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Acapulco (2021) Season 4 Episode 3- Talkin' Bout a Revolution
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00:00EZ! EZ! EZ! EZ!
00:13Aroma! Slow down!
00:16I'm not even going fast.
00:18Who taught you how to drive?
00:19Well, not my dad, so maybe he should show some support.
00:22I'm so proud of you!
00:24Look, I'm sorry for interrupting the audition.
00:31It's just that there's a situation with Gustavo.
00:34First of all, he is very thankful that you hired him to paint a mural for the reopening.
00:38Of course. Painting something that embodies the spirit of Las Colinas seems right up his alley.
00:43Yes, yes. It's just that he has this process that I normally stay out of as his wife.
00:48But as his boss, I'm hoping you could put a foot up his ass.
00:54Paloma, whatever he painted is fine.
00:57I'm an art collector. I approach things with an open mind.
01:01Maybe he's posing a question to the viewer to look within?
01:22That, there's nothing there.
01:25What?
01:28I'm so...
01:31He didn't...
01:33Nope.
01:34How is this possible?
01:36He's been out here for weeks!
01:39And we're only four days away from the opening!
01:42Yep.
01:43I'm sorry.
01:44I'm blocked.
01:50This is normally where I get my best ideas, but I'm getting nothing here.
01:54He calls it cocooning.
01:57Nada!
01:58Dios mio.
01:59Maybe you could inspire him with one of your stories?
02:03Oh, Palomita. Of course!
02:06It was the winter...
02:08Without me.
02:17Um...
02:18You wanna emerge from your chrysalis so we can talk?
02:24Oh...
02:25Yeah, sure.
02:26It just takes me a second to be cocooned.
02:29Uh-huh.
02:34Uh...
02:35Maybe if you flip me?
02:37Where are you?
02:39Come on!
02:40Come on!
02:41Come on!
02:42Come on!
02:43Come on!
02:44Come on!
02:45How did you even get into this thing?
02:46Gustavo...
02:47Okay.
02:48Come...
02:49Uh...
02:50Listen, Gustavo.
02:51Things might seem tough now.
02:53But you're surprised at what you're capable of.
02:57When your back is against the wall-
02:59is against the wall, just like mine was in 1986.
03:04I could barely sleep after I let the walk out
03:07from Las Colinas.
03:08How could I?
03:09We were going on strike.
03:11Why are you so late?
03:12Oh, Rosita, I was singing alabanzas dormida.
03:16You're more afraid of what you think.
03:18So I got to fill me with admission for admission.
03:23Is that your contract for the wedding?
03:25You have to wrap the bag with a lot of cintas
03:27if you don't, you're going to take your glasses off.
03:28And you, how do you know that?
03:29Common sense.
03:31I also organized the protest in my school
03:32so that they put Fanta in the refresh machines.
03:35I'm a whole revolutionary.
03:36What a lie, but this is not a refresh march.
03:39This is the real life.
03:40So better stay with your requests.
03:42What is this for?
03:43No, no, no, it's going to be stolen.
03:46Sarah was mainly applying to local colleges,
03:49but Aida had picked up an NYU application for her
03:52while she was on her college tour in the States.
03:55But she just couldn't allow herself to dream that big.
03:58Ale, ale, ale, aleluya.
04:02Cristo es el sol de este reino.
04:08Meanwhile, because of the strike,
04:09Alejandro Vera was working with a skeleton crew.
04:12Scabs.
04:13So he had to take on extra duties
04:15that were way below his pay grade.
04:27Hey!
04:29Ah!
04:34Your drink, miss.
04:38Diane?
04:39It is John.
04:41Are you all right?
04:42You look like you've seen a ghost.
04:43Oh, was it the one in room 237?
04:45No, I'm just surprised to see you.
04:48Well, I recently had a financial windfall
04:50after selling my prized hotel
04:52to a chicken with his head cut off,
04:54so I figured I'd cash in on a long overdue vacation.
04:58Okay, we both know you're up to something.
05:01But to show you I'm the bigger person,
05:03while you're here doing whatever it is you're doing,
05:06I will provide a five-star service, with a smile.
05:09Oh, wonderful.
05:10I'll have the Caesar salad with exactly nine croutons.
05:14That's one, two, three, four, five, six, seven, eight, nine.
05:16Gracias.
05:19Yeah.
05:24The staff had started to assemble on the picket line,
05:27with one additional soldier I hadn't expected.
05:30Hey, what are you doing out here?
05:32I'm closing my boutique until the strike is over.
05:35In solidarity.
05:36And I already made up my mind, so don't try to change it.
05:40Julia, did you give Diane my note?
05:42Yes, I did.
05:43I gave it to her before she went to the beach this morning.
05:45Aye.
05:45She also says she misses you very much,
05:47and she mentioned something about your musk on her pillow,
05:50but I turned out after that.
05:51Ah, my queen moves back into Las Colinas
05:53the moment we go on a strike,
05:55and I can't cross the picket lines to see her.
05:57Ah!
05:58It's like the gods of love are conspiring against us.
06:02How did she look, by the way?
06:03Were her lips doing that thing?
06:05I'm gonna go with a yes.
06:06Come on, let's go.
06:07Hello, everyone.
06:08Thank you all for being here today.
06:11I'm so excited to be your leader,
06:12and determined to guide you to victory.
06:14That's right!
06:16Thank you, man!
06:18Yes?
06:18Where's the hotel, Baño?
06:19Good question.
06:21Haven't thought of that.
06:22Since we can't technically go into the hotel,
06:24I think the nearest one is at the gas station,
06:27maybe one kilometer away.
06:29Oh.
06:30Oh.
06:31What's the situation on Shade?
06:33Ooh!
06:34Oh, God, um, uh, yeah.
06:36Uh, we're a little exposed out here.
06:39And maybe tomorrow we wear sunscreen?
06:41You look like that Swiss boy from Kid's Cup
06:43we had to send to the hospital.
06:45Okay.
06:46I guess we should get started.
06:48Uh, Maxi?
06:49Which way should we walk?
06:51Um, another question.
06:54Uh, I'm gonna go with...
06:58to the right.
06:59Right.
07:00No, uh, my right.
07:03You go here.
07:05Uh, your right.
07:07Just get in circles.
07:08Circles.
07:11You know what, uh, actually, an oval, oval.
07:14While we were beginning our long journey
07:16to worker rights, Nora and Esteban
07:18were on their own quest to find the truth
07:20about what happened to our neighbor, Juan.
07:22O sea, ¿quién, quién podría escribir algo así?
07:25Es obvio.
07:27El asesino estaba jugando con Juan.
07:28Es un psicópata.
07:30Igualito que Freddy Krueger.
07:32O esa gente que quiere comprar boletos
07:34para el camión, en el camión.
07:36Oh.
07:37Híjole, no.
07:37Sabes que esto ya se está poniendo demasiado peligroso.
07:40Yo creo que tenemos que llamar a la policía.
07:42No.
07:42Nosotros vamos a ser los principales sospechosos.
07:45Nuestras huellas digitales están por toda su casa.
07:47En la cocina, en el baño, ¿eh?
07:48Ah, es que me puse un poquito de solución.
07:51Es que ese señor tiene un olor.
07:53Ah, no. Tenía.
07:54¡Ay, pobre!
07:58Espérate.
07:59Yo vi esto en alguna parte.
08:01Espérame.
08:04Mira, mira, mira.
08:05Cuando hicieron las obras, aquí en la cuadra,
08:07pegaron en las puertas este aviso.
08:10¡Eh!
08:11Eso quiere decir que el asesino vive en nuestra calle.
08:14Ahora lo que tenemos que averiguar
08:15es de quién es esta letra.
08:17Ay, yo abro.
08:22Buenos días.
08:22Estoy recaudando fondos
08:23para una beneficencia muy importante.
08:26Si firma aquí su donación,
08:28puede ayudar a huérfanos ciegos.
08:30¡Claro!
08:31¡Qué buena idea!
08:32¿Entonces quiere ayudar a los huérfanos ciegos?
08:35Niño, por favor, eso no importa ahorita.
08:36Mira, la respuesta a nuestras preguntas
08:38está enfrente de nosotros.
08:39¿Estás seguro?
08:40Ajá.
08:41¿Pero cómo, Esteban?
08:42Pues si estás cieguito.
08:43¿Qué?
08:44No, no, no.
08:45Mira, tenemos que organizar una recolección de firmas
08:48y luego comparamos la letra de nuestros vecinos
08:49con la nota.
08:50¡Ándale!
08:51Ah, sí, ¿verdad?
08:52Muy buena idea.
08:53Yo no estoy ciego.
08:54¿Quieren donar o no?
08:56Ah, este, sí, claro, mijo.
08:58Dale algo, dale algo.
08:59Sí, sí, sí.
09:04¿Estás checándome?
09:06Perdón.
09:07Me tenía que asegurar.
09:08Gracias, mijo.
09:10No, no, no.
09:11No, no, no.
09:12No, no.
09:13No, no, no.
09:15No, no.
09:16No, no.
09:17No, no.
09:18No, no, no.
09:19I draw a row of sketches before I paint,
09:21so I'm using everything you say as inspiration for our mural.
09:26Wow.
09:27This is an eerily detailed crime scene.
09:31Are those ants on the ground?
09:35Teeth.
09:36Teeth.
09:39You know, like human teeth.
09:43Great.
09:44Mm-hmm.
09:45Now we know what not to do.
09:49Back on the picket line,
09:53things were slowly deteriorating like the skin on my hands.
10:01Guys, keep in line and watch out for cars.
10:04We want them to come for us, not at us.
10:07When the nurse called, what did she say?
10:10Any special instructions for our first sonogram?
10:12All she said was to not smoke the date before
10:16and be ready to cry.
10:17Which I will.
10:18We're going to see your baby for the first time.
10:21I don't want little love.
10:23I just want to remember how exciting this moment is
10:26when I make months in and can't even walk.
10:28Which reminds me,
10:29I should probably get my exercise in now while I can.
10:31Okay?
10:32Yeah.
10:32Okay.
10:32Be safe, please.
10:33You guys are so cute.
10:37And as your big sister, I have to say,
10:39I'm very inspired by the both of you.
10:42Oh, thank you, Dulce.
10:44But why?
10:46I mean, you know, with the strike,
10:48if I were you, I would be in full-on panic mode
10:51because there's no telling how long we'll be out here
10:53and you need to start buying baby clothes now.
10:56We already bought some clothes
10:57and if we need more, we'll just get some hand-me-downs.
11:00What about formula?
11:01Diapers, wipes.
11:03You can't hand those down.
11:05Anyway, I need to go plant some booby traps I made for Veta.
11:08Ah, goto, goto.
11:10¿Le estás cobrando?
11:12Este es el colmo.
11:13¿Cómo te aprovechas de un hombre moribundo?
11:16Veta, tienes razón, Lupe.
11:17No puedes aprovecharte y lucrar con los trabajadores en huelga.
11:21Mis amiguitos, oferta y demanda no están de acuerdo.
11:25¡Agua!
11:27¡Cigarros!
11:29¡Cóbalos!
11:31Paco.
11:32¿Estás bien?
11:33Eh, vengo del baño.
11:35Está bien lejos.
11:37Ay, no.
11:38Tengo un tiro otra vez.
11:40Things on the strike line were starting to spiral out of control.
11:44I needed to boost morale, fast.
11:46Hey, Chad.
11:48I know you've been working on some chance for the line.
11:51Have anything yet?
11:52Absolutely.
11:53Hey, hey, ho, ho.
11:55Alejandro Vera has got to leave the premises immediately.
12:00Um, maybe something simpler, like a column response.
12:04Oh, got it, yeah.
12:06What do we want?
12:07I don't know what we want.
12:20And they'll come back to see me so I can give them answers.
12:22Además, look at my hands.
12:23I'll never be able to applaud again.
12:25Ay, ya sabía que ibas a regresar arrastrándote.
12:29¿Empezamos?
12:33Venga.
12:35¿Qué hacemos en el depa del vecino muerto?
12:37Este es nuestro...
12:38War Room.
12:39Ah, ¿qué es un War Room?
12:43Es un lugar abandonado, donde revolucionarios discuten estrategia y toman café y...
12:52No sé.
12:54Pues es lo que sale en todas las películas.
12:56¿Por qué no empezamos con tu lista de peticiones para Alejandro Vera?
13:04Sí tienes una lista, ¿no?
13:07100% he enlistado varias palabras en mi mente.
13:11Tengo tanto que enseñarte.
13:15Para lograr su meta, van a tener que hacer varias cosas.
13:19Primero, recarguen energía.
13:33Pónganse ropa adecuada.
13:46Manden un mensaje claro.
13:49¡Unirnos venceremos!
13:51¡Loners!
13:52¡Unirnos!
13:55¿Le gustaría firmar la petición para que pongan el top aquí afuera?
13:58Sí, finalmente algo de justicia.
14:00¿Y una fotito?
14:01Es para nuestros registros.
14:03¿Sondría?
14:03¿No te trajo a mí o tú?
14:05¡No te vayas de mí y te necesito aquí, mi amor!
14:13A la medianoche, pedía más, más...
14:17Proyecten seguridad.
14:18¿Y una fotito?
14:19¡Vale, al menos de las demandas!
14:20Ante la indiferencia.
14:21Deberio.
14:24Pesino, no le parece que pasan los carros muy rápido aquí mañana.
14:27¿No le gustaría que fuche...
14:28Siempre dele seguimiento a su progreso.
14:34Never saw this when I was the owner, I can tell you that.
15:01Oh, thank you so much.
15:03Sure.
15:03I hope it wasn't too complicated of an order.
15:06Oh, not at all.
15:07Turns out it's very easy to infuse tequila with the hamburgers of Palo Santo.
15:10Well, not to be a fuss, but other guests need your attention, too.
15:14Cabana Four is still waiting on their drinks, and I don't think Phyllis here ever got her
15:18fries, did you, Phyllis?
15:20Still waiting.
15:21Also, Kids Club is feeling a bit lard of the flies.
15:25Oh!
15:26Oh!
15:27Oh!
15:28Hey, give me that!
15:28Hey, come on!
15:29Hey!
15:30Hey!
15:31Oh!
15:32Oh!
15:33Oh!
15:34Oh!
15:35Oh!
15:36Oh!
15:37Oh!
15:38Oh!
15:39Oh!
15:40Oh!
15:41Oh!
15:42Oh!
15:43Oh!
15:44Oh!
15:45Oh!
15:46Oh!
15:47Oh!
15:48Okay.
15:49Alright.
15:50还有
16:13Vera hated that she was considering her offer, but the idea of leaving his mess behind
16:17was very tempting.
16:21How?
16:22You want this, Phyllis?
16:25We will fight all your attacks.
16:27Want to cut our pay?
16:28Rody to the match?
16:31My dearest Diane,
16:34though I am separated
16:35from your love across enemy lines,
16:38I trojan
16:40powered only by the memory
16:41of your bosom.
16:43Your healing bosom.
16:47Because we're taking this.
16:50It's at night.
16:52I didn't know if he was there.
16:53He feels good.
16:59Hey, folks!
17:01I know it's been a long week,
17:02but you should all be proud
17:04because the line is holding strong!
17:06Yeah!
17:06It'll be even stronger
17:07once I'm done with this.
17:09Can someone please
17:10take that away from Dulce?
17:12There's no need for violence
17:13of any kind
17:14when the tides are turning.
17:16Speaking of,
17:16at the advice
17:17of my revolutionary training,
17:19we have contacted
17:20Red Nacional Siete,
17:21who will be sending
17:23a reporter
17:23to the picket line tomorrow.
17:25This is really gonna
17:26put the pressure on Vera.
17:27So it's only a matter of time
17:28before he caves!
17:31Wait!
17:32Sorry!
17:32Sorry!
17:33Excuse me!
17:33Wait, wait, wait, wait!
17:34Are we talking like
17:36two days matter of time
17:37or like
17:38my baby will be forced
17:39to drink agua de horchata
17:40because his father
17:41won't be able to afford
17:41formula matter of time?
17:42Memo,
17:43I know you're worried
17:44about baby stuff.
17:45Of course I'm worried
17:46about baby stuff.
17:47And can you blame me?
17:48Look, I get it.
17:49But I have to do
17:50what is best for everyone,
17:51which means sticking
17:52to our demands.
17:53We want our benefits back!
17:54Yeah!
17:55Along with lunch,
17:57overtime.
17:57We aren't just
17:58cogs in a wheel.
17:59We are human beings
18:00who deserve respect!
18:02Yeah!
18:08I had been on the outs
18:09with the staff for so long,
18:11it was nice to be back
18:12in everyone's good graces.
18:13It felt like
18:14they believed in me again.
18:16And no,
18:17I don't remember
18:17if they actually
18:18lifted me in the air,
18:19but I'm gonna go with it.
18:21The next day
18:22on the picket line,
18:23I carried that feeling with me.
18:25FUERZA VEGAR!
18:26FUERZA VEGAR!
18:28Recuérdate
18:29de pegarte
18:29a los puntos
18:29que ensayamos.
18:30Pero sin parecer
18:31un robot,
18:32la gente quiere
18:32fuerza,
18:34autenticidad.
18:35Como cuando en mi escuela
18:35nos querían ofrecer
18:36Tank,
18:36lo guarda-fanta,
18:37me ríen sus caras.
18:40FUERZA.
18:40OK.
18:41Aunque si no piensas,
18:43CD eres la forma
18:43más noble
18:44de mostrar fuerza.
18:46¿Según quién, Memo?
18:47Según yo.
18:48A mí sí me gusta el Tank
18:49y también
18:50a la gente valente
18:50de la masa.
18:52Tres,
18:53dos,
18:53uno.
18:54Buenas tardes. Soy Minerva Luz Cruz, reportando en vivo desde Las Colinas,
18:59donde los empleados del hotel están en huelga.
19:03Se encuentra conmigo Máximo Gallardo, jefe de operaciones del resort.
19:06Señor Gallardo, ¿cómo van los ánimos de los trabajadores?
19:09Nos sentimos bendecidos. Puede que el sol arda acá afuera,
19:13pero dentro de nosotros arden también las llamas del cambio.
19:17¡Bien dicho! Pero se enfrentan ante una corporación poderosa.
19:26¿Están seguros que tienen el temple para llevar esta lucha hasta sus últimas consecuencias?
19:31¡Claro que tenemos el temple! Porque nos tenemos los unos a los otros.
19:35¡Vamos!
19:36Y no nos vamos a dejar intimidar por un dueño al que no le importan sus empleados.
19:41¡Bien!
19:41¡Ahora! ¡Ahora! ¡Ahora! ¡Ahora!
19:45¡Bien! ¡Ahora!
19:45¡Ah, no! Pues claramente necesito...
19:49Esta es la respuesta del señor Vera a sus demandas.
19:53Considera que cumple con la mayoría de sus peticiones.
19:57It was the moment we'd been waiting for.
20:01And with all eyes on me, I knew there was only one way to respond to his response.
20:06The most of our peticions?
20:16I'm not sure.
20:19Where'd you go, Maxi?
20:22What a mess.
20:24You were like Zapata leading the charge
20:25against the government fascists.
20:28Check it out.
20:30Uh, well, listen, you're a great artist.
20:35Uh, I mean, you got me dead wrong in this picture.
20:39I look nothing like this.
20:42Really?
20:44Not even when you were younger?
20:46Especially when I was younger.
20:48Yeah.
20:50Okay.
20:51Before you go all in on this idea for the mural,
20:54you should know that my colleagues
20:56had a less enthusiastic reaction that day.
21:00What was that?
21:01I was against the system, right?
21:03What?
21:06Supongo.
21:07Aunque sea, pudiste haber leído
21:09la respuesta de Vera.
21:11Eso es justo lo que él quería que yo hiciera.
21:13Que accediera a su primera oferta.
21:15Por eso se esperó a que hubiera cámaras.
21:17Las usó para presionarme.
21:18Máximo,
21:19sigues diciendo yo, yo, yo.
21:22Pero esto no se trata solo de ti.
21:24Sé que las cosas se están poniendo tensas.
21:26Pero estamos a nada de lograr todo lo que queremos.
21:29Solo hay que mantenernos unidos.
21:31Ah, y tú crees que esta es la mejor forma para que él sea?
21:33Seguro que sí.
21:35Lo tenemos en la palma de la mano.
21:37Para mañana, nos va a rogar que regresemos.
21:39I couldn't have been more wrong.
21:44Because the next day,
21:45Vera called my bluff
21:46and hired workers to replace us.
21:48It's Tapa's best.
21:50And when I say replace us,
21:51I mean literally.
21:52This was a second-rate pector,
21:55Beto,
21:58Memo,
21:59and even...
22:02Memo didn't even have time to process his anger
22:21since it was time for Lorena's sonogram.
22:23Recuerden que a estas alturas,
22:25su bebé es el tamaño de un limón.
22:27Okay.
22:32¿Esa es la cabecita de nuestro hijo?
22:37Oh, hija.
22:38No sabremos el sexo hasta su próxima cita.
22:41No me importa que sea.
22:43Me adoro nuestro limoncito.
22:52Nuestro bebé va a estar tan orgulloso de nosotros.
22:56O sea,
22:56vinimos directo de la huelga
22:58de pelear por nuestros derechos.
23:01Ay, cuánto drama.
23:04Sí, aunque
23:04no nos alcance para comprarle
23:07las cosas que necesita, ¿no?
23:09No importa.
23:11En vez de una cuna,
23:12el bebé puede dormir con nosotros en la cama
23:15y podemos conseguir
23:16que nos hereden una ropita.
23:18¿Y quién necesita una silla de bebé para el carro?
23:21¿Para eso está el tablero?
23:22No lo había pensado así.
23:25Claro,
23:25es una superficie plana en el coche.
23:27Es perfecta para...
23:28No, no, no, no.
23:30A lo que me refiero es que
23:32no me había dado cuenta que
23:34esta huelga...
23:36pues haga sentir orgulloso al bebé.
23:42Obvio.
23:44No estamos marchando por hoy.
23:47Estamos marchando por su futuro.
23:50Su futuro.
23:51Tenemos la firma de todos los vecinos
24:04menos uno.
24:06Pues sí, pero ¿qué tan probable
24:07es que el señor Cabrera sea un monstruo?
24:10Sí,
24:10sí era un monstruo.
24:12Cuando vivía yo en el otro departamento,
24:15siempre lo escuchaba
24:16gritarles a los vecinos.
24:18¿Qué si de la basura?
24:20¿Qué si de la música muy fuerte?
24:22¿Y siempre se andaba peleando con un tipo
24:24algo como sensación?
24:27¿Con Juan?
24:28¿Nuestro vecino
24:30muerto?
24:31Sí,
24:32ese mero.
24:33Diario se estaba peleando
24:35por un lugar de estacionamiento.
24:36Un día,
24:38el señor Cabrera
24:39le puso a Juan
24:40una sorpresita en su coche.
24:44Sí saben a qué me refiero.
24:46¿Se peleaba con Juan
24:47y no quiso firmar la petición?
24:49Es nuestro sospechoso.
24:51Ay, Estevita, sí,
24:52pero a ver,
24:53el señor Cabrera ya está muy mayor.
24:55O sea, ¿tú crees
24:56que va a tener fuerza
24:57para pegarle a Juan en...
24:59en la posada?
25:01Era caca.
25:18Era caca.
25:31Puedo creer que Verano reemplazara.
25:34Como si no fuéramos nada.
25:37En serio, perdóname.
25:40Estaba intentando ayudar,
25:41pero creo que te llevé
25:42por el camino equivocado.
25:45No, Sarape.
25:46Esto es culpa mía.
25:48Emo tenía razón.
25:50Hice la huelga sobre mí
25:51en vez de tomar en cuenta a todos.
25:54Supongo que a una parte de mí
25:56le gustó que el Estadme
25:57volviera a querer.
25:59¿Y qué vamos a hacer?
26:01Lo único que podemos hacer
26:03preguntarle a Veras
26:05si su oferta sigue en pie.
26:08Trajo empleados de fuera.
26:09Eso debe de costarle mucho dinero.
26:12Tal vez podemos hacerlo
26:13entregar en razón.
26:15Aunque tengamos que ceder
26:16en ciertas cosas.
26:18Nunca nos vamos a rendir.
26:20Memo.
26:22¿Qué haces aquí?
26:23Hemos sacrificado sangre,
26:25sudor, lágrimas.
26:27No nos podemos echar para atrás.
26:29Ni ahora ni nunca.
26:31Porque eso
26:32es el futuro
26:35para nuestros limoncitos.
26:39Wow.
26:41No lo pude haber dicho mejor.
26:43Por eso tienes que venir conmigo.
26:45No.
26:55I'm glad you're here.
26:56We'll be doing the talking.
26:57I mean, if you're ready.
27:01Whatever.
27:02I'm ready.
27:02So here goes.
27:04I would normally give you
27:05a big speech
27:05with lots of fancy words.
27:07But instead,
27:08I'm gonna shut up
27:09and let Memo tell you
27:10about the kind of people
27:11we are at Las Colinas.
27:12Señor Vera,
27:16here we lift each other up
27:19when we're down.
27:24We stick to what we believe in.
27:26We work until we can't.
27:33And then we work some more.
27:35And no matter how tired
27:38or beaten down we are,
27:40we always bring joy
27:41to what we do.
27:44So you can hire
27:45whoever you want
27:46to work in this hotel.
27:49Just know they will never be us.
27:52And you will be reminded of that
27:53every day
27:54when you see us out there
27:55on the picket lines.
27:56Do you want me to say it again?
28:04Oh, no, no, no.
28:05Please, Harry,
28:05I lost years of my life
28:07listening to that.
28:09Well,
28:10you will get your demands.
28:13All of them.
28:15Oh, wow.
28:15Really?
28:16Can you throw in
28:17a 10% raise on top?
28:18Don't push it.
28:19We won't.
28:20I'm gonna go tell everyone.
28:25We won't!
28:26Not that I'm not
28:36extremely happy,
28:37but...
28:38what just happened?
28:42This?
28:44For the first time
28:45in 10 years,
28:46Las Colinas
28:47got knocked off
28:48the top spot
28:48on Leisure Magazine's
28:49Best Hotels in Acapulco.
28:51That's why I need you
28:52and your team back.
28:53Because you know this place
28:54better than I do.
28:55And turns out that
28:58Ixtapa's best
28:59happens to be
29:00Las Colinas' worst.
29:02They are rude,
29:03they are late,
29:04and they broke
29:05into my good tequila.
29:07Hmm?
29:07This was a gift
29:09from Gene Wilder.
29:13I can't believe this.
29:16Alma del Mar
29:16is number one.
29:17Oh, sorry.
29:25Don't mind me
29:26just doing some
29:27late reading.
29:28Ah, you must have
29:30seen the list.
29:31Well, it's hard not to
29:33when it's a big,
29:34bold print.
29:38Alejandro,
29:39my offer still stands.
29:41Diane,
29:42no matter how bad it gets,
29:44even if we are the last
29:45hotel in the world
29:47on that list,
29:48I promise you,
29:49I will never
29:51sell this place
29:52back to you.
29:57Mi amor,
29:58the clouds have lifted.
30:01We can be together again.
30:03Though Diane was realizing
30:06that her dreams
30:07of owning the hotel
30:08were officially over,
30:09Sarah was beginning
30:14to realize
30:15that her dreams
30:15were more possible
30:16than ever.
30:19Because fighting
30:20for people
30:20wasn't just something
30:22she was good at.
30:24It was a passion.
30:27A flame.
30:29And it needed
30:31to be fanned.
30:34Orale.
30:35That was a really
30:36good ending.
30:37Ah.
30:37Nobody wants
30:39a pilot
30:39who can't land
30:40the plane.
30:45What?
30:46I think I know
30:48what I'm gonna paint
30:49for our mural.
30:59I just hope
31:00it makes you proud.
31:03Is that what
31:04this is about
31:05Gustavo?
31:07Listen,
31:08I only gave you
31:09this job
31:09because I trust you.
31:11I mean,
31:12you married my daughter
31:14in secret,
31:14but you make her happy.
31:17And you were there
31:18for her
31:19all of those years
31:20that I wasn't.
31:21So,
31:22you don't need
31:23to impress me.
31:25You've already
31:25done that.
31:26In spades.
31:27Thank you,
31:32thank you,
31:32thank you.
31:33You're gonna love
31:34what I'm gonna do.
31:36It's gonna be amazing.
31:38You're gonna love it,
31:39Maximo.
31:40Que chido era.
31:40Gustavo!
31:41Gustavo!
31:41Gustavo!
31:41Gustavo!
31:41Gustavo!
31:41Gustavo!
31:41Gustavo!
31:41Gustavo!
31:41Gustavo!
31:41Gustavo!
31:42Gustavo!
31:42You're not gonna tell me
31:43what it is?
31:45Gustavo!
31:46Gustavo!
31:48It's fabuloso.
31:49It's fantastic.
31:51It's dynamic.
31:53It's very explosive.
31:55It's economic.
31:55It's automatic.
31:58It's romantic.
31:59Very, very sexy.
32:01It's fabuloso.
32:02It's fantastic.
32:04It's dynamic.
32:06It's very explosive.
32:07It's economic.
32:09It's automatic.
32:11It's romantic.
32:12Very, very sexy.
32:13Sí, güey.
32:15Oh, oh.
32:16Conoce el fabuloso.
32:18Oh, oh.
32:20Sí, güey.
32:21Sí, sí.
32:22Te mueves mejor.
32:24Oh, oh.
32:25Sí, güey.
32:27Oh, oh.
32:29Esto es fabuloso.
32:31Oh, oh.
32:32Sí, güey.
32:34Sí, sí.
32:35Te mueves mejor.
32:36Oh, oh.
32:38Oh, oh.
32:38Oh, oh.
32:38Oh, oh.
32:38Oh, oh.
32:39Oh, oh.
32:39Oh, oh.
32:39Oh, oh.
32:40Oh, oh.
32:41Oh, oh.
32:42Oh, oh.
32:43Oh, oh.
32:44Oh, oh.
32:45Oh, oh.
32:46Oh, oh.
32:47Oh, oh.
32:48Oh, oh.
32:49Oh, oh.
32:50Oh, oh.
32:51Oh, oh.
32:52Oh, oh.
32:53Oh, oh.
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33:36
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