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Short filmTranscript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Stars Movie Awards.
00:17You did it.
00:19Three years ago, I was the most sought after screenwriter.
00:23Three years later, I fell in love with Drake.
00:28Keeping my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi!
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday
00:50and instead of helping us, he just disappeared.
00:53What, did you bail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side
01:00is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:13Well, I think Drake's idea is great and it could be really good for us.
01:17But the risk is way too high.
01:22Dad.
01:23Please.
01:26Okay.
01:27And I'm sure you don't want him to know the real reason why I'm investing.
01:32The only reason why I'm not a father is so good for me, is that Drake's wife.
01:35That's enough, Dorothy.
01:37Since you got married, has he ever even touched you?
01:39How often does he actually come home?
01:41He doesn't even want to look at you.
01:44Let alone sleep with you.
01:46That's enough, Ellie.
01:47We're all here to celebrate Drake's birthday.
01:49Drake's birthday I'm sure he wouldn't be happy to see us like this everybody knows
01:52that if it weren't for her you would be married to Drake instead of being my
01:56late brother's widow. Ellie, whatever happened between me and Drake is all in
02:01the past besides I'm carrying Nick's baby
02:08it's the perfect time
02:19quick save Stephanie she's carrying Nick's baby
02:26quick get in there
02:30he chose Stephanie over me
02:49my baby, my baby is gone why would you do this to me how dare you you push
02:57Stephanie into the pool to try and kill her and her unborn baby are you happy now
03:01that Stephanie's baby's gone I didn't do it I know you don't want me here I told you
03:06whatever happened between me and Drake is in the past you can hate me however you
03:10want to but how could you be so cruel as to kill my unborn child I didn't do it
03:15you know I would never do that to Stephanie
03:18apologize to Stephanie
03:21I'm not going to apologize for something I didn't do
03:22apologize to Stephanie right now or I will divorce you
03:25if you apologize right now then I'm willing to give you another chance
03:38it's been three years Drake I gave up everything to be your wife
03:47I've always kept to the shadows Dorothy
03:50I already have a life and right now I just want to focus on being on my marriage or Drake
03:56I thought you would always be by my side but I was wrong
04:02the only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid
04:07since you got married has he ever even touched you he doesn't even want to look at you
04:11fine let's get a divorce
04:18there's nothing less in my heart Drake's nothing without me
04:29my ring my ring is gone well you must have taken it why would I take her ring
04:38look how quickly you packed your suitcase you're probably seeing someone else
04:42Dorothy
04:45yes
04:46we were married for three years were you seeing someone else
04:49of course she was probably been cheating on you for a really long time
04:52couldn't wait for the divorce
04:55so what if I was huh
04:57and what about you still hung up on your so-called sister-in-law
05:00what gives you the right to talk about me
05:03I only look after Stephanie because she's my brother's widow
05:07yeah
05:08but you actually seeing someone else who is he
05:10big talk
05:12don't bring me down to your level
05:14I'm not like you
05:16since your sister-in-law lost her ring
05:19why don't you take
05:24this one
05:29this one
05:31you've been waiting for this for a long time haven't you
05:45and so I left
05:47this is ridiculous
05:50we the Bennett family are one of the four major production companies in the world
05:55I let him marry my daughter and even invested in his business
05:59how dare that Drake do this to my daughter
06:02it's actually good from dad
06:06now we know who he really is and he has no idea who I am
06:10still you're my daughter I can't let him do this to you
06:14if it weren't for you I would not have considered investing in his company
06:19we're gonna pull our investment immediately
06:21yes it's time to cut him off
06:23he doesn't deserve you
06:25I'm over Drake
06:27if we withdraw the plans now
06:29it's going to hurt the family business
06:31he's not worth it
06:33honey
06:35why don't you just take a vacation
06:39or just put all this aside and take some time out for yourself
06:43yeah
06:46no
06:47I've wasted too much time with Drake
06:52over the three years
06:53you know now I want to focus on something
06:56that actually matters
06:58you know Christopher has been saying
07:00that many people want to buy the movie rights to Liar's Game
07:04Universal, Paramount, every major studio wants this
07:08Liar's Game
07:13your story on the big screen
07:15if you're in
07:16I'd be happy to be the one headlining it
07:17oh
07:18so that's why they're making it
07:20because of you
07:21I'm sorry Christopher Santoro
07:23see
07:24they're not funding the film
07:26they're funding you
07:27they're funding you
07:28oh
07:29they're funding the story
07:31it's more than good
07:33it's phenomenal
07:35Christopher is right
07:37I'm taking my life back
07:43I'm going to adapt it myself
07:45you are?
07:47yes
07:48I will
07:49good for you
07:51I won't tell anyone I'm asking you
08:03congratulations to Aria Wong for winning the best director
08:12this is my close friend from college
08:14Aria I need your help
08:16I want to adapt the Liar's Game myself
08:18and
08:19I want you to direct it
08:21of course
08:23alright
08:24okay
08:25there's just one thing
08:26I
08:27want to keep my identity as the writer a secret
08:30I don't want anyone to know
08:32especially not the team
08:34SQ
08:35are you sure?
08:36but why keep it a secret?
08:37I just want people to focus on the story itself
08:40got it
08:42your secret's safe with me
08:43safe with me
08:44hey
08:45yeah
08:46oh my god
08:47oh my god
08:50Dave
08:51it's a bit weird
08:53ever since news got out about our movie
08:55my phone has not stopped ringing
08:57really?
09:04it's Stephanie
09:09yeah just
09:10take it
09:14hello
09:15hello
09:16hello Miss Wong
09:17I've heard Liar's Game is being made into a movie
09:18I'm interested in playing the lead
09:20can we arrange an audition?
09:24I'll speak to the writer and I'll let you know
09:27thank you Miss Wong
09:31what do you think?
09:34anyone can audition right?
09:35as long as they're
09:36write for the role
09:38what happened between me and Stephanie is not important here so
09:41okay
09:43okay
09:44I'll call her back and let her know
09:46mm-hmm
09:56what about me?
10:00can I be your hero?
10:01oh you mean uh
10:02a film
10:03right?
10:04I've never considered anyone else
10:07I have to take this
10:08hi
10:09you know I'm not just talking about the film Dorothy
10:11it's okay
10:12I can wait
10:13I've waited this long
10:14well well well look who it is
10:15why are you here?
10:16why are you here?
10:17oh I see
10:18oh I see
10:19you're the productionist of the film
10:20oh I see
10:21oh I see
10:22oh I see
10:23you're the productionist of the film
10:24Hi
10:25hi
10:26you know I'm not just talking about the film Dorothy
10:27It's okay. I can wait.
10:32Waited this long.
10:37Well, well, well. Look who it is.
10:43Why are you here? Oh, I see. You're the production assistant.
10:49Well, do your job. Get me a water.
10:54Stephanie. Get your own water.
10:57I'm not your PA. Look, it's my first day on set and I want to buy coffee for the crew.
11:04Why don't you be a doll and mark down everyone's order?
11:08Are you deaf? I'm not a PA.
11:12Here's your tip. Go on.
11:15Show some respect, Stephanie. Do you know who she is?
11:21What are you doing? Oh, no. She can't know I'm asking you.
11:28I want to keep my identity as the writer a secret. I don't want anyone to know, especially not the team.
11:34What do you mean? Who is she?
11:41No one but a lower PA, I'm sure.
11:49Isn't that right?
11:50Well, actually, she's...
11:51She's just a PA. You're right.
11:59So why don't you show me a lower PA, your acting skills?
12:03I don't know. Maybe I'll be impressed even by here the coffees myself.
12:07Watch this.
12:13I loved you once.
12:16Or so I thought.
12:19But now I see that it was all just a lie.
12:22A beautiful...
12:23Painful lie.
12:31You took everything from me.
12:34My dreams.
12:36My future.
12:41See, there's no soul.
12:43That's not acting, it's just reciting lines.
12:46Why don't you show her how it's done?
12:49What?
12:51Go on.
12:55Go on.
12:56I loved you once.
13:20So I thought.
13:21But now I can see it was all a lie.
13:28A beautiful, painful lie.
13:32You took everything from me.
13:37My heart.
13:39My dreams.
13:42My future.
13:44And for what?
13:47For your own personal gains.
13:51How is that possible?
14:02Dorothy, that was perfect.
14:05The role is yours if you want it.
14:08No!
14:09This role is mine!
14:12I'm the one with the investment.
14:13Without me, there's no funding for this movie.
14:15Your investment?
14:17Do you even know who she is?
14:18Who is she?
14:25Who is she?
14:26As you know, no one but a PA.
14:30Dorothy, this movie is important to Stephanie.
14:33I mean, why are you here?
14:34You're not a real actress.
14:36What are you doing?
14:36You're trying to ruin her career.
14:37You're trying to get back at me by ruining her career.
14:39I'm not ruining anything.
14:41If she can't handle the role, that's on her, not me.
14:45You can't blame this on anyone else.
14:47You embarrassed her in front of everyone.
14:49I mean, I know what you're doing.
14:51You're the one pulling all the strings here.
14:53You're trying to make her fail so you can take her place.
14:55She's using this whole thing to get to you, Drake.
14:58She's been jealous from the start, trying to ruin my chance just to get back to you.
15:01Okay, no, I don't want to fight anymore.
15:04Well, let's just take a look at the script and maybe we can work something out.
15:09And you are just so damn selfish!
15:12You only care about yourself!
15:14Just give Stephanie her role back!
15:16You know what?
15:19I didn't want to do this, but I will.
15:22I'll take the role.
15:24I'll play the lead.
15:28I'll play the lead.
15:29No way, you can't be serious.
15:31She's not even a real actress.
15:35Dorothy's performance was far stronger than yours.
15:38Everyone in the room can see it.
15:42I'm so glad you've agreed to do the role.
15:46Right, it's settled then.
15:48The lead roles go to Christopher and Dorothy.
15:52I will double my investment if you give Stephanie a role.
15:59You two are just such...
16:01Okay, look, if the money's on the table, there's no reason to turn it down.
16:04Let's just leave her apart.
16:05For her sister-in-law.
16:07I can always count on you, right?
16:14I will double my investment if you give a role to Stephanie.
16:17You two are just such...
16:18I will double my investment if you give a role.
16:22Okay, look, if the money's on the table, there's no reason to turn it down.
16:26Let's just leave her apart.
16:29We have nothing to lose.
16:30I guess that'll be fine.
16:33I'll talk to SQ.
16:35You're father's production company is already the biggest investor in your movie.
16:43So why take Drake's money?
16:45You don't...
16:46You don't still have feelings for Drake, do you?
16:49No.
16:50He's an asshole.
16:52Come on.
16:54I've got an idea.
16:57Why don't we just give her a character that'll make her miserable?
17:00Well, Mrs. Sontaro, I feel bad now.
17:11I only wish you didn't have feelings for Drake anymore.
17:17How did she land herself the role?
17:19She's practically a nobody.
17:20No fan base, no real experience.
17:23Just one good scene.
17:24It doesn't make sense.
17:25Find out everything you can about Dorothy.
17:31I want all the dirt.
17:39Director, there must be a mistake.
17:41I'm only a side character and not even in the main scene.
17:44You wanted a role, we gave you a role.
17:48I came in with an investment.
17:51Well, you're more than welcome to take it back and leave the set.
17:56Even a small role in SQ's film is going to do great things for your career.
17:59Now is not the time for you to be messing around.
18:04Fine.
18:11Two, take one.
18:12Action.
18:14Lily, you are my best friend.
18:15How could you do this to me?
18:16I'm sorry, but this is...
18:20What the hell are you doing?
18:22It's part of the scene!
18:25Okay, take it again from the slap.
18:30Action!
18:35Cut!
18:37Stephanie, why aren't you saying your lines?
18:39You have to keep going in the scene.
18:42I think you've had enough for today.
18:44We'll just try again tomorrow.
18:45Did you see her face?
18:54Absolute gold!
18:57I mean, she got what she wanted.
18:58She asked for a role and that's what we gave her, so...
19:02Seriously, her performance is all over the place.
19:05Maybe we should just cut down on her screen time.
19:08We all know the film's better without her slowing us down.
19:13You're right.
19:15I'm not going to let anyone ruin your story.
19:17What's going on with my scenes?
19:35Why have so many of them been cut?
19:37It's a collective decision.
19:41Fuck that!
19:41Let me talk to the writer.
19:43The writer is SQ and as you know, they never show their face, so their decision is final.
19:51I'll see you on set in five.
19:52Now it all makes sense.
20:12Now it all makes sense.
20:14That's the head of the production company.
20:17No wonder she got the role.
20:19Let's see how John's wife feels about that.
20:22Everyone, I have an announcement to make.
20:33Today will be Stephanie's last day on set.
20:41You really think I don't see through your little gaze?
20:44Somebody will be walking out that door today, but it won't be me.
20:49You really think you can get away with this?
20:50You really think I don't know.
20:52Sleeping your way up?
20:56John's wife is on her way.
20:58Let's see how you talk your way out of this one.
21:00Slut.
21:05That's enough!
21:06So were you the one who was stalking and secretly taking photos?
21:13What? Scared the truth is going to come out?
21:16Someone had to expose her for who she really is.
21:19So you admitted, you did it.
21:22Damn right I did. And I'd do it again if I had to.
21:27You don't know who you just crossed!
21:29Oh, I know. Just some rich old bastard throwing a tantrum.
21:34I sent those photos to your wife too, and now your mistress is about to be exposed.
21:38Yeah, security.
21:43Stephanie is banned from the studio.
21:45Make sure she never sets foot here again.
21:47You can't just do that!
21:49Oh, this is insane!
21:50What are her rights?
21:51I will only tell you the truth! She is a mistress, a loose woman, a lady of the night!
22:04Is it true that Dorothea is John's sugar baby?
22:06Otherwise, why would he come onto the set and get me banned from the movie?
22:10That's unbelievable.
22:12And he humiliated me. He had me dragged off the set like a criminal.
22:15You should have seen it.
22:16I'm not going to let her just ruin her reputation like this.
22:21I mean, this whole mess is making us look like fools.
22:25Dorothy's always been trouble.
22:28I mean, first she goes off with a married man, and now this.
22:32I don't know how you put up with her for three years.
22:34You should have got a divorce earlier.
22:38Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:42It's the only explanation!
22:44She's clearly nothing but a slut!
22:48Drake, Stephanie is your sister-in-law.
22:52Now, you need to take care of her and forget about Dorothy.
22:56Can't you see she's the one behind all of this?
22:59She was sleeping her way to the top, killing Stephanie's unborn child.
23:05And John dragging her off the set.
23:07You should be sticking up for Stephanie.
23:09I'm not going to let her do this to you.
23:29Do you think you can just walk away from what you did like nothing happened?
23:32I didn't walk away from anything.
23:34You did.
23:35You chose Stephanie over me.
23:36Remember this one?
23:37Oh, she's my sister-in-law.
23:39I'm so sick of hearing this.
23:42You have feelings for her, and I'm just tired of it.
23:45You are out of your mind if you think I'm going to let you get away with this.
23:48You do what you want to do.
23:51For now, get out!
23:52Why?
23:59We were married for three years.
24:01And we never...
24:02Well, your dear, fuck!
24:03You might let go of it!
24:14No wonder you want me to go.
24:17Just look at yourself.
24:18You're not half the man Christopher is.
24:23Get out.
24:24Or I will call the cops.
24:27Just go!
24:36Are you okay?
24:37I'm okay.
24:42Dorothy?
24:44Yeah?
24:44Remember, safety first.
24:46The lifeguard's right there if you need him.
24:49Okay.
24:52Anything you need, let the AD know.
24:54Okay.
24:54Got it.
24:55Got it.
25:04Here's a coffee for you.
25:06It's still early before the shoot.
25:07Take your time.
25:27Let's get into it.
25:28There he is.
25:51Ah.
25:52Something's wrong.
26:05That's not acting.
26:07She's in trouble.
26:14Where's the lifeguard?
26:19Where's the lifeguard?
26:22Where the fuck is the lifeguard?
26:42Come on, Dorothy.
26:52I'll do anything for you, Dorothy.
27:23Christopher risked everything without hesitation.
27:27How could I have been so blind?
27:28I wasn't expecting that.
27:53Where were you?
28:01Dorothy could have drowned.
28:02I'm sorry.
28:03I had a stomachache.
28:04I had to go to the back.
28:05Make sure it doesn't happen again.
28:06Do you think that I should call Dorothy just to make sure she's okay?
28:16Are you still hung up on her?
28:18No.
28:20It's not like that.
28:21I'm just trying to be helpful.
28:22Don't you remember, Drake?
28:25She's the one who had me kicked out of the movie.
28:28She's the one who killed my baby.
28:30Not just my baby, but Nick's baby.
28:33I know I'm just her sister-in-law.
28:35Whatever happened between us is in the past.
28:37But I have no one now.
28:40No husband.
28:42No baby.
28:44I have left as you.
28:48Haven't you seen through Dorothy yet?
28:50She's nothing but a slut sleeping away to the top.
28:52You don't know that.
28:53You know I'm right.
28:57What else would John come onto the set and stand up for her?
29:00Not just John, but Christopher too.
29:02She's sleeping around with anyone she can find.
29:04She's a whore.
29:05Paul, shut up!
29:15You want war?
29:17I'll give you war.
29:22Do it.
29:24Make sure Dorothy feels every bit of it.
29:28Breaking news.
29:32Unknown actress seduces Hollywood heartthrob.
29:35Rising star or opportunist.
29:38Actress Dorothy's shocking affair with Christopher.
29:41Christopher's new flame for a heartless gold digger.
29:43Dorothy!
29:45Liar!
29:46Hey, bitch!
29:49This is getting out of hand.
29:51Maybe we should just reveal her real identity.
29:53Let everyone know she's not just some random actress.
30:01Christopher, no.
30:02Dorothy, once we tell them who you are,
30:04there's no reason for them to attack you.
30:05There's someone behind us.
30:08And whoever they are, I'll make them hang.
30:16Fuck off.
30:17This can't be right.
30:29I'd die in the second scene.
30:31This must be Dorothy and John forcing SQ to cut me out.
30:36They won't get away with this.
30:42Trey, can you believe this?
30:44They've completely written me out of the script.
30:46Do you remember when Vic was lying in that hospital bed?
30:50You promised him you'd look after me.
30:53I've already lost my husband and my baby.
30:55I can't lose my career too.
30:56Don't worry.
30:58I'll get you your character back.
31:00There's a tape of a documentary that apparently SQ has always wanted.
31:21So, we win this bid and we gift it to them.
31:24Should be able to get you your role back.
31:25Up next, a rare gem.
31:31The original film documentary chronicling the creative journey of none other than herself.
31:37Legendary screenwriter, Margaret Lane.
31:4050,000.
31:42What's she doing here?
31:45I don't know.
31:47I'm not going to let her win this.
31:4960,000.
31:5070,000.
31:58100,000.
32:01This is my grandmother's documentary.
32:04It's her legacy.
32:06She's the one who inspired me to become a screenwriter.
32:09I can't let it fall into the wrong hands.
32:13500,000.
32:14I'm trying to get you your role back.
32:29Don't worry.
32:30I've got it covered.
32:31Ladies and gentlemen, we are down to the final bid.
32:35Standing at a whopping 500,000.
32:38500,000 going once.
32:42500,000 going twice.
32:45Sold.
32:46To the lady in the blue dress.
32:55I can't believe this.
32:58You have no right...
32:59...to take that film reel with you.
33:01You have no right to take that film reel with you.
33:10What's going on?
33:15Ladies and gentlemen, I've just been informed.
33:20Miss Dorothy is in fact not an invited guest.
33:24Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:30This is ridiculous.
33:31I was invited.
33:33Well, in that case...
33:35May I see your invitation?
33:42I did have it, I swear.
33:43I'm sorry, Miss Dorothy.
33:45If you do not have the invitation at hand,
33:47the documentary reel has to go to the second highest bidder.
33:49This is the protocol.
33:51Oh, you don't understand.
33:52I'm sorry.
34:00These are the rules.
34:14The documentary reel will go to the honourable couple.
34:24Stephanie, wait.
34:38Just sell it to me.
34:40Name your price.
34:41I'll pay you anything you want.
34:42It's really important to me, please.
34:44Why are you doing this?
34:46Are you just trying to get my attention
34:48by going after something that Stephanie wants?
34:51No, you don't understand.
34:53Just let me buy this.
34:55Whatever it takes.
34:57Dorothy.
34:59You think this is about money?
35:01Please.
35:02This isn't something you can just buy.
35:05Dorothy.
35:06What the hell do you do?
35:07Why do you always have to go against her like that?
35:09This reel is important to Stephanie.
35:11She can use this to help her career.
35:13Her career?
35:14Is this about you all being cut from the dead?
35:19Is that why you're doing this?
35:23I'm the writer.
35:24I'm going to fix this.
35:26Can you write the story
35:27and bring your character back?
35:29Just...
35:29Just let me have to read this.
35:32You're the writer.
35:34Are you telling me that you're SQ?
35:39You, the writer SQ.
35:42Can you give us a break?
35:43Look.
35:44This reel is important to Stephanie.
35:47End it.
35:48Don't make this harder than it has to be.
35:51You've been with Dorothy for so long
35:53and you don't even know her!
35:54Oh, and you do!
35:56A hell of a lot more than you!
35:57What the fuck do you think you are?
35:58Both of you, calm down!
35:59Ah!
35:59Ah!
36:00Ah!
36:00Ah!
36:00Ah!
36:01Ah!
36:01Ah!
36:01Ah!
36:01Ah!
36:02Ah!
36:02Ah!
36:03Ah!
36:03Ah!
36:04Ah!
36:04Ah!
36:05Ah!
36:05Ah!
36:06Ah!
36:06Ah!
36:07Ah!
36:07Ah!
36:08Ah!
36:09Ah!
36:09Ah!
36:10Ah!
36:11Ah!
36:11Ah!
36:12Ah!
36:12Ah!
36:13Scratched!
36:13All over!
36:14It's ruined!
36:15Not even fit to be a gift anymore!
36:17I can fix this!
36:19Stephanie, I know someone who can restore it!
36:21Just sell it to me!
36:22Please!
36:22Just name your price!
36:26Even if I had no use for it, I'd never give it to you!
36:29I want to be a writer like you, Grandma!
36:30I want to be a writer like you, Grandma!
36:31I want to be a writer like you, Grandma!
36:32I want to make movies like you, Grandma!
36:33I want to make movies like you do!
36:34This real?
36:35I want to be a writer like you, Grandma!
36:36I want to be a writer like you, Grandma!
36:37I want to make movies like you do!
36:38This real?
36:39Has more than pictures and sound on it!
36:42Really?
36:43Hmm.
36:44An entire world I've captured!
36:45But it's just one way of seeing things!
36:46This real?
36:47What's that?
36:48It's the only thing that I've ever found in my book?
36:51I want to be a writer like you, Grandma!
36:52I want to be a writer like you, Grandma!
36:55I want to make movies like you do!
36:59I want to make movies like you do!
37:02This real?
37:04Has more than pictures and sound on it!
37:07Really?
37:08Hmm.
37:09An entire world I've captured!
37:10but it's just one way of seeing things.
37:13The magic is creating it yourself.
37:17Someday you will.
37:29Dorothy.
37:31I need you to go apologise to Stephanie
37:33and give her her role back.
37:35Apologise? To her?
37:37She destroyed the real...
37:39She wouldn't have done that if you hadn't pushed her.
37:46So go apologise or I'm pulling my funding.
37:49Look, Dorothy, let's be real here.
37:53Without Stephanie, who is going to invest?
37:57Even the production company will call out if they hear that she's not involved anymore.
38:00Her name carries weight.
38:02Let's not pretend that your reputation is exactly stellar right now.
38:06Christopher's fans hate you.
38:08Stephanie's fans hate you.
38:09Even if you actually make this film,
38:11no one's going to support you.
38:13You will be buried.
38:16But if you apologise to Stephanie now,
38:20I can help you.
38:22I can control the press.
38:24I can control the narrative.
38:25I can actually give you a chance.
38:27What's so funny?
38:33What's so funny?
38:34Pull your funding?
38:36Do it.
38:37You'll see it does nothing for the movie.
38:40Okay.
38:41So what if I tell the production head to pull his funding too?
38:44Didn't I tell you that I know Mr. Bennett?
38:46No.
38:47Go ahead.
38:48Try it.
38:49You want me to call?
38:50Mm-hmm.
38:51Fine.
38:52Hi, Mr. Bennett.
38:53It's Drake.
38:54Drake Moss Butcher.
38:55Yeah, I'm pulling my funding from Liars Game,
38:56and I suggest that you do the same thing.
38:57I've seen it, and it's a sinking ship.
38:58You're pulling out?
38:59Great.
39:00I'll take full control of the investment.
39:01Not a problem.
39:02I'll take full control of the investment.
39:03Not a problem.
39:04Can I tell you that I know Mr. Bennett?
39:05No.
39:06Go ahead.
39:07Try it.
39:08You want me to call?
39:09Mm-hmm.
39:10Fine.
39:11Is this how you see me?
39:12The type of woman who would use her body to get what she wants?
39:13What other explanation do you have?
39:14You know nothing about Dorothy.
39:15No.
39:16No.
39:17No.
39:18No.
39:19No.
39:20No.
39:21No.
39:22No.
39:23No.
39:24No.
39:25No.
39:26No.
39:27No.
39:28No.
39:29No.
39:30No.
39:31No.
39:32No.
39:33No.
39:34No.
39:35No.
39:36No.
39:37No.
39:38No.
39:39No.
39:40No.
39:41Apologise to Stéphanie, cut ties with Mr. Bennett, and end this.
39:44Dorothy, come back to me.
39:45Whatever he's offering you, I'll match on it.
39:49You must be out of your fucking mind.
39:51What makes you think I would ever go back to that living hell?
39:55Living hell?!
39:56You heard me!
39:57Being married to you was a fucking nightmare.
40:01You made me believe you loved me.
40:04And then you had me waiting in vain for three years, Drake.
40:08You said you'd always protect me, but then when I need you the most, you just turned your back on me.
40:15You chose your sister-in-law over your wife.
40:21I've had enough, Drake. You were my prison.
40:24So just go back to your precious Stephanie.
40:31Let's just go.
40:38Why are you hurt?
40:42Are you okay?
40:50What are you, Steph? What are you doing?
40:51Well, you want me, don't you? Just kiss me. I'm all yours.
40:54Steph! You're Nick's wife. I've always thought of you like a sister.
40:59Sister? Funny.
41:02Don't you remember when you came to me the night Nick and I got married?
41:05Don't you remember what you said?
41:08Remember this?
41:09Yeah. Why not marry Stephanie?
41:12God.
41:13You were practically begging me not to marry Nick.
41:15No, I shouldn't have said that. I shouldn't have said that.
41:17Don't I see that?
41:20What's that?
41:22Oh, it's nothing.
41:23What is that?
41:24No, Drake, no. Please.
41:27You lied about this.
41:31You lied about this.
41:33You said that Dorothy pushed you into the water, but this shows you shoving her in.
41:41It's a glitch.
41:42A glitch.
41:44So, do you actually expect me to believe that?
41:47What's this?
41:48Find pills off the black market.
41:51Shhh.
41:53Terminate your pregnancy.
41:55It's you.
41:56This time when you blamed Dorothy like some sort of scapegoat and she was innocent the whole time.
42:00Jack, please no, you have to believe me.
42:02I didn't-
42:03Do you know what? I've always thought of you like a sister.
42:06I've always taken care of you.
42:07I even thought that I loved you once, but that was before you were Nick's wife.
42:10You've changed.
42:16You've changed.
42:19You're not the person I thought you were.
42:23I only looked after you because I thought it was my duty as Nick's brother to look after his widow.
42:28I guess there's no need to look after you anymore, huh?
42:32What does that mean?
42:33You're just going to throw me away?
42:35I'm not going to throw you away, but this is my house.
42:41I want to back. I hope you'll be gone.
42:44But you can't just walk away from me like that.
42:45I've said everything that I need to say.
42:47Now I'm going to go find the person that I actually care about.
42:54Dorothy, this is all your fault.
43:01Let's take this bitch down.
43:10Do you want to say please?
43:11No.
43:12No.
43:13I was wrong.
43:14I misunderstood everything about you and about us.
43:16Can you please just hear me out?
43:17You think you can just come here and apologise? After everything?
43:18I didn't mean to hurt you.
43:19Look, I understand what I did, but it was just because it was definitely an animal.
43:20Can you please just forgive me?
43:21I don't need your apology Drake.
43:22You looked for a person.
43:23I didn't mean to hurt you.
43:24I didn't mean to hurt you.
43:25Look, I understand what I did, but it was just because it was definitely an animal.
43:27Can you please just forgive me?
43:28Can you please just hear me out?
43:33You think you can just come here and apologise?
43:37After everything?
43:39I didn't mean to hurt you.
43:41Look, I understand what I did, but it was just because it was definitely an animal.
43:45Can you please just forgive me?
43:48I don't need your apology, Drake.
43:50You let me down.
43:52You abandoned me.
43:54When I needed you the most.
43:57You used me.
43:59Manipulated me.
44:00And now you beg for my forgiveness?
44:03Oh my God, please just don't show me out.
44:05I can fix this.
44:06I can fix it.
44:07I can do anything, Dorothy, please.
44:10No.
44:12You were never the person I thought you were.
44:15And I'm not either.
44:17I've moved on.
44:20I don't need you.
44:23You're not like I used to.
44:27Just stay back.
44:29After everything.
44:30Yeah, that's it.
44:31I deserve better than this.
44:43I deserve better than this.
44:44I deserve better than this.
44:48Before you all celebrate this movie, there's something you should know.
44:49Dorothy is nothing but a homewrecker.
44:50What's going on?
44:51Dorothy is nothing but a homewrecker.
44:56What's going on?
44:57A glorified mistress who's been playing the part of a wonderful actress when all she's
44:59really done is really done is ruin lives.
45:00What's going on?
45:01A glorified mistress who's been playing the part of a wonderful actress when all she's
45:12really done is ruin lives.
45:14This is true, Dorothy, you're involved with a married man.
45:16What's your response to Stephanie's claim?
45:17This is ridiculous.
45:21Let's talk about how she got here.
45:23Shall we?
45:24She didn't get here off her talent.
45:26lives. This is true Dorothy. We're involved with a married man. What's your response to Stephanie's
45:33claim? This is ridiculous. Let's talk about how she got here. Shall we? She didn't get here off
45:43her talent. Oh no. She got here by clinging to powerful men. No real experience. No skill.
45:51Just a man's name and a man's money. Security! Get her out of here. Wait. If she has something
45:58to say, let's hear it. Dorothy, it's a trap. I'm not afraid of the truth. Let's see what
46:05she's got. What's going on? So tell us Dorothy, how did you get here? Did you use your relationship
46:16with John Bennett to land the part?
46:34A homework, are you saying? Is there something wrong with me appearing with my own dad?
46:39You're the one who sent me this photo, right? How about you take another one? This time,
46:44of my lovely family of three. Dorothy, Dorothy, Dorothy. Are you really John Bennett's daughter?
46:50Yes. I bet you'll never ask my last name. It's Bennett, by the way.
46:56So Dorothy is the producer's daughter. Dorothy, so did you use your father to get the part?
47:03So it's just nepotism then.
47:10Well even if she didn't fuck her way to the top, she still only got here through her connections.
47:14Whether you like it or not, my performance speaks for itself. And everyone here saw it.
47:19But she was actually really good. Yeah, she handled the mobbing.
47:22Oh, are you saying that everyone here is wrong?
47:24You think you're so clever, don't you? Fine.
47:28You can act a little bit, but let's be real. You didn't land this role on your own.
47:33You just snapped your bony little fingers and let daddy give you a role.
47:37How else would a nobody like you have landed yourself the lead otherwise?
47:42Dorothy isn't just a nobody.
47:46She wrote Liar's Game.
47:49She is SQ.
47:54Dorothy is SQ.
47:56How can that be possible?
47:58Liar's Game is a masterpiece. There's no way you could have written it.
48:01You don't have to believe me. Just let the credit speak for itself.
48:08How can this be true?
48:15Dorothy Bennett, you're the daughter of the producer and the famous writer SQ.
48:19Why did you keep your identity a secret so long?
48:24Why did you keep your identity a secret so long?
48:26Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker.
48:30I'm arresting you on suspicion of defamation.
48:32No, no, no, no. I didn't do anything wrong.
48:34This was all Stephanie's idea. I didn't do anything.
48:43This whole time she was actually telling the truth.
48:46Dorothy's SQ.
48:47She's genius.
48:52That's why she always had a book in her hand.
48:56Always writing something on her laptop, always lost in her thoughts.
49:02Didn't even see her.
49:05Guess I was blind all along.
49:08I don't deserve that.
49:17I've missed this place.
49:31Don't you remember?
49:33Of course I do.
49:34We saw so many films here.
49:37We would just stay in our seats and talk about life and everything.
49:44But you just made me feel like I could face more anything really.
49:47God, I used to be so nervous back then.
49:54About everything.
49:55About the future.
49:59But you just made me feel like I could face more anything really.
50:02No.
50:05Someone had to be there to make sure you didn't ever think everything.
50:09I remember you used to unpick every little detail like it was a life or death situation.
50:13You know, Dorothy.
50:21Life's not been the same without you.
50:22Even when we parted ways, I always knew that we would find each other again.
50:34I don't care what we've been through.
50:37I don't care what's happened.
50:38All I know is that I need you now.
50:44More than ever.
50:52And the award for best adapted screenplay goes to Dorothy Bennett with Liar's Game.
51:09Wow.
51:10Best screenplay.
51:12What, shall I start calling you Your Majesty?
51:15I think that's a great idea.
51:17Why don't I start now?
51:18You deserve this.
51:22Your Majesty.
51:23Every bit of it.
51:25Now, since you won, I think this calls for a reward.
51:31Oh yeah?
51:35And what would that be?
51:38Me.
51:48I think that's a great idea.
51:49I think that's a great idea.
51:49I think that's a great idea.
51:49I think that's a great idea.
51:50I think that's a great idea.
51:50I think that's a great idea.
51:51I think that's a great idea.
51:52I think that's a great idea.
51:52I think that's a great idea.
51:53I think that's a great idea.
51:54I think that's a great idea.
51:54I think that's a great idea.
51:55I think that's a great idea.
51:55I think that's a great idea.
51:56I think that's a great idea.
51:57I think that's a great idea.
51:57I think that's a great idea.
51:58I think that's a great idea.
51:59I think that's a great idea.
51:59I think that's a great idea.
52:01I think that's a great idea.
52:01I think that's a great idea.
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