- 18 hours ago
Hire a Good Killer—Then a Better One to Kill Him!
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Short filmTranscript
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00:01:32New York City, the heart of the financial world,
00:01:36the greatest port on the face of the earth.
00:01:39But here also is the nerve center of an organization
00:01:42that controls crime throughout the country,
00:01:45an organization whose insidious fingers dip not only into vice,
00:01:49murder, narcotics, but whose tentacles reach into gambling,
00:01:54the waterfronts that corrupts and intimidates
00:01:59the world of sport.
00:02:01Here in a city of millions of decent, industrious people
00:02:04is a handful of men who form the top echelon of organized crime.
00:02:09Hoodlums? Yes.
00:02:11But now clothed in respectability
00:02:14to form a cartel known as the Syndicate.
00:02:20On a January night on a quiet side street in midtown Manhattan,
00:02:24the law was violated.
00:02:27Not only the law of the city, but the law of the Syndicate.
00:02:31Killing for personal vengeance.
00:02:33The Hercule.
00:02:35The Hercule.
00:02:38The Hercule.
00:02:39Trigger-happy pig not only knocks off one of our best men, but blasts a couple of citizens, too.
00:03:01Take it easy, Charlie. We'll take care of Andrado.
00:03:03What do you mean, take it easy? I've been on the phone all day.
00:03:06The organization's sore. I don't blame him.
00:03:07We spend millions to wrap things up, and this pig blows the lid off.
00:03:09And in my territory yet.
00:03:11I always told you, Charlie, Andrado's a bad boy.
00:03:13Something wrong with him up here.
00:03:16What do you want?
00:03:17Mr. De Lucia is calling from Italy.
00:03:20Well, I got Albert on my back.
00:03:24Hello.
00:03:26Yeah, this is Lupo speaking.
00:03:29Now, hello, Albert. How are you?
00:03:31I'm fine, fine.
00:03:33Yeah, I know, I know.
00:03:34The newspapers are playing it up big. They're lowering the boom on us.
00:03:37No, he did this on his own. It was personal. I'm taking care of it right away, so stop worrying, will you?
00:03:42Hey, Albert, how's the family?
00:03:44Good. I'm glad to hear it. I'll talk to you real soon.
00:03:47Goodbye.
00:03:49How did he take it?
00:03:50Well, you know Albert. He never gets excited, but he's worried.
00:03:53Boom! Boom, and Andrado!
00:03:55Calm down, Charlie.
00:04:00What is it now?
00:04:01Arnie Wendler is here.
00:04:02Send him in.
00:04:02Oh, Mr. Lupo.
00:04:10Hiya, Ben.
00:04:11Hello, Arnie.
00:04:11Sit down, Wendler.
00:04:13I'm giving you a contract.
00:04:15Pete Andrado.
00:04:15I want it done in the next 48 hours, and I want it clean.
00:04:17Do you understand me? Clean.
00:04:19Pete's a pretty rough guy.
00:04:20I saw his boys.
00:04:21They're gonna be keeping their eyes open now.
00:04:23Do I have to tell you how to do it?
00:04:24Get some good boy from the Middle West.
00:04:25Somebody Andrado doesn't know.
00:04:27Don't you think we ought to wait a little while, Charlie?
00:04:28Do you think he'll settle down?
00:04:29No, I don't.
00:04:31I want this pig taken care of right away.
00:04:32He made an unauthorized hit.
00:04:33He gets hit himself.
00:04:36Phone Johnny Achilles in Chicago.
00:04:37Tell him I told you to call.
00:04:38Give him a set up.
00:04:39He'll send you a good boy.
00:04:40Okay, Ben.
00:04:41I'll check with you later.
00:04:42Goodbye, Mr. Lupo.
00:04:45Sorry I'm so irritable, Ben, but this thing's got me upset.
00:04:48I need a rest, a vacation, maybe a week or so, and far.
00:04:50It'll do me some good, huh?
00:04:52Yes, Mr. Lupo?
00:04:53Get my mother on the phone, will you?
00:04:55Right away.
00:04:56Hey, Ben.
00:04:57Maybe you better leave town, too, especially while the hit's being made, huh?
00:04:59Yeah.
00:05:01I think I'll take a drive down to Philadelphia and see my daughter.
00:05:03She just sent me some new pictures of the kids.
00:05:05Oh, let me see them, yeah.
00:05:07Hey, these are wonderful.
00:05:09This young one, spitting image, have you been?
00:05:11Believe me, the spitting image.
00:05:12A lot of people say that, Charlie.
00:05:14What?
00:05:15I have Mrs. Lupo for you.
00:05:16Oh, fine.
00:05:18Hello, Mama.
00:05:19See, how'd you like to get down to Florida for about a week?
00:05:23Oh, now, come on.
00:05:24It'll do you good, Mama.
00:05:25I'll tell you what you do.
00:05:27You pack the bags, I'll come home early with the tickets, huh?
00:05:30All right, fine, Mama.
00:05:31Talk to you later.
00:05:32Goodbye.
00:05:33That same day, a man boarded a plane at the Chicago airport.
00:05:38This was Nick Magellan.
00:05:40Quiet, inconspicuous.
00:05:42Nothing to distinguish him from the two dozen or so other male passengers.
00:05:46The wheels of the syndicate had begun to move, swift, relentless, merciless.
00:05:53Retribution was to strike Pete Andrado in the person of one Nick Magellan.
00:05:59Destination, New York.
00:06:02Purpose, murder.
00:06:05Here he comes now.
00:06:05That's him getting out now.
00:06:31Okay.
00:06:33It's all mine now.
00:06:43Gino, when a blonde dame comes out and likes a cigarette, that means Andrado's ready to leave.
00:06:47Who's the blonde?
00:06:48Andrado's ex-wife.
00:06:49She's fingering him.
00:06:50Gino, when you see Andrado come out, start your cab and drive down the corner here.
00:06:54Why do you get your signal to move?
00:06:56As soon as he's out in the open, gun the car and Magellan...
00:06:58You listening, Magellan?
00:07:01Yeah, I'm listening.
00:07:05When you get here, let him have it.
00:07:07If his boys are with him, blast them too.
00:07:09Gino's cab will be used as a crash car and cover your getaway.
00:07:12Whitey will drive you someplace so he can get rid of the heater.
00:07:15Then you two split up and you'll ditch the car.
00:07:18You got it, Magellan?
00:07:23You all through?
00:07:24Yeah, I'm through.
00:07:24When I make a hit, I don't like a lot of company, especially blonde dames.
00:07:28Just give me a driver, I'll do the rest.
00:07:30Look, wise guy.
00:07:32I know Pete Andrado.
00:07:34He's rough and he's no dope.
00:07:35You want me to make this hit or do you want to do it yourself?
00:07:38You just better not miss, Magellan.
00:07:40I don't miss.
00:07:41Got a silencer?
00:07:42Oh, I'll give him a dowser.
00:07:48Just remember, Magellan, Mr. Lupo wants this clean.
00:07:51Don't worry, it'll be clean.
00:07:54Clean as a whistle.
00:07:55Come on, Whitey.
00:07:56Let's take a ride.
00:08:03Why don't you get rid of that guy at Pete's too any minute?
00:08:05You're back, Drew, pal?
00:08:11I'll take another beer.
00:08:12But you ain't finished with this one.
00:08:14It's flat.
00:08:14Bring me another one.
00:08:19Hiya, boys.
00:08:23Get rid of it.
00:08:29Something wrong with the food?
00:08:31I didn't make any complaints.
00:08:32You're taking an awful long time to eat it.
00:08:34I'm a slow eater.
00:08:34Beat it.
00:08:35I haven't finished my sandwich.
00:08:38I told you to beat it.
00:08:39Okay.
00:08:41You don't have to get tough about it.
00:08:43Risk him.
00:08:46He's clean.
00:08:46Look in his coat.
00:08:54It's clean here.
00:08:56I'll get out of here.
00:08:58We don't want you, though.
00:08:59Just beat it.
00:09:00Okay.
00:09:00Hey, pracy.
00:09:09Hey!
00:09:12It's gone.
00:09:12We're here.
00:09:12Fuck it.
00:09:15I'm on the floor.
00:09:17All right.
00:09:20It's Brooklyn.
00:09:22It's got it.
00:09:23I'm ready.
00:09:23It's got it.
00:09:25It's got it.
00:09:26It's got it.
00:09:26It's got it.
00:09:27It's got it.
00:09:29Death came today to racketeer Pete Andrado.
00:09:44According to police, this is obviously a gangland reprisal
00:09:47for the shooting of Louis Martinez two days ago in Manhattan,
00:09:50in which John Pickens, an innocent bystander, was brutally murdered
00:09:53and his wife critically injured.
00:09:56From her bed at city hospital...
00:09:58Yeah?
00:10:06It's me, Arnie.
00:10:14Hello, Nick.
00:10:15Hi, Whitey.
00:10:20There's plenty of heat on around town.
00:10:22You sure nobody saw you?
00:10:23Like I told you, Arnie, it didn't take us more than 30 minutes.
00:10:26Nick comes out and we drive away and nobody even tumbles to us.
00:10:29If I had the time to stick around, I'd really show you boys a few tricks.
00:10:32Look, Magellan.
00:10:33You were pulled in on this job because Andrado didn't know you.
00:10:36We got a dozen boys could have done just as good a job.
00:10:38Better.
00:10:39I won't argue the point.
00:10:40Just give me my door for the job so I can get back to Chicago.
00:10:42This town bores me.
00:10:43You're not leaving.
00:10:45You've got to hang around for a while.
00:10:46Look, I work for Achilles.
00:10:48I'm taking the first plane out of here tonight.
00:10:50Right now, you're on a loan out and you're working for Lupo.
00:10:53If he says stay, you stay.
00:10:54Lupo wants me to stay?
00:10:56Yeah.
00:10:56He called me from Miami.
00:10:57He said he wants to see you.
00:10:58He'll be back in a few days.
00:11:00I guess Lupo appreciates real talent.
00:11:02This may be the home run that pays off.
00:11:04Very funny.
00:11:06I'll need some expense money.
00:11:07So long, Nick.
00:11:16So long, Whitey.
00:11:22By merging the lumber company with the East-West Racking Corporation,
00:11:26we can write off a capital loss and see if us have $300,000 in taxes.
00:11:31The doctor should have to eat this.
00:11:32It tastes like something you put wallpaper on with.
00:11:35Boy, did I live it up in Miami.
00:11:38Oysters, lobster, Newburgh, French pastry.
00:11:39Got sick as a dog.
00:11:40Mama had to stay up with me home one night.
00:11:42You're sure nuts to eat stuff like that with your stomach.
00:11:47Well, guys got to bust loose once in a while.
00:11:51How's business generally, Morris?
00:11:52Very good.
00:11:53Up 4.7% over last year.
00:11:56That's good to have a nice legitimate business.
00:11:58Tell me something.
00:11:59How do the rackets do it?
00:12:01Excellent, Mr. Lupo.
00:12:03Up 8% over last year.
00:12:06The numbers did a loan $1,672,875 better for the first quarter.
00:12:13This guy kills me.
00:12:14He's got a better memory than an elephant.
00:12:15Carries a whole set of books in his head and never makes a mistake.
00:12:18Thank you, Mr. Lupo.
00:12:19What about Brooklyn?
00:12:19Picking up any?
00:12:20I was going to mention Brooklyn.
00:12:23It's pulling down our average.
00:12:24Their collections dropped off 2% again.
00:12:28You don't think there's anything dishonest going on over there, do you?
00:12:31I couldn't say, but the collections have fallen very sharply.
00:12:35Maybe I'd better replace Sue Mike with a new boy.
00:12:37No, he's one of the best.
00:12:37He's got dames on his mind.
00:12:38That's his trouble.
00:12:39Too many dames.
00:12:40I'll talk to him.
00:12:42Yeah?
00:12:42Nick Magellan is here.
00:12:44Talk to him as soon as I'm through with Morris.
00:12:46Okay, Morris.
00:12:47You want me to leave while you're talking to Magellan?
00:12:48No, no, no.
00:12:49You stay here.
00:12:49I want you to meet him.
00:12:51Boy, does this bring back memories.
00:12:52His father gave me my first break.
00:12:54I remember Frank Magellan.
00:12:56I met him in Chicago just before he got knocked off.
00:12:58It was a fisherman I've got him, wasn't it?
00:12:59Yeah, it was during the beer war, just for repeal.
00:13:02He was a great guy, rest his soul.
00:13:04Goodbye, Mr. Lupo.
00:13:05Bye, Morris.
00:13:06Goodbye, Ben.
00:13:07Sola, Morris.
00:13:08Thanks, Morris.
00:13:08It's always a pleasure.
00:13:10Send Magellan in, will you?
00:13:12Yes, sir.
00:13:14I almost died when I talked to Achilles in Miami.
00:13:16He told me he was sending Magellan's son down.
00:13:18Says he's a smart boy.
00:13:19We can use a smart boy around here with some of the dummies we got working for us.
00:13:22Mr. Lupo?
00:13:25Come in, come in.
00:13:27How are you?
00:13:29This is Mr. Dagger Janian.
00:13:31Glad to know you.
00:13:32Hello, Magellan.
00:13:33Sit down, Nick, sit down.
00:13:37He's just like his father, only better looking.
00:13:40Father and I were friends, Nick, real good friends.
00:13:42Yes, I know.
00:13:43He used to talk about you a lot when I was a kid.
00:13:46How would you like to work for me?
00:13:48Thanks for the offer, Mr. Lupo, but I already work for Johnny Achilles.
00:13:51I'll pay you more money.
00:13:52Sorry, I work for Mr. Achilles.
00:13:54Look, kid, you're talking to Lupo.
00:13:55You should be happy to work for me.
00:13:56This guy's begging to work for Lupo.
00:13:57I appreciate that, Mr. Lupo, but Johnny Achilles gave me my break.
00:14:01And as long as he wants me, I'm staying with him.
00:14:07I already talked to Achilles, and it's all right with him.
00:14:10Well, that's different, Mr. Lupo.
00:14:11If it's okay with him, it's okay with me.
00:14:13Now you're working for me.
00:14:14Ben, we're going to have to find the right spot for it.
00:14:16What about Brooklyn might keep Sumac on his toes?
00:14:19Now, Sumac will come back in line after you talk to him.
00:14:21Look, Nick, give Ben and me a chance to kick this thing around a while, will you?
00:14:24Sure, fine.
00:14:26Thanks, Mr. Lupo.
00:14:27You won't be disappointed.
00:14:28No, I know I won't.
00:14:29Goodbye, Mr. Dacachanian.
00:14:30Goodbye, Magellan.
00:14:31Check with me tomorrow.
00:14:32Fine.
00:14:38He sure is like his father, same manner.
00:14:40Quiet and polite.
00:14:41You know, Ben, that Frank Magellan was the toughest guy I ever knew.
00:14:44Absolutely the toughest.
00:14:47He's pretty loyal to Achilles.
00:14:49You notice that, too, huh?
00:14:51Loyalty, that's something you can't buy.
00:14:52Half the pigs that work for us can't even spell it.
00:15:00Oh, what I wouldn't give for a salami on rye and a kosher pickle.
00:15:09Peele's Garage.
00:15:09Yeah, just a minute.
00:15:13Three jacks.
00:15:14Three ladies.
00:15:15It's for you, Magellan.
00:15:21Yeah.
00:15:23Right, I'll be waiting out front.
00:15:26Cash me in.
00:15:27Who was that?
00:15:29My governess.
00:15:30She thinks I ought to be in bed.
00:15:34Lupo's been shot.
00:15:37Bad?
00:15:37I don't think so.
00:15:38He talked to me himself.
00:15:39Doctors on his way over there.
00:15:40Where did it happen?
00:15:41In his house, Long Island.
00:15:42They got him through the window.
00:15:44Andrade must have had some good friends.
00:15:45His brother, Kansas City.
00:15:47We got a tip a couple of days ago.
00:15:48He was blowing his mouth off about getting Lupo.
00:15:50We were watching for him, but he must have slipped into town.
00:15:53You want me to take care of him?
00:15:54No, you got another job.
00:15:56You stay close to Lupo until we find Luis Andrade.
00:15:58Night and day.
00:15:59Stay with him.
00:16:00I'll stay with him, Mr. Degajanian.
00:16:03Night and day.
00:16:06Hello, Mr. Degajanian.
00:16:07How bad is it?
00:16:08Not much.
00:16:09Just nicked him on the left arm.
00:16:10The boss is more mad than hurt.
00:16:12The doctor's still here.
00:16:12They're in the library.
00:16:13Where were you when it happened?
00:16:14Upstairs.
00:16:15By the time I got outside, Andrade would beat it.
00:16:17Better take a look around the grounds, Nick.
00:16:20When Andrade finds out he missed Charlie, he might be back.
00:16:22Okay.
00:16:24I'm Nick Magellan.
00:16:26Glad to know you.
00:16:26I'm Ed Bynes.
00:16:28Nice place.
00:16:29Yeah, sent the boss back 300 grand.
00:16:32You said no more guns.
00:16:33That it was just going to be business.
00:16:35And now you are getting shot again.
00:16:37Just like the old days.
00:16:39Mama, please.
00:16:39I told you it was a crazy hopped up pig.
00:16:41Nobody shoots a Lupo.
00:16:41Only crazy pigs.
00:16:42No, no.
00:16:43It's like the old days you are getting shot again.
00:16:45But I'm not young like I used to be.
00:16:47I can't nurse you like that.
00:16:48Mama, Mama, Mama, please.
00:16:52Mama.
00:16:54Go make some coffee for the boys, huh?
00:16:56Guns.
00:16:57Shoot.
00:16:58Just like the old days.
00:17:00I know.
00:17:01Well, Doc, looks like he's going to live, huh?
00:17:03Yeah, just a little flesh wound.
00:17:04Not very deep.
00:17:05I guess Charlie owes his life to that rug.
00:17:07Yeah, how about that?
00:17:08I tripped over the rug as the bullet came through the window.
00:17:10I got in the other room all right.
00:17:11But that pig, he put a bullet right in the middle of my painting.
00:17:13You're lucky it went through the painting instead of you.
00:17:14Lucky?
00:17:15You know what that painting cost me?
00:17:1630 grand.
00:17:17Just look at it.
00:17:1830 grand.
00:17:38Get him up.
00:17:39What is this?
00:17:40Let go up.
00:17:41Turn around.
00:17:43Take your hands off him.
00:17:44Just who are you?
00:17:46I'm Catherine Lupo.
00:17:47I happen to live here.
00:17:49I work for your father.
00:17:57I'm terribly sorry about this, Dan.
00:17:59Forget about it, Kathy.
00:18:00It was just a mistake.
00:18:02I'm really sorry.
00:18:03I'm so humiliated.
00:18:05Look, it wasn't your fault.
00:18:06Forget about it, will you?
00:18:07I'll call you tomorrow.
00:18:08I'll call you tomorrow, okay?
00:18:08All right.
00:18:09Good night, Kathy.
00:18:11Good night, Stan.
00:18:12Good night, Stan.
00:18:32Don't ever do that again.
00:18:33Let me go.
00:18:36Take your dirty hands off me.
00:18:37Now, you listen to me.
00:18:38I'm sorry I had to rough up your boyfriend, but I didn't have time to be polite.
00:18:42Your father's been shot.
00:18:45Papa shot?
00:18:47Is it serious?
00:18:48I don't know.
00:18:49The doctor's inside with him now.
00:18:56Hello, Catherine.
00:18:57How bad is it, doctor?
00:18:58Now, there's nothing to worry about.
00:18:59Just a slight wound.
00:19:00Your father's too tough to let a little thing like that bother him.
00:19:08Are you all right, Papa?
00:19:09Oh, I'm fine.
00:19:09It's just a scratch.
00:19:10Nothing to worry about.
00:19:12See how my girl worries about me, Ben?
00:19:13Well, why shouldn't she?
00:19:14Hello, Uncle Ben.
00:19:15Hello, Kathy.
00:19:17Tell me, did you have a good time at the party?
00:19:19All right.
00:19:20See any of your friends from college?
00:19:22We left early.
00:19:23Must have been kind of boring, huh?
00:19:25I'd rather not talk about it.
00:19:28Oh, hi, Nick.
00:19:29Come on in.
00:19:29Come on in.
00:19:33How are you feeling, Mr. Lupo?
00:19:34I'm fine, fine.
00:19:35Oh, Kathy, this is Nick Magellan.
00:19:37Nick, this is my daughter, Kathy.
00:19:39We've met.
00:19:40That's a pretty big drink for a little girl.
00:19:45I'm afraid I'm not a little girl anymore, Papa.
00:19:49I suppose this will be in all the newspapers tomorrow.
00:19:52No, of course not.
00:19:53Not one word of it, Kathy.
00:19:54How did it happen?
00:19:55Some slob took a shot at me through the window, that's all.
00:19:58For no reason, I suppose.
00:19:59None that I know of.
00:20:01But it won't stop there.
00:20:02You won't let it stop there, will you, Papa?
00:20:04Now, you give the orders to shoot whoever shot you.
00:20:06Isn't that the way it works, Uncle Ben?
00:20:08Kathy, I've told you my business has nothing to do with you.
00:20:10It has lots to do with me.
00:20:12You see, I have to live with it, too.
00:20:13Decent people don't want me around.
00:20:14It's as though I had a disease.
00:20:16I'm a freak because I'm Lupo's daughter.
00:20:18What's wrong with Lupo?
00:20:19I can buy and sell any of those pigs.
00:20:21You better start getting some respect for your father.
00:20:23Respect?
00:20:24I'm ashamed of the name of Lupo, and I'm ashamed of you.
00:20:27Don't ever say that again, Kathy, ever.
00:20:28Don't pay any attention to it, Charlie.
00:20:39She's just a little upset, that's all.
00:20:41Yeah, sure.
00:20:41You better get some rest.
00:20:45Take care of that arm.
00:20:47Maybe you shouldn't go to the office tomorrow.
00:20:48I'll be all right.
00:20:49I'll see you tomorrow.
00:20:50Good night, Charlie.
00:20:51Good night, Ben.
00:20:52Good night, Nick.
00:20:53Good night.
00:20:54It'll show you to your room.
00:20:56See you in the morning, Nick.
00:20:57Good night, Mr. Lupo.
00:20:58Good night.
00:20:59The district attorney is here.
00:21:08Oh, show him right in.
00:21:13How are you, Judge Kincaid?
00:21:15Fine, thank you, Rossi.
00:21:16I'm sorry to bring you here at this hour.
00:21:17Oh, that's fine.
00:21:17Sit down.
00:21:19I got a call from the governor,
00:21:20and he's appointed me to head a crime commission.
00:21:22I'm leaving for Albany in the morning.
00:21:24You can count on the full cooperation of my office.
00:21:26I know that.
00:21:27Have you gotten any leads on the Andrado killing?
00:21:29Not a thing yet,
00:21:30except that we're sure it's the syndicate.
00:21:32It's the old familiar pattern,
00:21:34evil destroying itself.
00:21:35I'm afraid we've got to do a little destroying, too.
00:21:38That's what I wanted to talk to you about, Rossi.
00:21:39Strategy.
00:21:40We'll shoot for the top.
00:21:42Lupo?
00:21:43Lupo.
00:21:44That's a pretty big order.
00:21:50Good morning.
00:21:51Good morning.
00:21:52About last night, I suppose I shouldn't have slapped you.
00:21:58Under the circumstances, you were probably only doing your job.
00:22:00You don't have to apologize.
00:22:02I'm not apologizing.
00:22:03I still think you were rude and ill-mannered.
00:22:04Then I apologize.
00:22:06Morning, Miss Kathy.
00:22:07What will you have for breakfast?
00:22:09Just coffee, Ed.
00:22:10All right.
00:22:13You were pretty rough with your father last night.
00:22:15You know, Mr. Magellan,
00:22:17you have a penchant for interfering in other people's affairs.
00:22:20Pension?
00:22:21Exactly.
00:22:22Pension means a strong inclination towards.
00:22:24And I'd appreciate it hereafter
00:22:25if you'd mind your own business.
00:22:28Morning.
00:22:29Good morning.
00:22:29Good morning, Papa.
00:22:30Good morning, Mr. Lupo.
00:22:33How'd you sleep, Nick?
00:22:34Fine.
00:22:34How's the arm?
00:22:35Oh, it's a little stiff.
00:22:35I feel kind of silly wearing this thing, though.
00:22:38Ready for breakfast, boss?
00:22:40Yeah, but no cream of wheat.
00:22:41But the doc said you're supposed to eat it.
00:22:42No cream of wheat.
00:22:44Okay, okay, boss.
00:22:45No cream of wheat.
00:22:48What's my girl gonna do today?
00:22:50Haven't decided yet.
00:22:51Well, maybe you're gonna have lunch with Stan, huh?
00:22:53You know, she's going with a real nice kid, Nick.
00:22:55Kathy, I like that boy.
00:22:56Would you mind changing the subject?
00:22:58Is anything wrong?
00:22:59No, not a thing.
00:23:00Yeah, there's something wrong.
00:23:01I can tell.
00:23:02I knew there was something wrong last night.
00:23:03Did you and Stan have a fight?
00:23:05I'm not gonna see him anymore.
00:23:06Oh, come on, Kathy.
00:23:08Don't want to quarrel upset you.
00:23:09All young people quarrel.
00:23:10We didn't have a quarrel, Papa.
00:23:11His family feels that association with a gangster's daughter might harm his career.
00:23:15That's it, period.
00:23:17Is he important to you, Kathy?
00:23:18What's the difference?
00:23:19It's over.
00:23:20Answer me.
00:23:20Is he important to you?
00:23:21It doesn't matter anymore.
00:23:22If you want that boy, you're gonna have him, Kathy.
00:23:24How, Papa?
00:23:25You're gonna buy him for me?
00:23:27You're gonna buy me a man now, like you buy me a new dress or a car?
00:23:29Stop talking like a child, Kathy.
00:23:31You don't understand these things.
00:23:32If he's important to you, I can do something for the boy.
00:23:34I can set him up in business.
00:23:35I understand.
00:23:36I understand very well.
00:23:38You'll make a big man of him and then corrupt him like you do everything else you touch.
00:23:41Shut up, Kathy.
00:23:42But you can't corrupt him.
00:23:43I won't let you.
00:23:44I won't let you corrupt him.
00:23:45Shut up, Kathy.
00:23:45And now leave the table.
00:23:57I just don't understand that kid anymore, Nick.
00:24:00She's got a chip on her shoulder.
00:24:01I do everything in the world for her.
00:24:02She's still got a chip on her shoulder.
00:24:03I wouldn't worry about it.
00:24:04She's full of psychological conflicts.
00:24:05But she'll straighten out.
00:24:06I hope you're right, Nick.
00:24:07I hope you're right.
00:24:10Say, you've had a pretty good education, haven't you?
00:24:12You know, I like that.
00:24:13Most of the dummies work for me.
00:24:14Can't even write their names.
00:24:15I never had much school, either.
00:24:16I read a lot.
00:24:17I read all the bestsellers.
00:24:21Tell me something, Nick.
00:24:22You got any other clothes?
00:24:23I have a couple of suits back in Chicago.
00:24:25I'm sending for them.
00:24:25Leave them there.
00:24:27Look, after you drop me to the office, you go to Barone.
00:24:28He's my tailor.
00:24:29Order yourself some suits.
00:24:29Nothing like you're wearing.
00:24:30Let him pick them out.
00:24:31He's got good taste.
00:24:32Well, that's swell of you, Mr. Lupo.
00:24:33I have a penchant for nice things.
00:24:35You got a what?
00:24:37Penchant.
00:24:40Yeah, sure.
00:24:45Good morning, Mr. Lupo.
00:24:51What happened to your arm?
00:24:52I stranded.
00:24:53Hello, Johnny.
00:24:54How are you?
00:24:54Nick, you go on down to Barone's.
00:24:55I'll talk to you later.
00:24:56Come on in, Frawley.
00:25:01Who's he?
00:25:02Robert Frawley, Mr. Lupo's lawyer.
00:25:04He looks well-fed.
00:25:05He is.
00:25:07I'll be down at Barone's.
00:25:08If you need me, I'll be back in a couple of hours.
00:25:09No stripes.
00:25:11No stripes.
00:25:15Now, what's on your mind, Frawley?
00:25:17The governor is appointing a crime commission.
00:25:19We've had him before.
00:25:20Judge Kincaid is heading this one.
00:25:22Who else?
00:25:23Henry Waltham's on it.
00:25:25Well, he's in our corner.
00:25:25Find out who the rest are and get to him.
00:25:27That's what I wanted to talk to you about, Charlie.
00:25:30I'm going to need more money.
00:25:31At least a couple of hundred thousand.
00:25:33Wait a minute, Frawley.
00:25:34We're paying plenty for protection.
00:25:35We're not going to pay anymore.
00:25:36There'll be big men on this commission, Charlie.
00:25:38Even if we can reach them, their price will be high.
00:25:41This wasn't figured on our budget.
00:25:43They're a bunch of crooks.
00:25:44Just a bunch of lousy crooks.
00:25:46If Kincaid ever gets wind of the Washington deal...
00:25:48All right, all right, Frawley.
00:25:48You're going to get your money,
00:25:49but I want the commission blocked.
00:25:50Do you understand?
00:25:53I'll do the best I can, Charlie.
00:25:54That's not good enough.
00:25:55I want it stopped and stopped cold.
00:25:57All right, Charlie.
00:26:04Nothing but a bunch of lousy crooks.
00:26:08Yes, Mr. Lupo?
00:26:10Send down a delicatessen.
00:26:11Get me a salami on rye.
00:26:13Then, Mr. Lupo, the doctor...
00:26:14You heard me.
00:26:14A salami on rye.
00:26:17And a kosher pickle.
00:26:18Mallethead.
00:26:25Hi, boss.
00:26:26Mr. Bagajanian phoned.
00:26:27Said to call him as soon as he got in.
00:26:29He's at home.
00:26:29Get me a bicarbonate soda, will you?
00:26:32Must have eaten something.
00:26:33Don't agree with you, boss.
00:26:33Okay, okay.
00:26:36Right away.
00:26:43Hi.
00:26:46Hi.
00:26:47Join me?
00:26:49No, thanks.
00:26:51No bad habits, huh?
00:26:53Not during business hours.
00:26:55Not even to please the boss's daughter?
00:26:57Especially not with the boss's daughter.
00:27:02Afraid?
00:27:05Could be.
00:27:07Nick, I wonder about you.
00:27:09You're not like the rest of Papa's hoodlums.
00:27:11I like to use the term employee.
00:27:13Like a cobra.
00:27:15Always relaxed, yet always ready to strike.
00:27:17Nick!
00:27:19Excuse me.
00:27:20Jump, Fido.
00:27:21No.
00:27:22Papa give you liver.
00:27:23That's good news, Ben.
00:27:31Thanks.
00:27:31See you tomorrow.
00:27:33They got Louie Andretto in Detroit.
00:27:35He was trying to make it to Canada.
00:27:36Oh, good.
00:27:37Then I guess you won't be needing me anymore.
00:27:38I'll check with Mr. Bagajanian in the morning.
00:27:40No, no, no.
00:27:41You stay with me, Nick.
00:27:41I got plans for you.
00:27:42That's fine with me, Mr. Papo.
00:27:51Wow!
00:27:51And no stripes.
00:27:53You were born to wear clothes like that, Nick.
00:27:55You look simply terrific.
00:27:57You know, if I were a little younger...
00:28:00Don't give me any ideas.
00:28:02The boss still here?
00:28:03Go right in.
00:28:03He's waiting for you.
00:28:08Hey, Nick, how are you?
00:28:09Come in, come in.
00:28:10Let me get a good look at you.
00:28:11Come in.
00:28:14Hey, that's wonderful.
00:28:15Turn around, turn around.
00:28:18Hello.
00:28:19Iris, Nick Magellan.
00:28:20Glad to know you.
00:28:21It's quite a difference.
00:28:22Peroni did a great job.
00:28:24Isn't that a beauty, Iris?
00:28:25Real class, huh?
00:28:26Mr. Magellan makes a very handsome picture.
00:28:28You make yourself at home, Nick.
00:28:29As soon as I'm finished checking these reports,
00:28:30take them to comma to be typed
00:28:31and take them over to Franklin's office in the morning.
00:28:33Would you like a martini, Mr. Magellan?
00:28:35We were just having one.
00:28:37That is, I was.
00:28:38Not right now, thanks.
00:28:40I sure picked a fine night to go to a show
00:28:41when I'm up in my neck in these reports.
00:28:43I'm finally getting Charlie to the theater.
00:28:45I practically have to drag him
00:28:47and then he always wants to leave
00:28:48after the first act.
00:28:49Well, Iris, those shows, they bore me.
00:28:51Yeah, these look all right.
00:28:53Nick, I'd like to go to Washington with me.
00:28:55Well, that's fine with me, boss.
00:28:56Take these to Carmen, will you?
00:28:57Bye.
00:28:59When are you going, dear?
00:29:01First part of the week.
00:29:01I'll only be going a couple of days.
00:29:04Isn't he everything I said he was?
00:29:06He's definitely got something.
00:29:07Sure, he has class.
00:29:08That's what he's got, real class.
00:29:11Be through with these in about an hour.
00:29:13That's for me, I'm not here.
00:29:16Hello?
00:29:17Oh, yes, Mrs. Lupo, your mother.
00:29:19Oh, excuse me.
00:29:21Yeah, hello, Mama, what?
00:29:24When?
00:29:26Now, look, Mama, please don't get excited
00:29:28about this whole thing.
00:29:29I'll take care of it right away.
00:29:31Yes, Mama, I know, but...
00:29:34All right, Mama.
00:29:37Yeah, I'll be there.
00:29:38Yes, Mama, goodbye.
00:29:40Sorry, Iris, I gotta go home.
00:29:42Oh, Charlie.
00:29:43Nick, do me a favor.
00:29:43Take Iris to the theater.
00:29:44Pick up the reports in the morning.
00:29:45I'll talk to you tomorrow, Iris.
00:29:49I hate to impose on you, Mr. Magellan.
00:29:51Of course, if you'd rather not go.
00:29:53Where do you want to eat?
00:29:55Well, there's a nice little restaurant
00:29:56on the east side.
00:30:01She's leaving, Charlie.
00:30:02She's leaving us.
00:30:03Where is she?
00:30:04She's upstairs, packing.
00:30:06Be nice to her, Charlie.
00:30:07Be gentle.
00:30:08I will.
00:30:09What's happened, Kathy?
00:30:23I'm leaving this house for good.
00:30:26Come on, now.
00:30:27Stop all that nonsense, will you?
00:30:28I've taken all I can take of this house
00:30:32and everything it stands for.
00:30:34You're pretty upset.
00:30:35What's happened?
00:30:36Stan wants to marry me.
00:30:38He doesn't care what his family thinks anymore.
00:30:40I think that's wonderful news.
00:30:41You should be very happy.
00:30:42Should I, Papa?
00:30:44Should I be happy because you bought him
00:30:45like you buy everybody else?
00:30:47I didn't buy him.
00:30:48Of course, I talked to the boy,
00:30:49but what's wrong with helping Stan?
00:30:51I told you to leave him alone.
00:30:53Now I wouldn't spit on him.
00:30:55Be practical, Kathy.
00:30:56I only did it for you.
00:30:57Haven't I always given you
00:30:58everything you've ever wanted?
00:30:59Yes, Papa, you've given me everything.
00:31:01Everything but self-respect and decency.
00:31:02That's something you can't buy.
00:31:03Self-respect?
00:31:05I'm tired of your self-respect
00:31:06and your decent people.
00:31:07You think those east side snobs
00:31:08got any more self-respect than me?
00:31:10I can tell you a lot about those two-faced pigs.
00:31:11They're no better than me
00:31:12and maybe worse.
00:31:13I know, Papa.
00:31:14You can buy and sell them.
00:31:15You can buy and sell them
00:31:16with your blood money.
00:31:17Blood money.
00:31:18Blood money, you call it.
00:31:19It's good enough to buy you these.
00:31:22And these.
00:31:23Blood money.
00:31:24It's good enough to buy you those, wasn't it?
00:31:26You call it blood money.
00:31:28It was good enough to send you to Europe
00:31:29and put you through the best schools.
00:31:31You call it blood money.
00:31:32You know the trouble with you, Kathy,
00:31:34is you're spoiled and I spoiled you.
00:31:35Yes, you spoiled me, Papa.
00:31:37You bought me like you buy everybody else
00:31:39and I hate myself for it.
00:31:41I hate everything I've ever taken,
00:31:42but no more.
00:31:43I'm leaving here
00:31:44and I'm getting rid of the name of Lupo.
00:31:45I won't let it kill me
00:31:46like it'd kill my mother.
00:31:47Shut up!
00:31:48Charlie, don't!
00:31:49Then pack that bag,
00:31:50you're going to stay here.
00:31:52That was typical, Papa.
00:31:56You're still a hoodlum.
00:31:57You'll never be anything else.
00:31:58You're still a hoodlum.
00:32:24Night, Iris.
00:32:25come on in for a nightcap no thanks i think i'll run along nonsense curfew hasn't rung yet
00:32:31besides i'm still in a talkative mood there's one thing you learned in my racket stay in your own
00:32:37territory good night
00:32:55you heard the senor cash on the line we don't get the oil leases till his country gets a loan
00:32:58how else could it be suppose my government should deliver the oil to you gentlemen at your low price
00:33:04and then should fail to receive the loan from your government once this come up for congress
00:33:08williamson this is washington charlie you can't rush things here you understand mr lupo that we
00:33:13must tread most delicately as a matter of fact this brings to mind the teapot dome scandal of some
00:33:18years ago save your speeches for congress look i know this is no breeze but you guys aren't working
00:33:21for nothing with your five percent you know no one's complaining charlie we've just got to be
00:33:25cautious there's been a lot of opposition to this loan have the vessels been purchased yet we bought
00:33:3012 tankers all under panamanian registry under dummy names of course i'm worried about the big american
00:33:35and english oil companies if it leaks out your organization's getting the oil leases so cheaply
00:33:40they'll smell the government loans tied to it and they'll blow this deal right up in our faces
00:33:44and a lot of people with it too that's my department charlie let me worry about that
00:33:50in your lap williamson goodbye mr lupo i'll see you see you in new york charlie right don't worry
00:33:58about a thing charlie i'll keep you advised yeah do that
00:34:00a bunch of pigs that williamson's a pretty smooth article he's the best lobbyist in washington big
00:34:10man behind the scenes recognize the other two nick the one with the big hat isn't he the guy that
00:34:15was shooting his mouth off about corruption in government yeah that's right and he's got his
00:34:18press just remembered it nick everybody's got a price all you gotta do is find out what it is
00:34:21hiya boss late to see you back
00:34:27boss what your mother wants to see you right away she's up in her room
00:34:38anything wrong you better talk to her
00:34:42what happened mama katie has gone gone gone gone where she's left us charlie she went early this
00:34:56morning all right where'd she go i don't know she wouldn't tell me she said she was leaving for good
00:35:02what a crazy kid where's she gonna go where's she gonna live this is her home mama she belongs here
00:35:08you know mama we spoiled her that's the trouble don't worry mom i'll find her and bring her back
00:35:13and knock some sense into that stubborn head of hers don't you worry mama i'll bring her back
00:35:18charlie we're not getting any action from this guy williamson yeah i know i know he talked to
00:35:31me on the phone a couple of weeks ago he's having trouble lining up some of the boys that's all
00:35:34don't smell kosher to me i don't know how far you can trust these striped pants fellows i'll have
00:35:38frolic go down and look into it how are the rest of our enterprises doing morris excellent last
00:35:44vegas is showing a substantial increase the only spot we are falling down is brooklyn we dropped
00:35:49again this quarter that's so my goodness dames i'm having nick look into that don't worry about sumac
00:35:56that's all morris thanks a lot thanks always a pleasure mr lupo
00:36:00oh get these reports out to the boys today will you i'll mail them this afternoon goodbye mr lupo
00:36:07goodbye
00:36:08did you find out anything yet ben not yet charlie
00:36:20boys can't find trace of her she just fell out of sight
00:36:24i wonder where she can be
00:36:30charlie don't worry might take a little time but we'll find it i've got to get her back ben
00:36:41i know see you later charlie
00:36:44hello mr magellan
00:37:09sumac around back in the office you want me to get him don't bother
00:37:13what's on your mind magellan
00:37:25would you mind leaving stay right where you are baby
00:37:28i will honey
00:37:29i'd rather not have baby around for this
00:37:31she's staying
00:37:31these minks you're chasing with are taking your mind off your business
00:37:34we don't like it
00:37:35oh
00:37:36we don't like it
00:37:38instead of getting your name in the nightclub columns we want to see some results in your
00:37:40collections
00:37:41uh-huh
00:37:42well if lupo has any beefs he can give them i don't like to be bothered by errand boys
00:37:45that's tough because you're gonna be bothered by this errand boy from now on
00:37:48the collections go up
00:37:49or you go out
00:37:50i've been working for the syndicate a long time magellan and nobody ever tried to push me around
00:37:55even mr lupin ever tried to muscle me so i'm certainly not going to be shoved around by a two-bit punk like you
00:38:00i'm gonna give you real trouble for that magellan
00:38:06i'm coming to check on you every week sumac
00:38:09and this mink better not be here during business hour
00:38:14say that's the second time you've called me a mink
00:38:16would two o'clock wednesday be all right for you mr perkins
00:38:28fine we'll see you then bye bye
00:38:31hello kathy
00:38:33nick what are you doing here how did you find me
00:38:36you should have changed the addresses i want to talk to you
00:38:38no please i can't talk here
00:38:39leave me alone nick
00:38:41how about dinner with me
00:38:42look i'm happy here don't spoil it for me
00:38:45they don't know who i am
00:38:47how about dinner
00:38:48no please
00:38:49okay
00:38:50i'm staying until you say yes
00:38:52hello miss lang
00:38:56good afternoon mrs wilson would you be seated the doctor will be with you shortly
00:38:59thank you
00:39:00i think i can arrange that appointment for you after all sir
00:39:06would six o'clock this evening be convenient
00:39:08six would be fine i'll be here right on the dot
00:39:10what are you trying to prove kathy
00:39:23living in a dump making 45 bucks a week
00:39:25i'm living my life the way i want to
00:39:28you're breaking your father's heart
00:39:30look nick
00:39:31don't think i don't love papa
00:39:33that's the trouble
00:39:35i love him as a father
00:39:37i detest him as a man
00:39:39i hate everything he stands for everything he believes in
00:39:42what do you think anybody else believes in
00:39:44take a look around you
00:39:45see that busboy over there
00:39:48he steals from the waiter the waiter steals from the owner
00:39:50and the owner gyps the government
00:39:51you really believe that about people
00:39:53everybody's out for what he can get
00:39:55nobody's handing out any free lunches in this world kathy
00:39:57when i was a kid i wore shoes with holes in them
00:40:00i wore pants that were too big handed down from the kid upstairs
00:40:02when my father was killed my mother sewed buttonholes for 12.50 a week to buy me bread
00:40:06you didn't sew buttonholes so you'd wind up like this
00:40:08what should i have been instead
00:40:09a banker
00:40:10a big brain surgeon
00:40:12secretary of state
00:40:13my father was frank magellan
00:40:15could i have gone to harvard or west point
00:40:17you're in a bind kathy you were in a bind before you were born
00:40:20so was i so make the best of it
00:40:22hang on to what you've got
00:40:23you see this 200 bucks
00:40:25and this custom made 25 bucks
00:40:27that's what's important
00:40:29doesn't matter how you get it as long as you've got it
00:40:31don't try to fight something you can't beat
00:40:33or you'll be in for a big letdown
00:40:35if i believe that i wouldn't want to live anymore
00:40:39take me home nick
00:40:43this is where i live
00:40:56please don't tell papa where i am
00:41:00i won't i promise
00:41:02thanks nick
00:41:04if you need anything anything at all
00:41:06you know where you can reach me
00:41:08yes i know
00:41:10good night nick
00:41:13good night kathy
00:41:40good night kathy
00:42:10good night kathy
00:42:40good night kathy
00:42:50it felt good bolting that punk
00:42:51i had a real good time working him over
00:42:53he might have been a pretty boy once
00:42:55i wonder what he looks like now
00:42:56take a good look
00:43:10i'm sorry i couldn't be announced this time
00:43:14but your boy is lying behind the bar with a slight headache
00:43:17hurt your hand
00:43:21hurt your hand
00:43:21yeah
00:43:24let's see it
00:43:25not that way over here
00:43:28i said over here
00:43:31put it on the desk where i can get a good look at it
00:43:36go out and get it fixed
00:43:42go out and get it fixed
00:43:58Okay, Sumac.
00:44:12You like it better with the lights out?
00:44:14Let's have it that way.
00:44:21You know where the guns are.
00:44:23Let's see you get them.
00:44:28Let's go.
00:44:58Let's go.
00:45:28Let's go.
00:45:30Let's go.
00:45:32Let's go.
00:45:34Let's go.
00:45:36Let's go.
00:45:38Let's go.
00:45:40Let's go.
00:45:42Let's go.
00:45:44Let's go.
00:45:46Let's go.
00:45:48Let's go.
00:45:50Let's go.
00:45:52Let's go.
00:45:54Let's go.
00:45:56Let's go.
00:45:58Let's go.
00:46:00Let's go.
00:46:02Let's go.
00:46:04Let's go.
00:46:06Let's go.
00:46:08Let's go.
00:46:10Let's go.
00:46:16Let's go.
00:46:18Let's go.
00:46:19Do you think she'll come home, Mama?
00:46:21No, Charlie. Cathy's gone. She's gone for good.
00:46:28I'm gonna find her, Mama. I'm gonna talk to her.
00:46:33Leave her alone. For once in your life, leave her alone.
00:46:40Give her a chance. Let her find what she's looking for.
00:46:48You are my boy, Charlie.
00:46:51And I love you. But you are not always right.
00:46:57Listen to your Mama. Leave the child alone.
00:47:11Get to the point, Frawley. Why am I here?
00:47:13It's about Ben Daggetjanian.
00:47:15I got a hot tip in Washington this morning that they're going after him on illegal entry into the country.
00:47:19Deportation?
00:47:20Yes. The immigration authorities will probably serve him next week.
00:47:24Okay, so we'll fight it. We've beaten those rats before.
00:47:27You won't beat this, Magellan. They've got him. Cold.
00:47:30You can't even begin to fight this. If you do, we can forget about the oil deal.
00:47:34What's the oil deal got to do with it?
00:47:35Plenty, Nick. This is meat for Judge Kincaid and his commission. He'll make a big thing of this. Drag in Lupo. Everybody. Put the spotlight on the syndicate.
00:47:43Look, Magellan. I've spent nearly a year lining up some very influential people on this government loan. You'll scare them off if you put the syndicate on the front pages.
00:47:52Magellanians got to get out of the country before the proceedings can even get underway.
00:48:01You want me to break this to Lupo?
00:48:03You're close to Charlie. You can explain it to him better than we can.
00:48:07Oh, sure. I can explain it real good. I just say, Charlie, you gotta throw your best friend out of the country.
00:48:14Oh, I'm sure you can be a little more diplomatic than that.
00:48:17Yeah, Williamson. I can be real diplomatic. Like you country club hypocrites. Just wrap the knife in velvet before I shove it in.
00:48:24But I think that's a little uncalled for.
00:48:26Now, Nick. There's no need to get nasty with Paul about this.
00:48:30Besides, this isn't the most unfortunate thing that could happen to you.
00:48:34After Dr. Shanian is gone, somebody has to take his place. And you're in pretty solid with Lupo.
00:48:51Ben's gonna have to go. That's all there is to it, Nick.
00:48:55The syndicate comes first.
00:48:57Sure we couldn't fight it, Charlie?
00:48:59There's not a chance. This oil deal's too important.
00:49:02Poor Ben. This is about the toughest thing I've ever had to do in my life.
00:49:07You want me to break it to him, Charlie?
00:49:09Oh, that hurt him even worse. I'll break it to him, Nick.
00:49:13Do you know that Ben and your father were the first friends I had in this country?
00:49:17Yes, I know, Charlie.
00:49:19Ben saved my life down in the docks and he almost got killed doing it, too.
00:49:23He's gonna have to go. That's all there is to it.
00:49:28The organization comes first.
00:49:32I wonder how she's getting along, Nick.
00:49:38I'm sure she's all right, Charlie.
00:49:41If I only knew where she was. If I knew that she was all right.
00:49:47You're sure nobody's turned in any information on her, huh, Nick?
00:49:52No, not a thing.
00:49:57Wherever she is, I hope she's happy.
00:50:02Good evening. Good evening.
00:50:09Good evening.
00:50:19Hi. Hi.
00:50:20My, how handsome you look.
00:50:22I'm sorry I'm late. I got caught in theater traffic.
00:50:24Not late at all. The party's just starting.
00:50:26The guest of honor's waiting for you.
00:50:31Who's giving this party, anyway?
00:50:33I don't know. Polly called and said to come on over between shows and bring some friends.
00:50:36Good for her. I haven't eaten like this in weeks.
00:50:39Here he is, Johnny.
00:50:41Nick, how are you? Good to see you again.
00:50:44It's good to see you, Mr. Achilles.
00:50:45Don't call me mister. Let me look at you.
00:50:47You're looking wonderful. Charlie, you're making a real gentleman out of him, huh?
00:50:49Not me. I was always there.
00:50:51Well, it's been a year now. You're moving up in the world, huh, kid?
00:50:54He's gonna take over Dagajanian's spot.
00:50:56That's great. Congratulations, sir.
00:51:00Something on your mind, Johnny?
00:51:02Yeah, yeah.
00:51:03Now, those three men are very important men, honey.
00:51:06You see that big fellow over there?
00:51:08That's Mr. Lupo.
00:51:10Come on, I'll introduce you to them.
00:51:13How's it treat you, Nick?
00:51:14Pretty good, Johnny.
00:51:15His father and I are old for...
00:51:16Hello, gentlemen.
00:51:17Gentlemen, I'd like to have you meet my new client.
00:51:19This is Miss Doreen Hill.
00:51:21Mr. Lupo.
00:51:22Mr. Achilles.
00:51:23And Mr. Magillito.
00:51:24How do you do?
00:51:25How do you do?
00:51:26How do you do?
00:51:27Dances like Nijinsky.
00:51:28I thought maybe she'd be great in one of your spots up in Vegas.
00:51:30Might be a spot for her in one of our Chicago clubs, sir.
00:51:33Oh, that'll be great, Mr. Achilles.
00:51:35This is a great kid.
00:51:36They'd love her in Chicago.
00:51:37Can I buy a drink, honey?
00:51:38Well, of course you can.
00:51:39You'd love to have a drink, wouldn't you, honey?
00:51:41I'd love to.
00:51:42See you later, boy.
00:51:43Dances like Nijinsky.
00:51:49Excuse me.
00:51:50There's a phone call for you, Charlie.
00:51:52Well, thanks, Iris.
00:51:53Excuse me.
00:51:56I, uh, phoned your office twice last week and you didn't call back.
00:52:00I guess the girl forgot to tell me.
00:52:02You're lying.
00:52:04Okay, so I'm lying.
00:52:06Come on, I'll buy you a drink.
00:52:16Hello?
00:52:18Marshal.
00:52:19Where are you?
00:52:20I'm at a phone booth at LaGuardia.
00:52:22I couldn't reach you this afternoon.
00:52:24I just flew in.
00:52:25Why, is anything wrong?
00:52:28Ruby.
00:52:29Get Mr. Magellan and Mr. Achilles in here right away.
00:52:32What?
00:52:34All right, look.
00:52:35Go to my office.
00:52:36I'll meet you there.
00:52:42We're absolutely dead.
00:52:44Williamson sold us out for payoff.
00:52:46He tipped off the big oil companies about our deal.
00:52:49They went right to the White House and exposed the government loan.
00:52:52There's not a chance of putting it through.
00:52:54I don't get it, Marshal.
00:52:55You mean to say he could pull a complete double-cross like this and you didn't even smell it?
00:52:59Williamson was engineering the whole thing.
00:53:01I was only handling a phase of it.
00:53:03What about the millions of dollars we got sunk in those tankers down in Panama?
00:53:06I wish I could give you an answer to that, but I can't.
00:53:09Maybe you're cutting in on Williamson's payoff.
00:53:10Do you think I'd be here now if I were?
00:53:12You might.
00:53:13Look, gentlemen.
00:53:14I'm telling you the truth.
00:53:16I'm as sick about this thing as you are.
00:53:18All right, all right.
00:53:19Take it easy.
00:53:21You're sure nothing can be done, huh, Marshal?
00:53:23Positive, Charlie.
00:53:25That's about it.
00:53:26Good night, gentlemen.
00:53:32A billion-dollar deal.
00:53:33That lousy crook!
00:53:34A billion-dollar deal, Johnny!
00:53:35Williamson can't get away with this, Charlie.
00:53:37What do you mean he can't?
00:53:38He already did the pig!
00:53:39A billion-dollar deal!
00:53:40We can't let him get away with it.
00:53:44I think we'd better have a meet.
00:53:48You make the phone calls, Nick.
00:53:49Tell him the meets for day after tomorrow.
00:53:51Big Harry's afraid of planes.
00:53:52That should give him time enough to get here.
00:53:54Numbers are in my private book.
00:53:56Come on, Johnny.
00:53:57I'll drop you at the hotel.
00:53:58Good night, Nick.
00:53:59Good night.
00:54:00So long, Nick.
00:54:01See you tomorrow.
00:54:08A meeting.
00:54:09From every territory in the country,
00:54:11they answered the summons.
00:54:13Names you seldom hear,
00:54:15faces you rarely see.
00:54:17The High Court of Organized Crime
00:54:20sitting in judgment.
00:54:21A judgment which is final,
00:54:24from which there is no appeal.
00:54:27Legally, we haven't got a leg to stand on.
00:54:29Williamson knows this.
00:54:30All we can do is take our losses
00:54:32and keep our mouths shut.
00:54:34Not only do we lose a billion-dollar deal,
00:54:36we gotta take a rap with ten million besides.
00:54:37What about our other contacts in Washington?
00:54:39Can't they put some pressure on?
00:54:40I've spoken to a few of the boys there.
00:54:42This thing is too hot.
00:54:43All the grease we've been spreading
00:54:45and this louse makes suckers of us.
00:54:47Anything else, gentlemen?
00:54:48That's all, Frolly.
00:54:49I'll be in my office all afternoon if you need me.
00:54:51Good day, gentlemen.
00:54:52Good day, Frolly.
00:54:54The meeting's open for discussion.
00:54:56I see no reason for any discussion.
00:54:58This rap double-crossed us,
00:54:59cost us a fortune.
00:55:00The only thing to do is hit him in the head.
00:55:02Double-crossing, you gotta get him.
00:55:03Wait a minute.
00:55:04Wait a minute.
00:55:05Williamson's an important man.
00:55:06He's got powerful friends
00:55:07if we knock him off
00:55:08and it'll raise a stink
00:55:09from one end of the country to the other.
00:55:10He crossed us and he's got it coming.
00:55:11Like any other pig.
00:55:12I agree with Johnny.
00:55:13Hit him in the head.
00:55:14I've given this a lot of thought.
00:55:16I hate to say this,
00:55:17but the smart thing to do is lay off Williamson.
00:55:18Charlie, we can't let word get around
00:55:20that Williamson crossed us
00:55:21and got away with it.
00:55:22We'd be wide open for more double-crossings.
00:55:24I say vote right now.
00:55:26Before we vote,
00:55:27I think we should talk to Albert.
00:55:29I've taken into consideration
00:55:30what you men have said,
00:55:31but I'm thinking of the organization.
00:55:33There's no telling what'll happen
00:55:34if we knock Williamson off.
00:55:35To tell you the truth,
00:55:36I'm afraid of it.
00:55:37Yeah?
00:55:38Mr. Delucci on the phone.
00:55:42Thanks, Nick.
00:55:43Hello?
00:55:44Hello, Albert.
00:55:45How are you?
00:55:46Oh, just fine.
00:55:47Fine.
00:55:48No, the boys are right here now.
00:55:50No, we haven't voted yet.
00:55:51We wanted to talk to you.
00:55:52What?
00:55:55Yeah, I understand, Albert.
00:55:56I'll tell them.
00:55:57They send their regards to you.
00:55:59Say hello to Ben and Anna for me, will you?
00:56:01Take care of yourself, Albert.
00:56:02Goodbye.
00:56:03Albert votes a hit.
00:56:06Let's take a vote.
00:56:08Start with you, Johnny.
00:56:10Hit.
00:56:11Hit.
00:56:12Hit.
00:56:13Hit.
00:56:14Hit.
00:56:15Hit.
00:56:16Hit.
00:56:17I don't agree,
00:56:18but I'll make it unanimous.
00:56:19Hit.
00:56:20Charlie, it's the only way to handle this.
00:56:22I hope you're right, Johnny.
00:56:23Who gets a contract?
00:56:24Williamson booked passage for Europe
00:56:26the end of next week.
00:56:27He'll be in New York.
00:56:28Lupo gets the contract.
00:56:30Is there anything else?
00:56:32Meetings adjourned.
00:56:34Sure.
00:56:39They voted a hit, huh?
00:56:40And Albert went along with them.
00:56:41Who got the contract?
00:56:43Williamson will be in New York next week, that's all.
00:56:45The rest of them are so hot for it,
00:56:46why didn't you make one of them take it?
00:56:47Oh, wait a minute, kid.
00:56:48That's the wrong attitude to have.
00:56:49We took a vote.
00:56:50It's the will of the majority, that's all.
00:56:52You want me to make it, Charlie?
00:56:54No, no, I don't.
00:56:55I don't want you mixed up in this.
00:56:57Matter of fact, I don't want you making no more hits.
00:56:59You know something, Nick?
00:57:01I got a funny feeling about this hit.
00:57:03I wish I could shake it, but I can't.
00:57:07He's got reservations at the hotel on Thursday.
00:57:09His boat sails on Saturday.
00:57:10You'll make the hit during that time.
00:57:11When he gets to town,
00:57:12watch every move he makes.
00:57:13Here, here are some pictures of him.
00:57:14I know what he looks like.
00:57:15I've seen his kiss in a newspaper.
00:57:16I don't care what you've seen.
00:57:17Study him.
00:57:18Learn his face as well as you know your own.
00:57:19Then burn him.
00:57:20I don't want any slip-ups.
00:57:21I want you to hit scatter to the addresses I gave you.
00:57:22I'll send a guy with instructions
00:57:23ready to go and hide out.
00:57:24Now, any questions?
00:57:25All right, now hear me good on this.
00:57:27I want it clean.
00:57:28Clean as a whistle.
00:57:29All right, get out.
00:57:44Call for Mr. Lewis Davis.
00:57:46He just came and he's going to the elevator.
00:57:51Call for Mr. Lewis Davis.
00:57:54Call for Mr. Lewis Davis.
00:57:57Call for Mr. Lewis Davis.
00:58:16Call for Mr. Lewis Davis.
00:58:29Call it him.
00:58:32Come on.
00:59:02I didn't eat all day.
00:59:27How about going off the Sheepshead Bay for a seafood dinner?
00:59:29I ain't hungry.
00:59:30What's the matter?
00:59:31I just...
00:59:32I just ain't hungry.
00:59:37Down?
01:00:01I think I'll have some steamed clams and devil crab.
01:00:12Give me the police.
01:00:13Hurry.
01:00:14Going down?
01:00:23Going down?
01:00:24Main lobby.
01:00:38I'm going down.
01:00:39I'm going down.
01:00:40I'm going down.
01:00:41I'm going down.
01:00:44I'm going down.
01:00:45I'm going down.
01:00:47I'm going down.
01:00:48I'm going down.
01:00:50I'm going down.
01:00:53I'm going down.
01:00:54I'm going down.
01:00:55I'm going down.
01:00:56I'm going down.
01:00:57I'm going down.
01:00:58I am here.
01:00:59You're getting sharpido.
01:01:13New town?
01:01:14Nothing.
01:01:15We'll grab one here.
01:01:21That one.
01:01:25Your claim check, sir.
01:01:36You two men come with me.
01:01:40Garage.
01:01:45You go cover the garage. You come with me.
01:01:48Come on. We'll get another.
01:01:54Hey! A copper!
01:02:16He shot it out with him. No, he's not expected to live.
01:02:19Come on, Joe. Snap it up. We got papers to phone.
01:02:21Patrolman Donald Mitchell. Yeah. He thinks he shot one of them.
01:02:25Before his death, Patrolman Mitchell positively identified the three killers.
01:02:28One of the most intensive dragnets in the history of New York has been set up.
01:02:31Airports, railroad depots and shipping terminals are being watched.
01:02:35I smelled it, Nick. I smelled it. I told you I was afraid of this hit.
01:02:38Those guys are red hot. They haven't a prayer of getting away.
01:02:40The cops pick him up. They're gonna talk. We need insurance.
01:02:43I'll take care of it, Charlie.
01:02:44They're expecting somebody.
01:02:45I told them I'd send somebody with money and instructions.
01:02:47They'll get their instructions.
01:02:49Wait a minute.
01:02:50Don't take any unnecessary chances. You play it safe, Nick. You understand?
01:02:53I will, Charlie. Don't worry.
01:03:12Yeah?
01:03:13It's me, Nick.
01:03:17Boy, am I glad to see you, Nick.
01:03:19I've been going nuts in this room all night.
01:03:21Well, I'd be glad to blow this joint. I bet the heat's sure on in town, huh?
01:03:24But we made the hit just like Lupo wanted, didn't we?
01:03:27Sure.
01:03:28We had to blast the cop. He started shooting. We had to blast him.
01:03:30Lupo ain't sore about that, is he?
01:03:32No, no. Of course not.
01:03:34You got the dough on the ticket?
01:03:35Yeah. You're going on a nice long trip, Whitey.
01:03:38That's good. I can use a vacation.
01:03:44Nick, what are you doing?
01:03:47Don't do it, Nick. Give me a break.
01:03:49Oh, please don't, Nick.
01:04:03I hope I'm going to Cleveland. I know a lot of boys out there.
01:04:06You're going a little farther than that, Gino.
01:04:09You dirty rat.
01:04:10You dirty rat.
01:04:34Honey?
01:04:40Don't be immature.
01:04:41You poopy.
01:04:43It'll be intense.
01:04:44Ok.
01:04:45Good.
01:04:46You're you looking good.
01:04:47Well, Ray.
01:04:54Here I go.
01:04:56All right.
01:04:58You и не видели на это, regulation.
01:04:59I told him that I could transform the � privately.
01:05:02I had a littleあ 은은難 dürнут,
01:05:04but I took a good test.
01:05:05I didn't know that.
01:05:06See if I was going down.
01:05:07excuse me sir but there's a man here to see you he says it's important who is it he won't give
01:05:16his name he says it's a personal matter if he won't state his business tell him i don't want
01:05:21to be disturbed i think you'll want to see me judge kinkade i'm arnie wendler you can leave
01:05:27us alone mrs wesley and tell her not to give any cute ideas like calling the cops you can retire
01:05:34now i won't need you anymore tonight you're the man who was wounded by the policeman yeah
01:05:42got a shot of whiskey judge i have some sherry that'll do i guess better than nothing
01:05:47i've come to offer you a deal what kind of a deal how would you like me to sing to turn state's
01:06:03evidence and what do you expect in return i want to walk out clean absolutely clean you have the
01:06:10audacity to suggest a proposal like that to me that's the deal take it or leave it what makes
01:06:17you think i'd make a bargain like this with you wendler you haven't a chance this entire city is
01:06:22looking for you you'll be picked up in a matter of days hours you'd like to crack the syndicate
01:06:27wouldn't you kincaid you'd like to reach one of the big boys go on me i'm small fry maybe i burn
01:06:35for williamson's murder but i don't have to testify i don't even have to open my trap in the courtroom
01:06:40unless i want to but if i do i nail one of the big boys for you maybe the biggest i can put the
01:06:47finger right on charlie lupo i can't be a party to this wendler the police will have to find other
01:06:52means if you mean whitey and gino forget it they're lying a couple furnished rooms on the west
01:06:57side full of lead i dropped over to see them but somebody got there ahead of me wendler i've devoted
01:07:03my life to stamping out vermin like you in all my years on the bench i never conceived that i could
01:07:09ever lower myself to make a bargain with your kind okay so you hate my guts is it a deal
01:07:17i can't promise anything i can only assure you that i'll use my influence in recommending the
01:07:23proposition that's good enough for me judge i happen to know that i wouldn't dare cross you
01:07:27downtown let's shake on it that's not necessary wendler you have my word okay judge oh just one
01:07:34thing more you'd better not call downtown to have me picked up chances are you'd never get to see me
01:07:39in a courtroom alive i'll have you placed in special custody kincaid's got him down at the
01:07:48da's office now and he's singing his head off i tried to get in and i couldn't kincaid's keeping
01:07:53him under wraps wendler doesn't know too much he can implicate you in williamson's murder and
01:07:57that's exactly what kincaid wants where are they holding on i don't know kincaid's keeping it secret
01:08:03and he's got special guards to watch him 24 hours a day you won't get to him nick who'd the da give
01:08:07the case to hartman and he's like a bulldog you can't touch him he's absolutely straight
01:08:12besides he sees a big opportunity to make a name for himself all right go down and try and block the
01:08:17indictment if we stall long enough maybe some of the heat will be off you don't know kincaid
01:08:21i'm worried charlie plenty worried you're not gonna fall apart now are you froley
01:08:26i'll do the best i can charlie if i don't talk to you later i'll call you first thing in the morning
01:08:37oh mama come here a minute will you please
01:08:43not so good nick could be a lot better i think you ought to take yourself out of circulation for a
01:08:50while charlie you can't depend on those slobs downtown they're getting milk in their veins
01:08:53yeah you're right i need time to think the whole thing out what is it charlie mama would you please
01:08:58pack a bag for me i want to leave town for a while going away where mama please just pack the bag
01:09:04i've got to go out of town for a while that's all you are going to hide out that's it isn't it
01:09:10charlie you've got to hide out again mama please just pack the bag i won't be going long on us
01:09:15i knew it just like the old days shooting and hiding out
01:09:21we'll never stop
01:09:24you got a spot picked out charlie yeah nick i want you to drop me there after you leave me don't tell
01:09:35anybody where i am you understand nobody i understand
01:09:37you're a good boy nick
01:09:40what's happened those newspaper reporters have been driving me crazy
01:09:47they won't let me alone i told you to have the phone cut off anything happen
01:09:51i just wanted to talk to you was that the reason for the big rush call
01:09:55well i had to talk to somebody i haven't been out of this place in days any cops been here
01:09:59no just the two detectives i told you about well if they come again give them the same treatment
01:10:02you don't know a thing i really don't nick good keep it that way
01:10:06can i mix your drink i haven't got time oh oh come on you can spend a few minutes with me
01:10:11you don't know how lonely i've been how's charlie he's fine this thing's serious isn't it it's no
01:10:19picnic the papers say that charlie's finished his time for good that'll be a cold day
01:10:25i'm worried about charlie or about losing this joint and everything that goes with it
01:10:30i don't deserve that nick
01:10:33why do you always act so cold with me do i i hadn't noticed yes you do
01:10:40why don't you let yourself go nick you're way off base iris
01:10:44no don't go nick don't go you're a beautiful dame iris
01:10:48one of the best i've seen and you treat me like it was christmas eve
01:10:52but no thanks i see through you like those silk dresses you wear
01:10:56you figure charlie's on the skids and it's safe to play
01:10:58i told you before and i'll tell you again i'm not interested
01:11:02we're going for murder in the first degree
01:11:08you'll never make it stick look at your star witness
01:11:11a hood with a police record a mile long his testimony will never stand up in court
01:11:16we'll give it a good try i think we've got loophole this time
01:11:19hello hartman good to see you frolly
01:11:23i thought you ought to be in on this bob wants to make a deal for his client
01:11:27what would you say to a manslaughter charge with minimum sentence
01:11:30manslaughter that would be a deal for your client
01:11:34all right how about you boys coming up with an offer
01:11:37if we can work this out you'll save the state a lot of time and money
01:11:41get your conviction and come out heroes
01:11:43want to give us a couple of minutes alone bob
01:11:46sure take your time i'll wait in leon's office
01:11:49what do you think chief
01:11:56well we've got loophole on the run or frolly wouldn't be here
01:11:58but if this thing drags out there's always the chance that wendler might get a loss of memory
01:12:03i've seen it happen before
01:12:04that's got me worried too
01:12:06he's already getting jittery
01:12:07asking if we've picked up loophole yet
01:12:09but manslaughter
01:12:10frolly doesn't expect to get that
01:12:12i think kincaid would go along with second degree murder
01:12:16i'm sure he would
01:12:17let's try it
01:12:19bob
01:12:19well
01:12:23what's the verdict
01:12:25murder two
01:12:27that's pretty rough
01:12:29they'll throw the book at him
01:12:31he'll never go for it
01:12:32it's the best we can do
01:12:33either that
01:12:33or we go for first degree
01:12:35all right
01:12:36i'll let you know in a day or two
01:12:38but i have a feeling i'm going to see you boys in court
01:12:42murder two
01:12:46what kind of a deal is that
01:12:47you know what this rap carries
01:12:48i'll spend the rest of my life and stir it at
01:12:49pig that fraud he calls himself a lawyer
01:12:51he said if we don't take it
01:12:52they're going for murder one
01:12:53all right let him let him try it
01:12:54i'm gonna sweat this thing out
01:12:55i can sweat it out as long as that canary can
01:12:57you watch that winter turn yellow
01:12:59nick will fight this
01:13:00we'll make a dummy out of kincaid
01:13:02there's an awful lot of heat on the organization charlie
01:13:04what do you mean it's getting worse
01:13:07yeah
01:13:07not only here all over the country
01:13:09it's temporary nick believe me it's temporary
01:13:11the guys are behind me
01:13:13every one of them
01:13:13that cut off their right arm footed at loop
01:13:15will take a rap
01:13:15yeah you're right charlie
01:13:17you need anything
01:13:19no i'm fine
01:13:21fine nick i'll be all right thanks
01:13:23i guess kathy's read about this whole thing in the papers
01:13:27yeah i suppose so
01:13:29i hope it isn't too rough on the kid
01:13:33so long charlie i'll see you in a few days
01:13:36yeah i'll see you thanks a lot nick
01:13:37who is it
01:13:53it's me kathy
01:13:55hi
01:13:58hi
01:13:59buy me a drink
01:14:05i'll make you some coffee
01:14:07i said a drink
01:14:08a big one
01:14:09what's the reason for the celebration
01:14:15i've just decided to live it up that's all
01:14:17take what you can get isn't that what you said nick
01:14:20what's eating you kathy let's have it
01:14:22i said a big one
01:14:23what's the matter
01:14:30did the cops find you
01:14:32yes
01:14:34they just paid me a little visit at the office
01:14:36to ask a few questions about papa
01:14:38oh they couldn't have been nicer
01:14:42the reporters were very nice too
01:14:44even the doctor was nice when he fired me
01:14:47oh he assured me it didn't make any difference
01:14:50to him who i was
01:14:51but he had to think about his patience
01:14:53i knew you'd get belted kathy
01:14:57you were wide open
01:14:59yes nick you told me and you were right
01:15:01that little world i was planning for myself
01:15:03blew up right in my face
01:15:04oh why don't you laugh
01:15:06come on have a good one
01:15:09no kathy i'm not laughing
01:15:10i should have listened to you nick you had all the answers
01:15:12you told me i couldn't beat it
01:15:15you told me i was in for a big letdown
01:15:17well i had it
01:15:18kathy you had to find out for yourself
01:15:20now you know what you're up against
01:15:22there's something i envy about you nick
01:15:27your strength
01:15:29you're very sure of yourself
01:15:31you know exactly where you're going
01:15:32and it's the strong who inherit the earth
01:15:35come on i'll take you home to your grandmother
01:15:36i'm not going home i'm staying here
01:15:38it's pretty late why don't i see you tomorrow
01:15:40do you understand what i'm saying
01:15:41i'm going to stay here with you
01:15:43i'm taking you home now
01:15:45you want me to stay nick
01:15:48you do want me
01:15:50i know you do
01:15:52don't you see i'm throwing myself at you
01:15:54i'm yours nick
01:15:55take me
01:15:56marry me nick
01:16:10marry her yes now tonight right away
01:16:12you know i can't marry you kathy
01:16:13why because you're a hoodlum so am i
01:16:15we're both the same whether i like it or not
01:16:17whether i want to be or not i'm papa's daughter
01:16:19i know that now kathy will you stop it
01:16:21but look at me
01:16:26i can't even have you even if i throw myself at you
01:16:29you wouldn't dare would you nick
01:16:38even if you wanted me
01:16:40because i'm lupo's daughter
01:16:43kathy you're all twisted up
01:16:46if you keep on like this you'll crack wide open
01:16:49me crack up
01:16:52oh no nick
01:16:56not me
01:16:57i'm gonna let loose
01:17:00i'm gonna go out and have myself a ball
01:17:04i'll find somebody who wants me
01:17:06there must be somebody who wants me
01:17:08i'll be seeing you nick
01:17:19this thing is reaching national proportions gentlemen
01:17:27they're making a martyr out of williamson now
01:17:29already there are rumblings in washington of another
01:17:32senate investigating committee like the kefauver thing
01:17:34what are the chances of charlie's beating the rap
01:17:36it's hard to say
01:17:37if wendler breaks they're very good
01:17:39otherwise it means a long drawn out battle
01:17:41meantime we're getting slaughtered
01:17:43believe me this is going to get worse
01:17:44much worse
01:17:45if charlie gave himself up
01:17:47took the murder too rap
01:17:48i hate to say this
01:17:49but in my opinion it's the only logical solution
01:17:52that is without endangering the position of the whole syndicate
01:17:54i don't think he'll do it johnny
01:17:55he believes we should fight it that we can beat it
01:17:58charlie always said the organization came first
01:18:00that it was bigger than any one of us
01:18:01well he still feels that way johnny
01:18:02but he also feels that this is no time to get milk in our veins
01:18:05all right there's only one way to settle it
01:18:07we'll put it to a vote
01:18:08nick
01:18:11hello iris
01:18:12go pack a bag
01:18:14a bag what for
01:18:15you're taking a trip
01:18:16and nothing fancy you will need a way you're going
01:18:19what are you talking about where are you taking me
01:18:21charlie needs you
01:18:23oh nick please don't make me go
01:18:25charlie's wanted by the police and i'll get involved
01:18:27please i don't want to get mixed up in this
01:18:29please nick don't make me go
01:18:30charlie simply picked a price package when he picked you
01:18:34get your clothes
01:18:36all right nick
01:18:38believe me albert the heat is on
01:18:45my territory is getting murdered
01:18:46so are the others
01:18:47yeah sure is here
01:18:50i'll let you talk to him
01:18:52he wants to talk to you
01:18:53hello albert
01:18:59yes i was just explaining it to the boys
01:19:02we may beat the rap in time
01:19:04but the repercussions would be disastrous
01:19:06yes i believe it would relieve the pressure immediately
01:19:10i'll let you speak to him
01:19:13yeah
01:19:14yeah i know how you feel albert
01:19:17me and the boys do too
01:19:18i'm afraid it's the only answer
01:19:20yeah
01:19:21goodbye albert
01:19:22that's all foley
01:19:24i'll be at my office until about five
01:19:27then you can reach me at home
01:19:28good day gentlemen
01:19:29albert says he'll go along with the rest of us
01:19:37we'll take a vote
01:19:39so the boys want me to take the rap
01:19:44me lupo
01:19:45i can't believe it
01:19:47i'm sorry charlie but that's the way they voted
01:19:50even albert
01:19:52even albert is unanimous
01:19:55i can't believe that albert would go along with them
01:19:57i just can't believe it not albert
01:19:58i know it's a rough break charlie but that's the vote
01:20:01lousy ingrates
01:20:02after all i've done for the organization
01:20:03i am the organization nick
01:20:05you made the rules charlie
01:20:07they expect you to live by them we all have to live by them
01:20:10yeah
01:20:11all right you tell the boys to give me a couple of days and i'll come in and take the rap
01:20:16that's all i need nick just a couple of days
01:20:18okay charlie
01:20:19say uh why don't you stay for supper iris isn't too bad to cook
01:20:22ah i ought to go
01:20:23come on stick around we'll bust open a bottle of champagne have a party it'll be like a last
01:20:27a last meal
01:20:28don't talk like that charlie in a year or two we might spring up a roll
01:20:31that is not a chance
01:20:33once they get their hands on lupo they'll never let go of him
01:20:37catherine lupo
01:20:42boy she's just a kid
01:20:44i thought something was wrong when she passed me
01:20:47she looked like she was crying
01:20:48there's no skid marks
01:20:50she must have driven right off the road
01:21:01if she saw her
01:21:25yeah
01:21:27yeah
01:21:28listen bob
01:21:29I've just got a tip, a straight tip. That party's going to talk.
01:21:33Yeah?
01:21:35FBI, huh?
01:21:37Henry and I are taking the first plane into New York.
01:21:40If he talks, it'll blow the lid off the country, and we'll all go up with it.
01:21:48I'll fly in tomorrow morning.
01:21:50Go back to bed and keep your trap shut.
01:21:52All right. I got you, Johnny. I'll grab the next plane.
01:22:07All right, Johnny. I'm leaving right away.
01:22:10He can't talk. He'll murder us.
01:22:12If Lupo talks, the country will face a scandal without precedent.
01:22:24The FBI is in touch with Kincaid now.
01:22:27Can we put the fix on them?
01:22:29Put the fix on the FBI, Mr. Martinelli?
01:22:31All right, gentlemen. Thank you. Now, if you'd excuse us.
01:22:34Good-bye, gentlemen.
01:22:35Good-bye, gentlemen.
01:22:39Lupo's cracked up.
01:22:41If he sings, they'll break the syndicate.
01:22:43We'll all get nailed.
01:22:46Lupo can put every one of us in the electric chair.
01:22:52I don't believe it.
01:22:53I can't believe Charlie would talk. I think they're lying.
01:22:55I know it's tough to swallow, Nick, but we got this straight.
01:22:57Right from the top.
01:22:58We've already taken the vote.
01:23:00You're making the hit.
01:23:03Me?
01:23:04Why me? Charlie's like my own father.
01:23:06You're the only one who can make the hit.
01:23:08He trusts you. You can get to him.
01:23:10Lupo may be on in years, but he's still a pretty rough guy.
01:23:13It's got to be somebody he trusts.
01:23:15It's got to be you, Nick.
01:23:16No.
01:23:17I won't do it. I can't do it.
01:23:18Shut up, Nick.
01:23:21Don't you think I understand how you feel?
01:23:23I love the guy.
01:23:25You think I like to order his brains blown out?
01:23:28You think the other boys like it?
01:23:30It's got to be, Nick. There's no other way.
01:23:33If Charlie gets to the FBI, we're through. Every one of us.
01:23:41I'll make the hit.
01:23:44After you make it, go to the airport. I'll meet you.
01:23:48You'll come back to Chicago with me.
01:23:50All right, Johnny.
01:24:00Now, Jelen's liable to crack up.
01:24:02And he knows an awful lot.
01:24:03Who knows what Lupo's told him?
01:24:05We can't take a chance, Johnny.
01:24:07Don't worry.
01:24:08I've taken out insurance.
01:24:24As soon as you take me to the airport, drive back into the city and check into a hotel.
01:24:27What is it, Charlie?
01:24:28What's it all about?
01:24:29Why are you going to Washington?
01:24:30Tomorrow, go to the bank.
01:24:31Get the bonds and cash out of the safe deposit box.
01:24:33Keep them. They're yours.
01:24:34Call that cab company again, will you?
01:24:36Well, the man said it would take about 20 minutes.
01:24:38Call him. Tell him to hurry. I don't want to miss that plane.
01:24:40All right.
01:24:41Oh, here it is now.
01:24:48Nick.
01:24:50Where's Charlie?
01:24:51In the bedroom.
01:25:01Oh, hello, Nick.
01:25:02How are you?
01:25:04Hello, Charlie.
01:25:06They found out already, huh?
01:25:11You're going to make the hit.
01:25:14Yeah.
01:25:16You made the rules, Charlie.
01:25:17Oh, no, Nick.
01:25:18No, you can't kill Charlie.
01:25:19He's your friend!
01:25:20Shut up, Iris.
01:25:21Shut up, Iris.
01:25:22Help!
01:25:51He's your friend.
01:25:52He's your friend.
01:25:57That's him.
01:25:58Coming out now in the dark coat.
01:26:04Don't miss.
01:26:05Mr. Achilles wants this clean.
01:26:07Okay.
01:26:08He's all mine.
01:26:21I'm not in the dark coat.
01:26:22I'm not in the dark coat.
01:26:23You're in the dark coat.
01:26:24You're in the dark coat.
01:26:26It's too hot.
01:26:27There is a fire.
01:26:28No.
01:26:29I don't need to.
01:26:30It's too hot.
01:26:31I'm in the dark coat.
01:26:32I'm in the dark coat.
01:26:33It's too hot.
01:26:34No, no.
01:26:35No, no.
01:26:36insurance the circle of self-destruction has claimed new victims it has stilled the lips
01:27:00that might have revealed the secrets of the syndicate first charles lupo then nick magellan
01:27:07tomorrow who knows the syndicate still exists the rules still hold this is how the cartel works
01:27:19this is new york confidential
01:27:30you
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