- 6 weeks ago
A Night of Terror (1937) - Full Movie Uncut
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Short filmTranscript
00:00The End
00:30The End
01:00Still raining cats and dogs. I'm getting all used to it. You can get used to a water in the end if you know it, but it doesn't mean you like it.
01:26I knew it was raining again. My poor corns.
01:32Do you mind, Carol, dear? If I get into your bed, I'm so lonely and chilly in my room.
01:43Oh, no, dear. Get right in.
01:45How are you feeling this morning, Aunt Lou?
01:47Not very well. My poor head.
01:54Yes, my head.
01:56Sure isn't your liver, darling? It was your liver yesterday.
01:58Sorry. Was it?
02:02Maybe tomorrow all your teeth will fall out and you may break a leg. Wouldn't that be wonderful?
02:07Are your breakfasts ready, Carol?
02:09Thanks, dear.
02:09You have no idea how that woman needles me when you are out of sight.
02:16Oh, you just imagine that, Aunt Lou. Kate's a grand friend.
02:21I wish she was in Timbuktu.
02:24Oh, no, you don't. If it weren't for Kate, we couldn't afford this nice little class.
02:27It's all very well for you. You're at a nice, comfortable office all day long.
02:31But I have to stay at home listening to her giving music lessons.
02:34Da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da.
02:48Ah.
02:48I suppose Aunt Lou will be hanging around your neck even after you marry Ronnie.
02:58I can't throw her in the dustbin.
03:00Why not?
03:03Don't let her mess up your married life.
03:05You don't know how lucky you are to get a husband.
03:07I know, Kate.
03:09And I do appreciate Ronnie.
03:12Oh, heavens. I'll be late.
03:15Oh, here. Take this with you.
03:18What do I bring home for dinner?
03:24Mutton?
03:24I'll bleed if you do.
03:26Can't you think of something else?
03:28Liver.
03:29I'd feel it if I were carving into Aunt Lou.
03:33Well, how would you like some lobster, caviar, capon, and champagne?
03:36Get out.
03:44I know. I've had something different.
03:45What?
03:46Mutton.
03:48Carol.
03:51She's gone.
03:53She's escaped.
03:53Ha, ha, ha.
03:55I know.
04:13маленькая.
04:14You are late, Miss Howard.
04:32I'm sorry, Miss Howard.
04:33Why are you late, Miss Howard?
04:36I was looking at a hat.
04:38A hat?
04:39Yes, a hat.
04:40Well, well, on the foundation's time, you were looking at a hat.
04:45I'm sorry, Mr. Turner.
04:46That will be all for the present.
05:10M.B. 42893.
05:18M.B. 42893.
05:21M.B. 4...
05:23Miss Howard, Miss Howard, in your report, would you please include...
05:42Miss Howard!
05:47Miss Howard, well, I...
05:53Well, I...
05:56Cal!
06:06Go on, keep playing.
06:08I'm listening.
06:12What happened?
06:14Been sick?
06:15I'm rich.
06:16I've won a fortune.
06:18Thousands of pounds.
06:20Nine million six hundred thousand pennies.
06:25Oh, come and sit down.
06:27On you, Antler, drive you crazy.
06:28You don't understand, Kate.
06:29Sit down.
06:31Go on, I'm listening.
06:33I won a sweet steak.
06:34No, I know you're crazy.
06:35That local ticket you didn't want me to buy won it.
06:38Don't you remember?
06:39M-B-4-2-6-8-8.
06:43I'm so excited.
06:43I can't remember the numbers.
06:47You look.
06:55I can't believe it.
06:57By the good eye.
06:58But it's true.
07:00Thousands of pounds.
07:02Oh, think of it.
07:04I can't think.
07:05My brain's curdled.
07:07How's that, Miss Meadows?
07:09Oh, wonderful.
07:10Oh.
07:11Oh, marvelous.
07:13Magnificent.
07:14Here, get your hat.
07:17Go home.
07:19And never come back again.
07:20I threw all my money out of the savings bank, and I've been shopping.
07:29Look.
07:31I'm afraid to.
07:32The hat's almost too much.
07:34Now we can do the things we've dreamed about all our lives.
07:37As soon as we collect the money in Paris, we'll go to Switzerland, and then to Venice.
07:42And you can have your new piano and that to eat soon.
07:46And Aunt Lou can have a permanent way to spend the rest of her life in Brighton if she wants to.
07:50Where is she?
07:51Where is she?
07:52Where is she?
07:53Having a bath.
07:54Don't tell her now.
07:55She'll drown.
07:56Things are everything like this.
07:58There is nothing happening to me.
08:01Oh, look.
08:02I'll make a cup of tea.
08:03Peely.
08:05Campaign.
08:06Campaign.
08:07Campaign.
08:07Oh, my God.
08:09Oh, my God.
08:12Oh, my God.
08:16Brighton, now hurry, you'll miss your train.
08:23I do believe you'll care to get rid of me.
08:24Oh, darling, we'll miss you terribly now.
08:26Run along.
08:28Brighton, send us a postcard when you get there.
08:31Be good, but not too good.
08:33Don't push me, dear.
08:35Goodbye, dear.
08:36Goodbye.
08:37Goodbye, Aunt Lou.
08:38Goodbye.
08:38Goodbye.
08:39Goodbye.
08:42Brighton.
08:44There.
08:44The stage is all set for the prodigal's return.
08:47Happy to see him?
08:48Of course.
08:49Do you realize it's been three years?
08:52I wonder if he's changed.
08:54Not Ronnie.
08:55Nothing could ever change him.
08:57He's just good old substantial.
09:01Won't he be happy when he hears the news?
09:06See you later.
09:11Ronnie, don't.
09:12Oh, I'm sorry.
09:13I thought...
09:14This flat's still there, isn't it?
09:17The what?
09:17Oh, oh, yes.
09:18Yes.
09:19Well, may I see it?
09:21The agent didn't tell me anyone was coming.
09:23Oh, I'm sorry.
09:24It's entirely my fault.
09:25I was to have let him know.
09:26If it's inconvenient, I'll...
09:27Oh, no, no.
09:27That's all.
09:28It's quite all right.
09:28Do come in.
09:34This is the hall.
09:37It's all obvious to mark, isn't it?
09:38But there you are.
09:39There's the hall.
09:40Will you...
09:44And this is the sitting room.
09:46Hmm.
09:47Very attractive.
09:49I see you like nice things.
09:53Oh, what a lovely Chippendale.
09:57Did you inherit it?
09:59In a way, yes.
10:01I picked it up one day at an auction.
10:10You won't find the view very amusing.
10:12Oh, yes.
10:14Yes, it's just what I'm looking for.
10:16Is it really?
10:17You see, this is one of the things I've remembered
10:20through all the years I've been away from here.
10:23I've looked upon all the beauties of the world.
10:25The stars mirrored in the Gulf of Corinth,
10:28the cherry blossoms of Japan,
10:29the Taj Mahal,
10:31like an ery dream,
10:34still and cool in the moonlight.
10:37And I've longed for this.
10:40Perhaps because, when I was a boy,
10:43my window looked out
10:44upon the rooftops of London.
10:50And that's just before ambition was realized.
10:53Before wars,
10:55travel,
10:56wealth.
10:56That's why I felt the need
10:58of coming back to it,
10:59of trying to recapture
11:00not youth.
11:02That's impossible.
11:05But the dreams of youth.
11:19Would you care to look at the kitchen?
11:20Is it a nice one?
11:24Quite.
11:25Then I'll take your word for it.
11:27I'm a bachelor,
11:28and I know a lot more about
11:29campfires in the forest
11:30than I do about kitchens.
11:32We have two bedrooms.
11:33I'll show them to you
11:34if you don't mind waiting
11:35just a moment.
11:36Hello, Ronnie.
11:40Shh.
11:42It isn't Ronnie.
11:42It's a man come to look at the flat.
11:44Oh.
11:44Oh, thank goodness
11:45you've cleared up this room.
11:46Well, don't you
11:46I meant to like it out.
11:48I'm just going to pick up the ticket.
11:51When Ronnie comes,
11:52tell him to save a hug for me.
11:53Right.
12:03All set for inspection.
12:04It's very cheerful.
12:09It's a little bit fussy
12:11for a man's room.
12:13Oh, I shall have to
12:15store one of these beds.
12:17Do you mind?
12:17Oh, not at all.
12:18There's a small bedroom
12:19just off the hall.
12:20You could store anything
12:21you didn't want in there.
12:22Yes, I have my trunks
12:23and photographic supplies.
12:25Oh, you're a photographer.
12:26Oh, an amateur one.
12:27It's my hobby.
12:28I'm really a chemical engineer.
12:30I haven't the slightest idea
12:32what that means.
12:33It sounds dreadful as I know.
12:34scientific.
12:34Yes, I'm afraid it is.
12:38Oh, will you excuse me?
12:40There's someone at the door.
12:46Darling!
12:58Let's have a look at you.
12:59Oh, I'm so sorry.
13:08This is my Piausse, Mr. Bruce.
13:10Mr.
13:11Lovell.
13:11Gerald Lovell.
13:12Mr. Lovell, we're looking at the flat.
13:13Oh, how do you do?
13:14How do you do?
13:16Please don't bother about it now.
13:17I do like your flat, though.
13:19I'll drop back again
13:19a little bit later,
13:20if you don't mind.
13:21Oh, not a bit.
13:22Please do.
13:23Bye.
13:36I've got some great news for you.
13:38Well, I have a little news for you myself.
13:41All right.
13:42I'll let you tell me yours first.
13:44Well, I have an awful confession to make.
13:47You know how you've always scolded me
13:48about my vice.
13:50Silly.
13:51You never heard of vice in the world.
13:52The only thing you ever did
13:53was to gamble all your money
13:54and crazy lotteries.
13:55Well, that's it.
13:56My vice.
13:57And it turned into a virtue.
13:58I won a French national lottery,
14:01the grand prize.
14:04Is this really true?
14:06Every word of it.
14:10What's the matter, Ronnie?
14:12Aren't you pleased about it?
14:14Oh, yes, of course I'm pleased.
14:17But...
14:17But what?
14:19Well, it rather takes the wind
14:21out of my sails.
14:22But why, Ronnie?
14:28Well, to come back
14:29and find the girl
14:29one's going to marry with
14:31with an overwhelming fortune.
14:33Well, you can't think
14:34it will make any difference with me.
14:37Carol, can't you see?
14:38I've been working for five years
14:40in the Sudan
14:40with one end in view,
14:42one ambition.
14:43When I got back,
14:44I'd be able to make things
14:45a little better for you.
14:47Now, this has happened.
14:49Everything's so out of proportion
14:50to anything that I could do for you
14:51that...
14:52Oh, Ronnie,
14:55let's forget all about
14:56this silly money business
14:57and just pretend
14:59that you aren't going
15:00to marry a rich woman.
15:02I couldn't bear to lose you.
15:06Who's going to lose me?
15:09You aren't suggesting
15:10that we break our engagement
15:11by any time.
15:13I don't say foolish things
15:14like that,
15:15even in fun.
15:16You see,
15:17I'm a kind of studgy person
15:18and I'm not easily uprooted.
15:21Oh, don't worry about that.
15:22I'll uproot you.
15:24Oh, wait till you hear the plans.
15:27For our marriage?
15:29Of course, darling,
15:30but that...
15:30that comes later.
15:31Let's not be married here.
15:36Let's be married
15:37in some lovely romantic place
15:39like...
15:39like Venice.
15:41First of all,
15:41we go to Paris
15:42to collect the prize money.
15:43And I'm taking Kate along,
15:45you don't mind, do you?
15:47Kate...
15:47Kate's one of us.
15:47And then I thought
15:48we'd dress it all over the continent
15:50all over the world
15:51if we want to.
15:53You're not including me
15:54in this, are you?
15:54Of course.
15:56Well,
15:57I have to be at the office
15:58on Monday
15:58to take over my new job.
15:59Let them wait.
16:01Let who wait?
16:02All the heads
16:03of the cotton company
16:04wherever they are.
16:05Now, Carol,
16:06be sensible.
16:07I'm not going to chuck up
16:08a job that's taken me
16:09practically all my life
16:09to get.
16:10Why not?
16:14I'm sorry, Ronnie.
16:15I didn't mean
16:15to put it like that.
16:16but I only wanted you
16:18to realize
16:18that you don't have
16:19to keep your nose
16:20to the grindstone
16:20any longer.
16:21What I have
16:22is yours, naturally.
16:24No, it isn't, Carol.
16:25I'm glad you've got it,
16:26but...
16:27But what?
16:28Well,
16:29I just can't get used
16:30to the idea
16:30of you taking me
16:31on our honeymoon.
16:33Do you have to go to Paris?
16:34Well, naturally.
16:36Couldn't Kate go for you?
16:37No, I have to be there
16:38myself on Monday.
16:41When do you come back?
16:43I don't know.
16:45Well, what do you mean
16:45you don't know?
16:47I'd like to see
16:48a little something
16:48of it after I'm there.
16:51Surely you can't expect
16:52me to have a chance
16:52like this for the first
16:53time in my life
16:54and not take advantage
16:55of it.
16:57No, I suppose not.
16:59And Evelyn.
17:00I've always dreamed
17:01to see Evelyn.
17:03The gulf of Corinth.
17:05The cherry blossoms
17:06in Japan.
17:08The colors in the house
17:09in the moonlight.
17:11The colors
17:12feel like an eerie dream.
17:13It's all very well
17:17for you, the life.
17:18You've seen things.
17:19You've traveled.
17:20Yes, I've been
17:21to the filthy Sudan.
17:22You call that traveling?
17:24No eerie dreams there,
17:25Carol.
17:25Well, I was perfectly
17:26willing to go there
17:27with you when we were
17:28first engaged.
17:29Thank heavens I had
17:29sense enough not to take
17:30you.
17:31You'd have loathed it.
17:32I wouldn't loathe anything
17:34out of the ordinary.
17:35I'm fed up with
17:36routine and grabness.
17:38Daily life, all cut out
17:39of the same pattern.
17:41I want something exciting,
17:42something, oh, something
17:44new and interesting
17:45and romantic.
17:47The trouble with you is
17:48this money's gone to your head.
17:49Oh, stop it, Ronnie.
17:51Just because your stubborn
17:52mind can't move out of
17:53the narrow little cell
17:54in which it lives,
17:55you can't see anyone
17:56else's point of view.
17:58You're unfair.
17:59You've spoiled everything,
18:00but I'm glad I found out
18:01about it in time.
18:02Well, I'm glad, too,
18:03if that's the way you feel.
18:22Oh.
18:23Did I call him back?
18:26Oh, no, no, it's, uh,
18:27there wasn't anything
18:28important.
18:28You just left
18:30in rather a hurry
18:31and I want you to come in.
18:41And Ronnie!
18:44I'm so glad to see you.
18:46Hello, Kate.
18:47Have you seen Carol?
18:49Yes, I've seen her.
18:51Well, what's the matter?
18:52Oh, all this
18:53rotten money business.
18:54It's ruined everything.
18:55Go on, you two have
18:57scrapped ever since
18:58you were kids.
18:59Go back there.
19:00Take her in your arms.
19:01Tell her your side.
19:09No.
19:10I see.
19:11Big he-man stuff.
19:13Want to make
19:13the little girl
19:14crawl on her hands
19:15and knees to you.
19:18All right, Ronnie.
19:20It's your funeral.
19:21Oh.
19:21If you're only going to be
19:29away about six weeks,
19:31it seems hardly worth my
19:32while taking the flat.
19:34But, uh,
19:35I'll think it over
19:36and telephone you.
19:38The number is
19:38Bayswater, 609-3.
19:41The name is
19:46Miss Howard.
19:47Miss Carol Howard.
19:50Do you mind
19:50if I, uh,
19:51if I make a note of it?
19:53Not at all.
19:55Oh, not,
19:56not that I'll forget it,
19:57but I, uh,
19:58I make a complete record
20:00of everything I do
20:00in this little book.
20:02Oh.
20:03What are you putting down now?
20:08Dinner tonight
20:09with Miss Carol Howard.
20:11Oh, really?
20:12I'm sorry,
20:13but I'm,
20:14I'm leaving for Paris
20:15first thing in the morning.
20:16Tonight I'm...
20:17Of course.
20:20You'll be dining
20:21with your fiancée.
20:28Thank you, Miss Howard,
20:29for showing me the flat.
20:33How do you do?
20:58Who's the bloke?
20:59That's the man
21:00who came to look
21:00at our flat yesterday.
21:02Did you ask him
21:02to go to Paris with him?
21:04Well, why is he following me?
21:05Don't be absurd.
21:07Did he know
21:07you won the lottery?
21:09No, and if he did,
21:09it wouldn't mean anything.
21:10He's a very rich man.
21:11Well, then why was he
21:12looking at our little
21:12two-by-four flat?
21:13He liked the view.
21:15Probably won't even speak to him.
21:17I'll give him
21:18ten minutes by the clock.
21:25Now that you've met
21:25Mr. Lovell,
21:26what do you think of him?
21:27I don't think.
21:29He's really good-looking,
21:30isn't he?
21:31So is a halibut.
21:33Oh.
21:34Why did I bring that up?
21:36Well, you must admit
21:37he has beautiful manners.
21:38Never trust a man
21:39with beautiful manners.
21:41He's just annoying me.
21:43Would you like him better
21:44if he walked right up
21:44and sucked you in the nose?
21:46If he did,
21:47I might go baddie about him.
21:49Feeling better,
21:50Miss Meadows?
21:52Never felt better
21:52in my life.
21:53Good.
21:54I've brought you
21:54some hot chocolates
21:55and whipped creams
21:56and toasted sardines
21:57and a little French pastry.
21:59Excuse me.
22:01Good job.
22:09Alone at last.
22:11Oh, that was a filthy trick.
22:13Poor Kate.
22:16Nice to see you again.
22:18It's rather than a surprise.
22:19Not for me.
22:20Really?
22:21Did you find your flat
22:22with a view?
22:23Oh, yes.
22:23I found the flat.
22:25But the view
22:25took a boat to Paris.
22:28What about all that
22:29serious work
22:30you were going to do?
22:31Well, as I've already confessed,
22:32I can't work
22:32without inspiration.
22:34So that's why
22:34you're going to Paris?
22:36It's Farming City,
22:37isn't it?
22:38You know,
22:39I've never been there.
22:41Never?
22:41No.
22:42Oh, I'd like to show you Paris.
22:44The Paris that I know,
22:45not the shoddy Paris
22:46that all the tourists see.
22:47Oh, thanks.
22:48That's awfully kind of you,
22:49but you know,
22:49Kate has a marvelous guidebook.
22:52Guidebook?
22:53I'm talking about
22:54strange,
22:54out-of-the-way places
22:55and wild,
22:57exciting nights
22:58ending up with
22:59onion soup
23:00in the market.
23:01Kate and I
23:01will certainly
23:02have to do just that.
23:03Pardon me, madam.
23:04The lady hanging
23:05over the rail down there
23:06says she's going to die
23:07or has died.
23:08She's not sure which.
23:09And would you mind
23:09coming down for a moment?
23:13Coming back?
23:14Well, I'll, um,
23:14I'll have to be back
23:15for my coat.
23:16Come on, I'll have to be back.
23:26Come on.
23:29Come on.
23:33Good evening, Mr. Robert.
24:00Your table is quite very good.
24:03Come on, let's have a drink.
24:16Oh, hello.
24:17They were wonderful, Napoleon Brandy, but I don't trust them.
24:19Here.
24:20Yes, sir.
24:21Let's take a trip to the cellar.
24:23I want to take a bottle out for myself.
24:25Order something while I'm gone, will you?
24:27Oh, must we eat again?
24:28Yes.
24:29Oh, my stuff already.
24:31You just handed your heart to this fellow on a silver platter.
24:34Did I bow when I handed it to him?
24:37Bow?
24:38Scraped and cursed.
24:39Oh, and I thought I was being so alone.
24:42Just about as a loop as a friendly dog.
24:44Oh, that isn't what worries me, Kate.
24:47What I want to know is, do you see any silver platters coming in my direction?
24:50I see him bringing you the family place.
24:53You do like him.
24:54I'm just crazy about him.
24:55He's certainly got there whatever you call it.
24:57You know, Carol, I think I'd better be trotting back to London before this affair turns into a triangle.
25:02I know.
25:05I know.
25:08You have to turn into a triangle.
25:11You have to turn into a triangle.
25:14You have to turn into a triangle.
25:16Hello.
25:20Hello.
25:22Hello.
25:24hello hello Ronnie what in the world are you doing in Paris oh I can't see Ronnie because
25:38well well maybe you'd better come up and then I can explain right
25:54hello Ronnie hello Carol I'm sorry to dash in you like this but I really have to see you come in
26:14thank you
26:14bit different from the old flat in Bayswater isn't it well it is a bit are you enjoying this new life
26:26to the full I've been miserable without you
26:32oh Ronnie I don't know how I'm going to say this to you I think I know what you're trying to tell
26:44me you think you're in love with this chap is that it believe me Carol you're living in a fool's
26:53paradise you don't belong to this world of tinsel why look at this sweet
26:57it's simply fantastic and it's luxury maybe all right for a few days but you're not the type
27:04to live this way letting a fella like love will make you think that this and all that goes with
27:08it is reality oh poor darling you can't let yourself get carried away by someone you don't know
27:14especially this kind of a scoundrel how dare you say that you don't know anything about him
27:21neither do you Carol don't be such a trusting little girl all your life
27:25unbelievable
27:28do you see something symbolic about this aquarium
27:42look at those golden beauties gliding with vain contentment through the crystal waters
27:48completely oblivious to the fact that to the world they're nothing but poor fish
27:53Ronnie I think you've got a darling come back to England with me before you're disillusioned
27:58and unhappy this fella's nothing more than a than a fortune hunter well now stop it I won't hear
28:04another word again but you must Carol I've checked up on him all these yarns he told you and Kate
28:09about his South American oil company they're true they're not true there is such a company but they
28:13never heard of Lovell they never even heard of him at the school he was supposed to have gone to
28:17or at any hotel that he was supposed to have stayed at frankly I got so worried that I
28:21I turned the entire case over to Scotland Yard
28:23you what they'll soon get a line on him
28:28oh Carol come back with me don't get carried away by this foolish romantic whim
28:33will you please leave
28:35but Carol I just
28:37hello Bruce surprised to see you here
28:41darling to be quite frank Ronnie came here to rescue me from you
28:49he had so much to say on the subject he really didn't give me a chance to tell him
28:54that we were married this morning
28:56oh I am sorry Ronnie I wanted to tell you quite differently
29:11I know how you must feel
29:25I couldn't have taken it as well as you have
29:27you see I
29:29I happen to love Carol myself
29:32so I can sympathize
29:34oh darling I'm so sorry that had to happen
29:55I'm glad he came
29:56I want you to be sure
29:59very sure
30:02very sure
30:02it was my fault
30:09rushing into a marriage like this
30:11but I love you and that's my only excuse
30:16Carol
30:19Carol you should take time to think it over
30:23even if you want the marriage dissolved
30:33I'd understand because
30:35I do love you
30:39and I always shall
30:42go
30:58This is Mrs. Lovell's suite, madam.
31:17Hmm.
31:18Royal plush.
31:19Can't be looking out on Hyde Park.
31:21Hmm.
31:22Depends into my blood.
31:23Don't you think Carol should be here to meet us?
31:25Not at all.
31:26She'll pop up any minute.
31:28Doesn't seem very glad to see us after all this time.
31:31She will be so sorry about this pain in my side.
31:35Which side?
31:36The left.
31:37Aha!
31:38It was right last night.
31:40Well, the pain can float, can't it?
31:43Don't go telling Carol your troubles.
31:45Maybe she's got troubles of her own.
31:47What do you mean?
31:49Doctor.
31:50You're not letting Ronnie turn you against Gerald, are you?
31:54I don't know.
31:56I've been doing a lot of thinking lately.
31:58Perhaps I made a mistake leaving Carol alone with him.
32:02If I'd have stayed there, she might not have married him.
32:05Then you are worried.
32:06I suppose I am.
32:08I'll know more about it when I see Carol.
32:11And if I find she's not happy...
32:13Ah!
32:14I'm afraid you'll find Carol ridiculously happy.
32:19Hello, Kate.
32:20Hello, Gerald.
32:21Nice to see you again.
32:25I suppose this is my Auntie Lou?
32:27How stupid.
32:28She can't answer.
32:29Mm-hmm.
32:30She's got to get rid of the Adam's apple.
32:32It was Kate who said those awful things about you.
32:34Not me.
32:35I didn't open my mouth.
32:37I don't blame Kate.
32:38She's a good friend and she's Carol's interest at heart.
32:41Won't you, uh...
32:42Won't you sit down?
32:43Darling.
32:44Aunt Lou.
32:45And Kate.
32:46Oh, Carol.
32:47Now you are looking fit.
32:48She has a pain in her side.
32:49Which side, dear?
32:50It will...
32:51It floats.
32:52Carol, darling.
32:53Kate's got a pain, too.
32:54Really?
32:55In her heart.
32:56She's been worrying about you ever since our marriage.
32:57Oh.
32:58Oh, Kate, I've had two months as heaven.
32:59Oh, I'm glad.
33:00I did want to get you.
33:01You're going to get me.
33:02And you're going to get me.
33:03You're going to get me.
33:04I'm going to get me.
33:05You're going to get me.
33:06You're going to get me.
33:07I'm going to get me.
33:08You're going to get me.
33:09You're going to get me.
33:10You're going to get me.
33:11I've had two months as heaven.
33:12Oh, I'm glad.
33:13I just wanted to check up on Gerald.
33:15I wanted to see if he was doing right by R&L.
33:18Oh.
33:19Oh, excuse me.
33:23Yes.
33:26It's for you, darling.
33:27Tell me about the house, I think.
33:28Well, I'll answer it in the next room.
33:29Right.
33:30Will you put this call on the other telephone, please?
33:34Sit down, darling.
33:35We'll have tea up here.
33:37Let me look at you, Carol.
33:39Have I changed?
33:40No.
33:41But Gerald has.
33:42I don't think he's looking so well.
33:44He isn't, Kate.
33:45I'm worried about him.
33:46He had a heart attack in Venice.
33:48It was really quite frightening for a moment.
33:50You see, he was rather badly hurt in the war.
33:53Sometimes he gets the most dreadful pressure in his head.
33:56Yes, yes.
33:57All right.
33:58I'll take care of it.
34:04So, that's why we're buying a house in the country.
34:06Gerald must have quiet and seclusion.
34:08Besides, he has a lot of important work to do.
34:11Where are you buying the house?
34:12In Kent.
34:13Old Gerald says it's a duck of a place.
34:14About ten acres.
34:15No prying neighbors.
34:16It's an old house.
34:17Haven't you seen it?
34:18No.
34:19He wants to keep it a surprise.
34:21Sounds a delightful place to spend a weekend.
34:27How's Ronnie?
34:28Still pretty broken up.
34:30Poor darling.
34:31Of course, you can see now, Kate.
34:32There's nothing but jealous.
34:33I suppose so.
34:34Hmm?
34:35Oh, come in.
34:36Don't order much for me, dear.
34:37My doctor has put me on a strict diet.
34:38Can you have to eat?
34:39Hmm?
34:40Assorted sandwiches?
34:41Hmm?
34:42And a little hot muffin.
34:43Oh, yes.
34:44How about some pastries?
34:45That sounds very nice, dear.
34:46Now, you order whatever else you like.
34:47I'm going to go and take off my bonnet.
34:48Waiter.
34:49Have you got those little merengi things?
34:50Mm?
34:51The chocolate, and the cream, and the cherries on the top.
34:53Gerald.
34:54You can open.
34:55Do you want me to go for sure?
34:56Don't go to this.
34:57Yes, sir.
34:58The chocolate.
34:59Oh, well, here you go.
35:00Oh, my dear.
35:01I'm going to go for all my beer.
35:02I'm going to get a good one.
35:03Thank you so much for me, dear.
35:04My doctor has put me on a strict diet.
35:05Can you have tea?
35:06Mm?
35:07Or a little hot muffin?
35:08Oh, yes.
35:09How about some pastries?
35:10That sounds very nice, dear.
35:11Now, you order whatever else you like.
35:12Gerald, darling, what's the matter?
35:19Are you ill?
35:22No, dear, it's nothing. Don't be alarmed.
35:24Well, has something gone wrong?
35:26No, no, really. Nothing at all.
35:31Kate didn't say something that hurt you.
35:34Oh, I...
35:35I suppose I shouldn't blame her.
35:38Uh-oh.
35:39It's only that she's so fond of me.
35:42And now that she sees how happy I am...
35:43Of course, dear, I understand.
35:50Darling, what is troubling you?
35:53Couldn't you get the house?
35:55Oh, yes, we can get it, but...
35:56Oh, but what, dear?
35:58That was my solicitor on the telephone.
36:00Oh, I thought he said it was the agent for the house.
36:01No, no, dear, you misunderstood. It was my solicitor.
36:05Bad news?
36:07Yes, rather.
36:09They're holding up my South American bank draft.
36:12May not be straight without the day.
36:14Oh, is that a lot?
36:16Well, that's enough, isn't it?
36:18Oh, darling, I was afraid it was something perfectly dreadful.
36:20If that's all it is, well, I can do something about that.
36:24No.
36:25No.
36:26Now, you mustn't have such a silly, false pride.
36:32You can't mind if I help.
36:35Oh, Carol, you're a sweet person.
36:38Now, never let's discuss this again.
36:40What's yours is yours.
36:42And what's mine is also yours.
36:44Is that quite clear?
36:46If I'm forced to borrow 5,000 pounds for the house,
36:49understand it's a business agreement,
36:51and I'll pay you interest.
36:54I demand my interest in advance.
36:57Please, may I collect right now?
37:04Now, for the first part of this foolish agreement,
37:06I'll have you a signature to a paper.
37:08Certainly.
37:09What is it?
37:10Oh, something in connection with the purchase of the place.
37:12It's full of the brits to whom's,
37:13whereas it's whomsoever's,
37:14and a few parties of the first part.
37:16Oh, where do I find it?
37:17There they are.
37:17Aren't you going to read it?
37:19Have you read it?
37:20Of course, I never sign anything I don't read.
37:21Is it all right?
37:22Of course.
37:23Then why should I bother to read it?
37:29One more, dear.
37:41Have you with it?
37:43Delighted.
37:44You are, darling.
37:47Here they come, Uncle George.
38:08Here they come.
38:10It's coming up the drive now, it is.
38:11Yes, dear.
38:12I'll run and let them in, I will.
38:13You know, my girl,
38:14you want to do nothing in the short way.
38:15You're too excited.
38:17You're all of a tremble.
38:18Well, you might go and mutter or stuttle.
38:20Fall over yourself or something.
38:21You'll take this trash into the kitchen.
38:23Miriam, what are you doing with them flowers?
38:24Here we are.
38:26Home.
38:29Oh, Gerald, it is lovely.
38:32It's all peaceful, isn't it?
38:33Not a neighbor for miles.
38:35No cars, no telephones.
38:37In other words, the simple life.
38:39Will you bring the luggage in this way, please?
38:41Good luck.
38:42Oh, Gerald, you must have had something now.
38:50Oh, this is Emmy, Hobson's niece.
38:53I thought I'd keep her on, too.
38:54How do you do, Emmy?
38:55I do very nicely, ma'am, except on ironing.
38:58I ain't so awful good at ironing.
39:00Emmy's a good girl, ma'am, but she ain't so bright.
39:04Would they be down here, sir?
39:05Yes, please.
39:07No.
39:08Sir, thank you very much.
39:09Take the things upstairs, and you want to?
39:10I'll show you where to put them together.
39:14I'm beginning to feel at home already.
39:19You happy?
39:28I'll be back in a moment.
39:29Are you married, ma'am?
39:38Why, certainly, Annie.
39:40Well, I didn't know.
39:41You act so daffy about him.
39:45Well, we're still on our honeymoon.
39:47Perhaps that explains it.
39:50I never expect to get me a man.
39:52Mr. Uncle George Hobson says I ain't quite bright.
39:58But I'm willing.
40:02Well, everybody, will you see us and get us a cup of tea, please?
40:04Oh, yes.
40:05Yes.
40:05Oh, sir.
40:15I'm sorry.
40:16I quite forgot to tell you a parcel arrived for you this morning.
40:19No?
40:19Well, where did you put it?
40:21Why, in the cellar, sir.
40:22I told you to keep out of there.
40:24No one is to go into that cellar but me.
40:27No one.
40:28Why?
40:30Oh, oh, Carol, I was just explaining to Hobson.
40:33The cellar is my own private property.
40:37My dark room for photographs and experiments.
40:40So I shall have chemicals and things that are dangerous.
40:44Oh, please don't go blowing us up with a lot of old chemicals.
40:47I'm much too happy to want to die just yet.
40:50Don't worry.
40:51I'll be very careful.
40:53Hobson, you haven't shown Mrs. Lovell your garden.
40:58Thank you, sir.
41:00I'm afraid there isn't very much to show you, Baron.
41:04But what there is of the flowering smoke that I left now...
41:07Oh, it's a lovely garden, Hobson.
41:35Oh, I don't know.
41:36I'll see him run down a bit.
43:05Gero?
43:06Gero?
43:07Gero?
43:08Gero?
43:09Gero?
43:10Gero?
43:11Gero?
43:12Gero?
43:13Gero?
43:14Gero?
43:15Gero?
43:16Gero?
43:17Gero?
43:18Gero?
43:19Gero?
43:20Gero?
43:21Gero?
43:22Gero?
43:23Gero?
43:24Gero?
43:25Gero?
43:26Gero?
43:27Gero?
43:28Gero?
43:29Gero?
43:30Gero?
43:31Gero?
43:32Gero?
43:33Gero?
43:34Gero?
43:35Gero?
43:36Gero?
43:37Gero?
43:38Gero?
43:39Gero?
43:40Gero?
43:41Gero?
43:42Gero?
43:43Gero?
43:44Gero?
43:45Gero?
43:46Gero?
43:47Gero?
43:48Gero?
43:49Gero?
43:50Gero?
43:51Gero?
43:52Gero?
43:53Gero?
43:54Gero?
43:55Gero?
43:56Gero?
43:57Gero?
43:58Gero?
43:59Gero?
44:00Gero?
44:01Gero?
44:02Gero?
44:03Gero?
44:04Well, where did you come from?
44:06Gero?
44:07Go on.
44:08Go on.
44:09I like it.
44:10I know you can play the piano.
44:12You've been keeping secrets from me.
44:13Don't stop.
44:14I want to hear it.
44:15I like that thing you were playing.
44:16I like it because it's fun oh heaven I can't play one try try I don't even know
44:46I'll have to get to a mechanical piano or a gramophone I have a portable
45:14gramophone downstairs I played a great deal while I'm working excites my mind quickens my thoughts
45:20makes my head spin reminding me of the war of a of a dawn standing in cold terror in the trench
45:28then in the barrage creeping up shells freaking exploding as to cut a rhythm coming closer
45:38closer and suddenly the noise changes into music turning my first terror into ecstasy
45:48yes I thought you might like some of these marron they smell the house up nice like
45:59oh thank you hobson they are sweet oh hobson I uh I found you pick in trouble
46:12did he so where were they in the cellar and you have I been blaming them gypsies
46:19are the gypsies about oh worship fleas they come down to the village every year for the fair
46:26fair fair when is the fair this year on september the fifth september the fifth yes oh thank you
46:35hobson good afternoon moment thank you what now september the fifth oh is it the fair nine o'clock
46:47why nine o'clock
46:50that's the hour the hour we go to the fair
46:56mm-hmm when we go to the fair
47:00oh
47:01oh
47:04oh
47:04oh
47:04oh
47:04oh
47:04oh
47:04oh
47:04oh
47:04oh
47:04oh
47:04oh
47:05oh
47:06oh
47:06oh
47:06oh
47:06oh
47:06oh
47:17oh
47:36oh
47:37oh
47:38oh
47:39oh
47:40I'm sorry it was it was misunderstanding but I'm naturally sensitive about borrowing
47:47money especially
47:48take out that little book why I want you to write something in it
48:02now put down today we had our first and last quarrel I adore my wife do you and I've got
48:15a present for her a present mhm what is it
48:23oh
48:28oh
48:30oh
48:32oh
48:33oh
48:33oh
48:33oh
48:34oh
48:34oh
48:34oh
48:35oh
48:35it's nothing very much it's got a sentimental value attached to it
48:38wait a minute i'll i'll show you height's warm
48:39oh
48:40oh
48:40oh
48:40oh
48:41oh
48:42oh
48:43oh
48:43oh
48:44oh
48:44oh
48:45oh
48:45oh
48:45oh
48:46oh
48:46oh
48:47oh
48:47oh
48:48oh
48:48oh
48:49oh
48:49oh
48:50oh
48:50oh
48:51oh
48:51oh
48:52oh
48:53Excuse me, ma'am.
48:57You nearly chopped me.
48:58Sorry.
48:59What happened?
49:02Oh, look so pretty.
49:04Got me all fuddled inside.
49:06That's all right, Emmy.
49:12Don't let anyone disturb I have this.
49:16Not that noisy Kate, nor Auntie Lou, nor anyone.
49:19I'll do my very best to keep them all away.
49:53I'll do my best to keep them all away.
50:23I'll do my best to keep them all away.
50:53I'll do my best to keep them all away.
51:00Get out!
51:03Get out!
51:06Get out!
51:07Get out!
51:08Get out!
51:09Get out!
51:10Get out!
51:12Get out!
51:13darling darling forgive me it startled me so I I didn't know what I was doing
51:37let go of me there let go please dearest please let me explain I was so absorbed in my work
51:47it's my nerves they're almost at the breaking point I didn't realize at first that it was you
51:54standing there in the doorway like a ghost yes a ghost
52:01I'll never forget the way you look like a mad thing
52:08oh Carol Carol beloved don't go away for me don't you see that I'm ill
52:17seriously oh I don't know what it is something inside my head burns and tortures me
52:31that reaches down into my heart twisting and tearing it
52:36don't be alarmed it's nothing just one of those attacks
52:58they go as quickly as they come it's almost gone now
53:06Gerald you must let me send for a doctor no no they're all they're all quacks I've tried
53:17specialists all over the world they they've never done never done a thing for me darling
53:20if you love me you'll let me send for one another love you you don't know what you need me
53:27my happiness my life I need you Carol never leave me darling never
53:37no I won't
53:42I won't
53:45oh I'm so thrilled to see you I began to think I had smallpox or something not being invited here
54:00till 11th hour well then now Lou explain yeah she told me Gerald had been ill but you know how
54:05straight she gets anything like a corkscrew well Gerald is ill as a matter of fact the doctor's upstairs with him now oh but
54:13Aunt Lou said he wouldn't even see a doctor I made him it's only the village doctor but he has a fine reputation and I just had to know that Gerald is well enough to travel tomorrow
54:21oh what are you after only Gerald knows oh come along and I'm dying to talk to you oh Carol listen
54:29Ronnie's outside what he drove me down he wants to say goodbye to you God see him
54:36but from Gerald oh I'll deal with the old dragon I'm not afraid of him
54:41oh that's silly of me of course Gerald will understand and he isn't an old dragon
54:45you go along out and bring Ronnie in I'll get any started with the team oh I'm so glad to see you
54:53Emmy
54:56what ever in the world are you doing up there didn't you hear the front door down there
55:02oh I didn't hear ma'am you thought it was all on the fair tonight I heard that you sit down on the road
55:07well you'll have plenty of time for that later Emmy I want you to get tea for three please
55:11oh the master said I could go home early now now he gave me 10 shillin the master gave me yes above my
55:18wages 10 shillin to go to the fair tonight and he said not to bother to come back in the morning
55:22because you won't be leaving me well it's the first I've heard of all this Anna oh oh well please ma'am
55:31shan't I come oh I got everything ready for your dinner oh of course it's all right just put on the
55:39kettle and then you can go oh thank you and you will take good care of things how we're away
55:44oh that I will you let me know when you'll be coming back yes we'll give you a good warning
55:48about that goodbye hello Ronnie oh well well well now let's get all these formalities over so
56:04we can all be ourselves well first of all Ronnie wants to know if you've forgiven him for the way
56:08he acted that night in Paris oh of course I have oh well now we're getting on oh the next thing he
56:14wants to tell you that they didn't find out anything at Scotland Yard so he told them to drop the
56:18investigation I wonder if there's anything else okay I can do my own explaining I know you can but
56:24you take so long we've got a lot to talk about haven't we Carol well I should like to apologize to
56:29gentlemen there's no need to apologize he understand besides he'll be down in just a
56:34minute soon as the doctor leaves I do want you to be friends goody-goody now all that's settled so
56:40let's sit down and relax
56:41it's a pack of lies I'm afraid it isn't I found the definite myocardial condition
56:55you're a quack like all the others a pulse doesn't lie yours is 120 I wouldn't advise you to get too
57:07excited about anything to overexert yourself in any way it's no use prescribing I don't believe in
57:15that sort of thing I'll leave them here they might relieve the pressure in your head I tell you nothing
57:21you can relieve it nothing I
57:34interested in criminology hmm oh yes I am you'll find some remarkable cases in that book
57:43I've made quite a study of crime myself happen to have this book in my own library just published
57:48picked it up only the other day really did you what do you think of the fletcher case
57:55extraordinary wasn't it three women must have been pretty relentless or mad he could have been mad you
58:02know oh undoubtedly he was mad then how do you come for his brilliance escaping the law turning up here
58:09there they are there everywhere hello where's pletcher's photograph photograph
58:14I don't think I've ever seen a photograph of him I'm positive there was one in the book
58:20no no nothing here there's one in my book at home I'll bring it round someday I was forgetting you're leaving in the morning
58:34oh well I can see it when I get back
58:38I've always been rather interested in fletcher what type of man is he his appearance
58:45fairish sandy type weird moustache if that heart of yours cuts out again level take some of those pills
58:54they won't kill you
58:56you
58:58you
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