00:00We couldn't just give it to Iowa. Just give me an incentive to keep working on your movie.
00:21Give me a date, a guarantee.
00:30So you can get a date, a date, a date, a date.
00:37You can get a date, a date, a date.
00:44You can get a date.
00:49I'm going to go to the next one.
00:55that are like neuroscience, but over here they're like, they're going to be able to change their
01:00fingers, right?
01:17Yeah, and I stopped, and I said immediately, at 10 years old, copywriting is my bad.
01:25Beautiful. Thank you very much.
01:55Yes, yes.
01:59Yes.
02:01Yes.
02:03Yes.
02:05Yes.
02:07Yes.
02:09Yes.
02:11Yes.
02:19Yes.
02:20Yes.
02:21Right.
02:23.
02:24When we shot the opening scene of Chrissy Watkins being taken by the shark and we had
02:48a buoy floating in the water, how did anybody know to take the buoy and take it home and
02:55sit on it for 50 years and then loan it to the academy?
02:59How did they know?
03:00I didn't know.
03:01I thought my career was virtually over halfway through production on Jaws because everybody
03:06was saying to me, you are never going to get hired again.
03:09This film is way over budget and way over schedule.
03:14I just really was not ready to endure the amount of obstacles that were thrown in our
03:22path.
03:24Starting with Mother Nature, I really thought my hubris was we could take a Hollywood crew,
03:30go out 12 miles out into the Atlantic Ocean and shoot an entire movie with a mechanical
03:35shark.
03:36I thought that was going to go swimmingly.
03:39What they've put together here, this exhibition is just awesome.
03:43Every room, every room has the minutia of how this picture got together and proves that
03:50this motion picture industry is really, truly a collaborative art form.
03:55No place for auteurs.
03:57This is an art form that only survives based on getting the best people in all the right
04:03positions and it's a collaborative...
04:05We are thrilled to be presenting Jaws the exhibition in partnership with Steven Spielberg
04:10and Amblin Archives to give visitors a once in a lifetime opportunity to see objects from
04:15the film, to immerse themselves in these sets and environments and to really learn a lot
04:20about all the creativity and ingenuity that went into making this film.
04:25And we have over 200 original objects related to the production of Jaws.
04:30It really was a cinematic treasure hunt to find original objects used, not only original objects
04:37used on Jaws, but also concept illustrations and production notes, anything that would put
04:42the story of Jaws together for our visitors in a tangible, physical way.
04:49.
05:10.
05:12.
05:15.
05:15.
05:19You
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