- il y a 2 jours
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00:05:21C'est ce que tu peux ?
00:05:23Qu'est-ce que tu m'arrête ?
00:05:25C'est ce qui m'arrête.
00:05:27Il y a beaucoup de gens qui m'arrête de voir Callahan burn.
00:05:29Tu es la seule personne qui m'arrête, si tu m'arrête.
00:05:32Est-ce que tu m'arrête pas si tu m'arrête ?
00:05:35C'est bon.
00:05:36Tu m'arrête.
00:05:38Je m'arrête plus facile.
00:05:40Oui.
00:05:41C'est ce que j'ai peur.
00:05:51C'est bon.
00:05:53C'est bon.
00:05:55C'est bon.
00:05:57Si je me suis fait, je n'arrête pas de m'arrêter.
00:06:00Fais-je pas de m'mon.
00:06:02Est-ce que vous ne m'arrête pas ?
00:06:04Est-ce qui m'arrête pas !
00:06:06En direction de la poncte à la finame ?
00:06:08C'est bon.
00:06:10Bien sûr, je n'arrête pas de m'arrêter !
00:06:12Le vendre dans what c'est.
00:06:14Je n'arrête pas.
00:06:16Si je n'arrête pas de lui,
00:06:18Sous-titrage Société Radio-Canada
00:06:48Sous-titrage Société Radio-Canada
00:07:18Sous-titrage Société Radio-Canada
00:07:47Sous-titrage Société Radio-Canada
00:08:47Sous-titrage Société Radio-Canada
00:09:19Sous-titrage Société Radio
00:09:49Sous-titrage Société Radio-Canada
00:10:19Sous-titrage Société Radio-Canada
00:10:21Sous-titrage Société Radio-Canada
00:10:23Sous-titrage Société Radio-Canada
00:10:25Sous-titrage Société Radio-Canada
00:10:27Sous-titrage Société Radio-Canada
00:10:29Sous-titrage Société Radio-Canada
00:10:31Sous-titrage Société Radio-Canada
00:10:33Sous-titrage Société Radio-Canada
00:10:35Sous-titrage Société Radio-Canada
00:10:37Sous-titrage Société Radio-Canada
00:10:39Sous-titrage Société Radio-Canada
00:10:41Sous-titrage Société Radio-Canada
00:10:43Sous-titrage Société Radio-Canada
00:10:45Sous-titrage Société Radio-Canada
00:10:47Sous-titrage Société Radio-Canada
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00:11:21Sous-titrage Société Radio-Canada
00:11:23Sous-titrage Société Radio-Canada
00:11:25Sous-titrage Société Radio-Canada
00:11:27Sous-titrage Société Radio-Canada
00:11:29Sous-titrage Société Radio-Canada
00:11:31Sous-titrage Société Radio-Canada
00:11:33Sous-titrage Société Radio-Canada
00:11:35Sous-titrage Société Radio-Canada
00:11:37Sous-titrage Société Radio-Canada
00:11:39Sous-titrage Société Radio-Canada
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00:11:43Sous-titrage Société Radio-Canada
00:11:45Sous-titrage Société Radio-Canada
00:11:47C'est parti, c'est parti, c'est parti, c'est parti.
00:12:17C'est parti, c'est parti.
00:12:47C'est parti.
00:13:17He's an old friend of mine.
00:13:19Is he traveling with anyone?
00:13:21No, sir.
00:13:22Do you have a Helen Carlson?
00:13:25She's sort of a platinum blonde.
00:13:27Pretty good-looking.
00:13:29Oh.
00:13:31No Helen Carlson.
00:13:33There's a tall blonde at Upper 2 Car 40.
00:13:35The brakeman's wife.
00:13:36But she's far from a good-looker.
00:13:38It's not important.
00:13:40She must have missed the train.
00:13:43Here's the San Francisco paper you asked for, sir.
00:13:45Come on, boy.
00:13:46Yeah, thanks.
00:13:50Say, I wonder what that means.
00:13:58You don't think that has anything to do with Wentworth and the election, do you?
00:14:01I don't see how it could.
00:14:02He's only running for governor.
00:14:03Must be the present administration.
00:14:05Do you mind telling me what's in my paper?
00:14:07Oh.
00:14:08It seems that my boss had a good tip.
00:14:10Looks like the surprise witness in the Callahan case gonna blast things wide open.
00:14:13That's true.
00:14:14Say, I wonder where they hid that witness during the trial.
00:14:17Well, it's not unusual for a defense counsel to pull something spectacular at the last minute.
00:14:22That's true.
00:14:23Hey, get this.
00:14:24Here's a guy who's got 26 kids.
00:14:26He must have been driven stork mad.
00:14:28That's very funny.
00:14:29Say, Mike, when you were a cop in San Francisco, didn't you pinch Callahan once?
00:14:34Mm-hmm.
00:14:35Yeah, for robbery.
00:14:36He's stuck up a gas station.
00:14:37He's got four years.
00:14:38He's got a wife and a couple of kids, hasn't he?
00:14:39I don't know.
00:14:40I haven't seen him since he got out.
00:14:41Why are you so interesting?
00:14:42My editor wants a feature story.
00:14:43The woman's angle.
00:14:44Oh, tear gas, huh?
00:14:45I've got to whip up some stuff in his background.
00:14:48You know, poor environment, never had a chance.
00:14:50That's the trouble with these sob sisters.
00:14:51They take some hoodlum that'd blow your brains out for a quarter and make a hero out of them.
00:14:55I'm not interested in this mug, Callahan.
00:14:56I'm interested in Kay Bentley.
00:14:57Don't you ever get tired of her?
00:14:58I didn't do so bad two years ago when I started the ball-roaring that got Taggart acquitted
00:15:00at the Globe Diamond robbery, did I?
00:15:01Yeah, I'll say you did.
00:15:02Then when he came to your office to thank you, he walked out with your purse.
00:15:05I didn't do so bad two years ago when I started the ball-roaring that got Taggart acquitted
00:15:08at the Globe Diamond robbery, did I?
00:15:10Yeah, I'll say you did.
00:15:11Then when he came to your office to thank you, he walked out with your purse.
00:15:15There wasn't much in it.
00:15:16So what kind of a chance do you think Callahan has?
00:15:19Oh, about as much chance as a snowball and a red-hot stove.
00:15:22They got him cold this time.
00:15:24Mike, when I interview him, will it be all right to mention your name?
00:15:27Yeah, sure, if you want to learn some new words.
00:15:30Shall we go?
00:15:32Why not?
00:15:33If you don't mind, I think I'll stay and have a little more coffee.
00:15:37Of course.
00:15:38It's been nice meeting any friend of Kay's.
00:15:40Yeah, it's been nice.
00:15:41These are yours, dear.
00:15:42Oh, thanks.
00:15:47Yeah.
00:15:48Looks more like a milk to me.
00:15:51Hey, Myers, anything there for me?
00:15:53Not a thing, Trout.
00:15:54It's the weirdest thing I've ever seen.
00:15:56There's something phony on this train that she's keeping it a secret.
00:15:59Anything could happen right under my nose.
00:16:01Well, there's room enough.
00:16:03There's three and four in the car.
00:16:04There's three in the car.
00:16:05There's one that's not a secret.
00:16:06There's one that's not a secret.
00:16:07There's two cars, Trout.
00:16:08Then there's two cars.
00:16:09There's two cars.
00:16:10There's one in the car.
00:16:11There's one in the car.
00:16:12Hey, man.
00:16:13You're taking these cars pretty fast.
00:16:14You're always still on the rails, you think.
00:16:15Ha, ha, ha.
00:16:17Il n'y a plus d'une minute, sir.
00:16:19Oui, je vais attendre la chambre.
00:16:25Je suis désolé.
00:16:27Qu'est-ce que vous voulez?
00:16:29Non, c'est un accident.
00:16:31J'espère que vous m'arrête.
00:16:35Je suis désolé.
00:16:37Qu'est-ce que vous voulez?
00:16:39Non, c'est un accident.
00:16:41J'espère que vous m'arrête.
00:16:43Je suis désolé.
00:16:45J'espère que vous m'arrête.
00:16:47J'espère que vous m'arrête.
00:16:49J'espère que vous m'arrête.
00:16:51Oui.
00:16:53Je n'aime pas les portes.
00:16:55Vous m'arrêtez de cliquer les portes.
00:16:57Vous m'arrêtez de cliquer les portes ?
00:17:07Vous êtes sick ?
00:17:09Non, pourquoi ?
00:17:11Vous m'arrête de mal.
00:17:13Vous m'arrêtez de mal.
00:17:15Je suis d'accord.
00:17:16Je suis d'accord.
00:17:17Il y a deux.
00:17:19Il y a des gens qui ont fait tout l'intest.
00:17:25Je pense que je vais aller.
00:17:27C'est bon, une fois.
00:17:29Il n'est pas une charge.
00:17:30Non, mais je...
00:17:31Je vais aller ?
00:17:32Non, merci.
00:17:33Je veux dire, le coup de moi parmi.
00:17:36Vous n'avez pas peur de moi.
00:17:38All I want is a drink, if you could spare one.
00:17:43Well, I...
00:17:44I hate to ask for it, but I'm in the dumps.
00:17:47I'll send one in.
00:17:50I, uh, don't like to drink alone.
00:17:54Oh, I'll bring something right away.
00:18:00Is there anything else you want, Miss?
00:18:01Yes, ma'am.
00:18:03There we are.
00:18:04Thanks.
00:18:05I'm going to my compartment to get a cigar.
00:18:07All right.
00:18:08Mr. Linscott?
00:18:17Yes?
00:18:19I'm called Izzard.
00:18:21I'm working on a little job for Caleb Wentworth.
00:18:25I see.
00:18:25Special detective, huh?
00:18:27What do you want with me?
00:18:31I'm in kind of a jam, and I need your help.
00:18:34What for?
00:18:35There's a woman on this train who could blow the Callahan case.
00:18:38It's wide open.
00:18:39Say, what are you driving at?
00:18:41Just this.
00:18:42It's very important that she doesn't get the San Francisco to testify.
00:18:46Say, I don't get it.
00:18:47What has the Callahan case got to do with Wentworth?
00:18:50Are you kidding?
00:18:51I know.
00:18:53Well, you can get that dope from Wentworth.
00:18:55But right now, what I want you to do is this.
00:18:58You're engaged to Kay Bentley.
00:19:00Now, she and Mike Shane used to be pretty good friends.
00:19:02Now, never mind that.
00:19:03I'm afraid you'll have to mind it.
00:19:05Because I want her to talk to Shane and find out where this woman is.
00:19:08Understand?
00:19:09Well, listen.
00:19:09I don't know what this is all about.
00:19:10And frankly, I'll just as soon forget it.
00:19:12If you'll excuse me.
00:19:13Now, listen, wise guy.
00:19:15I didn't want to tell you this.
00:19:17But you might as well know.
00:19:19Callahan is innocent, and this woman can prove it.
00:19:22What?
00:19:23That's right.
00:19:24You mean that they're railroading an innocent man?
00:19:26You catch on quick.
00:19:27But why?
00:19:28Lesson, you know as well as I do that Wentworth's company is under investigation.
00:19:33So, if Wentworth isn't elected governor, he'll have a new office.
00:19:37In San Quentin, and you may be with him.
00:19:42Think it over.
00:19:45Mike Shane is in car 38.
00:19:47Compartment B.
00:19:57Shut my big mouth.
00:20:21Mm-mm-mm.
00:20:24Boy, what a crap game I could have with this.
00:20:32Get behind me, Satan, and tie my hands.
00:20:36Lordy, little lordy.
00:20:37Why wasn't I born a little larceny in my soul?
00:20:40Folks ain't got no business being so careless with a blessing in life.
00:20:44Must be five or ten thousand dollars.
00:20:47Maybe fifteen.
00:20:51Say, it didn't take you long.
00:20:52No, the club car's writing back.
00:20:54What Santa Claus got there?
00:20:56This is the only way it comes.
00:20:58Midgets.
00:20:59Yes, they don't sell it in big bottles.
00:21:01Well, as long as there's enough of them.
00:21:02Do you think I should get some more?
00:21:04Oh, no, I was just kidding.
00:21:06Oh, well, glasses and everything.
00:21:17Say, in case I forget to tell you, you're a lifesaver.
00:21:19Oh, is it that bad?
00:21:20Almost.
00:21:21I don't know what I'd have done without you.
00:21:23Say, when?
00:21:24You don't have to with those.
00:21:26Oh, of course.
00:21:27I've never seen these little bottles before.
00:21:33I don't like to spoil good liquor.
00:21:42Well?
00:21:43No toast.
00:21:44I don't know any.
00:21:45You're evidently not a drinking man.
00:21:48Oh, I take one now and then.
00:21:50Sit down.
00:21:52Thanks.
00:21:53Cigarette?
00:21:54Why, I'll smoke one of these, if you don't mind cigars.
00:21:58Only at a smoker.
00:21:59Some ladies don't like them.
00:22:01Okay.
00:22:03Oh, isn't the liquor all right?
00:22:04Oh, couldn't be better.
00:22:06And when that suitcase busted open, it just spattered money.
00:22:12Must have been $20,000 or $25,000.
00:22:15Maybe $30,000.
00:22:16Mm-hmm.
00:22:17He must be one of them wall street typhoons.
00:22:20From the way that money flew, he's the whole hurricane.
00:22:22Ha, ha, ha, ha.
00:22:28The end of a perfect day.
00:22:29Oh, I, uh, I'll go when I finish this.
00:22:33Oh, I didn't mean for you to scram.
00:22:34What's the rush?
00:22:36Well, I, I really haven't any place to go.
00:22:39And sit still, silly.
00:22:43You're a funny duck.
00:22:44What do you mean?
00:22:45Jason.
00:22:46Everett Jason.
00:22:48Sounds like a school teacher.
00:22:50Or a doctor.
00:22:51I'm in the dry goods business.
00:22:53Dry goods?
00:22:54And me with a permanent thirst.
00:22:57Oh, I'm sorry.
00:22:59What do they call you for short?
00:23:05I, I've never been called anything for short.
00:23:09If.
00:23:12J.
00:23:13How's Jase?
00:23:15I'm fine.
00:23:19Well, Jase, down the hatch.
00:23:23Same to you.
00:23:27Mind if I sit now?
00:23:28Oh, no, of course not.
00:23:32Smoke?
00:23:33No, thanks.
00:23:34Wrong vice.
00:23:35Casually a little work back there.
00:23:36She's so interested in her job, I didn't want to disturb her.
00:23:38Yeah.
00:23:40Yes, she used to make me believe that.
00:23:45You know, Mr. Shane,
00:23:47I get worried about that girl sometimes.
00:23:49How so?
00:23:50Oh, the chances she takes.
00:23:52Oh, she's just naturally impulsive.
00:23:54Don't take her too seriously.
00:23:55You know, she told me she heard the secret witness for the Callahan cases, the board.
00:24:00She's determined to find out.
00:24:02Is that so?
00:24:03Yeah.
00:24:04If I thought the witness was on this train, I wouldn't let Kay out of my sight.
00:24:08Oh, let her look.
00:24:09Give her some exercise.
00:24:11I think I'll grab a breath of fresh air before I turn in.
00:24:14What would you do if you had your choice of anything in the world?
00:24:30Money, no objection.
00:24:32I think I'd go away where there's a lot of sun and water.
00:24:37No cops.
00:24:38You mean, uh, like a tropical island?
00:24:42Sure, good idea.
00:24:43Why not?
00:24:44Oh, tropics is no place for white women.
00:24:48A lot of malaria.
00:24:51Well, where would you go?
00:24:53I'm going to South America.
00:24:56South America?
00:24:57Yep.
00:24:58They've got everything there.
00:25:01Climate perfect all year round.
00:25:04And the scenery, magnificent.
00:25:06Who is this?
00:25:10Oh, come in.
00:25:13Kay, I, uh...
00:25:14I'll be with you in a minute.
00:25:18I ran into a story for you, a front page story.
00:25:21Well, let's have it.
00:25:22You've been curious to know why Mike Shana's going to San Francisco, haven't you?
00:25:25Yes.
00:25:26According to a friend I just met, Shana's hiding a woman somewhere on this train.
00:25:30A woman?
00:25:32Oh, now, wait a minute.
00:25:33That doesn't make sense.
00:25:34No, would it if the woman was a surprise witness for Callahan?
00:25:38Oh, we can't.
00:25:40Who is she?
00:25:42I think her name is, uh, Helen Carlson.
00:25:45Surprise witness, eh?
00:25:47And he hasn't seen Callahan in years.
00:25:50Why, that lying flat foot.
00:25:53Say, are you sure about this?
00:25:56It was told to me in strict confidence I wouldn't want my name mentioned.
00:25:58Well, okay, I'll check it myself.
00:26:00Oh, I have my own little ways of means committed.
00:26:02What's the matter?
00:26:06Oh, nothing.
00:26:10Trout wine.
00:26:11I guess that's the one he was looking for.
00:26:12If you see him, tell him I've got it.
00:26:13All right.
00:26:14Trout wine.
00:26:16I guess that's the one he was looking for.
00:26:18If you see him, tell him I've got it.
00:26:20All right.
00:26:22That's right.
00:26:24And Leander said it was $50,000 or maybe $60,000.
00:26:28Wow!
00:26:30He must have won the pot of gold.
00:26:32He must have won gold or silver or something.
00:26:44I don't know.
00:27:14That day.
00:27:22Come here.
00:27:44Oh, just a minute, please.
00:28:00Get in there.
00:28:01All right, now, be quiet.
00:28:11But, Kay.
00:28:12Oh, is this your cell?
00:28:14What, no.
00:28:15You see, I was just waiting here until they made up my berth.
00:28:18Well, I met a girlfriend.
00:28:19She said she was in this car.
00:28:20I was looking for her.
00:28:21You've got a nice clear night for her.
00:28:23I'm sure she said drawing room A.
00:28:26Oh, I did see a tall, dark girl with rather full of brush eyelashes.
00:28:31Right down by the water cooler.
00:28:32Oh, no, no.
00:28:33This one's sort of blonde.
00:28:35She's an old schoolmate of mine.
00:28:36Grammar school.
00:28:37I haven't seen any old girls.
00:28:40Well, she's not old.
00:28:41About my age.
00:28:42And still going to grammar school, my.
00:28:44She must be rather mentally round-shouldered.
00:28:51Well, come on in.
00:28:53You've never seen a drawing room before.
00:28:56This, uh, this room's a little larger than mine.
00:29:00Yeah, is it?
00:29:01Yes, they say that some are larger and some are smaller.
00:29:05I guess it's because of the size, huh?
00:29:08You, uh, you might invite me to sit down.
00:29:11Oh, sure.
00:29:11Go ahead.
00:29:12Sit down.
00:29:12Take a load off your arches.
00:29:14Thanks.
00:29:17Oh, you can leave the door open.
00:29:19Oh, no, no.
00:29:20That isn't necessary.
00:29:21I trust you.
00:29:28Say, you know, that guy you're engaged to is pretty smooth.
00:29:32Yes, isn't he?
00:29:34I never thought you'd go for a guy like that.
00:29:36You always picked him kind of, you know, rowdy.
00:29:40The kind that you meet in your racket, you know?
00:29:41Oh, no, no, no.
00:29:49What's the matter?
00:29:49No, I need some water.
00:29:50Oh, no, no, I'll get the water.
00:29:51Oh, it's all right.
00:29:51I can get it.
00:29:52No, I'll get the water.
00:29:52Oh, no, really, thank you.
00:29:53Thank you.
00:29:54Well, all right if you insist.
00:29:55I... I feel better.
00:30:16Oh, that's good.
00:30:17That's...
00:30:18Say, look, uh, let's go up the clock.
00:30:48Oh, no, this is fun here.
00:30:50Oh, well, they've got a nice radio up there.
00:30:51Oh, radios never work on trades.
00:30:53Come on, stay here.
00:30:54Aren't your base paid up now, sir?
00:30:56What?
00:30:56I...
00:30:57I told you to make it up before.
00:30:59Uh, no, sir.
00:31:01You didn't tell me.
00:31:02Well, I ain't seen you since you got on.
00:31:04All right, then.
00:31:05It must have been your brother.
00:31:06I ain't got no brother.
00:31:07All right, then.
00:31:08Forget about it.
00:31:09Make it up later.
00:31:10Yes, sir.
00:31:12Slipping Mike.
00:31:13You used to be able to cover up much better than that.
00:31:16Cover up?
00:31:16Well, I'd skip it.
00:31:17Say, what's the number of this car?
00:31:1938.
00:31:2038?
00:31:21Oh, I thought it was 28.
00:31:23Now, isn't that stupid?
00:31:25Yeah.
00:31:27I'll go find 28.
00:31:28Excuse me.
00:31:31I'll be anxious to know if you find your friend.
00:31:33Oh, I'll find her.
00:31:35You know, there isn't any car 28 on this train.
00:31:38Or maybe you were thinking of two other trains, huh?
00:31:40Oh, yeah.
00:31:41Oh, yeah.
00:31:42Oh, yeah.
00:31:42Oh, yeah.
00:31:43Oh, yeah.
00:31:43Oh, yeah.
00:31:44Oh, yeah.
00:31:44Oh, yeah.
00:31:45Oh, yeah.
00:31:46Oh, yeah.
00:32:05Porter, have you something for a headache?
00:32:06No, ma'am.
00:32:06But I'll try to get you something.
00:32:07Merci.
00:32:37Porter!
00:32:38Porter!
00:32:39Porter!
00:33:07C'est parti, c'est parti.
00:33:37C'est parti, c'est parti, c'est parti.
00:34:07C'est parti, c'est parti.
00:34:09C'est parti.
00:34:11C'est parti.
00:34:13C'est parti.
00:36:15C'est parti.
00:36:17C'est parti.
00:36:19C'est parti.
00:36:21C'est parti.
00:42:53C'est parti.
00:44:55C'est parti.
00:45:27C'est parti.
00:45:29C'est parti.
00:45:31C'est parti.
00:45:33C'est parti.
00:45:35C'est parti.
00:45:36C'est parti.
00:45:37C'est parti.
00:45:38C'est parti.
00:45:39C'est parti.
00:45:40C'est parti.
00:45:41C'est parti.
00:45:42C'est parti.
00:45:43C'est parti.
00:45:44C'est parti.
00:45:45C'est parti.
00:45:46C'est parti.
00:45:47C'est parti.
00:45:48C'est parti.
00:45:49C'est parti.
00:45:50C'est parti.
00:45:51C'est parti.
00:45:52C'est parti.
00:45:53C'est parti.
00:45:54C'est parti.
00:45:55C'est parti.
00:45:56C'est parti.
00:45:57C'est parti.
00:45:58C'est parti.
00:45:59C'est parti.
00:46:00C'est parti.
00:46:01C'est parti.
00:46:02C'est parti.
00:46:03C'est parti.
00:46:04C'est parti.
00:46:05C'est parti.
00:46:06C'est parti.
00:46:07C'est parti.
00:46:08C'est parti.
00:46:09C'est parti.
00:46:10C'est parti.
00:46:11C'est parti.
00:46:12C'est parti.
00:46:13C'est le mec, c'est le mec.
00:46:15C'est le mec.
00:46:17C'est le mec.
00:46:19Il est en train de faire un déjeuner.
00:46:21Je pense que vous n'êtes pas truée de l'autre.
00:46:23C'est le mec, c'est un embezzler qui est en train de tirer.
00:46:25Je veux que vous vous abonner à l'autre.
00:46:27Si il faut que tu déjeuner, tu peux pas le déjeuner.
00:46:29Je vais attendre.
00:46:31Oui, mais parce que le mec a l'air a beaucoup de cash,
00:46:33il ne faut pas faire ça.
00:46:35Vous êtes en train de faire ça.
00:46:37Oui, absolument.
00:46:43Il faut que tu déjeuner.
00:46:45Il est en train de faire un déjeuner.
00:46:47Il a été 30 minutes depuis que nous avons eu l'air.
00:46:49Je suis là.
00:46:51Oui, c'est ce qu'il dit ?
00:46:52Il dit qu'il faut que tu n'a pas le déjeuner,
00:46:54tu peux aller et aller.
00:46:55Oh, il dit, hein ?
00:46:56Quand on arrive à la division, je vais faire un déjeuner.
00:46:58C'est ce qu'il faut.
00:47:00C'est ce qu'il faut.
00:47:02C'est ce qu'il faut.
00:47:06C'est ce qu'il faut.
00:47:08C'est ce qu'il faut.
00:47:10Oui.
00:47:11C'est ce qu'il faut.
00:47:13Le c'est...
00:47:14C'est Carl Izzard.
00:47:15C'est ce qu'il faut.
00:47:16Je ne sais pas.
00:47:17C'est ce qu'il faut.
00:47:18C'est ce qu'il faut.
00:47:19C'est ce qu'il faut.
00:47:22Qu'est-ce que tu es?
00:47:23Tu sais pas.
00:47:24Dés cuanto tu et moi,
00:47:26il y a beaucoup en commun.
00:47:27C'est ce qu'il faut.
00:47:28Oui.
00:47:29Tu m'impaar si j'aille.
00:47:30No, non.
00:47:31Sous-tit.
00:47:32Sous-tit.
00:47:33Sous-titrage Société Radio-Canada
00:48:03Now, all you gotta do is introduce me to a certain young lady.
00:48:08Ah, it's just my luck. I don't know any young ladies.
00:48:12You don't?
00:48:12No.
00:48:13Not for three grand?
00:48:15No.
00:48:15On the line?
00:48:16Mm-mm.
00:48:18Well, would you know any young ladies for, say, $3,500?
00:48:22I'm sorry.
00:48:23How much are you getting for the Carlson job?
00:48:26Ask the quiz, kids.
00:48:28After when we're selected governor, maybe they'd be head of the state police department.
00:48:32Oh, no thanks, no.
00:48:35You see, there's so much responsibility, you know.
00:48:37No.
00:48:39You're a hard man to do business with.
00:48:40Not always.
00:48:42Come on, Shane. Let's stop clowning.
00:48:44Every man has his price. What's yours?
00:48:46What do you think?
00:48:47I think $5,000, and that's tops.
00:48:49Well, you're all wrong.
00:48:53Now, go on. Get out of here.
00:48:54You're a chump, Shane.
00:48:59Yeah.
00:48:59This opportunity won't knock again.
00:49:02It's too bad for me, isn't it?
00:49:06Where's the girl?
00:49:08Now...
00:49:08Come on. Quit the stalling.
00:49:13Now, listen.
00:49:16You fire that gun, and the whole train's going to come piling in here.
00:49:20Yeah?
00:49:22It'll be pretty hard to hear a shot when you go by a crossing or another train comes by.
00:49:27So you better change your mind, because one's liable to come along any minute.
00:49:31Aren't you afraid you're going to have a little trouble finding that girl without my help?
00:49:35I'll take that chance.
00:49:36I'll take that chance.
00:50:06I'll take that chance.
00:50:35What happened?
00:50:35Qu'est-ce que ça?
00:50:41Hey, Kay, est-ce que ça?
00:50:42Oui, je pense qu'est-ce que ça?
00:50:45C'est une fille qui est conseillée.
00:50:48J'en suis un peu plus de car.
00:50:50S'il vous plaît.
00:50:51Je vous plaît.
00:50:52Je vous plaît.
00:50:52Je vous plaît.
00:50:54Je vous plaît.
00:50:55Je pense que c'est une fille.
00:50:56C'est une fille qui est plus bête.
00:50:59Il y a une fille.
00:51:00Elle est très bien.
00:51:01C'est une autre car.
00:51:02C'est peut-être que je peux.
00:51:04Oh, thanks. I'll be right back.
00:51:14This goes out like a light. Get a wet towel, quick.
00:51:18Is anybody here a doctor?
00:51:19No.
00:51:20Hey, what happened?
00:51:21Use the cab of that truck we hit to get them into Kingsley at three miles west.
00:51:25And phone Division Point and have them send an engine and a wrecking crew to home.
00:51:31Nice mess that old fool got us into.
00:51:33Oh, yeah?
00:51:34The only guy that can stick to his engine like he did is okay in my book.
00:51:45Mike!
00:51:46Boy, I must be in the wrong car.
00:51:50What's the matter with her?
00:51:51I don't know yet.
00:51:54Take it easy, honey. You'll be all right.
00:51:57Say, I think you two better get out of here. I can take care of her better alone.
00:52:00Oh, but look, maybe I can put the...
00:52:01Oh, come on, Mike. Please.
00:52:11Say, uh, that girl may need a doctor. I'll try and find one.
00:52:13That's a good idea.
00:52:14Hey!
00:52:24Somebody come in here!
00:52:26Anybody out there?
00:52:28Help!
00:52:30Help!
00:52:33Good gracious of me!
00:52:35What's the matter, sir?
00:52:36Come on.
00:52:37Come on.
00:52:38Hurry up and untie me.
00:52:40You sure isn't that a pretty?
00:52:43Yeah.
00:52:44I was hanging up my overcoat when the crash came and got twisted in the belt.
00:52:48If I hadn't seen it with my own eyes, I never would have believed it.
00:52:52Come on. Hurry up.
00:52:54Oh.
00:52:56What happened?
00:52:57Little accident.
00:52:58You've got a bad bump.
00:53:00I must have taken a swell header all right.
00:53:03Oh, I passed out cold.
00:53:08Where's Jace?
00:53:10Who?
00:53:11The man who was in here with me. Is he all right?
00:53:12Oh.
00:53:14Oh, yes, yes. He went out to find a doctor.
00:53:16Don't get a doctor.
00:53:17Don't get anybody.
00:53:19Are you Helen Carlson?
00:53:22No.
00:53:23No, I'm not.
00:53:24Mike Shane's taking you to San Francisco on the Callahan case, isn't he?
00:53:28Who are you?
00:53:30Oh, it's all right. You can trust me.
00:53:32Yeah.
00:53:33That's the same kind of a line Shane handed me.
00:53:35Sure, I know all about Shane. He'd do anything to get in the limelight.
00:53:39Here. You'd better take it easy.
00:53:43How did you know who I was?
00:53:45Why, I heard someone talking on the train.
00:53:50And Shane was right. There are people.
00:53:53I really want to help you. Please believe me.
00:53:59I guess it wouldn't do me any good not to.
00:54:02That is, if you really want to help.
00:54:04Well, what can I do? Tell me.
00:54:06Keep Jace out of sight. He'll be back here, and if Shane finds him...
00:54:08He won't.
00:54:10How do you know?
00:54:11He was in here right after Jace left, and I got rid of him.
00:54:15Oh, thanks. Thanks terribly.
00:54:18That looked like the girl?
00:54:20Yes, that's her, all right.
00:54:22You know, I figured she was Helen Carlson when Shane came into the room.
00:54:25I'll take care of her right away.
00:54:27Now, wait a minute.
00:54:28I think this Carlson girl would jump at some real money.
00:54:30Let me try it first, huh?
00:54:32All right. But work fast.
00:54:35And look out for Shane. He's no fool.
00:54:37Right.
00:54:38I'll take care of him.
00:54:39I'll take care of him.
00:54:42It's funny I never met anybody like Jace before.
00:54:46First, I was kind of amused at him.
00:54:49After a while, I... I got to understand him.
00:54:53I really like him.
00:54:57He seems to think I'm okay, too.
00:55:00He wants me to go to South America with him.
00:55:02Well, why don't you?
00:55:07Well, do you think it'll be all right?
00:55:08Oh, why not?
00:55:10I couldn't find a doctor.
00:55:12Oh, it's all right, Jace.
00:55:14This is Kay Bentley.
00:55:16She knows all about everything.
00:55:17I told her.
00:55:22Who is it?
00:55:23Tom.
00:55:24Come on.
00:55:31Kay, I've got to talk to that girl.
00:55:33You can't, Tom. Not now.
00:55:35But you've got to let me speak to her, Kay. It's important.
00:55:36Everything depends on it.
00:55:38Everything?
00:55:39Yes, everything. Believe me.
00:55:40My career. Our future.
00:55:42You can leave me out of it.
00:55:43What?
00:55:44Tom, why did you fake that story of a friend telling you about Helen Carlson?
00:55:48Oh, I had to find out where the girl was.
00:55:49Then why didn't you come to me on the level?
00:55:51Now, wait a minute, Kay.
00:55:52I'm going to use my friendship with Michael Shane.
00:55:54Be reasonable, will you?
00:55:55Here.
00:55:56This should be good for a down payment on your next romance.
00:56:00But Kay!
00:56:08Who was that?
00:56:09Huh?
00:56:10Oh, just the guy who was and isn't anymore.
00:56:14Say, are you catching your boat out of San Francisco?
00:56:16Yes.
00:56:17Something tells me it isn't healthy for you to hang around here.
00:56:19I'm going out and find a way to get you there.
00:56:21Jace, I don't want you to get mixed up in this.
00:56:22I'll get my things.
00:56:23Be right back.
00:56:24But, Jace.
00:56:25I'm going to lock the door.
00:56:26Mr. Travai!
00:56:27Mr. Travai!
00:56:28What's the matter?
00:56:29That man you were looking for, that investor, I saw him go into this apartment.
00:56:30Are you sure?
00:56:31What do you think I am?
00:56:32Is he illiterate?
00:56:33No, no.
00:56:34We've got to be careful.
00:56:35You watch that end of the car, I'll stay here.
00:56:36If he tries to get off your end, stop him.
00:56:37Understand?
00:56:38Yes, sir.
00:56:39All right, get up there.
00:56:40Look, I tell you, this is a matter of life and death to me.
00:56:42I've got to be in Ogden before tomorrow morning.
00:56:43I'll make it worth your wine.
00:56:44Ogden?
00:56:45Why, that's over 200 miles.
00:56:46What's the matter?
00:56:47Can't your car make it?
00:56:48Make it?
00:56:49Why, she's as good as the day I bought her.
00:56:50All right.
00:56:51I've got to be in Ogden before tomorrow morning.
00:56:52I'll make it worth your wine.
00:56:53Ogden?
00:56:54Why, that's over 200 miles.
00:56:55What's the matter?
00:56:56Can't your car make it?
00:56:57Make it?
00:56:58Why, she's as good as the day I bought her.
00:56:59I've nursed her along like a baby for 10 years.
00:57:01Yeah.
00:57:02Why, I just put in new rings last year and ground the valve.
00:57:03How much?
00:57:0440 horsepower.
00:57:05And she runs quickly.
00:57:06No, no, no.
00:57:07I don't mean that.
00:57:08How much for a fast run to Ogden?
00:57:09Well, let's see.
00:57:10There's the gas.
00:57:11That'd be about, uh, uh, entire gas.
00:57:13I've got to be in Ogden before tomorrow morning.
00:57:15I'll make it worth your wine.
00:57:16Ogden?
00:57:17Why, that's over 200 miles.
00:57:18What's the matter?
00:57:19Can't your car make it?
00:57:20Make it?
00:57:21Uh, there's the gas.
00:57:22That'd be about, uh, uh.
00:57:23And tires.
00:57:24Them tires is the best six-ply.
00:57:25$60.
00:57:26Uh, make it 80.
00:57:28I'll split the difference with you.
00:57:30All right, mister.
00:57:31Okay, here's $20.
00:57:32I'll give you the other 50 when we get to Ogden.
00:57:35All right, but first I gotta drive to my place and get some gas.
00:57:38Oh, wait a minute.
00:57:39Can't you get it around here?
00:57:40Mister, it's after midnight.
00:57:42Well, all right, but hurry it up, will ya?
00:57:44And look, I'll meet you right next to that clump of trees over there.
00:57:47Go on, beat it.
00:57:51Stop him!
00:57:52Stop him!
00:57:53Stop him!
00:57:54Hey, what is that?
00:57:55Oh, thought you could get away with him.
00:57:57I'm taking advantage of a wreck.
00:57:58What's the matter, lady?
00:57:59This man's a thief.
00:58:00Let go of him.
00:58:01Now, wait a minute, buddy.
00:58:02All right.
00:58:03This crook stole my diamond pen.
00:58:04Are you sure?
00:58:05Sure, I'm sure.
00:58:06I just caught him trying to make a getaway.
00:58:08Go on, search him.
00:58:09All right, sure.
00:58:10Go ahead, search me.
00:58:11I got nothing to hide.
00:58:12I don't know what your game is, but I'll find out.
00:58:14That's yours.
00:58:15Oh.
00:58:16Is this it?
00:58:17Yes, that's it, all right.
00:58:18Well, that's a fine thing.
00:58:20And you've got such an honest face, too.
00:58:22Say, now, look.
00:58:23This dame is wacky.
00:58:24She planted that pin in my pocket herself.
00:58:26That's a fine story.
00:58:28My name is Michael Shane.
00:58:29Here.
00:58:30Here's my credentials.
00:58:31I'm a private detective.
00:58:32Sure, sure.
00:58:33I'm the Lone Ranger.
00:58:34Oh, very funny.
00:58:35Yeah.
00:58:36Well, you better come along with me, mister,
00:58:37so we can check up on you.
00:58:38Well, I tell you, I'm Michael Shane.
00:58:39I'm a detective.
00:58:40Oh, yeah?
00:58:41Let's go search his luggage.
00:58:42He's probably got a hat full of stuff.
00:58:43Well, you and I are going to get along.
00:58:45I can see you.
00:58:48Is that you, Jase?
00:58:49Yes.
00:58:54Who are you?
00:58:57What do you want?
00:58:58Now, let's not get excited.
00:59:00I got $5,000 that belongs to you.
00:59:03What do you mean?
00:59:04Well, all you have to do is get off this train.
00:59:06With me.
00:59:07Get out of here.
00:59:08Oh, I know.
00:59:09I had too much trouble getting in here.
00:59:12Now, listen, if I were you.
00:59:14I'm not listening to anybody.
00:59:15Get out!
00:59:16Now, get this straight.
00:59:17It's up to you.
00:59:18Either you take the dough and come with me or...
00:59:24What happened?
00:59:25Who is he?
00:59:26I don't know.
00:59:27He came in here and threatened me.
00:59:28We better get out of here.
00:59:33This way.
00:59:40Hey, wait a minute.
00:59:41You got a car?
00:59:42Yes.
00:59:43We'd better go around the train.
00:59:44There are too many people on this side.
00:59:45Mr. Trotwein.
00:59:46That hem, judge is gone for that side of the train.
00:59:47He's headed this way.
00:59:48Why didn't you stop him?
00:59:49Not me!
00:59:51I've got a car.
00:59:53Well, that was him, you had a car.
00:59:54Get out of here.
00:59:55You had a car.
00:59:56Get out of here.
00:59:57Now, let's go.
00:59:58It's not him.
00:59:59You're a car.
01:00:00You're a car.
01:00:01You're a car.
01:00:01You're a car.
01:00:02You're a car.
01:00:04You're a car.
01:00:05You're a car.
01:00:06It's a car.
01:00:07You're a car.
01:00:08You're an car.
01:00:09I said, you're a car.
01:00:10Sous-titrage Société Radio-Canada
01:00:40Si je n'ai pas hâte de faire le déjeuner, il n'y aurait pas de déjeuner.
01:00:50Je suis votre nouveau client, monsieur.
01:00:51Je ne sais pas.
01:00:52Il n'y a pas de déjeuner.
01:00:53Nous allons aller à Ogden.
01:00:55Mais il était à payer mes $70.
01:00:57Il m'a pas de déjeuner.
01:00:58Il m'a pas de déjeuner.
01:00:59Je suis à déjeuner.
01:01:00Allez, hurry !
01:01:03Je vais y aller !
01:01:04Hey !
01:01:06Hey !
01:01:07Hey !
01:01:08Hey !
01:01:12But he must be an embezzler.
01:01:13What else would they have sent me for?
01:01:15Oh, I forgot.
01:01:16Here's a telegram for you.
01:01:17Well, it's about time.
01:01:19If I hadn't taken things into my own hands,
01:01:21this guy would have been out of the country by now.
01:01:36Well, it seems as if that had been a mistake... somewhere.
01:01:48Rippin' right along like a breeze, ain't she ?
01:01:50Uh-huh.
01:01:51Say, uh, what are you gonna do when we get to Ogden ?
01:01:54Why ?
01:01:55Oh, I thought maybe you and me could look around,
01:01:57see the sights, and go to some nice place to eat.
01:02:00That'd be just dandy.
01:02:01I know a place where you can get a table to holdy dinner
01:02:03with a choice of three vegetables and your fortune toll for 35 cents.
01:02:06I bet the floor show's terrible.
01:02:09Say, how you holdin' out back there ?
01:02:11Fine.
01:02:15What's that ?
01:02:16Don't know.
01:02:17Just gettin' her second wind, I guess.
01:02:28Can't imagine what the trouble is.
01:02:30She never acted this way before.
01:02:35At least, not lately.
01:02:39Ain't that a beautiful set of pipes ?
01:02:41Yes, yes, beautiful.
01:02:43But go on and fix it.
01:02:45Well, now, let's see.
01:02:46That could be the carburetor.
01:02:48Then again, it might be the ignition.
01:02:50Or the water pump.
01:02:51Well, pick out a good one, but let's get going.
01:02:53Look, I'm gonna go on up to that farmhouse.
01:02:56What for ?
01:02:57Well, I think I'd better phone my mother.
01:02:58She may have heard about the wreck,
01:02:59and she'd be worried.
01:03:00I'll be right back.
01:03:01I'll go with you.
01:03:02No, no, you stay there with Helen.
01:03:04Doggone.
01:03:05Can I help you with that ?
01:03:06I don't think so.
01:03:08Looks like the gas line's clogged.
01:03:09Ain't no gas comin' through.
01:03:12Is that you ?
01:03:13I don't think so.
01:03:14Looks like the gas line's clogged.
01:03:15Ain't no gas comin' through.
01:03:18Is that you, Lulu ?
01:03:20What is it this time ?
01:03:21Chickenpox or measles ?
01:03:22It's not Lulu.
01:03:23It's me.
01:03:24Who ?
01:03:25I'm sorry to break in so late at night,
01:03:26but our car broke down.
01:03:27We're on our way to Ogden.
01:03:28I was wondering if I could use your phone.
01:03:29Well, sure.
01:03:30Wait a minute.
01:03:31I come right down.
01:03:32Honey, you're shivering.
01:03:33Here, take my coat.
01:03:34Oh, no, please, Jase.
01:03:35Maybe we'll get back.
01:03:36I'll get back.
01:03:37I'll get back.
01:03:38I'll get back.
01:03:39I'll get back.
01:03:40I'll get back.
01:03:41I'll get back.
01:03:42I'll get back.
01:03:43I'll get back.
01:03:44I'll get back.
01:03:45I'll get back.
01:03:46I'll get back.
01:03:47Maybe we can wait in that farmhouse.
01:03:49Good idea.
01:03:50Blow your horn when it's fixed, will you ?
01:03:52Okay, mister.
01:03:57Come right in.
01:03:58Thank you.
01:03:59I'm awfully sorry to disturb you so late at night.
01:04:01Oh, you don't disturb me.
01:04:04I thought you were my half-sister.
01:04:06She lives down at peace.
01:04:08And one of the kids always manages this time the night
01:04:12to develop something.
01:04:14Oh, didn't I tell you?
01:04:17No.
01:04:18Oh.
01:04:19What's the matter?
01:04:20The call will take an hour to fix.
01:04:21We thought maybe we could warm up inside.
01:04:22Oh, sure.
01:04:23Come right in.
01:04:24Oh, thank you.
01:04:25I am tickled to death to have call us.
01:04:26I rarely see anybody except the neighbors.
01:04:27And they are mostly my relatives, some kind or other.
01:04:29But you must be frozen going out this time tonight.
01:04:42It's no cold or anything.
01:04:44Well, you see, they're eloping.
01:04:48Eloping?
01:04:49Eloping?
01:04:50Oh.
01:04:51Oh, how romantic.
01:04:53It takes me back to the time when I wanted Hiram to elope with me.
01:04:58But he wouldn't.
01:04:59He was afraid of my pa.
01:05:01You better come in the dining room.
01:05:03It's very nice.
01:05:04Oh, excuse me.
01:05:05Where's the telephone?
01:05:06Over there.
01:05:07Oh, when I left a little fire last night,
01:05:09so we put a little wood on it.
01:05:11Now, you see how warm it is?
01:05:13I'm going to fix that fire.
01:05:20Hello.
01:05:21Hello, operator.
01:05:22Give me long distance, please.
01:05:23I'm going to make you some nice fresh tea.
01:05:25Oh, please don't bother.
01:05:26Oh, it's no trouble at all.
01:05:28It will take me only a minute.
01:05:30Make yourself at home.
01:05:31You see, I will be right back.
01:05:33It won't take so long to make some tea.
01:05:37Hello, long distance.
01:05:38I want to put in a call to the Denver Tribune.
01:05:41Yeah, it's in Denver.
01:05:42That's right.
01:05:47Thanks a lot, Chief.
01:05:48Hey, where'd they go?
01:05:49Oh, it's you.
01:05:50You see, it was this way, mister.
01:05:51I was waiting there for you.
01:05:52Then that girl came along.
01:05:53Oh, never mind about that.
01:05:54Where did they go?
01:05:55Oh, in that farmhouse.
01:05:56Hey, wait a minute.
01:05:57I owe you $20.
01:05:58A lunatic.
01:05:59No.
01:06:00I tell you, I have Helen Carlson with me right now.
01:06:02Yes, yes, that's right.
01:06:03I'm taking her to San Francisco as a surprise witness
01:06:04on the campus.
01:06:05I'm taking her to San Francisco as a surprise witness
01:06:06on the campus.
01:06:07I'm taking her to San Francisco as a surprise witness
01:06:09on the campus.
01:06:10on the Callahan case.
01:06:11I practically lifted her from under the snoot
01:06:13of a dumb dick.
01:06:14Yeah.
01:06:15The story's a trip's body and soul.
01:06:17Hey, and wait a minute.
01:06:18Tell that hatchet puss, Mitchell, I want a bonus.
01:06:27Hello, tits.
01:06:28What are you doing here?
01:06:31I'm the pest control man.
01:06:32Where's that girl?
01:06:33Crazy.
01:06:34What girl?
01:06:35Don't you see?
01:06:36We've got a chance to get something out of luck.
01:06:38Shane.
01:06:39Hey.
01:06:40What's he got to do with all this?
01:06:41He's got nothing to do with it.
01:06:42I just met him on the train.
01:06:44All right, then you better tell him goodbye.
01:06:45Come on, we're going.
01:06:46She's not going with you.
01:06:47Did you tell him why I'm taking you to San Francisco?
01:06:50Yes.
01:06:51Why don't you give her a break, Mike?
01:06:52All right, now you just stay out of it.
01:06:53You're a big lug tossing that poor kid around.
01:06:54She's down and you're gonna give her the last kick,
01:07:10smearing her name across the headlines and all
01:07:12for a big fee from a small town hoodlum.
01:07:15And just what were your plans?
01:07:17I'm going to help them.
01:07:18Oh, big hearted Hannah.
01:07:19That's the truth.
01:07:20Yeah that's not the truth.
01:07:21My heart is my heart.
01:07:22How about you?
01:07:23Oui, j'ai vu que j'ai vu que j'ai pris des fesses de la journée, mais c'est la meilleure.
01:07:28Vous savez qui cette fille-là vraiment ?
01:07:31Tout je sais, c'est qu'elle est au niveau avec nous.
01:07:33Elle a aidé nous en train et a la voiture.
01:07:35Alors, peut-être que vous devriez faire un peu de travail avant que vous étiez très amoureux.
01:07:39Elle est une reporter sur la tribune de Denver.
01:07:41Il est fou !
01:07:42Tout vous êtes, c'est une copie pour elle, c'est sûr, des dollars, des headlines, des circulations.
01:07:46Je ne crois pas.
01:07:47All right, vous appelez le long-distance operator si vous voulez savoir pour vous.
01:07:51Je m'appelle ma mère.
01:07:53Je m'appelle ma mère, le night editor sur la tribune de Denver.
01:08:04Alors, vous êtes prêts à aller?
01:08:08Je dis qu'elle n'est pas avec vous.
01:08:10Pourquoi elle risque tout pour un ex-convict qui est probablement juste ce qui vient de lui ?
01:08:15Je ne pense pas que Helen vous dit tout.
01:08:17Ce que tu veux dire ?
01:08:19Que quelqu'un d'autre a besoin juste comme elle.
01:08:21C'est un peu comme ça.
01:08:22Callahan.
01:08:24Je sais, il a été en train de la prison pour le robberie, parce que je lui ai mis.
01:08:27Mais il a servi de cette période.
01:08:29Mais depuis qu'il est arrivé, il a été très difficile.
01:08:31Mais il a été très difficile.
01:08:32Je sais que ça.
01:08:34Il ne va pas de l'argent pour le faire, parce qu'il n'a pas un déjeuner.
01:08:39Je suis éclaté sur la question de sa famille et ses enfants.
01:08:42Je veux voir qu'ils a la mort.
01:08:44Je ne sais pas ce que vous dites.
01:08:51C'est bon.
01:08:53Non, mais je ne sais pas.
01:08:55Je suis désolé, mais...
01:08:56Je suis désolé, mais elle ne va pas...
01:08:59Je disais, je suis désolé !
01:09:01Pour ça, tu ne sais pas ce que tu es.
01:09:04Je veux dire, Shane.
01:09:06Allez, donne la main.
01:09:08Jace, il est bien.
01:09:10Je dois aller enlever Callahan.
01:09:12Je n'ai jamais eu de problème.
01:09:14Je ne sais pas où je vais, il faut toujours aller.
01:09:18Et je vais vous dérouler.
01:09:20Vous seriez pas de malade.
01:09:22Pas de malade.
01:09:24Oui, je suis désolé.
01:09:26Je veux que vous retourne à Avondale.
01:09:28Je veux dire ça, Jace.
01:09:30Il faut toujours être part de vous.
01:09:32Vraiment de votre sécurité et de votre santé.
01:09:34Mais, notre plan, nous ne pouvons pas les faire comme ça.
01:09:37Bien sûr, nous ne pouvons pas.
01:09:39Parce que je sais que c'est le droit.
01:09:41Tu n'as pas besoin d'avoir du travail.
01:09:42Tu n'as pas besoin d'avoir un bon dur.
01:09:44Tu n'as pas besoin d'avoir un bon dur.
01:09:45Tu n'as pas besoin d'avoir un bon dur.
01:09:47Je ne sais pas, c'est ce qui m'a dit qu'il y a pas.
01:09:48Tu n'as pas besoin d'avoir un bon dur.
01:09:51Je veux que tu n'as pas besoin d'avoir un bon dur.
01:09:53Merci, Ellen.
01:09:58C'est ce qui m'a dit.
01:10:00Tu n'as pas à la fin de temps de me très longtemps.
01:10:02Oh, ici, une autre.
01:10:04Oui, c'est un autre.
01:10:05Il était en train de s'y faire.
01:10:07Oh, mais tu ne devais pas qu'il te laisser.
01:10:09Oui, c'est ce que j'ai toujours dit.
01:10:11Nous devons avoir de peau avant que ça se fasse.
01:10:13Oh, je suis désolé, mais le car est prêt et nous devons vraiment aller.
01:10:16Oui.
01:10:17Oh, c'est un shame.
01:10:18Mais je comprends.
01:10:19Vous devriez aller.
01:10:20Oh, merci.
01:10:21Bye.
01:10:22Bye.
01:10:23Je suis sûre que vous deux seront très, très heureux.
01:10:27Merci.
01:10:28Je suis sûre que vous allez.
01:10:31Est-ce qu'il y a un bus ici à Avondale?
01:10:33Oui, c'est qu'il y a un bus très bientôt.
01:10:36Mais vous me dites que vous allez à Ogden.
01:10:38Oui, c'est bien.
01:10:39Vous avez été grand.
01:10:40Oh, je suis sûre.
01:10:41Vous avez été bien.
01:10:42Oh, non à tout.
01:10:43Bye, dear.
01:10:44And, come and see me.
01:10:45Let me know how we are getting along.
01:10:47Oh, we won't.
01:10:48Goodbye.
01:10:49God bless you all.
01:10:50It was lovely.
01:10:56Goodbye, Helen.
01:10:57Good luck.
01:10:59Goodbye, Jace.
01:11:00I know everything's going to be all right for both of us.
01:11:03I hope so.
01:11:05No regrets.
01:11:07Et vous n'allez pas le bus ?
01:11:09Non.
01:11:11Elisabeth verrass.
01:11:33Hey, never mind the prices. Everything's good here.
01:11:36Just like old times eating in a joint like this again.
01:11:40Maintenant, je peux manger ce que j'aime et ce que j'aime.
01:11:42Et ce que vous aimez?
01:11:43Je pense que je vais avoir le numéro 5, le double hamburger,
01:11:46avec le roulage et le hot ketchup, le ground glass et le mélangez,
01:11:49avec plein de onions.
01:11:52Vous devriez avoir ces onions?
01:11:53C'est certaine.
01:11:56Hey, service!
01:11:59Service!
01:12:04Je vais avoir le New England dinner,
01:12:06et la jeune fille va avoir le numéro 5,
01:12:08avec les trimmings.
01:12:10Et plein de onions.
01:12:12Oui, Miss Bentley.
01:12:15Helen.
01:12:15Hello.
01:12:16What do you do?
01:12:18Mike, you didn't...
01:12:18Oh, I forgot to tell you that she was working here.
01:12:22Say, doesn't she look great, huh?
01:12:23You look swell.
01:12:24How do you like it?
01:12:26Fine.
01:12:26I've got a place to hang my wardrobe and all I want to eat.
01:12:29You're doing okay, hmm?
01:12:30Yeah.
01:12:30Getting so good I can balance 20 plates on one arm.
01:12:35Mike, you deserve a gold star after your name for that one.
01:12:37Oh, forget about it.
01:12:39Look, how about you staying on here a couple of days?
01:12:41We can lose ourself in the Frisco fog
01:12:43and just kick the town around generally.
01:12:45Oh, Mike, I'd love to, but I've got to get back to...
01:12:47Look, just give me two days,
01:12:49and then if I don't put a ring on your finger,
01:12:51I'll guarantee to put a couple under your eyes, huh?
01:12:53How about it?
01:12:53Okay, I'll sign the lease.
01:12:55That's a girl!
01:12:57We...
01:12:58Oh, look.
01:12:59Uh, do you have to have those onions, hmm?
01:13:03Oh, Mike, is that all you're worried about?
01:13:05I can't help it.
01:13:06Well, I'll fix that.
01:13:07Ah, it's a pal.
01:13:08Helen!
01:13:08Helen!
01:13:10Helen, would you please cancel those onions?
01:13:13Cancel.
01:13:13I'd much rather have garlic.
01:13:15Yeah, give her.
01:13:16I'd much rather have garlic.
01:13:46Thank you.
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