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Doctor Who (2005) Season 13 Episode 4
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00:00In here.
00:02Doctor!
00:03The angel wants to target.
00:23Can you tell me today's date, please?
00:27November 21st.
00:30And the year?
00:421967.
00:49There it goes again.
00:52Can you state your name, please?
01:11Claire Brown.
01:12Peggy!
01:21Peggy!
01:26Oh, ridiculous child.
01:29Peggy!
01:31And your date of birth?
01:32Well, you know this already.
01:34Now, control questions only.
01:36Date of birth?
01:3713th of May, 1985.
01:40Beg pardon?
01:41Peggy!
01:43Peggy!
01:44Peggy!
01:44Peggy!
01:46I said 13th of May, 1935.
01:49Oh, apologies.
01:50Word of advice, Miss Brown.
01:52Never get old, not even slightly.
01:55Thank goodness for mechanical recordings.
01:57There it goes again.
02:08Twice for no reason.
02:11It is empirically factually November the 21st, 1967.
02:15And you clearly know your own birthday.
02:18Yet the machine would suggest you believe neither statement.
02:22Problematic when you need a control reference, a baseline.
02:25Precisely.
02:26Oh, I forgot your fairy with it.
02:29The recipient exhibits immediate and extreme physical distress,
02:51almost as if she's physically experiencing the events she describes.
02:54Feet away to suggest a sleep state, yet she remains extraordinarily alert.
03:00The dry assist of the pupils, and yet no discernible trigger.
03:05Oh, please.
03:06Yes, of course, my dear.
03:08All in good time.
03:09Yes, there is no time.
03:11Not anymore.
03:12The end begins again now.
03:14And there will be no escape.
03:15Not this time.
03:16Not the power.
03:17Not the end.
03:18Not the end.
03:19Please.
03:19Please.
03:19Please.
03:23The end took us to TARDIS.
03:25Yes.
03:25Yes.
03:29No.
03:30No.
03:30No.
03:30No.
03:31No.
03:46No.
03:46No.
03:47No.
03:47The angel has the controls. We have to get out of here.
04:08Those of you, keep your eyes on the angels. Don't blink.
04:15If you blink, it could attack.
04:16And dismisses all the time. Incredibly dangerous. In a moving tally.
04:23How long for?
04:24Until I stay.
04:25I've got really dry eyes.
04:30What are they?
04:31Two things that should never be put together. Or three things, if you include me.
04:34You're gonna put them together, are you?
04:36Yep. We've got the tallys.
04:38Dimensional compression should it get to one to one place.
04:41But the danger is broken and times out a thing, so how can you be sure it's gonna work?
04:45It does have an element, it is.
04:47How big an element?
04:48Well, yeah, pretty big.
04:49It's the only element, really.
04:53See? It's cutting off.
04:54I'm not happy with this.
04:57Now, what else will blink? Blink.
04:59He said don't blink!
05:01Oh!
05:02Oh!
05:03Oh, I'm getting that nice.
05:04I need it.
05:05Be able to move as close as possible.
05:06Oh no!
05:11Oh no!
05:12Spring!
05:13Oh no!
05:14Oh no!
05:15it works of course it works only problem is it will take a very long time for the
05:26target to reboot to operational status again and the other only problem is we don't know where we
05:31are or even if we are and the third only problem is even if we are somewhere what if it's where
05:37the angel wanted us to be in the first place when it hijacked the tardis at least you're alive
05:42thanks fella you're welcome shove a nosey outside
05:46hello hello yes too many christmas her old language were you in there all the time
05:59rapid response unit how can we help coastal devon say 19
06:0649 madam what are you doing it's 1967 as you must well know you've had that coat a while then
06:15wait why are we calling the police hot hot hot hot hot what is coming from over there
06:25uh my colleagues will assist you assist them while i don't wander off
06:30there's she wandering off are you in charge
06:33it's a very flat team structure tell us everything we're missing a little girl
06:4010 years old very responsible most don't like her to go off name of peggy
06:46mrs haywood mrs haywood
06:54i know this was you i know every house has received one today you're deliberately scaring
07:01people and you're deliberately ignoring me have you counted the stones i don't subscribe to
07:07superstitious folklore i know there are exactly 92 gravestones here count them and if there
07:13are more maybe you'll do what i told you
07:20it's happening again
07:26here you are tea with honey from my own bees nature's own shock remedy thank you
07:35what did i say well i got it all recorded it was a little alarming
07:40not as alarming as the readings that affect my sonic off who are you you can call me the doctor
07:48the institute of psychic investigation looks like it interesting how did you get in here
07:55your door was open it most certainly was not well it was once i opened it but let's not get bogged
08:00down in the order of things not when we can get on to whatever experiments you're doing down here
08:04mr professor jericho eustatious jericho eustatious yes oh wish i had that in scrabble
08:1133 and a triple word score i won't be allowed it proper noun not unless you play georgia litz rules
08:16she allows them nice to meet you professor eustatious jericho nice house too and with apologies to your
08:23subject oh hello again oh i thought it was the experiments the sonic was reacting to but it's
08:37actually you claire right how are you here i'm feeling sick again professor please you are disrupting
08:45my recipient madam explain yourself you break into my house you disrupt my experiments where did you
08:53get this miss brown sketches what she calls her premonitions
08:56what are you doing
09:03trying to keep you safe stay here
09:07you
09:19you
09:21you
09:25you
09:27you
09:29you
09:31you
09:33Oh, my God.
10:03My tea, too.
10:05My tea.
10:06That's right.
10:07Oh, my God.
10:37It's free time to report back.
10:38People are just out looking.
10:41What about favourite places she goes to or plays in?
10:44Are you prioritising those?
10:45We don't need lecturing.
10:47But you're so set on it.
10:49Yes, I suppose.
10:51That field and the adjacent one.
10:53You're very welcome to them.
10:55And you can use that to alert me, should you find her.
10:58This is your daughter?
10:59My great-niece.
11:01She's been in our care since her parents died.
11:04Anything else we might need to know about her?
11:06Why would you need to know anything?
11:08If we find her, we might want to talk to her.
11:10So any information on what she's like or that might make her feel safe, that would be helpful.
11:15She's a ten-year-old girl.
11:17How much is there to know?
11:19Gerald.
11:20Gerald.
11:21Come on.
11:21All right, Jean.
11:29Maybe she's not missing.
11:31Maybe she's just ran to get away from him.
11:33Yeah.
11:34It's no coincidence, is it?
11:36We got put here by a mad statue.
11:38Doctor's on the trail of something glowing.
11:40Kidgo's missing.
11:41I doubt it.
11:46What's the matter?
11:48I sat scared from there a minute ago.
11:51Keep your eyes on it.
12:01Don't blink.
12:03Keep your eyes on it.
12:06Yeah.
12:06Easy.
12:15Come on.
12:17What's the matter?
12:20What are you, Jesus?
12:21Did you just kill our torches?
12:27Get out of here.
12:31We still got the middle of life.
12:36What are you doing?
12:38It's huge, but it is.
12:39Oh, my universe.
12:47Look what you've been through.
12:49Space is empty now.
12:50I mean, duh.
12:54Obviously, it was empty before.
12:56But since the flux, there's so much more.
12:59Space.
13:00And so much less.
13:02Everything else.
13:04Which, when you're trying to find someone, makes things tricky.
13:08Remember our honeymoon plans?
13:0920 rotations on the floating canals of Pisano.
13:12Then we got deployed, separately.
13:15So instead, we had that one night in a cubicle hotel opposite the academy.
13:21I mean, don't get me wrong.
13:22That was more than a good night.
13:23But I regret to inform you, we may have missed our moment with Pisano.
13:31Just got here.
13:33I was more hoping for hello.
13:36Didn't hear your approach.
13:38It's all right.
13:39It's not the worst reaction I've had.
13:41Everyone jumpy here.
13:43I saw you come in.
13:45That's a Lupari craft, right?
13:48Yeah, because you're pretty non-Lupari.
13:51Borrowed.
13:52Yeah, oh, no judgment.
13:53Everyone's borrowed everything they get here.
13:56And welcome to Pisano.
13:58What's left of it?
14:00Oh, the canals are gone, I'm afraid.
14:04I'm Namaka.
14:05Ost par Vespo.
14:10Bell.
14:12Nice.
14:14Yeah, sure.
14:15Better.
14:15Easier.
14:17No need to ask why you're here.
14:19The only planetary remains left in the quadrant.
14:22Quarter of a sun, third of a moon.
14:26Half a planet.
14:28Everyone comes here now.
14:31Everyone who's left.
14:33That's what I'm hoping.
14:37Have you seen this guy?
14:40No.
14:41Um, um, brother?
14:45Life partner.
14:47Okay.
14:49Uh, no, sorry.
14:50Um, uh, he might be at the next coalescence, uh, unless he went already.
14:55The next what?
14:56Oh, there's this person who's made it their mission to help us.
14:59Get us to safety.
15:02Oh, there'll be one later.
15:03You...
15:03You want to come?
15:05Broken glass everywhere.
15:24What is that device you're using?
15:28Did I not tell you to stay downstairs?
15:29This is my house.
15:33Vandalism.
15:34If I get my hands on the person who threw this...
15:37Jericho, wait!
15:38How do you think it's here?
15:50Back away, slowly, into the house.
15:53Keep your eyes on them.
15:54Don't look away.
15:55And don't blink.
15:56What are you talking about?
15:57Why are they here?
16:06Look, everything!
16:07Everything!
16:07They're at the windows.
16:24How are they moving?
16:26They're just statues.
16:27They're called weeping angels.
16:28They move when unobserved.
16:30Quantum beings.
16:31If they touch you, they'll send you back to the distant past
16:34and feast on the quantum energy of your unlived life.
16:37Oh, don't be ridiculous.
16:39Professor, I am many things, but I'm not ridiculous.
16:42If there's a back entrance to this house, go unlock it now.
16:47Don't let them near you, and don't take your eyes off them.
16:49Go!
16:55It's them, isn't it?
16:57The angels.
17:07Before that night I first saw you, I had a premonition.
17:20A succession of disconnected images.
17:23A stone angel.
17:25You.
17:25A blue box called the Tardis.
17:27And a Liverpool street.
17:29Um, numbers.
17:30A year.
17:30A voice telling me not to blink.
17:32And the name of this village.
17:33It didn't make any sense.
17:35But then I saw you.
17:36And afterwards there was an angel on my street.
17:38It followed me to my front door, and then I was in 1965.
17:42I've been in the 60s for two years.
17:44An angel attacked you?
17:46But why?
17:46What did it want with you?
17:50Back door is locked.
17:52Good.
17:52Have you got television?
17:54Um, yes.
17:55Bring it out here.
17:56Yeah.
17:56Yeah.
17:56Yeah.
17:56Yeah.
17:56Yeah.
17:56Yeah.
17:56Yeah.
17:56Yeah.
17:58Yeah.
18:00Yeah.
18:02Are they really ringing the doorbell?
18:08It's a very nice sounding doorbell.
18:11Television.
18:17I don't think the back door's as secure as the professor would have hoped.
18:21Do you not think evacuation might not be the order of the day?
18:26How can we evacuate when we're surrounded?
18:28Exactly.
18:28The building's surrounded, and there's more of them than there are of us.
18:32At least inside, we have a defendable position.
18:34The basement's securable, right, Professor?
18:37Oh, yes.
18:37Take the television down there.
18:39Quick, smart.
18:39Follow him, Claire.
18:44There's something else, Doctor.
18:47I googled the name of this village after I had my first premonition.
18:53Everyone in the village disappears on the 21st of November, 1967.
18:58Tonight.
19:00Whatever happens leaves no trace.
19:02The army move in and turn it into a locked encampment.
19:06Yeah, well, the time isn't always fixed.
19:08Listen to me.
19:09It wasn't the first time.
19:11It also happened in 1901.
19:13Everyone in the village vanished.
19:19Get down to the restaurant now.
19:20I'll be right behind you.
19:22I'll be right behind you.
19:52When do you think of this?
20:04I don't know.
20:05I mean, at least his house is.
20:07Could have been the dinosaurs.
20:10Yeah, but there's no people.
20:13First things first, we're still looking for a missing girl.
20:17And it's a strong possibility that the angel sent her back in time too,
20:20so she'll be worried.
20:30Shall we have a nose?
20:31Hold.
20:49Hold.
20:51Hold.
20:55Hold.
20:55Early part of the 20th century?
21:07What? So, a hundred years before you and I are alive?
21:12Yeah.
21:13Oh, how do you say?
21:15No dinosaurs.
21:19Yes.
21:21How do we get back?
21:25Are we stuck here?
21:32Let's just focus on seeing if there's anyone else around.
21:38They're all gone.
21:46Your name's not Peggy, is it?
21:55How did you get here, Peggy?
22:05What happened to all the people?
22:09They're angels.
22:12The angels are here too?
22:13They're scared they might come and get you again.
22:22Mm-mm.
22:24Well, that's good.
22:26Any reason why?
22:29They promised they'd leave me alone now.
22:32They talk to you.
22:35They've got thoughts in my head.
22:37We're going to get you back, Peggy.
22:43You have to be careful.
22:45You have to stay within the village.
22:48You mustn't go beyond the sign.
22:50Why, sir?
22:56It used to be further down the road.
22:59It's got closer.
23:00They've got two words in my head.
23:11Quantum extraction.
23:13She always goes missing.
23:30Why, is it my responsibility?
23:32Is it my thought her parents died?
23:34Is it my thought she won't talk to me or ever do as I tell her?
23:37Oh, the last one, Gerald, yes.
23:39I think it is.
23:40I beg your pardon?
23:40Would it kill you to say one pleasant thing to her?
23:44What do you think gives you the right to speak to me like that, Jean?
23:4847 years of pain, Gerald.
23:50Right.
23:51That's it.
23:52I'm going home.
23:54Be quiet.
23:55Gerald.
23:55Jean, what has got into you?
23:58Look.
24:06Oh.
24:08Oh, what's going on?
24:10I don't know, Jean.
24:12But they don't like it.
24:15Let's find those police.
24:18How did that get there?
24:20It might be some sort of prank.
24:22Come along.
24:23Let's return it to the church, all right?
24:25We can't pick it up.
24:27Look at it.
24:28Somebody must have carried it here.
24:30It can't be that heavy.
24:31Ah!
24:39Gerald!
24:40Gerald!
25:04Oh.
25:05Oh.
25:06Oh.
25:06Oh, oh.
25:07Oh.
25:07Oh.
25:08Oh.
25:09A bit rudimentary, a bit it'll do.
25:39That's my hallway.
25:44I'm going to need you to keep an eye on this picture.
25:47It's risky. We've got limited time and choices.
25:49I'm going to need to know where they are.
25:51Why risky?
25:52That which holds the image of an angel can also be an angel.
25:56They take a lot of effort, but if they really wanted to, they can escape that screen.
26:00What?
26:01Ah! See what I mean?
26:03You have to keep your eyes on them.
26:08Doctor.
26:09My drawing?
26:15Do not take your eyes off that screen, Jericho!
26:17Claire, keep your eyes on the sketch angel!
26:29Come here, let it work.
26:33Oh, dear.
26:34Where, where, where?
26:47I may have to write all this down.
26:49Once this is over, be my guest.
26:51Well, why are they attacking my house?
26:53What do they want?
26:54I think, me.
26:56Why would they want you, Claire?
26:58Because I'm one of them.
27:01Look.
27:03Brown!
27:04This is impossible.
27:08How long have you been like this?
27:10Um, physically, just tonight.
27:13I hallucinated I had angel wings and there was dust coming out of my eye.
27:17There's an angel within me, Doctor.
27:18I'm certain of it.
27:20You're a precipitant.
27:22A seer.
27:23You had a premonition of an angel in your mind and now it's living there.
27:26That which contains the image of an angel, it's an angel.
27:34It's taken hold.
27:35Oh, my gosh.
27:37Then it keeps coming and going.
27:40You're saying that because she had a premonition of vision, it's taken psychic root within her.
27:46A real, genuine psychic manifestation?
27:50She says she's terrible, proper scientist, under siege from the impossible.
27:53She doesn't even stop to be scared.
27:54Just wants to understand what's beyond his comprehension.
27:57Oh, I've seen many things beyond my comprehension, Doctor.
28:01I was one of the first British soldiers into Belsen at the end of the war.
28:05If you think a few stone statues will destroy my equilibrium, you are mistaken.
28:12What do you need me to do?
28:14We need a lot of eyes on a lot of weeping angels.
28:17Claire, I need to look inside your mind.
28:21If there's an angel in there, I need to get it out.
28:22Will you give me permission to enter your mind?
28:25Will it hurt?
28:26I'll be as gentle as I can.
28:31Okay.
28:33You're going to place yourself inside Miss Brown's mind?
28:36Yes.
28:38Let me take the readings.
28:40Please, permit me to record it.
28:41You're supposed to be observing the angels.
28:43Well, I can still do that.
28:45The machines will record any activity.
28:48Please, this is unprecedented.
28:50An experiment that goes beyond anything before research.
28:55There.
29:03Contact.
29:04Contact.
29:04You are in here.
29:21Skulking inside a human mind.
29:23Nothing.
29:24Wait.
29:25You're the one who hijacked Matardus.
29:27Yes.
29:28I brought you here.
29:30How?
29:30If you're here, inside Claire's mind, the psychotemporal effort that would have taken is incalculable.
29:39I need your help, Doctor.
29:41A weeping angel needs my help.
29:44I don't think so.
29:45You won't get anything from me until you stop terrorizing this human.
29:49I have no choice.
29:50You hunted her down.
29:52And now you're living inside her, corrupting what she sees?
29:55Corrupting who she thinks she is?
29:58This is me serving you, notice.
30:00I want you out of here, now.
30:02I did not hunt her down, Doctor.
30:04That was not me.
30:05That was another.
30:07What do you mean?
30:08I was already here.
30:11This human is my sanctuary.
30:14I identified her as my hiding place from others of my kind.
30:18So you're saying those angels in the village, in Jericho's house, they weren't coming to rescue you.
30:25They're coming to capture you.
30:26Correct.
30:28A real griefing angel.
30:29On the run from other angels, hiding in the mind of a human.
30:34Which would mean the angel that pursued Claire that sent her back to the 60s, it wasn't coming for her.
30:39It was tracking you down.
30:40Yes.
30:41But why?
30:43They are an extraction squad.
30:46To the division.
30:49See?
30:50Everyone's here.
30:51Oh, this is where she usually comes.
31:00Leave a gap between you and the next person or everyone take.
31:04Where he comes?
31:05Oh, we don't get to ask names.
31:07It's what she does that matters.
31:10Here we go.
31:21Thank you all for being here.
31:31Why are we hearing her?
31:32How did she do that?
31:33I know, right?
31:35Space is disintegrating.
31:38Time is corrupting.
31:41I know that you've had to fight to get here.
31:45I promise you that fight has been worth it.
31:49There is a safe galaxy.
31:51Unaffected by the flux.
31:53We've already provided transport for many who have come here.
31:56We can do that again.
31:58Today.
32:00I will praise the stars.
32:03The non-existent stars.
32:06Here is your transport.
32:12What is that?
32:14It's been here before, but I haven't been able to get close enough into the transportation field.
32:19Fourth time lucky.
32:20Passenger will activate the transportation field and all those within it will be taken to a place of safety within the unaffected galaxy.
32:29Did she say passenger?
32:31So what?
32:32Come on.
32:32What are you doing?
32:34I've heard of passenger phones.
32:37My last deployment.
32:39This isn't freedom.
32:40She's offering.
32:41That thing is not your way out.
32:43Get out of the transportation field.
32:46No, no, no.
32:47I've been waiting for this one.
32:49Everybody get out of the transportation field.
32:51There is no other way up.
32:52What are you doing?
32:53What are you doing?
32:54What are you doing?
32:55I've been waiting for this one.
32:55I don't want to do it.
32:57There's nothing to fear.
33:22You can come next time.
33:24Tell everyone who arrives here they're safe with us.
33:34What did you do?
33:40Why did you stop me?
33:42That was my chance.
33:43Passenger forms are not transportation.
33:46They're prisons. Endless prisons.
33:49You're wrong.
33:50No, I'm not. Whatever she is, she is not salvation.
33:55I don't believe you.
33:58I don't believe you.
34:00Pisano is not a sanctuary.
34:03It's a humped and groin.
34:07Come with me.
34:08There's room in my shed.
34:10I can get you to another sea of haven.
34:14Stay away from me.
34:26A village on the edge of space.
34:28Have you seen anything like that before?
34:30No.
34:31And do you think we're on air for all in space?
34:33And how do statues do any of this?
34:35And why would they want to?
34:36And new questions, Dan.
34:37I get it.
34:38Sorry.
34:39Look.
34:41It's closing in.
34:43Like they're heading us.
34:46Maybe like that way, then.
34:48Other way.
34:57Maybe not that way, either.
34:59We've got many opposites left, have we?
35:01Back off.
35:02Keep your eyes on her.
35:04Peggy!
35:07Peggy!
35:09There she is.
35:10I want a word with you, Missy.
35:12Don't come any closer!
35:14Look, Jean.
35:15There's another one of those.
35:16Blessing statues.
35:18Jevils, don't touch it.
35:20I still don't understand how it became light.
35:23Pisano, you stay back!
35:25I'll thank you not to tell me what to do.
35:27Mate!
35:28Listen to her!
35:29Don't!
35:30Go past the statue!
35:31Do not pull your back to it!
35:33Nobody survives it twice.
35:35Don't go in front of the statue!
35:37If you walk in front of it, we can't see it!
35:40Please don't tell us what to do.
35:41It's just a perfectly normal...
35:44How did that...
35:55I'm so sorry, Peggy.
36:00He was never nice to me.
36:08We have to keep moving.
36:11I've got a friend.
36:13And she'll sort this.
36:15She'll save us.
36:16She always does.
36:18Peggy.
36:20Is there anything else that you've seen here?
36:21Anything else that you've discovered?
36:22Because we have to find a way back to 1967.
36:42Don't look at it!
36:43Don't look at it!
36:44Don't look at it!
36:48What's happening now?
37:00Where have they gone?
37:02Do you really think you can protect them?
37:07Who's there?
37:09You are, Jericho.
37:10Jericho.
37:12Listen to yourself, Jericho.
37:15Look away, Jericho.
37:18Look away.
37:21No, thank you.
37:27I see you, Jericho.
37:30You see yourself.
37:32Please, stop using my voice.
37:34It's a very clever trick, but most impolite without permission.
37:37So interested in the workings of other minds.
37:41Because you can't bear to examine your own.
37:44Loveless.
37:46Childless.
37:48Hiding in academia for fear of the real world.
37:52Always losing to a better man.
37:55A life of failure.
37:59You don't know me.
38:00We have your house.
38:02We have your attention.
38:04We are on our way.
38:06There is nothing you can do to stop us.
38:09Surrender to the angels, Jericho.
38:15You know you want to.
38:17I have never surrendered, and I've no intention of starting now.
38:21Starting now.
38:38You stop right there.
38:41You are observed.
38:43And that is my power over you.
38:46For now, Jericho.
38:50But we are patient.
38:53We have time.
38:55We are all around you.
38:59We are everywhere.
39:00We are everywhere.
39:09What do you know about the division?
39:13I was division, as they are.
39:15As you were.
39:17Now.
39:19But like you, I ran.
39:21No, no, no. Don't play games with me.
39:23Just tell me what I did, what I don't remember.
39:25Do you really think I'm going to trust a creature like you to tell the truth?
39:28We're both trapped, Doctor.
39:30We have to trust each other.
39:32So you're telling me the division used weeping angels as operatives to do its work?
39:39Division uses everything and everyone.
39:41Every species.
39:43Every world.
39:44Every moment.
39:46They are everywhere.
39:48Present and unseen.
39:50Division is unstoppable.
39:52Yeah, well, I'm pretty good at stopping the unstoppable.
39:55That's why I brought you here, Doctor.
39:59But I think this may prove too much even for you.
40:02Then you need to get out of this human's body right now.
40:05No, not yet.
40:06They're here.
40:07They know where you are.
40:08Claire can't protect you anymore.
40:10But you can.
40:14You stop them and I leave her.
40:17I let her live.
40:20Leave her first.
40:21No.
40:23What makes you so dangerous that they would need so many?
40:27What do you have that they're so scared of?
40:32Knowledge.
40:36What sort of knowledge?
40:39Of everything.
40:41All division.
40:42All of its history.
40:46Including you.
40:50I hold everything.
40:52Including the memories that were taken from you.
40:57That's why I brought you here, Doctor.
41:00You protect me.
41:02And I can give you what you're looking for.
41:04Help!
41:05What happened?
41:06Sorry.
41:07Threw a cup at you.
41:08I needed to shake you out of it.
41:09We're running out of options.
41:11I see what you mean.
41:14How do we get out?
41:16I'm beginning to question the wisdom of barricading ourselves somewhere with so few exits.
41:19Oh, Professor.
41:20Do you know a region on floor plans?
41:21What?
41:22Assignation tunnel.
41:24Looks like the first owner of this house was somewhat of a scoundrel.
41:26A tunnel from the basement out to lovers meeting point.
41:28Don't look away.
41:29Don't look away!
41:30Don't look away?
41:32Don't look away!
41:34Oh, my God!
41:35I would've been more grateful for another man's defeat.
41:38On the headsets!
41:44All these front tubes you could keep up with.
41:46Don't look away!
41:47Don't look away!
41:49Oh, my God!
41:50Oh, my God!
41:52Oh, my God!
41:53Oh, my God!
41:55Oh, my God!
41:56Oh, my God!
41:57I'd have remembered for another man's defeat.
41:58I'll keep an eye on them.
42:01Look at these glitter at home.
42:05There's a little, both of you, now.
42:16Now, the versatility of the neutron flow might give you a little quantum headache.
42:28Don't go. Are you all right? Go. I'll keep my eye on the door.
42:46Don't look back. I'll go looking. You'll look forward. Keep going.
42:51What a curious patterning on the wall.
42:58I wonder how long it's been there.
43:05Everything all right, Doctor? Yeah. Nothing to worry about.
43:12Oh, Doctor.
43:15Yeah? Do you think there are angels in the walls here?
43:18Oscar!
43:19Why wouldn't there be?
43:22Doctor?
43:25Angel up ahead, Doctor!
43:28I'm behind.
43:29All right. Keep your eyes on Nancy Brown.
43:31Yes, thank you, Professor. Very much not blinking.
43:34If we can get past them, we might be standing.
43:37Tell us.
43:40My history teacher lied about this place.
43:45She said it was a burial site from the Stone Age.
43:48What do you mean?
43:50She said it was excavated in 1901.
43:52But it wasn't. We're in 1901.
43:55And it wasn't there yesterday, but it was there today.
43:58And then all the people disappeared.
44:00Why is it nice over there?
44:12I don't know.
44:13Maybe stay this side of it for an hour.
44:16Yeah.
44:21Miss Haywood!
44:22Stop, Peggy.
44:24Don't come any closer.
44:25I remember this.
44:28I remember this.
44:31I remember the strange old woman.
44:35And I remember all that followed.
44:40You don't understand.
44:42You're in 1901.
44:46I'm sorry.
44:48But you don't get back to 1967 for a long time.
44:51Because I knew Peggy.
44:56In 66 years' time.
45:02I remember the next bit very vaguely.
45:07We came to show them the burial site.
45:10And we were right.
45:12It's not a burial site.
45:14But it is made of stone.
45:16Just like they are.
45:21I think it's how they got here.
45:32They told me later why they left me.
45:35Why they left all of you.
45:36And they could have killed us all.
45:38It's because they're cruel.
45:40They like to leave a few rare witnesses.
45:44To tell the story.
45:46Witnesses to what?
45:49Quantum extraction.
45:51Great.
45:57Because what I really need now.
45:59Is a flickering torch.
46:11I know you don't.
46:13To back.
46:15The exit is the other side of the angel.
46:16It's narrow but we can get through.
46:17If one of us keeps eyes on the angel at all times professor.
46:20Good.
46:21Yes.
46:23Are they doing that deliberately?
46:24Yes.
46:25Trying to get you to blink or sneeze.
46:27You can't sneeze with your eyes open.
46:29All right.
46:30Miss Brown if you would care to go first.
46:32I will stay here and keep my eyes on this angel.
46:35Mr. Gentleman professor.
46:36I'm not blinking.
46:37I'm not blinking.
46:46I'm through.
46:48Here we go.
46:49Yes.
46:51When I say run.
46:52Run.
46:53You go left.
46:54I'll go right.
46:55These angels left staring at each other.
46:57If you say so.
46:58Run.
47:08Professor.
47:10Peggy.
47:12You're all right.
47:14Mrs. Hayward.
47:15You appear to be at night.
47:20Sorry.
47:21Who are you?
47:22Me.
47:23It's a long story.
47:24Unfortunately, you've got enough time to hear it.
47:33Something's happening with the stones.
47:35Yes, it is.
47:36I need to get back.
47:37I've left someone in the most terrible trouble.
47:39That's going to be a bit harder than you think.
47:41Everyone!
47:43Get away from this building!
48:00See here I am.
48:02I'm ready to go out.
48:03Better come up and I'll turn in my back.
48:05But I'm quick.
48:08Okay?
48:09Gracia.
48:26You're not attacking.
48:31I said my back.
48:32I wasn't observing you.
48:34Why am I still here?
48:39What are you waiting for?
48:40Where?
48:41The good news is.
48:42We made it through.
48:43The good news is.
48:44We made it through.
48:45The good news is.
48:46The good news is.
48:47I think he let me go.
48:48And I don't know why.
48:49Doctor.
48:50My angel says.
48:51Go to your friends.
48:52It'll wait.
48:53They'll all wait.
48:54It says.
48:55They're enjoying watching you work it out.
48:56What's going on?
48:57Doctor, it's been communicating with them.
48:58I can sense it.
48:59I don't know what it's said to them, but...
49:00Claire, don't worry.
49:01It's been communicating with them.
49:02I can sense it.
49:03I don't know what it's said to them, but...
49:04Claire, don't worry.
49:05Stay there.
49:07Whatever.
49:08What is it?
49:09My angel says?
49:10Go to your friends.
49:12It'll wait.
49:14They'll all wait.
49:15It says.
49:17They're enjoying watching you work it out.
49:20What's going on?
49:21Doctor, it's been communicating with them.
49:23I can sense it.
49:24I don't know what it's said to them, but...
49:26Claire.
49:27Don't worry.
49:28Stay there.
49:30Do you want to go any closer?
49:32We're stuck in 1901.
49:341901.
49:35With what?
49:37Maybe we should have brought that to you a little bit more gently.
49:40We can't cross the line.
49:42At the edge of the village, it's just stars.
49:44It's like we're marooned in space and it's creeping in on us.
49:47All right. Anything else?
49:49Yeah.
49:50What does quantum extraction mean?
49:55Of course.
49:58It's taking the village out of time.
50:01Out of space.
50:02To isolate.
50:05To extract the target.
50:08What target?
50:09All right.
50:12You've got what you came for.
50:14I want you to take your rogue angel out of Claire without harming her.
50:20And put this village, these people, safely back into their lives.
50:25Come on, rogue angel.
50:27Tell them to do that and I'll negotiate a deal between them and you.
50:32Well?
50:37No.
50:40What?
50:43My angel is saying no.
50:45It says it's made a better trade.
50:49No, they've agreed not to take it.
50:51Because they'll take you instead.
51:02This was his plan all along.
51:04Ahead in you.
51:09A human.
51:12To attract me.
51:14Because the only thing division wants more than my angel.
51:18Is you.
51:19You.
51:19You are a call.
51:29To division.
51:42No.
51:43No.
52:45Hey.
52:50You seen this person?
52:55Yeah.
52:57You kidding?
52:58Where is she?
53:00She left.
53:01When?
53:01Where'd she go?
53:02I don't know.
53:03It was a while ago.
53:04But time's cronky, you know?
53:12Listen, I saw her do something before she left.
53:19It's a bit of a walk from here, but if you've got time...
53:23It's just, uh, up there.
53:34No way.
53:39I think maybe she saved my life.
53:50If you see her, tell her.
53:55What time do you call this, huh?
54:12There's not much duration in these, so I'll be quick.
54:15Only one chance at recording, too.
54:17High stakes.
54:17Okay, so I was here, that's obvious, but I've had to go and help some people.
54:25There's a creature with a passenger form.
54:27They're abducting people.
54:28And you know me, I've never been a fan of the old abductions.
54:32I don't know where it'll lead me.
54:33I've got all the power you ship, and I'll keep the transponder blaring.
54:38Hurry up, instantly, Vendor.
54:40Oh, and, um, I love you.
54:44I really love you.
54:48I love you, too.
54:50Oh, uh, coordinates.
54:52So I'm heading to you.
54:53Oh, no, no, no, don't run away.
54:54No.
55:03No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
55:33it's very hard pattern optimization in progress we've been in this decade for three years now
55:45steam will ever get back
55:47earth's shield is now breachable how do you expect to pretend it's a full race i do not know
55:57can you feel the time it's growing it's working just as we planned
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