- 3 months ago
Ek Jhooti Kahani ep 8 Pakistani drama
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00:00Celebrate the magic of Bola Next presents Kashmir 10th Hum Awards
00:07powered by Leather Galleria Luxury Leather Furniture at NRG Arena, Houston, Texas
00:15featuring Ali Zafar, Yasir Hussain, Ramshah Khan, Hamza Suhail
00:30Dhananir Mubin, Shujah Asad, Harim Farooq, Ahmed Ali Akbar, Mewish Hayat, Aasim Azhar, Humayun Saeed and more
00:58Saturday 11th October 2025 at the NRG Arena, Houston, Texas
01:06Book your tickets now
01:08Log on to www.hum.tv or www.ticketmaster.com
01:16For sponsorships contact Mr. Naveed Adam, Hum Network Limited
01:21Shalih Bhaiya, Shalih Bhaiya, Shalih Bhaiya, you have to get my gift
01:33Go card more!
01:35The disturbs are raising about whose rate it is
01:38The dinner is going to come for dinner, is happy with 2020
01:41Maybe to marry with Mr. Khan and Habibang received a wedding
01:46What said we just gave him a offer?
01:47But today, you've got to give up with your acting.
02:06Father, I'll tell you.
02:08I was so embarrassed, but you did it.
02:14We are old artists.
02:17He left his work for you.
02:19Even in our country, there is no power of art in our country.
02:22And these people who are young,
02:25who are young, I can handle them like this.
02:29You were thinking of being angry at all.
02:33You're angry at all. My daughter is my daughter.
02:36It's just like my age.
02:40You're like a young girl.
02:42Are you young?
02:44They are harassing these years in the same way.
02:49If we had married to our Bushra,
02:53he would have been married to me.
02:57I pray that the Bushra's drama will be hit.
03:04The love of our human being will always be left.
03:09Amen.
03:10Amen.
03:14Do you know who threw marbles in there?
03:24I don't need to look at that.
03:26Marbles were mine, but two days ago they were caught.
03:30And as you saw the picture of the dog's head,
03:34we also knew who came to our camera.
03:39Okay, listen to this, you can tell yourself.
03:42When there was no work,
03:45there was no work on the ground.
03:47So, I had to look at the pictures of the dog's head.
03:52I had to look at the pictures of the dog's head.
03:54Yes.
04:01I had to look at the detective movies.
04:04When there was a crime,
04:07there was a crime.
04:11I had to look at it.
04:14I had to look at it.
04:16I had to look at it.
04:17I had to look at it.
04:19I had to look at it.
04:20I had to look at it.
04:22I had to look at it.
04:24I had to look at it.
04:25I had to look at it.
04:26I did not know.
04:27I didn't get up.
04:28I had to look at it.
04:29I had to look at it.
04:30I have to look at it.
04:31Look at it.
04:32You can't tell me how you were in this situation.
04:38That was the person who ran away.
04:43You don't have any chance.
04:49I love you.
04:57It's good that you've got to get to it.
04:59I have never heard of it.
05:01I have always been confused by Natsra.
05:05What did Mama say that Natsra, you know,
05:07we met with our aunt?
05:09That's the aunt that she didn't get into it
05:11because she wanted to cross double-cross it.
05:13I have to take all the reports from the past.
05:17I'll take it away, but
05:19what kind of pain do you have to do?
05:21Take it away.
05:23You have to do it for the little ones.
05:25Why?
05:27Why do you think that Natsra is so weird when
05:29they go outside and take them out?
05:31You know,
05:33you never thought about how strange they are.
05:35When are kids like that?
05:37Like these girls,
05:39they call them a little girl.
05:41Where are you from?
05:43We will take it away.
05:45We have to take our small machine.
05:47We need to do something.
05:49I didn't know what happened.
05:51The fact that the Pogs didn't reach the time,
05:53what happened?
05:55Yes, but how did we take the bomb?
05:57You take it away.
05:59Where did we take the bomb?
06:01You took the bomb?
06:03You took it away.
06:05What will happen here?
06:07No, what will happen?
06:09But if we haven't done anything,
06:11we will give them all to kill us.
06:13You take it away.
06:15No, leave.
06:17Second entry, yeah?
06:19Yes, I know.
06:21I was a little overconfident,
06:23but now I will do better.
06:25Okay.
06:27Okay.
06:29Okay.
06:31Okay.
06:33Good morning.
06:35How are you?
06:47How are you?
06:49How are you coming in here?
06:51Good morning, Mr. Vain.
06:53One minute, Mr. Habib.
06:58Come inside.
07:00Where?
07:02Shafia, if you have a kicker, you can understand me.
07:05It's a tennis team.
07:07If you have a kicker, the system will chop it.
07:09What I'm saying, do it. Let's go.
07:11What are you talking about?
07:12It's a booby trap.
07:14What's that?
07:15It's not easy to cross the door.
07:18It's not easy to go.
07:20It's God's love.
07:21Why are you saying this?
07:23Mr. Habib.
07:24Why are you scared?
07:25I told you to go inside.
07:27Go!
07:28Mr. Habib.
07:30Mr. Habib.
07:32Shafia, I am the king of the king.
07:35He is the king of the king.
07:49Yes, Mr. Habib.
07:51Come on.
07:53Oh, indeed.
08:03Dude, to front my corner.
08:11Hey, brother.
08:13I've given you a happy happy birthday.
08:16You've done a good day.
08:18Come here.
08:32It's wonderful, you guys.
08:34You guys, we...
08:36We feel like we're going to die.
08:38Give me my ID card.
08:40You can see this.
08:42And this is Nassar.
08:45This is Hushmat.
08:47Hey, Hushmat's daughter's furniture.
08:54Rhea.
08:55I had a set set for your house.
08:59So I'm also telling you,
09:02that we're good people.
09:04You're helping us.
09:07But why did you wear these shoes?
09:11We were making TikTok.
09:15Yeah.
09:16TikTok.
09:17We were wearing these shoes.
09:19I'm sorry.
09:20I'm sorry, madam.
09:21I'm sorry.
09:22I'm sorry, madam.
09:23I'm sorry.
09:24I'm sorry.
09:25I'm sorry.
09:26I'm sorry.
09:27I'm sorry.
09:28I'm sorry.
09:29I'm sorry.
09:30I am sorry madam
09:32Actually this waiter is new
09:35So you can understand these people
09:37You were not new
09:39You were given time for the time
09:42Let's go
09:44Let's go
09:46Let's go
09:46Let's go
09:48Let's go
10:00So, wait.
10:03Come on.
10:09My daughter, I'm coming to a hospital.
10:13Appendix.
10:14Appendix is in the body of God's head.
10:16No, it's in the body of God's head.
10:18Appendix is going to happen.
10:19Oh, oh.
10:20Someone who is in a very difficult place.
10:23Where is the tree?
10:25My love is my love.
10:26What happened?
10:27What happened?
10:28She said that she's crying in the back.
10:30Do you call her doctor?
10:32No, she doesn't need a doctor.
10:34She's got attention and love.
10:36She's got a voice for us.
10:38And now...
10:39Don't leave me, Bindiya.
10:41It's my fault. You can understand.
10:44But my brother...
10:48She's dead.
10:50She's dead.
10:51Come on, come on, come on.
10:53They're acting all very stubborn.
10:56Say something, do something.
11:01Can you hear me?
11:02We can hear you.
11:04Don't worry about it.
11:06What's happening to you?
11:09Don't leave my sister.
11:14Don't leave me.
11:26You are dead.
11:27I'm dead.
11:28I'm dead.
11:29You're dead.
11:30You're dead.
11:31You're dead.
11:32You're dead.
11:33You're dead.
11:34You're dead.
11:35Why do you do this?
11:36If I have married to my wife, then what do you do?
11:43I don't know.
11:45I don't know.
11:46She doesn't give up at home.
11:53But she's a woman.
11:55She's a woman.
11:57Is this a kind of logic?
11:59That's why she's like a woman.
12:03She's like a woman.
12:05If a woman is like this, then she'll be like this.
12:09No.
12:11No.
12:12She doesn't want to do that.
12:14We're saying that she doesn't want to do that.
12:19We have the responsibility.
12:21This showroom is all her work.
12:23She's making a marriage.
12:24But she had a marriage for you.
12:27Wow.
12:28Wow.
12:29Wow.
12:30Wow.
12:31We have a good friend of mine.
12:33We have a new bathroom.
12:35And when we met him, we were saying that this bathroom was for you.
12:39And she's got a very good friend of mine.
12:41And I'm even a good friend of mine.
12:42And I didn't know that it was the first time of our bathroom.
12:48I didn't understand the bathroom in the bathroom alone.
12:52It's true. It's a relationship and a very strong relationship.
12:57My brother loved the girl from the first time. It's a drama.
13:02That's what he said. It's a drama.
13:07It's a drama, right? So, okay. Let's do it.
13:11We don't have any drama.
13:15I won't put my hands, so I don't know how to do it.
13:18That's a disease, right?
13:20That's what I'm saying.
13:22It will take a lot of violence.
13:25How is this?
13:27I'll tell you what happened.
13:30I'll tell you what happened.
13:32I'll tell you what happened.
13:34I'll tell you what happened.
13:36Why?
13:37Please, shut up.
13:39Why?
13:40Because she was our mother-in-law.
13:43That's a good idea.
13:45I'll tell you what happened.
13:48Tell me.
13:50Where are you crying?
13:51You were crying in the morning?
13:53You're a doctor.
13:54You're a doctor.
13:58You know all this stuff, right?
14:00Just tell us.
14:02You go.
14:04You're a doctor.
14:05You're a doctor.
14:06You're a doctor.
14:07You're a doctor.
14:08I'm not going to go.
14:09I'm not going to go.
14:11I know.
14:17I know.
14:18She'll fight.
14:19She'll fight.
14:20We're not going to go.
14:21You're a doctor.
14:22You're a doctor.
14:23You're a doctor.
14:24You're a doctor.
14:25You're a doctor.
14:26Yes.
14:27Your mother is a surgeon.
14:29She's going to do this.
14:30She's going to go to the hospital.
14:32We'll go together.
14:33Yes.
14:34Let's go.
14:35Madam.
14:36Let's go.
14:37Someone is watching the house.
14:38You can't see it.
14:39Put your clothes on the house.
14:41Yes.
14:42Yeah.
15:05Don't get away from my husband's hair.
15:07You don't want to go close your face, get that.
15:09Get the clothes on my hands.
15:11You sit on me, sit there!
15:14Don't fight like this, the car will get me!
15:17Where the car was going, it was going to be.
15:19If Bhushra had to do an accident, it was done.
15:21They don't take their names, it's a mess.
15:24We take their names.
15:25If they want their heart, they say they say it.
15:28What do I say? It's a mess?
15:30Don't tell me, brother!
15:31Why do you want children to come here?
15:33Let's drive the car, look at your face.
15:36I don't know how many people are.
15:37I'm going to drive, man.
15:39This is the hospital.
15:40Just two minutes.
15:43It's okay.
15:44What will we do to the hospital?
15:53This is also good.
15:55You've also gone here.
15:57Now we've got three.
15:59How are we?
16:03This is a very long story.
16:06It was a long story.
16:08I don't know.
16:09It's a long story.
16:10I don't know.
16:10He died from the father of Irfan.
16:22Yes.
16:30Then, after the treatment of this house,
16:35the marriage of Irfan's婦 has changed.
16:40Okay.
16:43Then, they came together.
16:50And these boys had so much action in front of their relatives,
16:55that they would run away from their relatives.
16:58But they didn't.
17:00They would get to get one hand.
17:02They would get to get to get them.
17:05Then a woman called her to tell her to give her a way to the house that she would have been finished.
17:12What a way to the house?
17:17The way to the house is the way to the house.
17:20The way to the house is the way to the house.
17:24If you tell her to the house, she doesn't stay the way to the house.
17:28How are we going to the house?
17:30Tell her.
17:32Have a good time.
17:34The way to the house is the way to the house.
17:39The way to the house is the way to the house.
17:41If there was no one to meet,
17:44then they would have to be so happy that they would have to come back.
17:53It was just not the way to the house.
17:58Then they had to make a house and make a house.
18:01Shef is gone.
18:02Shef is gone.
18:03She was gone.
18:04She's gone.
18:05She was gone.
18:06She was gone.
18:07because he was the child who was working on his work.
18:14Yes.
18:16You know that the house is so bad and bad.
18:20Yes.
18:22That's why.
18:24Because of his work,
18:27I had this husband to do this.
18:29One to two.
18:32But the girls also broke their hands.
18:36Are you enjoying it?
18:38No.
18:39Just go and see.
18:41After going after you.
18:48What?
18:49So now...
18:54What?
18:57We've become three.
18:59Men.
19:03Up.
19:05R. Sophia.
19:30Let's go.
19:32Let's go.
19:33Are you okay?
19:34I don't have anything.
19:37What?
19:40Come on.
19:43No.
19:48Here.
19:50Here.
19:54After a while, why did you ask for forgiveness?
20:01That's my point.
20:03Why won't you ask for forgiveness?
20:09Yes.
20:11Why did you ask for forgiveness that day?
20:15What?
20:16That's our new wife.
20:19My husband, who was able to find himself or found himself, asked him to stay away from your love.
20:28Okay.
20:29This is our kitchen garden.
20:32I'll show you in the rest of the house.
20:34One minute.
20:35Before seeing the rest of the house, can I come from your grandmother?
20:40That's why you have to go to the house.
20:43Because...
20:44The girls broke their tank.
20:45Yes, the tank was just like you.
20:47But it wasn't our grandmother's fault.
20:50Why?
20:51Our little girl, Mirab,
20:54She didn't understand the shells of the trees.
20:58She threw them in front of the main door.
21:01If our grandmother fell asleep at home, she fell asleep.
21:04One minute.
21:06Why did your grandmother fell asleep at home?
21:10She asked her to ask her.
21:17What was her?
21:20What?
21:21It was a...
21:22What?
21:23It was a...
21:24It was an appendix.
21:26It was a murder.
21:27It was a joke.
21:28It was a joke.
21:29It was a joke.
21:30But why?
21:31It was a drink.
21:32It was a drink.
21:36But why?
21:38Because we were going to go to a picnic today.
21:45And with me it was a picnic and a joke?
21:48No joke, brother.
21:49No joke.
21:50No joke.
21:51It's a rape.
21:52You know, Samia is so rape.
21:54It's not a rape.
21:56It's not a rape.
21:58It's not a rape.
22:01You've seen some rape.
22:04If you see it, you don't confuse us with rape.
22:11This is a wrong thing.
22:12What do you think about it?
22:14She's alone.
22:15She's not alone.
22:16She's alone.
22:17She's alone.
22:19Naspi and Fareed have arrived for the company.
22:26So, brother, it's finally done.
22:27We're going to take a picnic.
22:29Please.
22:30Please.
22:31Please.
22:32We're not going.
22:33We're going to go home.
22:34Just.
22:35We're going to eat ice cream.
22:36Let's go.
22:37Lunch?
22:38No.
22:39Lunch?
22:40No.
22:41Lunch?
22:42No.
22:43Lunch?
22:44No.
22:45No.
22:46that?
22:47No.
22:49Danielle?
22:51No.
22:52Lunch?
22:53No.
22:54Lunch?
22:55No.
22:56No.
22:57Okay.
22:59Okay, let's go to lunch. Don't go to the restaurant and do anything else.
23:03We'll do everything quickly.
23:05Whatever we'll do, we'll go to the restaurant and do anything.
23:08Meera?
23:10I mean, we won't do anything.
23:12It's so fun.
23:15We're going to be free.
23:17Stop it.
23:18Who is this?
23:20Don't go to lunch.
23:29My tongue is broken.
23:32I've been talking to you too.
23:35You will also be broken.
23:37What's it all?
23:39Come here.
23:40What?
23:42I remember what I told you.
23:45I'm just married to my son.
23:47Yes, there was a plan for my hero and villain to leave me.
23:52He took my responsibility and made me a mistake and made me a mistake.
23:56And I had to run away with him.
24:00What did he do?
24:02The girl is a man, the real villain is a villain.
24:06Are we going to be in a trap?
24:09There is no doubt, it's a shame.
24:11But I can't believe in this situation.
24:15You can't go.
24:18That's true, but we'll do it again.
24:21If you've come, we're going to be three.
24:25Who's saying that we're going to be three?
24:27How did you get three?
24:30We're five girls.
24:32We're three girls.
24:34We're one of six girls in this way.
24:37We were two.
24:39What's the difference between the two girls?
24:41What's the difference between the two girls?
24:43What's the difference between the two girls?
24:45What's the difference between the two girls?
24:47Baba, we were two.
24:49And they were two boys.
24:51And they were two boys.
24:53And they were two boys.
24:55And now it's less.
24:57This is not a big deal.
24:59You're crazy too.
25:01What's your location?
25:05Ah, what's your location?
25:07The other day I had to leave.
25:09Now go.
25:11Go and find a way to run.
25:13And if you meet,
25:14then you'll take me to run.
25:15Otherwise,
25:17I'll run.
25:19Then I'll be two boys.
25:21And I'll be two boys.
25:22I'll tell you.
25:23Then I'll tell you.
25:25Okay.
25:26I'll come here.
25:27I'll work with you.
25:28And I'll work with you.
25:29I'll work with you.
25:30Yes.
25:31Thank you very much.
25:33I'll give you some time.
25:35Where are you from?
25:37I'll tell you.
25:39Okay. I'll come here.
25:41I'm a human being.
25:43Thank you very much.
25:45Why did you leave me here to the office?
25:47Meeraab's message came.
25:49They came to the other side of Abusha Dharpa.
25:51Okay.
25:53Okay.
25:55Let's go.
25:57Okay.
26:03I respected my lunch friend.
26:07I desperate.
26:09I was at the office at the house.
26:11I was looking around a lot.
26:13I was just after I went to the office at the house.
26:15You better to relax.
26:28I don't want to be aware of my home.
26:32Stop.
26:34These are the cameras of humans.
26:38They are the ones who are going to go.
26:40Oh, oh. Sorry.
26:48I can't wait for you.
26:50I can't wait for you.
26:52I can't wait for you.
26:54I can't wait for you.
26:56I can't wait for you.
26:58I can't wait for you.
27:00I was watching you.
27:02You were going to go to the museum.
27:06Like in a museum.
27:08You will be so big.
27:10Yes.
27:12You will be so big with your house.
27:14Yes.
27:16How did you get angry?
27:18I didn't get angry.
27:20I didn't get angry.
27:22It was...
27:24I didn't get angry.
27:26It was...
27:28It was...
27:30It was...
27:32Come on, come on.
27:34It was a good dialogue.
27:36It's obvious.
27:38You won't do me against me.
27:40But you can trust me.
27:42I won't tell you.
27:44You won't do me against me.
27:46You won't do me against me.
27:48You didn't love me.
27:50You were so happy.
27:52You were so happy.
27:54Why?
27:55How?
27:56Because you have been telling me.
27:58What was your story?
27:59Where?
28:00You said the truth.
28:02Just true.
28:04It was like that.
28:06You say it...
28:07You say it...
28:08It's like the happy heart
28:09is coming to us.
28:11It was so good.
28:13It was so funny.
28:15So, you fell into my blood?
28:20I don't know.
28:22I don't know if I fell into my blood or my heart.
28:26But yes, it was like that.
28:29And they loved me.
28:31In the first glance.
28:38Are you okay?
28:40I don't know.
28:48You're also very angry.
28:50You're making your mouth open and talking about your actions.
28:54Yes.
28:56How do you say the mouth closed?
28:59I thought I had to tell you what happened to me.
29:03I'm not even upset.
29:05Let's go.
29:07Okay.
29:09I'm Nacra.
29:11My four children are very strong and strong.
29:15You won't give a lot of time in this house.
29:19If you want to live in this house,
29:22I'll keep myself.
29:25This house is a villa.
29:27This house is a furniture furniture.
29:29This house is a furniture furniture.
29:31I'm Nacra.
29:34I'm Nacra.
29:36This house is a furniture furniture.
29:38I don't know.
29:40I'm Nacra.
29:42Oh, my dear, my dear, I'm thinking a little bit about it.
29:54What about you, Abba?
29:56That's the only thing.
29:58It's the only thing.
30:00It's the only thing.
30:02It's the only thing.
30:04It's the only thing.
30:06It's the only thing you think about.
30:09Yes.
30:11You can't see it.
30:13And you can't leave it.
30:15You can't see it.
30:17It's the only thing that you can't see.
30:20It's the only thing that you can see.
30:23Yeah.
30:24Yeah, it's the only thing.
30:25Now, our buchera came to be able to do it.
30:28That you can't pay for it.
30:30Or you can't pay for it.
30:32You can't pay for it.
30:34It was the only thing.
30:36It's the only thing that we have to do it.
30:38And you can't pay for it.
30:39And you can't pay for it.
30:40And you have to pay for it.
30:41And you can't pay for it.
30:43I'm going to get married and get married and get married, like this.
30:48What do you need to do?
30:50You've never done such things and such.
30:54We're going to get married like this.
30:58And now Bushra has started this new time.
31:02What was the other thing?
31:03The other thing is that Bushra is working where she is.
31:06She comes in the heart.
31:08She goes to see her.
31:10How can it be possible?
31:13Why is it possible?
31:15No.
31:16We don't want to get married for a set.
31:19Why don't we go?
31:20We don't want to get married.
31:22The heroine was always there.
31:26But it was other times.
31:28There wasn't any other time.
31:30You don't know about Bushra.
31:34Tomorrow we'll go.
31:36Tomorrow?
31:37Tomorrow.
31:38I'm going to cut you.
31:39Good day.
31:40What's the call?
31:45This is our kitchen.
31:47This is our kitchen.
31:48The last is why we were digging.
31:49because we did some of them the stuff that we were chasing.
31:52The kitchen is hidden.
31:53What?
31:55This is our kitchen.
31:58This is our kitchen.
32:00The second is our kitchen.
32:02This is our kitchen.
32:03The cook didn't have運.
32:04You will see such a big house in TV, and you will think that you will also have such a big house.
32:14But there is a kitchen in the kitchen.
32:19Yes.
32:21All the kitchen in the kitchen.
32:23Yes.
32:25Here you are only here, and this is the kitchen.
32:29We will put the menu here in the kitchen.
32:34You will have to serve the kitchen.
32:36Okay.
32:38And?
32:40You are not going to die?
32:46You were going to die?
32:51You were going to die?
32:54You are going to die in such a moment.
32:57You are going to die.
32:59So what are you doing?
33:03I am not a person who is running.
33:06I am a sister of the Bishra.
33:09Bishra.
33:11Many of you have been releasing it a few years of when you're in the kitchen.
33:12I am not going to die.
33:13I am not going to die in such a few days.
33:15I am not going to die, but I am going to die.
33:20Mmm.
33:21Mac and cheese.
33:26Was it something maybe you should have eaten?
33:32Then, mac and cheese.
33:40Aaloo Keemah. Chicken Biryani.
33:47Bath!
33:52These are just three dishes.
33:55Why do people run away from this?
33:59I don't know.
34:01They have to eat on TV.
34:07This is more than one.
34:09Hmm.
34:12But I don't want to cry.
34:15I've come to cry.
34:18What would you like?
34:39I don't want to cry.
34:40I don't want to cry.
34:45I don't want to cry.
34:46I don't want to cry.
34:48I don't want to cry.
34:49I don't want to cry.
34:51I don't want to cry.
34:52I don't want to cry.
34:53I don't want to cry.
34:54I don't want to cry.
34:56I don't want to cry.
34:57I don't want to cry.
34:59I don't want to cry.
35:00I don't want to cry.
35:02I don't want to cry.
35:03I don't want to cry.
35:04I don't want to cry.
35:05I don't want to cry.
35:06I don't want to cry.
35:07I don't want to cry.
35:08Why did you marry me?
35:09Why did you marry me?
35:10Why did you marry me?
35:11Why did you marry me?
35:12Why did you marry me?
35:13No.
35:14They asked me if you were in jail.
35:17I said yes.
35:18I said yes.
35:19I'm not going to cry.
35:20Why did you marry me?
35:21I didn't tell you anything.
35:22You didn't say anything.
35:23You won't give me any feelings.
35:24You have to trust me.
35:25You have to be a very big house.
35:26You have to be a man.
35:27The money.
35:28You will never be a man.
35:29You don't have to cry.
35:31Let me come back with you.
35:32I'll come back to you.
35:33Why didn't you run away?
35:36To her?
35:37She's not running from her clothes.
35:39She's running away from her clothes.
35:41How did she lose her tank?
35:43Her tank?
35:44She's losing her tank.
35:45She's losing her tank.
35:46She's losing her tank.
35:50Oh, Habib Sahib, I'm getting a little bit of a story, but I'll tell you one thing, I'm not going to run from here.
36:03Just remember this story.
36:05Hmm.
36:10Now there's a match.
36:12Bashier Samosa's daughter's daughter's daughter, and her daughter's daughter's daughter in Hushmat Villa.
36:21Hmm.
36:22Let's see here first.
36:23There's no camera.
36:25No, no, there's no camera here.
36:27I've seen it.
36:28You can talk about it.
36:29Okay, listen.
36:30First of all, listen to my story.
36:32I can't tell you what happened to you today.
36:34I've said that dialogue and that line.
36:38I'm a girl, Nassar.
36:39You know, she's a great man.
36:42So, she talked with me.
36:45And she was talking about a stupid dialogue.
36:48I've answered the question.
36:50The answer is the question of the Pakistani film.
36:53The whole dialogue is going to be a joke.
36:55Then, the scene is gone.
36:58You've never said anything.
37:00Now, you're thinking about what happened with her.
37:03What happened?
37:04And the rest of all, she went to the hospital.
37:05She is just a little bit of a situation.
37:08She's just a little bit of a girl.
37:10She's just a little bit of a girl.
37:11Wow.
37:12Wow.
37:13Wow.
37:14It's been fun.
37:15Yeah.
37:16It's been fun.
37:17It's been fun.
37:18I'm not sure.
37:19I've never understood this situation.
37:20And she's like doing dialogue, improvising.
37:22But she's like doing it.
37:24But I'm so sorry.
37:25But she's like a problem.
37:27I feel like she's coming.
37:29I'm going to talk to her later.
37:31Okay.
37:32Bye.
37:33Bye.
37:34Bye.
37:35Bye.
37:36Bye.
37:37Bye.
37:50Bye.
37:51Bye.
37:53Wait.
37:54Bye.
37:55Bye.
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