- 2 months ago
The Murder Mansion (1972) - Full Movie Uncut
Category
🎥
Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:29CastingWords
00:01:59CastingWords
00:02:29Oh, my God.
00:02:59Oh, my God.
00:03:29Oh, my God.
00:03:59Oh, my God.
00:04:29Oh, my God.
00:04:59Oh, my God.
00:05:29Oh, my God.
00:05:59Oh, my God.
00:06:29Oh, my God.
00:06:31How'd you make out?
00:06:33Badly.
00:06:34He's one of those rotten people who thinks he owns you just because he gives you a ride.
00:06:38Well, I'm sure you were able to handle it.
00:06:40Temporarily.
00:06:41It's bound to get harder if we go any further.
00:06:43It's bound to get harder if we go any further to him.
00:06:44He's waiting for me outside.
00:06:45Well, we'll keep him waiting, then.
00:06:48As long as you don't mind riding in the open.
00:06:50Okay.
00:07:02Okay.
00:07:02Okay.
00:07:02Okay.
00:07:02Okay.
00:07:02You feel up to it?
00:07:03Sure.
00:07:04I trust you.
00:07:04Just a minute.
00:07:05This young lady.
00:07:06This young lady is riding with me.
00:07:08Not now.
00:07:09You're wrong.
00:07:10She's getting in my car.
00:07:11That's what you think.
00:07:14What do you say?
00:07:16I'm coming with you.
00:07:20I'm telling you, for your own good, something will happen.
00:07:22Go to hell.
00:07:42Look.
00:07:42They've got guests.
00:07:43The usual nobodies will think they're somebody.
00:07:56Well, there's two.
00:07:57Need a card.
00:07:57She's the widow of Elsa's lawyer.
00:07:58Gossip.
00:07:59It's true.
00:08:00Parasites.
00:08:01All they do is live off others and never say anything pleasant.
00:08:04I don't think you're being fair.
00:08:06Who's he?
00:08:08He's a lawyer's partner who married his widow.
00:08:11It's true.
00:08:12Some men will do anything.
00:08:13In order to further their careers.
00:08:15Give me a card, will you, Maggie?
00:08:16There's no doubt they're enhancing our reputations.
00:08:22In any case, he's looking after Elsa's affairs now.
00:08:26Go on.
00:08:27I want to know why Elsa's husband isn't here.
00:08:29He's away on a business trip in Soren.
00:08:32Poor old Ernest.
00:08:34How I must hate being a runaround for a businesswoman.
00:08:36Soon, I know I'd love it.
00:08:44Yes?
00:08:45Elsa?
00:08:46Ernest.
00:08:47What's happening?
00:08:49I'm expecting you.
00:08:50My lawyer's here already.
00:08:51You're still up in Soren.
00:08:53Ernest, but that's absurd.
00:08:55There's nothing I can do, Elsa.
00:08:57The lawyer's away, apparently, on some very personal matter.
00:09:01And he won't be back until late tonight.
00:09:04Then I suppose you'd better wait.
00:09:05It's important to authenticate that signature.
00:09:08If we don't present the document tomorrow, we lose the option.
00:09:10All right.
00:09:11See you later.
00:09:22We're here in Soren.
00:09:25It's about 60 kilometers from Millen.
00:09:28You'll do that in an hour, easily.
00:09:31What should we do?
00:09:32Stop here for the night?
00:09:33Or keep right on going?
00:09:34I'd prefer to go on to Millen.
00:09:37I would, too.
00:09:38It's getting rather late.
00:09:41Go on.
00:09:42You decide.
00:09:43I don't mind traveling at night, in the least.
00:09:47Come here.
00:09:49I want to call Millen.
00:09:50Keep a change.
00:09:51Thank you, sir.
00:10:08I see from the map there are two roads to Millen.
00:10:23Well, yes.
00:10:24The new highway and the old road.
00:10:25Which is the better?
00:10:26The old one's much shorter, but...
00:10:27But what?
00:10:32It's just that it means going through the valley.
00:10:35And at this time of year, after sundown, there's often quite a bit of fog.
00:10:38Thanks.
00:10:38What do I owe you?
00:10:39$4.50, sir.
00:10:41It's your life, so I guess you can do what you like with it.
00:10:44I guess so.
00:10:46But if you had any dignity, you'd leave your wife.
00:10:49You know damned well I've always loved Elsa.
00:10:52Yes, I know.
00:10:53All right.
00:10:54Right up until last year.
00:10:56Elsa loved me, too.
00:10:57We were happy together.
00:11:01I hope that one day we will be again.
00:11:03It's not that easy.
00:11:05Time you faced up to it.
00:11:09Up to what?
00:11:10It's Elsa's money you love.
00:11:11That's why you won't leave her.
00:11:16You're wrong, Ellen.
00:11:17I have a fortune of my own.
00:11:19Yes, you did ten years ago.
00:11:21But you threw it all away on drinking women.
00:11:27Ernest, I'm sorry.
00:11:28Don't get mad at me.
00:11:30I don't mean it.
00:11:30I'm just made like that.
00:11:33I must be a silly idiot.
00:11:34Because I love you.
00:11:36Yes, I know.
00:11:38But why doesn't she treat you the way I do?
00:11:41You've become a household pet.
00:11:43All she has to do is whistle.
00:11:47She changed completely when her father died.
00:11:50She was suddenly responsible for the enormous fortune he had left her in his will.
00:11:54I don't know how it happened.
00:11:59But within a few days, she was transformed into a hard-headed businesswoman obsessed with deals.
00:12:03And she denies you your conjugal rights.
00:12:06She hasn't let you near her bed in months.
00:12:09Forgive me, Ernest.
00:12:09Forgive me.
00:12:13No need to be angry.
00:12:15Where do you think you're going?
00:12:18You mustn't hate me.
00:12:19I'm a fool for you.
00:12:21Hold me.
00:12:21I adore you.
00:12:24And I can't help it, though I know it bores you.
00:12:27What's money, anyway?
00:12:29Try paying the bills.
00:12:31And you'd know.
00:12:44Those damn guests seem to be going at last.
00:12:46You'd better watch your tongue.
00:12:50I know you when you drink.
00:12:54Somebody's coming.
00:12:59I've spoken to my husband on the phone.
00:13:01Has he had the signature authenticated?
00:13:03Yes, but his car's broken down, and I must go and pick him up.
00:13:05Would you like us to go with you?
00:13:07No, no, there's no need.
00:13:08It'll take me no more than an hour.
00:13:10We'll follow you in my car.
00:13:11That way you can hand over the document, and we can go on.
00:13:13All right, if you're in a hurry to get back home.
00:13:16Not really, but I'd prefer to get back tonight so I can present the document tomorrow morning.
00:13:20Better to be early.
00:13:21I can't really see this map in the dark.
00:13:51It's impossible to judge the distance.
00:13:53Do you think we may have missed the training?
00:13:55It's quite possible.
00:13:56Listen.
00:13:57Isn't it the sound of a car coming this way?
00:13:59Yes.
00:14:00Here it comes now.
00:14:04Stop them and ask the way.
00:14:06Well, we can try.
00:14:13Fred!
00:14:14Look out!
00:14:15What's up!
00:14:38I can't see a thing.
00:14:46I can't imagine why you insisted I'm going home tonight.
00:14:49How was I supposed to know this fog would come down?
00:14:52It's the same every single year.
00:14:54How can you forget?
00:14:57I'm blind.
00:14:57Can you see the lights of Elsa's car?
00:14:59No.
00:15:00She knows I don't know the road.
00:15:01It's damn inconsiderate.
00:15:02Oh, don't worry.
00:15:03She'll stop and wait as soon as she realizes we've lost her.
00:15:06I wish to God I was for sure.
00:15:07I'll have to drive faster.
00:15:12Take care, I beg you.
00:15:14I don't want to get lost out here in the fog.
00:15:23We should never have come.
00:15:26You're going much too fast.
00:15:28Cut it out, woman.
00:15:30I'm quite nervous enough without your nagging.
00:15:32Look out, there's a bend in the road.
00:15:33Don't shout my ear.
00:15:35You're giving me a headache.
00:15:36Stay on the right.
00:15:37Look out.
00:15:38There's a car.
00:15:39No!
00:16:09No!
00:16:33Hello there. Can I help you?
00:16:35Take care when you get up to the crossroads. The turning to Millen is ahead on the left.
00:16:42I hope it's a decent road. This fog's getting pretty thick.
00:16:45It's narrow but not too windy until you get to a bend over the hill.
00:16:51Wait a minute. Have you by any chance seen a big old car?
00:16:55I can't recall seeing any cars.
00:17:05No!
00:17:07No!
00:17:09No!
00:17:11No!
00:17:13No!
00:17:15No!
00:17:17No!
00:17:18No!
00:17:23No!
00:17:24No!
00:17:26No!
00:17:27No.
00:17:28Oh, my God.
00:17:58Who are you?
00:18:02Who are you?
00:18:04Get away from me, for God's sake.
00:18:08For God, not you.
00:18:11If you are where you are, leave me alone.
00:18:28If you are where you are, leave me alone.
00:18:46right road. It must be. We turned left. That's what he said. He said it wasn't whiny until we got
00:18:52over the hill. I don't see any hill, do you? I don't see anything, Frank. But I'm sure it's...
00:18:57Are you all right? I think so. What happened? No more road. That's what happened. God knows
00:19:16where we are. Here, give me a hand. Help me! Help me! Help! Help! Help!
00:19:46I keep getting the feeling that we're on another planet. Roads that disappear and then reappear
00:19:52again. Others that are suddenly interrupted and... Help me, somebody! Help! Oh, God! What's that?
00:20:08What's the matter? What happened? I'm... I'm being pursued. There's no one pursuing you.
00:20:35Can't you hear it? What? I can't hear anything. A sort of deep sighing. What happened to you?
00:20:51I don't really know. I was driving my car in the direction of Soren. And lost your way in the
00:20:55far. Exactly. Same thing happened to us. Only we were heading for Millen. Evidently, you took
00:21:00a wrong turning. Just as we did when we left the main road. No. No, you're wrong. I'm sure
00:21:05it was the right one. Then suddenly I found myself in a cemetery.
00:21:07I couldn't see anyone or hear anything out of the ordinary. Are you sure that... Yes, quite sure.
00:21:14First of all, there was this horrible sound like someone breathing, harsh and loud. Then all at once, a man appeared. His face was hidden.
00:21:21But he was wearing the uniform of a chauffeur. He was enormously tall. He was enormously tall.
00:21:28I couldn't see anyone or hear anything out of the ordinary. I couldn't see anyone or hear anything out of the ordinary.
00:21:32I couldn't see anyone or hear anything out of the ordinary. Are you sure that... Yes, quite sure.
00:21:36Once you've got to know in the house he entered his face and it's indebted out the elderly, and it's
00:21:46what you're physically taken. You gezegd. It was forever rather than little.
00:21:52As long as you ciao, I never thought I would have knew this. That doesn't lie in theictionary.
00:21:54Maybe it is. Tell me, was the man in uniform alone oroine?
00:22:01Was the man in uniform alone?
00:22:06No.
00:22:08There was an old woman in black with him.
00:22:12You don't believe it.
00:22:14You must think I'm crazy.
00:22:15No.
00:22:16Oh, I wouldn't blame you.
00:22:18Well, I'm not subject to hallucinations.
00:22:19No, no, of course not.
00:22:22We don't think you're crazy.
00:22:26It's all right now.
00:22:28I promise.
00:22:29You've obviously had a nasty shock.
00:22:31The only thing that really makes any sense
00:22:33is that your car has broken down
00:22:36and here we are, all three lost in a fog.
00:22:39What we're going to do about it, I don't quite know.
00:22:42The map's not very encouraging.
00:22:44We don't seem to be honest.
00:22:45Well, I wouldn't let that worry you.
00:22:47But there's one good thing.
00:22:48We're near a cemetery.
00:22:50The dead are buried by the living.
00:22:52So there's got to be a village somewhere in the neighborhood.
00:22:56You won't think of going through it?
00:22:58No, we'll walk around the wall until we come to the gate.
00:23:00The village must be on that side.
00:23:02Look what we have here.
00:23:24A Rolls Royce.
00:23:25How strange.
00:23:26What's it doing here?
00:23:28Don't you realize this is just the sort of car to be driven by a chauffeur in uniform?
00:23:35It's the same number plate of the car that...
00:23:37That's really incredible.
00:23:39What is it?
00:23:40What's incredible?
00:23:41That this is the car that tried to run me down less than an hour ago.
00:23:44This cemetery has been abandoned.
00:23:52And I'm afraid the village will be as dead and dark as those unattended graves.
00:23:57What is this awful place?
00:23:59I've never heard of it.
00:23:59I'm sure it doesn't exist.
00:24:01Of course it exists.
00:24:02We're in it.
00:24:03This path must lead somewhere.
00:24:13Look over there.
00:24:15What?
00:24:15The light.
00:24:17Let's go and see who's there.
00:24:18Let's go and see who's there.
00:24:21Let's go and see who's there.
00:24:51You're blinding me with that flashlight.
00:24:57Didn't you hear it?
00:24:58Amazing.
00:24:58We run into you everywhere.
00:25:00I could say the same thing.
00:25:02It is strange.
00:25:03All right.
00:25:04Come in.
00:25:10Elsa.
00:25:13So you got fog bound too.
00:25:15What a surprise.
00:25:21Why did you greet us at the door with a gun?
00:25:30When we arrived here, someone was trying to break in.
00:25:34As soon as he saw us, he made off and disappeared into the fog.
00:25:37He seemed to be wearing uniform.
00:25:39Yes.
00:25:41The sort of uniform a chauffeur might wear.
00:25:44Yes.
00:25:45Boots to the knees.
00:25:46Boots, you said?
00:25:53Certainly.
00:25:54I must admit, I too was lost.
00:25:56Temporarily.
00:25:57But I know I would soon have found the road to Millen
00:25:59if these two hadn't crashed into me.
00:26:01It wasn't my fault.
00:26:02I'm sure it wasn't.
00:26:03But the fact remains, we're stuck here now.
00:26:06Quite true.
00:26:06The fog isn't usually this enveloping.
00:26:15It'll be gone by morning, I'm sure.
00:26:18If you'd care to remain here tonight, you are most welcome.
00:26:25There are only three bedrooms available, however.
00:26:28And I'm afraid they haven't been aired for some time.
00:26:36Miss Clinton very kindly helped us after the accident.
00:26:42I blew the horn of my car.
00:26:44And I heard it.
00:26:45So I went to see what was going on.
00:26:47Where are we?
00:26:48In an abandoned village around 15 kilometers from Millen.
00:26:52Any chance we could get there tonight?
00:26:54The visibility's nil.
00:26:55I personally wouldn't attempt.
00:26:57Won't you sit down, Miss Clinton?
00:27:01Tell me, how did you get out here?
00:27:04On a bicycle.
00:27:05By a path that goes straight through the woods.
00:27:09But I'm sure I'd never find it again now the fog's so thick.
00:27:16I might find it on my motorbike.
00:27:18It's idiotic.
00:27:19Aren't you coming?
00:27:20How did you find yourself here?
00:27:22I must have taken a wrong turn.
00:27:24I obviously turned to the right by mistake.
00:27:26No, you turned left, all right.
00:27:28But instead of carrying straight on, you took another turn that brought you here.
00:27:31But we suddenly found ourselves in a cemetery.
00:27:35There's a network of small roads leading through the valley.
00:27:39You took the one that comes to the cemetery.
00:27:41But luckily you found your way here.
00:27:45And now you know how easy it is to get lost.
00:27:47Why didn't you turn back to Millen when you saw the fog beginning to come down?
00:27:53It seemed more sensible to spend the night down here.
00:27:56You see, this is my house.
00:27:58And I often come here, though.
00:28:00I live in Millen.
00:28:04What does surprise me is that someone like you should lose your way when you know the area so well.
00:28:09But I, I'm a good physiognomist, generally.
00:28:13What does that mean?
00:28:14I've seen you many times.
00:28:16I don't remember ever having seen you.
00:28:18We belong to two different worlds.
00:28:20I'm not surprised to hear you say that.
00:28:23I keep having the sensation that we've crossed the frontier between the real and the unreal.
00:28:29I've never heard anybody mention this place before.
00:28:32That's not surprising.
00:28:33The inhabitants abandoned it years ago.
00:28:35I imagine they had a very good reason for doing so, don't you think?
00:28:39Of course, there are a lot of stories.
00:28:42The country folk around here are superstitious.
00:28:44A mysterious epidemic occurred.
00:28:47They say the victims died by being bitten in the throats by a vampire.
00:28:53Who drained their blood.
00:28:56In any case, everyone left the village.
00:28:59I heard the 12 people died in one night.
00:29:02And when their bodies were found the following morning,
00:29:06their relatives buried them here in the cemetery.
00:29:08And then everyone left this place forever,
00:29:11abandoning their houses, their land, everything they owned.
00:29:14Oh, God, do you hear that?
00:29:24It's coming from in here.
00:29:26Please, don't open it.
00:29:27It's years since I went down to the cellar.
00:29:32The last time, I saw a rat.
00:29:36I'm terrified of rats, so I keep that door bolted.
00:29:40And the electricity's been cut off tonight.
00:29:43It makes me a little nervous.
00:29:45Well, if that's a rat, it's a damn big one.
00:29:48I'll try to kill it with my gun.
00:29:50Open the door and I'll...
00:29:51Please, no.
00:29:54My nerves won't stand it.
00:29:56I beg you not to open that door.
00:29:57All right, as a wish.
00:30:02Well, whatever it was, it's gone away.
00:30:16I've noticed that you have an interest in that family portrait.
00:30:19It's Julia Clinton.
00:30:21Yeah.
00:30:22She resembles you a lot.
00:30:23And my aunt was a very eccentric woman.
00:30:25She was a witch, so they say.
00:30:29Maybe that's why she made a collection of all those weird pictures.
00:30:34It might explain it.
00:30:36In actual fact, I don't know anything for certain.
00:30:39I was born in this house long after everyone else deserted the place.
00:30:42And there were only those graves out there in the cemetery to show that people had once been here and had the life drained out of them by a vampire.
00:30:49Did she inhabit the place alone?
00:30:51No, she found she had to employ a man to act as valet, gardener, chauffeur.
00:30:57He was really extremely tall and ugly.
00:31:00But she trusted him and evidently drove her Rolls-Royce very well until one day he got drunk and crashed it into the cemetery wall just outside the house.
00:31:10They were both killed immediately.
00:31:12Both killed?
00:31:12Yes, in 1942, she had her head crushed.
00:31:18The steering wheel punctured the chest of the chauffeur.
00:31:29My dear, what's the matter?
00:31:31I'm sure it's your nerves.
00:31:32She seems to be in a state of shock.
00:31:33Do something.
00:31:34Get her.
00:31:34Say she can't get her breath.
00:31:35Help me get her to the window.
00:31:36Yes, I'll open it.
00:31:42She had an attack like this before.
00:31:46Take deep breaths, dear.
00:31:47It'll pass.
00:31:48Is that any better?
00:31:50Is the air helping?
00:31:52Perhaps we should lie down.
00:31:55No, thank you.
00:31:57Better now.
00:31:59You gave us quite a scare.
00:32:01I didn't realize you were in such a nervous state.
00:32:03I'm sorry, but I...
00:32:04Come and sit down quietly.
00:32:06Yes, right.
00:32:07Does she usually suffer from nerves?
00:32:14Yes.
00:32:16Since the death of her father.
00:32:17Was he killed in an accident?
00:32:20No.
00:32:21It was a heart attack.
00:32:24He was in his daughter's bed
00:32:25with a young girlfriend of hers
00:32:26from college when he died.
00:32:29It was a scandal for months.
00:32:30But why?
00:32:34Nowadays, I suppose it seems like nothing to the young.
00:32:37But 30 years ago,
00:32:38it was a really shocking thing.
00:32:40Attitudes have changed quite a lot.
00:32:42Anyway,
00:32:44Elsa lost her mother
00:32:45when she was still a child.
00:32:47She was very attached to her father.
00:32:50It wasn't really surprising
00:32:52she took it hard.
00:32:55She had a nervous breakdown over it.
00:33:07feeling better now?
00:33:13All right.
00:33:21I must have collapsed.
00:33:23Yes.
00:33:25So sorry.
00:33:26Better take one of these.
00:33:27It'll help you relax.
00:33:30They're tranquilized.
00:33:31Can I be of any help to you?
00:33:39No, thank you.
00:33:41I hope you've
00:33:42made yourself comfortable.
00:33:44Yes, I'm much obliged.
00:33:46If there's anything you need,
00:33:47no thanks.
00:33:48I'll be all right.
00:33:50Good night then, Mr. Porter.
00:33:51Good night.
00:33:52Good night.
00:33:54Good night.
00:34:16Good night.
00:34:47This will keep you warm.
00:35:17I'm warm now.
00:35:27Sleep well.
00:35:42Give me a hand, will you?
00:35:43All right.
00:36:19This is all I have to offer you.
00:36:21I'm terribly sorry.
00:36:23Don't worry.
00:36:24That'll be fine.
00:36:25I hope you won't be too uncomfortable.
00:36:27I'm grateful for your hospitality.
00:36:37How is that woman feeling now?
00:36:39I gave her a sedative and she went to sleep at once.
00:36:41I got the impression she wouldn't be able to get to sleep too easily.
00:36:43If you want anything else in the night, don't hesitate to call me.
00:36:47The others have already settled in.
00:36:49Good night.
00:36:50Sleep well.
00:36:51Good night.
00:36:52And thank you.
00:36:53Good night.
00:36:55And thank you.
00:36:57Good night.
00:36:58Good night.
00:36:59Good night.
00:37:00Good night.
00:37:01Good night.
00:37:02Good night.
00:37:03Good night.
00:37:04Good night.
00:37:05Good night.
00:37:06Good night.
00:37:07Good night.
00:37:08Good night.
00:37:09Good night.
00:37:10Good night.
00:37:11Good night.
00:37:12Good night.
00:37:13Good night.
00:37:14Good night.
00:37:15Good night.
00:37:16Good night.
00:37:17Good night.
00:37:18Good night.
00:37:19Good night.
00:37:20Where are you going?
00:37:23I want to see how else he is.
00:37:26She's asleep by now. No need to go waking her.
00:37:28Well, how do you know?
00:37:31Let that Clinton woman see to her.
00:37:33I'm extremely tired.
00:37:35Let's get a little rest.
00:37:37Tomorrow's a very important day for us.
00:37:50Tomorrow's a very important day.
00:38:20Tomorrow's a very important day.
00:38:50Tomorrow's a very good day.
00:38:52Tomorrow's a very good day.
00:38:55This time for us, we will be here.
00:38:59We will be having a good day.
00:39:00The other day, Father's bride.
00:39:04You're our God.
00:39:05And that's when He tells God we need to go실 de care people.
00:39:14I got nothing from himself.
00:39:16And he's terrible.
00:39:18You don't want to go in there.
00:39:20I must.
00:39:22Whatever for?
00:39:24I want to find out what's going on here.
00:39:26And you think the answer's in there?
00:39:30Well, it's possible.
00:39:32Go on, then.
00:39:36You see?
00:39:38It slides quite smoothly.
00:39:42Oh.
00:39:48No sign of rust.
00:39:50What are you getting at?
00:39:52But don't you recall?
00:39:53She told us that this door hadn't been opened for a good many years.
00:39:57Yes, that's true.
00:39:58No, I'm going in.
00:39:59I just want a quick look.
00:40:05It's so dark.
00:40:07What do you hope to see?
00:40:09I didn't believe the story about that rat.
00:40:11Why not?
00:40:13What are you looking for?
00:40:18That scratching sound we heard couldn't have been a rat.
00:40:25You see?
00:40:26There are no scratches on the lower part of the door.
00:40:29If it wasn't a rat, what was it?
00:40:31I have no idea.
00:40:33But I intend to find out.
00:40:35Look.
00:40:36What do you think did that?
00:40:37It's certainly not a rat.
00:40:43Let's get out of here.
00:40:44It gives me the creeps.
00:40:48I'm scared, Frank.
00:40:51I'm scared, Frank.
00:41:18I'm scared.
00:41:19I'm scared.
00:41:20I'm scared.
00:41:21If I get wet, I keep filme now.
00:41:24Oh,Ñ–Ñ€.
00:41:25I'm scared.
00:41:26That's
00:41:42I'm scared.
00:41:44Oh, my God.
00:42:14Oh, my God.
00:42:44Oh, my God.
00:43:14Oh, my God.
00:43:44Oh, my God.
00:44:13Oh, my God.
00:44:43I wish you'd leave me alone.
00:44:45I'd be terrified.
00:44:46Not only your bedroom.
00:44:49All the rooms are alike, including mine.
00:44:51In fact, I feel very uneasy.
00:44:52Really, I do.
00:44:53And I thought perhaps a little whiskey would do us a world of good.
00:44:59I don't want your whiskey or your company.
00:45:02Go away.
00:45:02But I...
00:45:03Get out of here.
00:45:04You mean you really want me to go?
00:45:10Yes.
00:45:10I always thought there was something out about you.
00:45:21Now I know what.
00:45:22Now I know what.
00:45:22Get out.
00:45:23I never bother with women who despise men.
00:45:27I'm thirsty.
00:45:36I'm thirsty.
00:45:36I'm thirsty.
00:45:50Everything all right, Dad?
00:45:51Everything all right, Dad?
00:45:54Pretty good.
00:45:55I feel more like your brother.
00:45:56Oh, you're cute tonight.
00:45:59You wouldn't think so if you were sober.
00:46:01I'm only your daughter.
00:46:02Oh.
00:46:02May I have a glass of orange?
00:46:03Ah, you may look good, but you're a foul move.
00:46:06I admit you're a handsome man, Dad.
00:46:09Oh, thanks.
00:46:11But one thing gives away your age.
00:46:12That's interesting.
00:46:14Do tell.
00:46:16Your preoccupation with little girls.
00:46:18Oh, Dad.
00:46:20Your behavior's disgusting.
00:46:22You were propositioning that child.
00:46:24Adeline's no child.
00:46:25She's your age.
00:46:26I know that.
00:46:29Today it's Adeline.
00:46:31It'll be her little sister next.
00:46:32You'd like me to find out if she likes old men, too.
00:46:35No, thanks, Elsa.
00:46:36I manage alone.
00:46:37I don't usually sleep with my daughter's college friends.
00:46:41At least, not many.
00:46:44I take it you had a row with Ernest again.
00:46:46Yes, I did.
00:46:47I'm happy to hear it.
00:46:49Let me warn you.
00:46:51He's a scoundrel.
00:46:52A good-for-nothing.
00:46:53Ernest is extremely rich.
00:46:54That's what he likes you to think.
00:46:56He'll get through his inheritance and...
00:46:57Sorry, I beg to differ.
00:46:59Have it your own way.
00:47:00I warned you.
00:47:01Now, if you'll excuse me.
00:47:03I have someone waiting.
00:47:10A martini very dry.
00:47:15Ernest!
00:47:16I didn't expect you.
00:47:18I'm glad you could make it.
00:47:20Really?
00:47:22Do you want to start again?
00:47:23I don't see why not.
00:47:28Be reasonable, Elsa.
00:47:29I'm no longer at that age when love can blind one.
00:47:32I see you as you are.
00:47:33Capricious, dominating, a spoiled child.
00:47:36You mean you don't want me?
00:47:38Yes, yes, I do.
00:47:39I'm crazy about you and you know it.
00:47:41But your behavior is unbearable, Elsa.
00:47:43Oh, I'm not so awful.
00:47:47All right, then.
00:47:48Let's try again.
00:47:51Come on.
00:47:51Let's go.
00:48:16I'm sorry about yesterday.
00:48:17I promise never to make a fuss about anything again.
00:48:21Let's hope not.
00:48:23Where should we go?
00:48:24Wherever you like.
00:48:25Hmm.
00:48:26Let's go to my place.
00:48:53Are you quite sure?
00:48:55Yes, I am.
00:48:55The two of us alone.
00:48:57The two of us alone.
00:49:25Do you have a place.
00:49:28One of us alone.
00:49:29Bye.
00:49:30Bye.
00:49:31Leave a second.
00:49:33Bye.
00:49:34shouldn't do it.
00:49:35Bye.
00:49:35Take care.
00:49:36Bye.
00:49:36Bye.
00:49:41Bye.
00:49:44Bye.
00:49:44Bye.
00:49:45Bye.
00:49:47Bye.
00:49:47Bye.
00:49:48Bye.
00:49:48Bye.
00:49:49Bye.
00:49:49Bye.
00:49:50Bye.
00:49:51Bye.
00:49:52Bye.
00:50:52In your house, Daddy.
00:51:09In your bedroom.
00:51:12In your own bed.
00:51:13In your own bed.
00:51:43In your own bed.
00:52:13Was there anything you wanted?
00:52:26No, not really.
00:52:27I'm just a bit lonely.
00:52:31And I thought...
00:52:32Come in, Mr. Porter.
00:52:34And close the door.
00:52:42Thought.
00:52:43Perhaps you'd like a drop of whiskey.
00:52:46I don't enjoy drinking alone.
00:53:15And I wondered if you would like to keep me...
00:53:20Humper?
00:53:22Wait just a minute.
00:53:24What?
00:53:25Would you mind doing me a favor, Mr. Porter?
00:53:28No, any...
00:53:29Turn around.
00:53:31What do you mean?
00:53:33You don't mind, do you?
00:53:35For a second.
00:53:36Oh, I understand now.
00:53:39You're modest.
00:53:41I will.
00:53:43I like molluskow.
00:53:44You're a little.
00:53:45I like molluskow.
00:53:49I like molluskow.
00:53:54No.
00:53:57You're a little.
00:53:59You're a little.
00:54:00Oh, my mother.
00:54:01Oh.
00:54:01Oh.
00:54:02Oh.
00:54:02Oh.
00:54:04Oh.
00:54:05Oh.
00:54:05Oh.
00:54:06Oh.
00:54:06Whoa!
00:54:36Fred!
00:54:55Fred!
00:54:57Fred!
00:55:06Fred, are you there?
00:55:35Oh, please answer.
00:56:05Don't scream at me, Fred.
00:56:12I almost died.
00:56:14I'm sorry, but how the hell was I to know it was you?
00:56:18Why for the torture?
00:56:20What are you doing in there?
00:56:21Looking around.
00:56:22And you'll never guess what I found.
00:56:23If it's something awful, I don't want to know.
00:56:25Don't be silly.
00:56:26Come and look.
00:56:27Let's get out of here.
00:56:28I don't like it.
00:56:29This tunnel leads to a crypt.
00:56:30Honestly?
00:56:31Don't be afraid.
00:56:32Come on.
00:56:33It's just a chapel I found, attached to the family vault.
00:56:35It's just a chapel I found, attached to the family vault.
00:56:51It's just a chapel I found, attached to the family vault.
00:57:06Oh
00:57:32Elsa
00:57:36Elsa.
00:57:42Good night.
00:58:00I'm only your father, you know, not God.
00:58:03Just a man like any other with defects as well as virtues.
00:58:07I'm anything but perfect. I'm only a man.
00:58:10You can't expect a husband to be perfect either.
00:58:13But he has a right to be a husband.
00:58:16You can't deny me that.
00:58:18What have I done to deserve this?
00:58:20It's you. You.
00:58:22You who's destroying our marriage.
00:58:24It's your fault, Elsa.
00:58:33I heard a cry, so I thought I'd see if you were all right.
00:58:43But it must have been a nightmare.
00:58:45Yes, it was a nightmare.
00:58:47You seem very upset.
00:58:50If you'd like me to, I could lie here with you until you feel better.
00:58:54Tell me about the dream you had. Was it a bad one?
00:59:01No.
00:59:02It was something very personal.
00:59:05I'd prefer not to talk about it.
00:59:07Don't talk about it then.
00:59:12I'm terribly tired.
00:59:15I think I'll try to sleep.
00:59:24This passage under the garden must have been built to reach the crypt of Martha Clinton's family.
00:59:38Whatever it is, it's a spooky place.
00:59:46That's very strange.
00:59:47Why? I don't see anything strange about it.
00:59:50Someone's removed the cover of this coffin.
00:59:54Look.
00:59:56Julie Clinton.
00:59:571864 to 1942.
01:00:00When she died, she was nearly 80 years old.
01:00:02Julie Clinton?
01:00:04It means that Miss Clinton's story was true.
01:00:07But she and her chauffeur were killed.
01:00:09How did we see that man on the way here?
01:00:12That's what I want to find out.
01:00:15Can you see anything?
01:00:18Nothing inside.
01:00:19Well?
01:00:20I don't understand it.
01:00:21She's either making fools of both of us with her fables about vampires,
01:00:26or there's something most peculiar going on around here.
01:00:29Do you think the vampire was her aunt?
01:00:32I'm not sure, but there's a lot of evidence to make me...
01:00:34Make you think so?
01:00:35Well, yes.
01:00:36Don't scare me any more than I am already.
01:00:37You're wasting your time.
01:00:39I'm not trying to scare you.
01:00:41It's just that I'm trying to...
01:00:43get to the bottom of this goddamn mystery.
01:00:45No!
01:00:46No!
01:00:47No!
01:00:48No!
01:00:49No!
01:00:50No!
01:00:51No!
01:00:52No!
01:00:53No!
01:00:58No!
01:01:02No!
01:01:03No!
01:01:05No!
01:01:12No!
01:01:13Aah! Aah!
01:01:43Aah!l
01:01:50Aah!
01:01:54Aah!
01:02:00Aah!
01:02:02Al!
01:02:06Aah!
01:02:08Aah!
01:02:10Aah!
01:02:11Aah!
01:02:12Aah!
01:02:13Clinton's family.
01:02:42Now do you understand?
01:02:44The only thing I understand, it's better out here in the fog than in that awful house.
01:02:53Hey, who is it?
01:02:56It's Mr. Porter.
01:02:58Porter!
01:03:00What are you doing there?
01:03:02Stop shooting!
01:03:04Must have gone braving mad.
01:03:06Stay here and try not to move.
01:03:12Laura!
01:03:16Come here, quick!
01:03:25What's the matter with him?
01:03:27The man's dead.
01:03:28Are you sure?
01:03:29Yes.
01:03:30I think he had a heart attack.
01:03:32Perhaps it was the shock of seeing us coming out of that tomb.
01:03:35No.
01:03:36He's quite cold.
01:03:37You mean?
01:03:42That's rigor mortis.
01:03:43He's been dead quite a while.
01:03:45See that?
01:03:46He was murdered.
01:03:48But then how did he shoot it up?
01:03:51I don't know, but the barrel of his gun's still warm.
01:03:56Do you hear that?
01:03:57Yes, we did.
01:03:58What is it?
01:04:00God knows.
01:04:06Stay there.
01:04:07Who are you?
01:04:08Stay where you are.
01:04:09I'll shoot you.
01:04:14What are you waiting for?
01:04:15A fire!
01:04:17Stop.
01:04:18I'm warning you.
01:04:19Let's go, please.
01:04:30You're right.
01:04:31Dangerous to stay here.
01:04:34We'll take him back to the house.
01:04:35Here.
01:04:37Help me.
01:04:49Help me.
01:05:05What happened?
01:05:06Hurry, please.
01:05:07Shut the door.
01:05:08Now, please tell me what you were doing out there.
01:05:19Porter's dead.
01:05:20Dead.
01:05:22But how?
01:05:23Have you seen my wife?
01:05:25No.
01:05:26Why?
01:05:27Well, she...
01:05:29just disappeared.
01:05:30Disappeared?
01:05:33Yes, we went to sleep last night.
01:05:35And when I woke up, there was nobody beside me.
01:05:38I took the liberty of knocking on Elsa's door.
01:05:40But there was nobody there either.
01:05:42You're saying that both Elsa and your wife have disappeared?
01:05:46Yes.
01:05:47I've searched everywhere and found no trace.
01:05:52Oh, my heavens.
01:05:54What's the matter with Mr. Porter?
01:05:56He's dead.
01:05:57I'm afraid.
01:06:01I don't believe it.
01:06:03How did it happen?
01:06:05He had a heart attack.
01:06:07Probably brought on by a great shock.
01:06:10But we can't know for sure until there's an autopsy.
01:06:13I hate to change the subject.
01:06:15But I smell burning.
01:06:16So do I.
01:06:17Look, it's coming from there.
01:06:18You're right.
01:06:19You're right.
01:06:49You're right.
01:06:50You're right.
01:06:51Here.
01:07:05Here.
01:07:07Laura.
01:07:08Do your best to put this fire out.
01:07:09I'll have to hurry back and help me.
01:07:10Hurry back and help me!
01:07:40She's coming, too.
01:07:44You keep an eye on her.
01:07:46Oh, please don't leave us alone.
01:07:48I have to.
01:07:50But why?
01:07:52Because there's something I have to do.
01:07:54What's so important?
01:07:56To uncover the truth.
01:07:58Here, take this.
01:08:00You know how it works, don't you?
01:08:02Yes. I take off the safety catch.
01:08:04Yes, that's it. Then all you do is pull the trigger.
01:08:10Be back soon.
01:08:35How is she?
01:08:37I'm afraid she's still suffering from shock.
01:08:40And a certain amount of excitation.
01:08:42What she really needs is medical help.
01:08:45I don't know where you're going.
01:08:47But I don't advise trying to get to Millen if that's your idea.
01:08:51It is? Just what I'm going to do.
01:08:53Don't.
01:08:54You'll never make it.
01:08:56You know what this fog's like.
01:08:58I'm sure you're right.
01:09:00But I'm going to do my best.
01:09:02Goodbye.
01:09:04Goodbye.
01:09:25Listen, if you get to Millen, go straight to the police.
01:09:38Don't worry, I will.
01:09:55Don't worry.
01:10:25Don't worry.
01:10:55Come on.
01:11:10How could you leave me alone like that?
01:11:11But I thought you were sleeping.
01:11:13Yes, of course I was.
01:11:15But I was woken up by a sound and I didn't have any idea where you were.
01:11:18Well, there's no need to worry now that I'm here.
01:11:21Where have you been?
01:11:22I went to see if I could find a blanket somewhere.
01:11:24You don't want to get cold.
01:11:25No, I want to get dressed immediately.
01:11:27It's better for you to stay there.
01:11:29I want to get dressed.
01:11:30All right.
01:11:31All right, if that's what you want, I'll help you.
01:11:34Where did you put your clothes?
01:11:35In that cupboard.
01:11:36Get out of here.
01:12:06Get out of here.
01:12:36Get out of here.
01:12:46Don't you stand there.
01:12:48Help me.
01:12:48What are you doing here?
01:13:07My husband.
01:13:09Where is he?
01:13:12What's wrong, Mrs. Tremont?
01:13:14Tell me what it is.
01:13:16The pills I took, what pills?
01:13:20The pills that my husband gave me.
01:13:23Pills to...
01:13:25Pills for my insomnia.
01:13:29I couldn't go through it.
01:13:46Pills for my insomnia.
01:17:45We must destroy the loudspeakers and tape recordings as soon as possible.
01:17:48Igor will take care of that.
01:17:49Don't worry about it.
01:17:50It'll be dawn soon.
01:17:51We must hurry.
01:17:52I can just imagine the faces of the policemen when those two start talking about walking corpses and vampires.
01:17:58And when we tell them that nothing happened here at all.
01:18:02They'll probably end up in an asylum along with Elsa.
01:18:04Certainly.
01:18:06It's you.
01:18:09Everything went very smoothly.
01:18:10In fact, exactly as we planned.
01:18:12There's a minor detail that should be cleared up.
01:18:17The cost of the operation.
01:18:19We would like double.
01:18:24What are you doing?
01:18:25Are you going mad?
01:18:30Why do you want me to?
01:18:31I don't mean to.
01:18:36It sounded like a shot.
01:18:37Someone fired a shot.
01:18:38What was it?
01:18:39Wake up, Mrs. Tremont.
01:18:40Please don't go to sleep again.
01:18:41Not now.
01:18:42You mustn't now.
01:18:48What did you have to do that for?
01:18:50We've done everything you wanted us to do.
01:18:52What do you want from us now?
01:18:56Don't point that.
01:18:57Don't point that.
01:18:58Just give us the amount we agreed to do it for.
01:19:00Whatever you like.
01:19:01No.
01:19:05No.
01:19:06No.
01:19:08Don't shoot me too.
01:19:09I'll never tell anybody about it.
01:19:11You've nothing to fear from me.
01:19:30There's nothing to fear.
01:19:31I'll never tell anybody about it.
01:19:32I'm not.
01:19:33No.
01:19:34No.
01:19:36No.
01:19:37No.
01:19:38No.
01:19:39No.
01:19:40No.
01:19:41No.
01:19:42No.
01:19:43No.
01:19:44No.
01:19:45No.
01:19:46No.
01:19:47No.
01:19:48No.
01:19:49No.
01:19:50No.
01:19:51No.
01:19:52No.
01:19:53No.
01:19:54No.
01:19:55No.
01:19:56No.
01:19:57Oh.
01:20:27Come on!
01:20:44Laura!
01:20:48Laura!
01:20:58Laura!
01:21:02Laura!
01:21:05Laura!
01:21:06In here, Fred! Here!
01:21:08Open the door!
01:21:10I have to move this desk!
01:21:16Are you all right?
01:21:18Fred! Oh, Fred!
01:21:20I thought I'd never find you.
01:21:23We've no time to lose. We'd better get out of here.
01:21:25We can't possibly leave these two here alone.
01:21:30There's no choice.
01:21:31We must get to the police and send an ambulance.
01:21:34It's almost dawn and we only have the motorcycle.
01:21:55Royce!
01:21:57I'm sorry!
01:21:59You're in here!
01:22:01I don't know.
01:22:03I'm sorry!
01:22:05You're in the door!
01:22:07I'm sorry, everybody!
01:22:09You can hear it!
01:22:11You're in there from the entrance!
01:22:13I'm sorry!
01:22:14You're in there!
01:22:16Well, I had to know the streets!
01:22:18I had to admit it.
01:23:19How's that?
01:23:25How's that?
01:23:27How's that?
01:23:33How's that?
01:23:35How's that?
01:23:39How's that?
01:23:43How's that?
01:23:45How's that?
01:23:47How's that?
01:23:49How's that?
01:23:51How's that?
01:23:53How's that?
01:23:55How's that?
01:23:57How's that?
01:23:59How's that?
01:24:01How's that?
01:24:03How's that?
01:24:05How's that?
01:24:09How's that?
01:24:11How's that?
01:24:15How's that?
01:24:17How's that?
01:24:19How's that?
01:24:21How's that?
01:24:23How's that?
01:24:25How's that?
01:24:27How's that?
01:24:29How's that?
01:24:31How's that?
01:24:33How's that?
01:24:35How's that?
01:24:37How's that?
01:24:39How's that?
01:24:41How's that?
01:24:43How's that?
01:24:45How's that?
01:24:47How's that?
01:24:49How's that?
01:24:51How's that?
01:24:53How's that?
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