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Paul & Paulette Take a Bath (REVIEW) | Projector Shorts | A Paris rom-com for the macabre
Film Brain
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2 months ago
Film Brain joins an eccentric young couple on a journey around Paris exploring the darker side of history with the lighter side of romance in a very quirky and movie, that's sure to be a cult hit for Letterboxd fans.
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00:00
If you go to Paris to take a bath with Paul and Paulette, you'll find a rom-com for the macabre.
00:05
Jeremy Galliana and Marie Bonetti play the title couple, who meet cute at the spot where Marie
00:10
Antoinette was executed, and from there they start an unusual relationship as they travel
00:15
across Paris and Europe to the sites of historical crimes and tragedies. But things change when their
00:20
game and their dynamics starts to get too real. The feature debut of writer-director Geoffro
00:26
Massey, who lives in Paris himself, Paul and Paulette take a bath as a very unconventional
00:31
romance, starting with a somewhat provocative premise. There's something very interesting
00:36
about the idea of visiting these places years or decades after the events occurred that still
00:42
had this significance, and that clash between romanticism and dark history is Paris' culture
00:47
and identity. Paulette has an especially morbid curiosity because of her own guilt, and wants
00:53
that connection to a past that is not that distant and can still be seen and palpably
00:58
felt even now. And it initially starts with something of an ironic detachment and warped
01:03
humour, but then gets darker as it progresses, such as the titular scene where they effectively
01:08
reenact the infamous Lee Miller photo in Hitler's bathtub. It gets progressively more uncomfortable
01:14
until the climax, where things do go too far and the horror becomes too raw and recent to avoid,
01:20
and the film ultimately criticises the characters for their voyeurism, although some might think the
01:26
film itself goes too far there. It's a tricky tonal-type rope of light and dark that, if misjudged,
01:32
could be distasteful, but I found the film charming enough to balance it out, although I could fully
01:37
understand people finding the very offbeat sensibility irritating. That's in large part because
01:42
of the terrific chemistry between the two leads, who have a playfulness and joy about them, and yes,
01:47
even a bit sexy at times. Paul clings too much to the past, while the Elvis-idolising, lemon-biting
01:54
Paulette is so eccentric that she flirts with being a manic pixie dream girl, but Bernardi gives her a
01:59
spiky edge that reminded me of Eva Green. That's also helped by a bittersweet edge that both of them
02:05
have other relationships with on-again, off-again partners that complicate things. And the film looks
02:11
fantastic, with great cinematography and colourful costumes that are very evocative of both the new
02:16
wave and, by extension, Wes Anderson as well. The visual look just pops. I think the film started
02:22
to lose me around the time we met Paulette's estranged parents, but I still ultimately enjoyed
02:27
the trip. It's a film that feels tailor-made for letterbox users, and I mean that as a compliment.
02:32
It'll be divisive, but this is a love story like them stylish, and yeah, just a little bit weird.
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