- 2 months ago
After The Divorce, The Heiress Takes It All
Category
🎥
Short filmTranscript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Stars
00:16Movie Awards.
00:17You did it.
00:19Three years ago, I was the most sought after screenwriter.
00:23Three years later, I fell in love with Drake,
00:28giving my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi.
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday
00:50and instead of helping us, he just disappeared.
00:53What, did you bail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side
01:00is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:13Well, I think Drake's idea is great and it could be really good for us.
01:17But the risk is way too high.
01:22Dad.
01:23Please.
01:26Okay.
01:27And I'm sure you don't want him to know the real reason why I'm a person.
01:36Think about it, Dorothy.
01:37Since you got married, has he ever even touched you?
01:39How often does he actually come home?
01:41He doesn't even want to look at you.
01:44Let alone sleep with you.
01:46That's enough, Ellie.
01:47We're all here to celebrate Drake's birthday.
01:49I'm sure he wouldn't be happy to see us like this.
01:52Everybody knows that if it weren't for her, you would be married to Drake
01:55instead of being my late brother's widow.
01:58Ellie!
01:59Whatever happened between me and Drake is all in the past.
02:02Besides, I'm carrying Nick's baby.
02:09It's the perfect time.
02:13Oh, my God.
02:14Oh, my God.
02:15Dorothy just pushed Stephanie into the pool.
02:16What?
02:24Quick, save Stephanie.
02:25She's carrying Nick's baby.
02:29Quick, get in there!
02:44He chose Stephanie over me.
02:49My baby!
02:50My baby is gone!
02:52Why would you do this to me?
02:56How dare you!
02:57You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:01Are you happy now that Stephanie's baby's gone?
03:03I didn't do it.
03:04I know you don't want me here.
03:06I told you whatever happened between me and Drake is in the past.
03:09You can hate me however you want to,
03:11but how could you be so cruel as to kill my unborn child?
03:14You didn't do it.
03:15You know me, I would never do that to Stephanie.
03:18Just apologize to Stephanie.
03:21I'm not going to apologize for something I didn't do.
03:23Apologize to Stephanie right now or I will divorce you.
03:25I will divorce you.
03:32Divorce?
03:34If you apologize right now,
03:37then I'm willing to give you another chance.
03:43It's been three years, Drake.
03:45I gave up everything to be your wife.
03:48I've always kept to the shadows, Dorothy.
03:50I already have a life.
03:52And right now I just want to focus on being.
03:54Am I married to Drake?
03:56I thought you would always be by my side, but I was wrong.
04:02I was wrong.
04:03The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:08Since you got married, has he ever even touched you?
04:10He doesn't even want to look at you.
04:15Fine.
04:17Let's get a divorce.
04:18There's nothing left in my heart. Drake's nothing without me.
04:32My ring!
04:34My ring is gone!
04:35Well, you must have taken it.
04:37Why would I take her ring?
04:39Well, look how quickly you packed your suitcase.
04:41You're probably seeing someone else.
04:43Dorothy.
04:45Yes?
04:47We were married for three years.
04:48Were you seeing someone else?
04:49Of course she was.
04:50Probably been cheating on you for a really long time.
04:53Couldn't wait for the divorce.
04:55So what if I was, huh?
04:56And what about you, still hung up on your so-called sister-in-law?
05:02What gives you the right to talk about me?
05:04I only look after Stephanie because she's my brother's widow.
05:08Yeah.
05:09But you actually seeing someone else, who is he?
05:11Big talk!
05:13Don't bring me down to your level.
05:15I'm not like you.
05:17Since your sister-in-law lost her ring.
05:22Why don't you take...
05:26This one.
05:32You've been waiting for this for a long time, haven't you?
05:39Bye.
05:46And so I left.
05:50This is ridiculous!
05:51We, the Bennett family, are one of the four major production companies in the world.
05:57I let him marry my daughter and even invested in his business.
06:01How dare that Drake do this to my daughter!
06:05Look, it's actually good from dad.
06:09Now we know who he really is and he has no idea who I am.
06:12Still, you're my daughter. I can't let him do this to you.
06:16If it weren't for you, I would not have considered investing in his company.
06:20We're gonna pull our investment immediately.
06:22Yes. It's time to cut him off.
06:24He doesn't deserve you.
06:26I'm over Drake.
06:27If we withdraw the plans now, it's going to hurt the family business.
06:33He's not worth it.
06:35Honey.
06:37Why don't you just take a vacation?
06:40Or just put all this aside and take some time out for yourself?
06:44Yeah.
06:45No.
06:51I've wasted too much time with Drake over the three years.
06:55You know, now I want to focus on something that actually matters.
07:00You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:06Universal, Paramount, every major studio wants this.
07:10Liar's Game. Your story on the big screen.
07:16If you're in, I'd be happy to be the one headlining it.
07:19Oh. So that's why they're making it. Because of you.
07:23I'm sorry, Christopher Santoro.
07:25See? They're not funding the film. They're funding you.
07:29Wrong. They're funding the story. It's more than good. It's phenomenal.
07:36Christopher is right. I'm taking my life back.
07:41I'm going to adopt it myself.
07:46You are?
07:48Yes. I will.
07:51Good for you.
07:53I won't tell anyone I'm asking you.
08:04Congratulations to Aria Wong for winning the Best Director.
08:09This is my close friend from college.
08:15Aria, I need your help. I want to adopt the Liar's Game myself and I want you to direct it.
08:22Of course.
08:23Alright.
08:24Okay.
08:26There's just one thing. I want to keep my identity as the writer a secret. I don't want anyone to know. Especially not the team.
08:35SQ.
08:36Are you sure? But why keep it a secret?
08:39I just want people to focus on the story itself.
08:42Got it. Your secret's safe with me.
08:47Oh my god.
08:48Oh my god.
08:51Jeff. It's a bit weird.
08:54Ever since news got out about our movie, my phone has not stopped ringing.
08:59Really?
09:00Oh my god.
09:05It's Stephanie.
09:10Yeah, just take it.
09:15Hello?
09:16Miss Wong. I've heard Liar's Game is being made into a movie. I'm interested in playing the lead. Can we arrange an audition?
09:25I'll speak to the writer and I'll let you know.
09:29Thank you, Miss Wong.
09:31What do you think?
09:34Anyone can audition, right? As long as they're right for the role.
09:39What happened between me and Stephanie is not important here, so...
09:43Okay.
09:45I'll call her back and let her know.
09:47Mm-hmm.
09:57What about me?
10:01Can I be your hero?
10:06Oh, you mean, uh...
10:08A film, right?
10:10I've...
10:12I've never considered anyone else.
10:16I have to take this.
10:18Hi?
10:23You know, I'm not just talking about the film, Dorothy.
10:27It's okay.
10:29I can wait.
10:32I've waited this long.
10:38Well, well, well. Look who it is.
10:43Why are you here?
10:45Oh, I see. You're the production assistant.
10:48Well, do your job. Get me a water.
10:54Stephanie.
10:56Get your own water. I'm not your PA.
10:59Look.
11:01It's my first day on set and I want to buy coffee for the crew.
11:04Why don't you be a doll and mark down everyone's order?
11:08Are you deaf?
11:10I'm not a PA.
11:12Here's a tip.
11:14Go on.
11:16Show some respect, Stephanie.
11:18Do you know who she is?
11:19What are you doing?
11:21What are you doing?
11:23Oh, no. She can't know. I'm asking you.
11:28I want to keep my identity as the writer a secret.
11:32I don't want anyone to know, especially not the team.
11:34What do you mean?
11:36Who is she?
11:38No one but a lower PA, I'm sure.
11:40Isn't that right?
11:42Well, actually, she's...
11:44She's just a PA.
11:46You're right.
11:48So why don't you show me a lower PA, your acting skills?
11:52Maybe I'll be impressed even by who the coffee's myself.
11:54Watch this.
11:58I loved you once.
12:01Or so I thought you would.
12:03I loved you once.
12:05Or so I thought you would.
12:07I loved you once.
12:09Or so I thought you would.
12:11I loved you once.
12:13I loved you once.
12:14I loved you once.
12:16Or so I thought.
12:19But now I see that it was all just a lie.
12:22A beautiful...
12:26Painful lie.
12:31You took everything from me.
12:35My dreams.
12:37My future.
12:41See?
12:42There's no soul.
12:44That's not acting.
12:45It's just...
12:46reciting lines.
12:49Why don't you show her how it's done?
12:50What?
12:52Go on.
12:56Go on.
12:57Go on.
12:58Go on.
12:59Go on.
13:00Go on.
13:01Go on.
13:02Go on.
13:03I loved you once, so I thought, but now I can see it was all a lie, a beautiful, painful
13:30lie. You took everything from me. My heart, my dreams, my future. And for what? For your
13:48own personal gains. How is that possible? Dorothy, that was perfect. The role is yours
14:06if you want it. No! This role is mine! I'm the one with the investment. Without me, there's
14:14no funding for this movie. Your investment? Do you even know who she is? Who is she?
14:21Who is she? As you know, no one but a PA. Dorothy, this movie is important to Stephanie. I mean,
14:34why are you here? You're not a real actress. What are you doing? You're trying to ruin her
14:37career. You're trying to get back at me by ruining her career. I'm not ruining anything.
14:41If she can't handle the role, that's on her, not me. You can't blame this on anyone else.
14:47You embarrassed her in front of everyone. I mean, I know what you're doing. You're the
14:51one pulling all the strings here. You're trying to make her fail so you can take her place.
14:55She's using this whole thing to get to you, Drake. She's been jealous from the start, trying
15:00to ruin my chances to get back to you. Okay, no. I don't want to fight anymore. Let's just
15:05take a look at the script and maybe we can work something out. And you were just so
15:10damn selfish! You already care about yourself. Just give Stephanie her role back. You know
15:17what? I don't want to do this. But I will. I'll take the role. I'll play the lead. I'll play the lead.
15:29No way. You can't be serious. She's not even a real actress.
15:35Dorothy's performance was far stronger than yours. Everyone in the room can see it.
15:42I'm so glad you've agreed to do the role.
15:46Right. It's settled then. The lead roles go to Christopher and Dorothy.
15:50I will double my investment if you give Stephanie a role.
15:57I never thought I'd see the day my ex-husband would go this far for his sister-in-law.
16:07I can always count on you, right?
16:10I will double my investment if you give a role to Stephanie.
16:17You two are just such...
16:22Okay, look. If the money's on the table, there's no reason to turn it down.
16:26Let's just give her a part. We have nothing to lose.
16:30I guess that'll be fine. I'll talk to SQ.
16:40Your father's production company is already the biggest investor in your movie.
16:43So why take Drake's money? You don't...
16:46You don't still have feelings for Drake, dear.
16:49No. He's an asshole.
16:52Come on.
16:53I've got an idea.
16:57Why don't we just give her a character? That'll make her miserable.
17:03Wow, Mr. Sontaro. I feel bad now.
17:11I only wish you didn't have feelings for Drake anymore.
17:14How did she land herself the role?
17:19She's practically a nobody.
17:20No fan base, no real experience.
17:23Just one good scene.
17:25Doesn't make sense.
17:28Find out everything you can about Dorothy.
17:31I want all the dirt.
17:39Director, there must be a mistake.
17:41I'm only a side character and not even in the main scene.
17:45You wanted a role, we gave you a role.
17:48I came in with an investment.
17:51Well, you're more than welcome to take it back and leave the set.
17:57Even a small role in SQ's film is going to do great things for your career.
18:00Now is not the time for you to be messing around.
18:04Fine.
18:11Two take one.
18:12Action.
18:14Lily, you're my best friend. How could you do this to me?
18:16I'm sorry, but this is...
18:18What the hell are you doing?
18:22It's part of the scene!
18:28Okay, take it again from the slap.
18:30Action.
18:32Oh!
18:36Cut!
18:38Stephanie, why aren't you saying your lines?
18:40You have to keep going in the scene.
18:43I think you've had enough for today.
18:45We'll just try again tomorrow.
18:46You have to keep going in the scene.
18:52Did you see her face?
18:55Absolute gold.
18:57I mean, she got what she wanted.
18:59She asked for a role and that's what we gave her, so...
19:02Seriously, her performance is all over the place.
19:06Maybe we should just cut down on her screen time.
19:09We all know the film's better without her slowing us down.
19:13You're right.
19:15I'm not gonna let anyone ruin your story.
19:22So, if you can just give me something that's a bit more...
19:26Something about her job.
19:34What's going on with my scenes?
19:36Why have so many of them been cut?
19:38It's a collective decision.
19:41Fuck that. Let me talk to the writer.
19:44The writer is SQ and as you know, they never show their face.
19:47So, their decision is final.
19:51I'll see you on set in five.
19:52I'll see you on set in five.
20:05Now it all makes sense.
20:06Now it all makes sense.
20:12Now it all makes sense.
20:14That's the head of the production company.
20:17No wonder she got the role.
20:19Let's see how John's wife feels about that.
20:21Everyone, I have an announcement to make.
20:34Today will be Stephanie's last day on set.
20:36You really think I don't see through your little gaze?
20:40Somebody will be walking out that door today.
20:42But it won't be me.
20:44You really think you can get away with this?
20:47Sleeping your way up?
20:48John's wife is on her way.
20:49Let's see how you talk your way out of this one.
20:52Slut.
20:54That's enough!
20:55So were you the one who was stalking and secretly taking photos?
20:56What?
20:57Scared the truth is going to come out?
20:59Someone had to expose her for who she really is.
21:01So you admit it.
21:02You did it.
21:03Damn right I did.
21:04And I'd do it again.
21:05And I'd do it again.
21:06I'd do it again.
21:07I'd do it again.
21:08I'd do it again.
21:09I'd do it again.
21:10I'd do it again.
21:11I'd do it again.
21:12John's wife is on her way.
21:13John's wife is on her way.
21:14Let's see how you talk your way out of this one.
21:15Slut.
21:17That's enough!
21:18So were you the one who was stalking and secretly taking photos?
21:20So you admit it.
21:21You did it.
21:22Damn right I did.
21:23And I'd do it again if I had to.
21:27You don't know who you just cross!
21:30Oh, I know.
21:31Just some rich old bastard throwing a tantrum.
21:34I sent those photos to your wife too.
21:36And now your mistress is about to be exposed.
21:41Yeah, security.
21:43Stephanie is banned from the studio.
21:45Make sure she never sets foot here again.
21:47You can't just do that.
21:48Oh, this is insane!
21:50Well, I have rights!
21:51I was only telling you the truth!
21:53She is a mistress!
21:54A loose woman!
21:55A lady of the night!
22:04Is it true that Dorothy is John's sugar baby?
22:06Well, otherwise why would he come onto the set and get me banned from the movie?
22:10That's unbelievable.
22:12And he humiliated me.
22:13He had me dragged off the set like a criminal.
22:15You should have seen it!
22:18I'm not gonna let her just ruin her reputation like this!
22:21I mean, this whole mess is just making us look like fools!
22:26Dorothy's always been trouble.
22:28I mean, first she goes off with a married man and now this.
22:31I don't know how you put up with her for three years.
22:34You should have got a divorce earlier.
22:38Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:42It's the only explanation!
22:44She's clearly nothing but a slut!
22:46Oh!
22:48Drake, Stephanie is your sister-in-law.
22:52Now you need to take care of her and forget about Dorothy.
22:56Can't you see she's the one behind all of this?
22:58She was sleeping her way to the top, killing Stephanie's unborn child.
23:04And John dragging her off the set.
23:07You should be sticking up for Stephanie!
23:09I'm not gonna let her do this to you.
23:14Do you think you can just walk away from what you did like nothing happened?
23:31I didn't walk away from anything!
23:33You did!
23:34You chose Stephanie over me!
23:36Remember this one?
23:37And she's my sister-in-law!
23:39I'm so sick of hearing this.
23:42You have feelings for her and I'm just tired of it!
23:45You're out of your mind if you think I'm gonna let you get away with this!
23:48You do what you want to do.
23:51But for now, get out!
23:53Why?
24:00We were married for three years.
24:02And we never...
24:03You have to get fucking my...
24:04Let go of me!
24:07No wonder you want me to go!
24:16Shh!
24:17Just look at yourself.
24:19You're not half the man Christopher is.
24:22Get out.
24:24Or I will call the cops.
24:27Just go!
24:28Go!
24:37Are you okay?
24:43Dorothy?
24:44Yeah?
24:45Remember, safety first.
24:47The lifeguard's right there if you need him.
24:49Okay.
24:52Anything you need, let the AD know.
24:54Okay.
24:55Got it.
24:56Got it.
24:57Yeah?
25:04Here's a coffee for you.
25:06It's still early before the shoot.
25:07Take your time.
25:10Take your time.
25:13I'm sorry.
25:14I'm sorry.
25:18It's just a big deal.
25:19I just came out of your life.
25:21I...
25:22you...
25:23I don't know.
25:53Something's wrong.
26:05That's not acting.
26:07She's in trouble.
26:13Where's the lifeguard?
26:19Where's the lifeguard?
26:23Where the fuck is the lifeguard?
26:42Where the fuck is the lifeguard?
27:12Why did you do that?
27:18I'll do anything for you, Dorothy.
27:23Christopher risked everything without hesitation.
27:27How could I have been so blind?
27:42Well, I wasn't expecting that.
28:00Where were you?
28:01I'm sorry.
28:01I don't think they could have drowned.
28:02I'm sorry.
28:03I had a stomachache.
28:04I had to look at her back.
28:05Make sure it doesn't happen again.
28:11Do you think that I should call Dorothy just to make sure she's okay?
28:14Are you still hung up on her?
28:18No.
28:20It's not like that.
28:21I'm just trying to be helpful.
28:22Don't you remember, Drake?
28:25She's the one who had me kicked out of the movie.
28:28She's the one who killed my baby.
28:30Not just my baby, but Nick's baby.
28:32I know I'm just a sister-in-law.
28:35Whatever happened between us is in the past.
28:37But I have no one now.
28:40No husband.
28:42No baby.
28:44I have left just you.
28:48Can you see through Dorothy yet?
28:50She's nothing but a slut sleeping away to the top.
28:52You don't know that.
28:53You know I'm right.
28:57Why else would John come onto the set and stand up for her?
29:00Not just John, but Christopher too.
29:02She's sleeping around with anyone she can find.
29:04She's a whore.
29:05Paul, shut up!
29:15You want war?
29:17I'll give you war.
29:22Do it.
29:24Make sure Dorothy feels every bit of it.
29:31Breaking news.
29:32Unknown actress seduces Hollywood heartthrob.
29:36Rising star or opportunist.
29:38Actress Dorothy's shocking affair with Christopher.
29:41Christopher's new flame for a heartless gold digger.
29:43Dorothy!
29:45Liar!
29:46Hey, bitch!
29:49This is getting out of hand.
29:51Maybe we should just reveal her real identity.
29:54Let everyone know she's not just some random actress.
30:01Christopher, no.
30:02Dorothy, once we tell them who you are,
30:04there's no reason for them to attack you.
30:05There's someone behind us.
30:08And whoever they are,
30:09I'll make them pay.
30:10Fuck off.
30:21This can't be right.
30:29I die in the second scene!
30:31This must be Dorothy and John forcing S.Q. to cut me out.
30:36They won't get away with this.
30:42Trey, can you believe this?
30:44They've completely written me out of the script.
30:47Do you remember when Nick was lying in that hospital bed?
30:50You promised him you'd look after me.
30:52I've already lost my husband and my baby.
30:55I can't lose my career, too.
30:56Don't worry.
30:58I'll get you your character back.
31:00There's a tape of a documentary
31:18that apparently S.Q. has always wanted.
31:21So, we win this bid and we gift it to them.
31:24Should be able to get you your robot.
31:25Up next, a rare gem.
31:31The original film documentary
31:33chronicling the creative journey
31:35of none other than herself,
31:37legendary screenwriter Margaret Lane.
31:4050,000.
31:42What's she doing here?
31:45I don't know.
31:47I'm not going to let her win this.
31:4960,000.
31:5070,000.
31:58100,000.
32:01This is my grandmother's documentary.
32:04It's her legacy.
32:06She's the one who inspired me
32:07to become a screenwriter.
32:09I can't let it fall into the wrong hands.
32:13500,000.
32:14500,000.
32:14I'm trying to get you your role.
32:28Don't worry.
32:30I've got it covered.
32:31Ladies and gentlemen,
32:33we are down to the final bid.
32:35Standing at a whopping 500,000.
32:39500,000 going once.
32:41500,000 going twice.
32:45Sold.
32:46To the lady in the blue dress.
32:55I can't believe this.
32:57You have no right
32:59to take that film reel with you.
33:04You have no right
33:06to take that film reel with you.
33:07What's going on?
33:16Um, uh, ladies and gentlemen,
33:19I've just been informed
33:20that Miss Dorothy
33:21is in fact not
33:22an invited guest.
33:24Therefore,
33:24as per our rules,
33:27this documentary reel
33:28will not be released
33:29to Miss Dorothy.
33:30This is ridiculous.
33:31I was invited.
33:33Well, in that case,
33:36may I see your invitation?
33:37I did have it,
33:43I swear.
33:43I'm sorry, Miss Dorothy.
33:45If you do not have
33:46the invitation at hand,
33:47the documentary reel
33:48has to go to
33:49the second highest bidder.
33:50This is the protocol.
33:51Oh, I don't understand.
33:52I'm sorry.
33:53I'm sorry.
34:12These are the rules.
34:14The documentary reel
34:15will go to the honourable couple.
34:35Stephanie, wait.
34:36Just sell it to me.
34:40Name your price.
34:41I'll pay you anything you want.
34:42It's really important to me, please.
34:44Why are you doing this?
34:46Are you just trying to get my attention
34:48by going after something
34:49that Stephanie wants?
34:51No, you don't understand.
34:53Just let me buy this.
34:55whatever it takes.
34:58Dorothy.
34:59You think this is about money?
35:01Please.
35:02This isn't something
35:02you can just buy.
35:05Dorothy.
35:06What the hell are you doing?
35:07Why do you always have to go
35:08against her like that?
35:09This reel is important to Stephanie.
35:11She can use this
35:12to help her career.
35:13Her career?
35:14Is this about you
35:16role being cut from the dead?
35:19Is that why you're doing this?
35:23I'm the writer.
35:24I've got to fix this.
35:26Can you write the story
35:27and bring your character back?
35:29Just...
35:30Just let me have to read this.
35:32You're the writer.
35:34Are you telling me
35:35that you're SQ?
35:39You, the writer SQ.
35:42Can you give us a break?
35:43Look.
35:44This reel is important
35:46to Stephanie.
35:47End it.
35:48Don't make this harder
35:49than it has to be.
35:51You've been with Dorothy
35:52for so long
35:53and you don't even know her.
35:54Oh, and you do.
35:56A hell of a lot more than you.
35:57Who the fuck do you think you are?
35:58Both of you, calm down.
35:59What?
35:59Fuck!
36:00Scratched all over.
36:14It's ruined.
36:15Not even fit to be a gift anymore.
36:18I can fix this.
36:19Stephanie, I know someone
36:20who can restore it.
36:21Just sell it to me.
36:22Please, just name you a price.
36:23Even if I had no use for it,
36:28I'd never give it to you.
36:31I want to be a writer like you, Grandma.
36:59I want to make movies like you do.
37:02This reel
37:03has more than pictures
37:06and sound on it.
37:07Really?
37:08An entire world I've captured,
37:11but it's just one way
37:12of seeing things.
37:14The magic is creating it yourself.
37:17Someday you will.
37:18Dorothy, I need you to go
37:33apologize to Stephanie
37:33and give her her rollback.
37:36Apologize?
37:37To her?
37:38She destroyed the reel.
37:39And she wouldn't have done that
37:40if you hadn't pushed her.
37:46So go apologize,
37:47or I'm pulling my funding.
37:48Hey, look, Dorothy,
37:51let's be real here.
37:53Without Stephanie,
37:55Barry's going to invest.
37:57Even the production company
37:58will call out if they hear
37:59that she's not involved anymore.
38:00Her name carries weight.
38:02Let's not pretend that
38:03your reputation's exactly
38:04stellar right now.
38:06Christopher's fans hate you.
38:08Stephanie's fans hate you.
38:09Even if you actually
38:10make this film,
38:11no one's going to support you.
38:13You will be Barry.
38:14If you apologize to Stephanie now,
38:19I can help you.
38:23I can control the press.
38:25I can control the narrative.
38:26I can actually give you a chance.
38:30What's so funny?
38:31What's so funny?
38:35Pull your funding?
38:37Do it.
38:39You'll see it does nothing
38:40for the movie.
38:41Okay.
38:42So what if I tell the production head
38:43to pull his funding too?
38:46Didn't I tell you
38:46that I know Mr. Bennett?
38:48Oh.
38:49Go ahead.
38:51Quiet.
38:52You want me to call?
38:53Mm-hmm.
38:53Fine.
38:59Hi, Mr. Bennett.
39:00It's Drake.
39:01Drake Mossbacher.
39:03Yeah, I'm pulling my funding
39:04from Liars Game
39:04and I suggest that you
39:05do the same thing.
39:06I've seen it
39:06and it's a sinking ship.
39:10You're pulling out?
39:11Great.
39:12I'll take full control
39:13of the investment.
39:14Not a problem.
39:21So you sat with him?
39:23That's why he's
39:25supporting you, isn't it?
39:29Is this how you see me?
39:31The type of woman
39:31who would use her body
39:32to get what she wants?
39:33What other explanation
39:34do you have?
39:36You know nothing
39:37about Dorothy.
39:41Apologize to Stephanie,
39:43cut ties with Mr. Bennett
39:44and end this.
39:45Dorothy, come back to me.
39:46Whatever he's offering you
39:47I'll match it.
39:47I'll double it.
39:49You must be out
39:50of your fucking mind.
39:52What makes you think
39:53I would ever go back
39:54to that living hell?
39:56Living hell?
39:56You heard me!
39:58Being married to you
39:59was a fucking nightmare.
40:01You made me believe
40:03you loved me.
40:05And then you had me
40:05waiting in vain
40:06for three years, Drake.
40:09You said you'd always
40:10protect me
40:10but then when I need
40:11you the most
40:12you just turned your back
40:14on me.
40:15You chose your sister-in-law
40:17over your wife.
40:19I've had enough, Drake.
40:23You were my prison.
40:24So just go back
40:25to your precious Stephanie.
40:31Let's just go.
40:41Why are you hurt?
40:42Are you okay?
40:50What are you doing?
40:52Well, you want me,
40:53don't you?
40:53Just kiss me.
40:54I'm all yours.
40:55Steph!
40:56You're Nick's wife.
40:57I've always thought
40:58of you like a sister.
41:00Sister?
41:02Funny.
41:03Don't you remember
41:03when you came to me
41:04the night Nick
41:04and I got married?
41:05Don't you remember
41:06what you said?
41:09Remember this?
41:09Here, why not marry
41:11Stephanie?
41:13God.
41:14You were practically
41:14begging me not to
41:15marry Nick.
41:15No, I shouldn't have
41:16said that.
41:17I shouldn't have
41:17said that.
41:17I don't see it.
41:21What's that?
41:22Oh, it's nothing.
41:23What is that?
41:24No, Drake, no.
41:25Please.
41:28You lied about this.
41:32You lied about this.
41:36You said that Dorothy
41:37pushed you into the water
41:38but this shows you
41:39shoving her in.
41:41It's a glitch.
41:43A glitch.
41:44So, do you actually
41:45expect me to believe
41:46that?
41:47What's this?
41:50Buying pills
41:50off the black market?
41:53Tell them I hit
41:54your pregnancy.
41:55It's you.
41:56This time when you
41:57blamed Dorothy
41:58like some sort of
41:58scapegoat and she
41:59was innocent the
42:00whole time.
42:01Please, no,
42:02you have to believe me.
42:03I didn't...
42:04Do you know what?
42:04I've always thought
42:04of you like a sister.
42:06I've always taken
42:07care of you.
42:08I even thought
42:08that I loved you
42:08once but that
42:09was before
42:09you were Nick's wife.
42:13You've changed.
42:16You've changed.
42:19You're not the person
42:20I thought you were.
42:23I only looked after you
42:24because I thought
42:25it was my duty
42:25as Nick's brother
42:26to look after his widow.
42:27but I guess there's no need
42:30to look after you
42:31anymore, eh?
42:32What does that mean?
42:34You're just going to
42:34throw me away?
42:36I'm not going to
42:36throw you away
42:37but this is my house.
42:41I'm going to back.
42:42I hope you'll be gone.
42:42But you can't just walk away
42:45from me like that.
42:46I've said everything
42:46that I need to say.
42:48Now I'm going to go
42:48find the person
42:49that I actually care about.
42:54I'm not with you.
42:56This is all your fault.
43:01Let's take this bitch down.
43:03Don't I say please?
43:21No.
43:22I was wrong.
43:25I misunderstood
43:26everything about you
43:27and about us.
43:32Can you please
43:32just hear me out?
43:34You think you can
43:35just come here
43:36and apologise
43:36after everything?
43:39I didn't mean
43:40to hurt you.
43:42Look, I understand
43:43what I did
43:43but it was just
43:44because it was
43:44definitely an anyone.
43:46Can you please
43:46just forgive me?
43:49I don't need
43:49your apology, Drake.
43:51You let me down.
43:52You abandoned me
43:54when I needed you
43:56the most.
43:57You used me,
43:59manipulated me
44:00and now you beg
44:01for my forgiveness.
44:02doing this?
44:03Oh my god, please
44:04just don't show me
44:04out.
44:05I can fix this.
44:07I can fix it.
44:07I can do anything,
44:09Dorothy, please.
44:09Just...
44:10No.
44:12You were never
44:13the person
44:14I thought you were.
44:16And I'm not either.
44:18I've moved on.
44:21I don't need you.
44:22I deserve better than this.
44:45before you all celebrate
44:58this movie,
44:59there's something you should know.
45:03Dorothy is nothing but a homewrecker.
45:18What's going on?
45:20A glorified mistress
45:21who's been playing the part
45:23of a wonderful actress
45:24when all she's really done
45:25is ruin lives.
45:29This is true, Dorothy.
45:30We're being involved
45:30with a married man.
45:32What's your response
45:32to Stephanie's claim?
45:33This is ridiculous.
45:39Let's talk about
45:39how she got here.
45:41Shall we?
45:42She didn't get here
45:43off her talent.
45:44Oh no.
45:45She got here
45:46by clinging
45:47to powerful men.
45:49No real experience.
45:50No skill.
45:51Just a man's name
45:53and a man's money.
45:54Security!
45:55Get her out of here.
45:56Wait.
45:56If she has something to say,
45:59let's hear it.
46:00Dorothy,
46:01it's a trap.
46:02I'm not afraid of the truth.
46:05Let's see what she's got.
46:09What's going on?
46:11So tell us, Dorothy.
46:13How did you get here?
46:15Did you use your relationship
46:16with John Bennett
46:17to land the part?
46:26A homework, are you saying?
46:36Is there something wrong
46:37with me appearing
46:38with my own dad?
46:39You're the one
46:40who sent me this photo, right?
46:42How about you take another one?
46:43This time,
46:44of my lovely family of three.
46:46Dorothy, Dorothy, Dorothy.
46:48Are you really
46:49John Bennett's daughter?
46:50Yes.
46:51I bet you never ask
46:51for my last name.
46:53It's Bennett,
46:54by the way.
46:54So, Dorothy
46:57is the producer's daughter.
47:00Dorothy,
47:00so,
47:01did you use your father
47:02to get the part?
47:03So,
47:04it's just nepotism,
47:06then.
47:10Well,
47:10even if she didn't
47:11fuck her way to the top,
47:12she still only got here
47:13through her connections.
47:14Whether you like it or not,
47:15my performance
47:16speaks for itself.
47:17And everyone here
47:18saw it.
47:19She was actually really good.
47:20Yeah,
47:21she handled the models.
47:23Oh,
47:23are you saying that
47:23everyone here is wrong?
47:25You think you're so clever,
47:27don't you?
47:28Fine.
47:29You can act
47:29a little bit.
47:31But let's be real.
47:32You didn't land
47:33this role on your own.
47:34You just snapped
47:35your bony little fingers
47:36and let Daddy
47:36give you a role.
47:37How else
47:38would a nobody like you
47:39have landed yourself
47:40the lead otherwise?
47:42Dorothy isn't just
47:43a nobody.
47:46She wrote
47:47Liar's Game.
47:49She is SQ.
47:50Dorothy is SQ.
47:56How can that
47:57be possible?
47:58Liar's Game is a masterpiece.
47:59There's no way
48:00you could have written it.
48:01You don't have to
48:02believe me.
48:03Just let the credit
48:04speak for itself.
48:08How can this be true?
48:11Oh,
48:12it's so dramatic.
48:14Dorothy Bennett,
48:16you're the daughter
48:17of the producer
48:17and the famous writer
48:19SQ.
48:19Why did you keep
48:20your identity a secret
48:21so long?
48:24Why did you keep
48:25your identity a secret
48:26so long?
48:26Stephanie Marsbecker,
48:28Linda Marsbecker
48:29and Ellie Marsbecker,
48:30I'm arresting you
48:30on suspicion of defamation.
48:32No, no, no,
48:32I didn't do anything wrong.
48:34This was all Stephanie's idea.
48:35I didn't do anything.
48:35This whole time
48:44she was actually
48:45telling the truth.
48:47Dorothy's SQ.
48:49She's Jesus.
48:52That's why she always
48:53had a book in her hand.
48:56Always writing something
48:57on her laptop,
48:58always lost in her thoughts.
49:02Didn't even see her.
49:03I guess I was blind
49:06all along.
49:08I don't deserve that.
49:28I've missed this place.
49:31Don't you remember?
49:32Of course I do.
49:34We saw so many films here.
49:37We would just
49:38stay in our seats
49:39and talk
49:40about life
49:42and everything.
49:44But you just made me
49:45feel like I could face
49:46more about anything, really.
49:51God, I used to be
49:52so nervous back then
49:53about everything.
49:56About the future.
49:59But you just made me
50:00feel like I could face
50:00or anything, really.
50:03No.
50:05Someone had to be there
50:06to make sure you didn't
50:07overthink everything.
50:09I remember you used to
50:10unpick every little detail
50:11like it was a life or death
50:12situation.
50:17You know, Dorothy,
50:19life's not been the same
50:22without you.
50:22even when we parted ways,
50:27I always knew
50:30that we would find
50:30each other again.
50:34I don't care
50:34what we've been through.
50:37I don't care what's happened.
50:38All I know
50:39is that I need you now
50:42more than ever.
50:45And the award
51:00for Best Adapted Screenplay
51:02goes to
51:03Dorothy Bennett
51:04with Liar's Game.
51:09Wow.
51:10Best screenplay.
51:13What, shall I start
51:13calling you
51:14Your Majesty?
51:15I think that's
51:16a great idea.
51:17Why don't I start now?
51:20You deserve this.
51:21Your Majesty.
51:23Every bit of it.
51:25Now,
51:27since you won,
51:29I think this calls
51:29for a reward.
51:31Oh, yeah?
51:34And what would that be?
51:38Me.
51:38Me.
51:38Me.
51:40Me.
51:41Me.
52:03Me.
52:04Me.
52:05Me.
52:06Me.
52:06Me.
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