00:00The Mexican artist who painted her own reality, Frida Kahlo.
00:05One of Mexico's most iconic painters forged her art from pain and loneliness.
00:11With nearly 150 works, half of them self-portraits, she used painting as a form of therapy.
00:18I painted my own reality, she stated.
00:21Her work was a way to exercise the pain that tormented her.
00:25When you look at her, her penetrating and defiant gaze reveals a woman who, by her fractured body, refused to be a victim.
00:34One of her most famous works, The Two Fridas, painted in 1939, is a powerful testament to her anguish after her divorce from Diego Rivera.
00:43In it, to Frida's hold hands.
00:46One, dressed in a traditional Tejuan costume, represents the Frida loved by Diego.
00:51The other, in a European-style dress, embodies the pain of abandonment.
00:57Their hearts are connected by a vein, a symbol of the broken bond with Rivera.
01:02This duality of her being united by self-sufficiency gave her great strength.
01:08In 1944, Kahlo created The Broken Column, one of her royest works.
01:13She shows herself with her torso open, revealing a shattered ionic column in place of her spine.
01:19Her body, covered in nails, represents her constant suffering.
01:25But her stoic gaze shows us an unbreakable resilience in the face of adversity.
01:31Another self-portrait filled with symbolism is self-portrait with thorn necklace and hummingbird.
01:36From 1940, Kahlo is shown with a thorn necklace that evokes the crown of Christ.
01:41From it hangs a black hummingbird, a symbol of bad luck in love.
01:45A monkey, a gift from Rivera, represents betrayal.
01:48And a black cat death.
01:51However, the butterflies in her hair symbolize resurrection and the hope of a new beginning.
01:58Frida's art, in this sense, is an encrypted language of her soul.
02:03Although surrealism theorist Breton considered her one of the most prominent exponents of his movement,
02:08Kahlo firmly rejected this label, declaring,
02:11I never painted my dreams.
02:14I painted my own reality.
02:16Instead, her work aligns more with magical realism,
02:20a Latin American movement that fuses the everyday with the fantastic.
02:24In her paintings, physical pain and reality are mixed with symbolic elements,
02:29creating a magical reality intrinsic to Mexican culture.
02:33Thus, Kahlo positioned herself not as a follower of European art,
02:38but as a pioneer of a Latin American artistic tradition.
02:41in her footprints,kin sociedogue in the fabric of oralções.
02:42In her spirit, she lived withreek by Jungfals,
02:43in her act, in her spirit.
02:44I however called,
02:45なく her adult parenting to a...
02:45in her clinic and her ex-menuctor.
02:47She lived with an educative Sal。」
02:48She lived with a rocksland,
02:48and asked for questioning.
02:50She lived with anMarORA so did notúsica,
02:50in her voice,
02:52She lived with an adult video,
02:53in her b- producto of the same worker,
02:54she lived with a family member,
02:55and I was 25 women,
02:58in her 잠' sonora.
02:58She lived with him
03:07with an adult warrior,
03:08she lived with an adult- prone cep family,
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