- 17 hours ago
A modern Shakespearean actor must travel back in time to confront enigmatic forces from the past and future.
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Short filmTranscript
00:01:30To be or not to be, that is the question.
00:01:38Whether it is nobler in the mind to suffer the slings and arrows of outrageous fortunes,
00:01:44or to take arms against a sea of troubles and by opposing in them,
00:01:49to die, to sleep, to sleep for chance to dream.
00:01:56Ah, there's the rub.
00:02:01For in that sleep of death, what dreams may come when we have shuffled off this mortal coil must give us pause.
00:02:07There's the respect that makes calamity of so long life.
00:02:10For who would bear the whips and scorns of time, to grunt and sweat under a weary life?
00:02:16But for that undiscovered country, for who's born no traveler returns, puzzles the will,
00:02:22and makes us rather bear those ills we have, to fly to others that we know not of.
00:02:27And thus, conscience does make cowards of us all.
00:02:33Daniel, I got him.
00:02:46You, turn around.
00:02:48You know how it is these days.
00:02:56If I shoot you, I walk away.
00:02:59Daniel, where are you?
00:03:02But if you shoot me, you'll fry like a skinny little chicken.
00:03:11Here.
00:03:11Here.
00:03:18What are you doing?
00:03:22Hey, go!
00:03:24Here!
00:03:25I'm here!
00:03:26There's no sense explaining it.
00:03:28It's nothing personal, you see.
00:03:30You were just in the wrong place.
00:03:34At the wrong time.
00:03:37Don't move.
00:03:38Hold right there.
00:03:46Where are you?
00:03:48Late.
00:03:49Nathan!
00:03:51Here!
00:03:53Daniel!
00:03:59Where is it?
00:04:06Let me have the gun, son.
00:04:10I didn't shoot nobody.
00:04:14I didn't shoot nobody.
00:04:18To be or not to be?
00:04:29That is the question.
00:04:30Wow.
00:04:42They were wired.
00:04:43Yes.
00:04:44You had them wired, Judge.
00:04:45That was a fantastic night.
00:04:47Hey, you two.
00:04:48Good work.
00:04:48Good work.
00:04:49Okay, I got to reset.
00:04:50Good show, Judge.
00:04:51Thanks.
00:04:52you were wonderful thank you you were great i told you all that hard work was gonna pay off
00:04:59thank you what did i tell you superstar come here
00:05:04oh and uh you weren't too bad yourself big brother
00:05:09stop be nice what seriously he might be a really decent actor someday he was great
00:05:17like my little sweetie you still on for monday yeah i wouldn't miss it sweetie i just got a
00:05:24client call and there's a server out in the area and i'm the only guy who knows how to deal with
00:05:28this kind of it's okay i'll get a cap or something no no no i'll take you home no it's way out of
00:05:34your way it's not gotta go by the store anyway okay thank you see i got a ride all right i'll see you
00:05:42so so i'll see you in about 10 minutes okay
00:05:52i'm serious dina you were amazing tonight you just lose yourself on stage and inhabit the character
00:06:03that you're playing it's just great to watch well everyone has given me so much i just want to rise
00:06:09up to that especially you
00:06:12jerry's a lucky guy he's sweet and kind he is but
00:06:20this light takes forever
00:06:25you're not gonna start deconstructing my brother are you
00:06:31because that's sort of a luxury that i enjoy
00:06:34he's sweet yes we've covered that he's sweet it's just
00:06:39since i've been working with you
00:06:43go ahead
00:06:53do you know your name
00:07:09where do you live
00:07:12judge
00:07:13lawn
00:07:144201 flower street
00:07:17what happened
00:07:19you've been in an accident
00:07:21you know your blood type
00:07:24he'd be positive
00:07:27excellent
00:07:29upon what date did you come to be
00:07:31you mean uh how old am i
00:07:34your chronological age yes
00:07:3631
00:07:38what kind of a hospital is this
00:07:42you haven't been taken to the hospital yet be patient judge
00:07:46what
00:07:48hold still
00:07:51we're done
00:08:06you can be returned
00:08:08you're right
00:08:10and now
00:08:31let's
00:08:32please
00:08:33my lord
00:08:34what's the news with you
00:08:36what wouldst thou have
00:08:39larapes
00:08:39good heaven
00:08:42thou knowest is common
00:08:44all that lives must die
00:08:47passing through nature to eternity
00:08:49seems
00:08:54and then
00:08:55it is
00:08:56i know not seems
00:08:58too sweet and commendable in your nature
00:09:02the play is a thing
00:09:04wherein we'll catch the conscience of the king
00:09:07wow
00:09:12they are dead tonight
00:09:14gotta shake it up judge
00:09:16shake it
00:09:17it's hammered
00:09:19maddie it's not jason bourne
00:09:21whatever
00:09:21anyone can tell they're not into it
00:09:23it's like
00:09:25the pulse is down
00:09:27then that's my fault
00:09:28in the last act
00:09:31it's like you turned into the
00:09:32night of the living shakespeare zombie
00:09:34oh come on
00:09:35it's not that bad
00:09:36you're hamlet
00:09:37dude
00:09:38all you gotta do is die
00:09:39you know these trances
00:09:41they have everybody on edge
00:09:43it's sucking the life out of the show
00:09:44i'm sorry to stick a knife into you
00:09:46but seriously man
00:09:47i mean
00:09:47what's going on
00:09:48it's like you're checking out
00:09:50i don't know
00:09:51it's hard to explain
00:09:53something happens
00:09:53everything changes
00:09:54even the stage
00:09:55maybe you should get some help
00:09:56thanks for the concern
00:09:58whoa whoa whoa
00:09:59who's that
00:10:00yeah
00:10:02that's my brother jerry
00:10:04and his perfect little wife
00:10:05good maybe that'll help you focus tonight
00:10:07things don't get any better
00:10:09i'm gonna have to ask about
00:10:10stepping in for you
00:10:11why don't you focus
00:10:12on not upstaging your co-stars
00:10:13and let me play hamlet
00:10:14why you gotta be such a douche
00:10:17guy's working through stuff
00:10:19shut up wilson
00:10:20place those to everyone
00:10:22this is your two minute warning
00:10:23don't answer my calls
00:10:35no warning
00:10:37just shows up
00:10:38don't call the short bus on us tonight judge
00:10:46okay
00:10:47because otherwise i might have to stab you for real
00:10:49save everybody the trouble of the rest of this run
00:10:51all of this visit you want
00:10:56here is a distraction
00:10:58and a disaster
00:10:59judge
00:11:07hey
00:11:10let's go
00:11:11you're going
00:11:12thanks
00:11:13come on sir
00:11:17come on my lord
00:11:19no
00:11:25judge
00:11:25a hit
00:11:26a very powerful hit
00:11:27hamlet
00:11:29i've put a fat pearl
00:11:31under this cup
00:11:32drink to your victory now
00:11:34play this belt first
00:11:35set it by a wire
00:11:36looks like they're finally waking up out there
00:11:41cut
00:11:42such a good confessor
00:11:43yeah
00:11:43us and she'll win
00:11:45he's fat and scant of breath
00:11:48where hamlet
00:11:49take my napkin
00:11:51wipe thy brows
00:11:52the queen doth carouse thy good fortune hamlet
00:11:56gertrude
00:11:56do not drink
00:11:57i will my lord
00:11:59i pray your pardon
00:12:01kiss the poison cup
00:12:03you know the guy playing your son is older than you are
00:12:06it's the theater
00:12:08ageist
00:12:11come here it is
00:12:17for a third
00:12:18i'll see you soon
00:12:20come
00:12:21nothing
00:12:28neither way
00:12:28i'm at you now
00:12:33look to the queen
00:12:36there ho
00:12:37she swans to see them bleed
00:12:39heart them
00:12:46there he is
00:12:46okay come here
00:12:47look to the queen there ho
00:12:50the drink
00:12:52the drink
00:12:53oh my man
00:12:54the drink
00:12:56the drink
00:12:57i am poisoned
00:12:59i'm dead horatio
00:13:03a potent poison quieter crows my spirit
00:13:14the rest
00:13:17is silence
00:13:18no cracks
00:13:23no heart
00:13:24good night sweet prayers
00:13:29the flights of angels
00:13:31sing thee
00:13:31to thy rest
00:13:32to thy rest
00:13:32to thy rest
00:14:01i got you now
00:14:05you really were brilliant tonight
00:14:12hey
00:14:14you want to get a bite
00:14:17no thanks
00:14:19you go on sarah
00:14:21okay
00:14:24hey sarah
00:14:25how old is this building
00:14:28i don't know
00:14:3140 years maybe
00:14:33do you know anything about the history of this place
00:14:35like what
00:14:36did something ever happen here
00:14:39or
00:14:39was it ever used for something else
00:14:41like
00:14:44i don't know
00:14:45i'm just into the history of old buildings
00:14:49and what gives them their energy
00:14:50great job out there tonight guys
00:14:54really good
00:14:55i need a drink
00:14:56you buying
00:14:57absolutely
00:14:58come on cowboy
00:14:59have you ever been to tulips
00:15:02judge
00:15:09judge
00:15:09judge
00:15:09hey
00:15:20oh my head
00:15:24it's like someone took a nail gun to it
00:15:39judge i startled you
00:15:40kind of snuck up on you
00:15:42sorry about that
00:15:44well don't you think you could have knocked
00:15:45well i'm a 20 year cop
00:15:49my stealth mojo's on automatic
00:15:51all the time
00:15:52just be glad you didn't have your tighty whities on
00:15:55anyway
00:15:58great show by the way
00:15:59how can i help you officer
00:16:00where are my manners
00:16:02name's bo hawkins
00:16:04wait
00:16:05what's happened
00:16:06am i in trouble for something
00:16:08because if
00:16:09that's the case
00:16:10then judge is gonna have to wait until he has an attorney
00:16:12i don't even know what he's talking about
00:16:14i haven't done anything
00:16:14no investigation
00:16:15and nothing's happened
00:16:17well
00:16:18not in a way that would involve the law anyway
00:16:20i don't really feel like talking tonight
00:16:22how about tomorrow
00:16:22sure
00:16:24tomorrow's fine
00:16:25here's my number
00:16:27and again
00:16:28sorry about your head
00:16:29what was that about
00:16:35i don't know
00:16:36i guess i'll find out tomorrow
00:16:37so is this your comeback
00:16:38because you were really good
00:16:39you were wonderful
00:16:40and we will definitely be back soon
00:16:42there's so much to absorb you know
00:16:44yeah please do
00:16:45and look
00:16:46i get comp tickets for every performance
00:16:47it's the least i can do
00:16:48you know
00:16:49if you're gonna make the drive
00:16:50is that okay
00:16:50do you by any chance
00:16:55have anything in your purse for a headache my head is pounding
00:16:57uh just some lady pills
00:17:00do you want that
00:17:01okay okay just let's not call him
00:17:03hey are you hungry
00:17:05maybe feel up for some um
00:17:07chicken and waffles
00:17:08i think i'll just head home
00:17:10i'm kind of tired
00:17:11no come on
00:17:12he's tired
00:17:13kate
00:17:14he's on a long show
00:17:15plus we don't want you driving home
00:17:17tired
00:17:19right
00:17:21right
00:17:21well good night
00:17:24good night
00:17:25we'll talk soon
00:17:27okay
00:17:28yeah
00:17:29you're not getting away
00:17:35you've got blood on your hands
00:17:38and i'm coming for you
00:17:39and i'm coming for you
00:17:41losing it
00:17:55all right
00:18:00NFL staff, NFL staff.
00:18:30Oh, I'm going to regret this.
00:18:35Hello?
00:18:37Hi, Hannah. How's it going?
00:18:40Hi. Who is this?
00:18:43It's Judge.
00:18:45Judge? How are you?
00:18:48I'm good.
00:18:48Haven't heard from you since the reunion.
00:18:51What's going on?
00:18:53You know, just fine-tuning my documentary.
00:18:57Oh, the one on Bigfoot?
00:18:58No, I gave up on that one.
00:19:02This one's on Napoleon's Ghost.
00:19:06Oh, Napoleon Bonaparte?
00:19:08No.
00:19:10Napoleon the hunting dog in Birmingham, Alabama.
00:19:14We see at the start of every deer season,
00:19:16he shows up on a hill and howls at the moon.
00:19:19So, Hannah, this work you do,
00:19:21do you still research paranormal events?
00:19:24Is that something you do full-time?
00:19:25Of course.
00:19:26Well, look, I've got a situation,
00:19:28and I don't know who else to ask about this.
00:19:31And if it's serious for you, then...
00:19:33Is it serious for you, Judge?
00:19:36What?
00:19:37I don't know. Acting.
00:19:38I mean, you do that for a living, right?
00:19:41Well, yeah, but we're talking about...
00:19:42We're talking about ghosts,
00:19:43so it's silly and ridiculous.
00:19:45Why not call the craziest person you know
00:19:47because she couldn't possibly make you feel
00:19:49any more stupid than you already do, right?
00:19:50No, Hannah, I'm sorry.
00:19:52That's not what I mean, but...
00:19:54Hello?
00:19:59Great.
00:19:59Hello?
00:20:17You sound like you're in trouble,
00:20:18and I just completely ran over you,
00:20:20and I know what I do is crazy.
00:20:22It's whack, but...
00:20:24I believe in it,
00:20:25so if there's anything you need
00:20:26and you need some help,
00:20:27I really want to help you, okay?
00:20:29Where should we meet?
00:20:31Should I come to you?
00:20:36Uh...
00:20:36I'll have the early clucker clip.
00:20:47You ever get married or anything?
00:20:49Oh, no. No. No.
00:20:53You?
00:20:55No.
00:20:55I think I just scare people.
00:20:58I doubt that.
00:20:59I'm serious.
00:21:01It's all the paranormal stuff.
00:21:04Weirds guys out.
00:21:07My friends.
00:21:09They're friends I've had for a long time,
00:21:10so they're fine with it.
00:21:12But, wow,
00:21:13I bust out the infrared photos of Poltergeist.
00:21:17Cupid'slastresort.com, boys.
00:21:19Run for the hills.
00:21:19Well, I'm definitely interested in your expertise.
00:21:28I think the theater that I'm performing in is haunted.
00:21:32Does that happen?
00:21:33Yeah.
00:21:34It's not just houses and hospitals.
00:21:37But it's not really affecting anybody else.
00:21:40So that makes me think that maybe there's something deeper involved,
00:21:43like it's connected to my past,
00:21:45something to do with my family,
00:21:46and that's what's triggering these events.
00:21:48Because I'm getting chased by these shadows,
00:21:51and this one in particular.
00:21:53I've seen his face.
00:21:55He grabbed me.
00:21:57Threatened me.
00:21:57Verbally?
00:21:58Yeah.
00:21:59He said,
00:22:00I'm coming for you.
00:22:03That's unusual.
00:22:05And then he said,
00:22:06I have blood on my hands.
00:22:08Do you?
00:22:12No.
00:22:13And here we go.
00:22:19And I'll get you guys coffee.
00:22:21All right.
00:22:28Judge, I know about the accident.
00:22:30That's the key word.
00:22:31Accident.
00:22:32So unless you've intentionally caused someone pain
00:22:36at some point in your life,
00:22:38there's no reason for supernatural retribution.
00:22:44Is that even a possibility?
00:22:48I don't know.
00:22:49Judge, are you judged?
00:23:04Okay, listen, you're in an accident.
00:23:06You should focus on me.
00:23:07We're going to get to the hospital now, okay?
00:23:11Where's the unit?
00:23:15All right, let's go.
00:23:16Can you hear me?
00:23:30I'm coming for you.
00:23:31I'm coming for you.
00:23:31All right, I'm looking for Officer Hawkins.
00:23:56Bill Hawkins?
00:24:06Down the hall and to the right.
00:24:07Second door on the right.
00:24:10Sudoku.
00:24:10It's good for the brain.
00:24:12Have a nice day.
00:24:23Hold on, son.
00:24:24I did it again.
00:24:26Sergeant Bell said you were on your way.
00:24:28Sergeant Bell?
00:24:29Up at the front.
00:24:30We call her Tinker.
00:24:31She don't like that too much.
00:24:33Coffee?
00:24:33Sure.
00:24:34One of the few perks here
00:24:36is that we always have a pop brewing.
00:24:39And the chief
00:24:40insists on the good stuff.
00:24:45Thanks.
00:24:46So, Judge, I've been a cop all my life, like my father before me.
00:24:53But going back, not everyone in my family was on this side of the law.
00:24:57My grandfather was the son of a man wrongfully accused of murder.
00:25:01He was tried, convicted, and hanged for it.
00:25:05Even though no body was found and no corroborating evidence or eyewitness accounts were ever recorded,
00:25:13that man, the man they say he killed, was you.
00:25:18The man murdered by my great-grandfather was a man named Judge Bond.
00:25:24And not just the same name, you.
00:25:27I do have proof.
00:25:29I know it sounds crazy, but if you'll just give me a chance.
00:25:31So crazy that it almost seems familiar.
00:25:35To say that a lot of unexplained things have been happening to me lately would be an understatement.
00:25:39I'm willing to listen.
00:25:43Tell me more.
00:25:50It's time, August.
00:25:52Gordon.
00:25:56I know you're a good man.
00:25:59I can give this to my son.
00:26:01My grandfather told me about the letter before he died.
00:26:04And he gave it to me.
00:26:05The letter contained information about the man that my great-grandfather was accused of killing.
00:26:11In that letter was a map to a location where he'd hidden more information about Judge Bond.
00:26:24Well, what did it say?
00:26:26Hey, Bo, Chief needs to...
00:26:27Come see me tonight.
00:26:28I'll show you.
00:26:29Why can't you tell me now?
00:26:30Because what I have to show you needs to be seen, and it never leaves my house.
00:26:38Come around eight.
00:26:39Beer will be cold.
00:26:44Better watch out for old Bo.
00:26:46He loves to tell stories.
00:26:57Hey.
00:26:58What's going on?
00:26:58Hey.
00:27:00Looking for Judge Vaughn?
00:27:02What's all this?
00:27:03My documentation kit.
00:27:04I'm shooting tonight's performance.
00:27:06You're taping tonight?
00:27:08That's great.
00:27:09Nobody told me.
00:27:10Can I help you carry anything?
00:27:12Yeah.
00:27:13This and those two cases.
00:27:14Oh.
00:27:16Um, okay.
00:27:17Okay.
00:27:17David, you're almost there, but I don't feel your heart breaking yet.
00:27:31You need to go there, so let's try the lines again.
00:27:35Now loosen up, and I want you to go there.
00:27:38I want you to feel your heart break.
00:27:39Touch that nerve, and when you get there, start with the lines, all right?
00:27:43Get in touch with your emotion.
00:27:45Ah.
00:27:46Now cracks the noble heart.
00:27:49Let it go.
00:27:51Good night, sweet prince.
00:27:54The flights of angels sing thee to thy rest.
00:27:57That's much better.
00:28:02Oh, good.
00:28:06Judge.
00:28:10Hey, you're two hours early.
00:28:12Yeah, I wanted to talk to you one-on-one.
00:28:16Sorry for interrupting.
00:28:20Okay.
00:28:23David, that was beautiful.
00:28:24Take five now, and mark that, okay?
00:28:26Okay, thank you.
00:28:27Great job.
00:28:34Oh.
00:28:38All yours?
00:28:40Uh, I want to know if I could get someone to videotape the performance tonight.
00:28:44Sure.
00:28:45Just keep him out of the way of the audience.
00:28:47We have a full house tonight.
00:28:48Okay.
00:28:49That's great.
00:28:50Thanks.
00:28:50And, uh, it's a her.
00:28:54Oh.
00:28:56Hey, so we got the green light from the director.
00:29:03Judge, you didn't tell me you had a friend that did that, uh, Ghost in the Graveyard web series?
00:29:07Oh, well, it just never came up, I guess.
00:29:09I never told you about my grandfather's ghost.
00:29:11He lives in our tool shed.
00:29:12I'm totally into the paranormal.
00:29:14Well, maybe she needs an assistant.
00:29:15I mean, I guess as long as you're on stage for the Polonia stuff.
00:29:19Sweet.
00:29:19Sweet.
00:29:22So do you have a white noise recorder that's going to be playing while we're doing all the footage?
00:29:26Are one of these infrared?
00:29:28Are we doing infrared?
00:29:29Infrared.
00:29:30Right.
00:29:30What if it's, what if it's just an energy?
00:29:32What if it's, does it pick up the energy?
00:29:34It picks up everything.
00:29:35It picks it up?
00:29:36Okay.
00:29:37What was that?
00:29:38Did you see that?
00:29:38Are we recording now?
00:29:42Last night of all, when yon same star that's westward had made his course to illumine that
00:29:49part of heaven where now it burns, Marcellus and myself, the clock nearly beating one.
00:29:56Peace.
00:29:57Break me off.
00:29:58Look where it comes again.
00:29:59So, Vaughn, I hear you're looking for poltergeists now.
00:30:02Listen, I know you can keep it together.
00:30:04There's a critic out there, so just knock him dead.
00:30:06Okay, pal?
00:30:06Well, not undead, just dead.
00:30:10My lord!
00:30:19Avenge me.
00:30:25It beckons thee, as if it's some impromptu desire to you alone.
00:30:30Do not go with it.
00:30:32No, by no means.
00:30:34I'll follow thee.
00:30:36Lord Hamlet!
00:30:59Lord Hamlet!
00:31:01My lord!
00:31:03Lord Hamlet!
00:31:05Lord Hamlet!
00:31:15Hey, J.R., it's me.
00:31:18Look, what are you doing right now?
00:31:19Can you meet me in an hour?
00:31:20Why, Judge, where are we going?
00:31:26Well, remember the cop that we met?
00:31:29Well, he wants to show me something.
00:31:31And I'd like for you to be there.
00:31:32So, his grandfather passed on this ID, which supposedly belongs to you.
00:31:42Do we get to see this thing?
00:31:46You do.
00:31:48But I keep it hidden.
00:31:49There's no hallucination, my friend.
00:31:58Oh, wow.
00:32:02That counts a weird night.
00:32:05It's a paradox.
00:32:06And logic flies out of the window with any paradox.
00:32:08As the story goes, my grandfather dug this up, following directions from a note he received
00:32:14from his daddy, who was hanged for a murder he didn't commit.
00:32:18That would be your murder, Judge.
00:32:20But a hundred years ago.
00:32:22Maybe it is a paradox.
00:32:24A karmic paradox.
00:32:26If my great-grandfather was killed for murdering you, and you're sitting here now...
00:32:30Saying that out loud doesn't even strike you as a little nuts.
00:32:35An innocent man was executed.
00:32:36Yeah, when Woodrow Wilson was president.
00:32:39Look, I know none of this makes sense.
00:32:41But somehow, all of this has happened because of you.
00:32:44The whole thing is too much of a twilight zone to be pointing fingers.
00:32:49Not to make light of the loss of your great-grandfather.
00:32:52And I know his innocence makes it even more of a tragedy.
00:32:55But we can't really believe that this is in any way Judge's fault.
00:32:58But we can't ignore the possibility that maybe he's right.
00:33:02What?
00:33:04So then, you up for following this thing?
00:33:07Seeing where it leads?
00:33:09Okay, we can start with the old execution records.
00:33:12Might be something there.
00:33:13I don't know what I can do, but I guess if you need any help researching, I'll leave you my number.
00:33:18Good.
00:33:19Judge, what do you know about Irwin, Alabama?
00:33:22Sounds like a town that lost a bet.
00:33:24What's there?
00:33:25Would you consider taking a trip?
00:33:27Yeah, theater's dark for a couple days.
00:33:29We don't have another performance until a matinee midweek.
00:33:31You can't just ask my brother to go on a cross-country trip for your great-grandfather.
00:33:37No, no, no.
00:33:37You're...
00:33:38It's okay.
00:33:39I could use a change of scenery.
00:33:41I'm not a superstitious man, but it's no coincidence that our paths are crossing right now.
00:33:46We reconvene after Judge's matinee on Wednesday.
00:33:48Call me if you have anything.
00:33:50Hey, thanks.
00:33:56Judge, are you okay?
00:33:59You're not really worried about me, are you?
00:34:01You're seeing things.
00:34:02You look like warmed-over mac and cheese.
00:34:05I'm living a paradox.
00:34:06If this has anything to do with, you know, then let it go.
00:34:14Who can I?
00:34:15Let it go?
00:34:17With you?
00:34:18Katie's gonna be ticked if I don't get home soon.
00:34:21But call me if anything weird, weirder happens.
00:34:25Okay.
00:34:26Night.
00:34:27See ya.
00:34:27Hello again.
00:34:52Night.
00:34:54Night.
00:34:55Night.
00:34:56Night.
00:34:56Do you know your name?
00:35:01Judge.
00:35:01I'm with you.
00:35:03I'm with you.
00:35:05I'm with you.
00:35:08You're mine.
00:35:26This is Hawkins.
00:35:53Hey, Beau, it's Jerry.
00:35:55Judge, brother, you got a minute?
00:35:58I'm headed into work.
00:35:59What you got for me?
00:36:00Do you know the name of the guard who gave your grandfather the note about where to find the ID?
00:36:06It's...
00:36:07Hill.
00:36:07Peter Hill.
00:36:08Why do you ask?
00:36:09I'm trying to find anyone related to either any of the guards on duty or anyone who has any type of association with your great-grandfather, his trial, or execution.
00:36:21Sounds great.
00:36:22Let me know what names you'll find, and I'll run them through the database on my end.
00:36:25Sounds good.
00:36:26I'll talk to you soon.
00:36:28Bye.
00:36:28Hey.
00:36:48Hey.
00:36:48The door was open, so I just let myself in.
00:36:52So, um, I gotta catch a plane, but, um, what'd you want to talk to me about?
00:36:57Did you find anything in the footage?
00:36:59Not yet.
00:37:00I spent last night and this morning doing some research.
00:37:03You should sit down.
00:37:03Okay.
00:37:05Well, that never means anything good.
00:37:09What?
00:37:11Look.
00:37:13What the...
00:37:13What is this?
00:37:19Is this some sort of a joke?
00:37:22No, it's not a joke.
00:37:24I followed your name, and it led me to the past.
00:37:42Judge?
00:37:44Hannah.
00:37:45What's going on?
00:37:47You were here, and now you're...
00:37:49I was in this theater.
00:37:54It was so real.
00:37:55I was in this bar off to one side, and there were reporters there, and a flashball was blinding me, and...
00:38:03I was holding this playbill.
00:38:06It wasn't a copy.
00:38:07It was a real thing.
00:38:09Where is this place?
00:38:11Phoenix?
00:38:12It's called the Phoenix Opera House.
00:38:14It's in Irwin, Alabama.
00:38:17What?
00:38:18Have you been talking to Bo?
00:38:20Bo?
00:38:21Who's Bo?
00:38:22He's a policeman.
00:38:23Let's just say some of my equipment isn't exactly street legal.
00:38:28Oh.
00:38:29According to my research, tons of famous actors have performed at this theater.
00:38:35Over 160 years.
00:38:38Even John Wilkes Booth.
00:38:40It's closed now.
00:38:41There's a restoration effort.
00:38:43This is where I was supposed to go.
00:38:44This is where Bo wanted me to visit.
00:38:48Can I take this?
00:38:50Sure.
00:38:50It's just a printout.
00:38:53It's all I got, but...
00:38:54If I get something else, I'll...
00:38:56I'll call you.
00:38:59Are you sure you're okay?
00:39:04I'm handling it.
00:39:06So far.
00:39:07I think you and Bo should meet.
00:39:12No, I...
00:39:13Look, I'll talk to her.
00:39:14It'll be fine.
00:39:18Just not here.
00:39:20Oh.
00:39:22Yeah.
00:39:23Okay.
00:39:29So you're the non-conformist, huh?
00:39:31I'm kidding.
00:39:35We're both trying to find answers.
00:39:37And between you and me, I got a lot of respect for resourceful people.
00:39:40So as long as you're not smoking any of that funny stuff, we'll get along just fine.
00:39:46Hannah.
00:39:47Sir.
00:39:50Bo.
00:39:50I thought we'd do a resonance test, a frequency test, maybe an atmospheric eval on the premises.
00:39:56It might tell us if...
00:39:58If we're dealing with ghosts, aliens, swamp gas?
00:40:01If there's a predisposition in the structure for paranormal occurrences.
00:40:06Fair enough.
00:40:06When can we look at the data?
00:40:33Oh, tonight.
00:40:34It's not that much.
00:40:36Is there a way to find out what design and built this theater?
00:40:38It's probably been remodeled.
00:40:40There could be things buried or hidden that we know nothing about.
00:40:49Tinkerbell.
00:40:50I need you to look up something for me.
00:40:52See?
00:40:53I don't need any of that fancy black market equipment.
00:40:56Look up Lambert Theater on 4th and Main.
00:40:58I need you to look up something for me.
00:41:28Hello?
00:41:32Hello?
00:41:46Mr. Hill?
00:41:52Yes?
00:41:53Bo Hawkins of the Sheriff's Department.
00:41:55I have a few questions I'd like to ask you about your great-grandfather, Peter Hill.
00:42:00I appreciate your time, so in the interest of being brief, I'll get to the point.
00:42:04My great-grandfather was convicted of a crime.
00:42:09One of the guards assigned to his cell was your great-grandfather, Peter Hill.
00:42:14I see.
00:42:16I'm sorry I'm not familiar with that story, though.
00:42:18He died when I was very young.
00:42:19I was wondering if you might have any of his belongings.
00:42:22Letters, manuscripts, any personal writings that I might be able to take a look at.
00:42:28Look, I know this whole visit is strange.
00:42:31But there's a bit of mystery surrounding my great-grandfather, and it would mean the world to me to sort some of this out.
00:42:38I only met my great-grandfather once.
00:42:40I was just a child, and he was very ill.
00:42:43But my daddy took me to see him before he passed.
00:42:45I remember I went to give him a hug, and he seemed so tired and worn down.
00:42:52My grandfather is the one who brought us out here.
00:42:55He and my daddy decided to go into law enforcement.
00:42:59I, however, chose another path, to be an actor.
00:43:03And after that, a carpenter and an architect.
00:43:06These are all projects of yours?
00:43:08Oh, yes.
00:43:09My hallmark was redesigning old spaces with authentic materials.
00:43:18You did the Lambert Theater?
00:43:20Yes, the interior.
00:43:23Very proud of that.
00:43:25In fact, we had the scour of the entire country looking for handmade fixtures and footlights to frame the proscenium.
00:43:34Well, I was there recently.
00:43:35And as I was heading backstage, I stopped to admire these very fixtures.
00:43:43Beautiful craftsmanship.
00:43:45Yeah.
00:43:46And very rare, too.
00:43:48Handcrafted over a century ago.
00:43:51From rose quartz.
00:43:52Rose quartz?
00:43:54Huh.
00:43:56Well, you chose beautifully.
00:43:59Why rose quartz, specifically?
00:44:05Well, rose quartz was just something that stuck in my mind at the time.
00:44:10I guess you'd sooner ask Salvador Dali why he chose to paint such crazy.
00:44:17My grandfather did tell me one thing about his daddy.
00:44:20That he was obsessed with guilt and innocence.
00:44:23In fact, he did keep a journal.
00:44:27In it, he wrote about the men that he watched.
00:44:29And he gave his assessment of each and every one.
00:44:31Now, if your great-great-danny was watched by mine, it'll be in this journal.
00:44:38I'm assuming, of course, that this will be well guarded until it is returned.
00:44:43Absolutely.
00:44:47Thank you, sir.
00:44:48If you should need anything else, just give me a call.
00:44:50Thank you, sir.
00:45:20I've seen many a guilty man, with the weight of his offense hanging heavily on his conscience,
00:45:32like a wet slicker.
00:45:34Yet Hawkins shows the consternation of a man grappling with repercussions of a crime he did not commit.
00:45:39I find myself feeling sorry for his lot, unjust as it may be.
00:45:44May God find him innocent upon their inevitable meaning.
00:45:47Toeze...
00:45:56I know.
00:45:59I know.
00:46:00I know.
00:46:02I know.
00:46:03I know.
00:46:03I don't know.
00:46:33I don't know.
00:47:03I don't know.
00:47:33I don't know.
00:48:03I don't know.
00:48:33I don't know.
00:49:03Good evening, sir.
00:49:12Are you here for the audition?
00:49:15Yes.
00:49:15Yes, I am.
00:49:16Well, head on up to the stage.
00:49:17State your name and what piece you'll be performing.
00:49:30My name is Judge Vaughn, and I'll be performing Hamlet's soliloquy.
00:49:38To be or not to be, whether it is nobler in the mind to suffer the slings and arrows of outrageous
00:49:52fortune, or to take arms against a sea of troubles and by opposing in them to die, sleep, to sleep
00:50:02perchance to dream.
00:50:03Ah, there's the rub.
00:50:08For in that sleep of death, what dreams may come.
00:50:12When we have shuffled off, this mortal coil must give us pause.
00:50:15There's the respect that makes calamity of so long life.
00:50:19For who would bear the whips and scorns of time to grunt and sweat under a weary life, but for
00:50:27that undiscovered country from whose born no traveler returns, puzzles the will, and makes
00:50:34us rather bear those ills we have than fly to others that we know not of, and thus conscience
00:50:40does make cowards of us all.
00:50:51What would you like, sir?
00:50:52Whiskey.
00:51:04Might I have a word, Mr. Vaughn?
00:51:08While I have no idea as to the extent of your credits or experience, your audition went quite
00:51:12well.
00:51:13Let me be frank.
00:51:15Our current Hamlet has fallen ill.
00:51:19In addition to his ability on stage, it seems he is also gifted at drinking and other activities
00:51:25which sometimes cause a man to gain certain enemies.
00:51:30In addition to his work, we need you to resume the role where he left off.
00:51:34I'll do it.
00:51:38When do I begin?
00:51:39The performance is tomorrow night.
00:51:44Hello?
00:51:45Hello?
00:51:46Hello?
00:51:47Hello?
00:51:48Hello?
00:51:49Hello?
00:51:50Hello?
00:51:51Hello?
00:51:52Hello?
00:51:53Hello?
00:51:54Hello?
00:51:55Hello?
00:51:56Hello?
00:51:57Hello?
00:51:58Hello?
00:51:59Hello?
00:52:02Hello?
00:52:19Hello?
00:52:19You've got to be kidding me.
00:52:29You've got to be kidding me.
00:52:53Excuse me, sir.
00:52:54I don't know.
00:52:55I'm looking for something a little more antique, you know,
00:52:57like a throwback to the 1920s.
00:52:59Oh, that's the suit.
00:53:07Would you care to try it on?
00:53:10Yeah.
00:53:12I'll take that tie and a white dress shirt.
00:53:15Fifteen and a half, thirty-three?
00:53:17Mm-hmm.
00:53:29Mm-hmm.
00:53:30Oh.
00:53:31Whoa.
00:53:31Whoa.
00:53:33Whoa.
00:53:37Oh.
00:54:38Are you Judge Vaughn?
00:55:04Yeah.
00:55:08Still me?
00:55:09If you could follow me, Mr. Belisle awaits you in the bar.
00:55:13I hope you don't mind doing some business over breakfast.
00:55:15No, Frank.
00:55:20Let him pass.
00:55:21Mr. Brown, good morning and goodbye.
00:55:24You're hereby terminated.
00:55:25Your services are no longer required.
00:55:27Now, Frank, kindly escort Mr. Brown from the premises.
00:55:32Oh, good morning.
00:55:34You're just in time.
00:55:35Mr. Brown, you can meet your replacement, Mr. Judge Vaughn.
00:55:39You can't do this to me.
00:55:46Take it easy, Brown.
00:55:47Otherwise, please, we have a lot of new places.
00:55:49We have much to discuss.
00:55:53Thank you, Nathan.
00:55:53That is all.
00:55:54Yes, sir.
00:55:55Do you have the map?
00:56:00Time's running out.
00:56:00I've got to get out of here.
00:56:02I've got it, but I've got to get back inside.
00:56:04Meet me tomorrow at the cold.
00:56:05I haven't heard a word.
00:56:14Nothing?
00:56:14I'm sure he's fine.
00:56:16Probably just lost track of time.
00:56:17There is a three-hour time difference and all.
00:56:21Hannah, relax.
00:56:24I can't imagine he's gotten himself into something that he can't handle.
00:56:35I've got you now.
00:56:47I've got you now.
00:56:48Here comes Judge.
00:57:00May I take your picture?
00:57:05May I take your picture?
00:57:18May I take your picture?
00:57:28May I take your picture?
00:57:31Mr. Vaughn, out here on the veranda.
00:57:47Good morning, Mr. Vaughn.
00:57:50Good morning.
00:57:51I trust you slept well.
00:57:53I did, I slept very well, thank you.
00:57:54Good.
00:57:55Please, join me.
00:57:59Yeah, have a seat.
00:58:01It seems you're quite the celebrity this morning.
00:58:06Huh?
00:58:07What was your picture on the front page of the newspaper?
00:58:19That's quite the performance you had last evening, Mr. Vaughn.
00:58:24I believe you did quite an admirable job considering the circumstances.
00:58:28And Mr. Brown is...
00:58:30Oh, good morning, ladies.
00:58:33Come meet Mr. Vaughn.
00:58:35Good morning, Mayor.
00:58:37Oh, Mr. Vaughn.
00:58:39Oh.
00:58:41So you really like a play?
00:58:42Oh, it was wonderful.
00:58:43Oh, we love.
00:58:44Oh, it was good.
00:58:45All right, everybody.
00:58:47Get together now.
00:58:49Ready?
00:58:50What are you doing?
00:58:50Say cheese.
00:58:57Do not.
00:58:58Let me show you what happened.
00:58:59Come on.
00:59:30Okay. You want to stay here. I can help with that.
00:59:57Of course, you haven't been invented yet.
00:59:58Hey!
01:00:06I found two coins and a map.
01:00:12What do you make of these?
01:00:16Authentic Confederate gold, that's for sure.
01:00:20One for you.
01:00:23Fifty-fifty split, just like I promised.
01:00:25Thank you, Daniel. I knew you'd keep your word.
01:00:28Now where is the rest of it?
01:00:29Just the rest of it.
01:00:34Okay, follow me. Come on.
01:00:35Stop him!
01:00:43Stop him!
01:01:13Where'd he go?
01:01:27Guess I'm a better shot than I thought.
01:01:30It's all right. He was trouble.
01:01:32Good riddance to bad rubbish.
01:01:43Come on.
01:01:55I think we've seen the last of our friend, Mr. Bond.
01:02:03Stop!
01:02:13I think we've seen the last of our friend.
01:02:43I think we've seen the last of our friend, Mr. Bond.
01:02:49Hannah, I'm fine.
01:02:54I was in the past.
01:02:58But I've got... I've got to go back.
01:03:02I don't know how, but I've got to.
01:03:05Well, I've already done it, so I've got to be able to do it again.
01:03:15What day is it?
01:03:22I'm supposed to fly home in the morning.
01:03:25Listen, can you pick me up at the airport?
01:03:28I'll tell you all about it.
01:03:31Yeah.
01:03:31I know. Me too.
01:03:36Bye.
01:03:37Bye.
01:03:38It was incredible, Hanlon.
01:03:54I literally went back to 1920.
01:03:56I mean, I was actually there, playing Hanlon.
01:04:02It's just like what I've been seeing on stage.
01:04:04It's the same theater.
01:04:07And just before I jumped back to the present, I got attacked by two men.
01:04:10What? Do you know who they were?
01:04:12Well, one was the actor that I replaced.
01:04:15And I know that they were digging for something by the water because I found this.
01:04:19What is that?
01:04:20It's a coin. It says CSA on it.
01:04:23And it looks like gold.
01:04:23CSA.
01:04:26Confederate States of America.
01:04:28My driver's license.
01:04:29I left my wallet and my jacket by the water just before I got attacked.
01:04:33So that must be...
01:04:35Yeah.
01:04:37But how did Beau's great-grandfather get his hands on it?
01:04:40Wait.
01:04:41Maybe all this is happening because I left my wallet there.
01:04:44If I go back, I grab my wallet, tie up any loose ends,
01:04:47and maybe all this just goes away.
01:04:52No way. You're not going back. Don't even think about it.
01:04:54You don't understand. I have to...
01:04:55You don't understand.
01:04:58Something incredibly dangerous is happening,
01:05:00and you're at the center of it.
01:05:02A man was murdered, right?
01:05:04Yeah.
01:05:06They never found a body, but everything points to you.
01:05:09Yeah, I get that, but...
01:05:10If you go back, that could be...
01:05:12That could be the moment Beau's great-grandfather or someone else kills you.
01:05:17If you don't go back,
01:05:19maybe it stays a mystery.
01:05:22Beau never gets his closure. Fine.
01:05:26But they never get their body, and they never get you.
01:05:29Let's try Confederate gold.
01:05:38And Irwin, Alabama, 1920s.
01:05:42I wish I could remember the name of that other guy.
01:05:46He worked at the theater's restaurant.
01:05:49I can see his face.
01:05:51Here we go.
01:05:52Uh, Hamlet opened...
01:05:58May of 1920.
01:06:00Irwin, Alabama.
01:06:01Phoenix Opera House.
01:06:02Blah, blah, blah.
01:06:03Daniel Brown.
01:06:05Daniel Brown, yeah. Yeah, that's him.
01:06:06Daniel Brown.
01:06:07The actor.
01:06:09Fired.
01:06:09It was nothing.
01:06:18It's like he just disappeared.
01:06:20Well, it was a long time ago.
01:06:22Files could have easily been lost.
01:06:25Maybe.
01:06:31Is this the other man you saw?
01:06:34Yeah.
01:06:35Yeah, that's him.
01:06:37I saw him in the theater, too.
01:06:38He was working at the restaurant there.
01:06:41Daniel was the name of the actor that got fired.
01:06:43They must have been working together.
01:06:45I see.
01:06:48But shouldn't something have changed?
01:06:50I mean, I'm still alive.
01:06:54Judge,
01:06:55you say you left your wallet in your coat pocket by the river
01:06:58before you jumped back to the present.
01:07:00Yeah, I...
01:07:02I think so.
01:07:03I mean, it all happened so fast.
01:07:04I was getting shot at, and then I fell in the water.
01:07:06When I came up, I was in the present, and the men were gone.
01:07:10Maybe because you didn't emerge from the water,
01:07:12the men thought you died.
01:07:13There wasn't a body,
01:07:14and no evidence whatsoever,
01:07:16to convict Nathan of your murder.
01:07:19Something's missing.
01:07:26I'm going back.
01:07:29Are you crazy?
01:07:30We covered this.
01:07:34All this is leading to something.
01:07:36Can't cheat fate, Hannah.
01:07:37None of us can.
01:07:39Maybe I'm being called on to fix it.
01:07:41No.
01:07:42No.
01:07:44Say something.
01:07:49You're unbelievable.
01:07:50He's going to go back through some dimensional crack and die
01:07:52just so you can get some sense of family honor.
01:07:55It's not just about family honor.
01:07:56I'm not going to be part of it.
01:07:59Don't ask me to care, Judge,
01:08:00if you won't even care about your own life.
01:08:01Hannah, wait.
01:08:02There was something about the play.
01:08:14Now, I know there were different theaters,
01:08:15different stages.
01:08:18Wait a minute.
01:08:20What?
01:08:21It was a feeling.
01:08:23Now, hear me out.
01:08:25You know, when you step into a space,
01:08:26sometimes you get a sense of vibration.
01:08:29I had the same feeling
01:08:31in both the opera house
01:08:32and in the Lambert.
01:08:35Vibrations?
01:08:36You mean like...
01:08:40I guess.
01:08:41Yes.
01:08:42So we looked over the footage
01:09:02again and again
01:09:03and aside from a few weird flashes,
01:09:05we just kept coming up empty.
01:09:07Until?
01:09:09Until Matt started playing with the oscilloscope.
01:09:11He thought it was a weird screensaver.
01:09:12Until you explained it to me.
01:09:14And then it hit me.
01:09:15We were looking at everything,
01:09:16but we weren't running the frequency spectrum.
01:09:19Everything.
01:09:20Everything has a frequency.
01:09:22Living, dead, in between.
01:09:25We noticed in the footage,
01:09:26even before anyone came on the stage,
01:09:29that thing was giving off a weird frequency.
01:09:32So the stage has a frequency.
01:09:35There's something funky in that stage.
01:09:36I recorded the scope.
01:09:37Here, look.
01:09:38That's the kind of frequency
01:09:45you usually only get
01:09:46from certain microwave towers.
01:09:49So why the rush to wire me up here?
01:09:52Your frequency,
01:09:54your life wave,
01:09:56is in a kind of subatomic harmony
01:09:59with something in that building.
01:10:00And that harmony is bending
01:10:02the rules of physics for you.
01:10:04The closer you get to it,
01:10:06the more slippery
01:10:07this world's grip on you becomes.
01:10:11Could somebody have done something
01:10:13to change my frequency?
01:10:16What do you mean?
01:10:17Maybe you need to take a break from Hannah.
01:10:20I mean, just until we get into the theater
01:10:22and actually figure out what's in there.
01:10:25No, I have to go back.
01:10:26Go back?
01:10:27To the theater?
01:10:29Yeah, well, we can't do anything
01:10:31until after the show tonight.
01:10:32Well, what if something dangerous comes through?
01:10:34I think something dangerous
01:10:34has come through.
01:10:38Good.
01:10:44You got a camera that I could borrow?
01:10:45Maybe an extra battery or two?
01:10:48Sure.
01:10:50Can you bring it to the theater tonight?
01:10:52Yeah.
01:10:53Thanks.
01:10:57No, Officer Hawkins.
01:11:00I don't mind the question.
01:11:02The original stage sidewalls
01:11:03were embedded with slate and quartz,
01:11:05but they were damaged
01:11:06so they didn't survive in the market.
01:11:08Quartz?
01:11:09Have you ever heard of anyone
01:11:11using quartz in that way before?
01:11:13Well, a long time ago, yes.
01:11:16Do you remember where?
01:11:18My goodness.
01:11:20It was in the southeast United...
01:11:22I don't know what you're talking about.
01:11:23I don't know what you're talking about.
01:11:24Ah, possibly.
01:11:27An opera house.
01:11:28I remember now.
01:11:30Apparently, the opera house
01:11:31had been shuttered after the murder.
01:11:35Are you sure?
01:11:36Mm-hmm.
01:11:37He was a local legend.
01:11:38But I never bothered to follow up.
01:11:40The rumor itself was enough
01:11:41to dissuade me from taking the job.
01:11:44Bad luck.
01:11:46Thank you, sir.
01:11:46We'll be in touch.
01:11:48It was my pleasure, Officer.
01:11:49I never saw the light change.
01:12:00Honest.
01:12:02I mean, I was just looking at her.
01:12:04It was...
01:12:07I don't know.
01:12:10Look, it was an accident, Judge.
01:12:15Chair, can you forgive me?
01:12:19Yeah, of course, man.
01:12:23But...
01:12:24You gotta forgive yourself, too.
01:12:27Or else I'm gonna have to bring the hurt.
01:12:29Oh, jullie got dissociated.
01:12:36Oh.
01:12:38Oh.
01:12:38Oh?
01:12:40Oh.
01:12:40Oh.
01:12:41Oh.
01:12:41Oh, oh.
01:12:46Oh, oh, oh.
01:12:47Oh, oh.
01:12:50Oh.
01:12:51Oh, oh.
01:12:52Oh, oh.
01:12:53Oh, please.
01:12:55Oh, oh.
01:12:56Oh, oh, oh.
01:12:57Oh, oh, oh.
01:12:58Oh, oh.
01:12:59Come on, come on, pick up.
01:13:10Judge, you gotta pull your horses in.
01:13:13Wait for me and don't do this thing.
01:13:15We need to talk.
01:13:29The Majesty's Ministers made an innumerable measure.
01:13:31The Majesty's Ministers made an innumerable measure.
01:13:47Hey.
01:13:48Hey.
01:13:49Here.
01:13:50Thanks.
01:13:54Judge, if you just give me time to sweep the building.
01:13:57Look, you'll be fine, okay?
01:13:59Just keep your eyes on me and if something happens, send the Delorean.
01:14:27Hello.
01:14:28Right on time.
01:14:29So to speak.
01:14:30What's happening here?
01:14:31Think of us as two sets of dominoes resting against each other.
01:14:34He's here.
01:14:35What's happening here?
01:14:36Think of us as two sets of dominoes resting against each other.
01:14:40He's here.
01:14:41We're here.
01:14:42We're here.
01:14:43We haven't started falling down just yet.
01:14:47So you brought me back here.
01:14:48And you're the reason all this is happening.
01:14:49Why?
01:14:50Questions.
01:14:51Questions.
01:14:52I hate questions.
01:14:53You were convenient.
01:14:54You were convenient.
01:14:55And you're the reason all this is happening.
01:14:58Why?
01:14:59Questions.
01:15:00I hate questions.
01:15:01You were convenient.
01:15:02Time is messy and you forced me to apply some band-aids.
01:15:03Time is messy and you forced me to apply some band-aids.
01:15:08This young man was supposed to take the fall.
01:15:09But now, you're the reason all this is happening.
01:15:10Why?
01:15:11You're the reason all this is happening.
01:15:12Why?
01:15:13Questions.
01:15:14I hate questions.
01:15:15You were convenient.
01:15:16Time is messy and you forced me to apply some band-aids.
01:15:21This young man was supposed to take the fall.
01:15:34But now...
01:15:36Oh well.
01:15:49The show must go on.
01:15:53Rest in peace, Mr. Vaughn.
01:16:03Mr. Vaughn.
01:16:28Hold it there!
01:16:29I didn't do it.
01:16:30I didn't shoot him.
01:16:33It's time, Vaughn.
01:16:34This isn't right.
01:16:35I shouldn't be here!
01:16:36I know.
01:16:37You know, I might bend the rules, but I always get my man.
01:16:40Armin Hill.
01:16:41Armin Hill.
01:16:42Armin Hill.
01:16:43Armin Hill.
01:16:44Armin Hill.
01:16:46Armin Hill.
01:16:47Armin Hill.
01:16:48Armin Hill.
01:16:53Armin Hill.
01:16:54Armin Hill.
01:16:55Armin Hill.
01:16:56Armin Hill.
01:16:58Armin Hill.
01:16:59Armin Hill.
01:17:00Armin Hill.
01:17:01Armin Hill.
01:17:02Armin Hill.
01:17:03Armin Hill.
01:17:04Armin Hill.
01:17:05Armin Hill.
01:17:06Armin Hill.
01:17:07Armin Hill.
01:17:08Armin Hill.
01:17:09Armin Hill.
01:17:10Armin Hill.
01:17:11Armin Hill.
01:17:12Armin Hill.
01:17:13Armin Hill.
01:17:14Armin Hill.
01:17:15Armin Hill.
01:17:16Armin Hill.
01:17:17Armin Hill.
01:17:18Armin Hill.
01:17:19Armin Hill.
01:17:20Armin Hill.
01:17:21Let's go.
01:17:51Why are you chasing me?
01:18:05I'm not chasing you.
01:18:08I'm chasing a man named Armin Hill.
01:18:11Until a few minutes ago, I thought you were him.
01:18:15He's a time jumper.
01:18:17He's using your body in your present.
01:18:20Now I can fix this, but not right now.
01:18:25You can't both occupy the same time and space.
01:18:30What are you telling me?
01:18:32He's stolen your life.
01:18:34Can you hear me?
01:18:44Judge?
01:18:48Judge?
01:18:50Can you hear me?
01:18:52Are you all right?
01:18:53I think it's over.
01:19:05I think I'm here to stay.
01:19:17The rest is silence.
01:19:32This is Jerry.
01:19:45Vaughn, this is Daniel Brown.
01:19:47I need you to listen carefully.
01:19:49Your brother, Judge, is not the man you think he is.
01:19:51I need you.
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