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Short filmTranscript
00:00Celebrate the magic of Bola Next presents Kashmir 10th Hum Awards powered by Leather Galleria Luxury Leather Furniture at NRG Arena, Houston, Texas.
00:17Featuring Ali Zafar, Yasir Hussain, Ramshah Khan, Hamza Suhail,
00:30Dhananir Mubin, Shujah Asad, Harim Farooq, Ahmed Ali Akbar, Mewish Hayat, Aasim Azhar, Humayun Saeed and more.
00:58Saturday, 11th October, 2025 at the NRG Arena, Houston, Texas.
01:07Book your tickets now.
01:08Log on to www.hum.tv or www.ticketmaster.com.
01:16For sponsorships, contact Mr. Naveed Aadam, Hum Network Limited.
01:20I'm a kid.
01:21I was thinking about it.
01:23It's going to happen.
01:26Shali Bhaiya.
01:28Shali Bhaiya.
01:29Shali Bhaiya.
01:30I'll bring my gift to my husband.
01:35We're doing the same thing that we're afraid of.
01:37We're getting married, we're going to get married tomorrow.
01:41If we get married to my husband,
01:43Mrs. Khan and Mr. Habib,
01:45we're going to get married now.
01:47But today, we're going to give them our acting.
02:00I'll tell you, I was so embarrassed, but you made it great.
02:13We are old artists.
02:16We've left the job for you.
02:19We don't have the power of art in our country.
02:22And these people who are rich,
02:25I can handle them like this.
02:28When you sleep, you look like a bitch.
02:33She's a bitch. She's my daughter.
02:35She's just 19-20 years old.
02:37She's like me.
02:39She's a good girl.
02:42She's like a girl.
02:44She's like a girl.
02:47If she's married with a bitch,
02:51she'll do my girlfriend.
02:56I swear to God,
02:59I swear to God that the drama will be hit.
03:03And the love of our human beings will always leave.
03:07Amen.
03:09Amen.
03:11I swear to God.
03:14I swear to God.
03:16Do you know,
03:18who were the marbles there?
03:21I don't need to see that.
03:26The marbles were mine,
03:28but two days ago, they got married.
03:30And you're like,
03:32you're like a girl,
03:33you're like a girl.
03:34And you're like a girl.
03:35And we're like,
03:36who's the marbles?
03:38Who's the marbles in our room?
03:40Okay.
03:41Listen, you can tell me.
03:42When he comes in the room,
03:44there's no trouble.
03:45There's no trouble.
03:46There's no trouble.
03:47I've never seen her.
03:48Habib sahab ke jouto ke nishan
03:51Apeni almari tuk jate woye dekhi thai
03:52Qasam si ghi dekhi
03:54Haan
03:55Meinen na
04:02Detective movies mein dekha hai
04:04Ki jab koji jurm hota hai na
04:07Toh uus jurm se
04:08Jis ko sabse zyada fayda pahunchta hai
04:11Voii toh mashkuq hota hai
04:13Toh meire zakhmi honne se
04:16Kis ko fayda pahunchega
04:17Kamp bata hai
04:19Vadeh toh habib sahab ne liye
04:22Kam karanhe ke baathe
04:24Toh nuksan bhi unhi ko hoga
04:27Semjaya
04:29Ipni
04:31Ipni badehi hai aap
04:33Bata nii kiishe is musibat me phas kai
04:35Haan
04:38Voi jo perso aai thi
04:40Kuskis mei te bhaag gai
04:42Aapke pahas toh koi chanse bhi nahi hai
04:45Vichari
04:51You have been so angry about Farid.
04:59I always have to wait for that.
05:02I always have to wait for Nathra.
05:05What was the mother saying that Nathra, you get to meet our aunt?
05:10But she didn't get a friend that she didn't get to,
05:13she didn't get to cross the whole process.
05:15Farid has to take all the reports from Farid.
05:18But what kind of food do you think of it?
05:20Do you have to give them a little bit?
05:22Hmm, you have to give them a little bit too.
05:25Why?
05:26They call us when they go out and get out of the park and get out of the park and get out of the park.
05:31Don't worry.
05:33You've never thought about how strange they are.
05:35When are kids like this?
05:37They call them like these girls.
05:40Where are you from?
05:42I'll take them.
05:44We've got to give them a little machine.
05:47I don't have to do anything.
05:48No, you didn't.
05:49That's the case.
05:50If you can't reach a young man at a time, what's going on?
05:52What's going on?
05:53Sherry was the enemy of the bomb.
05:55Yes, but how did we take the bomb?
05:57You take it.
05:58To the bomb?
05:59No.
06:01You were given the idea.
06:02You're just being dead here.
06:04What will happen?
06:06No, what will happen.
06:07But if we haven't done anything,
06:09we'll give them all to kill them so we'll kill them.
06:13You take it.
06:14No, leave.
06:17Second entry, yeah?
06:19Yes, I know I was a little overconfident,
06:22but I'll do better from before.
06:30Okay.
06:47One minute, please.
06:48Ah, Habib Sahib.
06:49Go inside.
06:50Where?
06:51Oh.
06:52Safiya Bibi was the first one.
06:53If I hit my wicket,
06:54you'll understand.
06:55It's a team of tennis.
06:56If I hit one,
06:57then the system is chopped.
06:58I'll go inside.
06:59Where?
07:00Oh.
07:01Safiya Bibi was the first one.
07:03If I hit my wicket,
07:04you'll understand.
07:05It's a team of tennis.
07:06If I hit one,
07:07then the system is chopped.
07:09What I'm saying,
07:10let's go.
07:11What's happening?
07:12It's a trap.
07:13What's happening?
07:14It's a trap.
07:15It's a trap.
07:16What's happening?
07:17It's not easy to go.
07:18There's no danger.
07:19There's no danger.
07:20There's no danger.
07:21Why are you saying this?
07:22I am saying this to you.
07:23Toby Guz sahab,
07:24Why are you worried?
07:25I have told you to go inside.
07:26There's no danger.
07:27Go inside.
07:28Take it,
07:30look at it.
07:30God,
07:31may God thank you to your baptism.
07:33Amen.
07:35The name is Allah.
07:37Yes, my son.
07:38Yes, my son.
07:49Yes, my son.
07:50Come, come.
08:02Oh, my beard.
08:07Oh, my God.
08:11Come here.
08:12I'll give you a happy birthday.
08:15You gave me a happy birthday.
08:18Come here.
08:32It's great, you guys.
08:34You guys, we're...
08:35We're like a happy birthday.
08:38Give me my ID card.
08:39You'll see.
08:40Here.
08:43And this is Nassar Haashmat.
08:47Hey, Haashmat's daughter of the furniture.
08:49We're a happy birthday.
08:50Here.
08:52Here.
08:57This is the time of the furniture.
08:59So I'm also telling you that we are so proud of the people.
09:04You are making a solution for our customers.
09:08But why did you wear these turkeys?
09:11We were making TikToks.
09:15Yes, TikToks.
09:17We were wearing these turkeys.
09:20Good people, especially in this situation.
09:26I'm sorry madam, I'm sorry madam, actually this waiter is new, and you can understand these people in the normal way.
09:37You were not new, you had time for the time.
09:41Let's go.
09:43Let's go.
09:46Let's go.
09:48Let's go.
09:50Let's go.
09:56Let's go.
10:03Let's go.
10:04Let's go.
10:05Let's go.
10:06Let's go.
10:07Let's go.
10:08Let's go.
10:09Let's go.
10:10Let's go.
10:11Let's go.
10:12Appendix.
10:13Appendix.
10:14Appendix is in the face.
10:15No, it's in the face.
10:17Appendix is not going to happen.
10:18Oh, oh.
10:19There's a very sad person in this house.
10:23It's a tree.
10:24It's my love.
10:26What's happening?
10:27It's a pain in the back.
10:29Is it a doctor?
10:30Yes, it's not a doctor.
10:32It's not a doctor.
10:34It's a care and love.
10:36It's a child who had a voice.
10:38And now,
10:39let's go.
10:41It's my fault.
10:42You can't understand.
10:44But, my brother,
10:46he died.
10:48He died.
10:50He died.
10:51I'm coming.
10:52I'm coming.
10:53This is all very smart.
10:54Acting is acting.
10:55Tell me something.
10:56Tell me something.
10:57Oh.
10:58Oh.
10:59Ahem.
11:00Hear my story.
11:01We can hear it.
11:02Don't have to worry about it.
11:03Don't have to worry about it.
11:05What are you doing?
11:07Don't take your hand.
11:09Don't take your hand.
11:10Don't take your hand.
11:11Don't take your hand.
11:13Don't take your hand.
11:16Meerab, Meerab, they will come to a restaurant in a restaurant, so you are just happy to be here.
11:33Why are you doing this?
11:36If I and Bindiya are just married to my wife, then what do you do?
11:43Do you know?
11:45I know.
11:46They don't give up at home.
11:52But he is a man.
11:54He is a man.
11:56Is this any logic?
11:58The idea is that a man is like this.
12:02He is like this.
12:04He is like this.
12:05If he is like this, he will be like this.
12:08No.
12:10I am not supposed to do that.
12:15So we are saying that he should not do that.
12:19Our employees are doing this.
12:20This showroom is all their work and they are making their wedding.
12:23But he had a wedding for us.
12:27Wow, wow, wow.
12:30We had a new bathroom in our house.
12:35He told us that we had a bathroom in our house.
12:40I didn't understand that we had a relationship with the bathroom.
12:46I didn't understand that we had a relationship with the bathroom.
12:51Yes, it's a relationship with a very high relationship.
12:57We had a relationship with the girl. It's a drama.
13:02She was saying that this is a drama.
13:06It's a drama, right?
13:08That's okay. Let's do it.
13:11We don't have a drama.
13:14I won't put my hands.
13:17I don't know how to do it.
13:18She's a disease, right?
13:20I'm just saying it.
13:22She's going to take a serious crime.
13:25What's this?
13:27I'll tell you what happened.
13:29I'll tell you what happened.
13:30I'll tell you what happened.
13:32I'll tell you what happened.
13:33I'll tell you what happened.
13:35Why?
13:36Please, shut up.
13:38Why?
13:39Because she was our mother-in-law.
13:42That's a good story.
13:44I'll tell you what happened.
13:47Tell me.
13:49Where are you crying?
13:50You did a break in the morning?
13:52You're a doctor.
13:54You're a doctor.
13:56You're all know that you're all.
13:59So, you can tell us.
14:01You go.
14:03I'll tell you what happened.
14:04I've never come to go.
14:05I've never come to go.
14:06I've never come.
14:07I've never come to go.
14:09I knew this will come.
14:10I've never come.
14:11I've never come to go.
14:16I knew that they'll come.
14:18I'll never come here.
14:19Our problem is no one.
14:20Come here, I'll be my hit.
14:21What are you doing?
14:22You're saying that you're taking appendix.
14:24She's got an appendix.
14:26Yes.
14:27So this is your mother.
14:28Is it a surgeon?
14:29She's got an operation here.
14:30Brother, take us to the hospital.
14:32We'll go together.
14:33Yes, let's go.
14:34Madam, this is going to be here.
14:36Let's go.
14:37Someone is watching the house too.
14:38You can't wear it.
14:39Let's wear a coat.
14:41Yes, let's go.
14:54It's gonna be wet.
14:55Let me go and hide.
14:57Take yourself in the front of my face.
15:03Don't worry about it.
15:04Don't worry about that.
15:06It's been in the front of me.
15:07Don't worry about it.
15:09You'll be a sapsy.
15:10Don't be afraid about it.
15:11Don't fight this way.
15:12I'm going out of the car.
15:13I broke out the car.
15:16The car did not work.
15:18If I had to make accident,
15:19it was done.
15:20I'm not a big name for the big day.
15:21We are the only ignorant.
15:23We take all of our names.
15:25Nassara's heart wants to say Nassar's heart.
15:27I'm saying that it's a mess.
15:29Why do you say that, brother?
15:31Why don't you cry for the kids?
15:33Why don't you drive a car?
15:35Look at your face. I don't know how many people are.
15:37I'm going to run, man.
15:39This is the hospital.
15:41Two minutes.
15:43It's okay. What will we do to the hospital?
15:46Let's go.
15:52Look, this is also good.
15:54You are also here.
15:56Now we are three.
15:58How are you?
16:02This is a very long story.
16:04It was a very long story.
16:06It was a very long story.
16:08It was a very long story.
16:10It was a very long story.
16:12It was a very long story.
16:14Hi.
16:16Just my father.
16:18It was her own.
16:19It was the only years after life.
16:20It was never a long story.
16:22He was in the hospital.
16:24He was speaking his wife.
16:26I came to his wife.
16:27He was talking his wife.
16:28Now, the sisters' honor of his wife.
16:30And the babies,
16:31He was planning his wife at home.
16:33He was planning to follow his wife.
16:34He was the second of his wife.
16:35Iサラ.
16:36When you were,
16:37He was in the hospital,
16:38Iサラ,
16:39He left the hospital,
16:40His wife.
16:41He left the hospital.
16:42He left the hospital,
16:43He left the hospital,
16:44They came.
16:46They came.
16:48And the boys,
16:51they had so many actions
16:53on their faces
16:55that they would run away.
16:57But they didn't.
16:59They would run away.
17:01They would run away.
17:03They would run away.
17:05Then they would call them
17:07and they would tell them
17:09that they would run away.
17:12How was the way?
17:14The way is the way.
17:18The way is the way.
17:20It's hard to be.
17:22It's hard to be.
17:24If you're not the way,
17:26you're not the way.
17:28So how are we three?
17:30Let's go.
17:32Have a good day.
17:34After all,
17:36everyone left the college.
17:38You can sit home.
17:40If someone would come,
17:42if someone would come,
17:44then they would run away.
17:46They would run away so much.
17:48They would run away.
17:50It's not just that.
17:52It's not just that.
17:54Then,
17:56they would run away.
17:58After all,
18:00they had to be a-fucked.
18:02They would run away.
18:04They'd run away.
18:06They'd run away.
18:08Then,
18:09they would run away.
18:11It would run away.
18:13The child would run away.
18:15Yes.
18:16Your body made so small.
18:18Yes,
18:20from this point.
18:21The child would come to work.
18:23Because of the damage of the work, I have done this wedding with this wedding.
18:29One to two of them will be done.
18:33But their girls also broke their hands.
18:37Are you doing this?
18:38No.
18:39Let's go and see.
18:42After that, they will go after you.
18:48What?
18:50So,
18:54Wait.
18:57I'm going to get them.
19:01Men.
19:03Up.
19:05Sophia.
19:23Let's go.
19:24Let's go.
19:25Let's go.
19:26I'm fine.
19:27I'm fine.
19:28I'm fine.
19:30Let's go.
19:32Let's go.
19:33I'm fine.
19:34I'm fine.
19:35I'm fine.
19:36I'm fine.
19:37I'm fine.
19:39I'm fine.
19:40Let's .
19:43Have a good one.
19:48I don't know how old you to arrive.
19:51But still, I think you're hard to go down.
19:54I don't don't know where you are.
19:57Where to work?
19:58My journey.
19:59Yes.
20:00I know that there is no reason.
20:01To work...
20:02I'm not gonna be.
20:03I know you're hard to find them out.
20:05The find out for me.
20:06No, no, you're a stupid man.
20:07No.
20:08No, no.
20:09I don't know what to do.
20:10Why don't you see a bird now for me?
20:13Because he started a bird for me.
20:14Well, he started asking me,
20:15and they're still here.
20:16What?
20:17The new Begum, who was the one who had met me or was the one who had met me or was the one who had asked me for you to stay away from your friends.
20:28Okay.
20:29This is our kitchen garden.
20:32I'll show you in the rest of the house.
20:34One minute.
20:35Before seeing the rest of the house, can I see you from your Begum?
20:40You'll have to go to his house.
20:42Because...
20:43Because the boys have broken their tank.
20:45Yes, the tank was just your own.
20:47But it wasn't our Begum's fault.
20:49Why?
20:50That's our little baby, Mirab's baby.
20:53Yes.
20:54She didn't understand how she had to get rid of them.
20:58She had to put them in front of the main door.
21:01If our Begum fell asleep at home, then she fell asleep.
21:04One minute.
21:06Why did your Begum fell asleep at home?
21:10She...
21:11She asked her...
21:14What was it?
21:19What was it?
21:20Samiya Appendix!
21:22It was a accident, no one was killed.
21:23But why did you?
21:24What was that?
21:26Samia Appendix?
21:30It was a joke.
21:35But why?
21:37Because we all wanted to go to a picnic today.
21:44And then, a picnic for me and a joke?
21:47No joke, brother. No joke.
21:50No joke. No joke. You know Samia Appendix?
21:54No joke.
21:56It's not a joke.
21:58It's not a joke.
22:00You've also seen a joke.
22:04If you've seen a joke, you don't confuse us with a joke.
22:10Look, this is a wrong thing.
22:12What do you think about it? She's alone at home.
22:14She's not alone at home.
22:16She's not alone at home.
22:18She's not alone at home.
22:20Naspi and Farid will be able to give her company.
22:25So, brother, it's finally done.
22:27Are we going to go to a picnic?
22:28Please.
22:29Please. Please. Please. Please. Please.
22:31We're not going.
22:33We're going to go home.
22:34Just go.
22:35We're going to go home.
22:36Let's go.
22:37Lunch?
22:38No.
22:39Lunch.
22:40Lunch?
22:41No.
22:42Lunch?
22:43No.
22:44No.
22:45Lunch?
22:46No.
22:47Lunch?
22:48No.
22:49No.
22:50Lunch?
22:51No.
22:52Lunch?
22:53No.
22:54Lunch?
22:55No.
22:56No.
22:57No.
22:58No.
22:59Okay.
23:00Don't do lunch.
23:01Please.
23:02Don't do anything to a restaurant.
23:03And do everything quickly.
23:04Right.
23:05Whatever we do, go home.
23:06Don't do anything in the restaurant.
23:07Yes.
23:08Meera.
23:09I mean...
23:10You're not doing anything.
23:11I'm not doing anything.
23:12You're just doing such a good thing.
23:13You're not doing such a good thing.
23:15You're going to go home.
23:16Let's go home.
23:17Keep it safe.
23:18Don't do that.
23:27Have you taken your time?
23:28Your tongue is broken.
23:32I have taken your time.
23:34I have taken your time.
23:35You will also take your time.
23:37What are all these things?
23:39Come on, come on.
23:42What is it?
23:44I remember I had told you that I was married for a baby.
23:47Yes.
23:48I had a plan for my hero.
23:50He left my hero, villain.
23:52He left my job in the name of my marriage.
23:55He left me here and left me.
23:56And I had to run away.
24:00What did they do?
24:02The girl is a real villain.
24:03The real villain is a real villain.
24:06We are in a real villain.
24:08There is no evidence.
24:10It's a doubt.
24:11But what do we believe in this situation?
24:15We can't go.
24:17This is true.
24:19But what are we going to do together?
24:21If you come here, then we will be three.
24:23He was saying that we will be three.
24:27How are you going to be three?
24:28Well, the girls are five.
24:31Yes.
24:32We are three.
24:33So, we have a six-year-old girl.
24:37We were two.
24:38It was a half-year-old girl.
24:40What is half-year-old girl?
24:42What is half-year-old girl?
24:44What is half-year-old girl?
24:45Baba, we were two.
24:48And they were two big.
24:50And one-one, they were little.
24:52So, it was a little less.
24:53Now it was less.
24:54This is a real villain.
24:56This is a real villain.
24:58Now, you're crazy.
25:00What are you talking about?
25:02What are you talking about?
25:04Oh, this is a real villain.
25:07I think the other day after the wedding was gone.
25:10Now, go and find a way to run.
25:13And if you get it,
25:14then you'll take me to run.
25:16Otherwise, I will run.
25:19Yes, sir, I'm going to go to the hospital, so I'm going to tell you what I'm going to do.
25:39Okay, I'm going to come here.
25:41I'm going to work as a human being.
25:43Yes, thank you very much.
25:45Why did you go to the office today?
25:48Oh, Mirabh's message came here.
25:49They came out with Abushar Dhappiya.
25:53Oh, that's it.
25:55Let's go, I'll take care of you.
25:57Okay.
25:58Lafiz.
26:18Let's go, I'll take care of you.
26:27I'll take care of you.
26:35I'll take care of you.
26:47I'll take care of you.
26:49I'll take care of you.
26:50I'll take care of you.
26:54I'll take care of you.
26:56I'll take care of you.
26:58I'll take care of you.
27:00I'll take care of you.
27:02I'll take care of you.
27:03I'll take care of you.
27:05I'll take care of you.
27:07I'll take care of you.
27:29Come on, come on.
27:33It's a good dialogue.
27:36It's true.
27:37You won't do it in front of me.
27:40But you can trust me.
27:42I won't tell you.
27:48He didn't get upset me.
27:50He had a love with me.
27:56How about you?
27:58Where?
28:00What you told me,
28:02it's true.
28:04It was like that.
28:06You say,
28:08the path of the human's heart
28:10is going through his veins.
28:12It was like that.
28:18You went down to the veins?
28:20I don't know.
28:22I don't know that I was in the veins
28:24or in the heart.
28:26But...
28:28Yes.
28:29It was like that.
28:30And they loved me.
28:32In the first glance.
28:38Are you okay?
28:40Yes.
28:44Where are you?
28:46Yes.
28:47Yes.
28:48Yes.
28:49Yes.
28:50Yes.
28:51Yes.
28:53Yes.
28:54Yes.
28:55Yes.
28:56Yes.
28:57Yes.
28:58Yes.
28:59Yes.
29:00Yes.
29:03Yes.
29:04Yes.
29:06Let's go, okay, I'm Nacra.
29:12My four children are very strong and strong.
29:15There will be a lot of time in this house.
29:19If you want to live in this house,
29:22then I will keep it myself.
29:26This house is Hushmat Villa,
29:28this car, Hushmat furniture, and this house.
29:31I'm Hushmat.
29:34Nacra Hushmat Ali.
29:37The rest are fillers.
29:39I understand.
29:49Pakhra, my son.
29:52I'm thinking a little bit about it.
29:54What about you, Abba?
29:56This one is the child of the village.
29:59He's going to take care of it.
30:01See, once or once, this house will fall.
30:04We can't think about it. We can think about it.
30:09Yes.
30:09You can think about it.
30:12And you can think about it.
30:14You can't get it.
30:16You can't get it.
30:19You can't get it.
30:21You can't get it.
30:23Yes, it is.
30:24Now, our buchera came.
30:26It's been a help for us.
30:27That you can't get it.
30:29Or you can't get it.
30:31But buchera come up to the theatre academy.
30:36He was a husband.
30:39And he got it.
30:42He got it.
30:44Don't make it.
30:46You can get it.
30:48What need you to get it?
30:50You can't get it.
30:54We can't get it.
30:58Now, buchera has started this new deal.
31:01What was the other thing?
31:03The other thing is that...
31:05Where are you working from?
31:06Where are you working from?
31:07They come to see you.
31:10No...
31:12How can it be possible?
31:14Why can't it be possible?
31:16No...
31:17We don't want to go for a set.
31:19Why don't we go for a set?
31:20Why don't we go for a set?
31:22Our time was the heroine.
31:24There was a set set.
31:26But...
31:27It was other times.
31:28It was other times.
31:29There wasn't a set set.
31:32Don't let us know.
31:35Tomorrow we'll go.
31:37Tomorrow?
31:38I'll do it.
31:39I'll do it.
31:40Come on.
31:46This is our kitchen.
31:48It was the last one.
31:50It was because we had a demo of it.
31:53It was the kitchen.
31:56How did you find so many?
31:59They're still standing in the kitchen.
32:01You are standing there?
32:02That's not a cook.
32:03Not a cook, Habib sir.
32:04You can see so many.
32:05You've seen so many houses in the TV.
32:06You've seen so many houses in the house.
32:08You've seen so many houses in the house.
32:09You'll think you'll find so many houses.
32:11And you'll think that you'll have to find so many houses.
32:13There is a big house in the kitchen, but there is a kitchen in the kitchen.
32:20Yes, all the kitchen are in the kitchen.
32:24Yes, here is only you, and this is the kitchen.
32:30We put our menu here in the day.
32:34We will have to serve you.
32:37Okay.
32:39And?
32:45You didn't go to the kitchen, right?
32:50You didn't go to the kitchen.
32:54You go to the kitchen.
32:57You go to the kitchen.
32:59So, what are you doing?
33:03I'm not going to run away from the kitchen.
33:06I'm your daughter of Bashier's samosa.
33:09Bushra?
33:10When you open your eyes, you'll see thousands of samosas.
33:14When you open your eyes, you'll see thousands of samosas.
33:27Hmm.
33:28Mac and cheese.
33:31This is also some cheese.
33:37Then, mac and cheese.
33:41Alu kima.
33:44Chicken biryani.
33:46Bath.
33:48This is only three dishes.
33:53Why do people run away from this?
33:56I don't know.
33:58I don't know.
33:59I've had a drink on the TV.
34:02I've had a drink on the TV.
34:05I've had a drink on the TV.
34:07This is more than one.
34:09Hmm.
34:10Hmm.
34:11But I don't cry.
34:13I've had a drink on the TV.
34:16I've had a drink on the TV.
34:18What would you like to do?
34:20I have a drink on the TV today.
34:22I've had a drink.
34:24I've had a drink.
34:25I've got a drink.
34:27I can come out.
34:28This is the home.
34:29At the opening, this is the home.
34:30It's a drink, it's like a drink.
34:35Thank you very much.
35:05thousand times.
35:06It wasn't okay.
35:07That's why?
35:08That's why you married us.
35:11To make it a new life?
35:13No, brother.
35:15They asked me if they had a problem.
35:18I said yes.
35:19Let's go and leave.
35:21And you haven't said anything.
35:23We won't give up.
35:25It's a very big house.
35:27You'll be king and you'll be king.
35:29It's not like that.
35:31Let's take care of yourself.
35:33You won't come back.
35:34Why did you run away?
35:36No.
35:38He's running away from the clothes.
35:41His tank?
35:43Whose tank has dropped?
35:44Girls?
35:45Girls have dropped this tank.
35:49Oh.
35:51Mr. Habib,
35:53I have a little bit of a story.
35:56But I'll tell you one thing.
36:00I'm not going to run away from here.
36:03Just remember this thing.
36:04Hmm.
36:05Hmm.
36:06Hmm.
36:07Hmm.
36:08Hmm.
36:09Hmm.
36:10Hmm.
36:11Hmm.
36:12Hmm.
36:13Hmm.
36:14Hmm.
36:22Hmm.
36:23Hmm.
36:24Hmm.
36:25No, no, there's no camera here.
36:27I've seen it. Now you can talk about it.
36:29Okay, listen.
36:30First, you can listen to my story.
36:32I can't tell you what happened today.
36:34I said that dialogue today.
36:36I called the lines.
36:38This is a girl named Nasra.
36:40Don't call me a big man.
36:42So, she spoke with me.
36:45And she was talking a bad dialogue.
36:48I answered the question.
36:50I answered the question.
36:52I answered the question.
36:54I'll tell you what happened.
36:56She's gone.
36:58She's gone.
36:59She's not saying anything about it.
37:01She's still thinking about it.
37:04And the rest of her to take care of her.
37:06She's just a little bit of a situation.
37:08She's just a little bit of a girl.
37:11Wow.
37:12Wow.
37:13She's going to be fun.
37:15Yes.
37:16She's going to be fun.
37:18I've never understood the situation.
37:20And she's doing dialogue and improvising.
37:22She's looking good.
37:24But, but, but,
37:26here's a problem.
37:28Listen.
37:29I think she's gone.
37:30I'll talk to her later.
37:31Okay.
37:32Bye.
37:33Bye.
37:34Bye.
37:35Bye.
37:36Bye.
37:37Bye.
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