Main Manto Nahi Hoon is a bold, compelling drama, starring Humayun Saeed, Sajal Aly, Sanam Saeed, and Azaan Sami Khan & Others.
It follows a man inspired by Manto, writing his own truth — and a woman who commands without raising her voice.
Humayun Saeed as Manto
Manto, only son of Waqar Manto, is a quiet yet intense professor who questions norms and writes with fearless honesty. Inspired by truth, he forges his own path, carrying the legacy but not the rules.
Sajal Aly as Mehmal
Mehmal is Siraj’s only daughter and the most cherished member of the family. She is a student of Manto. She doesn’t raise her voice to be heard and stands firmly between old traditions and a new way of thinking.
Cast:
Humayun Saeed as Manto,
Sajal Aly as Mehmal,
Azan Sami Khan as Farhad,
Sanam Saeed as Maria,
Asif Raza Mir as Siraj,
Saba Hamid as Zulekha,
Saba Faisal as Naseeba,
Saima Noor as Suraiya,
Babar Ali as Bin Yameen
Usman Peerzada,
Musadiq Malik & others.
Writer: Khalil ur Rehman Qamar
Directed by: Nadeem Baig
MAIN MANTO NAHI HOON Every Fri-Sat at 8:00 PM
#mainmantonahihoon #humayunsaeed #sajalaly #azansamikhan #sanamsaeed #drama #pakistanidrama
It follows a man inspired by Manto, writing his own truth — and a woman who commands without raising her voice.
Humayun Saeed as Manto
Manto, only son of Waqar Manto, is a quiet yet intense professor who questions norms and writes with fearless honesty. Inspired by truth, he forges his own path, carrying the legacy but not the rules.
Sajal Aly as Mehmal
Mehmal is Siraj’s only daughter and the most cherished member of the family. She is a student of Manto. She doesn’t raise her voice to be heard and stands firmly between old traditions and a new way of thinking.
Cast:
Humayun Saeed as Manto,
Sajal Aly as Mehmal,
Azan Sami Khan as Farhad,
Sanam Saeed as Maria,
Asif Raza Mir as Siraj,
Saba Hamid as Zulekha,
Saba Faisal as Naseeba,
Saima Noor as Suraiya,
Babar Ali as Bin Yameen
Usman Peerzada,
Musadiq Malik & others.
Writer: Khalil ur Rehman Qamar
Directed by: Nadeem Baig
MAIN MANTO NAHI HOON Every Fri-Sat at 8:00 PM
#mainmantonahihoon #humayunsaeed #sajalaly #azansamikhan #sanamsaeed #drama #pakistanidrama
Category
📺
TVTranscript
00:00Transcription by CastingWords
00:30CastingWords
01:00CastingWords
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02:29CastingWords
02:31Yes, sir.
02:32Kabutur's death is not good, Saraj.
02:36Where Kabutur's death, there's Amin's death.
02:41Let's go, Saraj.
02:43My mother's face is great to him.
02:52I'm going to keep the phone.
02:54There's a mistake.
02:56If there'll be a chance, we'll run.
02:58Take it.
03:01Let's go, Saraj.
03:02Let's go, Saraj.
03:03Let's go, Saraj.
03:04She's gone.
03:05She's gone.
03:06She's not a girl.
03:07It's not a girl.
03:09It's not a girl, Saraj.
03:10It's your first time to go to university.
03:14Bismillah.
03:23Look, you can eat it.
03:31Why are you scared?
03:41You said that your Abba had a murder of 108.
03:46When did Abba say that?
03:48I was telling you about my family.
03:51Family means?
03:53I mean, we've been murdered in the past 70 years.
03:57My Abba, you're 57 years old.
04:03You're the girl of Saraj Amrit.
04:05Of course.
04:06No doubt.
04:07No doubt.
04:08It's not doubt.
04:09I don't think you're a murder.
04:13If I get a chance, I won't do it.
04:15I don't think I'm good to murder.
04:17Hi, guys.
04:20Hello.
04:21Hi.
04:23Hi.
04:24Sorry.
04:25My dad told me that I couldn't meet a girl.
04:29But my Abba told me that if a girl is a girl,
04:33I'll see the rest.
04:35I'll see the rest.
04:43Give me a pop, please.
04:47Ah.
05:00Is that another question?
05:02I haven't had to try to drink the girl?
05:05I've had to be drinking the girl.
05:07I've never experienced a puff with each other.
05:09In the tension,
05:103-4,
05:11and in the excitement,
05:1210 or 12?
05:1310 or 12 cigarettes?
05:15It's not a cigarette, son. Puff.
05:19What's that?
05:20It's getting tension in excitement.
05:22So, let's take care of it.
05:24So, why are you saying that?
05:26What do you need to spend your business?
05:28It's your business, brother.
05:31What's that?
05:32My brother can't do it.
05:34How many?
05:36Two.
05:38One is a disease and the other is a jail.
05:45Sir, this is a class of 102.
05:48Go ahead.
05:49Go ahead.
05:56Sir, this is a class of 102.
05:58I don't want to hear it.
06:07Good morning.
06:08Good morning.
06:10Good morning.
06:15Good morning.
06:18Maslow's theory of hierarchy.
06:21This is our topic of discussion today.
06:24Hmm?
06:25This chair is empty.
06:30Come here and sit here.
06:31No, sir.
06:32I'm here too.
06:33Why?
06:34This seat is reserved, sir.
06:37Reserved means?
06:39Sir, Ms. Mahmil was saying that she will sit on the seat in the first row.
06:44And who is Ms. Mahmil?
06:46Sir, she is in your admission.
06:53Oh.
06:54This is not the girl who came from Amritsar.
06:57She didn't come from Amritsar.
06:58She is not from Amritsar.
06:59She is Siraj Amritsari's daughter.
07:01And where is she?
07:03She is drinking cigarettes after the canteen.
07:05Sir.
07:06Yes.
07:07She is drinking cigarettes on campus.
07:09How can she do it?
07:11She is drinking in excitement, sir.
07:14She was very excited for admission.
07:16Yes.
07:22Is this girl a very young man?
07:25No, sir.
07:26She is Siraj Amritsarri's daughter.
07:28She is Siraj Amritsarri's daughter.
07:30She is Siraj Amritsarri's daughter.
07:31She is drinking cigarettes on campus.
07:33She is sitting on the front row in the seat.
07:36Wow.
07:37Let's see.
07:39So, let's start our lecture.
07:42This is...
07:43Maslow's...
07:49Hierarchy...
07:54Of...
08:03Excuse me.
08:04Are you Mammal?
08:06Yes, sir.
08:07Doctor of Siraj Amritsarri.
08:08Yes, sir.
08:09Doctor of Siraj Amritsarri.
08:10Yes, sir.
08:11And you didn't ask for my permission to come in.
08:14Sorry, sir.
08:24May I come in, sir?
08:30Think it's a joke?
08:31No, sir.
08:32No, sir.
08:41I'm going to come in, sir.
08:42I'm going to come in, please.
08:48Yes, sir.
08:49I'm going to leave the class, please.
08:50Please.
09:04Are you sure, sir?
09:05No, sir.
09:06No, sir.
09:07No, sir.
09:08No, sir.
09:09No, sir.
09:10Then go.
09:12No, sir.
09:16Sir, I don't believe you.
09:17That's true, Siraj Amritsarri.
09:19Who is Siraj Amritsarri?
09:21Who is Siraj Amritsarri?
09:23Is this a town of town?
09:26Yes, sir.
09:27That's the town of town.
09:28I think it's a town of town.
09:38What you're saying, siraj Amritsarri,
09:40I think you're saying that you're saying that you're saying that you're saying that.
09:58Sir, tell me the truth.
10:01What?
10:04Tell me that you're Siraj Amritsarri's son.
10:07Why do you need to tell me that?
10:09I'm Siraj Amritsarri's son.
10:12Tell Siraj Amritsarri's son.
10:17I think I'll meet him, so he'll be my friend.
10:21How?
10:23Because of yours.
10:24I think I'll meet him.
10:25You'll tell me.
10:27Sirmanto is like this.
10:29Sirmanto is like this.
10:31He's my favourite teacher.
10:33Then they'll tell you to call him.
10:35And invite him to the house.
10:40I don't think he'll go.
10:43But if he'll call him, I'll go.
10:46I can't refuse.
10:47I'm confused.
10:53It's like a good girl.
10:59Do you see?
11:01If you look at me, I don't think you're going to be Don's son.
11:07Look at her.
11:09You're looking at her.
11:10You're looking at her.
11:11You're looking at her.
11:17If you're a girl, you're looking at her.
11:21If you're a man, you'll get her in her.
11:23And you'll have to turn around to her.
11:27Yeah?
11:29I'm sure you're going with this young girl
11:31and a man with her.
11:32It's really difficult to take a life at her.
11:33I'm sure.
11:35I don't know.
11:36It is different.
11:38It's different.
11:39It's absolutely different.
11:47Don's son will have a business administration, then what will you have to do with the child?
11:56Be positive, Mr. Manto. Don's son will have a benefit to the community.
12:02There will be education in the brothers.
12:04True, sir. Very true.
12:07But you don't understand, sir.
12:10The girls will sit in class and sit in the class.
12:13They will call their father's girls.
12:16They will be afraid of the students, sir.
12:20Teachers will be afraid.
12:23Come on, Manto. Don is also a human being.
12:27They talk like us, they talk like us.
12:30Nothing different.
12:31No, sir. They don't talk like us, sir.
12:35I know.
12:36When they talk in the woods, they say a little loud.
12:39If they say a little loud, they say a little loud.
12:41Their expression is loud.
12:43No?
12:44No.
12:45Hmm.
12:46First say thank you to me.
12:47Thank you for what?
12:48Do you have a baby?
12:50No.
12:51First, say thank you to me.
12:54Thank you for what?
12:56I have told you that I have told you.
13:02Do you feel bad?
13:08Do you feel bad?
13:09It feels bad, Mr. Mantu.
13:11But I am thinking a little positive.
13:14What is it that we are making a business family?
13:21What an experience.
13:24Can you imagine?
13:45Hey, hey, you are dead, Mantu.
13:47No, I am not dead.
13:48I am going to go.
13:49I mean, I am going.
13:50So come to the staff room.
13:54Let's go.
13:58Sir, Mantu was so scared,
13:59that Abba would kill him.
14:01Abba's people have gone.
14:03Abba's people mean guards.
14:05Then what?
14:07I thought it would not look good.
14:09After all, he is my teacher.
14:11Take this.
14:13Take this.
14:14Take this.
14:15Take this.
14:16Take this.
14:17Take this.
14:18Take this.
14:23What happened, Mr. Mantu?
14:25No.
14:26Nothing.
14:27I just feel bad.
14:28I just feel bad.
14:29I just feel bad.
14:31You feel bad.
14:33Because of this,
14:34he is not a young man.
14:36He is a son of Don.
14:38No.
14:39He is a gentleman.
14:40He is a very good man.
14:41He is a very loving man.
14:42He is a very loving man.
14:43Are you all right, Mr. Mantu?
14:44Yes.
14:45If he was just sitting in the canteen,
14:48he was drinking a cigarette,
14:49then I was angry.
14:54But I was wrong.
14:55He didn't drink a cigarette.
14:57He took three or four cups.
14:59He doesn't do it in excitement.
15:02For being cool.
15:04Why?
15:05They also drink.
15:06Yes.
15:07But they should not be smoking on campus.
15:09Hmm.
15:14This is my class.
15:15I need to go around.
15:17By the way,
15:18what did you say?
15:20Gata gata.
15:21Nice word.
15:23Gata gata,
15:24drink water,
15:25drink tea.
15:26Please, Mr. Mantu,
15:27don't drink tea.
15:29No.
15:30Of course not.
15:31He will drink tea.
15:32Hmm.
15:33Okay, guys.
15:34Good luck.
15:35Bye.
15:36Bye.
15:51Good morning.
15:52Good morning.
15:53Good morning.
15:54Good morning.
15:55Good morning.
15:56Good morning.
15:57Good morning.
15:58Good morning.
15:59Good morning.
16:00Good morning.
16:01You must be the new student?
16:03Yes, ma'am.
16:04It's okay.
16:05Sit down.
16:06You have a big drink.
16:08The first day,
16:10I drank a cigarette.
16:11I drank a group of friends.
16:13It's good.
16:16You came to study, right?
16:18Yes, ma'am.
16:19Promise me you won't smoke on the premises again then?
16:22I promise.
16:24And you won't be late to my class?
16:26Yes, ma'am.
16:27I won't be late.
16:28And you won't sit in this car too?
16:31When it's not reserved for you?
16:33I won't sit.
16:35Great.
16:36Thanks.
16:39Yesterday, we were discussing equi-marginal utility.
16:43But we ran out of time,
16:44so I hope that you have finished it in your time.
16:47Yes?
16:48Yes, ma'am.
16:49Did I take a phone call or are you all here?
16:51We all here.
16:52I will too.
16:53Okay.
16:54Great.
16:55Open up your books or copies, whatever you have.
17:25Yes.
17:39Assalamualaikum.
17:40Waalaikum.
17:41Allaikum.
17:42Assalamualaikum.
17:44Waalaikum, Salam. Professor Saab,
17:46you have a job of Kamootor.
17:48But two-three days here is a job of observation.
17:53Thank you, Dr. Saab.
17:55Do you have a fee?
17:58A fee? No, no.
17:59No, no.
18:00You have a fee.
18:01You have a fee.
18:03But you have to be a fee.
18:06If you listen to Kamootor's advice,
18:09it's not a baby.
18:12No, no.
18:14No, no.
18:15No, no.
18:16No, no.
18:17No, no.
18:18You are also laughing.
18:20That means,
18:21that your baby will be a fee.
18:24No, no.
18:26No, no.
18:27It will be a fee.
18:29If you say that,
18:30you will check it out.
18:32I am a doctor of the genre,
18:34but you will take it here.
18:36People say,
18:37I would say something like this,
18:39that the baby will be a fee.
18:41I will tell you.
18:42Do you have a fee?
18:43No, no.
18:44No.
18:45No, no.
18:46No.
18:47No.
18:48No.
18:49No.
18:50No.
18:51No.
18:52No.
18:53No.
18:54You can't do it.
18:56You can't do it.
18:56You can't do it.
18:57You can't do it.
19:01I'll take my wife's to the hospital.
19:17You're a man-to-sar, you're a man-to-sar.
19:20You're a man-to-sar.
19:21You're a man-to-sar.
19:22You're a man-to-sar.
19:24How do you see?
19:26Handsome.
19:28How much is your age?
19:30Where will you be from?
19:33That's it.
19:35In this age, handsome girls will be married.
19:39A little girl.
19:43If you're a man who is 60 or 22,
19:46you're a girl.
19:48You're not a girl.
19:50It's not a girl.
19:52It's a girl.
19:54I'm a girl.
19:56I'm a girl.
19:58I'm a girl.
20:00Can you tell me?
20:02Tell me.
20:04Tell me.
20:06Tell me.
20:08Tell me.
20:10Is there a girl?
20:12Do you know that?
20:14Do you know that?
20:16I've said, let's be friends.
20:18John said, one of them has also met his hand.
20:24He also met his hand?
20:27No, Puppo.
20:28He has also met his hand.
20:30I said no.
20:31Puppo has told him that his hand will not meet his hand.
20:48When he started his hand, he was devastated.
20:59Why?
21:03No man...
21:05You say that this is not possible.
21:06You say about that then check him out.
21:08He would have accepted his hand.
21:11I love him, but you have to take his hand.
21:13He says I would like to talk about someone in his hand.
21:16I'm going to show you what I'm going to show you.
21:19My baby is not in a way.
21:20My baby is not in a way.
21:24My baby is not in a way.
21:26Shadhi is not in a way.
21:28Shadhi is not in a way.
21:46So my baby is not in a way.
21:48Thebu development is
21:53planned.
21:55He did it.
21:58She hasn't planned.
21:59She is funding.
22:10Somebody wish to resign a week.
22:12All the possibilities aren't.
22:13Spender man is a badass.
22:14It looks good.
22:19Now, you eat it.
22:25Then, give it to you.
22:28This.
22:37Just, just.
22:39Okay.
22:40It's good.
22:41It's good.
22:42It's good.
22:43It's good.
22:44It's good.
22:45It's good.
22:46It's good.
22:47It's good.
22:48Mantua sahab,
22:49if we take a house to the house,
22:51then they say,
22:52sit down,
22:53keep the description.
22:55It's not the first time.
22:56You come and sit down.
22:58Please, sit down.
23:00Do you know why he made Gajar's halva today?
23:11Why?
23:12She came again.
23:14Hiroz.
23:17I know he likes this halva.
23:21Yes.
23:22She came again.
23:23She came again.
23:24She came again.
23:25When she came to the house,
23:26she made a smiley face.
23:27She made a smiley face.
23:30A smiley face?
23:31A smiley face.
23:33She came again.
23:34Yes.
23:35You can go.
23:36A smiley face.
23:37Come.
23:38Come,
23:39you can do the other hand.
23:40No.
23:41I did nothing.
23:42No.
23:45But the...
23:46what did you call?
23:47How did you call?
23:48What did you call?
23:49I am so happy with you.
23:50Did you call it my family?
23:52The question.
23:54How did you call it?
23:55Go.
23:56Yes.
23:57But you're not very very attached to you.
23:59You don't understand, Mantu Sahib.
24:04When it comes to mehbub, it becomes more than love.
24:12How old are you talking about little Urdu?
24:14Little Urdu?
24:16You understand, you come to English.
24:20There is no doubt.
24:24Have you ever seen a dream in English?
24:26No.
24:29So, you don't come back?
24:32Okay, then you talk to me once, right?
24:35Tell me about it, right?
24:37I've told you something.
24:42Why did you make a halwa?
24:44You know, Mr. Mantu,
24:45if a dog is left six or seven years old,
24:48then he will be remembered.
24:50And if he will cut and leave,
24:52he will never forget.
24:56He doesn't seem to me, Mantu Sahib.
25:01But there is no doubt.
25:03He doesn't stay in my heart,
25:05but he still stays in my heart.
25:10Still in love?
25:14Do you know Love Shav?
25:15Of course, I know.
25:17I don't know you.
25:18You don't know Mantu Sahib.
25:22We'll sit here, right?
25:23We'll discuss a separate discussion in love.
25:28For what?
25:30We'll discuss love.
25:33We love Mantu Sahib.
25:34We don't discuss it.
25:36We don't discuss it.
25:44According to Maslow's theory of hierarchy,
25:46love comes to another number.
25:49And in the theory of love,
25:50it's not the first number.
25:53Then what will you discuss?
25:54We'll discuss what we will discuss.
26:00You eat a lot.
26:01You eat a lot.
26:02You eat a lot.
26:03You eat a lot.
26:04You eat a lot.
26:05Tomorrow,
26:06you go to university.
26:07You eat a lot.
26:08You eat a lot.
26:21You eat a lot.
26:22It's gonna hurt me.
26:24You eat a lot.
26:25I should notトوtez me with the whole family.
26:27Would you cuarto up?
26:29You carry first your feast.
26:31Every time I meet you,
26:33you take to laynd down my house.
26:36What will I say to teacher Soldier?
26:37My best friend.
26:39And who am I?
26:41You are my mother.
26:43I don't have any help from my mother.
26:47She has also heard.
26:49But she has heard.
26:51She does not do anything to you.
26:53But she does not do anything with her.
26:57That's why she stays with her.
26:59Go, tell her.
27:01Do it with you.
27:03Don't say my mother.
27:05Look at me.
27:07Look at me.
27:09Look at me.
27:11You're a little girl.
27:13You're a little girl.
27:21How was the first day of university?
27:25I asked for my life.
27:27When I came to school.
27:29And when I came to college.
27:31And when I came to college.
27:33And when I came to college.
27:35Did you ever ask anything?
27:37I don't know anything about it.
27:39I don't know anything about it.
27:41I just didn't know it.
27:43I studied school and studied.
27:45That's what I remember.
27:47Neely Frog.
27:49I just realized.
27:50The school was white,
27:51And the authoritarianism.
27:53The town of school Okeedah.
27:55That's a beautiful mother.
27:57In World Health.
27:59The family was
28:02with her mom's mother.
28:06Three years ago.
28:08lions.
28:10They're asking me to graduate.
28:12I'm afraid of being scared.
28:14What will you learn, Ammi Sahib?
28:16M.Phil, Ph.D.
28:20It seems that someone will come to me.
28:30Let's go, then.
28:33It's a shame to kill women,
28:36so today I'm not a failure.
28:39Then I'll see
28:41how to do you, Ammi?
29:07Cheeks, I'll tell you.
29:11I'll tell you.
29:12I'll tell you, Ammi?
29:13I'll tell you, Ammi?
29:14Ammi?
29:15Ammi?
29:16Ammi?
29:17Ammi?
29:18Ammi?
29:19Ammi?
29:20Ammi?
29:21Ammi?
29:22Ammi?
29:23Ammi?
29:24Ammi?
29:25Ammi?
29:26Ammi?
29:27Ammi?
29:28Ammi?
29:29Ammi?
29:30Ammi?
29:31Ammi?
29:32Ammi?
29:33Ammi?
29:34Ammi?
29:35Ammi?
29:36Ammi?
29:37Ammi?
29:38Ammi?
29:39Ammi?
29:40Ammi?
29:41Ammi?
29:42Ammi?
29:43Ammi?
29:44Ammi?
29:45Ammi?
29:46It's been a long time for me.
29:48My face is a long time ago.
30:11Don't do it.
30:13You are, Adil?
30:25Doctor, if you see the power of the doctor, you will be able to get the power of the doctor.
30:39He has been able to get the power of the doctor.
30:43This is the case of the story.
30:55Tell me about the story.
30:58This is when you are going to be able to live?
31:01I'm going to tell you that you don't have to kill your children.
31:13I am so proud of you.
31:15You are so proud of me.
31:19I am so proud of you.
31:21This is why we are in love marriage.
31:24We are so proud of you.
32:43Ouch.
32:44Ouch.
32:45Ouch.
32:48What happened?
32:50My father came to talk to me with him to talk to me.
32:54There was a wrong thing that came out of my mouth.
32:58He went out and went out.
33:00What did you say?
33:02What did you say?
33:03What did you say?
33:04What did you say?
33:05What did you say?
33:06What did you say?
33:07What did you say?
33:08What did you say?
33:09What did you say?
33:10What did you say?
33:11What did you say?
33:12Batshika.
33:13ool
33:40Go to the house and go to the house.
33:58This is what you said to me.
34:00What did you say to me in the inside?
34:03I can't say anything.
34:08Do you know what you're doing?
34:24I know that you can't do it, but you can't find your daughter's daughter's daughter's daughter's daughter's daughter's daughter's daughter.
34:31In 70 years of war, there were 218 people who died.
34:38Those who died, those who died.
34:41Those who died, those who died,
34:44those who died in front of their eyes.
34:50I've seen some times.
34:52If you were to leave from home,
34:54then you would see them like the last time.
35:01If you were to leave from home,
35:03then you would have seen a woman's face on her face.
35:08And now, let's see.
35:13A woman's face on her face on her face.
35:16You wouldn't have to understand
35:18that I've heard about Mia Sahib's story.
35:21She's always saying.
35:23It will be what you want.
35:26In 218, there are 108 people who died,
35:31and there are 110 people who died.
35:33The difference is those two boys,
35:37who are you.
35:39You're telling me,
35:41I haven't been told you.
35:44You're telling me,
35:45you're telling me.
35:46You're telling me,
35:49you're telling me.
35:51You're telling me,
35:53you're telling me your children
35:54and your children
35:56to eat them.
36:02I remember.
36:03When I was a child, I had to get my child out of my house.
36:10I was scared and told that I was like,
36:14"'Saraj, this is my child's father.
36:18It's not my father's father's father.'
36:21But my father, look at that.
36:27I don't have my father's father's father.
36:31Can you see your hand?
36:52You're not holding your hand.
36:55You're holding your hand.
36:57So, I'm going to teach you.
37:02I'm going to tell you about Mehmal.
37:05Now, our responsibility is our responsibility.
37:13Mehmal, take a step away.
37:16Or save your children?
37:27Bye, buddy.
37:57To be continued...
38:27To be continued...
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