00:00The silence, yeah, it is structural.
00:26Structure requires a past. The potato, for instance, was once uncooked. An aggressive act of becoming. We are told this is cinema.
00:39Precisely. But the viewer, a vulgar term, is still watching. We must destroy the act of watching. The future of cinema is, naturally, sentient paint.
00:56It's not just a potato, you see. It represents something more. A deeper truth about consumption.
01:10The beige. A bold choice.
01:12It feels nothing. Therefore, it feels everything. The ultimate narrative.
01:23Imagine. You don't watch the film. You are the wall.
01:30You experience.
01:32Dasang, the subtle thrill of drying. For a subscription fee, of course.
01:38And what of the radical otherness? Is it? Dampness?
01:45I left milk out this morning. I believe it has achieved otherness by now.
01:56The poetry of coagulation. The texture.
02:02We are moving beyond story. Beyond image. Into the pure, unadulterated experience of being. Interior decoration.
02:11The script says I should look triumphant here. So, there it is. The experience.
02:20So, cinema will no longer be a window to the world. But a wall in the world.
02:27The path is clear. Two potatoes.
02:33Protatos.
02:44To a virtual, countering house at Singleton Street.
02:48By Space Line.
02:49The earth is not a human body.
02:51I love the world deviant.
02:53The portrait of the bureau.
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