- 4 months ago
- #humtv
- #ekjhootikahani
- #zaranoorabbas
- #mohibmirza
EkJhootiKahani — a lighthearted tale where one lie leads to unexpected twists, tangled emotions, and a not-so-ordinary bond, featuring Zara Noor Abbas & Mohib Mirza
Writer: Amna Mufti
Director: Shehrazade Sheikh
Producer: Momina Duraid Productions
#HUMTV #EkJhootiKahani #ZaraNoorAbbas #MohibMirza #
Writer: Amna Mufti
Director: Shehrazade Sheikh
Producer: Momina Duraid Productions
#HUMTV #EkJhootiKahani #ZaraNoorAbbas #MohibMirza #
Category
📺
TVTranscript
00:00Celebrate the magic of Tashmir 10th Hum Awards at NRG Arena, Houston, Texas.
00:10Featuring Ali Zafar, Ramshah Khan, Yasir Hussain,
00:19Dhananir Mubeen,
00:26Shudha Asad,
00:29Ahmed Ali Akbar and more.
00:33Saturday 11th October 2025 at the NRG Arena, Houston, Texas.
00:40To get the early bird and group discounts, book your tickets now.
00:44Log on to www.hum.tv or www.ticketmaster.com
00:51For sponsorships, contact Mr. Naveed Aadam, Hum Network Ltd.
00:57I thought it was, it's going to be gone.
01:03Let's go.
01:04Oh no, I'm sitting here.
01:07You've made a plan for your parents.
01:11Your parents took care of me and took care of me from home.
01:13They also gave me a plan for me.
01:15So you have the offer that you gave me for the wedding.
01:18If they give me the theater school, you'll get my money.
01:23To get married.
01:24If you're a girl who's trying to fight,
01:27then you'll have to lose a lot of money.
01:28Please Mrs. Khan, I don't have to do my work.
01:32I have to do my friend.
01:33That's Irfan Kureishi.
01:34Kureishi's furniture's daughter.
01:37You didn't have to get her hair on the front.
01:41Put it on.
01:44I'll get something to you too.
01:49Take this.
01:52If there's someone in the house, I'd like a biscuit.
01:54I'd like a tea.
01:55Let's drink.
01:55No, don't let me stay.
01:57I have to talk with you very much.
02:00Say it.
02:02What's your work with us?
02:05Do you know what's the feeling of sherry's massage?
02:07We know that sherry, you know, you live in this house.
02:15And the first time you come to our house, how do you know how your massage is?
02:21I'm such a bad-mage-like person, that if there's no matter for me,
02:27I'd like to leave the streets of all my houses.
02:31We've heard it, but I've never seen it.
02:34We've got three or four tube lights and some of them.
02:40So you're going to break all of them,
02:42so you're going to break our mind from the heart of my heart.
02:45No, no, uncle.
02:46I can't help anyone with me.
02:48I'm only going to break down my stomach.
02:51I'm going to break down my gym.
02:53I'm going to keep my stomach.
02:55So I'm going to do anything else.
02:57I'm going to do anything.
02:59You're going to break down my stomach.
03:00Oh, my dear.
03:01How much is it?
03:02I'm going to break down my stomach.
03:03I'm going to break down my stomach.
03:04I'm going to break down my stomach.
03:05Oh, no, not.
03:06We've got to find out.
03:07We'll be back again.
03:08But they'll be scared of themselves.
03:09Are you going to break down my stomach?
03:10You will love me.
03:11And if you want,
03:13those are about the choices in the bilgeums.
03:15Will everything you can tell me about our thinking?
03:19No, uncle.
03:20I'm going to miss tallobile الب instincts.
03:21Oh?
03:23I mean,
03:24what you've learned here,
03:27you've learned when you became my husband's family?
03:30Do uncle.
03:31Yeah, uncle.
03:32Because I believe
03:33that my sister ab transformer fondo experience
03:36that'll go over Daquium Schritt when she will be allowed her.
03:39Well, how did you think about this thought?
03:47Because the past four months,
03:49you were good luck.
04:04The second thing is that
04:05after going to the house,
04:06we will learn to learn about Rizwan.
04:08The money you have to earn,
04:10will be able to earn Rizwan.
04:13Yes,
04:15then you can think about it.
04:17That's okay.
04:18The money you have to earn.
04:20The money you have to earn.
04:22The money you have to earn.
04:24The money you have to earn.
04:26The money you have to earn.
04:30Let's go.
04:35What was that?
04:37The money you have to earn.
04:39That's right.
04:40That's right.
04:41That's right.
04:42You have to earn so easily.
04:43Oh, oh.
04:44Oh, oh.
04:45Oh, oh.
04:46Oh, oh.
04:47Okay,
04:48I love you.
04:53Okay,
04:54I wonder if you will come back yet,
04:56I feel like Mrs. Khan's left.
04:58Why are they going up there?
04:59Why are they going there? They have become our enemy.
05:02Oh, that's a good thing.
05:04There's a relationship that doesn't have any trouble.
05:07There's a relationship that can't be able to run,
05:09or leave a job, or have some rights.
05:12So, what does it do then?
05:14The most beautiful girl's wedding in this house?
05:17Do you know how many people were listening to this house?
05:24I'm getting an idea.
05:26I think we should marry Habib's first.
05:33Who will marry him in this age?
05:35No, no, no.
05:37Who will marry him?
05:39Who will marry him?
05:40Who will marry him?
05:41This is a bad idea.
05:43Don't think about his wedding.
05:46It was the chance to marry him first,
05:49and then he will marry him.
05:53You won't have a relationship.
05:55Who will marry him?
05:57We will marry him in a very good time.
06:00We will marry him in a very good time.
06:02But he will not be able to marry him.
06:04But he will not be able to marry him.
06:07My poor husband,
06:09we will have something wrong with him.
06:11This was the case of you both.
06:13But I can't say anything because of Meeraf.
06:16I am not going to marry him.
06:17No, no.
06:18I am not going to marry him.
06:19But he will marry him in the last house.
06:20That's how he will marry him with a loaded price.
06:21I am not going to marry him.
06:22I am not going to marry him.
06:23Let him marry him in the last house.
06:25Who is going to marry him?
06:35Hello?
06:37Listen, put him.
06:39What's the problem? Why are you running like a low-budget film hero for me?
06:44What do you want?
06:45You will come back first, I'll go back with you,
06:47and I'll go back with you, and I'll come back with you,
06:50where I'll sit with you and sit with you.
06:52What do you want?
06:53I was just saying that you're a bad guy.
06:57I'm a bad guy?
06:58No.
06:59So you were acting really?
07:02When you tell me truth, you're talking to him.
07:05No, I mean that I feel very interesting.
07:09Why won't you go to my car and run for me?
07:13You felt interesting.
07:16And entertaining too.
07:18Yes.
07:21So, you'll close your car and then we'll do the same thing.
07:26Okay.
07:27Okay.
07:34I've been locked down, the door.
07:36Yes.
07:37Do you feel interesting?
07:39Yes.
07:39As long as I've heard, it's very interesting.
07:42Look.
07:43I can tell you more interesting and interesting things,
07:46but you'll have to pay me for that.
07:49Look, you've got a wrong person.
07:52I'm not the one who pays me.
07:54Your mind is bad.
07:55I'm a professional actor.
07:58And the doctor pays for injections.
08:02He pays for an architect or engineer to make a house, okay?
08:06I'm a professional actor.
08:08I pay for working and entertaining.
08:11Don't tell me, you can talk about it.
08:13But your mind is so dumb.
08:15I'm sorry, I understood.
08:17$20.
08:18What you understand, it's not your mind.
08:21You'll have to think about thousands of years old.
08:24Okay.
08:25You can go there.
08:26You can go there and talk about it.
08:28Okay?
08:29Okay.
08:30One minute.
08:32You'll have to pay 50% advance,
08:34so let's give him $500,000.
08:38Hey, hey, hey, hey.
08:39You're getting out of money from Jib.
08:41At that time,
08:42when a young girl was in a bad mood,
08:45he didn't get out of money from Jib.
08:47And now, there's money in entertainment.
08:50There's no money.
08:51I was just checking.
08:52Oh, okay.
08:54We'll become a big producer.
08:57Yes.
08:58Okay.
08:59I'm going to transfer my account.
09:01I'm not sure.
09:02Let's go.
09:03Satya, listen to me.
09:06That's what I wanted to say.
09:08I wanted to say that...
09:12You're not even living in a bad mood?
09:13And you're talking to me now?
09:15If it's like this,
09:16then it's not going to be born.
09:19But you're not going to be in your face,
09:21but you're not going to be in your face.
09:26No.
09:27No.
09:27No, that's not.
09:29But...
09:29That's...
09:30Oh!
09:32God, why don't you...
09:33No, no.
09:35I didn't have married like this.
09:37But it's like...
09:39What's the matter?
09:40Do you think it will be a drama for a marriage?
09:44It's a mosque.
09:45I have an ID card, I believe.
09:47It's time for prayer.
09:50Let's go, Shabbar.
09:51Let's go, Shabbar.
09:52But...
09:54Look, Habib,
09:55it's the last time you're giving your door.
09:58If you give this opportunity,
09:59you won't be able to get your name.
10:02If you're listening to your story,
10:04if you're afraid of a poor person,
10:06you'll have to put a bottle of water,
10:09then put it.
10:10Then you won't be able to get a bottle of water.
10:12It's okay.
10:14But you won't be able to get a bottle of water.
10:17Look, if it's not, it's not possible.
10:20I'm going to go.
10:22We'll be able to get the other way to get the bottle of water.
10:24If we're going home,
10:25then the Lord will not give it to you.
10:26I'm not sure if we're all young.
10:28We don't have anything on our own.
10:30We'll get to get the bottle of water.
10:32Lord, give it to God.
10:34Give it to God.
10:35Give it to God.
10:36Safiya.
10:40Do you hear me?
10:45Yes.
10:47It's a gift card for me.
11:06I am very shocked acting.
11:08I want to make my own profession.
11:10Before I was born, there were four other girls.
11:13Then I was named Bushra so that I was a girl.
11:16And it happened.
11:18Interesting.
11:19Isn't it interesting?
11:20Yes.
11:21And listen.
11:22So when I grew up with Bushra, I watched a lot of drama in my house.
11:26I watched those dramas and watched, watched, watched, watched...
11:28...and my heart became a shock of acting.
11:31And through that acting, I'm going to enjoy it.
11:35Very interesting.
11:36Isn't it?
11:38Now, I'm hungry and I'm hungry and I'm hungry.
11:40I'm going to go to the house and I'm hungry and I'm hungry and I'm hungry.
11:44I'm hungry and I've taken so much money from my class.
11:47I've taken so much money to you.
11:49well, I'm hungry and I'm hungry and I'm hungry.
11:52I've got sick and I'm hungry and I've been hungry.
11:54It's not that we are very poor people.
11:57We are white people.
11:59So, we come to our house when someone gets sick.
12:04Oh, okay.
12:05Yes.
12:07Do you want to listen?
12:08Yes.
12:09Now, it happens that I have made this whole job very seriously.
12:13I became a professional.
12:15This is my bag, it's my costume, it's my makeup.
12:19I started doing everything on my own.
12:21Get up, get up.
12:23Fake blood.
12:24It's my bag.
12:26I started doing my own work on the script.
12:30Very interesting.
12:31Isn't it interesting?
12:34I was going to perform at the morning.
12:37I didn't get a lot of clothing.
12:39Look at your car.
12:41I hit the front of my car and said, maybe something is here.
12:45This is the whole makeup.
12:47Wow.
12:48Now, you can see all of this on the screen.
12:50You can do a lot.
12:52If you are watching live, then you don't have money.
12:56No, no, I'll give you money for your performance.
13:02But why are you doing all this?
13:04What does this mean?
13:06I mean, you can do it in the film, TV, or in the theatre, right?
13:10You can do it in the film, TV, or TV.
13:12You can do it in the film, TV, or TV.
13:12It's not my name.
13:13It's a movie for me.
13:13I mean, I mean, my story is a movie.
13:15It's not my story.
13:16No, I mean, the stereotypical young girls are either ayesh or a bholer.
13:26You say that you think to the screen and acting is very easy.
13:32You'll get the role of anyone.
13:36YouTuber?
13:37He'll become an influencer, right?
13:39A tanned-up comedian.
13:40No, I don't want to make this all.
13:43I have to learn acting.
13:45I'm a professional actor.
13:47To go to the academy, to understand the details of the theatre, to learn about this.
13:52I don't want to go to the academy, I don't have any fees for that.
13:55That's why I'm doing everything.
14:00So, this is the thing.
14:03So, then you...
14:05Can you marry me?
14:07Please.
14:07Don't you marry me.
14:10Don't you marry me.
14:11Don't you marry me.
14:13And you, like the leaders, will be fair.
14:16Don't you marry me?
14:19Don't you?
14:20Say it.
14:21Yes.
14:22Yes.
14:23Okay, let me give you your number.
14:34Yes, let me write.
14:36Let me transfer money, I will message you.
14:38But you can write my number, right?
14:41Oh...
14:43It's in the car.
14:46Okay, let's go.
14:49Tell me the number.
14:53I will message you.
14:59Let me transfer money.
15:03Remember.
15:05Okay.
15:09Okay.
15:23Okay.
15:25Okay.
15:27Okay.
15:29Okay.
15:31Okay.
15:33Okay.
15:35Okay.
15:37Okay.
15:39Okay.
15:41Okay.
15:43Okay.
15:45Okay.
15:47Okay.
15:49Okay.
15:51Okay.
15:53Okay.
15:55Okay.
15:57Okay.
15:59Okay.
16:01Okay.
16:03Okay.
16:05Okay.
16:07Okay.
16:09Okay.
16:11Okay.
16:13Okay.
16:15Okay.
16:17I was a dream.
16:19I'm going to do this,
16:23I'll do it.
16:25You're too,
16:27I'll have to go with you.
16:33In this summer,
16:35I'm so shocked to get married.
16:37I'm so excited.
16:39ha ha!
16:42Ha ha!
16:45What a hell of a bitch!
16:48Come on.
16:49Come on, take it.
16:50Take it?
16:50Ha ha.
16:51Listen.
16:55I'm so hungry.
16:58I'm not coming.
16:59I'm not going to do this long.
17:03I'm going to get sick.
17:04I too.
17:06Why don't I call a phone?
17:08I don't care, Luna!
17:38Yes, brother. Where did you go, my beloved friend?
17:43Sorry, I didn't have lunch, I took dinner.
17:46Come on.
17:54Come on, come on, come on.
17:57Come on, come on, come on.
18:01Come on, brother.
18:06Yes!
18:07In your list, all the things are coming.
18:11Let's start.
18:12Let's start.
18:13Let's start.
18:14Let's start.
18:15Let's start.
18:16Let's start.
18:17Let's start.
18:18Let's start.
18:19Let's start.
18:20Let's start.
18:21Let's start.
18:22Let's start.
18:23Let's start.
18:24Let's start.
18:25Let's start.
18:26Let's start.
18:27Let's start.
18:28Let's start.
18:29Let's start.
18:30Let's start.
18:31Let's start.
18:32Let's start.
18:33Let's start.
18:34Let's start.
18:35Let's start.
18:36Let's start.
18:37Let's start.
18:38Let's start.
18:39Let's start.
18:41Let's start.
18:46To the house,
18:50Let's start.
18:53It's too cold. It's too warm.
18:59Why did you come so long?
19:01I was also going to tell you that
19:03how much food is going to be so long, brother.
19:06I didn't have any calls.
19:08I didn't call myself.
19:11The soup fell down.
19:13I didn't get it.
19:14I fell down, but it fell down.
19:19It's something else.
19:21My son, tell me honestly.
19:23Did you feel bad for us?
19:27Did we feel bored?
19:31No, no, no, no, no.
19:40R-Roma, please.
19:44I'm sorry.
19:47I'm so sorry.
19:49I'm so sorry.
19:51You're so sorry.
19:59God, what did I do?
20:02I'm so sorry.
20:06No, I'll sell you to my house.
20:08Just do it.
20:10No, I'll eat it.
20:12No, I'll eat it.
20:13I can't just eat it.
20:14I'm going to eat the police.
20:19I'll eat the police.
20:21I'll eat the police.
20:23I won't eat the police.
20:25If you don't have your love,
20:27tell us first.
20:29What do you need to do with it?
20:31I was thinking that the car was running like this
20:34that we were bored.
20:36Why don't you tell me, brother?
20:39Mama, why did my mother leave me?
20:45Why did you eat the police?
20:47I'm not going to eat the police.
20:49My mother is my mother.
20:54My mother is so sad.
21:01What are you seeing from her?
21:04I'm not eating a plate.
21:05I'm happy to be here.
21:07What happened to you?
21:11My accident happened.
21:13I wasn't doing anything wrong.
21:15I saw a girl in front of my car.
21:19A girl?
21:21Yes, a girl.
21:25What's your age?
21:2725, 30, 35?
21:30I'm not even the age of her.
21:32Then what happened?
21:34I took a break.
21:35The soup fell.
21:36She crossed the road.
21:37She crossed the road.
21:38She went.
21:39But?
21:40There's nothing else?
21:41There's nothing else.
21:42There's nothing else.
21:43I'm sorry.
21:44Why?
21:45It wasn't good.
21:46I didn't care.
21:47Good.
21:48You don't need to see the girls at night.
21:50Of course.
21:52I've been eating a lot.
21:55I've been eating a lot of hot food.
21:57Please eat them.
21:58Please.
21:59Please.
22:00Please.
22:01Please.
22:02Please.
22:03Please.
22:04Please.
22:05Please.
22:06Please.
22:07Please.
22:08Please.
28:18she will take her home.
28:21No, but for this reason...
28:23I don't know, Farid.
28:24The mother-in-law doesn't do this
28:25that she will make a great deal for the children,
28:28but she will return to the children's strange and strange.
28:31Yes, I know.
28:32Yes, but...
28:34this is our brother-in-law too,
28:36that until the first three daughters will not be married,
28:38the brother will not be married.
28:40And I think Irfan is increasing the problem of the family
28:43so that at the end there is only one solution.
28:45And that is her marriage.
28:48Hmm...
28:49I think that's what I do.
28:51You do so,
28:52that in terms of the situation,
28:53Mrs. Khan will be married to Mrs. Khan.
28:55She will be lost in her self-confidence.
28:58And then she will not be able to do this
28:59and her brother-in-law to you.
29:02That's not the same.
29:04Okay, Farid.
29:06You just take me from here, please.
29:08Don't stay here.
29:10Just a few days later, Bindu.
29:12A few days later.
29:14Hmm...
29:16What do you feel like, Bindu?
29:18What do you feel like, Bindu?
29:19What do you feel like?
29:20Oh, it's a...
29:23Bindu.
29:24Oh, it's not the same.
29:25I'm gonna get it.
29:26I mean, the way they speak to me is just the same language.
29:30So what can you feel like, Bindu?
29:31First of all, what is it?
29:32I feel like you are рай-like confused.
29:33I feel like you are the same.
29:34You are the same.
29:36What?
29:36Yes.
29:37This girl is completely gone.
29:40And I think Nasa is in a situation.
29:43And now, where is this Habib?
29:47Where is this?
29:49Hmm.
29:50This is not a confusion.
29:51It's a real problem.
29:53Where is this girl gone?
29:55And where is Nasa?
29:59Habib's model is in my job.
30:02I've put all the doors on my house.
30:05There's all the doors.
30:08Main gate, main door, back door, kitchen door,
30:11front terrace, patio door,
30:14up to the door, laundry door.
30:17Oh, I'm tired.
30:20Just drink some water.
30:22Oh, I didn't realize that
30:26the doors lock in the house is so big.
30:29When I do the hospital,
30:31I know that there is no problem.
30:34So, you can do it, right?
30:36Huh?
30:37You go straight to the sofa,
30:38then the sofa,
30:39then the cushion,
30:40then the cushion,
30:41and then the sofa.
30:42Oh, Nasa?
30:43You forgot one door.
30:44There's no door in the main gate.
30:46There's no door in the main gate.
30:48I'm tired, Baba.
30:50I'm tired, Baba.
30:51I'm tired, Baba.
30:52Come on, Baba.
30:53Come on, Baba.
30:54Come on, Baba.
30:55You're locked up.
30:56You're locked up.
31:00You're locked up.
31:01Hello.
31:17Gait locked here?
31:19You're going to open?
31:21What will happen now?
31:23The gate will be locked.
31:25Me too?
31:26No.
31:27I'll go inside.
31:28I'll open the gate.
31:29I'll take you inside.
31:30Okay.
31:31So, I'm going to go there.
31:51Listen to me again.
31:53There's a big mess in my house.
31:55I don't know anything about you.
31:57I don't know anything about you.
31:59Shut up.
32:00Whatever you think was,
32:02keep yourself in mind.
32:04Now, listen to me.
32:06You're so big.
32:07Don't talk about that.
32:09You're not so big.
32:10You're only two years old.
32:12You're so big.
32:14You're so big.
32:16You're so big.
32:18Tell me,
32:20what happened in this house?
32:22Yesterday, my brother told me
32:24that she got the truth to her.
32:26You're so big.
32:27You're so big.
32:28You're so big.
32:29You're so big.
32:30You're so big.
32:31You're so big.
32:32You're so big.
32:33You're so big.
32:34You're so big.
32:35You're so big.
32:36You're so big.
32:37You're so big.
32:38You're so big.
32:39You're so big.
32:40You're so big.
32:41You're so big.
32:42You are so big.
32:43And, I mean,
32:44you're so big.
32:45You're so big.
32:46And, you're more like,
32:47you're such a rich.
32:48You're so big.
32:49Give me some big.
32:50My name is normally
32:52good.
32:52The name is really
32:54the the name is
32:55the name is
32:56the name of my mother.
32:59She says,
32:59how old are you looking for?
33:00Come on,
33:01come on,
33:02come on.
33:03Now,
33:04come on.
33:05It's not going to get hurt.
33:07Who would marry a girl with a young girl?
33:10If people are so angry with our brothers and sisters,
33:14then the girl will come to her home,
33:19it will be fine.
33:21Absolutely not.
33:23There will be someone who will say it.
33:25We will not change this planning.
33:27Absolutely not.
33:29This girl is not a man.
33:31Not a man.
33:33There is no one in the house.
33:35There is no one in the house.
33:37If it happens, what do I say?
33:39This is my house.
33:41I have come to this house from childhood.
33:43It was so long.
33:45These people don't know so much as I know this house.
33:47That's why you don't grow up.
33:49When did you grow up in that house?
33:51What are you talking about?
33:53What are you talking about?
33:55I'll open the door and open the door.
33:57I'll open it up.
33:59Who are you?
34:03You will be a child.
34:05And the that is the same person who has arrived.
34:07The child will be a child.
34:09You can see that there are five little girls in the house.
34:13I'll do it, as a child will be a child.
34:15You will have to look like this.
34:17You will get this.
34:19With this, take a pen and..
34:21With this pen.
34:23With this pen.
34:25And let me give this pen at me.
34:27Look at that.
34:32Okay, listen.
34:33Before opening the door,
34:34there will be a mattress,
34:35mattresses and wood.
34:37What's that?
34:38My grandmother came,
34:40so I had a mattress with her
34:42and put the wood in the door
34:43so that the house of the door
34:45opened and it was always beautiful.
34:48Oh, that's right.
34:49How fun.
34:50I'll put it all together
34:52and put it all together.
34:54I'll start doing it.
34:55Okay?
34:56Why don't you put the wood?
34:58I don't know.
34:59If you put the wood with the wood,
35:01then you'll start killing it.
35:03Okay.
35:04How did I get this idea?
35:11In the night,
35:12there were a mattresses,
35:13and wood and wood.
35:15And they had to be free.
35:18Two.
35:19KABOOTAR?
35:20And they had to give the wood.
35:23And they had to give their hands.
35:25So,
35:26you'll just take one.
35:28You'll just take one.
35:29They'll take one in the back of the house.
35:30My dear.
35:31Dulaluna!
35:33KABOOTAR?
35:34KABOOTAR?
35:35KABOOTAR?
35:36KABOOTAR?
35:37KABOOTAR?
35:38KABOOTAR?
35:39I'm not giving the answer.
35:42I feel like I'm falling.
35:45Oh, my God.
35:48Oh, my God.
35:51Oh, my God.
35:54Oh, my God.
35:56Oh, Safiya.
35:57Run, Safiya, run.
35:59Oh, my God.
36:09Oh, my God.
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