'ಕಾಂತಾರ' ಸಿನಿಮಾಟೋಗ್ರಫಿ: ಅದ್ಭುತ ದೃಶ್ಯ ಸೆರೆ ಹಿಡಿದ ಅರವಿಂದ್​ ಕಶ್ಯಪ್ ಜೊತೆ​ ಎಕ್ಸ್​ಕ್ಲೂಸಿವ್​​ ಮಾತು

ETVBHARAT

'ಕಾಂತಾರ ಅಧ್ಯಾಯ 1' ಸಿನಿಮಾ ದೃಶ್ಯಗಳಿಂದ ಸಾಕಷ್ಟು ಶ್ರೀಮಂತವಾಗಿ ಮೂಡಿಬಂದಿದ್ದು, ಅದ್ಭುತ ದೃಶ್ಯಗಳನ್ನು ಸೆರೆಹಿಡಿದ ಕ್ಯಾಮೆರಾಮನ್ ಅರವಿಂದ್​ ಕಶ್ಯಪ್ ಜೊತೆ​ ಎಕ್ಸ್​ಕ್ಲೂಸಿವ್​​ ಮಾತು.

Transcript

00:00Congratulations.

00:01I am very proud of you.

00:03I am very proud of you.

00:10Sir, I am very proud of you.

00:13Harvind, sir, you are Rishabh Shetty.

00:17I am very proud of you.

00:21I am very proud of you.

00:24I am very proud of you.

00:29First, we talked about this film for three years.

00:34What are your thoughts?

00:36Sir, this film is a first time to do the script.

00:42When you are writing the script, you are afraid of it.

00:45You are afraid of it.

00:49You are afraid of it.

00:51Because we cannot do this scale.

00:54You are afraid of it.

00:59We are afraid of it.

01:01Within 3-4 months, the CDE team is going to shift.

01:05We are going to start a permanent basis.

01:07We are going to start an office.

01:10We are going to start a proper preparation.

01:17We are going to start a proper preparation for the pre-production.

01:23We are going to start a proper pre-production and planning.

01:25Secondly, the VFX is not heavy.

01:29When we are creating the VFX, we are going to start a proper Pre-production.

01:33We are going to start a proper preparation for VFX.

01:38At the minimum, the VFX is not working on a normal film.

01:39But if you were shooting at the right, you are going to have VFX.

01:44The shooting started. The first schedule was done with VFX.

01:49So we decided to design it.

01:53We didn't get to the end of the shooting.

01:56We didn't get to the end of the shooting.

01:59We didn't get to the end of the edit.

02:01We had to jump back almost 2 years.

02:04We didn't get to the end of the time.

02:06We didn't get to the end of the shooting.

02:10We didn't get to the end of the shooting.

02:14We didn't get to the end of the shooting.

02:16We didn't get to the end of the shooting.

02:18The other reason is, we didn't get to the end of the shooting.

02:22Since the cinema was released,

02:25we had a response from the box office.

02:29The camera was released in the movie.

02:33In this film, we were able to do the movie.

02:39We didn't get to the end of the shooting.

02:42What do you feel like?

02:47You are very happy.

02:49We didn't compromise the shooting team.

02:51We were able to support the production team.

02:55There is no shot.

02:56We didn't have the location.

02:57There is a large location before we came.

02:59It was called a big car from the car.

03:01It is called a big deal.

03:02We started to go for the shooting team.

03:03There was a lot of production.

03:07There is a lot of production.

03:08There is a lot of the equipment equipment equipment.

03:11There are all kinds of people who are involved.

03:12They asked me to do it for an issue.

03:14They have to do it for us.

03:15Everybody wants to do it for us.

03:17But in response notes, every one compromise is very happy.

03:22It's not a good thing.

03:24Every one frame is a good thing.

03:27A strong director and a strong production host is a good thing.

03:32Every one compromise is a good thing.

03:35Okay.

03:35Now, when we look at the cinema,

03:37in the film, in the film,

03:41you've got a very short time in the film.

03:44You've got a very short time in the film.

03:47It's a long shot, but it's very happy that we played in Karnataka in Karnataka in Hollywood and Cinema Shaili.

03:58It's challenging.

04:00How do you talk about the challenges in three years?

04:05How do you face it?

04:07Every forest scene was a challenge, sir.

04:11In the forest, there was a night shoot in the forest.

04:15In the night shoot, there were no examples of lighting in deep forest.

04:20There were no examples of that.

04:22There were no examples of that.

04:24There were no examples of that.

04:26From scratch, we developed a pattern.

04:29We developed a pattern like this.

04:31Let's talk about our team.

04:32Let's talk about Gaffer Manu.

04:34If you're hunting, you can cut the forest.

04:38You can cut the forest.

04:40The first decision was to cut the light.

04:43We tried the light-bitten, and tried it.

04:46We did try and experiment every night.

04:50It's worth it during the forest.

04:52You can shoot the forest night.

04:54Now, we didn't use the light.

04:59So, for a while, we'll cut through everything.

05:02If you went through the forest, they will cut the forest.

05:08It is not easy to cut.

05:10It is not easy to cut.

05:14It is not easy to cut.

05:18There are lights and it is a forest generator.

05:23It is only 10 days to shoot.

05:27In this 3 years, the cameras are used to talk about technology.

05:33How do you use the camera?

05:37The main camera is the RE-LF camera.

05:41The camera can be used as one camera.

05:43The camera can be used as large format.

05:47The camera can be used as both frames and frames.

05:51The smart camera can be used as one camera.

05:54But the lens can be used as one camera.

05:56The camera can be used as three times.

06:00The camera can be used as one camera.

06:03The camera can be used as a rich person.

06:07The world can be used as many times.

06:10The lens can be used as a chain.

06:12I have seen the photos of the camera.

06:15You can use the trally and the legs.

06:20You can use the shoulder and shoot the shoulder.

06:24How do you use the risk for the camera?

06:29It is a very difficult thing.

06:32I use the trally and the camera.

06:34I use the trally and the camera.

06:36I use the trally.

06:38The camera can be used as a normal camera.

'ಕಾಂತಾರ' ಸಿನಿಮಾಟೋಗ್ರಫಿ: ಅದ್ಭುತ ದೃಶ್ಯ ಸೆರೆ ಹಿಡಿದ ಅರವಿಂದ್ ಕಶ್ಯಪ್ ಜೊತೆ ಎಕ್ಸ್ಕ್ಲೂಸಿವ್ ಮಾತು

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'ಕಾಂತಾರ' ಸಿನಿಮಾಟೋಗ್ರಫಿ: ಅದ್ಭುತ ದೃಶ್ಯ ಸೆರೆ ಹಿಡಿದ ಅರವಿಂದ್ ಕಶ್ಯಪ್ ಜೊತೆ ಎಕ್ಸ್ಕ್ಲೂಸಿವ್ ಮಾತು