- 4 months ago
Category
đź“ş
TVTranscript
00:00A surprise!
00:04I'm gonna go take it to the place of the autonomous.
00:07Oh, my God!
00:09Okay, how about water wars?
00:14What are you doing?
00:16An investigation into how water scarcity is shaping
00:22rural urban migration, political power, and local corruption.
00:27Come here.
00:29What are you doing?
00:31The back, middle class, and the myth of arrival.
00:35The offer that you and your family made is very generous.
00:42Oh, you're not thinking straight.
00:46Okamukhalo has always been there for me,
00:48and I can't turn my back on him.
00:51Come on, Zuzu, Mama, please!
00:53I hope for a minute.
00:54It's the way it went, you know.
01:04Well?
01:07It's positive.
01:09Maybe it's a false positive.
01:11Maybe it's a false positive.
01:13Thank you, Zulu.
01:14You're going to be worth it.
01:27Do you know what you are saying?
01:28What do you want to do?
01:30Come on.
01:44Lighten up!
01:46This is a massive occasion.
01:48Why don't you tell me how to hand over
01:50of your feminist legacy
01:52in front of the board?
01:54What do you think of this card?
01:56We have to hand over a lot.
01:58Yeah, you have to hand over a lot.
02:00You have to hand over that.
02:02You are back in charge.
02:04You are back in charge.
02:06You are back in charge.
02:14Edit footage,
02:16and music.
02:18Then put it on the side.
02:20This footage is out of Mr. Moroka.
02:24Yes sir.
02:26So, yes, I understand that they will create a taste of their own medicine.
02:54Maybe a little fear might not be such a bad thing.
03:08Tell him more, yeah, Jake. You have proven an MSAT.
03:22You have proven that you are not a bad thing.
03:25You are not a bad thing.
03:27I am a bad thing.
03:31You are not a bad thing.
03:34You are not a bad thing.
03:35Yes, you are not a bad thing.
03:37I will not be able to talk to you.
03:41Mom, you are a bad thing?
03:42No...
03:46It is not true.
03:48I am not sure how much I like to do.
03:50My sweet heart is very good.
03:52I cannot afford to have one and get his knees going.
03:54He will take away, and you will never be in trouble.
03:58My mother's daughter,
04:00I am not going to make any other money.
04:02Now I'm getting an extra athlete.
04:04My daughter's father.
04:06I am not sure how much I want to get back with my mother.
04:08But you never know about it.
04:09We are going to be safe.
04:12Have you ever seen the complicity of this baby?
04:16I don't think we would have used her to be older…
04:21Don't forget to start the conversation with me…
04:24Did it pop up?
04:27Maybe it's a little bit more…
04:29Then…
04:31This…
04:34Well…
04:35Guys, this is a live reaction, okay?
04:39Stay tuned.
04:54Hi, you've reached the poor problem.
04:56Not available right now.
05:05You've reached the poor problem.
05:09Yes, it's safe in front of you.
05:11You've reached the poor problem.
05:13I guess.
05:14What's wrong with you?
05:16What's wrong with you?
05:17If you've reached the poor problem,
05:19you've reached the poor problem.
05:21You've reached the poor problem.
05:23You've reached the poor problem.
05:25You think you can break him?
05:28I mean, this is my boss's number two.
05:31He wouldn't be in that position if he was with you.
05:35You've reached the poor problem.
05:39Hey, come here.
05:40Here we go.
05:44What's wrong with you?
05:45Dali, you're not going to be a mohaka.
05:48What?
05:50You're not going to be a mohaka.
05:52Are you okay, Dali?
05:55I'm fine.
05:56I'm going to be a mohaka.
05:58You're not going to be a mohaka.
06:00I don't think so.
06:01I'm going to be a mohaka.
06:03I'm fine with you.
06:04I'm fine, Dali.
06:05Okay, sure.
06:06Yes.
06:07You're not going to be a mohaka.
06:09No, no, no.
06:10I mean not.
06:11What's wrong with you?
06:12No, no, no.
06:13I'm fine with you.
06:15You've got the money,
06:16then you've got the money and money.
06:17You've got the money,
06:18here you go.
06:20Really?
06:26Just in case.
06:28Sure.
06:30Here's a couple.
06:36What?
06:37I'm with you.
06:39You're welcome.
06:40You're welcome.
06:41I'm a billionaire.
06:42Because this is all crazy.
06:45You just...
06:46What was that?
06:55Mpao.
07:01Joining us interviewer.
07:03Ne?
07:04Send the writer.
07:05Send the feature.
07:07Now I went to work for now.
07:08Yeah, go now.
07:09I'm going to interview you.
07:10I'm going to interview you.
07:10I'm going to interview you.
07:12I'm going to interview you.
07:14I'm going to tell you.
07:14I'm going to tell you.
07:14I'm going to tell you.
07:15Why not?
07:16People can't keep their mouth shut about us.
07:20What if I'm going to tell you?
07:21We're leading the same.
07:23So we're going to hear you.
07:24What if you're going to interview you?
07:26We're going to interview you.
07:28That's...
07:29That's...
07:30We're going to do it.
07:31I'm going to interview you.
07:31Why not?
07:38No, sorry, boss.
07:39If the lot of you think
07:40you can score overtime
07:42by sitting here
07:42and chatting,
07:43you're wrong.
07:44I don't know.
07:44You're wrong.
07:45Oh, look at you, beautiful.
08:01Are you ready?
08:15I'm ready to go.
08:17I'm ready to go.
08:21I'm ready to go.
08:22I'm ready to go.
08:23I'm ready to go.
08:25I'm ready to go.
08:27What are you doing?
08:29Oh, you're ready to go.
08:31Dance class with Jimmy.
08:33That's what I'm doing.
08:37Can you go in for a minute?
08:39Yes, Sam.
08:41Yes, I'm ready to go.
08:43I'm ready to go.
08:45What's up?
08:47I'm ready to go.
08:49And if she likes the class, we'll sign her up.
08:51And then from there on, we'll sign her up.
08:53What's up?
08:55I'm ready to go.
08:57I'm ready to go.
08:59He won't change his mind.
09:01I'm ready to go.
09:03I'm ready to go.
09:05I'm ready to go.
09:07I'm ready to go.
09:09I'm ready to go.
09:11I'm ready to go.
09:13It's going to look like they tricked him.
09:15But isn't that going to make him look like he's stupid?
09:19It's much better than being a Moroccan who's in bed with a family of Zamasamas.
09:25Whatever you think is best to do.
09:39Oh, you do it.
09:41Why don't you do it?
09:45Why don't you do it?
09:47Hey, guys.
09:49This is about two days in Japan.
09:51Two days.
09:52No.
09:53I'm ready to go.
09:54I'm ready to go.
09:56Oh, no, no, no.
09:57You don't have to go to Morocco.
09:59We were once stuck in a cave-in at Morocco Mines together.
10:02Yes.
10:03You're getting close to the bank.
10:05Okay, why don't you do it?
10:07Why don't you do it?
10:09Why don't you do it?
10:11Why don't you do it?
10:13Why don't you do it?
10:15Why don't you do it?
10:17Five?
10:18One.
10:19I'm done.
10:21Fine.
10:22I'm done.
10:25You're good.
10:27Best two out of three. Let's go.
10:28Let's go.
10:28No.
10:30Damn it.
10:32Good luck.
10:34It's a bull.
10:42You know what I'm talking about?
10:44No, I'm not talking about it.
10:46Motakole doesn't even know me.
10:49You know what I'm talking about?
10:51Like, the drama.
10:53It's not worth it.
10:54Focus, I'm not talking about it.
10:55I'm not talking about it.
10:58To get you confused.
11:02Yes, no.
11:03No, I'm not talking about it.
11:05No.
11:06No, I'm not talking about it.
11:08I'm not talking about it.
11:09You have my permission.
11:11Your permission?
11:13Ah, that's nice.
11:14That's great.
11:15My brother, what's your name?
11:17Why don't you tell me?
11:18I don't know.
11:19It's getting more complicated.
11:20If you don't want to be in this relationship, just say so.
11:23Oh, if it's too much trouble,
11:24Oh, if it's too hard,
11:26damn it, Luz, just tell me what you want.
11:28I am happy.
11:29I love you.
11:33I am tender.
11:36I am.
11:39I am.
11:39I am.
11:40I am.
11:40I am.
11:40I am.
11:40I am.
11:40I am.
11:43I am.
11:43I am.
11:44I am.
11:45I am.
11:45Hi.
12:01So if there's anything I can do...
12:07There's nothing you can do.
12:09Maybe if Ongakas would see what happened...
12:12Do you know what is family legacy?
12:15Do you understand the pressure of family pride?
12:18Going back generations before imagining.
12:21Well, I...
12:21No, you don't.
12:23But look at you.
12:23You just found out that you are some politician's bastard child a few weeks ago.
12:29So there's absolutely no way in hell you can understand what happened.
12:33Humble fun.
12:44Did you worry?
12:46You're done, man.
12:47Hey, boy.
12:48I'm going to ask you to go home all the time, man.
12:50I'm going to go home.
12:51Okay, so this is...
12:52Yeah, sure.
12:58It's a little nice place, you know.
13:00Got fosters on my app, so...
13:02Oh, mom.
13:05Hello, Tamu.
13:06Hey, let's go.
13:07Hello, Mr. Mokka.
13:08When are you coming home?
13:10Ah, do you want some juice now?
13:13Yes, please.
13:13Okay, let's go.
13:14Okay, let's go to the cafe.
13:20It's again, Ari.
13:21I'm going to deliver the sandals.
13:23I'm going to give you an orange, you say, too.
13:26I'm going to give you an orange, you say, too.
13:27I'm going to give you an orange, you say, too.
13:54Yeah, sure.
13:56Goto, Marabona, Lento, Le, e-behi.
13:58Kulu, nua.
13:59E-lama, Keshja, wagi.
14:00Kulu, lama, uikko, krend.
14:02I mean, not the whatnot, wakye, krendi.
14:04I mean, futi, jena.
14:05Tasha, da'art.
14:06Okay, it's...
14:07We'll be able to get the same thing.
14:09And it'll be a good job.
14:11Yeah.
14:12Goto...
14:13Hase, ketele, femeli.
14:15Wena.
14:16Of all people, nabia, kena log.
14:17Huh?
14:18Uguti.
14:19Hase, ketele, femeli.
14:22Wagon, dataka?
14:22I was a victim.
14:25So you mind your own business.
14:29La matrouse, please.
14:40What's your name?
14:42I'm going to take my feet.
14:44What's your name?
14:45What's your name?
14:46I'm going to take my feet.
14:48I'm going to take my feet.
14:52What is wrong with you?
14:54I saw you punch off a six-pack of these things the other day.
15:00I'm going to take my feet.
15:02I'm stressed eating, okay?
15:04I need to take my feet.
15:06Yeah, sure.
15:08I'm going to interview you.
15:09I'll try.
15:10I'm going to take my feet.
15:12I'm going to take my feet.
15:13I'm going to take my feet.
15:16What's your name?
15:16Sam, I'm going to take my feet.
15:18I'm going to take my feet.
15:19It is a proper, respectful,
15:21professional interview.
15:24What's your name?
15:26Sure.
15:26Yeah.
15:27It's like our interview with Omdu and Abambi.
15:31What's your name?
15:32It's in your name, Samji.
15:34Yeah, sure.
15:36We'll give you some pointers.
15:38Oh, sure.
15:39Yeah.
15:40What's that now?
15:41A notebook.
15:42I'm going to take my feet.
15:43I'm going to take my feet.
15:44I'm going to take my feet.
15:46He's a cute little puppy, isn't he?
15:48So cute.
15:48I'm going to take my feet.
15:48I'm going to take my feet.
15:49I'm going to take my feet.
15:50That's my moet.
15:53I'm going to take my feet.
15:55Mamsu.
15:56I've got a surprise.
15:59Oh, no.
16:06That's not my money.
16:06We're back in business, Mamsu.
16:09What's that?
16:10I'm going to take the TV off.
16:12Let's party.
16:13Okay.
16:13Let's go.
16:14Thank you, Mamsu.
16:14okay
16:23it's okay
16:28ma please
16:37wait
16:39ma please wait problem i see fanyana get tamaya high and how about we reiki samara
16:46fanyana i'm gonna stop i am my nose go in james ma please
16:52because there's a fanyana matata among other if we guy who launched tamaya high
16:56and outtl is it see you dilaga matata a buyer already how i wanna blow your eye i
17:01i said you want to hang out to her who
17:05goto um no i saw le elen rabbi shir mo to felage he before fanyana atlanta
17:12went to war ineliti the dorothy yeah
17:15mhm i was dorothy lee tamaya fanyana he before you will dava here when
17:21nuzuko ineliti chame yunwuwe
17:24halka msebe ezi i know about all johnny kia asa kwanaya
17:35My wife!
17:37I am the one that we have to do to check.
17:40What do you want?
17:43Check!
17:45Hey!
17:47Hey, please!
17:49Please!
17:51What do you want to do?
17:53What do you want to do?
17:55I want to hear that.
17:57I want to hear that.
17:59I want to hear you.
18:01I want to hear you.
18:03It's my mother's mother.
18:04But I'm going to be able to help you.
18:06So I can't help you.
18:08I don't need to think about it.
18:10You can't help me.
18:12But I am going to be able to help you.
18:15Well, then I can help you.
18:17Oh yeah, oh yeah, oh yeah.
18:20Jack, why are you here?
18:22I'm like, I'll ask you.
18:23I'll give you one, what a A1.
18:26Ultimately, I'll give you one.
18:27Now, if I can help you, give you an excuse.
18:30The guest of owner is here.
18:56I wanted to keep us quiet.
19:01Come on, Morocco. Lighten up.
19:04This is a massive occasion.
19:07Hand over of your feminist legacy
19:11in front of the board.
19:14Please close the door, please.
19:18This is a big deal.
19:26Did you know about this?
19:28I found out about it just five minutes ago.
19:30You're jumping the gun.
19:33I gave you until today to come to the table.
19:36Now the table has to come to you.
19:39If you want to come to the table,
19:41you can use a beautiful pen.
19:47You can wear it.
19:49Now, sign.
19:55Sign.
20:11Jack!
20:15Jack!
20:17King, now we heard gunshots.
20:18Where are you?
20:19Where are you?
20:21Oh.
20:22Oh, my God.
20:24What's up?
20:25The piece.
20:26Oh, my God.
20:27I'm sorry.