la esclava madre-capitulo 135

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la esclava madre-capitulo 135 #laesclavamadre #movies #movie #film #films #cinema #indiefilm #películas #película #film #películas #cine #cineindie

Transcript

00:00You don't hear Maria Isabel and Teresa's screams, I need to know what's going on.

00:10You can't, you have to rest, you had a very hectic night.

00:13Maybe all my nights will be restless from now on, since I'm losing my mind.

00:18He's not losing his mind, he has a lot of problems like everyone else here.

00:22It's that each one reacts in a different way, ciña.

00:24The mill was quieter during the custodian's time.

00:26No, now, now we are attacked by one storm after another.

00:31And that's why, ciña. Nobody's used to that.

00:34And the colonel always protected her, girl.

00:37And now you are in the middle of so many problems that...

00:39I miss, I miss my husband's protection.

00:42Sometimes I think I'm strong and can handle the wit.

00:47I fall into the foolish illusion that I can lead this family and...

00:52But you can take the reins of your ingenuity and...

00:54No no.

00:56The illusion soon disappears.

00:59And harsh reality appears to show me that all of that, all of that is bigger than me.

01:06It's like...

01:07It's as if I've collected frustrations over the years with the custodian.

01:13Every decision that was stolen from me.

01:17Every time...

01:19Every time I stayed silent.

01:21That I stifled my feelings, even in my relationship with my daughters.

01:24It's like all of that is coming together against me.

01:31Getting small.

01:33Fragile.

01:34That excessive protection.

01:37That left me so frustrated.

01:40This is exactly what I am missing so much now.

01:44I protect her, girdle.

01:46I am his slave.

01:47You are my sister, my owner.

01:50I'll do anything to protect her.

01:54You don't need...

01:56I need it.

01:58I want to do it.

02:01Before, I received orders from the custodian colonel.

02:04It was his arms and legs.

02:05Now I feel alive, girl.

02:09I have someone to take care of.

02:12I want to take care of you, sister.

02:18Forgive me, Tito.

02:21If I said something I shouldn't have.

02:25I never...

02:27I would never feel unclean

02:31for touching your skin.

02:36Even though I'm so confused.

02:41Do you know why?

02:44It's because...

02:46you are

02:49the best person in my life.

02:52Do you know why?

03:22A thousand apologies.

03:29My aggressiveness must seem strange to you,

03:32But I thought it might be a debt collector.

03:35Conductress?

03:36Not me, imagine.

03:38Times are tough.

03:40And my poor brother

03:42has served some lascivious ladies.

03:46So from time to time

03:47a dissatisfied customer appears

03:49wanting their money back.

03:51Client?

03:52But what kind of service is it?

03:54I do

03:55small household repairs,

03:58I charge purchases,

04:00usual things

04:00to lift some objects.

04:02He lends these two strong arms,

04:05But it seems like he's not liking it, right?

04:10My poor brother,

04:11the truth is he is depressed

04:12with our situation.

04:13Can I help in any way?

04:15Can?

04:16No, no, no, no, no way.

04:18Don't try to do anything

04:19because it won't work.

04:21Definitely,

04:22Loreto never

04:23will be the same.

04:26Poor Lolo.

04:29Lolo?

04:30Is that what I heard?

04:34Yes, Lolo.

04:36Lolo, Loreto?

04:43Let go of my daughter, Osorio.

04:47You will not remain as captain of the village

04:49acting like a bandit.

04:51Your complicity with Almeida

04:52is what put you in this position.

04:55You won't be able to keep it

04:56if you don't get support

04:58of the powerful lords of the region.

05:00Not just support

05:02of an apprentice sugar mill master.

05:06Are you trying to negotiate, Colonel?

05:08I do not underestimate his power and his connections.

05:11It won't cost you any effort.

05:12You are influential.

05:13But I reject their support.

05:15Do you reject it?

05:17His arbitrariness.

05:19They are going to stop the legal procedures.

05:22And yes, I support you, Osorio.

05:23You will remain in office

05:25of captain of the town.

05:27Don't talk to that bandit, father.

05:30We cannot support

05:31to a damn foreman

05:32who now believes himself to be captain.

05:34You have to learn

05:35much of his father, Mr. Guilherme.

05:36A man stands alone

05:38in power if you know how to negotiate.

05:39But I don't negotiate with bandits.

05:41Yes? Are you sure?

05:43And what was done at that inn?

05:45behind the bearded pirate

05:46And with that professor Attila?

05:48I went to look for Jasmine,

05:50Attila's daughter,

05:51the girl who was on the boat

05:53that was shipwrecked.

05:54Then he confesses that he was there.

05:55Guilherme just went to help.

05:57Another one who confesses

05:58who was in the room

05:59of the deceased.

06:00I confess!

06:01But I wasn't the only one.

06:03You were there too

06:04and you ended up forgetting something.

06:06Don't you miss something?

06:07of your bizarre little collar, captain?

06:08When I got there,

06:13the man was already dead

06:14and I don't have to give you explanations.

06:19As captain,

06:20my suspicions fall

06:21in a trio that is in front of me.

06:23Professor Attila,

06:24Mr. Guilherme

06:26and Miss Filipa.

06:28What story is that?

06:30What story is that?

06:31bearded,

06:32of inn,

06:33of murder?

06:33Your daughter is going to tell you

06:35everything, colonel.

06:37From what I see,

06:38you are very misinformed

06:39of the activities

06:40of its people.

06:54Excuse me, Sintia.

06:56No.

06:57No.

06:58There's no need

07:01apologize, Tito.

07:05But now I need

07:06be alone for a moment.

07:10I'm fine.

07:12Don't worry.

07:15Thank you so much

07:16for the care

07:17that you have given me.

07:19Are you sure?

07:20that you are okay?

07:21I am.

07:23You can go.

07:25Excuse me.

07:28What's going on

07:41with me?

07:48What's going on

07:49with me?

07:53You can't keep

07:54to my imprisoned children,

07:56accused and without evidence.

07:57Attila was imprisoned

07:58and received a message

08:00that this pirate

08:01bearded man knew

08:02Jasmine's whereabouts,

08:03Attila's daughter.

08:04The subject refused

08:05to negotiate with Filipa

08:07for being a woman

08:08and that's why I offered myself

08:09go to that place,

08:10but when I arrived

08:11he was already dead.

08:12It was someone

08:13that I didn't want

08:13that we discovered

08:14Jasmine's whereabouts

08:15and about the shipwreck

08:16from the ship.

08:17It was there

08:17and fell to bearded

08:18forever.

08:19TRUE.

08:20And surely

08:20they wanted to catch

08:21to Mr. Attila

08:22in front of the dead.

08:24But I arrived first

08:25and I am a witness

08:27that the teacher

08:27is innocent

08:28while it exists

08:30a criminal

08:30loose out there.

08:32I don't believe the version

08:33that they are counting,

08:35but they are lucky.

08:38The bearded man

08:39had many enemies

08:40and surely

08:42there were more people

08:42that he wanted him dead,

08:44No?

08:45We started talking

08:46the same language,

08:47Osorio.

08:49It seems we are going

08:50to understand each other.

09:08You are right,

09:10colonel.

09:11I don't want to

09:12get in the way

09:13with powerful people.

09:15You can take

09:16to their children

09:17and get out of here.

09:18and do not leave

09:20let them get involved

09:21in trouble.

09:23We have an agreement,

09:24Osorio.

09:24No.

09:26No.

09:27This is absurd,

09:28father.

09:29I will not go out

09:30from here

09:30as long as it does not admit

09:31that all that

09:32it was a trap

09:32and what was

09:33Osorio himself

09:34who killed

09:35to the bearded man.

09:36In command

09:36Mr. Almeida's

09:37that I didn't want

09:37that no one would discover

09:38about the shipwreck

09:39from the ship.

09:40Enough!

09:42Do not look for

09:43more problems.

09:45Go home

09:46now.

09:48I have

09:48a matter

09:49much more serious

09:50what to try

09:50with Osorio.

09:53Let's talk

09:53of Genesio.

09:55I just did

09:55what determines

09:56the law,

09:57colonel.

09:58And I won't argue

09:59more that matter

10:00of the slave

10:01with you.

10:02Take your children

10:03and leave

10:03from here

10:04now.

10:05It's my last one

10:06warning.

10:17Genesio.

10:18He's already sweating.

10:23It is a sign

10:24that the fever

10:24low.

10:26The colonel

10:26was here

10:27in the census,

10:27it isn't true?

10:28Yeah.

10:30He is

10:30concerned

10:31for your health.

10:32I heard it

10:32saying

10:33that was not

10:33a slave

10:34any.

10:34And you are not.

10:36The whole family

10:36she is worried.

10:37I thought

10:38that he was going to die,

10:38goes.

10:40That's why

10:40what I said

10:41what I thought

10:41Philippa.

10:42but still

10:44it's just

10:45a suspicion.

10:47I have to look for

10:47the truth.

10:49Genesio,

10:50what was it

10:51they made you,

10:52son?

10:53Our warrior

10:53you are getting better,

10:54to Joaquina.

10:55I knew that you

10:56would come.

10:57I didn't come before

10:58because not everything

10:59Alright

11:00in the mill

11:00of the sun.

11:01You must not look at me

11:02that way.

11:04I'm going to recover.

11:05I know

11:05that you will do it.

11:06Remember

11:07our conversation

11:08when he was in prison

11:09and you spoke

11:11from the Johanna girdle.

11:13The Gird Johanna

11:14was very close

11:15to your father

11:16because it helped him

11:17a lot when I had

11:17problems with the

11:18Colonel Quintilian.

11:19And how is it that you

11:20do you know all that?

11:21Because destiny

11:22he placed me

11:22on the way

11:23from your father.

11:24Days before he died,

11:26he told me

11:27some things

11:27that I will only tell you

11:29when you are

11:29very far

11:30from here.

11:31That's why I know

11:32that you're not leaving

11:32to deliver.

11:33You can't give yourself up.

11:36Yes I remember.

11:37I have

11:38to know the truth.

11:39You knew

11:40what could be

11:41son of the colonel.

11:49Zapiao.

11:50What are you doing here?

11:52There are orders

11:52that the slaves

11:53they will stay

11:53in the belt.

11:54Oh, Seleao.

11:55I'm too

11:56anguished.

11:57Juliana decided

11:58come to the village

11:58to continue

11:59the trial

12:00Mr. Miguel's.

12:01I don't know anymore

12:01what else to do

12:02to drive her away

12:03of that man.

12:04Did you try?

12:05enter the chamber?

12:06I tried,

12:07but they didn't let me.

12:08What I wanted

12:08was to take Juliana

12:09and take her home

12:10so that it is not

12:11would harm more.

12:12It's not up to us,

12:13Zapiao.

12:14Nobody can do anything

12:15by Mr. Miguel

12:15not even for Juliana.

12:17Your destiny now

12:18it's in your hands

12:18Men's

12:19of power.

12:19Do you think they can?

12:20condemn Mr. Miguel?

12:22Do what they did

12:23with Mr. Guilherme?

12:24What will they send it?

12:24far from here?

12:25In fact,

12:26Zapiao,

12:27by the shape

12:27that faced

12:28to the commander,

12:29I think it can be expected

12:30that he be condemned

12:31to death.

12:32Death?

12:32But if Mr. Miguel

12:35dies,

12:36it's going to be death

12:37Juliana's too?

12:40No no,

12:40what they are asking me

12:41is out of the question.

12:43No, I'm not going to sell

12:44to Juliana,

12:44I'm not going to do that.

12:45Even more so now,

12:46at the moment,

12:47Teresa lost a baby,

12:48is happening

12:48due to a delicate pregnancy.

12:50Everyone knows how difficult it is

12:50what is to find

12:51good service

12:52of a maid.

12:53I just wanted to expose

12:53the situation

12:54so that you

12:55can evaluate

12:56and judge for yourselves.

12:59And I insist

12:59in which they do not leave

13:00reverse the situation.

13:02Teresa and I

13:03we cannot be harmed

13:04in this case.

13:05Sirs,

13:06what we already heard

13:07it was enough

13:08to reach a verdict.

13:10It's clear

13:10that the slave Juliana

13:12loves Mr. Miguel

13:13and both are willing

13:15to fight for her love.

13:18It's a shame

13:19that I know little

13:20in what it means

13:21true love,

13:23that has nothing to do with it

13:24with madness

13:25or with crimes

13:26that are committed

13:27in his name.

13:29Where there is love,

13:30there can't be

13:33shadow of hatred.

13:35That's why

13:36What do I ask of you?

13:37the power to live

13:38this love freely.

13:39All that will be

13:40taken into consideration.

13:42Now I ask you

13:42let them come out

13:43and wait for the verdict.

13:46Please.

13:50I request you

13:51also to Mr. Almeida

13:52to retire

13:52of the enclosure

13:53for this trial

13:54be completely fair.

13:56Clear.

13:56I trust

13:59in the gentlemen.

14:06I don't believe it

14:07correct, father.

14:08We should have insisted

14:09in which Osorio

14:10do something.

14:11What did you want?

14:11what to do, Filipa?

14:15I came

14:16to this place

14:17to claim it

14:18to Osorio

14:19the form

14:20in which he punished

14:21to Genesio.

14:22And I find myself

14:23with your brother

14:23Guilerme arrested.

14:24And shortly after

14:26your arrival

14:27that way

14:28becoming

14:29in hostage

14:29of a murderer.

14:30I was just trying

14:31prove that Attila

14:31is innocent.

14:32Attila is a coward.

14:34He ran away.

14:37Philippa,

14:38leave that madness

14:40for a love

14:40that will never happen.

14:41He's being very radical,

14:42father.

14:43The teacher loves

14:44to Philippa

14:45and is not here

14:46at his side

14:46because he is looking for

14:47to his daughter

14:48that was snatched away

14:49from his arms

14:50in the cruelest way.

14:51A daughter

14:52that had

14:52with the heiress

14:54of the custodian colonel

14:55who handed it over

14:56to teach him

14:57to study,

14:59not to be lost.

15:02And another thing,

15:03Guilerme,

15:04you should be worried

15:06more by Filipa

15:07and not because of the problems

15:09what he gets into

15:10your sister.

15:11I was just

15:12trying to help.

15:13Well, try

15:14help your father.

15:15I was practicing

15:16my profession,

15:17defending...

15:18Defending

15:18to a foreigner

15:19that does not have

15:21no relationship

15:22with our family

15:23and a slave

15:24who fled

15:25encouraged by him,

15:27that they don't realize

15:28that they are wrong.

15:30That they should

15:31worry more

15:32for our family

15:33and not because of the people

15:34that they barely know.

15:41Countess.

15:49I need to know

15:56the truth,

15:57Aunt Joaquina.

15:58Your father and I

15:59when young

16:00we were very close.

16:02It was a passion

16:03very strong,

16:04entitled

16:05to oath

16:06of love and everything.

16:08But we were separated

16:09because many things

16:11happened.

16:12We just met

16:13many years later.

16:16And I still

16:17I was waiting for it.

16:18but he was already there

16:20with another woman

16:21and she was pregnant.

16:25He made his life

16:25with that woman

16:26and I made my life

16:28at the Sun Mill.

16:30And then?

16:33Shortly before he died,

16:34your father told me

16:35that...

16:37I was just protecting

16:38to the woman

16:38that he loved

16:39because she was forced

16:41to sleep

16:41with Colonel Quintilian.

16:46But what about?

16:47was protecting him?

16:49He was afraid

16:50that the colonel

16:51would fall apart

16:52of the baby

16:52when I was born.

16:55But they agreed

16:56What if the baby

16:58was white,

17:00they were going to flee

17:00or leave the baby

17:03on the wheel

17:03of the despised.

17:06The baby

17:07was born white,

17:09but he did not live.

17:12Continued.

17:12At that time,

17:14the girth Johanna,

17:15the colonel's wife,

17:16I was pregnant

17:18and your father

17:20he was very faithful

17:20to the belt.

17:21Yeah,

17:22that is true.

17:25The Gird Johanna

17:25had a pregnancy

17:26very complicated,

17:29but that was

17:30after he was born

17:30Mr. Guilherme

17:31and of that pregnancy

17:34a black child was born.

17:39No,

17:39it just can't be.

17:40The truth

17:47that I know,

17:47Genesio,

17:48is that you are a brother

17:49of the colonel's children,

17:51but on the part

17:52from Johanna,

17:53not the colonel's.

17:54No.

18:10What's going on?

18:12I was summoned

18:13by Captain Osorio.

18:14Summoned?

18:15But why?

18:16That's what we'll see

18:17shortly.

18:18Can you join us?

18:20I think they know better

18:20the judicial system

18:21of the village

18:22and they could help us.

18:23Unfortunately,

18:24that will not be possible.

18:25We will not be able to accompany them.

18:27I just finished

18:28to make a deal

18:29with the captain.

18:31Guilherme and Filipa

18:32are at risk.

18:34They got involved

18:35in a situation

18:36complicated.

18:38Go back home,

18:39colonel.

18:40I can

18:43defend myself.

18:47Thank you.

18:57I can't believe it

18:58what I heard.

18:59Will they leave evil

19:00succeed in the village?

19:01Unfortunately

19:02We have no choice, Filipa.

19:08Oh, we'll just have

19:10to get someone

19:10to make the sheikh,

19:12since Mr. Nestor

19:13did not agree to interpret

19:14to Princess Latifa's father.

19:15And my father curiously

19:16he showed himself willing

19:17to receive the sheikh

19:18and to my princess

19:20here at home.

19:21Everything will be fine,

19:22we will find a way.

19:24We will celebrate the wedding first

19:25and then we will say

19:26the bride's truth

19:27which is Violet.

19:28I just think, Dalia,

19:28what should we expect

19:29some more,

19:30Well, my family

19:31is happening

19:31for so many problems.

19:32Ah, I understand.

19:34Maybe it's better

19:35then resign

19:36to this crazy idea, Tomás.

19:38No, no, that's not it.

19:39Violet,

19:41of course I'm sure

19:42of my love

19:42that I feel for you.

19:43The thing I love most

19:44in the world

19:45is to become

19:45in your husband.

19:46I just wonder

19:47if this is the moment

19:48correct.

19:49Well, my father

19:50he is so troubled

19:51with things.

19:52I know, I know.

19:53Don't be afraid,

19:53my beloved.

19:54Oh, sorry, Thomas.

19:56Maybe it's better

19:57give up this performance.

19:58No, no, never.

19:59You know very well

20:00that I will not achieve

20:00give myself to you

20:01completely

20:01after all.

20:03Violet,

20:03I will be patient.

20:05All the patience

20:05of the world.

20:06I intend to conquer you

20:07day after day

20:08until finally

20:09you are ready for me.

20:12You always liked them

20:13the challenges.

20:15This will be

20:16the great contest

20:17of my life.

20:20Oh, how cute.

20:22They are in love.

20:24This wedding

20:24it has to happen.

20:26The colonel

20:26accepting the daughter

20:27of the sheikh

20:28as a daughter-in-law

20:28It's already half over

20:29from the road, right?

20:30Come on, Violet,

20:31we need to prepare

20:32for the occasion.

20:33We need to see

20:33some details.

20:34Come on, come on.

20:37I know it's crazy

20:38crazy,

20:40but I'm happy

20:41for taking the risk.

20:42I'll take any risk

20:43to make you happy, Violeta.

20:45I love you!

20:47Come, come, come.

20:49Wait, Dalia, I'm going.

20:55No, Beleciña,

20:56I already told you

20:57that I won't do it.

20:57I would be unmasked

20:59by the colonel

20:59Quintilian

21:00at the first opportunity.

21:02You don't like it

21:03interpret, father.

21:04Then I would have

21:04the opportunity

21:05to use art

21:06in something that contributes

21:07in the name of love.

21:08Love.

21:09The red flower

21:10that is born

21:11in the heart

21:11of the idiot.

21:12Ah, you're talking

21:13on the surface,

21:14but I know you are

21:15very involved

21:15on that topic

21:16in recent days.

21:18What, what, what,

21:18Beleciña,

21:19what are you talking about?

21:20Love.

21:21it's no use

21:22hide it.

21:23You're hiding it from me,

21:24but I know it,

21:24but it's okay

21:25because either way

21:25I am very happy

21:26with your decision

21:26and when you think

21:27at the ceremony.

21:28Ceremony?

21:29Beleciña.

21:30Because I thought,

21:30if it's in the morning,

21:31I think it would be

21:32more beautiful

21:32and more classic,

21:33but depending on...

21:34Oh, Irani,

21:35how good that you arrived.

21:37Tell me,

21:38how did it go

21:38in the mill of the sun?

21:41Mrs. Teresa

21:42is it better?

21:43Yes, it is.

21:45The baby resists

21:46in her belly

21:47and they also told

21:49she and the baby

21:50with love

21:51unexpected

21:52from his father.

21:54The Commander

21:55affectionate

21:56with his wife?

21:57It looks like someone else,

21:59Nestor.

22:00Mr. Almeida

22:01wants so much

22:01to an heir

22:02that is capable

22:02to drown

22:03to the wicked

22:04what it became.

22:05It still exists

22:06a spark

22:07of humanity

22:08in that man.

22:09Ah,

22:10and Juliana.

22:11I met her

22:12that would go to the sugar mill

22:13to bring you news

22:14from Miguel.

22:15It won't be necessary.

22:16She went to do it herself.

22:18I was unconscious

22:19because

22:19from a mixture

22:20of herbs,

22:21but when he woke up

22:22he ran

22:23to the camera.

22:23But she

22:25shouldn't have

22:26do that.

22:27It will end

22:28harming

22:29to Miguel

22:29and to everyone

22:30those we help

22:31on the run.

22:31Yeah,

22:32but nobody succeeded

22:32prevent it

22:33and look at Zapiao

22:34he tried.

22:35Ah,

22:35but she will win.

22:36Julian's love

22:37is very strong

22:38and will achieve

22:38overcome all

22:39the obstacles

22:39that arise

22:40on his way.

22:42I have hope

22:43what we will be

22:43forgiven.

22:46I perceived that the gentlemen

22:47were moved.

22:48Dr. Pacheco

22:49he is a man

22:49very serious

22:50and he always

22:51he was a friend

22:52of the custodian colonel.

22:55Julian,

22:56you shouldn't have

22:57come here,

22:59but I'm not going to you

23:00to deny

23:01what made me

23:01happy to see you.

23:04I dreamed

23:04with this moment

23:05that we were

23:07forgiven

23:07and finally

23:08we would be together.

23:12We were

23:12on the edge

23:13of tears,

23:15free

23:16and happy

23:16after

23:18of everything

23:18this torment.

23:20It's impossible

23:23have no hope

23:23for you,

23:24it isn't true?

23:27I want you to know

23:28that regardless

23:30of what happens,

23:33I love you very much

23:34forever.

23:36Me too

23:37I love you a lot.

23:40We are already

23:40only one.

23:41No.

23:50So

23:59Genesio

24:00is a son

24:00of the lady

24:01Joana?

24:02Explain it well,

24:03Aunt Joaquina.

24:04Your father told me

24:05before dying

24:06that the son

24:07from Joana's circle

24:08he was born black

24:09like his father

24:10and that

24:11was a reason

24:12enough

24:12so that I would like

24:14that he would die.

24:14but there

24:17Joana

24:18switched the babies

24:19and saved

24:20your life.

24:22She gave you away

24:23to the woman

24:24from your father

24:25and took him

24:28to the dead baby

24:30to the colonel

24:31Quintilian.

24:32So,

24:33the colonel

24:33suffered

24:34the loss

24:34of a son,

24:35although it was not

24:36son of his wife.

24:37He was a son

24:38his

24:38with the slave.

24:39It was.

24:40The colonel

24:42Quintilian

24:43can't know

24:43that Genesio

24:44is a son

24:44from Mrs. Joana.

24:46I don't know

24:46how he will react.

24:52Oh, girth,

24:53know what it is

24:54evil.

24:56The Maria Isabel Belt

24:57pushed the belt

24:58lame

24:58up the stairs.

25:00The poor thing

25:00rolled and rolled

25:02and did not stop

25:02until arriving

25:03to the garden.

25:04My God,

25:05How awful.

25:07Fernando

25:07must have gone mad.

25:09He

25:09went crazy,

25:10of course,

25:11and fortunately

25:13did not lose

25:13to the baby.

25:14Oh,

25:15that can't be done

25:16happen.

25:18No,

25:18can't,

25:19because it would be

25:19a tragedy,

25:20mostly

25:21for me.

25:22Fernando

25:22I wouldn't bear it

25:23lose

25:24to another baby.

25:25Oh,

25:25No,

25:26can't.

25:26Luckily,

25:27the child

25:27is still

25:27in her belly.

25:29And Beatriz,

25:31did she arrive

25:32well home

25:33after the unusual

25:34bathed in the fountain?

25:35Oh?

25:36It seemed to me

25:37very strange

25:38your privacy

25:38that has

25:38with Tito Pardo.

25:40Tito always

25:40it was the arm

25:41right

25:41from the belt.

25:42Yeah,

25:43I know it well,

25:44I know it well.

25:45Right arm,

25:46left arm

25:47and much more.

25:49It isn't true,

25:50Sapio?

25:51But you,

25:52have you never seen

25:53no privacy

25:54between the two?

25:55I don't know

25:57of what you

25:57is speaking.

25:58Oh,

25:59I'm talking

26:00of desire,

26:01much desire.

26:03I know

26:04that slaves

26:04and gentlemen

26:05live in

26:06worlds

26:06different.

26:08But tell me,

26:09Sapio,

26:10perhaps you

26:11you never imagined

26:13to your ladyship

26:14with a slave

26:16corpulent

26:17of ebony,

26:19the two jumping,

26:20jumping

26:21under a tree?

26:22What does it say?

26:23male girth?

26:25Oh,

26:25Mrs. Urraca,

26:25I never thought about it.

26:27Where would I find

26:28that tree?

26:29Oh,

26:29if you allow me.

26:31Ah.

26:33Ah.

26:35I need to take advantage

26:36the fall

26:37Teresa's

26:38to offer

26:40my solidarity

26:42in the mill

26:43of the sun.

26:44Tito Pardo.

27:11I'm going to take

27:12to the girdle home.

27:12Let's get out of here,

27:16belt.

27:18That.

27:20That, ciña.

27:24Come slowly.

27:31Let's go to the house.

27:32Let's go to the house.

27:42Who is Tito Pardo?

27:49It's me, sir.

27:51I leave you my faithful slave

27:53Tito Pardo

27:53a document

27:55of freedom.

27:56Freedom!

27:58Freedom, Tito!

28:00Freedom, man!

28:01The document will only be valid

28:07after death

28:09of my wife Beatriz de Abelard,

28:11well, just my man

28:12trustworthy

28:13will protect her

28:14as I would like.

28:15Freedom, LER!

28:30Let's go!

28:30How are you, mother?

29:00You shouldn't have left your room, daughter.

29:03You must rest.

29:07Is it impossible to rest in the house with María Isabel?

29:11I heard the discussion.

29:14She said horrible things to me.

29:18María Isabel goes too far in her actions.

29:20I could have died falling down the ladder.

29:23And you?

29:25I looked for you early and couldn't find you.

29:27I was hallucinating again, daughter.

29:32The madness that takes hold of this, your poor mother.

29:38It is winning.

29:40Don't say that.

29:42But it's true.

29:45I don't know what else to do.

29:48Maybe...

29:49Maybe it's better to seek help.

29:52My condition worries me too much.

29:54You are like this because we live in an endless war, mother.

29:58The moment peace returns to the house, you will be fine.

30:01I know that...

30:03Maria Isabel needs help.

30:06That your condition needs care.

30:10And I want to protect my daughters.

30:14But...

30:15I have no control.

30:19I'm afraid of losing my mind.

30:22And never find it again.

30:24Don't talk like that.

30:26I'll be here.

30:29That's not going to happen.

30:33I'll be here.

30:34When I arrived, you were sweeping the floor.

30:47What is this place, Lolo?

30:49Here there was an old tavern where the girls also sought to earn a living.

30:54You're not going to tell me you submitted to raising your nieces here.

30:57That's why they didn't get married, Lolo.

31:00Even though they were so pretty, that compromised their future.

31:04Not only of them.

31:06We are all committed.

31:08And I don't want you to go through that...

31:10For that misfortune.

31:11And I hope you leave as soon as possible, Ximena.

31:15It will be better.

31:15I already told you that I will stay by your side.

31:18More so now, faced with such a perverse occasion.

31:22I'm willing to help you, Lolo.

31:24You did so much for me.

31:26I want to give back to you.

31:28There's no need, Ximena.

31:30I know I can do something good for your nieces.

31:33And who knows how to get a suitor for your sister.

31:37By no means.

31:38Don't be jealous, Lolo.

31:40I know a man of possessions.

31:43It would be an excellent match for Rosalinda.

31:45Ah, a good husband!

31:47Look, talk more about that matter.

31:50Were you listening to the conversation behind the door, little sister?

31:54Of course not, Lolo.

31:55I just heard something that really interests me.

31:59Well, I asked for a moment of privacy with my...

32:02With my wife.

32:03But it seems you preferred to ignore my request.

32:06But what could you talk to Ximena about?

32:08That I, blood of your blood, could not hear.

32:11Forgive me, forgive me.

32:12I ended up being a source of discord.

32:15And I don't want to be the cause of a fight between siblings.

32:18Even more so after all the unhappiness surrounding them.

32:26I have to do something.

32:28Cough, we can't just stand here idly while my sister is at risk.

32:31My Lady said we were to stay here and we must obey.

32:35Maybe my sister hasn't noticed.

32:37But I'm not a woman who sits back and does nothing.

32:39I am a woman of action.

32:39There is nothing we can do to help my Lady.

32:42It is beyond our reach.

32:48And Mr. Guillerme can help?

32:52He knows many people in the chamber.

32:55You can do something for my sister.

32:58And he seemed so sorry after everything that happened.

33:02I don't know if it's going to work.

33:04He already went to talk to the colonel and asked the man to marry him.

33:07Oh.

33:09Did she ask Colonel Quintiliano to marry her?

33:13If he did it, it's because he's afraid of Mr. Almeida.

33:17My sister took a big risk for me.

33:20Now it's my turn to risk everything for her.

33:22As much as I want to be away from the genius of the sun,

33:26I still have a very valuable coin that I can use in exchange.

33:31I can put pressure on Mrs. María Isabel.

33:33And that's what I'm going to do now.

33:37Almeida!

33:37I didn't expect to be brought here by soldiers, since I didn't commit any crime.

33:43The men were just following orders.

33:45I'm sure they made a mistake.

33:48Like Commander Almeida, I am also interested in investing in the progress of the town.

33:53And how do you intend to do that?

33:55I already do.

33:57Help Professor Attila with the printing press.

34:00It will surely be a great step forward for everyone.

34:02The printing press may not operate without royal authorization.

34:04Otherwise, they will be committing a crime.

34:06And while for you that doesn't seem to be a problem.

34:09What is he implying?

34:10I'm not implying anything.

34:11The Countess herself recounted in a manuscript some of the crimes she committed against her enemies.

34:18Can you clarify what you are saying to the gentlemen here present?

34:21Of course, Mr. President, just to name one.

34:24She said she used to throw prisoners into the soap.

34:29That without a trial.

34:30You have to imagine that narratives value that kind of storytelling to capture the reader and...

34:35Okay, okay.

34:36We are not going to discuss fictional things.

34:38Let's talk about reality.

34:40I already showed the documents to the gentlemen.

34:42They have already approved that it is a legitimate document.

34:47Now it's your turn to see it.

35:00What does this mean?

35:02It means that you were sold to me, nothing more.

35:06From now on, she is my slave.

35:14We can't let those bastards rule and do whatever they want on camera.

35:18We have to do something, Father.

35:20Justice cannot fail.

35:21Enough, Filipa.

35:23Stop getting involved in matters that don't deserve respect.

35:25What happened?

35:26Why are you arguing?

35:27Your brothers put themselves in danger.

35:30They fell into a trap and were almost involved in the murder of a stranger.

35:34I was just trying to help.

35:37Filipa was looking for Jasmine.

35:39And I was looking for evidence that the ship with our production was sabotaged.

35:44What if you had been framed for that murder?

35:47Have you been exiled once?

35:49Do you know what the next step is?

35:51The death penalty.

35:52We couldn't leave Tila to pay for this crime alone.

35:55Enough, Filipa.

35:55He didn't do anything, he's innocent, father.

35:57Enough, Filipa!

35:59I don't want to hear you talking about that little teacher anymore.

36:04Either you obey me or I'll send you to a convent.

36:08Those threats again, Father?

36:11You gave up on leaving me locked in my mother's room and now you want to send me to a convent?

36:14You know very well how I feel and what I want in this regard.

36:18What I need is for you to help me rebuild our family.

36:25You can't imagine how I feel, watching my children put themselves in danger.

36:29Does that include Genesio, Father?

36:30How can we move forward knowing that Genesio could be our brother?

36:37Forgetting the matter.

36:40Looking to the future.

36:42Doing as Tomás does.

36:44Thinking about marriage.

36:47So, Father, on that matter I would like to tell you that...

36:49Thomas.

36:50Don't you understand that I'm eager to see you married?

36:55Filling this house with children.

36:59That's what we need.

37:01New life for sweet fields.

37:04Yeah.

37:05I'm happy for my brother Tomás.

37:07But as for me, I must tell you that it is impossible to erase the past.

37:12He always comes back.

37:13He returns to collect what he left behind.

37:15That is not possible.

37:23Of course it's possible, right?

37:24The document is legitimate.

37:26I tracked him down with a family member who made the sale to me.

37:31It's my father's handwriting.

37:33Yeah.

37:34The Count's brother.

37:36With whom the countess lived in concubinage.

37:39And not in marriage.

37:41Incidentally, the title of countess was not granted by the court.

37:45It was because of the people surrounding the couple.

37:47Would you like to say something about this, Mrs. Catarina?

37:51My aunt is much more noble than many who receive official titles of nobility.

37:56You can imagine, gentlemen, how much lies this woman created.

38:03He made us believe that he promoted the princess's party at the village.

38:07When we later realized that it was all a big farce.

38:11My aunt is free.

38:13She received freedom.

38:14Do you have a document to approve your freedom?

38:19His silence says it all.

38:22And after so many years living among the nobility, I just hope he hasn't forgotten how to use a machete.

38:27Damn bastard!

38:33Damn bastard!

38:34Damn bastard!

38:38It is the voice of the Countess.

38:39It seems so.

38:41Could it be that she was harmed for helping us?

38:43What happened to the countess?

38:50There is no countess in this place.

38:53What do you mean no?

38:54We hear Countess Catarina's screams now.

38:57The screams of the slave Catarina.

38:59That?

39:01That's how it is.

39:03Now she will return to the place she should never have left.

39:06The Censala!

39:07What are you doing here?

39:11I need your help.

39:13I needed you too and you turned your back on me.

39:16You did nothing to help me with the slaves and I was paraded around the village in chains.

39:20I couldn't do anything.

39:22You reaped what you always planted.

39:25The hatred of slaves.

39:27Esmería.

39:30It will be easier to get my support if you stop accusing me.

39:33Excuse me, girl.

39:35I'm a little nervous.

39:37My sister was summoned to go to the chamber.

39:40I'm so sorry, but there's nothing I can do.

39:42To help that woman who was an accomplice to the slave who tried to steal my husband.

39:46His marriage happened because I helped him.

39:49You know it very well.

39:50And if you don't help me, I'll tell everyone the truth.

39:55That's exactly what we want, Esmería, really.

39:59Begin.

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