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cyberrebel502
  • 5 hours ago
An archaeologist (Don Taylor) and his partner (Eduardo Ciannelli) encounter a society of women warriors, who want to enslave men.

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00:12:27It was as hard as the gold she's made of.
00:12:30Gold?
00:12:31One to hold her? She likes men.
00:12:33Tall, strong man.
00:12:36Pre-Columbian.
00:12:38No, no, no, not quite.
00:12:40No, not exactly.
00:12:41No, there's something Renaissance about it.
00:12:44Don't touch it!
00:12:47The winged serpent on her head.
00:12:50She's an Inca goddess.
00:12:52Unbelievable.
00:12:53I've never seen such a piece in my life.
00:12:55She must weigh three pounds.
00:12:56Twenty-four carat.
00:12:58Gold is cheaper of dead.
00:13:00Beans down here.
00:13:01I told you, doctor.
00:13:03You believe me now?
00:13:05Where'd you get her?
00:13:06For 35 years, I'm telling my story.
00:13:10And he wants to hear it again.
00:13:13Come on, Crespi.
00:13:14This is a chance for you to tell the truth.
00:13:17The truth?
00:13:19And who would believe the truth?
00:13:22Crespi!
00:13:26idea.
00:13:30I love to hear it.
00:13:32Why would they be there?
00:13:34I love you.
00:13:35I love you, man.
00:13:36I love you.
00:13:36I love you.
00:13:37I love you.
00:13:39I love you.
00:13:41I love you.
00:13:46I love you.
00:13:48I love you.
00:13:50I love you.
00:13:51Oh, my God.
00:14:21Here it is, down here.
00:14:51Cachaça.
00:14:53Cheap rum.
00:14:55Mr. Crespi.
00:14:57Mr. Crespi.
00:14:59Oh, no, watch out.
00:15:00Put that thing down, Crespi.
00:15:02It's me, Pete Masters.
00:15:04Don't ever wake me up like that.
00:15:06I might have toned this thing at you.
00:15:08What are you doing here?
00:15:10There's something I wanted to show you.
00:15:12A cable?
00:15:14What is it?
00:15:16Who would send me a cable?
00:15:19I can't read. I have no glasses.
00:15:21It just says that the Institute of Archeology agrees to finance our expedition into the interior.
00:15:25The expedition?
00:15:26That's what you wanted, wasn't it?
00:15:27You mean it?
00:15:28The Maus Museum is also part of this undertaking. We want you to join us.
00:15:30To show us the way.
00:15:32To the Amazons.
00:15:37What's your angle?
00:15:38The gold you're bringing back, the diamonds?
00:15:40You wouldn't do it for nothing, would you?
00:15:42Our museum would like to buy that small statue you showed us.
00:15:45And if you bring back more of those relics, then of course we want first choice to purchase.
00:15:50First choice. That's fair enough. But my queen is not for sale.
00:15:55She'd be in good hands.
00:15:56It's in the best hands now.
00:15:58How can you get it?
00:15:59I got it.
00:16:00I got it.
00:16:01I got it.
00:16:02I got it.
00:16:03I got it.
00:16:04I got it.
00:16:05I got it.
00:16:06I got it.
00:16:07I got it.
00:16:08I got it.
00:16:09I got it.
00:16:10I got it.
00:16:11Don't you think it's foolish to hide her here where she can be stolen or lost?
00:16:16You didn't come here to finance my expedition.
00:16:19You came here to steal my queen. Now get out of here, both of you!
00:16:26I'd like for you to take me to the interior, Mr. Crespi.
00:16:29I'll be glad to pay you for it.
00:16:31You know I can't do it without you.
00:16:33You wouldn't know where to go.
00:16:36Nobody knows where to go but me.
00:16:39All right, then. Indicate the route.
00:16:42And I'll order the boat and provisions and hire the men.
00:16:45Oh, no. I do my own hiring. And you are staying behind.
00:16:49Since our money's involved, we will furnish this expedition.
00:16:53You'll be hired and paid.
00:16:55Dr. Masters will be in charge, not you.
00:16:58Now, if you don't agree, we can stop this conversation right now.
00:17:02I'm running my own show.
00:17:05You're not dealing with... with children, Crespi.
00:17:09I'd never trust you with human lives.
00:17:12Come on, Dr. Masters. Let's go.
00:17:15I'm sorry, Mr. Crespi.
00:17:18All right.
00:17:20I'll do it your way. Anything you say.
00:17:23That's sensible.
00:17:24All right. That's good. Let's get started right away.
00:17:27Right away?
00:17:2935 years. Too late.
00:17:34All right.
00:17:3645 minutes.
00:17:37I don't believe it.
00:17:39It will be the лишь λ‚˜οΏ½ speakers.
00:17:41That's a big story.
00:17:42Oh, no.
00:17:43I don't want.
00:17:44Oh, no.
00:17:45No way.
00:17:46I'm gonna do it.
00:17:47All right.
00:17:48Oh, no.
00:17:53A very good story.
00:17:56I want to have a lot of money.
00:17:59Anything that shows you or anything?
00:18:01Where are you going, Mackey?
00:18:22Vamos, Fernando.
00:18:31Yes, we better speak English, then the people won't overhear us.
00:18:34What do you want?
00:18:36Me, my brother and my friends, a job on your board, senor.
00:18:39I've got all the men I need.
00:18:41All the men, but not all the friends, senor Crespi.
00:18:43I can't use you.
00:18:45You go to a place where there is gold for all of us.
00:18:47Why not share it with friends?
00:18:49The Americano hired me for an expedition.
00:18:51We heard your story about the gold, the women and the diamonds, senor.
00:18:55This story must be true, the Americano.
00:18:57The Americano hired me for an expedition.
00:18:59This story must be true or the Americano wouldn't be going.
00:19:02Now get out of here, both of you. I'll call the police.
00:19:04You are not our friend, senor Crespi.
00:19:06You will regret your decision, senor.
00:19:09You haven't seen the last of us yet.
00:19:11Spera que nos nancatemos, pero.
00:19:14Vamos.
00:19:29Spera que nos necesitamos, senor.
00:19:30Spera que nos ballisticamos, senor leildos.
00:19:32Para algo en un horario.
00:19:55Mr. Crespi?
00:19:57On the nose, Dr. Masters.
00:19:59We are ready to push off.
00:20:01I'm sorry I couldn't get her earlier to help you.
00:20:03Let Crispi handle the details.
00:20:05You give the orders.
00:20:07Crispi does the rest.
00:20:09Will you follow me, please?
00:20:19Follow me, gentlemen.
00:20:21Step into my salon.
00:20:23This way, this way, please.
00:20:25Sit down, sit down.
00:20:27Not before you drink.
00:20:31This is real stuff.
00:20:33This is not cachaça.
00:20:35I've brought along a government map here, Mr. Crespi,
00:20:37and I was wondering if you'd indicate the route.
00:20:39Anything the skipper says.
00:20:41I'm just the first mate. That's me.
00:20:45Well, here's the luck and money.
00:20:47So I saw them.
00:20:49Here's the luck and money.
00:20:51So I saw them.
00:20:55Well, here's where we are now. Right here.
00:20:57Yes. And we go upstream into Rio Branco.
00:20:59From there into Rio do Ingano.
00:21:01Rio Ingano?
00:21:03River of the Seed.
00:21:05River of the Seed.
00:21:07What a strange name for a river.
00:21:09Not so strange when you sail it.
00:21:11It runs from under you and you're sitting on mud.
00:21:13I've heard of that, doctor.
00:21:15Those rivers have amazing high and low tides.
00:21:17From here we go inland.
00:21:19In this direction.
00:21:21Out of Brazil into Guiana.
00:21:23You amaze me, Crespi.
00:21:25Who would remember those rivers so well as to find his way in that undergrowth?
00:21:27There is a landmark.
00:21:29A rock covered with Indian symbols.
00:21:31People with two heads.
00:21:33Animals with eight feet.
00:21:35Oh, you'll get a kick out of that.
00:21:37Where do we go from there?
00:21:39From there on, only Crespi knows.
00:21:41You won't find a human soul around there.
00:21:43The Indians have gone.
00:21:45Leaving the land to the Amazons.
00:21:47They used to raid them.
00:21:49Steal their men and dump their male children.
00:21:52You certainly know your mythology.
00:21:54They didn't burn their right breasts like the Greek Amazons to make room for the bow.
00:21:59Oh, they're a tough lot, but I can handle it.
00:22:01We'll come back with a boatload of diamonds and gold and a couple of Amazons for your museum, Senor Silva.
00:22:08I wish I didn't have this malaria when I was ten years younger.
00:22:11Well, maybe you're lucky.
00:22:12I'll probably get back and I'll have malaria and be ten years older.
00:22:17This is unknown territory.
00:22:19No guessing what's waiting for us here.
00:22:22Beautiful women and diamonds, that's what's there.
00:22:25Well, I'd better be going if I'm to make my nows before nightfall.
00:22:29Good luck, Doctor.
00:22:31Adios.
00:22:32Adios, Senor Silva.
00:22:33I'll see you out.
00:22:34I'll see you out on the top of the roof.
00:22:36Oh, good luck.
00:22:37Oh, good luck.
00:22:38Oh.
00:22:39Yeah.
00:22:40Oh, good luck.
00:22:41Oh, good luck.
00:22:42Oh, good luck.
00:22:43Oh.
00:22:44Oh, good luck.
00:22:46Oh, good luck.
00:22:47Oh, good luck.
00:22:48ORGAN PLAYS
00:23:18ORGAN PLAYS
00:23:48ORGAN PLAYS
00:24:18ORGAN PLAYS
00:24:48ORGAN PLAYS
00:24:50ORGAN PLAYS
00:24:52ORGAN PLAYS
00:24:54ORGAN PLAYS
00:24:56ORGAN PLAYS
00:25:02ORGAN PLAYS
00:25:04ORGAN PLAYS
00:25:06ORGAN PLAYS
00:25:08ORGAN PLAYS
00:25:18ORGAN PLAYS
00:25:20ORGAN PLAYS
00:25:22ORGAN PLAYS
00:25:24ORGAN PLAYS
00:25:28ORGAN PLAYS
00:25:30ORGAN PLAYS
00:25:32ORGAN PLAYS
00:25:34ORGAN PLAYS
00:25:44ORGAN PLAYS
00:25:46Against what?
00:25:48We might run into Indians that have never seen animals like us before.
00:25:52Then a rifle wouldn't be much good anyway, would it?
00:25:58There's that boat again. It seems to be trailing us.
00:26:04I've had my eyes on them for hours.
00:26:06Well, why would they want to follow us?
00:26:11I don't like this.
00:26:16They're not fishermen. Who are they?
00:26:19Fernand and Carlos.
00:26:20You know them?
00:26:21They're no good. We're in for trouble, doctor.
00:26:27What does he say?
00:26:29He says to heave to.
00:26:33Pirates in these days?
00:26:36They're not fishermen. Who are they?
00:26:38Fernand and Carlos.
00:26:39You know them?
00:26:40They're not good. We're in for trouble, doctor.
00:26:44What does he say?
00:26:45Yeah!
00:26:49No.
00:26:51I don't know.
00:26:52VosΓ©, oi!
00:26:55Siga carente!
00:27:00Vamos combatelos.
00:27:03Who are they?
00:27:04No comprendo.
00:27:08VosΓ©, oi!
00:27:10VosΓ©, oi! Siga carente!
00:27:14This is Rio Longano. The tide will catch up with us. They know that.
00:27:18Well, let's stay in deep water as long as possible.
00:27:21Estole avisando! Para el barco! Disparamos!
00:27:26What do they want?
00:27:28Our boat.
00:27:29They can't get much further up the river with that old tub.
00:27:39Tell them we're not taking on any passengers.
00:27:43Queremos tratar de negocios como el seΓ±or de ese barco.
00:27:51Agar que estΓ‘ presa en alamar, seΓ±or Crespi. Talvez quiera conversar.
00:27:56We don't want to fight with you, Dr. Masters. We got 30 men here. You have only eight.
00:28:02Everybody in this country seems to know my name.
00:28:04When we sail from an house, everybody know about us.
00:28:07When we sail from an house, everybody know about us.
00:28:09What do you want?
00:28:10Your boat, Doc.
00:28:11That's piracy. You can hang for that.
00:28:13We never hang the people over here like in your country, Dr. Masters. And they haven't got us yet.
00:28:18Let me come aboard and talk things over.
00:28:20Just try it.
00:28:21I know, seΓ±or Crespi.
00:28:22I know, seΓ±or Crespi.
00:28:23I don't want to fight with you, but you have only eight.
00:28:25We're not going to fight with you, Dr. Masters.
00:28:26You have only eight.
00:28:27Everybody in this country seems to know my name.
00:28:28Everybody in this country seems to know my name.
00:28:29When we sail from an house, everybody knew about us.
00:28:31What do you want?
00:28:32Your boat, Doc.
00:28:33That's piracy.
00:28:34You can hang for that.
00:28:35We never hang the people over here like in your country, Dr. Masters.
00:28:38And they haven't got us yet.
00:28:39Let me come aboard and talk things over.
00:28:40Just try it.
00:28:41I know, seΓ±or Crespi for years.
00:28:42He'll tell you that we don't mean to harm you.
00:28:43Don't believe him.
00:28:44He's a jailbird and a killer.
00:28:45Vamos, depresa.
00:28:46Hold it.
00:28:47Hold it.
00:29:08If you get rid of Fernando, you get rid of all of them.
00:29:26No.
00:29:27No shooting.
00:29:38Get back, you.
00:29:48Watch out, sir Crespi.
00:29:49Now we're going to go.
00:30:08What do we want to do wrong with you?
00:30:26We want to do it wrong.
00:30:38Oh, no, you don't, Fernando.
00:31:08You, too.
00:31:38Oh, no, no, no, no, no.
00:31:47Oh, no, no, no.
00:31:53Oh, no, no, no, no, no, no.
00:32:08All right, lie still. You've got a nasty crack.
00:32:13I'll give you some water.
00:32:15You've got a fever. Don't drink too fast or too much, huh?
00:32:25We're moving?
00:32:26Yeah, the tide's back in.
00:32:28This is our boat?
00:32:30Yeah, but Fernando's our new skipper.
00:32:33What happened to our boys?
00:32:35Left with the other boat, some of them.
00:32:37What do you mean, some of them?
00:32:38It was quite a fight.
00:32:40When those boys get going, they get going good.
00:32:42I'm gonna go see Fernando.
00:32:43No, no, no, no, no.
00:32:45The main thing is, are you all right?
00:32:48Yeah, I'm fine.
00:32:50Just go get Fernando.
00:32:52All right, you stay put, will you?
00:33:17Nice gun. Must have cost a fortune.
00:33:20Dr. Master wants to see you, Fernando.
00:33:22Why doesn't he come to see us?
00:33:24He's sick. He's got a fever.
00:33:27People who say the river get the fever all the time.
00:33:30Time to come up.
00:33:31If you had any little brains left, Fernando,
00:33:34you let the doctor and myself go.
00:33:36The doctor is an important man.
00:33:39The police won't stop looking until they find him and you.
00:33:42I don't wish you harm, senor, but I can't do that yet.
00:33:47First, you have to show us the way to the golden diamonds.
00:33:51And beautiful women.
00:33:53Not a chance.
00:33:54You will.
00:33:55There are many ways of persuasion, senor.
00:34:04Better get back to your bunk, doctor.
00:34:06I wonder if you'd honor us. How do you feel, doctor?
00:34:09What's on your mind, Fernando?
00:34:11If your amigo Crespi hadn't hit you so hard,
00:34:13you'd be feeling better.
00:34:14What?
00:34:15He's crazy.
00:34:16Don't you know that senor Crespi hired us to attack your boat?
00:34:19Why, they're lying. Why would I?
00:34:20A clever man should be able to figure why.
00:34:22What's he talking about?
00:34:23Senor Crespi wanted us to sail up the river,
00:34:26but he doesn't want Mr. Silva's man to know where he's going.
00:34:28What are you trying to do to me?
00:34:29He wants no witnesses.
00:34:30So they got rid of your people, doc, by hiring us.
00:34:32Is this true, Crespi?
00:34:33What?
00:34:34It is over here.
00:34:35What?
00:34:36What?
00:34:37Isn't it, doctor?
00:34:38For the boat and equipment, he wants us to take him upstream and put him in your shore.
00:34:54He doesn't want us along to see the way of the women, the gold and the diamonds.
00:35:00Why?
00:35:01Ah!
00:35:06Don't, don't, don't!
00:35:30Oh, my god!
00:35:31Oh, my god!
00:35:32Oh, my god!
00:35:33Oh, my god!
00:35:34Oh!
00:35:35Oh, my god!
00:35:36Oh, my god!
00:35:37Oh, my god!
00:35:38Oh, my god!
00:35:39Oh, my god!
00:35:40Oh, my god!
00:35:41Oh, my god!
00:35:42Oh, my god!
00:35:43Oh, my god!
00:35:44Oh, my god!
00:35:45Oh, my god!
00:35:46Oh, my god!
00:35:47Oh, my god!
00:35:48Oh, my god!
00:35:49Oh, my god!
00:35:50Oh, my god!
00:35:51Oh, my god!
00:35:52Oh, my god!
00:35:53Oh, my god!
00:35:54Oh, my god!
00:35:55Oh, my god!
00:35:56Oh, my god!
00:35:57Oh, my god!
00:35:58Oh, my god!
00:35:59Oh, my god!
00:36:00Oh, no, no, no.
00:36:30I should have let you drown.
00:36:48Not a word that what he said is true. Not a word.
00:37:00Come on. You want to go on living, don't you?
00:37:03Come on.
00:37:24Hey, hey.
00:37:40Doctor.
00:37:54Doctor.
00:38:08Doctor.
00:38:14Doctor.
00:38:19Doctor.
00:38:22What is it?
00:38:26It'll kill that fever.
00:38:28Chew it good.
00:38:30It's bitter.
00:38:32Oh, it's all right.
00:38:34It'll go away.
00:38:36Sometimes I have it so bad I can even hold a bottle.
00:38:38Try to sleep a little.
00:38:40I'm getting cold.
00:38:42I wish we had a fire.
00:38:44How do we get back?
00:38:46Don't worry.
00:38:48We are close now.
00:38:50Close? Close to what?
00:38:52Close to a certain rock with Indian paintings on it.
00:38:56That's where the Amazon country starts.
00:38:58It's somewhere around here I'm going to find it.
00:39:00You'll be all right.
00:39:01It's only the fever.
00:39:02Stay where you are.
00:39:03Don't move.
00:39:04Don't move.
00:39:05I'll be right back.
00:39:06Here.
00:39:34Crespi.
00:39:43Crespi.
00:39:50Crespi!
00:39:58Crespi!
00:40:02Crespi!
00:40:20Crespi!
00:40:25Crespi!
00:40:31Crespi.
00:40:50Crespi!
00:40:55Crespi!
00:40:57Crespi!
00:40:58Good morning, ladies.
00:41:23I've seen white ladies, red ones, blue.
00:41:31I've never seen any green ladies before.
00:41:37Of course, none of you is actually real.
00:41:44I thought it was Queen of the May.
00:41:53I've never seen a finger.
00:42:01I think I could not understand that.
00:42:07And I thought, you know, I did a very good day.
00:42:11And I thought it was a little bit too late for the night.
00:42:57Feeling better?
00:42:58Huh?
00:43:01Can you drink some of this?
00:43:06Yeah.
00:43:09Here. Now drink. Slowly. That's it.
00:43:12You're getting better.
00:43:14It's better.
00:43:18Did you just speak English to me or am I crazy?
00:43:21I did. And I hope you're not.
00:43:28Yeah, you're real, all right.
00:43:29Of course.
00:43:30Uh, no, thank you. I don't care for any more. What is it?
00:43:34An herb.
00:43:35Oh.
00:43:36Now drink the rest of it.
00:43:37No, I don't really want to. I...
00:43:47Hey, where am I?
00:43:52Where's Crespi? What happened?
00:43:55Who are you?
00:43:56My name is Gina.
00:43:57Gina Vanni.
00:43:58Gina Vanni.
00:43:59Gina Vanni.
00:44:00That name sounds familiar.
00:44:03Yeah, I remember.
00:44:05You're the girl who was on that expedition.
00:44:07Got lost four years ago.
00:44:09You're supposed to be dead.
00:44:11Huh.
00:44:14But you're not, are you?
00:44:23What's that?
00:44:24Who are they?
00:44:25Who are they?
00:44:36What are they doing?
00:44:37Who are those creeps?
00:44:40Amazon.
00:44:41Hey, hey, now, wait a minute.
00:44:43Don't leave me here with them.
00:44:47No, no, no, no, no, no, wait a minute.
00:44:49Take it easy.
00:44:50Oh, lady.
00:44:51Hey, oh.
00:44:52Oh, oh.
00:44:53Oh, oh.
00:44:54You weigh a ton, mother.
00:44:55Oh.
00:44:56Oh.
00:44:57Oh.
00:44:58My goodness gracious.
00:44:59What are you trying to do to me?
00:45:00I'm a visitor.
00:45:01I'm a visitor here.
00:45:02Now, wait a minute.
00:45:03Don't take off my shirt, lady.
00:45:04It's the only shirt I have.
00:45:06No, not the pants.
00:45:07No, no, no, no, no, no, no.
00:45:09No, no.
00:45:10Now, ladies, please.
00:45:11I don't need a bath.
00:45:12I went swimming yesterday afternoon.
00:45:14You don't have to give me a bath.
00:45:16Oh.
00:45:19Oh, now, ladies, please.
00:45:20I don't need a bath.
00:45:21Honest, I don't.
00:45:22Please, please, ladies.
00:45:33Oh, please, ladies.
00:45:35Gina, help.
00:45:36They're boiling me in oil.
00:45:37Watch out, ladies.
00:45:39Please, get out of here.
00:45:40Please, I don't need a bath.
00:45:41Please, I don't need a bath.
00:45:42No, no, no.
00:45:43Please, one at a time.
00:45:45Oh.
00:45:46Oh.
00:45:47Oh.
00:45:48Oh.
00:45:49Oh.
00:45:50Oh.
00:45:51Oh.
00:45:52Oh.
00:45:53Oh.
00:45:54What?
00:45:55Oh.
00:45:56Oh.
00:45:57Oh.
00:45:58Oh.
00:45:59Oh.
00:46:00Oh.
00:46:01Oh.
00:46:02Oh.
00:46:03Oh.
00:46:04Oh.
00:46:05That's enough, that's enough, that's enough!
00:46:35Boy, oh boy, if you could understand, I'd tell you a thing or two, and I'd wipe those smiles out of your faces.
00:46:44Tell me, I will translate.
00:46:46Oh, please, tell them to get out of here, will you?
00:46:48They haven't seen a young man for a long time.
00:46:50That's obvious.
00:46:51And besides, you needed a bath.
00:46:53Here, you can put this on.
00:46:55Where are you going?
00:46:56Oh, now, wait a minute.
00:46:58Gina, Gina, wait a minute!
00:47:00Uh-oh, here comes the first team.
00:47:05Ma!
00:47:08Richard!
00:47:12Richard!
00:47:15Richard!
00:47:20Richard!
00:47:35Let's go.
00:47:49Now, look, ladies, take it easy.
00:47:51There's not enough for me to go around.
00:47:54Come on, now! Now, wait a minute!
00:48:05No!
00:48:35...
00:48:43...
00:48:43...
00:48:43...
00:48:47...
00:48:50...
00:48:51...
00:48:53...
00:48:55...
00:48:5616th century...
00:48:59...
00:49:001532, to be exact.
00:49:03Francisco Pizarro attacked the Incas in 1532 with weapons like this.
00:49:09His captain, Orellana, brought them down the river.
00:49:14There isn't a finer specimen in the Prado Museum.
00:49:18As for the statue, it's pure gold, 24 carats.
00:49:24No museum in the world possesses one more beautiful.
00:49:28It's kept me alive.
00:49:33Just to hold it in my hands.
00:49:36Who are you?
00:49:38I'm Pete Masters.
00:49:40Masters?
00:49:41Yes, I'm an archaeologist.
00:49:43Archaeologist?
00:49:46So am I.
00:49:48It seems the Amazons are fond of archaeologists.
00:49:50Or else, archaeologists are the only people insane enough to venture into their territory.
00:49:55I'm...
00:49:57I'm Mario Delamond.
00:49:59Oh, yes.
00:50:00Yes, Silver told me about you.
00:50:02Silver?
00:50:03Yes, Silver.
00:50:05He's the curator of the Manaus Museum.
00:50:08You led the expedition that disappeared four years ago.
00:50:13I'm sorry. It's so long ago. My memory.
00:50:16You're the only man around here?
00:50:30Yes. I suppose now you'll take my place.
00:50:33I don't know what you mean.
00:50:34I look after the weapons here. Clean them. Keep the rust off. I hold the archaebuses.
00:50:40Terrific velocity.
00:50:45These arrows can pierce a man.
00:50:48It's no use.
00:51:02You don't make sense. You wanted to kill me right now. Why?
00:51:04So that I may live.
00:51:08One man is a commodity.
00:51:11Two is a threat to their security.
00:51:13They'd never let two of us live.
00:51:19Come.
00:51:20Come.
00:51:21Come.
00:51:26My children.
00:51:30My daughters.
00:51:32I had sons too, you know.
00:51:35But they were all killed at birth.
00:51:38Murdered by their mothers.
00:51:40Their mothers?
00:51:41My children.
00:51:43In a society like this, Dr. Masters, predicated entirely on women.
00:51:47Where men are kept like bees keep drones.
00:51:51Look at the little savages.
00:52:00Future murderers.
00:52:12It's not a bad looking race.
00:52:26I thought so too once.
00:52:32What made you change your mind?
00:52:35You'll find out.
00:52:39Soon you won't be able to distinguish between.
00:52:42Reality and imagination.
00:52:45Your mind will begin to play tricks on you so vividly
00:52:48that you'll be convinced
00:52:50that the world of your hallucinations really exists.
00:52:53Now you're making me curious.
00:52:55Curious, Dr. Masters? You won't like it.
00:52:58You'll like the memory to remember anything.
00:53:02Anything at all.
00:53:06Listen, find me here with you, Dr. Masters.
00:53:08They told me not to speak with you.
00:53:11You think I'm mad, don't you?
00:53:15Maybe I am.
00:53:19Then insanity too is part of our imagination.
00:53:21I'm afraid I don't know what you're talking about.
00:53:22These Amazons know about drugs? That'll blot out your memory.
00:53:24They'll crush your mind. You'll do what they want. You'll be left without willpower, without initiative of your own.
00:53:26Look at me.
00:53:27How old do you think I am?
00:53:28How old do you think I am?
00:53:29I was 32 when I left Manaus four years ago.
00:53:33Now look at me.
00:53:35Why don't you get out of here?
00:53:36Why don't you get out of here?
00:53:37They can read your thoughts. I'll guess you every time.
00:53:38I tried to escape with Gina, but we didn't get very close.
00:53:39They'll crush your mind.
00:53:40They'll crush your mind.
00:53:41You'll do what they want.
00:53:42You'll be left without willpower, without initiative of your own.
00:53:43Look at me.
00:53:44How old do you think I am?
00:53:45How old do you think I am?
00:53:46I was 32 when I left Manaus four years ago.
00:53:52Now look at me.
00:53:57Why don't you get out of here?
00:53:59They can read your thoughts. I'll guess you every time.
00:54:03I tried to escape with Gina, but we didn't get very far.
00:54:06Anyway, who can get through the jungle?
00:54:10We'll find a way.
00:54:13Mario!
00:54:15Mario.
00:54:16Please don't tell him you saw me.
00:54:19Please don't.
00:54:20Get back to your room, Mario.
00:54:21Quickly.
00:54:22What's the matter?
00:54:25No.
00:54:26No.
00:54:27If they see us this way, they will kill me.
00:54:29Come on now, pull yourself together.
00:54:31They're just a bunch of women.
00:54:32I'll get you and Deliman out of here.
00:54:34Don't worry.
00:54:35Why did you come here?
00:54:36Why?
00:54:37My life was over knowing I could never escape.
00:54:40Come on now, take it easy.
00:54:42I can't bear it.
00:54:44Mario.
00:54:45And now you.
00:54:47Me?
00:54:48Don't worry about me.
00:54:50All they've done so far is douse me in a bathtub and throw some perfume on me.
00:54:54Don't underestimate them.
00:54:57Mario did.
00:54:59Hey, do you think she'll practice her marksmanship on us?
00:55:09Talk to her.
00:55:10Well, she won't understand, will she?
00:55:12It doesn't matter.
00:55:14Make love to her.
00:55:15What?
00:55:16That she will understand.
00:55:17Oh, boy.
00:55:18How are you, my ugly little duckly?
00:55:31Don't you think you ought to put that thing down?
00:55:34You might hurt somebody.
00:55:36Keep on talking.
00:55:37Yeah, yeah, sure.
00:55:38Oh, my.
00:55:39What an ugly mess.
00:55:40Don't you ever comb your hair?
00:55:41Or is it hair?
00:55:44There, that's better.
00:55:46Embrace her.
00:55:47Embrace her?
00:55:48Yes.
00:55:49Go on.
00:55:50If she tells us, we both die.
00:55:51I'd almost rather.
00:55:52Uh...
00:55:53Uh...
00:55:54Now what?
00:55:55Just make her feel you like her.
00:55:56I think she's got the message.
00:55:57Oh, you beautiful doll.
00:56:00Oh, you beautiful doll.
00:56:03Oh, you beautiful doll.
00:56:06Oh, my God.
00:56:08Oh, my God.
00:56:09Oh, my God.
00:56:10I don't know.
00:56:11Oh, my God.
00:56:12Oh, my God.
00:56:13Oh, my God.
00:56:14Oh, my God.
00:56:15Oh, my God.
00:56:18Oh, my God.
00:56:19Oh, my God.
00:56:20Oh, my God.
00:56:25Oh, yeah.
00:56:26Oh, my God.
00:56:27Oh, my God.
00:56:30Let's run.
00:56:31Oh, wait a minute.
00:56:35Let's get out of here.
00:56:50Yes, I'm sure you will.
00:57:20Oh, you're bad. Very pretty.
00:57:23Yes, I think I'd like to meet you on a different circumstance.
00:57:31Now, wait a minute. Now, wait a minute, ladies.
00:57:34We haven't been introduced. You're too friendly. Now, ladies.
00:57:40Why are you always so eager?
00:57:43Take it easy, will you?
00:57:50Oh, now, wait a minute. Well, you two never give up.
00:57:54Jabba Kha!
00:57:55Oh, for me?
00:58:18Yes, well, it's beautiful artwork. I think I'll take it home with me.
00:58:25Boy, if I drank that, I'd become a gibbering idiot.
00:58:30Oh, oh, oh, oh!
00:58:48Oh, oh, oh.
00:59:18Oh, oh, oh.
00:59:48Oh, oh, oh.
01:00:18Oh, oh, oh.
01:00:48Oh, oh, oh.
01:01:18Oh, oh, oh.
01:01:48Oh, oh, oh.
01:02:18Oh, oh, oh.
01:02:48Oh, oh, oh.
01:03:18Oh, oh, oh.
01:03:48Oh, oh, oh.
01:04:18Oh, oh, oh, oh.
01:04:48Oh, oh, oh, oh.
01:05:18Oh, oh, oh, oh, oh, oh.
01:05:48Oh, oh, oh, oh, oh, oh, oh.
01:06:18Oh, oh, oh, oh, oh, oh, oh, oh, oh.
01:06:20Now, you're not going to do anything foolish now, are you, my pretty baby.
01:06:24Now, why don't you just give me that before it goes off?
01:06:27Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
01:06:57Oh, my God.
01:07:27Oh, my God.
01:07:57Oh, my God.
01:08:27Oh, my God.
01:08:57Oh, my God.
01:08:58Oh, my God.
01:08:59Oh, my God.
01:09:01Oh, my God.
01:09:02Oh, my God.
01:09:03Oh, my God.
01:09:04Oh, my God.
01:09:05Oh, my God.
01:09:06Oh, my God.
01:09:07Oh, my God.
01:09:08Oh, my God.
01:09:09Oh, my God.
01:09:10Oh, my God.
01:09:11Oh, my God.
01:09:12Oh, my God.
01:09:13Oh, my God.
01:09:14Oh, my God.
01:09:15Oh, my God.
01:09:16Oh, my God.
01:09:17Oh, my God.
01:09:18Oh, my God.
01:09:19Oh, my God.
01:09:21They don't want us to.
01:09:22They haven't found us yet.
01:09:24They're all around us.
01:09:25Take it easy.
01:09:26I can't feel them.
01:09:35Come on, let's get out of here.
01:09:51Come on!
01:10:21Come on!
01:10:51Come on!
01:11:21Come on!
01:11:51Come on!
01:12:14Look, a floating island.
01:12:15We still got a chance.
01:12:21Come on!
01:12:45Come on!
01:13:15Come on!
01:13:20See?
01:13:22I told you we'd lose them.
01:13:23Never.
01:13:24They won't let us escape.
01:13:25I know them.
01:13:26Well, they're not here now, are they?
01:13:33Don't move.
01:13:45Keep up.
01:14:01Snakes don't like people.
01:14:04If you'll just leave us alone, we'll be miles away by morning.
01:14:10miles away by morning. They'll never give up till they get us back or kill us. Their existence must
01:14:17never be known to the outside world. I'll make a deal with them right now. I won't say a word.
01:14:24Well, it isn't much of a speedboat, but it'll get us there. You're so sure? Well, of course. All
01:14:29rivers lead to the Amazon. Why, before you know it, we'll be in Manaus. And we won't stay there.
01:14:36We'll, uh, fly to Rio. It's just about time for the carnival. Carnival? Uh-huh. Then it must be
01:14:42February. Yes. I don't know what month it is. I lost track of time. Well, that's good. Why divide life
01:14:49by years? It makes it so much shorter. An animal gives up and dies, but humans fight on. Why? I think
01:14:57it's more fun to be alive, don't you? There's a stone in the cave, a horoscope stone. I learned to
01:15:03read it. What'd it say? Whatever I wanted to read into the signs. Oh, that's not much help. I knew you
01:15:09were coming. You did? Well, you see, I told you we had a date. He'd made me go on living.
01:15:18But it also said... What? Well, it must have said that we were going to get out of here, didn't it?
01:15:24I kept telling you that we would die together. Why not? I won't mind after about 50 years
01:15:32of marriage. What's the matter? Don't you hear it? What? Listen. It's a plane. There is.
01:15:48Hey! Hey!
01:15:50Hey! Hey!
01:15:52We're down here!
01:16:00We can't look at every one of those millions of floating islands.
01:16:03Let's go back.
01:16:05I think we'd better have a closer look, Seeor Drespi.
01:16:08I never forgive myself.
01:16:10All right, if you want to waste your time.
01:16:13Down here!
01:16:15Hey! Hey! Hey!
01:16:18Hey! Hey!
01:16:20There. There are people in that island.
01:16:22Smart of masters.
01:16:24I came down the river of one of them myself.
01:16:32Billy!
01:16:34He's gone.
01:16:36Two people.
01:16:38A man and a woman.
01:16:40A man and a woman.
01:16:45He'll be back. He's just gone for help.
01:16:47I'd just light a fire if I just had a match.
01:16:50They will never find us. Never! Never!
01:16:53Gina!
01:16:54I don't you! We have to die!
01:16:55Gina!
01:16:56I don't want to die!
01:16:57I don't want to die!
01:16:58Gina!
01:16:59Shut up!
01:17:03See, I told you that pilot saw us.
01:17:05He's coming in for a landing.
01:17:07How about a swim.
01:17:10How about a swim?
01:17:12I did!
01:17:13Come on, sir!
01:17:14Come on!
01:17:15Bring it!
01:17:16Bring it!
01:17:17There you go!
01:17:18Up!
01:17:20You got that?
01:17:21I'm sorry.
01:17:51They treated you well, Miss Vani?
01:18:05Of course, or I wouldn't be alive.
01:18:08What kind of tribe was it?
01:18:10It has no name.
01:18:13They found you, Dr. Masters.
01:18:15Yes.
01:18:17Well, you two are certainly not very communicative.
01:18:19You've been away for years, Miss Vani.
01:18:22You must have had amazing experiences.
01:18:24And you, Dr. Masters, you don't want to tell me anything either.
01:18:27Why?
01:18:28I tell you why.
01:18:30They've been with the Amazons.
01:18:31Can't you get that idea out of your mind?
01:18:33I can prove it.
01:18:35You don't have to be Sherlock Holmes.
01:18:37Look at this piece of cloth.
01:18:38That's what the Amazons were.
01:18:39It's ruined by them.
01:18:41Am I right, Dr. Masters?
01:18:43You don't hear him contradicting me, do you?
01:18:46Let me tell you their story.
01:18:48She lived with the Amazons.
01:18:51Those clothes that Dr. Masters is wearing,
01:18:53he didn't have them when he left here.
01:18:55Where did you get them?
01:18:57Mario Dallemann died.
01:18:58Those are his clothes.
01:19:00I gave them to Dr. Masters.
01:19:02Well, Crispy, that makes sense.
01:19:04It makes no sense to me.
01:19:05They're a pair of lying crooks.
01:19:08They know where the Amazons live.
01:19:09They want to keep the secret for themselves
01:19:11and the gold and the diamond.
01:19:13They tease us out of it.
01:19:14You certainly act very mysteriously, Dr. Masters.
01:19:17I'm glad to be alive, that's all.
01:19:19I have nothing to add to Miss Manny's story.
01:19:20Can't you be fair to an old pal, doctor?
01:19:23That is enough for everybody.
01:19:24Just lead us to the Amazons.
01:19:25We'll do the rest.
01:19:26You can have 50% of the loot.
01:19:2860, 75.
01:19:29That's fair enough, isn't it?
01:19:31When does the plane leave for Manaus?
01:19:32At which hour is part your avion for Manaus?
01:19:34Lock your avion for Rebostido.
01:19:36Good day, oh.
01:19:45Cheats, crutes, hogs, but I don't need them.
01:19:49I can find those women myself.
01:19:51I will, I will, I will, I will, I will, I will.
01:19:54Pete, wait.
01:19:56Hmm?
01:19:57You're thanking me?
01:19:59Yes.
01:19:59Why?
01:19:59It would have been the end of that age-old civilization,
01:20:03if you had told.
01:20:04Yeah.
01:20:05I could write a book that would rock the world.
01:20:09Yeah.
01:20:10Well, I guess the world can do very nicely with one book less.
01:20:29Oh, I guess the world can do very nicely with one book less.
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