if I'm talking about Science background, I'm going to get the advantage of it.

02:01The vision is one of the most important things.

02:06That's why we can't do it practically.

02:09We can't do it properly.

02:11We can't do it properly.

02:13We can't do it properly.

02:15You can't do it properly.

02:17Sir, Arvind Kashyap is the God of us.

02:20I don't believe it.

02:22I don't believe it.

02:24But I don't believe it.

02:26I don't believe it.

02:28It's like the most important thing.

02:33We can't do it properly.

02:34At a time, we can't do it properly.

02:36We can't do it properly.

02:38For everyone else, we can't live.

02:41We can't do that properly.

02:43For everyone else, we can't do it properly.

02:45That's why KANTARA is completely destroyed.

02:48That is the divinity.

02:51Yes sir. In the climax of this Kanthara chapter 1,

02:57Rishabh Shattie, how do you shoot in the set of Rishabh Shattie?

03:05Yes, it is very challenging. I don't think they can sustain their energy.

03:09First of all, they shoot in the scenes.

03:12They shoot full weight and correct energy.

03:19They shoot full weight and they shoot full weight.

03:24They shoot full weight and focus on the other.

03:29At that time, they have to be prepared.

03:33They capture the and capture it.

03:38This scene is the environment.

03:42It is a feeling. It is a feeling in the theater.

03:45We feel it is a feeling in the shooting spot.

03:48What is the take?

04:00This is very small.

04:01The normal scene is very small.

04:03The edit camera is on the camera.

04:06Very few, one or two.

04:08It's very small.

04:10It's almost like uranium performance.

04:13It's very small.

04:15It's very small.

04:17This video is a really big deal.

04:20It's very small.

04:23What are your true thoughts and idea of this building?

04:34It's a positive feeling.

04:37It's very dangerous.

04:41When I'm going to get a full car,

04:42and the dangerous weather, the environment,

04:48I'm going to give you a positive feeling,

04:53and I'm going to give you a prayer.

04:55I'm going to give you a feeling like this.

04:59I'm going to give you a force of all the people who feel like this.

05:03OK.

05:04I'm going to give you a prayer,

05:08All of us pray in that moment.

05:10Every shooting spot, we start with prayer.

05:14Okay, fine.

05:16Yes, sir.

05:17Now, finally, you have to talk about the people who are in the box office.

05:26The people who are in the cinema are talking about the celebrities, making voice, and camera work.

05:36How do you say that to me?

05:39Me, I love the people who are in India and I'm a fan of the people who are in India.

05:44I've got the people who are in the world.

05:46I've got the people who are in the world.

05:49They call me the people who are in the world.

05:53They are all the fans.

05:55They have been very much on their phone.

05:57They all are happy to hear.

06:01Do you want to share a moment about this?

06:09The port sequence is one of the most challenging port sequences.

06:16That time was almost to end.

06:19I was shooting at Muxipa.

06:21I didn't want to release at Muxipa.

06:24But I didn't want to continue.

06:26I didn't want to shoot at Muxipa.

06:30I didn't want to shoot at Muxipa.

06:32I didn't want to shoot at Muxipa.

06:34That was almost a day at the main road.

06:38When we were in the first place,

06:40we had a point of time.

06:42The film was not a doubt.

06:44We were going to go to the first stage.

06:48Now we will start the next day.

06:52We will start the next day.

06:54We will start the cyclone.

06:56We will start the next day.

06:58We will start the next day.

07:00Okay, nice.

07:12I'll see you next time.

07:14Then we'll be right back.

07:16Bye.

07:18Bye.

07:20Bye.

07:22Bye.

07:24Bye.

07:26Bye.

07:28Bye.

07:30Bye.

07:32Bye.

07:34Bye.

07:36Bye.

07:38Bye.

'ಕಾಂತಾರ' ಸಿನಿಮಾಟೋಗ್ರಫಿ: ಅದ್ಭುತ ದೃಶ್ಯ ಸೆರೆ ಹಿಡಿದ ಅರವಿಂದ್ ಕಶ್ಯಪ್ ಜೊತೆ ಎಕ್ಸ್ಕ್ಲೂಸಿವ್ ಮಾತು

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'ಕಾಂತಾರ' ಸಿನಿಮಾಟೋಗ್ರಫಿ: ಅದ್ಭುತ ದೃಶ್ಯ ಸೆರೆ ಹಿಡಿದ ಅರವಿಂದ್ ಕಶ್ಯಪ್ ಜೊತೆ ಎಕ್ಸ್ಕ್ಲೂಸಿವ್ ಮಾತು